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This is a 100% comparison of Fujichrome Provia 100F film shot with a Nikon F80 (and scanned on a Nikon Super Coolscan 8000 ED with Vuescan software) and the same view taken with both a digital Nikon D7000 & Fujifilm X10.
Note: Although the caption above says the Fuji X10 was shot in 12MP mode, in reality, once the image is cropped to match the 2:3 aspect ratio, the dimensions change from 3000x4000 to 2664x4000, which is actually 10.7MP. The width however, is the same as 12MP APS-C.
Also, noise reduction with Imagenomic Noiseware Pro was applied in post to the Nikon F80 scan and the Fuji X10 image. The Nikon D7000 image in the middle had no noise so no noise reduction was applied.
Conclusion? For anyone who thinks film is dead, think again. With a good scanner, some tech skills and a $25 '70s era SLR, you can easily get pro results that few could tell the difference from images shot on a $1200 DSLR.
And for those wondering if the Fujifilm X10 can match or exceed film at base ISO; the answer is "yes" in sharpness, color and dynamic range and "always" in convenience and portability.
■ Please don't use my images for any purpose, including on websites or blogs, without my explicit permission.
■ S.V.P ne pas utiliser cette photo sur un site web, blog ou tout autre média sans ma permission explicite.
© Tom Freda / All rights reserved - Tous droits réservés
We’re back on the road with another Drive Time Episode! Hope in and join Michael Raso, Mark Dalzell, and John Fedele! Topics today show include Super8 Movies, Cinestill Giveaway, Kickstarter Roundup, C-41 Kit Update, Fakmatic Update, C-41 Kit – Shipping Update, Listener Letters, and More! So hop in, buckle up and let’s hit the road!
filmphotographyproject.com/podcast/2017/12/film-photograp...
Camera: Minolta SRT Super with MC Rokkor-PF 50mm f/1.7 lens.
Film: Kodak Ultramax 400
Processing: Walkens House of Film, Melbourne, Australia with the Noritsu scanner.
This statue of a convict boy is part of a bigger installation by Irish sculptor, Rowan Gillespie. It commemorates the arrival of over 13,000 convict women and their 2,000 children from Great Britain between 1803-1853. A staggering number, and most of them never went home. But once their punishment was completed they went on to become great contributors to the development of the colony. The man with the hi-vis worker's top reflected in the window is quite fitting in many ways. Typically, working class people were vastly over-represented among the convicts.
I am very pleased with the way the Kodak Ultramax 400 film has rendered this shot. The Minolta SRT is a fine camera and the 50mm Rokkor lens is exceedingly sharp.
A wire frame is dipped in bubble solution and placed in front of a speaker. At certain frequencies, the soap film oscillates in symmetrical patterns called normal modes.
These images were made by reflecting light off the soap film through a large lens and onto the wall. They are a combination of square and circular soap film frames.
This is a very similar idea as the Chladni plates.
For more, watch our video.