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Sailing heart-ships
thru broken harbors
Out on the waves in the night
Still the searcher
must ride the dark horse
Racing alone in his fright.
Tell me why, tell me why
Is it hard to make
arrangements with yourself,
When you're old enough to repay
but young enough to sell?
Tell me lies later,
come and see me
I'll be around for a while.
I am lonely but you can free me
All in the way that you smile
Tell me why, tell me why
Is it hard to make
arrangements with yourself,
When you're old enough to repay
but young enough to sell?
Tell me why, tell me why
Tell me why, tell me why
Film Photography Podcast
Episode 277 - October 15, 2021
Michael Raso and John Fedele discuss the brand new FPP film - Frankenstein 200. Later, they're joined by Mark O'Brien to discuss the upside of attending film photography meet-ups!
FPP FRANKENSTEIN 200 BW FILM
It's a 200 iso panchromatic BW film that's based on our own Cine 16 movie film emulsion. The greatest news...it's available in 35mm, 120, 620 and 4x5! This new film joins our other awesome "monster films" - Dracula 64 and Wolfman 100. All are available in our MONSTER SECTION at the FPP On-Line Store!
filmphotographystore.com/collections/monster-films
THE JOY OF FILM PHOTOGRAPHY MEET-UPS
Mark O'Brien shares his experiences running and attending film photography meet ups and his most recent event in North Carolina!
Today's show intros and outros are from the 1963 audio recording of Famous Monsters Speak (available on LP at ebay).
Our exit music:
That Dead Girl by Kevin Neblung
Dead Jennifer by Darren "Ballard" Riley
The Film Photography Podcast is sponsored by...YOU!
Please consider a donation or visit our on-line store.
PENTAX LX + KODAK PROIMAGE 100
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Film: Polaroid High Definition 100 (expired in 00s)
Camera: Olympus OM-10
Lens: F.Zuiko 1:1.8 f=50mm
Pavlovsk, October 2021
Canon F1 50mm 1.2
Agfa precisa ct100 slide film cross processed in Tetenal Colortec c41
These cross processed agfa slides looked very green, i scanned them as positives and let some of the green out to get back some colors. The edges from the negative holder turned pink, which I didn't crop because I kind of liked them.
Most of them are mine, a few are Beca's. I kind of want to sell all of the ones that I'm not currently using, but part of me still wants to hold on to them since I've successfully shot film through ALL of them (except for some of the instamatics) And some of them might be worth something in 30 years.
Neither the Crown Graphic, Speed Graphic or RZ67 can fit on the shelf, so they get their own bags.
Rolleiflex SL35 | Schneider 50mm | Fuji 200 (baked 1 month) | Sunpak 555 | Minneapolis, MN
Moral of the story... we need a bigger shelving unit for all of our cameras.