View allAll Photos Tagged Field
Todas las fotografias de esta galeria, estan protegidas por el real Decreto Legislativo 1/1996, del 12 de abril, por el que se aprueba el texto Refundido de la LEY DE PROPIEDAD INTELECTUAL. Queda totalmente prohibida su reproducción total o parcial sin el expreso consentimento de su autor. Si estás interesado en adquirir alguna copia, o los derechos de reproducción de alguna de las fotografias aqui publicadas, contacta con el autor. Si la finalidad de las fotografias deseadas no es con fines lucrativos, igualmente debes contactar con el autor indicando el uso que se dará a las imagenes.
COPYRIGHT:All photographs on this site are protected by Royal Decree Law 1 / 1996 of 12 April, approving the revised text of the Copyright Law. It is strictly forbidden to reproduce in whole or in part without the express consent from the author. If you are interested in purchasing any copy or reproduction rights for any of the photographs published here, please contact the author. If the desired purpose of the photographs is not for profit, you should also contact the author indicating the use which will be the images.
Corn Field Fire, Marden Kent, UK 01/08/14
This Image is Copyrighted, Please Contact Jason Reeve at JRAperture2013@gmail.com for permission to use.
Thank You
An older JD sprayer sits adjacent to a recently tilled field. This one is relatively tiny to current models.
(not) taken for active assignment monthly : Odd man out. I got back from shooting in my local area in realised this fella would fit perfectly with the assignment!
WIT : riding my moped round my local area looking for something interesting to shoot. A bit of tweaking the colours to bit them back from the dead.
I took these photos hanging out around Knox Field and shooting interesting people.
I guess this is about 1970.
Johnstown, New York 12095
A data-visualization of meteorite impact data etched into stone at different locations on the Earth. Using data provided by Peter Jenniskens at the SETI Institute, Kildall wrote custom algorithms that created files specific for a high-pressure waterjet cutting machine.
When a large asteroid enters the earths atmosphere, it does so at high velocity of approximately 30,000km/hour. Before impact, it breaks up into thousands of small fragments, which are meteorites. Usually when they hit our planet in the ocean or at remote locations. Only recently have scientists been able to use GPS technology to geolocate the spread patterns, called Strewn Fields.
Using this data, along with the mass of the meteorites, Kildall has transposed the patterns using custom algorithms into 2D space and the programmed the waterjet machine — a high-pressure CNC water-cutting device to etch the data into stone. The waterjet reflects the kinetic energy of the asteroid and the stone is that of the Earth. Each stone is selected to match the type of rock found at that impact site on Earth.
Part of the group exhibition Future Artifacts
Thanks to Leisure & Culture Dundee
About the Artist Scott Kildall is cross-disciplinary artist who writes algorithms that transform various datasets into 3D sculptures and installations. The resulting artworks often invite public participation through direct interaction. His work has been exhibited internationally at venues including the New York Hall of Science, Transmediale, the Venice Biennale and the San Jose Museum of Art.
He has received fellowships, awards and residencies from organizations including Impakt Works, Autodesk, Recology San Francisco, Turbulence.org, Eyebeam Art + Technology Center, Kala Art Institute and The Banff Centre for the Arts.
FUTURE ARTIFACTS
Gabriel Menotti, Scott Kildall, Roel Roscam Abbing, Thomson & Craighead, Nedyalka Panova
This intervention-exhibition presents artworks and installations across the galleries and public spaces of the McManus: Dundee’s Art Gallery & Museum, and the Mills Observatory. The works conjure up an image of future artifacts, questions ideas of what we leave behind and reveals the hidden material cultures of our technological age. The audience can choose to hunt for these artifacts or find them by chance; either way they will provide new conversations between museum objects and their audience.
Alameda Dark Meat, High School Division, Ultimate Disc, Wilder Field, Orinda, CA, Winter League Play, Bay Area Disc Assoc,
Studio in the Woods is a four day outdoor summer workshop led by a group of award winning architects and engineers aimed at architectural students, practicing architects and a wider audience with an interest in place, landscape and the direct experience of making and working with materials to hand.
Initial ideas using the props of mirrors to reflect light into a chalk pit using easels.
Gianni Botsford of Gianni Botsford Architects and Kate Darby of Kate Darby Architects were our tutor architects for our group.