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I had a day of landscapes today, lunch time in Hampshire, and the evening in Dorset. The weather was glorious in the middle of the day (30C!), but the cloud was coming in by the evening.
Under the ridiculously hot sun at lunch time, I was out near Beech Hill (near to Hartley Wintney in Hampshire) in fields of Wheat. These shots were taken with a 0.9ND grad to balance out the sky.
The Hubble Legacy Field represents the largest, most comprehensive "history book" of galaxies in the universe.
The image, a combination of nearly 7,500 separate Hubble exposures, represents 16 years of observations gathered together into a unified whole, giving the image its uneven shape. It includes Hubble deep-field surveys, such as the 2012 eXtreme Deep Field (XDF) and the 2004 Hubble Ultra Deep Field (HUDF), as well as the 2003 Great Observatories Origins Deep Survey (GOODS).
The wavelength range stretches from ultraviolet to near-infrared light.
The image presents a wide portrait of the distant universe and contains roughly 265,000 galaxies. They stretch back through 13.3 billion years of time to just 500 million years after the universe's birth in the Big Bang. The tiny, faint, most distant galaxies in the image are similar to the seedling villages from which today's great galaxy star-cities grew. The faintest and farthest galaxies are just one ten-billionth the brightness of what the human eye can see.
The wider view contains 100 times as many galaxies as in the Hubble Ultra Deep Field. The new portrait, a mosaic of multiple snapshots, covers almost the width of the full Moon. Lying in this region is the XDF, which penetrated deeper into space than this legacy field view. However, the XDF field covers less than one-tenth of the full Moon's diameter.
The Hubble Legacy Field is located in the constellation Fornax.
Credit: NASA, ESA, and G. Illingworth (University of California, Santa Cruz; UCO/Lick Observatory)
For more information, visit: hubblesite.org/contents/news-releases/2019/news-2019-17.html
I was getting back home yesterday evening and I saw this field on my left along the road. The shoot has been made from the inside of my car almost without doing anything more than just framing
I was surprised, yesterday, to find an October field of sunflowers, still sunny! Autumn has not yet robbed them of life.
Frühlingslandschaft am Südhang des Kyffhäusers bei Steinthaleben im thüringischen Kyffhäuserkreis.
In between 2 fields, one infested with poppies and one not, in between night and day.
* * * * *
Entre 2 : comme entre 2 champs de culture céréalière, l'un infesté avec des coquelicots rouges, l'autre non, entre deux comme entre le jour et la nuit.
Another field of wildflowers at the San Jacinto Wildlife Area. This is a composite of two shots of the same scene. The sky was shot at ISO 50 for 60 secs. The foreground was shot at ISO 800 at 1/30th sec.
Canon 5D mkIII, Canon 17-40 f4@17mm, f11@60 sec, ISO 50
Another shot of the fence in our backyard. Taken with the Olympus E-P2 OM 55mm f/1.2. Developed in Lightroom 3.
You'll remember me when the west wind moves
Among the fields of barley
You can tell the sun in his jealous sky
When we walked in fields of gold
So she took her love for to gaze awhile
Among the fields of barley
In his arms she fell as her hair came down
Among the fields of gold
Will you stay with me will you be my love
Among the fields of barley
And you can tell the sun in his jealous sky
When we walked in fields of gold
Eva Cassidy
Clouds over fields in Idaho.
This shot is from a road trip in June to the Grand Teton and Yellowstone National Parks. We came back through Idaho and saw some fascinating clouds and beautiful fields. Not sure exactly where this was, but the west side of the Grand Teton Mountains would be in the distance off the right side of the frame.
This shows the Olympus OM Telescopic tube, 65-116mm and the Schneider Kreutznach Apo-Componon 45mm f1:4 which is used in reversed position via a reverse adapter. The telescopic tube is a great tool because it allows you to rotate the camera. These are the kind of tools that have prooved to deliver outstanding results in the hands of swedish master photographer John Hallmén, so any shortcomings in my pictures sadly are on me.
This combo gives a magnification range from 2,2:1 to 3,2:1.
The lens performs best at f1:4,7 and actually from 1:1 to 2:1, but if you want to use this magnification range you must use macro extension tubes. I use the old OM 7-14-25mm set from Olympus, and they fill the gap perfectly.
Photo taken by my son Victor with his Canon EOS 600D and a Tamron SP 35-80mm f2.8-3.8
All Rights Reserved
© Ioan C. Bacivarov
That means you MAY NOT REPRODUCE or POST this photo elsewhere without my permission.
Thank you in advance
Original Caption: This entire field of straw west of El Centro in the Imperial Valley, burned off in less than half an hour. Smoke was visible for 20 miles. Owner wished to clear field quickly for planting another crop, May 1972
U.S. National Archives’ Local Identifier: 412-DA-5249
Photographer: O'Rear, Charles, 1941-
Subjects:
Blythe (California)
Environmental Protection Agency
Project DOCUMERICA
Persistent URL: research.archives.gov/description/547736
Repository: Still Picture Records Section, Special Media Archives Services Division (NWCS-S), National Archives at College Park, 8601 Adelphi Road, College Park, MD, 20740-6001.
For information about ordering reproductions of photographs held by the Still Picture Unit, visit: www.archives.gov/research/order/still-pictures.html
Reproductions may be ordered via an independent vendor. NARA maintains a list of vendors at www.archives.gov/research/order/vendors-photos-maps-dc.html
Access Restrictions: Unrestricted
Use Restrictions: Unrestricted
French postcard by A.N., Paris, no. 827. Photo: Jacques Haïk.
French actress Alice Field (1903-1969) started out in the silent film era. Her career got on steam in the 1930s when she starred in several French-language versions of German film classics.
Alice Field was born Alice Fille in Alger, Algeria in 1903. She made her film debut opposite Saint-Granier in the silent production Villa Destin (Marcel L’Herbier, 1921), based on a play by Oscar Wilde. That same year she played the second wife of a well-to-do Algerian (Marcel Vibert) in Visages voilés... âmes closes/The Sheik's Wife (Henry Roussel, 1921). She then focused on stage work but returned to the cinema when sound film was introduced. She played the wife of Constant Rémy in Atlantis (Ewald André Dupont, Jean Kemm, 1930), a heavily fictionalized version of the RMS Titanic story. It was filmed simultaneously with the English-language version Atlantic (1929), the-German language version Atlantik (1929) and the silent version Atlantic (1929). Her film career got on steam. In the following years, Field appeared in several films including La maison de La Flèche/The house of La Flèche (Henri Fescourt, 1930) with Annabella, Le refuge/The Refuge (Léon Mathot, 1931) and Vous serez ma femme/You Will Be My Wife (Carl Boese, Serge de Poligny, 1932) with Roger Tréville. The latter was the alternative language version of the Ufa comedy Der Frechdachs/The Cheeky Devil (Carl Boese, Heinz Hille, 1932) with Willy Fritsch and Camilla Horn. Throughout the 1930s, Field played leading and supporting roles in a dozen French films. Most of them were run–of–the–mill, but quite watchable are Cette vieille canaille/The Old Rogue (Anatole Litvak, 1933) featuring Harry Baur, and the crime drama Police mondaine/Worldly Police (1937), in which she starred opposite Charles Vanel and Pierre Larquey.
Alice Field starred in the spectacle Le tigre du Bengale/The Tiger of Eschnapur (Richard Eichberg, 1938) and the sequel Le tombeau hindou/The Indian Tomb (Richard Eichberg, 1938). These were the French versions of the German two-parter Das Indische Grabmal (Richard Eichberg, 1938) and Der Tiger von Eschnapur (Richard Eichberg, 1938). These films were remakes of Joe May's 1919 silent films of the same name. Both versions were based on a novel by Thea Von Harbou, at one time the wife of director Fritz Lang. In turn, both Tiger von Eschnapur and Das Indische Grabmal were remade in 1959 by Fritz Lang. During the 1940s, Field continued to star in French films. Among her films were Campement 13/Camp 13 (Jacques Constant, 1940), and the comedy La loi du printemps/The law of spring (Jacques Daniel-Norman, 1942) with Pierre Renoir. After the war, she kept busy although her parts became smaller. Among her films of the 1950s and 1960s are the comedy drama Au p'tit zouave/The little Zouave (Gilles Grangier, 1950) starring François Périer, the Euro-spy film Pleins feux sur Stanislas/Killer Spy (Jean-Charles Dudrumet, 1965) starring Jean Marais, and the romance Un garçon, une fille. Le dix-septième ciel/A boy, a girl. The seventeenth sky (Serge Korber, 1966) with Jean Louis Trintignant and Marie Dubois. She continued to play roles on stage and television, like in the series Au théâtre ce soir/On stage tonight (1966-1970). Her final film appearance was a small part in the classic comedy Playtime (Jacques Tati, 1967) with Jacques Tati as Monsieur Hulot. Alice Field died in 1969 in Paris. She was 66.
Sources: AllMovie, Wikipedia (French) and IMDb.
And, please check out our blog European Film Star Postcards.
The terraced rice fields of southern Chiba prefecture, Japan
Nikon D700 with the Nikon AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR
Spring flowers dot the field around an interdunal pound.
Indiana Dunes National Park
Wild Flower Summer Nature July - Wildblume Blume Juli Sommer - (C) Fully copyrighted.Image only available with written royalty agreement. Not available without written royalty agreement. No answer = no permission at all. - (C) Bild nur verfügbar mit schriftl. Honorarvereinbg. Nicht ohne schriftl. Honorarvereinbg. verfügbar. Keine Antwort = keine Freigabe.