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Plenário do Senado Federal durante sessão deliberativa ordinária semipresencial.
Na ordem do dia, Proposta de Emenda à Constituição (PEC) 28/2021, que promove modificações na legislação eleitoral, e a Medida Provisória (MP) 1.050/2021, que aumenta de 10% para 12,5% a tolerância para o excesso de peso por eixo de ônibus de passageiros e de caminhões de carga sem aplicação de penalidades. Outros dois projetos na pauta tratam do marco regulatório para as ferrovias no país (PLS 261/2018), e define critérios para distribuição de sobras eleitorais em eleições proporcionais (PL 783/2021). Plenário ainda deve analisar projeto que trata do pagamento de honorários periciais e sobre requisitos da petição inicial em litígios relativos a benefícios por incapacidade (PL 3.914/2020).
À bancada:
senador Rogério Carvalho (PT-SE);
senador Antonio Anastasia (PSD-MG);
senadora Simone Tebet (MDB-MS).
Foto: Waldemir Barreto/Agência Senado
Federal Delegation Group Photo, Wednesday July 6th 2016. National Education Association 154th Annual Meeting, 95th Representative Assembly at the Walter E. Washington Convention Center in Washington DC. Photo by Calvin Knight/NEA Today
Federal Protective Service
Chevrolet Tahoe
Picture Date: 05/14/2012
This marked Chevrolet Tahoe is owned by the Federal Protective Service. Here it participates in a parade held during Police Week 2012 in Washington D.C.
Núcleo Rural Rio Preto, Planaltina, Brasília, DF, Brasil 23/1/2017 Foto: Andre Borges/Agência Brasília.
A merenda de cerca de 130 mil estudantes da rede pública será reforçada em 2017 com produtos adquiridos da agricultura familiar.
Produtor de maracujá, Francisco Sousa, de 50 anos, precisou aumentar o plantio para poder participar da concorrência pública. Com os filhos — entre eles, Marcos — e a esposa, Sousa tem uma propriedade com capacidade para 6 hectares de área cultivada e pretende intensificar o trabalho para dar conta da produção.
Leia a matéria no site da Agência Brasília: bit.ly/2jlJ5dL
Guess how long I had to wait for no people and no traffic in the picture.
The U.S. Courthouse & Federal Office Building, Milwaukee, Wisconsin is a post office, Federal office, and courthouse building located at Milwaukee in Milwaukee County, Wisconsin. It is a courthouse for the United States District Court for the Eastern District of Wisconsin.
When Milwaukee's Federal Building and U.S. Courthouse was constructed in 1892-99, it epitomized the revolutionized mail handling that had followed the introduction of postal stamps in 1847. By the end of the 19th century, added postal services included registered mail, street letter boxes, and free mail delivery. When an existing, 1859 post office became inadequate for the postal service's growing needs, Congress was persuaded to fund a new, larger building in 1889. It included multiple federal agencies under one roof—housing the U.S. Postal Service, Courts and Customs Service. Today, the District Courts are the only original tenant remaining in the building.
The massive granite edifice is a city landmark within the historic district known as Juneautown and the first ward organized from land owned by Solomon Juneau, Milwaukee's founder and first mayor. The building is surrounded by notable and contemporaneous historic buildings, including the Milwaukee Club (1883), The Pfister Hotel (1893), and the Northwestern National Insurance Building (1906). The Federal Building and U.S. Courthouse's imposing Richardsonian Romanesque architecture presented a break from the classical style that dominated Government buildings for most of the 19th century. Designed by Willoughby J. Edbrooke, Supervising Architect of the U.S. Treasury Department, the style was popularized by renowned architect Henry Hobson Richardson, whose use of the Romanesque Revival began to penetrate the Midwest during the 1880s. Edbrooke's predecessor, James G. Hill, supervising architect during the late nineteenth century, was the first federal architect to abandon classical forms. Under Hill's influence, federal structures often featured lofty towers that were visible from long distances during the period when few buildings rose above ten stories.
From 1929-32, construction of a large addition extended the building southward. The addition was raised to seven stories eight years later. In 1989 -96, GSA completed a major renovation and restoration project, which restored the historic interiors to their original brilliance while incorporating modern office needs.
In 1972, the building was designated a Milwaukee City Landmark, and in 1973, it was listed in the National Register of Historic Places. 73000082
Federal Express MD-11F, N612FE. Originally delivered to Federal Express on September 30, 1993. MIA. 12-2-2020.
Ethnic groups rally for immigrant rights
By Oscar Avila and Antonio Olivo
Tribune staff reporters
Published March 10, 2006, 1:06 PM CST
Both sides of the debate over illegal immigration were bracing today for a massive march and rally, a multi-cultural mobilization expected to draw tens of thousands of protesters to the Loop in support of more humane immigration laws.
Busloads of immigrants from Mexico, Poland and Ireland streamed this morning to Union Park, at Ashland Avenue and Washington Boulevard on the city's West Side. Shortly after noon, they stepped off on a two-mile march to Federal Plaza, 230 S. Dearborn St., for a 2 p.m. rally.
As many as 40,000 people were expected to participate, WGN-Ch. 9 reported.
Anticipating the big turnout, critics of illegal immigration held a preemptive news conference this morning in Grant Park. They predicted the rally would backfire on its organizers, stoking the anger of other Chicagoans that illegal immigrants were arrogant enough to demand increased rights.
Opinion polls find most Americans favor stricter immigration enforcement, the critics said.
Sandra Gunn, government relations field associate for the Washington-based Federation for American Immigration Reform, said she hoped politicians would ignore the "display of arrogance and intimidation" from protesters who she said flout immigration laws. "It is our voices that they must heed," Gunn said.
Carmen Mercer, vice president of the Minuteman Civil Defense Corps, a national volunteer group opposed to illegal immigration, said the marchers were undercutting the interests of legal immigrants who play by the rules. She also said the threat of terrorism makes immigration enforcement more critical.
"We don't want another 9-11," said Mercer, a legal immigrant from Germany. "That is why we are demanding that our government secure our borders."
Today's events come at a critical time in the immigration debate. Congress is weighing competing proposals over how to treat the nation's 11 million undocumented immigrants.
Rally organizers said they oppose H.R. 4437, a bill approved in the U.S. House of Representatives that would drastically strengthen immigration enforcement, including the construction of a wall along the Mexican border.
Instead, they back a competing bill that would provide legal status for most undocumented immigrants and make it easier for legal immigrants to bring in relatives. That legislation, sponsored by U.S. Sens. John McCain (R-Ariz.) and Edward Kennedy (D-Mass), also would expand temporary work visas.
Much of the turnout and energy for today's rally was coming from the local Mexican-American community, the area's largest immigrant group. But the Mexican groups were bolstered by immigrants from Ireland, Poland, China and Ecuador.
The wide-ranging organizing committee also included the Nation of Islam, Service Employees International Union Local 73, evangelical churches and the Puerto Rican Cultural Center.
Tapping into immigrant growth in the suburbs, organizers rented about 200 buses for immigrants boarding near taquerias and churches in such far-flung towns such as Blue Island and Aurora.
A subplot of the day's events, organizers said, was the Chicago economy's reliance on immigrant labor. Organizers encouraged participants to leave work, with some calling for a "general strike" today to underscore the workload shouldered by immigrants, including those without legal status.
Around the area, business owners weighed whether to give the march their blessing or to resist the employee exodus.
Several Mexican box boys in a Montclare grocery store said they saw the march as a chance to affirm their dignity. But their boss Gus Labrakis, a Greek immigrant, was annoyed about how their participation might impact his business.
"I don't think this is a good idea," Labrakis said. "They're inviting even more hate against them. The real problem is at the border. If they keep coming by the millions, where will this lead?"
Antonio Reyes, a box boy at Labrakis' market who arrived from Mexico City in 2000, said the march is an important way for non-immigrants to understand how the proposed laws will affect hard working families.
"We didn't come to this country to rob, but to work and support our families," said Reyes, a father of two U.S.-born children.
Demonstrators carrying U.S. flags gathered at Union Park hours before the march was to start, arriving by chartered bus, cars and even Metra trains – walking west about 12 blocks to the park from Union Station in downtown Chicago.
Alex Garcia and about 10 co-workers from a Joliet commercial sign company were among those trekking out from the station to the park, only to retrace their steps when they marched back into the Loop for the Federal Plaza rally.
"The buses were all too full, so we jumped on a train," Garcia said as his group passed Chicago police officers preparing for the march on Jackson Boulevard.
Garcia, whose company installs signs for McDonald's, Burger King and other fast-food restaurants in the Chicago area, said, "Most people don't realize how much work we do, but it's part of their daily lives. We are putting up all the buildings and cooking all the food. Today, they'll understand."
Detroit, Michigan, USA
bulk carrier
flag: Marshall Islands [MH]
owner: FEDNAV
built: 2017
length: 199.9m / 656ft
This is in no way a political statement. Just a few random pictures from the 2021 federal election campaign.
Dies ist in keiner Weise eine politische Aussage. Einfach ein paar zufällige Bilder vom Bundestagswahlkampf 2021.
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More motorcycle images.
driver-photographer.blogspot.de/
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Austria Kunsthistorisches Museum
Federal Museum
Logo KHM
Regulatory authority (ies)/organs to the Federal Ministry for Education, Science and Culture
Founded 17 October 1891
Headquartered Castle Ring (Burgring), Vienna 1, Austria
Management Sabine Haag
www.khm.at website
Main building of the Kunsthistorisches Museum at Maria-Theresa-Square
The Kunsthistorisches Museum (KHM abbreviated) is an art museum in Vienna. It is one of the largest and most important museums in the world. It was opened in 1891 and 2012 visited of 1.351.940 million people.
The museum
The Kunsthistorisches Museum is with its opposite sister building, the Natural History Museum (Naturhistorisches Museum), the most important historicist large buildings of the Ringstrasse time. Together they stand around the Maria Theresa square, on which also the Maria Theresa monument stands. This course spans the former glacis between today's ring road and 2-line, and is forming a historical landmark that also belongs to World Heritage Site Historic Centre of Vienna.
History
Archduke Leopold Wilhelm in his Gallery
The Museum came from the collections of the Habsburgs, especially from the portrait and armor collections of Ferdinand of Tyrol, the collection of Emperor Rudolf II (most of which, however scattered) and the art collection of Archduke Leopold Wilhelm into existence. Already In 1833 asked Joseph Arneth, curator (and later director) of the Imperial Coins and Antiquities Cabinet, bringing together all the imperial collections in a single building .
Architectural History
The contract to build the museum in the city had been given in 1858 by Emperor Franz Joseph. Subsequently, many designs were submitted for the ring road zone. Plans by August Sicard von Sicardsburg and Eduard van der Null planned to build two museum buildings in the immediate aftermath of the Imperial Palace on the left and right of the Heroes' Square (Heldenplatz). The architect Ludwig Förster planned museum buildings between the Schwarzenberg Square and the City Park, Martin Ritter von Kink favored buildings at the corner Währingerstraße/ Scots ring (Schottenring), Peter Joseph, the area Bellariastraße, Moritz von Loehr the south side of the opera ring, and Ludwig Zettl the southeast side of the grain market (Getreidemarkt).
From 1867, a competition was announced for the museums, and thereby set their current position - at the request of the Emperor, the museum should not be too close to the Imperial Palace, but arise beyond the ring road. The architect Carl von Hasenauer participated in this competition and was able the at that time in Zürich operating Gottfried Semper to encourage to work together. The two museum buildings should be built here in the sense of the style of the Italian Renaissance. The plans got the benevolence of the imperial family. In April 1869, there was an audience with of Joseph Semper at the Emperor Franz Joseph and an oral contract was concluded, in July 1870 was issued the written order to Semper and Hasenauer.
Crucial for the success of Semper and Hasenauer against the projects of other architects were among others Semper's vision of a large building complex called "Imperial Forum", in which the museums would have been a part of. Not least by the death of Semper in 1879 came the Imperial Forum not as planned for execution, the two museums were built, however.
Construction of the two museums began without ceremony on 27 November 1871 instead. Semper moved to Vienna in the sequence. From the beginning, there were considerable personal differences between him and Hasenauer, who finally in 1877 took over sole construction management. 1874, the scaffolds were placed up to the attic and the first floor completed, built in 1878, the first windows installed in 1879, the Attica and the balustrade from 1880 to 1881 and built the dome and the Tabernacle. The dome is topped with a bronze statue of Pallas Athena by Johannes Benk.
The lighting and air conditioning concept with double glazing of the ceilings made the renunciation of artificial light (especially at that time, as gas light) possible, but this resulted due to seasonal variations depending on daylight to different opening times .
Kuppelhalle
Entrance (by clicking the link at the end of the side you can see all the pictures here indicated!)
Grand staircase
Hall
Empire
The Kunsthistorisches Museum was on 17 October 1891 officially opened by Emperor Franz Joseph I. Since 22 October 1891 , the museum is accessible to the public. Two years earlier, on 3 November 1889, the collection of arms, Arms and Armour today, had their doors open. On 1 January 1890 the library service resumed its operations. The merger and listing of other collections of the Highest Imperial Family from the Upper and Lower Belvedere, the Hofburg Palace and Ambras in Tyrol will need another two years.
189, the farm museum was organized in seven collections with three directorates:
Directorate of coins, medals and antiquities collection
The Egyptian Collection
The Antique Collection
The coins and medals collection
Management of the collection of weapons, art and industrial objects
Weapons collection
Collection of industrial art objects
Directorate of Art Gallery and Restaurieranstalt (Restoration Office)
Collection of watercolors, drawings, sketches, etc.
Restoration Office
Library
Very soon the room the Court Museum (Hofmuseum) for the imperial collections was offering became too narrow. To provide temporary help, an exhibition of ancient artifacts from Ephesus in the Theseus Temple was designed. However, additional space had to be rented in the Lower Belvedere.
1914, after the assassination of Franz Ferdinand, heir to the throne, his " Estonian Forensic Collection " passed to the administration of the Court Museum. This collection, which emerged from the art collection of the house of d' Este and world travel collection of Franz Ferdinand, was placed in the New Imperial Palace since 1908. For these stocks, the present collection of old musical instruments and the Museum of Ethnology emerged.
The First World War went by, apart from the oppressive economic situation without loss. The farm museum remained during the five years of war regularly open to the public.
Until 1919 the K.K. Art Historical Court Museum was under the authority of the Oberstkämmereramt (head chamberlain office) and belonged to the House of Habsburg-Lorraine. The officials and employees were part of the royal household.
First Republic
The transition from monarchy to republic, in the museum took place in complete tranquility. On 19 November 1918 the two imperial museums on Maria Theresa Square were placed under the state protection of the young Republic of German Austria. Threatening to the stocks of the museum were the claims raised in the following weeks and months of the "successor states" of the monarchy as well as Italy and Belgium on Austrian art collection. In fact, it came on 12th February 1919 to the violent removal of 62 paintings by armed Italian units. This "art theft" left a long time trauma among curators and art historians.
It was not until the Treaty of Saint-Germain of 10 September 1919, providing in Article 195 and 196 the settlement of rights in the cultural field by negotiations. The claims of Belgium, Czechoslovakia, and Italy again could mostly being averted in this way. Only Hungary, which presented the greatest demands by far, was met by more than ten years of negotiation in 147 cases.
On 3 April 1919 was the expropriation of the House of Habsburg-Lorraine by law and the acquisition of its property, including the "Collections of the Imperial House" , by the Republic. Of 18 June 1920 the then provisional administration of the former imperial museums and collections of Este and the secular and clergy treasury passed to the State Office of Internal Affairs and Education, since 10 November 1920, the Federal Ministry of the Interior and Education. A few days later it was renamed the Art History Court Museum in the "Kunsthistorisches Museum, Vienna State", 1921 "Kunsthistorisches Museum" . Of 1st January 1921 the employees of the museum staff passed to the state of the Republic.
Through the acquisition of the former imperial collections owned by the state, the museum found itself in a complete new situation. In order to meet the changed circumstances in the museum area, designed Hans Tietze in 1919 the "Vienna Museum program". It provided a close cooperation between the individual museums to focus at different houses on main collections. So dominated exchange, sales and equalizing the acquisition policy in the interwar period. Thus resulting until today still valid collection trends. Also pointing the way was the relocation of the weapons collection from 1934 in its present premises in the New Castle, where since 1916 the collection of ancient musical instruments was placed.
With the change of the imperial collections in the ownership of the Republic the reorganization of the internal organization went hand in hand, too. Thus the museum was divided in 1919 into the
Egyptian and Near Eastern Collection (with the Oriental coins)
Collection of Classical Antiquities
Collection of ancient coins
Collection of modern coins and medals
Weapons collection
Collection of sculptures and crafts with the Collection of Ancient Musical Instruments
Picture Gallery
The Museum 1938-1945
Count Philipp Ludwig Wenzel Sinzendorf according to Rigaud. Clarisse 1948 by Baroness de Rothschildt "dedicated" to the memory of Baron Alphonse de Rothschildt; restituted to the Rothschilds in 1999, and in 1999 donated by Bettina Looram Rothschild, the last Austrian heiress.
With the "Anschluss" of Austria to the German Reich all Jewish art collections such as the Rothschilds were forcibly "Aryanised". Collections were either "paid" or simply distributed by the Gestapo at the museums. This resulted in a significant increase in stocks. But the KHM was not the only museum that benefited from the linearization. Systematically looted Jewish property was sold to museums, collections or in pawnshops throughout the empire.
After the war, the museum struggled to reimburse the "Aryanised" art to the owners or their heirs. They forced the Rothschild family to leave the most important part of their own collection to the museum and called this "dedications", or "donations". As a reason, was the export law stated, which does not allow owners to perform certain works of art out of the country. Similar methods were used with other former owners. Only on the basis of international diplomatic and media pressure, to a large extent from the United States, the Austrian government decided to make a change in the law (Art Restitution Act of 1998, the so-called Lex Rothschild). The art objects were the Rothschild family refunded only in the 1990s.
The Kunsthistorisches Museum operates on the basis of the federal law on the restitution of art objects from the 4th December 1998 (Federal Law Gazette I, 181 /1998) extensive provenance research. Even before this decree was carried out in-house provenance research at the initiative of the then archive director Herbert Haupt. This was submitted in 1998 by him in collaboration with Lydia Grobl a comprehensive presentation of the facts about the changes in the inventory levels of the Kunsthistorisches Museum during the Nazi era and in the years leading up to the State Treaty of 1955, an important basis for further research provenance.
The two historians Susanne Hehenberger and Monika Löscher are since 1st April 2009 as provenance researchers at the Kunsthistorisches Museum on behalf of the Commission for Provenance Research operating and they deal with the investigation period from 1933 to the recent past.
The museum today
Today the museum is as a federal museum, with 1st January 1999 released to the full legal capacity - it was thus the first of the state museums of Austria, implementing the far-reaching self-financing. It is by far the most visited museum in Austria with 1.3 million visitors (2007).
The Kunsthistorisches Museum is under the name Kunsthistorisches Museum and Museum of Ethnology and the Austrian Theatre Museum with company number 182081t since 11 June 1999 as a research institution under public law of the Federal virtue of the Federal Museums Act, Federal Law Gazette I/115/1998 and the Museum of Procedure of the Kunsthistorisches Museum and Museum of Ethnology and the Austrian Theatre Museum, 3 January 2001, BGBl II 2/ 2001, in force since 1 January 2001, registered.
In fiscal 2008, the turnover was 37.185 million EUR and total assets amounted to EUR 22.204 million. In 2008 an average of 410 workers were employed.
Management
1919-1923: Gustav Glück as the first chairman of the College of science officials
1924-1933: Hermann Julius Hermann 1924-1925 as the first chairman of the College of the scientific officers in 1925 as first director
1933: Arpad Weixlgärtner first director
1934-1938: Alfred Stix first director
1938-1945: Fritz Dworschak 1938 as acting head, from 1938 as a chief in 1941 as first director
1945-1949: August von Loehr 1945-1948 as executive director of the State Art Collections in 1949 as general director of the historical collections of the Federation
1945-1949: Alfred Stix 1945-1948 as executive director of the State Art Collections in 1949 as general director of art historical collections of the Federation
1949-1950: Hans Demel as administrative director
1950: Karl Wisoko-Meytsky as general director of art and historical collections of the Federation
1951-1952: Fritz Eichler as administrative director
1953-1954: Ernst H. Buschbeck as administrative director
1955-1966: Vincent Oberhammer 1955-1959 as administrative director, from 1959 as first director
1967: Edward Holzmair as managing director
1968-1972: Erwin Auer first director
1973-1981: Friderike Klauner first director
1982-1990: Hermann Fillitz first director
1990: George Kugler as interim first director
1990-2008: Wilfried Seipel as general director
Since 2009: Sabine Haag as general director
Collections
To the Kunsthistorisches Museum are also belonging the collections of the New Castle, the Austrian Theatre Museum in Palais Lobkowitz, the Museum of Ethnology and the Wagenburg (wagon fortress) in an outbuilding of Schönbrunn Palace. A branch office is also Ambras in Innsbruck.
Kunsthistorisches Museum (main building)
Picture Gallery
Egyptian and Near Eastern Collection
Collection of Classical Antiquities
Vienna Chamber of Art
Numismatic Collection
Library
New Castle
Ephesus Museum
Collection of Ancient Musical Instruments
Arms and Armour
Archive
Hofburg
The imperial crown in the Treasury
Imperial Treasury of Vienna
Insignia of the Austrian Hereditary Homage
Insignia of imperial Austria
Insignia of the Holy Roman Empire
Burgundian Inheritance and the Order of the Golden Fleece
Habsburg-Lorraine Household Treasure
Ecclesiastical Treasury
Schönbrunn Palace
Imperial Carriage Museum Vienna
Armory in Ambras Castle
Ambras Castle
Collections of Ambras Castle
Major exhibits
Among the most important exhibits of the Art Gallery rank inter alia:
Jan van Eyck: Cardinal Niccolò Albergati, 1438
Martin Schongauer: Holy Family, 1475-80
Albrecht Dürer : Trinity Altar, 1509-16
Portrait Johann Kleeberger, 1526
Parmigianino: Self Portrait in Convex Mirror, 1523/24
Giuseppe Arcimboldo: Summer 1563
Michelangelo Merisi da Caravaggio: Madonna of the Rosary 1606/ 07
Caravaggio: Madonna of the Rosary (1606-1607)
Titian: Nymph and Shepherd to 1570-75
Portrait of Jacopo de Strada, 1567/68
Raffaello Santi: Madonna of the Meadow, 1505 /06
Lorenzo Lotto: Portrait of a young man against white curtain, 1508
Peter Paul Rubens: The altar of St. Ildefonso, 1630-32
The Little Fur, about 1638
Jan Vermeer: The Art of Painting, 1665/66
Pieter Bruegel the Elder: Fight between Carnival and Lent, 1559
Kids, 1560
Tower of Babel, 1563
Christ Carrying the Cross, 1564
Gloomy Day (Early Spring), 1565
Return of the Herd (Autumn), 1565
Hunters in the Snow (Winter) 1565
Bauer and bird thief, 1568
Peasant Wedding, 1568/69
Peasant Dance, 1568/69
Paul's conversion (Conversion of St Paul), 1567
Cabinet of Curiosities:
Saliera from Benvenuto Cellini 1539-1543
Egyptian-Oriental Collection:
Mastaba of Ka Ni Nisut
Collection of Classical Antiquities:
Gemma Augustea
Treasure of Nagyszentmiklós
Gallery: Major exhibits
Policia Federal Prentiva (PFP) was the Mexican federal police and highway patrol agency from 1998-2009. It was reorganized in 2009 into the Policia Federal.
IMO 9200330
Detroit, Michigan, USA
bulk carrier
flag: Marshall Islands [MH]
owner: FEDNAV, Montreal, Quebec, Canada
length: 199.99m / 656ft
built: 1999
This was the last ship of my visit to the Soo as the saltie Federal Baltic locks down. It was then to the car and 7 hours south.
O Senado Federal atualiza a galeria dos presidentes com dois novos retratos e repõe outros cinco destruídos nos atos de vandalismo ocorridos no dia 8 de janeiro. A cerimônia de aposição acontece no Salão Nobre da Casa.
Os dois novos retratos apostos são do atual presidente do Senado, senador Rodrigo Pacheco (PSD-MG), reconduzido ao segundo mandato de dois anos no início desse ano, e do ex-presidente, senador Davi Alcolumbre (União-AP), seu antecessor no comando do Congresso Nacional.
No evento, o Museu do Senado devolve, à galeria dos ex-presidentes, cinco pinturas a óleo destruídas nos ataques terroristas ocorridos em janeiro. São duas de José Sarney, duas do senador Renan Calheiros (MDB-AL) e uma última de Ramez Tebet. Apenas uma das fotos de Sarney, com uma mancha no olho direito, foi restaurada. As outras quatro, rasgadas nas faces, serviram apenas como base para novos retratos, pintados pelo artista plástico Urbano Villela, pintor responsável pelos retratos que integram a galeria de ex-presidentes do Senado Federal.
Participam:
senador Davi Alcolumbre (União-AP);
presidente do Senado Federal, senador Rodrigo Pacheco (PSD-MG);
ministra do Planejamento e Orçamento, Simone Tebet.
Foto: Jonas Pereira/Agência Senado
Ministro da saúde, Marcelo Queiroga, com o Deputado Ossesio Silva - Republicanos-PE Foto: Walterson Rosa/MS
Port Huron, Michigan, USA
downbound
Cargo vessel
flag: Barbados
owner: FEDNAV
built. 1997
length: 200m / 656ft