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Map 11
• 528. Natural features. The last and at the same time the highest peak in the described belt along the coastal edge of the highlands is Zagradski vrh. It is about 5 km away from the Vinodol staircase and has come very close to Viševica, so that it forms a transition towards the much higher Velika Kapela. For these reasons, it is more difficult to see and is not well known to mountaineers. However, this peak is worthy of attention due to its position and shape. It rises like a 300 m high and fairly regular cone from the plateau where it is surrounded by the beautiful and picturesque fields of Ravno, Lukovo and a little further away Ličko polje. The northern side of the peak is under a beech forest, and the coastal side is bare. The very top of the cone is free and allows a view of the surroundings. At its foot and at an altitude of 950 m, there is an area of beautiful meadows where, before the war, the Vinodolci had their summer shepherds' dwellings called Zagradi (after the fenced plots), and the peak itself was named after them. The plateau around the top is criss-crossed by roads and roads that connect numerous small fields and forest complexes. Before the war, there were hundreds of summer apartments on these fields for Vinodol residents who cultivated the fields (potatoes and greens), grazed crops and cut grass. Today, this way of management has almost died out as unprofitable, but the tradition of summer vacations has largely been preserved, so the remaining summer apartments on these picturesque meadows are used as vacation homes.
• 529. Mountaineering. The tradition of visiting mountaineers is linked to the branch of HPD "Zagradski vrha" from Bribir (founded in 1940), which in 1941 had a spacious mountaineer's house on Lukova. Today, the only catering facility in the area is the "Poli vagabundi" inn on Ravno, where the roads cross. The ascent is particularly attractive for tourists from Crikvenica and Novogi, because on hot summer days they can find mountain refreshment here.
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Zagradski vrh
Karta 11
• 528. Prirodne osobine. Posljednji i ujedno najviši vrh u opisanom pojasu uzduž primorskog ruba goranske površi je Zagradski vrh. On je od vinodolske stepenice udaljen oko 5 km i posve se približio Viševici, tako da čini prijelaz prema znatno višoj Velikoj Kapeli. Zbog tih razloga teže je uočljiv i planinarima slabo poznat. Ipak je taj vrh po svom položaju i obliku vrijedan pažnje. On se diže poput 300 m visokog i prilično pravilnog stošca s visoravni gdje ga okru¬žuju lijepa i slikovita polja Ravno, Lukovo i malo podalje Ličko polje. Sjeverna strana vrha je pod bukovom šumom, a primorska je gola. Sam vrh stošca je slobodan i omogučava vidik na okolicu. Na nje¬govu i podnožju na visini od 950 m pruža se područje lijepih livada gdje su prije rata Vinodolci imali svoje ljetne pastirske stanove zva¬ne Zagradi (po ograđenim parcelama), a po njima je dobio ime i sam vrh. Visoravan oko vrha ispresijecana je putevima i cestama što povezuju brojna mala polja i šumske komplekse. Prije rata bilo je na tim poljima na stotine ljetnih stanova vinodolskih stanovnika koji su ovdje obradivali polja (krumpir i zelje), pasli blago i kosili travu. Danas je takav način gospodarenja kao nerentabilan gotovo zamro, ali se tradicija ljetovanja dobrim dijelom zadržala, pa pre¬ostali ljetni stanovi na tim slikovitim livadama služe kao kuće za odmor.
• 529. Planinarstvo. Tradicija planinarskog posjećivanja vezana je uz podružnicu HPD «Zagradski vrha» iz Bribira (osn. 1940), koja je 1941. imala na Lukovu prostranu planinarsku kuču. Danas je jedini ugostiteljski objekt u okolici gostionica «Poli vagabundi» na Rav¬nom, gdje je i raskrižje puteva. Uspon je osobito privlačan za turiste iz Crikvenice i Novoga, jer za vrućih ljetnih dana ovdje mogu naći planinsko osvježenje.
• 530.7- st. Lič - Ravno - Zagradski vrh 3,30 h. Najkraći i najlakši pješački prilaz vodi iz ž. st. Lič (nije stanica brzih vlakova!) na ž. pruzi Zagreb- Rijeka (189 km od Zagreba, 40 km od Rijeke). Od ž. st. (763 m) treba se najprije spustiti u selo Lič i zatim krenuti poljskim putem preko Ličkog polja u njegov ji. kut do kote Škvadra (769 m), 1h. Odatle markirani put vodi u i. smjeru podno brežuljaka kroz područje Zelemišalj, a zatim šumskom vlakom stiže na cestu Bribir - Viševica na koti Stup (885 m), 45'. Cestom d. 2,5 km preko Ravna na Ravno Mokro do gostionice -Poli vagabundi.. Tu se na visini od oko 850 m prostire lijepa livada okružena šumovitim obroncima Zagradskog vrha i Viševice. Uspon počinje iza gostioni¬ce, vodi preko livade Stankove lazi i Zagradi, pod konac prilično strmo i bez puta, a traje 1h. S vrha (1187 m) lijep je vidik na niz okolnih polja, na Viševicu i Bitoraj, te na Riječki zaljev.
• 531. Bribir - Lukovo - Ravno 20 km - Zagradski vrh 1h. Do sela Bribira u Vinodolu postoji nekoliko puta na dan autobusna veza iz Crikvenice (9 km) i Novog Vinodolskog (5 km). Od raskrižja u selu treba u i. smjeru cestom prema Ogulinu 3,5 km do račvanja, gdje 1. uzbrdo skreće lošija brdska cesta što se kroz kraški kamenjar postepeno uspinje u šumu Na 10. km te ceste odvaja se 1. krak pre¬ma ž. st. Drivenik i Fužine (s nje je moguć uspon na Kobiljak, v. 526, i Medvidak, v. 523), 600 m dalje odvaja se 1. krak u šumu Treskavac (ostaci partizanskog logora), na 12. km cesta silazi na lijepu visora¬van Lukovo (800 m), pokrivenu bujnim livadama, gdje su bribirski planinari uoči rata imali planinarsku kuču. Tik prije Ravna odvaja se d. krak u spaljeno selo Crni Kal (4 km), a na 16. km stiže na Ravno do gostionice -Poli vagabundi. (parkiralište). Dalje uspon kao iz Li¬ča (v. 5301 Ovaj uspon zbog dužine ceste dolazi u obzir za izletnike koji imaju vozilo. Ravno je baza i za uspon na Viševicu (v. 536).
LITERATURA
Pany G.: HPD «Zagradski vrh» i nova plan. kuća u Lukovu. HP 36:39 (prilog br. 7). 1940.
Planinarstvo u Vinodolu Hrvatski planinar 37:103, 1941.
Pavešić P.: Zagradski vrh. Naše planine 23:208, 1971.
Sirnik D.: Na Zagradskom vrha Planinarski list 5:83, 1974
Dr. Željko Poljak, Planine Hrvatske, planinarsko-turistički vodič 1981
Flash Gordon - Comic-Taschenbuch / Taschenbuch-Reihe
> Verschollen im Land der Echsenmänner
Condor Verlag (Deutschland; 1982)
Copyright: King Features (USA; 1952-1982)
ex libris MTP
'Tuscaloosa Mediations' features film by Janet Wong (see the screen on stage), and performances by UA's orchestra, DBR, and local performers.
175 Pelham St, Methuen, MA 01844
Sales: (978) 651-1854
Hi, I'm Amber with the Dan O'Brien Auto Group and today we're going to go over the standard features on the 2020 Ram 1500 Rebel.
From creature comfort to rugged utility . The standard features on this Ram 1500 Rebel Crew Cab 4x4 set it apart from the competition.
Starting with the exterior, this flame red Rebel has a distinct look and style of its own. The Sport Performance Hood, Black; Grille, front bumper, tow hooks and fender flares.. make it stand out from the pack.
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Tilt & Telescope Steering wheel with accent stitch, 8-way power driver seat, with oversized center console storage.
Heavy duty off-road truck rubber floor mats and in-floor storage bins, Rear power sliding window, as well as 12 and 115 Volt aux power outlets, are among the standard features.
The optional features on this 2020 Ram 1500 Rebel Crew Cab 4 by 4 include; hood and side Rebel graphics, Power folding mirrors, Dual zone air conditioning controls, an upgraded 8.4 inch touchscreen display with Apple Carplay and Android Auto. Heated Front Seats and steering wheel, all controlled directly on the touchscreen.
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Features Mark Z Danielewski, Suzanne Collins, John le Carre and Ernest Hemmingway.
Background text: (from top to bottom) Harry Potter and the Deathly Hallows by JK Rowling, Mrs Dalloway by Virginia Woolf, The Ocean at the End of the Lane by Neil Gaiman, The Old Man and the Sea by Ernest Hemmingway, Tinker, Tailor, Soldier, Spy by John le Carre, Murder in Mesopatemia by Agatha Christie, The Hunger Games by Suzanne Collins, Junky by William S Burroughs, Fear and Loathing in Las Vegas by Hunter S Thompson, IT by Stephen King, The Dunwich Horror by HP Lovecraft and The Complete Works by William Shakespeare. I did try to fit in Rossetti, Danielewski and Pratchett, but simply did not have the space!
BERLIN, GERMANY - NOVEMBER 12: FENNEL Hotelava poses at the VALORANT Game Changers Championship 2022 Features Day on November 12, 2022 in Berlin, Germany. (Photo by Colin Young-Wolff/Riot Games)
This album features shots from the 2014 Day in the District. The uber-talented Wendy Talliaferro of the Arts Council of Fort Worth organizes this day of free admission to the world-class museums in Fort Worth's Cultural District.
Please see the "albums" section of this Flickr account for additional photos from this event.
Learn more about the Arts Council of Fort Worth and Day in the District here:
www.facebook.com/ArtsFortWorth
www.facebook.com/FWDayInTheDistrict
This photo is part of the event coverage for the Fort Worth Portrait Project. The project aims to tell the story of Fort Worth from 2014 - 2044 one captioned portrait at a time, but I also enjoy covering events like this one too.
Please following the project:
Website
www.redeemedexpressions.com/fort-worth-portrait-project/
www.facebook.com/fortworthportraitproject
twitter.com/FWPortraitProj
instagram.com/fortworthportraitproject
This album features the Kids Who Care Musical Theater performing at the 2014 Day in the District. The uber-talented Wendy Talliaferro of the Arts Council of Fort Worth organizes this day of free admission to the world-class museums in Fort Worth's Cultural District.
Kids Who Care describes itself as an "international musical theatre company based in Fort Worth, Texas. Our mission is to produce confident and creative kids through leadership, musical theatre education and performance." Learn more at:
Learn more about the Arts Council of Fort Worth and Day in the District here:
www.facebook.com/ArtsFortWorth
www.facebook.com/FWDayInTheDistrict
This photo is part of the event coverage for the Fort Worth Portrait Project. The project aims to tell the story of Fort Worth from 2014 - 2044 one captioned portrait at a time, but I also enjoy covering events like this one too.
Please following the project:
Website
www.redeemedexpressions.com/fort-worth-portrait-project/
www.facebook.com/fortworthportraitproject
www.twitter.com/FWPortraitProj
Show Features at AUSA 2022 Annual Meeting in Washington, D.C., Tuesday, Oct. 11, 2022. (Jeromie Stephens for AUSA)
Artist: Damien Jeffery
Lilo features every beach toy and inflatable imaginable to make the most colourful and huggable gorilla possible!
Hag says: I was lucky Lilo was on the Green the day I did Paignton, because she moves every fortnight to a previously undisclosed location.
The Green, Paignton, Torbay
COPENHAGEN, DENMARK - JULY 12: Marco "Melser" Amaro of Leviatan poses at the VALORANT Champions Tour: Stage 2 Masters Features Day on July 12, 2022 in Copenhagen, Denmark. (Photo by Lance Skundrich/Riot Games)
Rush at Nissan Pavillion on July 19, 2008, Snakes & Arrows Tour
Setlist:
Video Intro (features all 3 band members)
Limelight
Digital Man
Ghost of a Chance
Mission
Freewill
The Main Monkey Business
The Larger Bowl (with McKenzie Brothers intro)
Red Barchetta
The Trees
Between The Wheels
Dreamline
Intermission
Video Intro (What's That Smell? features all 3 members, Jerry Stiller)
Far Cry
Workin' Them Angels
Armor And Sword
Spindrift
The Way The Wind Blows
Subdivisions
Natural Science
Witch Hunt
Malignant Narcissism
Drum Solo
Hope
The Spirit of Radio
2112: Overture / The Temples of Syrinx
Tom Sawyer (with South Park intro)
Encore:
One Little Victory
A Passage to Bangkok
YYZ
Video Outro (Alex, Neil, Jerry Stiller)
Chilcano Mano features eucalyptus-infused Pancho Fierro pisco, house made ginger syrup, fresh lime juice, hand-grated raw ginger, Angostura, orange bitters, that’s topped with ginger ale, $16.
Ritz Bar
181 Wellington St. W.
Toronto, ON
(416) 585-2500
ritzcarlton.com
Chefs: Jordan Barnett and director of food and beverage operations, Arjun Chetlur Gopi
Toronto Life Introducing: torontolife.com/food/restaurants/whats-ritz-bars-new-peru...
This image from TJ Chase earned a second place.
Judge's comment, 2nd: Gritty portrait with a nice expression.
This frame from Joe Mac/Midnight Matinee won an honorable mention.
Judge's comment (HM): This might have scored higher if that arm hadn't been cropped out. Nice that they thought of a different angle.
This frame from D Eiri earned a first place vote from one judge.
Judge's comment (1st): Black and White Photographer shot--actually shows the features of the game that actually FEATURE the game. Photographer appears like a hunter lying in wait for prey.
(Note, yes, that's a picture of contest organizer Junior, photographing at WFTDA Champs)
This photo features a man in a black shirt standing near a grill, preparing food. He is holding a knife and appears to be cutting meat or a sandwich. There are other people in the scene, with one person standing close to the man on the left side and another person on the right side.
The setting includes a dining table in the background, and there are several cars parked outside the area. A bottle can be seen on the table, and a handbag is placed nearby. The scene suggests a casual gathering or a social event where people are enjoying food and each other's company.
The new addition to the Ft. Sam Theatre will seat 600 people and features:
-state-of-the-art lighting and acoustics
-a dance studio with the same wood floor as the stage
-a performers' lounge
-an audio/video mixing and recording studio
-Army Entertainment command suite and administrative offices
-an outdoor projector for projecting images against the addition's upper wall
-receiving ramps for moving sets from trucks to theatre
-catwalks rigged to the ceiling for production personnel
-an 80-foot “fly house” pulley system for quick set changes
Designed and outfitted with the latest equipment and features based on a design by RKJ, Inc. subcontractor construction team. Wrightson, Johnson, Haddon and Williams Theater Consultants, the same company that designed the Majestic Theatre in San Antonio, contributed design concepts as well. Husband-and-wife theatre veterans Steve Smith and Nicole Coppinger brought their thespian background and insight to the project. The team proposed the theatre as the new home of the Army Soldier, and it will also play host to Operation Rising Star, USA Express, and concerts from touring music and entertainment stars.
Smith, technical director for the Army Soldier Show, has 20 years' experience in professional theatre and got his start working in Army Entertainment at Ft. Gordon. Coppinger, set designer for the Soldier Show, received her bachelor's degree in fine arts and has worked on Broadway in New York City. They worked with RKJ Construction, Inc., IMCOM Force Management Division and the Army Corps of Engineers to ensure that the new theatre would meet the standards necessary for a comprehensive training venue for budding artists and a Broadway-caliber theatre.
At the same time, all parties took great care to ensure that the front part of the original theatre, which contains the stage, main lobby, ticket box, original entrance and facade and VIP seating were restored to their authentic 1927 look. The carpet, paint, furniture, wood etching and silk banners hanging from the ceiling will all be restored or replicated as closely to the original as possible.
The project, which cost $18 million, started in early 2009 and will be completed in September 2011.
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About the U.S. Army Installation Management Community:
IMCOM handles the day-to-day operations of U.S. Army installations around the globe – We are the Army's Home. Army installations are communities that provide many of the same types of services expected from any small city. Fire, police, public works, housing, and child-care are just some of the things IMCOM does in Army communities every day. We endeavor to provide a quality of life for Soldiers, Civilians and Families commensurate with their service. Our professional workforce strives to deliver on the commitments of the Army Family Covenant, honor the sacrifices of military Families, and enable the Army Force Generation cycle.
Our Mission: To provide Soldiers, Civilians and their Families with a quality of life commensurate with the quality of their service.
Our Vision: Army installations are the Department of Defense standard for infrastructure quality and are the provider of consistent, quality services that are a force multiplier in supported organizations’ mission accomplishment, and materially enhance Soldier, Civilian and Family well-being and readiness.
To learn more about IMCOM:
Homepage: www.imcom.army.mil/hq
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ireport.cnn.com/people/HQIMCOMPA
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Finally I managed to scan the beautiful 3 page article in "Ireland of the Welcomes" (March/April Edition, Vol 58 No 2) for all who missed it. I am very happy with their image choice and presentation.
Here you can enlarge and read the article
calaido.blogspot.com/2009/11/ireland-of-welcomes-features...
***
Homepage: www.calaido.com
Gallery: www.RingofKerryGallery.com
FB: www.facebook.com/MadeleineMariaArtist
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© Madeleine Maria Weber
***
Photograph from an album of images of garden features, garden architectural elements and garden sculptures, and includes putti, garden ornaments, garden furniture, garden planters including terracotta urns, stone urns and metal urns, plinths, fountains, plaques, coats of arms, gazebos and arches, weather vanes, ponds and garden ephemera, garden walls and garden hedges, walks and lawns.
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This photo is one of thousands, typically taken with Canon EOS 6D (EOS 6D) or Canon Powershot X60HS of public places and events mostly rendered with DxO Optics Pro Elite, of various subjects and locations under Creative Commons Attribution-Share Alike 4.0 International licence, see Acabashi at Wikimedia. Republishing in whole, part, form or adaptation in any media is allowed, but only if the text 'Photo © Acabashi' is clearly stated. If this attribution is not given, the licence for follow-on use is automatically revoked, see: legal code conditions This file has been released under a licence which is incompatible with Facebook's licensing terms. It is not permitted to upload this file, or any variation of this file, to Facebook and social media platforms.
Indoor Waterfall Water Feature Fountain - Features / Waterfalls / Fountains
Indoor waterfalls dramatically improve ambiance by bringing the sights and sounds of a modern waterfall into your home or office. The sound of indoor fountains are associated with beautiful nature settings, peaceful vacations and meditative tranquility. An indoor waterfall can provide many health benefits as well. The flow of water captures airborne particles and dust from the air. The slow evaporation of water releases beneficial negative ions into the air and acts as a natural humidifier. For more sensitive environments or healthcare settings we offer a line of indoor fountains incorporating specialized precautions against bacteria and microorganisms. These options include Saniguard coatings, ultraviolet light sterilization systems and reverse osmosis systems.
The Ligure Club Inc. of Oakland brings us our next float. This creative entry features Lanterna di Genova. Members of the Liguria Club and Liguria Nel Mondo are with the float today.
The exhibition features the artworks from an interdisciplinary and culturally diverse group of architects/artists/designers investigating current and historical dilemmas facing new immigrants and political/religious refugees as well as their influences on local and global culture in everyday life and their complex relationship to artistic and cultural production. Each body of work represents a unique perception according to one’s individual expertise, experience, vision and culture identity.
2012 Ford F-150 SVT Raptor features a standard 6.2L V8 engine with 411 horsepower and 434 lb.-ft. of torque. Call Troy Young for that Texas Car & Truck Deal 817-243-9840
All models are fitted standard with the Kohler sound enclosure, which has the following features:
Acoustic sound treatment for silent operation
Integrated fuel tank in generator skid
Lifting ring & Integral brackets for forklifts
Weatherproof enclosure for outdoor installation
Plug-and-Play hardwire points eliminating messy cabling
Accessible doors for ease of maintenance
Quick controller view through window glass panel
Drainage points for diesel, oil and coolant
The Kohler KM range of generators are perfectly suited for the rural industry due to their proven reliability and relative small compact size.
Genquip Power Products were chosen to distribute the Kohler KM range of diesel generators due to their extensive experience in this area. The KOHLER one-year limited parts & labour warranty cover all KOHLER generators.
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This photo features three women sitting together, with two of them looking at a cell phone. They are all smiling and appear to be enjoying their time together. The women are seated on a couch, with one woman sitting on the left side, another in the middle, and the third on the right side.
There is a potted plant located in the background, adding a touch of greenery to the scene. The cell phone is held by the woman on the right, and the other two women are attentively looking at it, possibly sharing a funny or interesting moment.
For today's DailyShoot assignment: Make a photograph today that features the use of low contrast to create a mood or feeling.
One gull was chasing the other all around the lake on this day. Playful? I don't think so. The first gull has some food in its beek that the second one wants for its own.
This photo wasn't taken today, but my camera is still in for repairs, so I am relying on some earlier shots.
Features works by:
Marina Kampka, Benedikt Rugar, Ellen Wagner, Berta Mattern, Felix Heine, Katrin Dietrich, Julia Boswank, Marcel Engelmann, Nora Krings, Sany Beer, Lena Schrieb, Florian Lübke, Stefanie Leinhos, Anna Trzips, Pia Zölzer.
Title: "Weit von hier"
Color laserprint cover
36 Pages, b/w- Laserprint
19 x 26 cm
edition: 20
year: 2010
8 € Sold out !
This photo features a group of women dressed in traditional Asian attire, performing a dance routine on stage. They are holding green and white umbrellas, which are an essential part of their dance. The women are standing in a line, with some of them holding their umbrellas in different positions.
There are a total of six women in the scene, each dressed in their unique outfits. The umbrellas vary in size and position, adding to the visual appeal of the performance. The women are all focused on their dance, showcasing their skills and cultural heritage.
The Italian Pavilion features a plaza surrounded by a collection of buildings evocative of Venetian, Florentine, and Roman architecture. Venetian architecture is represented by a re-creation of St Mark's Campanile (bell tower) and a replica of the Doge's Palace. The pavilion's design is inspired by other hallmarks of Italian architecture, such as the Neptune Fountain (reminiscent of Rome's Trevi Fountain) and the Il Bel Cristallo shop (meant to resemble the exterior of the Sistine Chapel). Musicians, clowns and acting troupes often appear in the piazza throughout the day. There are also small shops selling Italian goods, such as candy and wine.
The original plans for the pavilion called for an expansion that would be built in Epcot's "Phase II" of construction, thus leaving a wall with nothing behind it at the rear of the pavilion. The expansion would have included a gondola dark ride and a Roman ruins walk-through. When "Phase II" was canceled, the pavilion was left incomplete. However, a restaurant by the name of Via Napoli opened under the Patina Restaurant Group in 2010, and brought the pavilion its long-awaited completion. It features Florentine architecture and authentic Neapolitan cuisine. The water used to make pizza dough is imported from Pennsylvania to simulate authentic Neapolitan dough. Via Napoli's three wood burning ovens pay tribute to the three active volcanoes in Italy: Etna, Vesuvio, and Stromboli. To do this, each of the three ovens are sculpted in the shape of the face of the god that their corresponding volcano is named after. The long communal table in the center of the room was built in Florence and features hand painted tiles depicting iconic monuments in Italy. Other notable features of Via Napoli are its high and vaulted ceilings, imported ceramics and blown glass, and the abundance of windows that flood the establishment with natural light.
Italy Pavilion
Walt Disney World EPCOT Orlando Fl.
Excellent vintage condition!
features:
- smoked glass bar
- customizable shelving
- 3 drawers
- solid teak pulls/handles
- "DENKA - Made in Denmark" labels on shelf & base sections.
32"W x 70.5"H x 20"D (base), 12"D (shelf)
This photo features a young woman sitting in a swimming pool, wearing a bikini. She is positioned in the middle of the pool, with her legs crossed. The woman appears to be relaxed and enjoying her time in the water.
There are two chairs located near the pool, one on the left side and the other on the right side. Additionally, there are two potted plants in the scene, one placed near the left chair and the other near the right chair. The overall atmosphere of the image suggests a peaceful and leisurely day spent by the pool.
The Galilee Chapel is a significant architectural and historical landmark located within Durham Cathedral in Durham City, County Durham, England. With its rich history and intricate design, the Galilee Chapel has stood as a testament to the religious and cultural heritage of the region. In this essay, we will explore the history of the Galilee Chapel, its architectural features, and its cultural significance, providing an in-depth account of this remarkable structure.
The construction of the Galilee Chapel dates back to the 12th century. Durham Cathedral itself was built between 1093 and 1133, under the supervision of Bishop William of St. Calais and later Bishop Flambard. The cathedral was constructed to house the shrine of Saint Cuthbert, a revered figure in the Christian tradition who played a crucial role in the spread of Christianity throughout the region.
The Galilee Chapel, also known as the Chapel of the Nine Altars, was added to the east end of the cathedral in the early 13th century. The chapel was named after the region of Galilee in Israel, where Jesus Christ is believed to have carried out much of his ministry. Its purpose was to accommodate the growing number of pilgrims who came to Durham to visit the shrine of Saint Cuthbert.
Architecturally, the Galilee Chapel is a masterpiece of the Early English Gothic style. It features a combination of pointed arches, ribbed vaults, and large stained glass windows that allow an abundance of natural light to illuminate the space. The chapel is constructed primarily from local sandstone, which gives it a distinct reddish hue and blends harmoniously with the rest of the cathedral's architecture.
The interior of the Galilee Chapel is equally impressive. The chapel is divided into nine bays, each housing an altar dedicated to a different saint or religious figure. These altars were adorned with ornate carvings, sculptures, and religious artifacts, creating a visually striking and spiritually significant space for worship.
One of the most notable features of the Galilee Chapel is the remarkable array of stained glass windows. These windows depict various biblical scenes, saints, and religious symbols, showcasing the artistic and narrative prowess of medieval craftsmen. The vibrant colors and intricate details of the stained glass windows contribute to the overall aesthetic grandeur of the chapel, making it a captivating sight for visitors.
Over the centuries, the Galilee Chapel has witnessed numerous historical events and undergone several renovations. During the Reformation in the 16th century, many religious artworks and ornaments within the chapel were destroyed or removed as part of the Protestant movement's iconoclastic tendencies. However, the chapel survived this turbulent period and continued to serve as a place of worship.
In the 19th century, significant restoration work was undertaken to preserve and enhance the Galilee Chapel. Under the guidance of architect Anthony Salvin, the chapel's interior was renovated, and the stained glass windows were meticulously restored. This restoration project ensured the preservation of the chapel's original architectural features and artistic splendor.
Today, the Galilee Chapel remains an active place of worship within Durham Cathedral. It continues to attract visitors from all over the world who come to admire its architectural beauty, explore its historical significance, and experience the spiritual ambiance of the space. The chapel serves as a testament to the enduring power of religious devotion and artistic excellence throughout the centuries.
In conclusion, the Galilee Chapel in Durham Cathedral is a remarkable structure steeped in history and architectural brilliance. From its origins in the 13th century to its restoration in the 19th century, the chapel has stood as a testament to the religious and cultural heritage of the region. With its intricate design, stunning stained glass windows, and rich historical significance, the Galilee Chapel remains a significant cultural and spiritual landmark in Durham City, County Durham, England.
The Cathedral Church of Christ, Blessed Mary the Virgin and St Cuthbert of Durham, commonly known as Durham Cathedral and home of the Shrine of St Cuthbert, is a cathedral in the city of Durham, England. It is the seat of the Bishop of Durham, the fourth-ranked bishop in the Church of England hierarchy.
The present Norman era cathedral had started to be built in 1093, replacing the city's previous 'White Church'. In 1986 the cathedral and Durham Castle were designated a UNESCO World Heritage Site. Durham Cathedral's relics include: Saint Cuthbert's, transported to Durham by Lindisfarne monks in the 800s; Saint Oswald's head and the Venerable Bede's remains.
The Durham Dean and Chapter Library contains: sets of early printed books, some of the most complete in England; the pre-Dissolution monastic accounts and three copies of Magna Carta.
From 1080 until 1836, the Bishop of Durham held the powers of an Earl Palatine. In order to protect the Anglo-Scottish border, powers of an earl included exercising military, civil, and religious leadership. The cathedral walls formed part of Durham Castle, the chief seat of the Bishop of Durham.
There are daily Church of England services at the cathedral, Durham Cathedral Choir sing daily except Mondays and holidays, receiving 727,367 visitors in 2019.
The See of Durham takes its origins from the Diocese of Lindisfarne, founded by Saint Aidan at the behest of Oswald of Northumbria in about 635, which was translated to York in 664. The see was reinstated at Lindisfarne in 678 by the Archbishop of Canterbury. Among the many saints who originated at Lindisfarne Priory, the greatest was Saint Cuthbert, Bishop of Lindisfarne from 685 until his death in 687, who is central to the development of Durham Cathedral.
After repeated Viking raids, the monks fled from Lindisfarne in 875, carrying Saint Cuthbert's relics with them. The diocese of Lindisfarne remained itinerant until 882, when the monks resettled at Chester-le-Street, 60 miles south of Lindisfarne and 6 miles north of Durham. The see remained at Chester-le-Street until 995, when further Viking incursions once again caused the monks to move with their relics. According to the local legend of the Dun Cow and the saint's hagiography, the monks followed two milk maids who were searching for a dun-coloured cow and found themselves on a peninsula formed by a loop in the River Wear. Thereupon, Cuthbert's coffin became immovable, which was taken as a sign that the new shrine should be built on that spot, which became the City of Durham. A more prosaic set of reasons for the selection of the peninsula is its highly defensible position, and that a community established there would enjoy the protection of the Earl of Northumbria, with whom the bishop at this time, Aldhun, had strong family connections. Today the street leading from The Bailey past the cathedral's eastern towers up to Palace Green is named Dun Cow Lane due to the miniature dun cows which used to graze in the pastures nearby.
Initially, a very simple temporary structure was built from local timber to house the relics of Saint Cuthbert. The shrine was then transferred to a sturdier, probably still wooden, building known as the White Church. This church was itself replaced three years later in 998 by a stone building also known as the White Church, which in 1018 was complete except for its tower. Durham soon became a site of pilgrimage, encouraged by the growing cult of Saint Cuthbert. King Canute was one of the early pilgrims, and granted many privileges and estates to the Durham monks. The defensible position, flow of money from pilgrims and power embodied in the church at Durham all encouraged the formation of a town around the cathedral, which established the core of the city.
The present cathedral was designed and built under William de St-Calais (also known as William of St. Carilef) who in 1080 was appointed as the first Prince-Bishop by King William the Conqueror. In 1083 he founded the Benedictine Priory of St. Cuthbert at Durham and having ejected the secular canons (and their wives and children) who had been in charge of the church and shrine of St Cuthbert there, replaced them with monks from the monasteries of Wearmouth and Jarrow. The extensive lands of the church he divided between his own bishopric and the new Priory. He appointed Aldwin as the first prior.
Bishop William of St. Calais demolished the old Saxon church, and on 11 August 1093, together with Prior Turgot of Durham (Aldwin's successor), he laid the foundation stone of the great new cathedral. The monks continued at their own expense to build the monastic buildings while the bishop took the responsibility for completing the building of the cathedral. Stone for the new buildings was cut from the cliffs below the walls and moved up using winches. The primary reason for the cathedral was to house the bodies of St. Cuthbert and the Venerable Bede.
Since that time many major additions and reconstructions of parts of the building have been made, but the greater part of the structure remains the original Norman structure. Construction of the cathedral began in 1093, at the eastern end. The choir was completed by 1096. At the death of Bishop William of St. Calais on 2 January 1096, the Chapter House was ready enough to be used as his burial place. In 1104 the remains of St. Cuthbert were translated with great ceremony to the new shrine in the new cathedral. The monks continued to look after the Shrine of St Cuthbert until the dissolution of the monasteries.
Work proceeded on the nave, the walls of which were finished by 1128, and the high vault by 1135. The chapter house was built between 1133 and 1140 (partially demolished in the 18th century). William of St. Carilef died in 1096 before the building was complete and passed responsibility to his successor, Ranulf Flambard, who also built Framwellgate Bridge, the earliest crossing of the River Wear from the town. Three bishops, William of St. Carilef, Ranulf Flambard and Hugh de Puiset, are all buried in the now rebuilt chapter house.
In the 1170s Hugh de Puiset, after a false start at the eastern end where subsidence and cracking prevented work from continuing, added the Galilee Chapel at the west end of the cathedral. The five-aisled building occupies the position of a porch and functioned as a Lady chapel with the great west door being blocked during the Medieval period by an altar to the Virgin Mary. The door is now blocked by the tomb of Bishop Thomas Langley. The Galilee Chapel also holds the remains of the Venerable Bede. The main entrance to the cathedral is on the northern side, facing the castle.
In 1228 Richard le Poore, Bishop of Salisbury, was translated to Durham, having just rebuilt Salisbury Cathedral in the Gothic style. At that moment the eastern end of Durham Cathedral was in urgent need of repair and the proposed eastern extension had failed. Le Poore employed the architect Richard Farnham to design an eastern terminal for the building in which many monks could say the Daily Office simultaneously. The resulting building was the Chapel of the Nine Altars. In 1250, the original roof of the cathedral was replaced by a vault which is still in place.
The towers also date from the early 13th century, but the central tower was damaged by lightning and replaced in two stages in the 15th century, the master masons being Thomas Barton and John Bell.
The Bishop of Durham was the temporal lord of the palatinate, often referred to as a Prince-bishop. The bishop competed for power with the Prior of Durham Monastery, a great landowner who held his own courts for his free tenants. An agreement dated about 1229, known as Le Convenit was entered into to regulate the relationship between the two magnates.
The Shrine of Saint Cuthbert was located in the eastern apsidal end of the cathedral. The location of the inner wall of the apse is marked on the pavement and Saint Cuthbert's tomb is covered by a simple slab. However, an unknown monk wrote in 1593:
[The shrine] was estimated to be one of the most sumptuous in all England, so great were the offerings and jewells bestowed upon it, and endless the miracles that were wrought at it, even in these last days.
During the dissolution of the monasteries Saint Cuthbert's tomb was destroyed in 1538 by order of King Henry VIII, and the monastery's wealth was handed over to the king. The body of the saint was exhumed, and, according to the Rites of Durham, was discovered to be uncorrupted. It was reburied under a plain stone slab now worn smooth by the knees of pilgrims, but the ancient paving around it remains intact. Two years later, on 31 December 1540, the Benedictine monastery at Durham was dissolved, and the last Prior of Durham, Hugh Whitehead, became the first dean of the cathedral's secular chapter.
After the Battle of Dunbar in September 1650, Durham Cathedral was used by Oliver Cromwell as a makeshift prison to hold Scottish prisoners of war. It is estimated that as many as 3,000 were imprisoned, of whom 1,700 died in the cathedral itself, where they were kept in inhumane conditions, largely without food, water, or heat. The prisoners destroyed much of the cathedral woodwork for firewood, but Prior Castell's Clock, which featured the Scottish thistle, was spared. It is reputed that the prisoners' bodies were buried in unmarked graves (see further, '21st century' below), and the survivors were shipped as slave labour to the American Colonies.
Bishop John Cosin (in office 1660–1672), previously a canon of the cathedral, set about restoring the damage and refurnishing the building with new stalls, the litany desk, and the towering canopy over the font. An oak screen to carry the organ was added at this time to replace a stone screen pulled down in the 16th century. On the remains of the old refectory, Dean John Sudbury founded a library of early printed books.
During the 18th century the Deans of Durham often held another position in the south of England and after spending the statutory time in residence, would depart southward to manage their affairs. Consequently, after Cosin's refurbishment, there was little by way of restoration or rebuilding. When work commenced again on the building, it was not always of a sympathetic nature. In 1777 the architect George Nicholson, having completed Prebends' Bridge across the Wear, persuaded the dean and chapter to let him smooth off much of the outer stonework of the cathedral, thereby considerably altering its character. His successor William Morpeth demolished most of the Chapter House.
In 1794 the architect James Wyatt drew up extensive plans which would have drastically transformed the building, including the demolition of the Galilee Chapel, but the Chapter changed its mind just in time to prevent this happening. Wyatt renewed the 15th-century tracery of the Rose Window, inserting plain glass to replace what had been blown out in a storm.
In 1847 the architect Anthony Salvin removed Cosin's wooden organ screen, opening up the view of the east end from the nave, and in 1858 he restored the cloisters.
The Victorian restoration of the cathedral's tower in 1859–60 was by the architect George Gilbert Scott, working with Edward Robert Robson (who went on to serve as Clerk of Works at the cathedral for six years). In 1874 Scott was responsible for the marble choir screen and pulpit in the Crossing. In 1892 Scott's pupil Charles Hodgson Fowler rebuilt the Chapter House as a memorial to Bishop Joseph Barber Lightfoot.
The great west window, depicting the Tree of Jesse, was the gift of Dean George Waddington in 1867. It is the work of Clayton and Bell, who were also responsible for the Te Deum window in the South Transept (1869), the Four Doctors window in the North Transept (1875), and the Rose Window of Christ in Majesty (c. 1876).
There is also a statue of William Van Mildert, the last prince-bishop (1826–1836) and driving force behind the foundation of Durham University.
In the 1930s, under the inspiration of Dean Cyril Alington, work began on restoring the Shrine of Saint Cuthbert behind the High Altar as an appropriate focus of worship and pilgrimage, and was resumed after the Second World War. The four candlesticks and overhanging tester (c. 1950) were designed by Ninian Comper. Two large batik banners representing Saints Cuthbert and Oswald, added in 2001, are the work of Thetis Blacker. Elsewhere in the building the 1930s and 1940s saw the addition of several new stained glass windows by Hugh Ray Easton. Mark Angus's Daily Bread window dates from 1984. In the Galilee Chapel a wooden statue of the Annunciation by the Polish artist Josef Pyrz was added in 1992, the same year as Leonard Evetts' Stella Maris window.
In 1986, the cathedral, together with the nearby Castle, became a World Heritage Site. The UNESCO committee classified the cathedral under criteria c, reporting, "Durham Cathedral is the largest and most perfect monument of 'Norman' style architecture in England".
In its discussion of the significance of the cathedral, Historic England provided this summary in their 1986 report:
The relics and material culture of the three saints buried at the site. The continuity of use and ownership of the site over the past 1000 years as a place of religious worship, learning and residence; The site's role as a political statement of Norman power imposed upon a subjugate nation, as one of the country's most powerful symbols of the Norman Conquest of Britain; The importance of the site's archaeological remains, which are directly related to the site's history and continuity of use over the past 1000 years; The cultural and religious traditions and historical memories associated with the relics of St Cuthbert and the Venerable Bede, and with the continuity of use and ownership of the site over the past millennium.
In 1996, the Great Western Doorway was the setting for Bill Viola's large-scale video installation The Messenger, that was commissioned by Durham Cathedral.
At the beginning of this century two of the altars in the Nine Altars Chapel at the east end of the cathedral were re-dedicated to Saint Hild of Whitby and Saint Margaret of Scotland: a striking painting of Margaret (with her son, the future king David) by Paula Rego was dedicated in 2004. Nearby a plaque, first installed in 2011 and rededicated in 2017, commemorates the Scottish soldiers who died as prisoners in the cathedral after the Battle of Dunbar in 1650. The remains of some of these prisoners have now been identified in a mass grave uncoverered during building works in 2013 just outside the cathedral precinct near Palace Green.
In 2004 two wooden sculptures by Fenwick Lawson, Pietà and Tomb of Christ, were placed in the Nine Altars Chapel, and in 2010 a new stained glass window of the Transfiguration by Tom Denny was dedicated in memory of Michael Ramsey, former Bishop of Durham and Archbishop of Canterbury.
In 2016 former monastic buildings around the cloister, including the Monks' Dormitory and Prior's Kitchen, were re-opened to the public as Open Treasure, an extensive exhibition displaying the cathedral's history and possessions.
In November 2009 the cathedral featured in the Lumiere festival whose highlight was the "Crown of Light" illumination of the North Front of the cathedral with a 15-minute presentation that told the story of Lindisfarne and the foundation of cathedral, using illustrations and text from the Lindisfarne Gospels. The Lumiere festival was repeated in 2011, 2013, 2015, and 2017.
Durham Priory held many manuscripts; in the 21st century, steps were under way to digitise the books, originating from the 6th to the 16th century. The project was being undertaken in a partnership by Durham University and Durham Cathedral.
The cathedral church and the cloister is open to visitors during certain hours each day, unless it is closed for a special event. In 2017 a new "Open Treasure" exhibition area opened featuring the 8th-century wooden coffin of Saint Cuthbert, his gold and garnet pectoral cross, a portable altar and an ivory comb. This exhibition was continuing as of October 2019. In that month, a new exhibit was added, Mapping the World, featuring books, maps and drawings and from the archives, scheduled to run until 18 January 2020.
SEOUL, SOUTH KOREA - OCTOBER 16: Ryu "Keria" Min-seok of T1 at the League of Legends World Championship 2023 Swiss Features Day on October 16, 2023 in Seoul, South Korea. (Photo by Lee Aiksoon/Riot Games)