View allAll Photos Tagged Fasteners
These rather large threaded fasteners are stacked on a wooden pallet ready for use to assemble heat exchangers. Note the relative size of the can of soda pop in the upper left. The can has an approximate diameter of 2-5/8”. Also note the relative size of the length of these studs compared to the wooden pallet on which they sit!
Made of high strength alloy, the spec on these are generally listed as SA193 Grade B7 with SA194 Grade 2H nuts.
I saw Slnine's vent technique the other day, and I thought up a very similar one, which takes up less space but looks nowhere near as good. I hope you can understand it from the pic. Feel free to replace the headlight bricks with 1x1 Technic bricks when building in real life. The ones on the top though allow for a plate to be put on, which will line up perfectly with the plates on the bottom.
(I think it looks more like a zip fastener than something on a LEGO vehicle, hence the title.)
Flickr Lounge ~ Fastened, Fastening or Fastener
Thank you to everyone who pauses long enough to look at my photo. All comments and Faves are very much appreciated
A remarkable document this - a spirally bound 140 pages of nuts, bolts, fixings, fasteners and special forgings that were in production at the Atlas Works of Guest, Keen & Nettlefolds (Midlands) Ltd. at Darlaston in Staffordshire. The well produced catalogue has been thoughtfully published using index tabs and colours to cover the seven sections, covering black - japanned bolts and screws, high tensile, 'Bright" bolts and screws, brass as well as Specilaities and appendices.
GKN was a sprawling conglomerate based on the 1902 merger of Nettlefolds of Birmingham with Guest, Keen & Co who were themselves the product of Guest's (associated with the Welsh Dowlais Iron Co) and Keen's Patent Nut & Bolt Co. again of Birmingham. Over the decades they acquired many other similar concerns becoming a 'verically integrated' concern in that they produced iron and steel as well as formed metal into a wide variety of products. They had a loose 'structure' at the time of this catalogue although there was to be a brief interlude when the 'producing companies' were nationalised in 1951 before being reacquired between 1954 and 1955. The concern later morphed into GKN.
The title page shows the globe held in place by a GKN bolt and nut - the company that spanned the world.
Heritage Loop Trail, Pflugerville
North Austin Pfotographic Society Photowalk
2018.09.18
Fujifilm Instax Square SQ10
The title refers to the literal translation of the Dutch word for the subject of this picture: luggage straps on a bicycle, very common in The Netherlands on utility bikes to transport cargo like bags, groceries or beer crates.
ODC - Theme (21-08-2014): Fastener
The #MacroMondays theme for 4/7 is fasteners. This is one of a set that allows the user to modify a charging cable to fit the device. Right now it’s on our fridge amongst words to create poetry.
Will post a size verification later if i decide to use this
A remarkable document this - a spirally bound 140 pages of nuts, bolts, fixings, fasteners and special forgings that were in production at the Atlas Works of Guest, Keen & Nettlefolds (Midlands) Ltd. at Darlaston in Staffordshire. The well produced catalogue has been thoughtfully published using index tabs and colours to cover the seven sections, covering black bolts and screws, high tensile, 'Bright" bolts and screws, brass as well as Specilaities and appendices.
GKN was a sprawling conglomerate based on the 1902 merger of Nettlefolds of Birmingham with Guest, Keen & Co who were themselves the product of Guest's (associated with the Welsh Dowlais Iron Co) and Keen's Patent Nut & Bolt Co. again of Birmingham. Over the decades they acquired many other similar concerns becoming a 'verically integrated' concern in that they produced iron and steel as well as formed metal into a wide variety of products. They had a loose 'structure' at the time of this catalogue although there was to be a brief interlude when the 'producing companies' were nationalised in 1951 before being reacquired between 1954 and 1955. The concern later morphed into GKN.
Along side the 'section of the warehouse' the contents pages and index markers for the various product groups. Again, who ever produced the catalogue had obviously given the design and typography some consideration.
The necklace fasteners and the connectors from the pearls to the clasp!
I had a hard time choosing which shot to choose but I liked the flare on the clasp on this one and the bokeh and flowing colours in the fabric!
ODC2 - Connections
75/111 Pictures in 2011 - Jewelry
100 WORDS - #13 - Connection
Tony's Daily Topic - Jewellery 06/08/2012
Still not very awake but working on some rough sketches... They're a secret for the moment, but they will involve snap fasteners! These vintage lovelies came from my grandmother's stash (complete with original price labels).
My favorite denim apron, the fastener on an old cupboard door and a tin cup of coffee. #100daysofcoffeecups Day 20
Persistent URL: digital.lib.muohio.edu/u?/tradecards,3322
Subject (TGM): Plants; Weeds; Flowers; Buttons (Fasteners); Textiles; Clothing & dress; Sewing equipment & supplies;
found near Clones, County Monaghan, c. 800–700 B.C.E. (National Museum of Ireland - Archaeology, Dublin)
The #MacroMondays next theme for 4/7 is #fasteners, so I thought I’d start the album. Context picture coming up in a bit.
Hmmm, it’s intended to be an April Fools joke or prank - honest
Hmmm2, wonder why it wasn’t called a “crocodile clip”? -that’s more alliterative
Aurora is laid down for further inspection, before continuing the deboxing. We see that she has a light blue satin underskirt, no petticoat, and shiny silver high heels. She is turned around. We can see the wire sticking out the waist of her dress, and the back of her cape tacked to her skirt. We also see the back of her head tacked to the plastic spacer.
The back cover of the backing cardboard is opened by pulling out the tabs along the edges of the cover. We can then access the various fasteners securing the doll to the backing. We also see a peek of the Certificate of Authenticity, with its corners sticking through slots in the backing. Then with all the fasteners in the backing snipped, the doll can be removed. However she still has the plastic piece attached to her head, and various other packaging restraints are still on the doll. There is no doll stand, but she can free stand due to the stiffness of her full length skirt. She is stood up next to the backing, which has an image of the Sleeping Beauty Castle decked out for the Diamond Celebration. The CoA is also attached to the backing, and facing forward.
Deboxing my newly purchased DL60 Limited Edition Aurora Doll. First the front cover is taken off the the cardboard backing and base, by cutting the seals around the edges of the cover, and pulling the cover's tabs out of the cardboard slots in the backing. The doll is attached to the backing and base by wires, thread, rubber bands and plastic T-tabs. Her hands are also tied together by a rubber band, and her necklace is secured to her neck by a rubber band. Her cape is tacked to her skirt by T-tabs, and draped over the right side of her skirt, to show it off, and also to get it out of the way of the wire around her waist. There is a small plastic piece behind her head, and her head is tacked to it by two larger T-tabs. Her skirt is securely tacked down to the base, so you can't peek under the skirt to see her shoes.
Detailed photos of the Disney Parks Limited Edition Aurora Doll, part of the Disneyland Resort 60th Anniversary Diamond Celebration. She was released on Monday July 13, 2015 at the Disneyland Resort. She was officially announced by the Disney Parks Blog on Friday July 10, 2015, although there was a photo of the doll that was leaked to the internet on Friday June 26, 2015. She is a 17'' doll, with an edition size of 3000, costs $119.95, and is exclusive to Disneyland Resort.
There is no mention on the outside of the box of the edition size or Certificate of Authenticity. However after deboxing the doll, I found out that the CoA is attached to the front of the cardboard backing (facing the back of the doll). My doll is #1367 of 3000.
She appears to be same base doll as the Disney Store 17'' Aurora singing and LE dolls. In particular she has the same head mold and has wrist and elbow joints. She has the body of the older version of DS LE dolls, with no ankle joints, but with an upper torso joint, as well as external hinged knee joints.
Her outfit is completely new, made of satin, velour and organza. She also has jeweled satin fingerless gloves (like detached sleeves). Her crown and necklace are silver plastic with a capital D for Disneyland, but are not jeweled. Her dark blue satin bodice is jeweled. Her organza pleated skirt is divided in to light blue and dark blue sections. It is glittering but without jewels. She has a full length cape of glittering navy blue velour lined with light blue satin.
She has long gently curled hair, and has her signature bangs. She has an open mouthed smile with bright pink lips. She is glancing to her left. She has long gently curled rooted eyelashes. Her eyeshadow and eyeliner is bluish silver.
Her box is a unique design made to look like a long cut diamond. It is six sided, with only the back side being made of cardboard. The other sides are thin plastic, which makes it more fragile than the LE Disney Store boxes. The box of this doll has a small dent on one of the edges of the plastic on the top right. There is a silver rope carrying handle on the top.
After deboxing her, I find out various features of the doll that are not obvious in her boxed pose. It turns out that she has a full length cape of glittering navy blue velour lined with light blue satin. It is attached to the back of her dress by velcro. The cape tends to stick to the glittery organza skirt. Her bodice is separate from her skirt, and the peplum is attached to it. The skirt is pleated and oversized. It is stiff enough to allow her to free stand stably, which partly makes up for the fact that she doesn't come with a doll stand. She is wearing polished silver high heels. She has no ankle joints, but otherwise has the body of a 17 inch Disney Store Limited Edition princess doll. In particular, she has a chest joint that allows her to tilt her upper body slightly back and forth, and side to side. Her hair is a little thin in the back, but her hair can be combed to cover the bald spot. Her long curls are easy to make even, by using your fingers. They are stiffened by hair product. The box can be taken apart without damaging it for deboxing the doll. The doll can then be put back into the box, and the box closed up without too much difficulty.
She is about a quarter the price of the Harrods Blue Aurora 17'' Doll, but compares favorably to that $400 LE 100 doll. She is a very beautiful, well designed and well made doll that is a worthy addition to the Disneyland Diamond Celebration merchandise.
Necklace made all from haberdashery items (except the ball chain). Thimble, snap fasteners, hooks, button.
A failsafe solution to the breaking fastener rings on the Quick Strap for Canon, Nikon, Sony, etc... from amazon.com
PS: If this was helpful it would be great if you could vote my original review on amazon for this strap as "Helpful" so that more people can see it. Thank you in advance!!
Please, no multi-group invites and graphic in comments! Thank you!
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Irish dress pin Sixth or Seventh Century.
From Newry, County Down, Northern Ireland.
Photos from the British Museum, London, England.
A remarkable document this - a spirally bound 140 pages of nuts, bolts, fixings, fasteners and special forgings that were in production at the Atlas Works of Guest, Keen & Nettlefolds (Midlands) Ltd. at Darlaston in Staffordshire. The well produced catalogue has been thoughtfully published using index tabs and colours to cover the seven sections, covering black - japanned bolts and screws, high tensile, 'Bright" bolts and screws, brass as well as Specilaities and appendices.
GKN was a sprawling conglomerate based on the 1902 merger of Nettlefolds of Birmingham with Guest, Keen & Co who were themselves the product of Guest's (associated with the Welsh Dowlais Iron Co) and Keen's Patent Nut & Bolt Co. again of Birmingham. Over the decades they acquired many other similar concerns becoming a 'verically integrated' concern in that they produced iron and steel as well as formed metal into a wide variety of products. They had a loose 'structure' at the time of this catalogue although there was to be a brief interlude when the 'producing companies' were nationalised in 1951 before being reacquired between 1954 and 1955. The concern later morphed into GKN.
This page shows the names and addresses of the various regional offices of GKM and its representatives. Whoever produced this gave the typefaces and typography some thought.