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Να το πληκτρολογήσεις λάθος το καταλαβαίνω. Να το τυπώσεις όμως στο επαγγελματικό σου αυτοκίνητο....
Windows FAIL at Partick Train Station, Glasgow
(PS. I am a Windows user. I've not seen a BSOD since the early Windows XP days, but I have seen plenty of spinning coloured balls on that other OS).
Working in the dark takes so long.
One of the things that slows progress is the need to take test shot(s) just to check composition - often your test lighting picks up things your eyes don't notice so it's best to make amends before getting started for real.
Another thing that takes a while is recovering from a mighty fall which knocks the wind out of you and reminds you of your vulnerability.
The crop above shows me catching my foot whilst stepping over the crash barrier. See the light trail coming in from top right- it goes up, then swiftly down.
The shot below shows how my leg's looking today, 4 days later. Got one of those on the other shin too, and all kinds of pulled-muscle aches from the contorted fall.
Luckily I wasn't so badly bumped that I couldn't finish the shot. This time...
Go easy folks :)
I tried this shot yesterday to see if I could get a better video of an earlier shot. It failed in a pretty funny way which you can see if you watch the video. I obviously have some dynamic range issues. At least this time it wasn't as scary as the first since I used metal wire to tie down the spray can. It wasn't going to get away. I also shot it from twice the distance and even manged to hit the can dead center. I'm not an experienced shooter so it's pure luck.
I found out today that Flickr is putting ads up in users photo-streams without their knowledge. It's not good news. I would like to know if anyone sees ads in my photostream.
I'm going to have to examine what I should do if this is happening. On the one hand I enjoy posting my pictures here and getting some attention. On the other hand if Flickr is using those pictures to help them make money and charging me to show them here, that is a pretty sweet deal from their perspective and pretty poor ethics from my view.
If anyone wants to educate me about this new practice it would be good.
Cheers.
Back in August 2012, we went for a walk out onto Oare Marshes, and on the way back called in at St Peter, which was unlocked, unlike our most recent visit.
So, reviewing the hard drive of shots took that day, I found some others I failed to post at the time, some are blurred, but I have done my best to sharpen, and are just about acceptable, and will do until I visit again and find it open.
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St Peter’s Oare, a Grade I listed building, is often described as a ‘mainly 13th century church’ – which it is. However, the view that confronts the visitor entering the churchyard gate is pure Victoriana, the work of diocesan architect Joseph Clarke, an example of the sympathetic restoration of which not all Victorians were capable.
Indeed, it is this west elevation, with its louvred bell-tower and cedar-shingled spirelet, that is St Peter’s to visitors, artists and photographers.
The building could hardly be better sited. It stands where village becomes countryside, set inconspicuously back from a road that leads only to the broadening waters of the Swale and their marshland bird-life. In the churchyard, a few mature trees remain of those that once cast gloom over church and graves. They rise from among ancient headstones and ivy-clad tombs, providing summer shade for those who want to enjoy the panoramic views over Oare Creek and acre upon distant acre of marsh pastures with the North Downs as a backdrop. With binoculars or good eyesight you can rest on one of the conveniently located benches and count how many far-off churches you can pick out from this elevated point of vantage.
But how old is the church? you ask. Everyone seems to. To this there is no categorical answer. Today the building is little changed since the 1860s restoration and yet there was a church here when the Domesday Book was penned – well, half a church, but which half our Norman forebears didn’t say. A church half-finished? Or a church part-razed by the tempests of that tempestuous age?
What we do know is that the chancel was extended eastwards in the late 14th or early 15th century, and some time thereafter the old east window was taken out and replaced by a larger one in the Perpendicular style. The actual glass is more recent – the work of F.C. Eden. It was given in memory of artist Francis Forster, a casualty of WWI. Another window by this noted London artisan, on the north wall, commemorates another war victim. Below it a memorial slab set into the frame of this once tall lancet window names those who died in the great explosion of 1916, when the marshes throbbed with a wartime industry of munitions manufacture.
Back in the secluded peace of this village church is one treasured rarity, a square font of Purbeck marble from the late Norman/Early English period. Its sides were once elaborately carved, but many years ago it went missing, only to be recovered decades later from a nearby pond, somewhat the worse for its immersion. Was it concealed from Cromwell’s ravaging iconoclasts? No one knows. This hazy fact must take its place with the many mysteries hidden among the pages of time. But is it not these undocumented secrets that make a church like St Peter’s so alluring? Who can tell when the truth will emerge and another page of history can be written?
www.thekingsdownandcreeksidecluster.co.uk/?page_id=683
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A small Norman church overlooking Oare Creek with fine views to the east. Built of flint with Victorian additions by Joseph Clarke, the exterior is dominated by lively painted spirelet and south porch and muscular buttresses. Inside, a simple view with no chancel arch is enlivened by a Norman font, simple Victorian pulpit and fine stained glass windows by F C Eden. The west window – an oculus – contains the date 1867 recording the restoration of the church. A plaque commemorates those who lost their lives in one of the explosions at the nearby Gunpowder factory in 1916. The overall impression is of a lovingly cared for church, mirroring the lives of generations of Oare folk and it is highly recommended.
www.kentchurches.info/church.asp?p=Oare
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ORE
LIES the next parish north westward from Davington, and is so called from the etymology of it in the Saxon language, signifying a fenny or marshy place.
This parish is a very low situation, at the very edge of the marshes, it is consequently but little known or frequented, its vicinity to the marshes, and its low and watry situation, make it very unhealthy, so that it is but very thinly inhabited, but the lands are very rich and fertile, the waters of the Swale are its northern boundaries; on its south it rises up towards Bysing-wood, from which it is distant about a mile. The village is occupied by a few fishermen and oyster dredgers, situated near the middle of the parish on a small ascent, having the church about a quarter of a mile to the north-westward of it, and Ore-court at the like distance, at the edge of the marshes. The creek, which is navigable up to the village, whence it runs north-east, and at a little more than half a mile's distance joins the Faversham creek, and flows with it about the like distance, till it meets the waters of the Swale.
Several scarce plants have been observed in this parish by Mr. Jacob, who has enumerated them among his Plantæ Favershamienses, to which book the reader is referred for a list of them.
THE MANOR of Ore was part of the vast possessions of Odo, bishop of Baieux, and earl of Kent, the Conqueror's half-brother, under the general title of whose lands it is thus entered in the general survey of Domesday:
In Lest de Wiwarlet. In Favreshant hundered, Adam holds of the bishop (of Baieux) Ore. It was taxed at two sulings. The arable lands are four carucates. In demesne there is one, and ten villeins, with ten borderers, having two carucates. There is half a church, and one mill of twenty-two shillings, and two fisheries without tallage, and one salt-pit of twenty-eight pence. Wood for the pannage of six bogs. In the time of king Edward the Confessor it was worth four pounds, and afterwards sixty shillings, now one hundred shillings. Turgis held it of king Edward.
And a little afterwards there is another entry as follows:
Adam holds of the bishop one yoke in Ore, and it was taxed at one yoke. The arable land is one carucate. Four villeins now hold this to ferme, and pay twenty shillings, and it was worth so much separately. There is a church. Leunold held it of king Edward.
Four years after the taking of the above survey, the bishop of Baieux was disgraced, and all his possessions were consiscated to the crown.
Upon which the manor of Ore came to be held immediately, or in capite of the king, by the beforementioned. Adam de Port, of whose heirs it was afterwards again held by Arnulf Kade, who gave this manor, with that of Stalishfield, and their appurtenances, to the knights hospitallers of St. John of Jerusalem, and it was assigned by them to the jurisdiction of their preceptory, established at Swingfield.
The manor of Ore continued part of the possessions of these knights till the general dissolution of their hospital in the 32d year of Henry VIII. when this order was suppressed by an act then specially passed for that purpose. (fn. 1)
This manor seems to have remained in the hands of the crown till king Edward VI. granted it in his 5th year, to Edward, lord Clinton and Say, who next year re-conveyed it back again to the king. (fn. 2)
How it passed from the crown afterwards I have not found, but that at length it came into the possession of the family of Monins, and thence by sale to that of Short, one of which, Samuel Short, esq. owned it in 1722, and it continued down in his descendants to Philip Short, esq. who was succeeded in it by Mr. Charles Maples Short, who died a few years ago at Jamaica, on which it became vested in Mr. Humphry Munn, gent. in right of Lydia Short his wife. Hence it passed by sale to Mr. Bonnick Lipyeatt, who died in 1789, leaving two daughters his coheirs, who married Mr. Charles Brooke, of London, and Mr. Gosselin, and entitled them respectively to this estate.
A court leet and court baron is held for this manor.
There are noparochial charities. The poor constantly relieved here are not more than two; casually about six.
ORE is within the ECCLESTASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Ospringe.
The church which is dedicated to St. Peter, is a small building, of one isle and one chancel, having a pointed steeple at the west end, in which are two bells.
This church, which was antiently accounted only as a chapel to that of Stalisfield, belonged to the priory of St. Gregory, in Canterbury, perhaps part of its orignal endowment by archbishop Lanfranc, in the time of the Conqueror, and it was confirmed to it, among its other possessions, by archbishop Hubert, about the reign of king Richard I.
In the 8th year of Richard II. there was a yearly pension paid from the church of Ore, of ten shillings to the priory of Rochester, and another of eight shilling to that of Leeds. (fn. 3)
This church remained part of the possessions of the priory of St. Gregory, till the dissolution of it in the reign of Henry VIII. in the 27th year of which, an act having passed for the suppression of all such religious houses, whose revenues did not amount to the clear yearly value of two hundred pounds, this priory was thereby dissolved, and the scite of it, together with all its lands, possessions, and revenues, surrendered into the king's hands, by John Symkins, prior of it.
The church of Ore remained with the other possessions of the priory in the crown but a small time, for an act passed that year to enable the king and the archbishop of Canterbury to exchange the scite of the late dissolved priory of St. Radigund near Dover, with all its possessions, lately given by the king to the archbishop, for the scite of the late dissolved priory of St. Gregory, and all the possessions belonging to it, excepting the manor of Howfield, in Chartham.
After which the parsonage of this church was demised by the archbishop, as it has been since by his successors, among the rest of the revenues of the priory of St. Gregory, from time to time, in one great lease, (in which all advowsons and nominations to churches and chapels have constantly been excepted) in which state it continues at this time. George Gipps, esq. of Harbledown, M.P. is the present lessee of then to the archbishop, and Mr. John Hope, of Ore, is the present leffee under him for the parsonage of this church, at the yearly rent of thirty-four pounds.
It pays, procurations to the archdecaon five shillings, and to the archbishop at his visitaiton two shillings. When the church of Ore was separated from that of Stalisfield, I have not found, but it has long been an independent church of itself.
It was, long before the dissolution of the priory of St. Gregory, served as a curacy by the religious of it; since which it has been esteemed as a perpetual curacy, of the patronage of the successive archbishops of Canterbury, and continues to at this time. In 1640 the communicants here were forty-seven.
The lessee of the parsonage pays the curate, by the convenants of his lease, the yearly sum of fifteen pounds.
¶Before the year 1755, it had been augmented by the governors of queen Anne's bounty with the sum of two hundred pounds, and divine service was performed here only once a fortnight; since which it has been augmented with 1000l. more, and it is now performed here once a week. Of the above sum of 1200l. in the year 1764, 260l. were laid out in the purchase of an estate, of a house, buildings, and twenty-two acres of land, in Ospringe; and in 1770, another estate was purchased, consisting of a house, buildings, and thirty-three acres of land, in Boughton under Blean. The remaining 280l. yet remain in the governors hands.
I usually read a book for fifty pages and if it doesn't interest me I toss it. Many of my favorite authors have at least one book that has failed the test and so it is for James Lee Burke's "White Doves at Morning"
So, I am yet again working on a wig for Dylan and yet again I screwed. Last time you seen Dylan with my wig dillemma she was wearing the other finished (and believe me I redid both 3 times each) which was too thick and with screwed cap(too loose). This one is thinner, but then I think I made too big gaps between hair lines so in the end, when you would like to restyle a bit, you can see it....also I think I made top too quickly so the glue came out a bit(again)........I am really getting frustrated with it. I know I need to rethink the whole cap idea and rethink the system of adding hair. First I thought it's quite easy, but as you can see I am having some difficulties. Maybe I want to do it too quickly? Not patient enough? Or I dunno. >_<
Senses Fail
One More Brick Tour
Starland Ballroom
Sayreville, NJ
10.31.2009
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i made a fail whale out of cardboard on the nycresistor lazzzor. you can download it at brepettis.com/laser/failwhale3.dxf
Software lockups and Broken belts
This fail was due to the X belt splitting mid print. It sat and continued to lay plastic down over and over on Y and Z for 10 minutes. Which was quite a bit of plastic as i was printing at 200mm/s. Solution: print slower, replace X axis motor mount with alternative design, not use a steel internal braiding belt.
This makes me sad! Had these lying around for some years. All of this great good ol' Polaroid 600 film wasted, when I was testing a broken SX-70. I really miss this film.