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Hosiery warehouse/factory, built in two stages: 1875-1878 original L-shaped block along Lower Bond Street and Baines Lane, by Goddard & Paget; 1910 extension of four storeys and 13 bays on Lower Bond Street, by Goddard & Company. Red brick, ashlar storey bands, dentiled eaves course, hipped slated roof, regular fenestration with pivot and sash openings.
EXTERIOR: Lower Bond Street façade: three storeys plus basement; red facing bricks with ashlar dressings. 22 window range, with window bays set back in a palazzo-style façade; segmental headed openings to the basement windows, round-arched openings with roll moulds to the second and third-floors, square-headed steel lintels to openings on the top floor with dentil frieze beneath the sills. The extent of the original nine bay building at the south end of the range is marked by the chimney stack and the two cart entrances with decorative terracotta foliate detailing above. Both entrances originally had round-arched openings of two orders with roll-mouldings, as survives on the south entrance into Baines Lane; the arch in the north entrance has been squared off. A further cart entrance is located in the northern bay of the 1910 extension, also with two orders of arches with roll mouldings (the arch survives but a window has been inserted and the entrance has been bricked up). The plainer return range along Baines Lane is of three storeys plus a basement with 11 bays of segmental arched windows with glazing bar casements. The rear wall on east side of this range opposite the chapel has no windows. To the rear, in the angle between the Baines Lane and Lower Bond Street ranges is a stair block, extended c.1910 to accommodate a lift shaft. There is a courtyard between the extended L-shaped Goddard building and the later C20 concrete framed building to the rear, itself a replacement of an earlier factory range which formed part of the Atkins concern. The ground-floor of this later factory incorporates a boiler room with segmental arched heads and brickwork contemporary with the 1910 extension of the factory.
INTERIOR: The factory ranges have wooden floors and cross beams with tie rods, carried on cast iron columns. The roof over the 1870s building is original and is of composite truss construction, with timber raking struts and cast iron knees between collar and principal rafters. There are iron rods in addition to timber purlins. The roof construction over the 1910 extension is broadly similar. The introduction of powered manufacturing through line shafting is evidenced by end bearing blocks in the walls and by holes drilled in the iron columns and cross beams which indicate the former position of carriers. History: The hosiery industry was well established in Leicestershire, Nottinghamshire and east Derbyshire by the end of the 17th century. The stocking frame was introduced to Hinckley in the mid-17th century and by 1791 nearly 1,000 frames were in use, with framework knitting becoming a full-time domestic employment. Hosiery was to become the principal industry in Hinckley up until the 1970s. Hosiery was the latest of all of the textile industries to become fully factory based, a process which continued throughout the 1880s and 1890s. The Atkins factory is one of the earliest surviving representatives of the transition in hosiery from domestic hand-powered to factory machine-powered production. Although the factory is located in the medieval town, it is also part of the Druid Quarter, a northwards expansion of the town devoted to hosiery manufacture in the late 19th and 20th centuries.
The origins of the Atkins Brothers' firm can be traced back to 1722, when Robert Atkins (1702-1768), the son of a yeoman farmer, returned to Bond Street in Hinckley to make stockings, having served his apprenticeship in London. At this time knitting was a cottage industry with supplies of wool readily available in the locality. The family home was originally located on the site of the 1910 extension of the Atkins building, close to the Great Meeting chapel, built in 1722 (listed at Grade II*). The family were closely linked with the chapel, which was their place of worship, indeed, the original Goddard building was designed with an arched entry which gives access to the chapel from Baines Lane. The family tomb is in the grounds and Elizabeth, the last member of the family to be buried there in 1891, was reputed to have been the driving force behind the expansion of the factory, which included the purchase of an orchard from the Unitarians to provide further land. The family was noted for its philanthropy and interest in public affairs. John (1829-1908), Thomas (1832-1911) and Hugh (1838-1911) were founder-members of the cottage hospital in Hinckley and the library was presented to the town by the family in memory of Arthur (1840-1882). Originally a partnership, in 1929 Atkins was converted to a private limited company and in 1950 became a public company. An important fashion change took place within the trade in the 1960s with the almost total elimination of fully-fashioned stockings which caused redundancies, but the firm prospered again with the introduction of tights.
Until 1990 Atkins was still engaged in essentially the same business and was reputedly the oldest surviving independent knitting firm in the world. A significant feature of the firm was the continuity of the family management, the final member of the family in the firm, Tom Atkins retired in 1994. In the following year the firm, then in its 273rd year, passed into the ownership of Coats Viyella Plc.
Sources: Atkins of Hinckley 1722-1972 Brandwood, G and Cherry, M, Men of Property: The Goddards and Six Generations of Architecture,1990 Eaton, M, Buildings of the Machine Lace and Hosiery Industries of the East Midlands 1820-1940, 1997, unpublished report knittingtogether.co.uk: The Heritage of the East Midlands Knitting Industry, website
Summary of Importance: A large hosiery factory built in two phases: 1875-1878, by Goddard and Paget, 1910 extension by Goddard and Company to the same design, resulting in an impressive and detailed facade unusual for the hosiery industry. It is an intact and early representative of the transfer between domestic hand-powered and factory machine-powered production, this change in scale illustrated by the physical dominance of the factory over the adjacent listed framework knitters cottage. The historic importance of the connection with Atkins Brothers, a firm based on the same site since the C17 and the strong family association with the Grade II* listed Unitarian Chapel, situated so close to the factory adds to the significance of the building. EH Listing
Furniture Factory Interior, Seattle, June 25, 1935
Photographer:
Unknown
Subjects (LCSH):
Furniture workers--Washington (State)--Seattle
Digital Collection:
Federal Emergency Relief Administration (FERA)
content.lib.washington.edu/feraweb/index.html
Item Number: FER0003
Persistent URL:
content.lib.washington.edu/u?/fera,197
Visit Special Collections reproductions and rights page for information on ordering a copy.
University of Washington Libraries. Digital Collections content.lib.washington.edu/
Shot on 120 format Fuji Provia 100F film using a Mamiya RB67 Pro S body and a 127mm lens on a Manfrotto tripod. Scanned using a Nikon Super Coolscan 9000 ED dedicated film scanner.
I have wanted to get a good photo of the button factory for a while. I'll have to keep trying.
Waterfall Factory exhibits Danish and Swedish photo- and video-based contemporary art at Easter 2012th.
Waterfall Factory is located in Mölleröd. The exhibition is displayed in an abandoned factory - Waterfall Factory - which in itself is an attraction. The major part of the building looks like when it was abandoned. But the first floor, overlooking the lake, is decorated like a modern apartment and studio that is part of the exhibition space. The factory is beautifully situated in a very scenic area.
Source: Waterfall Factory - Photos.
Jellybeans have to be left out like this for a couple of days at a time as part of the jellybean making process. The tour guide mentioned why, but I was too busy waiting for that robot in the background to make eye contact with me to notice he was speaking.
MondoPOP & Rising Love
presentano:
VINYL FACTORY
(VINILIFICIOCREATIVO VOL.2)
Vinilificio Creativo è un‘idea di .bR1art
a cura di Diavù & Omino71
Vinyl Factory A SIDE
Da sabato 21 marzo 2009 a venerdì 24 aprile 2009 @ MondoPop International Gallery & Shop
via dei Greci, 30 - Roma (M Spagna).
Vernissage: Sabato 21 marzo h. 19 @ MondoPOP
Vinyl Factory B SIDE:
Da domenica 22 marzo 2009 a Domenica 19 aprile 2009 @ Rising Love
via delle Conce, 14 - Roma (Testaccio)
VINYL PARTY
Domenica 22 marzo dalle ore 19 (con aperitivo d’inaugurazione) fino a tarda notte
al Rising Love, via delle Conce, 14 - Roma (Testaccio)
500 dischi di vinile dipinti in mostra
Oltre 250 esponenti della Urban Art da tutto il mondo
Live:
Sixlips
DJ Set:
DJ Valentina Catalucci
DJ Free Joel Nordik – Net Label (Momamagazine)
DJ Giancarlino
DJ JRM aka Massimo Iovine (99 Posse)
Painting performance su vinile di:
Diavù aka David Vecchiato, Omino71, Satoboy, Mr.Klevra, Sone, AliCè, Bol, Teddybear, Fidia, .bR1 e tanti altri artisti urban che parteciperanno all’evento.
I vinili disegnati durante le performance della serata saranno donati al pubblico!!!
DOMENICA 22 MARZO dalle h. 19, Rising Love, Via delle Conce, 14 – Roma.
Ingresso con consumazione 7€ Ingresso con consumazione + catalogo Vinyl Factory 15€
Da più di un decennio abbiamo smesso di posarli sul piatto e ascoltarli, eppure godono ancora di ottima salute.
Sono gli LP o 33 giri, icona vintage e simbolo della club culture. Ora i dischi in vinile diventano i protagonisti di Vinyl Factory, la mostra collettiva legata a un bando internazionale che la MondoPOP International Gallery di Roma ha lanciato sul web due mesi fa, aperto a tutti gli urban artist del mondo.
Sono arrivati più di 500 vinili dipinti da artisti famosi, famosissimi e anche meno noti e la grande esposizione di queste opere avrà due “lati”, proprio come il disco in vinile a cui è dedicata.
Il LATO A di Vinyl Factory aprirà i battenti il prossimo 21 marzo in galleria, alla MondoPOP International Gallery a Roma e prevede in mostra più di 500 vinili.
Il LATO B sarà al Rising Love, sede della club culture della capitale, dove si inaugura domenica 22 marzo dalle ore 19 fino a tarda notte, con un party esclusivo, ricco di performance, musica live e, ovviamente, di 4 DJ eccezionali ai piatti.
Con l’ingresso anche il catalogo della mostra.
Accanto ai vinili realizzati da importanti artisti internazionali e italiani tra cui Jeremyville, Jon Burgerman, Jim Avignon, Christian Lindemann, Ciou, Andras Bartos, Diavù, Ozmo, Dem, Sten & Lex, AlePOP, Massimo Giacon, Scarful, Serpeinseno, Cesko, Zelda Bomba e tantissimi altri, vedremo esposte le opere di tutta la nuova scena della Urban Art internazionale
Gli uni e gli altri uniti da un unico filo conduttore: esaltare la propria creatività e annullare gli apparenti limiti di un disco di nero vinile di appena 12 pollici.
In più i DJ più importanti della scena romana, stavolta alle prese con pennarelli, pennelli e bombolette ci regaleranno per la serata del 22 marzo al Rising Love i loro vinili, interpretati graficamente da loro stessi.
L’esposizione continuerà in entrambe le sedi di VINYL FACTORY, fino a venerdì 24 aprile 2009 a MondoPOP e fino a domenica 19 aprile al Rising Love.
Tutte le informazioni su Vinyl Factory nel sito www.mondopop.it
o via email a info@mondopop.it
Two color letterpress business cards printed for Factory 256 featuring a cool yellow dot background.
For more information on our letterpress business cards visit: dolcepress.com/products/custom/
Factory ATANA studio Anthony SÉJOURNÉ
Disponible à la vente / Available for sale
www.jingoo.com/album/postershop/detail_album.php?id_album...
MondoPOP is pleasant to invite you to partecipate at the VINYL FACTORY Group Show (VINILIFICIOCREATIVO VOL.2).
ViNYLFACTORY is a record vinyl art show in Rome, Italy.
DEADLINE FOR SUBMISSION: February 15th 2009
EXHIBITION DATE: march 21th 2009 - april 24th 2009
Everyone is welcomed to participate,
more info
www.flickr.com/groups/vinilifico_creativo/discuss/7215761...