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GRUMETES ORIENTADOS A LAS ESPECIALIDADES DE MAYORDOMO Y COCINEROS SE LUCIERON DURANTE SU EXAMEN PRÁCTICO “ESGRUM CHEF”.
En el marco de las actividades académicas de la Escuela de Grumetes, el pasado jueves 29 de noviembre se efectuó una presentación gastronómica llamada “Esgrum Chef” por parte de los grumetes de primer año de las especialidades de mayordomos y cocineros navales.
Esta actividad se desarrolló en el patio memorial del plantel, contando con la presencia del Alcalde de la ciudad de Talcahuano Don Henry Campos, del reconocido chef nacional Alonso Barraza; además de Oficiales de la Armada, Ejército, Carabineros e instructores del Plantel.
El evento se dividió en dos etapas. La primera parte consistió en una demostración en vivo de tres preparaciones, donde los grumetes explicaron paso a paso lo que se estaba confeccionando en el momento. En la segunda etapa, los grumetes demostraron todas las habilidades y conocimientos adquiridos durante el año, poniéndolos en práctica durante una cena ofrecida para las autoridades e invitados especiales, quienes también tuvieron la tarea de evaluar la atención y conocimientos gastronómicos de cada uno de los grumetes mayordomos y cocineros asignados a cada comensal.
En la oportunidad, el Grumete orientado a mayordomo Hugo Poblete comentó “la experiencia vivida en el examen final fue espectacular porque pudimos demostrar todo lo aprendido durante este año, logrando cumplir con éxito el objetivo final junto a mis compañeros de curso. Además, el apoyo del chef Alonso Barraza fue un pilar fundamental y de gran ayuda para nosotros al momento de cocinar”.
A su vez, la Grumete orientado a cocinera Ana Soto señaló “cuando cocinamos en vivo vi a la gente tan entretenida y motivada con lo que estábamos preparando que me sentí ya una profesional mientras rendía el examen. Por otra parte, el chef profesional Alonso Barraza fue fundamental para llevar a cabo este gran desafío para esta promoción de cocineros y mayordomos, por todo su apoyo, entrega y consejos al momento de presentar nuestras preparaciones”.
January 2017 Women's March in Walnut Creek, Calif, with 10,000 in attendance! And now it's deja vu all over again!
Bruno Dupire, Head Of Quantitative Research at Bloomberg L.P., leads the Fundamentals workshop, Monday 14th May.
13 unique ideas for the space above your bed: designwotcha.com/design-basics/how-to-friday-fundamentals...
source: dreamy whites old-door-headboard-diy
Palacio de la Mosquera
De Wikipedia, la enciclopedia libre
El Palacio de la Mosquera, también conocido como Palacio del Infante don Luis de Borbón esta situado en el municipio de Arenas de San Pedro (provincia de Ávila, España)
El Palacio de la Mosquera se encuentra situado al sur de la Sierra de Gredos, en un paraje natural de gran valor paisajístico.
El palacio fue construido por el Infante Don Luis Antonio de Borbón y Farnesio, sexto hijo de Felipe V y hermano de Carlos III, que, desterrado de la corte madrileña al contraer matrimonio morganático con María Teresa Vallabriga, traslada su residencia del Palacio de Boadilla del Monte en Madrid a la Villa de Arenas de San Pedro.
El propósito del infante era la construcción de un gran palacio y un jardín botánico, y para ello encarga el proyecto a Ventura Rodríguez. El arquitecto supervisó la realización del proyecto, pero delegó su ejecución en cuatro colaboradores: el arquitecto Mateo Guill, el maestro de obras del Infante Alfonso Regalado, y los hermanos Ignacio y Domingo Tomás. La envergadura del proyecto y la avanzada edad de Don Luis, hicieron que el proyecto nunca llegara a concluirse.
Los ocho años que el Infante vivió en este Palacio fueron la época de mayor esplendor cultural de la villa. El Infante, gran amante del arte, de la historia y de la ciencia y considerado uno de los más importantes mecenas y coleccionistas del reino, contribuyó de forma importante al arte nacional y al desarrollo de Arenas de San Pedro, convocando a viajeros europeos ilustres y a numerosos artistas: compositores como Luigi Boccherini, arquitectos como Ventura Rodríguez y pintores como Goya, quien inmortalizaría en sus cuadros el magnífico entorno de la Sierra de Gredos.
Don Luis reunió en el Palacio de Arenas una rica, original y variada colección de pinturas, estampas, dibujos y esculturas. Amante de la historia y de la ciencia, creó un completo Gabinete de Historia Natural y una espléndida Biblioteca, que sin duda debieron causar gran impresión al visitante de la época.
Descripción
El edificio, construido entre los años 1780 y 1783, se caracteriza por su disposición neoclásica. Siguiendo el orden característico de la arquitectura palaciega presenta una planta cerrada articulada en torno a un patio interior cuyo centro ocupa una fuente piramidal.
La planta se ordena en cinco crujías paralelas a la fachada principal, siendo la central donde se ubican la escalinata y los patios. A su vez estas crujías se cortan mediante otras perpendiculares, ordenando y dividiendo la planta en estancias cuadriláteras bien proporcionadas, de total regularidad, donde el eje se convierte en el protagonista.
La fachada muestra las huellas evidentes de un edificio inacabado que utiliza materiales característicos de su entorno como el granito gris y los revocos de arena del Tiétar.
Al exterior el palacio destaca por sus elegantes proporciones, ordenando sus tres niveles con unas líneas horizontales claramente palaciegas. Los torreones que se elevan sobre la cubierta y rematan las esquinas, dotan al palacio de un aspecto escurialense, que recuerda al proyectado por Ventura Rodríguez en su palacio de Boadilla del Monte. Inicialmente estaban previstos cuatro torreones, uno en cada esquina, pero finalmente sólo pudieron ejecutarse dos de ellos.
Este carácter sobrio y ordenado caracteriza su exterior, donde destaca por su monumentalidad el pórtico. La entrada principal del palacio se realiza a través de este bello pórtico de proporciones clásicas diseñado por Ignacio Tomás en piedra granítica, concebido como un arco de triunfo formado por tres arcos con seis columnas dóricas y un balcón con balaustrada y que da acceso al zaguán.
El zaguán permite el acceso al espacio de la escalera, espacio cuadrado en doble altura cubierto mediante bóveda y delimitado mediante una arquería perimetral con balcones que se configura por sus elegantes proporciones como una de las piezas fundamentales del palacio
El palacio limita al oeste con la Casa de Oficios y las caballerizas. La Casa de Oficios, destinada a la servidumbre del Infante, se inspira en el proyecto diseñado por Ventura Rodríguez para la Casa de Correos de la Puerta del Sol de Madrid. Construida en mampostería y ladrillo, dividida inicialmente en trece departamentos, este paralelogramo comprende una planta baja y otra alta. El piso inferior se articula alrededor de un patio central. En los bajos de la Casa, se encontraban las caballerizas del palacio, donde también estaba prevista una sencilla fuente diseñada por Ventura Rodríguez.
Una parte importante del proyecto la constituían los jardines, cuyo diseño presentaba una tipología cercana a los jardines ornamentales de la Granja, plantados de parterres en «broderie», articulados alrededor de fuentes circulares de tipologia muy elaborada, como la fuente de los delfines, en parte conservada, diseñada por Ventura Rodríguez.
Vaciado este palacio de todo su contenido entre 1785 y 1796, ocupado por las tropas napoleónicas en 1809 y convertido en seminario menor entre 1868 y 1869, fue vendido por sus herederos y destinado a Seminario hasta 1972, siendo objeto de importantes modificaciones en su distribución interna, hasta su compra en 1988 por el Ayuntamiento de Arenas de San Pedro, que procedió a la rehabilitación y puesta en valor de todo el conjunto.
Movement Fundamentals Coalescence camp lead by Jane Hawley on Friday July 19- Photo by Maria da Silva
Campo Grande, MS – O senador Antonio Russo participou na noite desta quinta-feira (31/05), no Palácio Popular da Cultura, do evento comemorativo de aniversário dos 35 anos da Embrapa Gado de Corte. Segundo o senador "em todo o mundo a instituição é conhecida pela excelência de seu trabalho, pela qualificação de seu corpo funcional e pela contribuição fundamental que tem dado para o desenvolvimento do Brasil".
Para ele, "a sociedade brasileira cada vez mais vem consumindo uma das melhores carnes do mundo graças às pesquisas que estão sendo desenvolvidas pela Embrapa Gado de Corte".
O senador ressaltou que os mercados mundiais "exigem que produzamos em alta escala com menores danos ambientais e graças à empresa estamos conseguindo superar as expectativas: somos o maior exportador e o segundo maior produtor de carne bovina do planeta".
Segundo Russo "os resultados da Embrapa falam por si mesmos", enfatizando que "estes 35 anos de atuação demonstram com clareza que estamos no caminho certo".
Participaram do ato comemorativo o governador André Puccinelli, os deputados federais Edson Giroto, Reinaldo Azambuja e Abelardo Lupion (Paraná), os representantes da diretoria da Embrapa, representantes do Ministério da Agricultura, o jornalista José Hamilton Ribeiro e várias outras autoridades.
Assessoria de Imprensa
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Em 1892, a expedição Cruls, a mando do presidente Floriano Peixoto, veio ao Planalto Central estudar a área onde deveria ser erguida a capital do país. O grupo de 22 homens, chefiado por Luiz Cruls, passou por Planaltina, que à época chamava-se Mestre D’Armas por causa de um armeiro que morava lá.
Há nove quilômetros de Planaltina, no Morro do Centenário, está fincada a pedra fundamental de construção da Capital da República. O monumento, erguido em 1922, a mando do presidente Epitácio Pessoa, marca o centro geográfico da América do Sul. É composto por 33 pedras de concreto, que representam os 33 primeiros anos da República (de 1889 a 1922). Para inaugurá-lo, no dia 7 de setembro de 1922, o então presidente e a comitiva vieram do Rio de Janeiro para cá em 15 caminhões. Sessenta anos depois, em 1982, o Governo do Distrito Federal decretou o tombamento provisório da Pedra Fundamental.
Na placa consta: “O Exmo. Dr. Epitacio da Silva Pessôa em cumprimento ao disposto no Decreto 4494 de 18 de janeiro de 1922, foi aqui colocada em 07 de setembro de 1922 ao meio dia, a pedra fundamental da futura capital Federal dos Estados Unidos do Brasil!
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Foto: Lina Haselof
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The National Museum of History of Azerbaijan (Azerbaijani: Milli Azərbaycan Tarixi Muzeyi) is the largest museum in Azerbaijan. It is located in Baku, in the former residential house of Azerbaijani oil magnate and philanthropist Haji Zeynalabdin Taghiyev. The museum was founded in 1920, following the Russian takeover of Baku, and opened to visitors in 1921.
The museum's building was constructed between 1895 and 1901, originally as a residence for the Taghiyev family. It was designed by Polish architect Józef Gosławski, in imitation of the Italian Renaissance style. It is large, stretching over an entire block and reaching four floors in some parts. Since 1914, Baku Commercial Bank, which was headed by Taghiyev, had been situated in the mansion.
When the Red Army entered Baku in April 1920, Taghiyev's residence was immediately confiscated. Under a resolution of the USSR People's Commissariat, the residence was established as the State Historical Museum in June 1920, just two months after the Bolsheviks took Baku.
In May 1934, a special order was adopted to improve the teaching of history and geography in schools. In effect, it sought to promote the advantages of socialism and nurture the totalitarian regime's ideology in the rising generation.[4] A Marxist interpretation of history was delivered via the establishment of historical research and other institutions. In addition, new kinds of historical and regional museums were created to inspire the teaching and promotion of history.
Under this new system, the network of museums with historical profiles was enlarged. Furthermore, mechanisms of Soviet advocacy became much stronger during this period.
Knowledge of Azerbaijan's history was developed through the museum's research. Between 1925 and the 1960s, foundations were laid for the scientific investigation of ancient material and cultural monuments of Azerbaijan, under the direction of archaeologists such as Davud Sharifov, Yevgeniy Pakhomov, Ishak Jafar-Zadeh, Movsum Salamov, Saleh Gaziyev, and Mammadali Huseynov. Excavations were carried out in places such as Khojaly, Qabala, Ganja, Kharaba Gilan, Orangala, and Mingechevir. The museum's collections consist of materials discovered during these excavations and from other ethnographic expeditions.
During 1941–1954, the Museum of History was moved to the Palace of the Shirvanshahs, and the Council of People's Commissars of Azerbaijan SSR was in the mansion. In 1954, the museum began operating again on the second floor of the mansion. In 2000, the whole mansion was given to the authority of the Museum of History of Azerbaijan.
The museum's building was originally the residence of the well-known entrepreneur and philanthropist Haji Zeynalabdin Taghiyev and his family. It was designed by Iosif Goslavsky (1865–1904), the chief architect of the city of Baku during the time (1893–1904). There are twelve remaining architectural buildings in Baku built based on Goslavsky's designs.
Some 270 engineers, architects, carpenters, painters, and other masters worked on the mansion's construction between 1895 and 1901. Construction alone cost 1.2 million roubles, excluding furniture and equipment, all of which was brought from Russia, France, America, and Germany. Heating and cooling systems were also installed.
The mansion rises three stories on all four sides, and the height of each room reaches 13.20 meters. Its facade overlooked Gorchakov Street (now H. Z. Tagiyev Street), while its other sides overlooked Baryatinsky Street (now A. Alizade Street), Polis Street (now Y. Mammadaliyev Street), and Mercury Street (now Z. Aliyeva Street).
The interior layout of the mansion is based on a two-row construction of rooms. The reception room and the living room are divided into groups around two enclosed courtyards. The front part of the building faces west and has two separate marble staircases. Taghiyev's office was located on the ground floor. Living quarters, a study, two great ballrooms, a kitchen, a bathroom, and other rooms were all located on the second floor. The third floor has 16 additional rooms.
There are two large ballrooms on the second floor: one in an Oriental (Mauritanian) style and the other in a Western (European) style. The Oriental Hall features enormous plate glass windows, gilded arches, highly decorated walls, floral pilasters, ceilings, and chandeliers. It also had an attached winter garden with a small fountain in its center. The lines in the Occidental Room are more rectangular in comparison.
According to photographic evidence, one of the most elaborate rooms in the original building was the boudoir (private sitting room) for Sona Khanum, Taghiyev's wife. All the movable furniture and paintings in this room have since disappeared; nothing remains except the ornate mirrored mosaic ceiling.
During the Soviet period in the mid-20th century, four layers of white paint were applied over the highly decorative floral designs on the walls of the mirrored room, which were seen as "bourgeois remains". These were uncovered during renovations in 2000. Elsewhere in the residence, the original paint has survived. The paint was made of finely ground eggshell, a practice used by artisans for Byzantine icons. Nearly 100 years later, the original colors with their subtlety and sophistication have neither faded nor chipped.
Fundamental renovation, restoration, and reconstruction works commenced in the Taghiyev mansion in 2005. The Memorial Museum of H.Z. Taghiyev (under the National Museum of History of Azerbaijan) was also established on the initiative of President Ilham Aliyev.
Memorial Museum of Haji Zeynalabdin Taghiyev
Portrait of Haji Zeynalabdin Taghiyev by Isaak Brodsky, c. 1912
Restoration of rooms, personal belongings, and furniture of the Memorial Museum of Haji Zeynalabdin Taghiyev has been organized by specialists from Azerbaijan and Italy.[6] The interior restorations are based on photographs from the family photo album. The museum includes the following restored rooms:
Taghiyev's study – furnished with Taghiyev's writing desk, armchair, books on Russian law, and a private collection of paintings. Included is a portrait of Taghiyev himself, painted by Isaak Brodsky in 1912, which was commissioned by the city council for his financial contributions to aid the construction of a local technical college.
Oriental Hall – one of the mansion's largest and most ornate rooms, designed in an Oriental (Mauritanian) style. It was used for official meetings, receptions, and ceremonies. Nine kilograms of gold were used for inscription and decoration.
Taghiyev's library – the contents of the room highlight Taghiyev's great efforts to promote learning and philanthropy. For example, he financed the publishing of works by prominent writers, poets, and historians. He also owned the newspaper Kaspi and was the first to publish the Quran in Azerbaijani.
Billiard room
Dining room – displays velvet-covered chairs, a silver enameled dinner set, silver knives from France, cut glass goblets, and other luxuries.
Monitored room – an interactive display for museum visitors.
Boudoir – a small sitting room of Taghiyev's second wife, Sona
Khanim. Also called the "Mirror Hall" due to the plate glass covering the ceiling and colorful ornaments decorating the walls.
Bedroom
Dressing room
Throughout its history, the National Museum has established dedicated funds to carry out expeditions, enable preservation efforts, promote cultural study and education, and develop the museum's collection. As of 2024, the museum hosts 12 unique funds.
The oldest funds, established in the 1920s, include the Archaeological Fund (1920), which facilitates study of the historical, archaeological, and cultural heritage of Azerbaijan;[8] the Numismatics Fund (1920), which preserves, studies, and promotes a collection of 100,000 ancient and oriental coins, as well as non-coin material (stamps, orders, medals, etc.); and the Ethnographic Fund (1925), which seeks to represent cultural artifacts and crafts of Azerbaijani ethnic groups, including copperworking, faience, wood products, fabrics, and carpets.
Additional newer funds include the Special Fund (precious metals and jewelry) (1955), Fund of Documentary Sources (1996), Fund of Gifts and Memorabilia (2009), and Patriotic War Fund (2021), among others.
Since its establishment, the museum has carried out restoration and conservation efforts. Originally focused primarily on archaeological findings, there are now restoration specialists from a wider variety of fields who deal with materials including metal, ceramics, wood, textile (carpet and embroidery), painting, and graphics. To improve their professional skills, laboratory employees refer to new publications about restoration and conservation and apply advanced methods to their work.
The activity of the laboratory was presented in the museum's exhibition "The Second Life of Museum's Exhibits", held in 2010.
Movement Fundamentals Coalescence camp lead by Jane Hawley on Friday July 19- Photo by Maria da Silva
Movement Fundamentals Coalescence camp lead by Jane Hawley on Friday July 19- Photo by Maria da Silva
Incentivar as nossas crianças o gosto pela leitura é plantar uma semente com a certeza de que dará bons frutos.
Textbooks and magazines left by the prisoners were scattered around the West Cell Block. Psychology and criminal justice were popular topics.
Movement Fundamentals Coalescence camp lead by Jane Hawley on Friday July 19- Photo by Maria da Silva
Fashion FUNdamentals is a STEM enrichment program for middle school girls that nurtures the girls' skills in the STEM disciplines and fosters their self-confidence and self-esteem. June 13 - 24, 2016
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