@ Katase-Enoshima Beach, Kanagawa / Japan

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使用機材に関してはタグを参照してください。Early autumn -5-

Zagreb - Kanal - Supilova

Zagreb

... opens people's hearts.

@ Katase-Enoshima Beach, Kanagawa / Japan

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Cat and Nikon Z6 just arrived at home

Solid silver and ivory fork coming from a set made in the 1850s. Always was in my Mom’s side of the family in Brittany. The fork is quite small, it is a dessert thing, or possibly used for small foodstuffs like snails or oysters.

Smoked trout with basil.

Single exposure with the Micro–Nikkor 85mm f/2.8 tilt–shift macro lens, tilted alongside the axis of the fork for increased depth of field.

Shot taken for my Macro Mondays group, “Fork” theme.

Strobist and technical: One Phottix Pro Indra500 monolight on a Profoto boom stand in backlit Rembrandt position to camera left, 2 meters from subject and 1 meter above it, firing horizontally at ¼ power through a Luxlight 30 × 140–cm stripbox with double diffuser. White card reflectors in the back and to camera right.

Strobe set and triggered via Phottix Pro Odin II radio controller on the Nikon Z7 hot shoe, manual mode. Gitzo GT3543 XLS tripod with Arca–Swiss Cube C1 geared head. Nikon Z7 camera body, Micro–Nikkor 85mm f/2.8 PC–E tilt–shift lens, manual focus. FTZ adapter.

Yesterdayâs sunrise on the coast of Down East Maine before a snowstorm started.

Nikon Z 7 with FTZ lens adapter and NIKKOR 14-24mm f/2.8 lens. Due to the high dynamic range of the bright sky and the dark foreground, and the fact that my camera was very low to the ground and very close to the little tree in this scene, I had to focus & exposure stack to capture this scene. Four shot focus stack and another for dynamic range for five shots total. Three of the close focused exposures were focus stacked in Helicon Focus, a program that is dedicated to focus stacking. Photoshop has its own version of auto blend but it doesnât work very well for situations like this where the tree was moving a bit between frames and had the background rock intersecting it. That focus stacked result was then blended with the rest of the exposures in Photoshop.

Visit my website to learn more about my photos and video tutorials: www.adamwoodworth.com

薬師池公園 ルリビタキ

SS priority 1/500, ISO-auto (Cap 51200), w/ monopod

Nikon Z7 + ftz ii + AF-P NIKKOR 70-300mm f/4.5-5.6E VR FX

DxO photolab 8

© Matthieu Tuffet All right reserved. No usage without permission.

Some of my work is available royalty-free on istock / adobe stock / shutterstock

Novi Vinodolski

Zagreb

Arhitekt Gustav Weller ml.

Zagreb - Gornji grad

Gdańsk. After midnight. Z5+FTZ+17-50/2.8

Z6

FTZ + NIKKOR AF-S 24-120mm G VR

Nik Silver Efex Pro 2 (B&W conversion)

While at B&C Camera in Vegas, I got a chance to watch Nikon Ambassador Jerry Chionis work. Every time... every single time... I watch him I feel like I am a novice all over again. The man is simply amazing!! If you ever get the chance to see him teach... TAKE IT!

Screw that. Just go to his website and watch some of his video lessons.

How can something as simple as opening a door to a cameras store class room create such beautiful light?!?

OK. The model... Erica... is stunning. But... an open door? Available light? In a camera store classroom? At 2:30 in the afternoon? In Vegas? With the temp breaking 105?

One from the upper deck of the no. 8 bus. Was difficult getting the shots I wanted. This one alone, turned out OK.

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Nikon Z6, FTZ, Nikkor 18-35mm f/3.5-4.5

Exposure X7, Color Efex Pro 4, Silver Efex Pro 3

忠生公園 エナガ

Postira

@ Katase-Enoshima Beach, Kanagawa / Japan

Check out my photostream. Thanks.

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Don't use this image without my explicit permission.

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dahlia, 105 Sigma macro, FTZ adapter

Zagreb - Gornji grad

Pre-Hover this morning. Really enjoying playing with the Nikkor 14-24mm.

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Nikon Z6, FTZ, Nikkor 14-24mm f/2.8

Capture One

Z7 + FTZ + AF-S NIKKOR 70-200mm F4G

Zagreb

Glanced down here and nearly walked on, without taking a shot. Glad I didn't!

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Nikon Z6, FTZ, Nikkor 18-35mm f/3.5-4.5

Exposure X7, Analog Efex Pro 2, Silver Efex Pro 3

Nikon Z9 + FTZ-II + AF-S NIKKOR 200-400mm f/4G ED VR II

Blogged at: www.anthonybaines.co.uk/blog/2020/2/9/the-nikon-z6-and-st...

Alexander-Dennis Enviro 400 City/E40D, new to Go-Ahead Plymouth Citybus in August 2017.

Seen here before operating a GWR rail replacement service to Exeter.

Postira

Seen promoting the Illuminations event at the Royal William Yard between Thursday the 22nd and Sunday the 26th November, WA17 FTZ is seen halfway through it's first evening out in these bright lights.

Another from yesterday. It was difficult to choose between colour and b&w.

Really happy with how many narratives there are in this shot

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Nikon Z6, FTZ, Nikkor 18-35mm f/3.5 - 4.5

Exposure X7, Color Efex Pro 4

@ Showa Kinen Park / Tokyo, Japan

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Ma ferme des animaux

@Tokyo / Japan

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2次利用の際は事前に声をかけて下さい。

使用機材に関してはタグを参照してください。Observation Deck

Z7 + FTZ + AF-S NIKKOR 35mm F1.4G

@ Katase-Enoshima Beach, Kanagawa / Japan

Check out my photostream!

Thanks.

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Thank you for visiting.

Don't use this image without my explicit permission.

Please refer to tag about equipments.

2次利用の際は事前に声をかけて下さい。

使用機材に関してはタグを参照してください。Early autumn -5-

Zagreb - Kožarska ulica

We noticed this group of painters on the slipway, painting HMS Warrior. I think this one works :)

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Nikon Z6, FTZ, Nikkor 18-35mm f/3.5-4.5

Exposure X7, Color Efex Pro 4, Silver Efex Pro 3

Nikon Z6 + FTZ + Nikkor 85mm f/1.8 G - ISO 10.000

Ann's Hummingbird

Zagreb - Radnička

Fort Steilacoom Park

Lakewood, Washington

Nikon 105mm f/2.8 micro

FTZ adapter

The comet appeared between the clouds and the horizon and I only had a few minutes, so I eyeballed the focus on infinity using the scale on the 70-200mm f/2.8 lens (mounted on the Nikon D850). It wasn't very sharp. It was hard to keep the comet framed well at 200mm, as the comet kept moving. It did not show up in live view on the D850, even with the ISO temporarily raised to 25,600, so framing it was trial and error. I ditched the D850 (image above).

Running out of time, I switched to the Nikon Z8 with FTZ-II adapter. The lens was mounted on a fixed tripod, so I could simply swap cameras off the back of it and didn't need to find the comet again. On the Z8, the comet was easily visible in the sky using live view with starlight mode on.

This is the result from five exposures bracketed 1/3 stop, sky-stacked in Sequator and adjusted in Lightroom.

Nikon Z50, FTZ adapter and Nikkor 400mm f2.8 ED VR