View allAll Photos Tagged FTZ
Kruimeltje’s profile in silhouette, against green bokeh background. As they say “Time spent with cats is never wasted.”
~
Sigmund Freud.
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And kind greetings,
Samuel
732 258 rangiert mit einem Silberling, einem Messwagen und einem CFL-Dosto im Gelände des Aw Freimann. 13.09.2004
Using the Nikkor 14-24 f/2.8 lens with FTZ-II adapter. The color translation tables seem to pick up green airglow well.
Orange Surrender
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My images are posted here for your enjoyment only. All rights are reserved. Please contact me through flickr if you are interested in using one of my images. laurieabbotthartphotography.com
I've been playing with this sort of style more of late. Not that I have a fixed style, but doing more of it of late!
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Nikon Z6, FTZ, Nikkor 18-35mm f/3.5-4.5
Exposure X7, Color Efex Pro 4, Silver Efex Pro 3
So thought I'd stop as I was crossing. At that point, my camera decided it wanted to do something else. I stood there for several seconds, hoping I wouldn't be stood there much longer! It got it's act together in the end, hence this photo.
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Nikon Z6, FTZ, Nikkor 18-35mm f/3.5-4.5
Exposure X7, Color Efex Pro 4, Silver Efex Pro 3
Z6ii, FTZ, 300mm f2.8, TC20eiii.
f/8, 1/500s, ISO12800
Yes it's soft, ( =ISO), but a beautiful animal.
There's another deer sitting in the green field behind.
Taken 14mins before sunset, cloudy.
These were on one of the lower decks. Very dimly lit, so had to shoot at very high ISO (6400). Not sure what they are. Kit bags maybe? ( Edit: I have been told they are for hammocks )
Going from the lower decks, to the gun deck, then up to the actual deck again was almost a relief, climbing out into the light.
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Nikon Z6, FTZ, Nikkor 18-35mm f/3.5-4.5
Exposure X7, Color Efex Pro 5
Originally painted sky blue, this is a genuine World War I steel helmet from the French army. It has been in the family on my mother’s side since then.
For this 1:1 macro shot, I used my new Micro–Nikkor 85mm f/2.8 PC–E tilt–shift and macro lens. Natively, it can only achieve 1:2, but in this case, I added a Fotodiox Pro extension tube to reach life size. I used it because it is also a tilt–shift lens and I tilted it almost all the way to get all of what I wanted in focus.
Shot taken for the “Macro Mondays” group, Rusty theme.
Strobist and technical: One Phottix Pro Indra500 monolight on a Manfrotto cantileverd giraffe light stand in zenithal position (angled towards camera), 1.3 meters above subject, firing at ¼ power through a Luxlight 30 × 140–cm strip box with double diffuser; and another Indra500 studio strobe on a Profoto light stand in Rembrandt position to camera left, 1.5 meters from subject and 1 meter above it, firing at ¼ power through a 110–cm Luna octabox with double diffuser. White card reflector to camera right.
Strobes set and triggered via Phottix Pro Odin II radio controller on the Nikon Z7 hotshoe, manual mode. Sekonic L–858D light meter used to balance light sources. Gitzo GR3543XLS tripod with Arca–Swiss Cube C1 geared head. Nikon Z7 camera body, PC-E Micro-Nikkor 85mm f/2.8D tilt–shift lens with FTZ adapter, Fotodiox Pro 15–mm extension tube.
I took this a while back. Not sure why I didn't upload it, as I really like it!
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Nikon Z6, FTZ, Nikkor 18-35mm f/3.5-4.5
Exposure X7, Color Efex Pro 4, Silver Efex Pro 3
So, I go on an old warship. What do I photograph? Windows. And ropes. Lots of ropes!
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Nikon Z6, FTZ, Nikkor 18-35mm f/3.5-4.5
Exposure X7, Color Efex Pro 5, Silver Efex Pro 3
Nikon Z 7 with Sigma f/1.8 DG HSM Art lens with FTZ mount adapter. Sky: Star stack of 20 exposures, each at 10 seconds, f/2.8, ISO 6400. Foreground: Two shots, one at ISO 1600 and f/2.8, another at ISO 800 and f/2, both for 10 minutes. I was testing out the lens at those f-stops and ended up using both shots for the foreground. I could have shot for 5 minutes at f/2 to get the same amount of light as f/2.8 at 10 minutes, but I’m used to shooting very long exposures so I let it go for 10 minutes at f/2 to get more light for less noise.
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