View allAll Photos Tagged FILMSWAP
This is from a film swap I did with Danielle/stereoke! I really love this image-- it looks as if the park photo is printed on the mailboxes.
Weirdly, most of the images from the roll looked more like single exposures. I don't know why that would happen. There were a few interesting convergences though! I love film swaps.
I shot my exposures using my Yashica GSN Electro. Danielle used a Nikon N90s and a manual 50mm 1.4 prime lens.
Taking a break from my Cornwall pics (14 rolls from a 7 day holiday!), these are from the 2nd UK / Norway double exposure collaboration with plommepeis.
Vivitar Ultra Wide and Slim x2 + Agfa Precisa CT 100 + xpro
Shortly after opening the doors to EMULSIVE I kicked off a little #filmswap project on Twitter. The idea was brutally simple; while I’m lucky enough to have access to a wide range of film stocks and formats, there remain a few – quite a few in fact – which stay out of every day ...
emulsive.org/articles/filmswap-01-efke-25-jonas-lundstrom
#35Mm_Format_Film, #Black_And_White_Film, #Efke, #Efke_Kb_25, #Filmswap, #Helios, #Helios_442, #Jonas_Lundstrom, #Nikon, #Nikon_F100
Filmswap with Bingo Jesus.
1st run in Manchester with a 99p Vivitar IC101, 2nd in Brighton using a £2 "Action Tracker" 4 lens thing. Fuji Astia 100F (which cost more than both cameras together), cross processed.
Film swap with Dan James using Ilforfd XP2 400 Black &White C41 Process Film. With the theme of Windows /Doors & Trees. Film shot with Pentax ME Super & Pentax Espio 24EW cameras.
L'esperimento di film swap continua, forte della curiosità e della bellezza della casualità.
T-Max 400 cromogenico esposto per i ritratti da Francesco De Rosa, per le texture dal sottoscritto.
Si studiano idee per un futuro film swap, magari in scala di rossi & non.
Film Swap with Roberta_Bi creating multi layered images from Lisbon in Portugal and Stroud in the UK .
Nikon F60 & Pentax Film Cameras , Lomography Color Negative 100 35mm Film
From one of two rolls of double exposures collaboration with slimmer_jimmer. Check out his excellent photostream.
Vivitar Ultra Wide & Slim x2 + Fuji Velvia 50 + Xpro
Filmswap with Kristie... | Bristol UK / Melbourne AU | Kodak Elitechrome Extra Colour 100 + LC-A+ + Xpro
Doubles with frauspatzi for the lomography.de christmas filmswap double rumble | Lomo LC-Wide, Fuji Sensia 400, cross-processed
The results of my first film swap run. I exposed the film first then passed it over to Hobgrumble to run it through his camers. This time around I used a Zenit E and Hobgrumble a Zenit 11
a .di.gi.pren.tice. x pattyequalsawesome collaboration
rotorua, new zealand x manila, philippines
lca x lca+
thank you, tino! looking forward to more swaps with you :)
Dumfries 2015. Revue 35FC (aka Haking Micro 35) with DM paradies 200 previously exposed (film swap with Miloš Vaniloš- but his camera was failing). Processed and scanned by ag photo lab
Film swap project "Italy vs Slovakia".
Authors: Flavio Casadei Della Chiesa (Italy, Nikon FM) and Nina Holešová (Slovakia, Diana mini), Lucky iso 100 b&w Film.
Foreground: a dog in Bratislava (Nina)
Background: a fence in Prato (Flavio)
Doubles with 西門SIMON | Melbourne, Australia + Brighton, UK
Olympus Pen EE-2 half-frame (redscale) + Supersampler + Kodak Elitechrome Extracolour 100 + Xpro
Expired Ilford FP4+. Double exposure by me.
The dog was photographed on a Cosmic Symbol camera in Cheltenham on April 21st 2014. The railings and steps were shot in Oxford on an Olympus 35DC sometime in the past, probably in 2011. The film was developed at home by me in Ilfosol-3 for 9.5 minutes on December 7th 2014.
This is an unintentional film swap. I originally put this charity shop roll of expired Ilford FP4+ into an Olympus 35DC in 2008, and shot the occasional frame on it until 2011, when the camera got put away in a tidying frenzy. In 2014 I pulled it out to finish the film but by then the battery was dead. I thought I had at least half the film still left to shoot, so I rewound it and put it into my Cosmic Symbol, which would need no battery. I thought I had shot through the correct number of frames with my hand over the lens to get to the unexposed part but evidently I underestimated this because there are a lot of double exposures.
The difference between my life in 2008, 2011 and now in 2014 is represented in some of these images. In many ways they show what my overlapping memories and feelings seem like. They are not a traditional film swap, but the "difference in me" between then and now almost makes up for the two images not being taken by different people, so I'm treating them as if they were.
Because the photograph of the dog orients this as a portrait image the railings and staircase are presented differently. Without the dog there would be little point in putting the photo up "this way round", but since the dog would look silly any other way up the interaction between the paving slabs and the strong diagonal lines of the handrail become part of a new, more formal composition. I am particularly fond of the boldness of the zig-zag lines on the right hand side; I don't expect the architect of the staircase would ever have thought of them being represented in this way.