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Rose Astronaut
For: Masters in Media, Art and Design university project
Topic: Practical based research on post-apocalyptic imagery in science fiction cinema [1970-present]
"Science is a way of thinking about the reality that takes its objectivity for granted. Fiction is a way of describing the reality that assumes the subjectivity of experience—for every fiction, a different way of seeing things, a different reality. The two words together contradict each other. A thing cannot be both "science" and "fiction" at the same time, any more than it can be both "reality" and 'fiction' "
Darko Suvin
• Man Vs Machine - The greatest anxiety of them all for the future, robots, self-driving cars, electricity in the greatest extent of its possibilities. The pure potential is what drives the ideals of the human races idea of consumption, phones, music, tablets all the very start of the new bust and boom of technology potential. 3D printers, mass farming and of course what technology can do for us, scare and protect, protect and scare. Rules and regulations have been tested and manipulated since the early examples of where the robotically world can go. The fear now, of course, is within countries such as Saudi Arabia who have given the Robot Sophia a home. Speculative fiction from science fiction is what drives the fascination and keen as well as fear traits of humanity. People want to trust in the robotic creatures for protection while holding a fear for synthetically enthralling possibilities.
• The effects of the apocalypse - the void, the empty, the lost and confused, the driven by destruction images that are conjured within the genre, there are very few stances where the post-apocalypse symbolises something better visually. However, within the UK TV show Utopia, the utopia they seek is this fantasy that people are halved in populous, so is that a utopia in the post-apocalypse, yes to some extent but not the entire traditional, building are on fire and people are scared concept that science fiction promotes so frequently. Within my images, I wanted to create the uncanny in my images, this avoidance of people and really focus on the locations. As well as trying to create the appropriate soundscapes and sound design that reflects this too.
• Religious symbolism in science fiction - in the post-human world I have created, the world is void of religion in the traditional sense because, those who knew the religions, as well as the texts have since past. Where there is a void in the transcripts new collective worship becomes a feature. Such as this idea of lighthouses, which comes from the concept of Jesus being the light of the world. In my own imagery, which is influenced by own inherent interest in the Christian faith, developed into the imagery. Wanted to create this divine worship on items which seem trivial, such as people of the post-apocalypse world could celebrate the photograph, as a deity because it gives a glimpse of something else, something before and something to aspire to in the potential of the future, the fantastical. The train lines could be another photography theory ideal - with the leading lines but also a key feature in the development of this need to find a path and follow. Within a world of null, the traditional sense of the collective of the Church becomes the modern interpretation of such.
Rose Astronaut
For: Masters in Media, Art and Design university project
Topic: Practical based research on post-apocalyptic imagery in science fiction cinema [1970-present]
"Science is a way of thinking about the reality that takes its objectivity for granted. Fiction is a way of describing the reality that assumes the subjectivity of experience—for every fiction, a different way of seeing things, a different reality. The two words together contradict each other. A thing cannot be both "science" and "fiction" at the same time, any more than it can be both "reality" and 'fiction' "
Darko Suvin
• Man Vs Machine - The greatest anxiety of them all for the future, robots, self-driving cars, electricity in the greatest extent of its possibilities. The pure potential is what drives the ideals of the human races idea of consumption, phones, music, tablets all the very start of the new bust and boom of technology potential. 3D printers, mass farming and of course what technology can do for us, scare and protect, protect and scare. Rules and regulations have been tested and manipulated since the early examples of where the robotically world can go. The fear now, of course, is within countries such as Saudi Arabia who have given the Robot Sophia a home. Speculative fiction from science fiction is what drives the fascination and keen as well as fear traits of humanity. People want to trust in the robotic creatures for protection while holding a fear for synthetically enthralling possibilities.
• The effects of the apocalypse - the void, the empty, the lost and confused, the driven by destruction images that are conjured within the genre, there are very few stances where the post-apocalypse symbolises something better visually. However, within the UK TV show Utopia, the utopia they seek is this fantasy that people are halved in populous, so is that a utopia in the post-apocalypse, yes to some extent but not the entire traditional, building are on fire and people are scared concept that science fiction promotes so frequently. Within my images, I wanted to create the uncanny in my images, this avoidance of people and really focus on the locations. As well as trying to create the appropriate soundscapes and sound design that reflects this too.
• Religious symbolism in science fiction - in the post-human world I have created, the world is void of religion in the traditional sense because, those who knew the religions, as well as the texts have since past. Where there is a void in the transcripts new collective worship becomes a feature. Such as this idea of lighthouses, which comes from the concept of Jesus being the light of the world. In my own imagery, which is influenced by own inherent interest in the Christian faith, developed into the imagery. Wanted to create this divine worship on items which seem trivial, such as people of the post-apocalypse world could celebrate the photograph, as a deity because it gives a glimpse of something else, something before and something to aspire to in the potential of the future, the fantastical. The train lines could be another photography theory ideal - with the leading lines but also a key feature in the development of this need to find a path and follow. Within a world of null, the traditional sense of the collective of the Church becomes the modern interpretation of such.
Use of these images in any form without permission is illegal. If you wish to use or license any images please contact mel@mudkissphotography.co.uk
All work copyright Melanie Smith/ Mudkiss Photography All Rights Reserved
Rose Astronaut
For: Masters in Media, Art and Design university project
Topic: Practical based research on post-apocalyptic imagery in science fiction cinema [1970-present]
"Science is a way of thinking about the reality that takes its objectivity for granted. Fiction is a way of describing the reality that assumes the subjectivity of experience—for every fiction, a different way of seeing things, a different reality. The two words together contradict each other. A thing cannot be both "science" and "fiction" at the same time, any more than it can be both "reality" and 'fiction' "
Darko Suvin
• Man Vs Machine - The greatest anxiety of them all for the future, robots, self-driving cars, electricity in the greatest extent of its possibilities. The pure potential is what drives the ideals of the human races idea of consumption, phones, music, tablets all the very start of the new bust and boom of technology potential. 3D printers, mass farming and of course what technology can do for us, scare and protect, protect and scare. Rules and regulations have been tested and manipulated since the early examples of where the robotically world can go. The fear now, of course, is within countries such as Saudi Arabia who have given the Robot Sophia a home. Speculative fiction from science fiction is what drives the fascination and keen as well as fear traits of humanity. People want to trust in the robotic creatures for protection while holding a fear for synthetically enthralling possibilities.
• The effects of the apocalypse - the void, the empty, the lost and confused, the driven by destruction images that are conjured within the genre, there are very few stances where the post-apocalypse symbolises something better visually. However, within the UK TV show Utopia, the utopia they seek is this fantasy that people are halved in populous, so is that a utopia in the post-apocalypse, yes to some extent but not the entire traditional, building are on fire and people are scared concept that science fiction promotes so frequently. Within my images, I wanted to create the uncanny in my images, this avoidance of people and really focus on the locations. As well as trying to create the appropriate soundscapes and sound design that reflects this too.
• Religious symbolism in science fiction - in the post-human world I have created, the world is void of religion in the traditional sense because, those who knew the religions, as well as the texts have since past. Where there is a void in the transcripts new collective worship becomes a feature. Such as this idea of lighthouses, which comes from the concept of Jesus being the light of the world. In my own imagery, which is influenced by own inherent interest in the Christian faith, developed into the imagery. Wanted to create this divine worship on items which seem trivial, such as people of the post-apocalypse world could celebrate the photograph, as a deity because it gives a glimpse of something else, something before and something to aspire to in the potential of the future, the fantastical. The train lines could be another photography theory ideal - with the leading lines but also a key feature in the development of this need to find a path and follow. Within a world of null, the traditional sense of the collective of the Church becomes the modern interpretation of such.
property of the Nedbalka Gallery, Bratislava
from the exhibition at the Slovak National Gallery in Bratislava, May 2014 focusing on forms of impressionist painting in Slovakia
property of the Slovak National Gallery, regional galleries and private owners
for educational purpose only
please do not use without permission
dôležitá informácia v Profile
An older acrylic painting on canvas: "This Light Inside."
Website: www.shantadevi.com
Instagram: www.instagram.com/shantadevi
Press "L" to view on Black.
Detail of a sculpture by Icelandic artist Steinunn Thórarinsdóttir...one in a series of statues in the garden of the Katonah Art Museum. One of the most interesting particularities of this particular statue was the little spider web, linking the eye and the nose, as well as little fuzzy spider web particles on the lips and chin of the statues' profile.
Amazing art & an amazing 'contribution' by a spider!
Katonah Museum of Art; Katonah, NY
Westchester County, North of New York City
Georgina Starr's exhibition I,CAVE at mima (Middlesbrough Institute of Modern Art) opened 9 April 2015. The exhibition runs until 28 May 2015.
Photograph ©: Colin Davison
Foto oficial de la canción Solo en ti, un dueto con el cantante Flavio Rodriguez, segundo single del nuevo disco Clandestino de ROSER
Fotos: Salva Musté
Producción: The ROJO Music
Diseño: Joeman del Río para The ROJO Music
Maquillaje: Irene Elías
Peluquería: Irene Elías
property of the Nedbalka Gallery, Bratislava
from the exhibition at the Slovak National Gallery in Bratislava, May 2014 focusing on forms of impressionist painting in Slovakia
property of the Slovak National Gallery, regional galleries and private owners
for educational purpose only
please do not use without permission
dôležitá informácia v Profile
Yesterday, words in my art journal. Words read: Space to create dreams & release demons...Words that carry & float on, with love & measure that stays... #artbyshantadevi #whatshantamade #art #artjournal #artjournaling #artjournaleveryday #travelersnotebook #artoutloud #artisfreedom #blackartistsoninstagram #artistsoninstagram #blackartist #lettering #thejournalisthedestination #doodle #words #thoughts #freewriting #penandpaper #thinkingonpaper #creative #writing #journaling #sketchbook #notebook #blackgirlmagic
Shiri Maimon, famous Israeli singer, performs on 24.4.08
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mel la del barrio
Vermelho.
Da série: Não faz inveja num dia de calor?
50x70cm
Acrílica e outros materiais sobre tela, 2022
Rose Astronaut
For: Masters in Media, Art and Design university project
Topic: Practical based research on post-apocalyptic imagery in science fiction cinema [1970-present]
"Science is a way of thinking about the reality that takes its objectivity for granted. Fiction is a way of describing the reality that assumes the subjectivity of experience—for every fiction, a different way of seeing things, a different reality. The two words together contradict each other. A thing cannot be both "science" and "fiction" at the same time, any more than it can be both "reality" and 'fiction' "
Darko Suvin
• Man Vs Machine - The greatest anxiety of them all for the future, robots, self-driving cars, electricity in the greatest extent of its possibilities. The pure potential is what drives the ideals of the human races idea of consumption, phones, music, tablets all the very start of the new bust and boom of technology potential. 3D printers, mass farming and of course what technology can do for us, scare and protect, protect and scare. Rules and regulations have been tested and manipulated since the early examples of where the robotically world can go. The fear now, of course, is within countries such as Saudi Arabia who have given the Robot Sophia a home. Speculative fiction from science fiction is what drives the fascination and keen as well as fear traits of humanity. People want to trust in the robotic creatures for protection while holding a fear for synthetically enthralling possibilities.
• The effects of the apocalypse - the void, the empty, the lost and confused, the driven by destruction images that are conjured within the genre, there are very few stances where the post-apocalypse symbolises something better visually. However, within the UK TV show Utopia, the utopia they seek is this fantasy that people are halved in populous, so is that a utopia in the post-apocalypse, yes to some extent but not the entire traditional, building are on fire and people are scared concept that science fiction promotes so frequently. Within my images, I wanted to create the uncanny in my images, this avoidance of people and really focus on the locations. As well as trying to create the appropriate soundscapes and sound design that reflects this too.
• Religious symbolism in science fiction - in the post-human world I have created, the world is void of religion in the traditional sense because, those who knew the religions, as well as the texts have since past. Where there is a void in the transcripts new collective worship becomes a feature. Such as this idea of lighthouses, which comes from the concept of Jesus being the light of the world. In my own imagery, which is influenced by own inherent interest in the Christian faith, developed into the imagery. Wanted to create this divine worship on items which seem trivial, such as people of the post-apocalypse world could celebrate the photograph, as a deity because it gives a glimpse of something else, something before and something to aspire to in the potential of the future, the fantastical. The train lines could be another photography theory ideal - with the leading lines but also a key feature in the development of this need to find a path and follow. Within a world of null, the traditional sense of the collective of the Church becomes the modern interpretation of such.
Maiko Kitagawa, a young Japanese female artist, is known to fascinate art lovers with her fantastical black and white art works. Nikei Fine Art at the Raffles Hotel Arcade will be exhibiting her creations from September 4-November 30 2013.
Read more at www.artitute.com/?p=11587
Rose Astronaut
For: Masters in Media, Art and Design university project
Topic: Practical based research on post-apocalyptic imagery in science fiction cinema [1970-present]
"Science is a way of thinking about the reality that takes its objectivity for granted. Fiction is a way of describing the reality that assumes the subjectivity of experience—for every fiction, a different way of seeing things, a different reality. The two words together contradict each other. A thing cannot be both "science" and "fiction" at the same time, any more than it can be both "reality" and 'fiction' "
Darko Suvin
• Man Vs Machine - The greatest anxiety of them all for the future, robots, self-driving cars, electricity in the greatest extent of its possibilities. The pure potential is what drives the ideals of the human races idea of consumption, phones, music, tablets all the very start of the new bust and boom of technology potential. 3D printers, mass farming and of course what technology can do for us, scare and protect, protect and scare. Rules and regulations have been tested and manipulated since the early examples of where the robotically world can go. The fear now, of course, is within countries such as Saudi Arabia who have given the Robot Sophia a home. Speculative fiction from science fiction is what drives the fascination and keen as well as fear traits of humanity. People want to trust in the robotic creatures for protection while holding a fear for synthetically enthralling possibilities.
• The effects of the apocalypse - the void, the empty, the lost and confused, the driven by destruction images that are conjured within the genre, there are very few stances where the post-apocalypse symbolises something better visually. However, within the UK TV show Utopia, the utopia they seek is this fantasy that people are halved in populous, so is that a utopia in the post-apocalypse, yes to some extent but not the entire traditional, building are on fire and people are scared concept that science fiction promotes so frequently. Within my images, I wanted to create the uncanny in my images, this avoidance of people and really focus on the locations. As well as trying to create the appropriate soundscapes and sound design that reflects this too.
• Religious symbolism in science fiction - in the post-human world I have created, the world is void of religion in the traditional sense because, those who knew the religions, as well as the texts have since past. Where there is a void in the transcripts new collective worship becomes a feature. Such as this idea of lighthouses, which comes from the concept of Jesus being the light of the world. In my own imagery, which is influenced by own inherent interest in the Christian faith, developed into the imagery. Wanted to create this divine worship on items which seem trivial, such as people of the post-apocalypse world could celebrate the photograph, as a deity because it gives a glimpse of something else, something before and something to aspire to in the potential of the future, the fantastical. The train lines could be another photography theory ideal - with the leading lines but also a key feature in the development of this need to find a path and follow. Within a world of null, the traditional sense of the collective of the Church becomes the modern interpretation of such.
Despite revealing her deepest and darkest experiences in her songs, there is something quite mystical about A'mari: amari.band
Holotype premiere event poster
Graphic Design: Christopher HendersonWorld Premiere of Holotype by
more info: www.amycaron.com
Rose Astronaut
For: Masters in Media, Art and Design university project
Topic: Practical based research on post-apocalyptic imagery in science fiction cinema [1970-present]
"Science is a way of thinking about the reality that takes its objectivity for granted. Fiction is a way of describing the reality that assumes the subjectivity of experience—for every fiction, a different way of seeing things, a different reality. The two words together contradict each other. A thing cannot be both "science" and "fiction" at the same time, any more than it can be both "reality" and 'fiction' "
Darko Suvin
• Man Vs Machine - The greatest anxiety of them all for the future, robots, self-driving cars, electricity in the greatest extent of its possibilities. The pure potential is what drives the ideals of the human races idea of consumption, phones, music, tablets all the very start of the new bust and boom of technology potential. 3D printers, mass farming and of course what technology can do for us, scare and protect, protect and scare. Rules and regulations have been tested and manipulated since the early examples of where the robotically world can go. The fear now, of course, is within countries such as Saudi Arabia who have given the Robot Sophia a home. Speculative fiction from science fiction is what drives the fascination and keen as well as fear traits of humanity. People want to trust in the robotic creatures for protection while holding a fear for synthetically enthralling possibilities.
• The effects of the apocalypse - the void, the empty, the lost and confused, the driven by destruction images that are conjured within the genre, there are very few stances where the post-apocalypse symbolises something better visually. However, within the UK TV show Utopia, the utopia they seek is this fantasy that people are halved in populous, so is that a utopia in the post-apocalypse, yes to some extent but not the entire traditional, building are on fire and people are scared concept that science fiction promotes so frequently. Within my images, I wanted to create the uncanny in my images, this avoidance of people and really focus on the locations. As well as trying to create the appropriate soundscapes and sound design that reflects this too.
• Religious symbolism in science fiction - in the post-human world I have created, the world is void of religion in the traditional sense because, those who knew the religions, as well as the texts have since past. Where there is a void in the transcripts new collective worship becomes a feature. Such as this idea of lighthouses, which comes from the concept of Jesus being the light of the world. In my own imagery, which is influenced by own inherent interest in the Christian faith, developed into the imagery. Wanted to create this divine worship on items which seem trivial, such as people of the post-apocalypse world could celebrate the photograph, as a deity because it gives a glimpse of something else, something before and something to aspire to in the potential of the future, the fantastical. The train lines could be another photography theory ideal - with the leading lines but also a key feature in the development of this need to find a path and follow. Within a world of null, the traditional sense of the collective of the Church becomes the modern interpretation of such.
Throwback face doodles from one of my art journals. These mini faces are so fun to do, trying to imagine different emotions and characters. ❤️
Website: www.shantadevi.com
Instagram: www.instagram.com/shantadevi
#artbyshantadevi #whatshantamade #artistsoninstagram #blackartists #blackartist #faces #doodles #art #artjournal #artjournaling #artjournaleveryday #sketchbook #penandpaper #thirdeye #drawing #sketches #artist #blackgirlmagic #artisfreedom #femaleartist #inmyartzone #creativity #artismypath #artoutloud #spirit
Despite revealing her deepest and darkest experiences in her songs, there is something quite mystical about A'mari: amari.band