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A900 + MC Rokkor 58/1.2

An impression of the exhibition of the paintings of Rinke Baaima in Maassluis

This is a photograph from the Birr 5KM Road Race which was held in Birr Rugby Club, Birr, Co. Offaly, Ireland on Friday 31th July 2015 at 19:30. The race was held in unusually poor weather for this time of year with scattered showers of rain making it more like a March day than the end of July. However this did not stop about 200 people from participating in the event which was held as part 5 of the 6 Races Offaly Athletics Race Series The full set of photographs is available here www.flickr.com/photos/peterm7/sets/72157656191394658

  

USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS

Can I use these photographs directly from Flickr on my social media account(s)?

 

Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.

 

BUT..... Wait there a minute....

We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.

 

This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.

 

I want to download these pictures to my computer or device?

 

You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.

 

I want get full resolution, print-quality, copies of these photographs?

 

If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.

 

Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.

 

In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.

 

I would like to contribute something for your photograph(s)?

Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.

 

Let's get a bit technical: We use Creative Commons Licensing for these photographs

We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?

The explaination is very simple.

Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.

ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.

 

Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/

 

I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?

 

As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:

 

     ►You were hidden behind another participant as you passed our camera

     ►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set

     ►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone

     ►We simply missed you - sorry about that - we did our best!

  

You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.

 

Don't like your photograph here?

That's OK! We understand!

 

If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.

 

I want to tell people about these great photographs!

Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets

 

Matthew 13:22 (NLT)

22 [Jesus continue explaining his parable] “The seed that fell among the thorns represents those who hear God’s word, but all too quickly the message is crowded out by the worries of this life and the lure of wealth, so no fruit is produced.”

  

DRAWING NOTES:

 

TIME OF DAY:

Unspecified in the Bible.

 

LIGHTING NOTES:

This scene is set inside a house; indirect sunlight illuminates the scene from the right.

The mysterious ball of light (see previous scenes) is on a shelf, faintly glowing.

 

CHARACTERS PRESENT:

A rich man and woman.

 

RESEARCH/ADDITIONAL NOTES:

There are two versions of this scene:

01) (Previous page) Matthew 13 - Parable of the sower - Scene 09 - Lure of wealth (Ancient version).

 

02) (This page) Matthew 13 - Parable of the sower - Scene 09 - Lure of wealth (Modern version).

 

I have created two versions of this scene, to focus on the similarities/dangers of people’s attitudes towards wealth both in ancient history/Biblical times and in modern times.

 

As I noted in Scene 07, I wanted some way to visually represent the seed, or message about the Kingdom (of God), which Jesus talks about in this parable. I decided to represent the gospel message (which is the same as message about the Kingdom (of God)), as a mysterious little ball of light. As in the previous scenes, the characters (man and woman) have received the good news about God’s kingdom, which is represented by the ball of light. Jesus explained in his parable that some people (like seed that grows up among thorns and thistles) are more concerned about the worries of life, and the lure of wealth, and so they don’t produce any fruit. Literally, the concerns of their daily life is more important than the Gospel message, and so they don’t demonstrate any different attitudes to the watching world, and therefore, they do not help anyone else to become a believer.

 

Notice the wooden display case or bookcase in the background. It is deliberately the same colour as the one in the Ancient version (see previous page), to draw attention to the same attitude of the modern day couple to their ancient/Biblical counterparts. On the top shelf of the display case or bookcase, on the right, is the mysterious ball of light. I have deliberately put it in exactly the same position as in the Ancient version scene. In the modern day scene the mysterious ball of light is floating next to a Holy Bible. The ball of light and the Bible represent the beliefs of the couple... both are forgotten on the shelf!

On the shelves and in the room are many of the possessions, items and trappings of modern life: an expensive stereo system, CD’s, albums, books, a pink piggy bank, stuffed with money. An expensive gold candelabra sits on the table behind the couple. They have an expensive bottle of red wine next to them on a costly, plush sofa. In the right background we can see a framed photograph of the couple on an exotic, sunny beach, which represents travel and all the inherent expense of overseas holidays.

 

In this scene we can see the couple “glued” to an expensive, wide-screen TV... they are dedicated to their own entertainment it seems! This represents their pre-occupation with their own entertainment rather than their spiritual condition. The ball of light’s fading colour represents the couple’s pre-occupation with “the things of this world”, rather than the kingdom of God. This unfruitfulness is the danger of “the worries of this life and the lure of wealth” which Jesus was talking about in the Parable of the Sower.

 

As in the Ancient version, the young couple in this scene are surrounded by expensive possessions and memorabilia, all of which represents “the lure of wealth” which Jesus spoke of in his parable. He wasn’t saying that wealth (holidays, possessions, etc) of itself was “bad” or evil, but the danger of wealth is that it shifts our focus away from the kingdom of God, and has the potential to distract us from the things of God. It is the distracting nature of “the worries of this life and the lure of wealth” which are so dangerous to our spiritual condition.

  

Why not visit my website & see all the cartoons there? www.biblecartoons.co.uk

Gpa says: Joannie shows me how big something is. Impressive.

Schindler-Chase House, Rudolph Schindler

I can't explain this strange lighting. I had to use on-camera flash and I can see a bright reflection in the chrome in front of J. She looks really cartoony to me, but she was adorable with old Chuck!

 

Kotlářská st., Brno, Czech Republic.

Photo citation: Ted Auch, FracTracker Alliance, 2023.

 

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Please reach out to us at info@fractracker.org if you need more information about any of our images.

 

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If you wish to use our photos and/or videos for commercial purposes — including distributing them in publications for profit — please follow the steps on our ‘About’ page.

 

As a nonprofit, we work hard to gather and share our insights in publicly accessible ways. If you appreciate what you see here, follow us on Twitter, Instagram, or Facebook @fractracker, and donate if you can, at www.fractracker.org/donate!

100513-A-6124H-014

CAMP TAJI, Iraq – Muhanad(left), an Iraqi policeman explains the principles of the Unites Nation Code of Conduct for Law Enforcement, with the assistance of Timothy Strickland, an international police advisor, to a group of IPs at a police station in Tarmiyah, May 13. (U.S. Army photo by Pfc. Kimberly Hackbarth, 4th SBCT PAO, 2nd Inf. Div., USD-C)

 

www.ireport.com/docs/DOC-457178

 

I cannot explain it, but there's a naked lady wearing high heels and toting a fork, while riding a cockerel

Traverse City Beach Bums - Wuerfel Park - May 28, 2011

Ethnic medicine case explaining the effects different native and immigrant groups had on frontier medicine. Frontier Medicine exhibit I created for USC's Norris Medical Library

Passion de France Patisserie in Edmonton

This image was inspired by observing the Extinction Symbol on the foreshore of the South Bank (during May 2011) itself becoming extinct.

 

By repeating and removing parts of the symbol it becomes possible to explain the meaning.

  

FAO Representative Marc Abdala talks to the press about the rice harvest in Tundin, Nimba County Liberia.

 

Read more about FAO and the Ebola outbreak in West Africa.

 

Photo credit must be given: ©FAO/John Monibah. Editorial use only. Copyright FAO

Geeks Without Bounds presents at HacDC

 

(c) gwob.org

FEI Steward David Avery explains the specific FEI rules on how often horses can be worked before the CRI2* competition.

Explaining & Training

Reflecting Light

 

photos by Mike Wilson

Going forward, or is it moving forward? Please explain.

Pictures from "Film Noir" shoot at Light Play Studios in Buford, GA on March 12th.

Photo citation: Ted Auch, FracTracker Alliance, 2020.

 

Each photo label provides this information, explained below:

Photographer_topic-sitespecific-siteowner-county-state_partneraffiliation_date(version)

 

Photo labels provide information about what the image shows and where it was made. The label may describe the type of infrastructure pictured, the environment the photo captures, or the type of operations pictured. For many images, labels also provide site-specific information, including operators and facility names, if it is known by the photographer.

 

All photo labels include location information, at the state and county levels, and at township/village levels if it is helpful. Please make use of the geolocation data we provide - especially helpful if you want to see other imagery made nearby!

 

We encourage you to reach out to us about any imagery you wish to make use of, so that we can assist you in finding the best snapshots for your purposes, and so we can further explain these specific details to help you understand the imagery and fully describe it for your own purposes.

 

Please reach out to us at info@fractracker.org if you need more information about any of our images.

 

FracTracker encourages you to use and share our imagery. Our resources can be used free of charge for noncommercial purposes, provided that the photo is cited in our format (found on each photo’s page).

 

If you wish to use our photos and/or videos for commercial purposes — including distributing them in publications for profit — please follow the steps on our ‘About’ page.

 

As a nonprofit, we work hard to gather and share our insights in publicly accessible ways. If you appreciate what you see here, follow us on Twitter, Instagram, or Facebook @fractracker, and donate if you can, at www.fractracker.org/donate!

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