View allAll Photos Tagged Expectations

There is something to be said about the intrinsic link between failure and expectation. It seems to me that a key component of failure is expectation. Try to imagine failure without expectation? It's tricky. Because in order to fail, you have to have somehow defined what failure is. And we do this with expectation in hand all the time, be it consciously or otherwise. This image is an example of just that. I set it up, had a shot in mind, calculated my exposure, sat on the tracks counting that exposure off mentally, got up closed the shutter and wound the film. All with an expectation of something. Part of that something was a vague notion of how I wanted the image to look. Another part of that something was the expectation that I calculated the technical aspects of the image correctly - focus, exposure, etc. Yet another part of that something was the expectation that the film would be processed correctly. And so on. You get the idea of how something like this is built off a chain of expectations, even when we don't necessarily think of those expectations. Then, when something doesn't go as expected, for example I somehow blew the exposure and overexposed the frame by several stops thereby producing a more faded, washed out image with a bit of a color cast. Well, that goes against my expectation of how I thought this would turn out. My initial reaction was, "Well, blew that one" and mentally began the process of writing this image off. It was just one photo after all and I make a lot of photos. Also, I am no stranger to "blowing it". I often tell people I could bury them with the boxes of throwaway sample prints from "failed" images that I have accumulated over the years. But then again, as I implied above, what is failure really, other than unmet expectations? And if that is really a key to failure, can failure not be converted to something else merely by either tweaking those expectations or simply by not handcuffing yourself to them. It is fine to have expectations, it is also fine to set them aside. After a day, and a second visit to this negative, I gave my initial expectations of this photo a rest and what was left behind was something that was neither expected nor failed. I don't know what it is, nor do I really need to. It is another image in my collection that has something that intrigues me, that has given me something to consider and think about. I used to remark to students that if a every photo you make teaches you something, are there really bad photos?

 

Anyway, just some thoughts inspired by my misexposure in the making of this particular image. And no, I still don't quite know how I goofed this one up. But I am ok with that too. If I knew, I might want to do it again and that wouldn't be nearly as fun as when it happens incidentally.

 

Hasselblad Flexbody

Silberra Color 160

It's getting warmer day by day. Winter transforms into the spring and promises soon coming summer. Only good expectations are outside and inside of us...

 

The old picture of the sunrise above the small pond in the countryside.

 

Thank you for all the comments and faves, my friends.

Winter boardwalk view from the ground up. Just north of Woodbine Beach in Toronto.

Plage de Kuta, Lombok, Indonésie.

 

Thanks for your comments!

 

Retrouvez-moi également sur facebook : Mandraque Photographies

 

My 500px ; My Gallery ; My Fluidr

A new year has just begun. A new year full of projects, ilussions, great expectations, trips... My best wishes to all of you in this new year, but over all, I hope you have good light during the whole 2016 :-)

 

Check out the photo in HD: Sunrising Reine

 

You can follow me at my Facebook page

World Book and Copyright Day, April 23

Hybrid SDXL:Photoshop Beta

A farmhouse in Flamstead, Hertfordshire. The pebble dash cover is a 20th century thing, the house itself has a Georgian appearance and is at least 200 years old. When the classical portico was added with its Dorian columns, the owner, possibly a farmer, was expressing their social status or, at least, their wish to be recognised and "belong".

We went to the James River State Park trying to get some wonderful sunset shots...However, nature had other plans and a storm took over with thunder, lightning and immense dark clouds. We eventually had t o leave and as soon as we did, torrential rain fell. I always have fun with my husband and this experience was no different. I just wish we had some cooperation from the weather sometimes...

 

Hope you are all doing well.

We are almost close to end of March, still you could see icy formations on the rocks and by the lake shore, colder than the previous average. Won't be too long before the spring steps in...

 

Press L for better viewing, my friends.

 

You can also find me on www.azimaging.ca and www.500px.com/azimaging.

Quizá no sea un efecto del que abusar, pero he visto grandes cosas con él.... Y me moría por probarlo. lo tuve claro al encuadrar la escena . Ya lo puliremos... O no!!!

Title:Great expectations

Hudson and I headed out with rain drizzling and full cloud cover so I actually had no expectations to day and Mother nature once again provided a little light on this beautiful scene.

Year:2014

Location:Lone Pine, Eyre Peninsula, South Australia

www.imagesbyannclarke.com.au

www.fluidr.com/photos/golden_asha

www.facebook.com/imagesbyannclarke

500px.com/AnnClarke

CameraCanon EOS 450D

Exposure0.5

Aperturef/6.3

Focal Length100 mm

ISO Speed800

The excitement is real! A new adventure soon ... ❤

 

Oxbow Bend Turnout, Grand Teton National Park, WY

I decided to use the 50mm lens I have sitting in my bag gathering dust. I must say that I should trade it in for a 35mm lens.

Vilhelm Hammershoi ranks among the pre-eminent Scandinavian artists from the turn of the twentieth century. At once traditional and avant-garde - maintaining a self-conscious dialogue with the artistic traditions of his homeland while being thoroughly conversant with contemporary European trends

- Hammershoi helped redefine modernism, both in terms of its aesthetic quality and geographic range.

 

He was first and foremost a painter of interiors - of hushed, near-deserted spaces populated by a solitary, seemingly spellbound figure. Contemplative and hauntingly still, these scenes comprise the majority of his oeuvre and are the works for which the artist is best known.

 

Landscapes, however, also played a central role in Hammershoi's art. This sheet is a magnificent example of the artist's unique approach to the genre, where strangeness and silence prevail, and space and line defy all expectations. The work is a precise preparatory study for the central

portion of a large-scale painting. . . .Hammershoi worked meticulously on

each individual tree, deftly defining the structure of the trunk and crown, establishing its precise position in relation to the road and imbuing it with a particular personality.

 

While "Group of Trees" depicts a deserted-looking thoroughfare flanked by trees, the Royal Road was in actual fact one of Copenhagen's busiest arterial roads. Unlike his Nordic contemporaries Hammershoi eschewed Romantic notions of pure nature untouched by civilization and instead transformed populated areas into desolate, barren landscapes seemingly abandoned by humanity. A sense of alienation and disquiet pervades his work.

Despite the low horizon and resulting high sky in this drawing, there seems to be a total absence of air or atmosphere - an emptiness all around. The grouping of trees, suspended in time, is a microcosm of the world, their seriality suggesting infinite expansion. And yet there is a claustrophobic quality to the scene.

 

Equally unconventional in "Group of Trees" is the distance between the scene and the beholder: no one has ever perceived and painted a Danish landscape that way before. The road is no longer as it traditionally was: a route into the internal space of the picture, a powerful source of connection. Here it runs parallel to the sheet - there is no way in. For Hammershoi, the work of art no longer served to mediate between humans and nature, but rather emphasized the distance between them.

 

-- notes from the catalogue "Gathered Leaves" --

(Newtonia brunneicauda)

Zombitse

Madagascar

 

Our disappointment in Madagascar wasn't the number of species, as in that regard, it even exceeded our expectations. What disappointed us a bit was the scarcity of birds. Most species were only spotted on a single occasion.

 

And since we are not birdwatchers but "birdographers", we always want to have a new and better opportunity to improve the quality of the photos.

==================***==================

All my photos are now organized into sets by the country where they were taken, by taxonomic order, by family, by species (often with just one photo for the rarer ones), and by the date they were taken.

So, you may find:

- All the photos for this trip Madagascar (2023) (174)

- All the photos for this order PASSERIFORMES (3553)

- All the photos for this family Vangidae (Vangídeos) (24)

- All the photos for this species Newtonia brunneicauda (1)

- All the photos taken this day 2023/11/13 (28)

==================***==================

 

We all have expectations, be it the farmer who believes with proper care that his crops will grow or the promise that there is light beyond the clouds.

My niece enjoys the Christmas tree after decorating it together with me last night

 

Now the floor is filled with presents, the Christmas dinner is cooking, and I am ready to celebrate Christmas Eve together with my parents, siblings, their spouses and adorable children ♡

 

Enjoy your Christmas Eve! 🎄

 

My album of Christmas here.

 

-----------------------------------------------------------------------

Feel free to follow my facebook photo page:

www.facebook.com/ranveigmariephotography/

 

Or my Instagram:

www.instagram.com/ranveigmariephotography/

Harlem New York USA 2022

A hummingbird targets a flower in Goletta, California.

Small souls, great expectations

HAPPY HALLOWE'EN – SEE YOU SOON <3

 

“I want him to see the flowers in my eyes and hear the songs in my hands.”

 

- Francesca Lia Block, Dangerous Angels

 

Soundtrack : www.youtube.com/watch?v=LkKKzTYIe3Q

MONSTER MASH – BOBBY “BORIS” PICKETT

 

A TALE FOR HALLOWE'EN

 

Haunted by the past

shadow weavers spin a grisly path

bloodshed ripened by the burning laughter

cackling; cawing birds with blackened plumage

sit amongst the great oaks circled like ancient stones

pondering; deliberating;

coaxing thoughts from secret innocent brains

spitting; spilling intestinal,

twisted columns like engorged worms

emerge from rounded tors

where tombstones fall in all their lost directions

point like arrows to distance lands

where once they came on voyages bound

for incoming tides; lapping

and supping like thirsty dogs worked on the lands

salting sea dogs; march like Marsh frogs; croaking;

encroaching in their hordes

green as slime from slurry pits

and stinking; stench invading nostrils;

hopping crops to miss the circles where creatures from

another realm have mystified the hoi polloi for centuries;

eventually the stories fell to urban myths

and historic notions hid the truth

that Hallowe'en is an intelligent invention;

an intervention to prevent our troubled pasts

from catching up on us and suffocating slowly all our pre-conditioned thoughts

and cognitive behavioural patterns,

yet still we seek the darkness on this, some say, sacred night

and others hide within their homesteads;

sprinkled salt to every step and window sill;

they sit in fear in dim-lit candlelight;

ready to be blown out at any given moment

when chance or fate brings strangers thereabouts

to wrap sharply on the knockers on their wooden doors

and as they shiver beneath the old iron bedstead

and scrunch their eyes tight shut;

a primal squeeze of distant recognition

springs sharply piercing to their memories

and all the compartmental little shutters laying dormant

within their harrowed minds; awaken now; stir times

from ancient burial grounds where stones rock in their cradles

deep beneath the earth;

disinterred they fall and crash like thunder;

splintering marble; splicing names and dates

that once meant something to someone,

now crumble as the dead rise up again

and those who knock on doors

come laughing like rag tag beggars seeking all you have

DON'T hide; that is the very worst thing you can do;

unlock your doors and beckon them inside

offer sweets and cookies; treats; avoid the tricking;

that trickery; magical menacing personified

they come with intent to rob your larder,

but better that than leave them all outside

for some of us it has no other meaning

than a little fun on one night of the year

but for others of us gathering on the hillside;

cloaked and daggered; hand in hand we bide

chanting words from long-lost civilisations

that sound so gutteral;

bitten by the wind and burning fire

we circle round and round it, cold and muttering;

giving thanks that we will all survive our ancestors

some of whom were burned here,

on stakes for all the villagers to see

will rise at witching hour;

between the hours of three and four's a given

and we will see them all again

and speak of all the ways of the now living

As witches we can make things far better or far worse

but the one thing we are good at is to curse

you'll find us often around the cauldron

stirring and talking generally in verse

a pinch of this; a pinch of that

it all goes in the pot

it simmers for a good long while

don't drink it when it's hot

but leave to stew

and know that you

will benefit from this broth

don't let greed be your guide

a little will suffice

a sip of this; a sip of that

Ah! Hallowe'en is so nice …

 

AP – Copyright remains with the author

 

Don't have nightmares!! Happy Halloween Everyone ; 0))

 

This is just one photograph!! A florists' window display and reflections.

 

Copyright © protected image please do not reproduce without permission'

Plage de Kuta, Lombok, Indonésie.

 

Thanks for your comments!

 

My 500px ; My Gallery ; My Fluidr ; My Facebook Page

 

Unclasping the first hook of a dress, brings the joys of unconfined delights that little bit closer.

Sunrise over a distant fog bank

1 2 ••• 4 5 7 9 10 ••• 79 80