Executor photos on Flickr

ca.wikipedia.org/wiki/Operaci%C3%B3_Antropoide

Ightham Mote (pronounced "item moat"), Ightham, Kent is a medieval moated manor house. The architectural writer John Newman describes it as "the most complete small medieval manor house in the county."[1] Ightham Mote and its gardens are owned by the National Trust and are open to the public. The house is a Grade I listed building, and parts of it are a Scheduled Ancient Monument.

History

12th century-16th century

The origins of the house date from circa 1340-1360.[2] The earliest recorded owner is Sir Thomas Cawne, who was resident towards the middle of the 14th century.[1] The house passed by marriage to the Haut(e)s, Richard Haut being Sheriff of Kent in the late 15th century.[1] It was then purchased by Sir Richard Clement in 1521.[1] In 1591, Sir William Selby bought the estate.[1]

16th century-late 19th century

The house remained in the Selby family for nearly 300 years.[3] Sir William was succeeded by his nephew, also Sir William, who is notable for handing over the keys of Berwick-upon-Tweed to James I on his way south to succeed to the throne.[4] He married Dorothy Bonham of West Malling but had no children. The Selbys continued until the mid-19th century when the line faltered with Elizabeth Selby, the widow of a Thomas who disinherited his only son.[5] During her reclusive tenure, Joseph Nash drew the house for his multi-volume illustrated history Mansions of England in the Olden Time, published in the 1840s.[6] The house passed to a cousin, Prideaux John Selby, a distinguished naturalist, sportsman and scientist. On his death in 1867, he left Ightham to a daughter, Mrs Lewis Marianne Bigge. Her second husband, Robert Luard, changed his name to Luard-Selby. She died in 1889. The executors of her son Charles Selby-Bigge, a Shropshire land agent, put the house up for sale in July 1889.[6]

Late 19th century-21st century

The Mote was purchased by Thomas Colyer-Fergusson.[6] He and his wife brought up their six children at the Mote. In 1890-1891, he carried out much repair and restoration, which allowed the survival of the house after centuries of neglect.[7] Ightham Mote was opened to the public one afternoon a week in the early 20th century.[7]

Sir Thomas Colyer-Fergusson's third son, Riversdale, died aged 21 in 1917 in the Third Battle of Ypres, and won a posthumous Victoria Cross. A wooden cross in the New Chapel is in his memory. The oldest brother, Max, was killed at the age of 49 in a bombing raid on an army driving school near Tidworth in 1940 during World War II. One of the three daughters, Mary (called Polly) married Walter Monckton.

On Sir Thomas's death in 1951, the property and the baronetcy passed to Max's son, James. The high costs of upkeep and repair of the house led him to sell the house and auction most of the contents. The sale took place in October 1951 and lasted three days. It was suggested that the house be demolished to harvest the lead on the roofs, or that it be divided into flats. Three local men purchased the house: William Durling, John Goodwin and John Baldock. They paid £5,500 for the freehold, in the hope of being able to secure the future of the house.[8]

In 1953, Ightham Mote was purchased by Charles Henry Robinson, an American of Portland, Maine, United States. He had known the property when stationed nearby during the Second World War. He lived there for only fourteen weeks a year for tax reasons. He made many urgent repairs, and partly refurnished the house with 17th-century English pieces. In 1965, he announced that he would give Ightham Mote and its contents to the National Trust. He died in 1985 and his ashes were immured just outside the crypt. The National Trust took possession in that year.[8]

In 1989, the National Trust began an ambitious conservation project that involved dismantling much of the building and recording its construction methods before rebuilding it. During this process, the effects of centuries of ageing, weathering, and the destructive effect of the deathwatch beetle were highlighted. The project ended in 2004 after revealing numerous examples of structural and ornamental features which had been covered up by later additions.[1]

Architecture and description

Originally dating to around 1320, the building is important because it has most of its original features; successive owners effected relatively few changes to the main structure, after the completion of the quadrangle with a new chapel in the 16th century. Nikolaus Pevsner described it as "the most complete small medieval manor house in the country", and it remains an example that shows how such houses would have looked in the Middle Ages. Unlike most courtyard houses of its type, which have had a range demolished, so that the house looks outward, Nicholas Cooper observes that Ightham wholly surrounds its courtyard and looks inward, into it, offering little information externally.[9] The construction is of "Kentish ragstone and dull red brick,"[10] the buildings of the courtyard having originally been built of timber and subsequently rebuilt in stone.[11]

The house has more than 70 rooms, all arranged around a central courtyard, "the confines circumscribed by the moat."[10] The house is surrounded on all sides by a square moat, crossed by three bridges. The earliest surviving evidence is for a house of the early 14th century, with the Great Hall, to which were attached, at the high, or dais end, the Chapel, Crypt and two Solars. The courtyard was completely enclosed by increments on its restricted moated site, and the battlemented tower was constructed in the 15th century. Very little of the 14th century survives on the exterior behind rebuilding and refacing of the 15th and 16th centuries.

The structures include unusual and distinctive elements, such as the porter's squint, a narrow slit in the wall designed to enable a gatekeeper to examine a visitor's credentials before opening the gate. An open loccia with a fifteenth-century gallery above, connects the main accommodations with the gatehouse range. The courtyard contains a large, 19th century dog kennel.[12] The house contains two chapels; the New Chapel, of c.1520, having a barrel roof decorated with Tudor roses. [13] Parts of the interior were remodelled by Richard Norman Shaw.

EXECUTOR by Svetik Serenity

171 9

▶ | TANAKA | х ♦ TREVOR ♦

[TNK x TRV] - EXECUTOR BLADE

▶ Diaboli Design - Hoodzilla

Belleza G / Belleza J / Ebody Reborn / Legacy F / Legacy М / Maitreya Lara / Signature Gianni

▶ GAWK! Elena Sport Leggings

UPDATED for Legacy & Reborn! Also some new colors available (White, Dark Red, Salmon, Navy, Pink)

Star Destroyer Command Bridge Diorama MOC by thecreatorrmocs

90 7

- - - - - - - - - - - - - - - - - - - - -

► Instructions for the model available on thecreatorrmocs.com

- - - - - - - - - - - - - - - - - - - - -

Recreate the iconic bounty hunter briefing with my new LEGO® brick diorama featuring a cutout of the Super Star Destroyer Executor’s command bridge as shown in Star Wars: The Empire Strikes Back.

Features one crew pit with printed control consoles and seats for 3x minifigures, a side viewport, and more. The model includes a total of 1175 pieces. An all-black frame makes for a premium display.

- - - - - - - - - - - - - - - - - - - - -

Visit me on Instagram

Església i camp de batalla / Church & battlefield by SBA73

33 163

ENGLISH TEXT DOWN UNDER THE LINE

El principal escenari dels combats del 18 de juny de 1942, que deixà uns 22 morts dins aquesta església. La gran majoria d'alemanys moriren aquí, a la nau, ametrallats des del cor pels paracaigudistes txecoslovacs.

Aquesta església barroca aparentment anodina no tant sols és la catedral ortodoxa de Praga (ja explicaré perquè), sino que és un dels llocs més importants i dramatics de la historia txeca i eslovaca del s. XX, un veritable camp de batalla en miniatura. Es tracta de la catedral de St. Ciril i Metodi de Praga. El 27 de maig de 1942, paracaigudistes txecoslovacs emboscaren i feriren de mort al Reichprotektor de Bohemia i Moravia, el temudissim Reinhard Heydrich, organitzador de la Gestapo, del extermini dels jueus europeus i un dels 4 o 5 homes més importants del III Reich (el seu cotxe portava la matrícula SS-3, essent els altres dos primers per a Hitler i Himmler). Les repercussions mortals foren terribles, amb centenars de represaliats (en especial al poble de Lidice, on foren assassinats unes 340 persones), però no localitzaren els executors fins que un company seu els va trair, l’infame Karel Čurda.

Els paracaigudistes s’amagaven a la cripta de St. Ciril, montant guardia també a dalt del cor de l’església. El 18 de juny de 1942 de matinada, l’església fou encerclada per uns 800 soldats de les SS. Dins l’església hi havia 7 paracaigudistes, 3 dalt el cor i 4 dormint a la cripta. L’arribada sobtada dels alemanys impedí que els de la cripta poguessin sortir a ajudar als seus companys. Durant sis hores aguantaren els assalts de les SS, sobretot Jan Kubis, Adolf Opalka i Josef Bublik des de dalt del cor, on dominaven tot l’interior de l’església. Tots foren morts en combat, tot i que mataren a uns 14 alemans, i en feriren una trentena més. Un cop la nau de l’església estava en mans nazis, aquests localitzaren l’entrada a la cripta, però era massa petita per poder assaltar-la. Així que finalment inundaren el soterrani amb manegues dels bombers per l’única finestra de la cripta, previament ametrallada per a impedir que els paracaigudistes s’hi poguessin acostar. Aquests intentaren fugir excavant un forat fins les clavegueres, però el creixent nivell d’aigua i la voladura d’una segona entrada a la cripta acabà amb les seves opcions. Tots es suicidaren per no caure vius en mans dels nazis: Josef Gabzic, Josef Valcik, Jan Hruby i Jaroslav Sbarc.

Avui en dia, la cripta i tot l’edifici és un santuari molt emotiu, i de nou torna a ser catedral ortodoxa, també (per cert, originariament era una església catolica, però el 1930 fou venguda a l’exglésia ortodoxa, molt minoritaria a Txequia). Diverses pel·licules mostren el setge de St. Ciril i Metodi, notablement Operation Daylight (1975) i Anthropoid (2016).

www.prague.eu/en/object/places/442/cathedral-church-of-st...

www.army.cz/images/id_7001_8000/7419/assassination-en.pdf

Una escena del combat a Anthropoid (2016):

I a Operation Daybreak (1975):

I crec que a la txecoslovaca Atentát (1965):

en.wikipedia.org/wiki/Ss._Cyril_and_Methodius_Cathedral

=========================================

Most of the combat of that 18 of june, 1942, happened here in the nave of the church. Almost all the 14 German dead were killed here by the fire of the paras entrenched in the choir.

This rather mundane baroque church in Prague is in fact a cathedral, an orthodox one, St. Cyril and Methodius. But it is what happened here in WW2 that makes this place one of the most important and dramatic places in czech and slovak XX Century. On May 27th, 1942, czechoslovak paras killed the Reichprotektor of Bohemia and Moravia, Reinhard Heydrich. He was one of the 4 or 5 top nazi leaders, organizer of the Gestapo and of the Holocaust. In fact, his car, where he was mortally wounded, had the SS-3 plate (the 1 was for Hitler and the 2 for Himmler). The nazi repprisal was terrible, with thousands of imprisoned people, hundreds murdered (notably in the razed to the ground Lidice, where 340 were murdered). But the nazis failed to locate the paras. Until a traitor told them a lead that ultimately gave the hidding place: St. Cyril and Methodius cathedral.

The paras were hidding in the cript, but also kept guard up in the choir, which dominated the nave of the church. On the early morning of June 18th, 1942, the building and several streets were surrounded by 800 German soldiers and SS. Seven paras were in the church, four sleeping in the cript and three, Jan Kubis, Adolf Opalka and Josef Bublik, guarding the choir. When the SS entered the nave, the battle began. The siege lasted 6 hours, and all the paras were killed or comited shoot themselves. But they killed at least 14 Germans, according to some sources, and wounded maybe 30. With the nave secured, the nazis located the entrance into the cript but was so small that was impossible to attack. So they put firemen hoses down the only tiny window of the cript and blown up a large stone leading to the cript. The paras tried to dig a hole into the sewers but was too late and finally commited suicide to avoid being captured alive: : Josef Gabzic, Josef Valcik, Jan Hruby and Jaroslav Sbarc.

Nowadays the cript and all the building is a national sanctuary, a quite moving place when you know the dramatic events that happened there. Several movies show in a quite spectacular way the siege and assault, most notably Operation Daylight (1975) and Anthropoid (2016).

www.prague.eu/en/object/places/442/cathedral-church-of-st...

www.army.cz/images/id_7001_8000/7419/assassination-en.pdf

Here are the scenes of Anthropoid (2016) and Operation Daybreak (1975):

www.mecabricks.com/ru/models/PKbjQ149jdG

Assault mech HAM-15 "Executor" by KANICHUGA

22 1

Super Star Destoryer - Micro Version by markus19840420

150 9

Star Wars Days 2015 Exclusive

This Executor-Class Star Dreadnought was given out at the Star Wars Days 2015 by IdS in LEGOLAND Germany. The model was limited to 220 copies.

Based on my first version from The End Diorama.

Detail and LDD work by Vaionaut.

It must be build in 20-30 minutes and it was only allowed to use legal techniques end parts.

ANGEL by John K Thorne

68

HENRY BRASSEY MONUMENT, 1891

"The Lord Watch Between Me and Thee,

When We are Absent One from Another"

TO THE GLORY OF GOD

AND IN LOVING MEMORY OF

HENRY ARTHUR BRASSEY

OF PRESTON HALL

1840 – 1891

AND OF HIS WIFE ANNA HARRIET

1844 – 1898

Henry Brassey, died 1891. "The Good Squire of Aylesford." Lived at Preston Hall, the 2nd son of Thomas Brassey, a leading Railway Contractor. Educated at Harrow and University College, Oxford. J.P. for Kent. Liberal Unionist M. P. for Sandwich 1868 – 1885. High Sheriff of Kent 1890 – 91. Captain of West Kent (Queen's Own) Yeomanry Cavalry.

Prize winning Cattle Breeder. He died of pneumonia, following the influenza epidemic of 1891. His Pall Bearers were some of his oldest workmen; Guard of Honour from the R. W. K. Y. C. Very large number of mourners attended funeral, a special train was laid on from Charing Cross.

The monument is rather disappointing and commonplace, it is a pity that the Brassys' taste did not match their wealth!

The Times published his will:

"MR. H. A. BRASSEY'S WILL. Probate duty has been paid on £1,042,611 0s 8d as the net value (thegross being £1, 075,913 15s 7d) of the personal estate of Mr HENRY ARTHUR BRASSEY, of Preston Hall, Ashford (sic), Kent, and Bath-house, Piccadilly, who died on the 13th of May last, aged 51 years, and of whose will, dated the 10th of August, 1883, with a codicil made the 20th of July 1887, the executors are his brothers, Thomas first Lord Brassey, of Bulkely, Chester, Mr Albert Brassey, of Heythrop, Oxford, and Mr Robert Mitchell Campbell, of Glaisnock, Old Cumnock. The testator bequeaths to his wife during her widow-hood an annuity (including the income provided for by her marriage settlement) of £8,000 and the use and enjoyment of the testator's town house and its furniture and of plate to the value of £1,000. In the event of Mrs Brassey's remarriage her annuity is to be reduced to £2,000 for the remainder of her life.

Mr. Brassey leaves in trust for each of his daughters £50,000. He bequeaths to the Bishop's of London's Fund and the Fever Hospital, Liverpool road, Islington, £1,000 each; to the Great Ormand Street Hospital for Sick Children, St. George's Hospital, the Royal Hospital for Incurables, the British Lying-in Hospital, Endell street, the Lock Hospital, the Royal National Hospital for Consumption, Ventnor, the Hospital for Consumption, Brompton, and the Infant Orphan Asylum at Wanstead, £500 each.

To the West Kent General Hospital the testator bequeaths £1,000 and to the Kent County Ophthalmic Hospital, the Royal Albert Orphan Asylum, Bagshot, the Academy for the Blind, the Central London Hospital for Diseases of the Throat and Ear. The Metropolitan Convalescent Institution , Walton on Thames, and the Orphan Working School, Haverstock hill, £500 each.

Mr Brassey bequeaths also £500 to the National Refuges for Homeless and Destitute Children, Great Queen Street to be primarily applied in aid of maintaining the boys in and upon and in keeping up the training ships Chichester and Arethusa. He devises the Preston hall estate to the use of his first son in priority, and all the contents of the hall to the use of the tenant for life of that estate."

I totally disagree with the above description. The monument is amazing. Fantastic attention to detail. Not sure who the sculptor was all I can see is C A W WILKE S ?? London 1877

JYX 467W (1) by Nivek.Old.Gold

27 7

1981 Ford Capri 1.6 L.

Anglia Car Auctions, King's Lynn -

"Chassis number: WF0GXXGAECBB82112. 1,593cc. Finished in yellow with brown vinyl roof. In long-term ownership from 1984 to 2020 when it became registered to the executors. The car has been subject to extensive restoration over the last few years including a full engine rebuild with many new parts fitted including clutch, radiator, water pump, bearings, brake discs and shock absorbers.. Described by the vendor as driving 'like a dream' with everything working as it should. Comes complete with current and older V5s dating from 1984, MoTs from 1999 to the present, original service book stamped in 1981, 1982 and 1983, a folder of receipts 2012 to 2020, owner's handbook and wallet. The mileage is recorded at 15,455. Four owners from new."

No reserve. Sold for £8208 including premium.

Executor of Fire by John Ho

38 2

Model build for LEGO Bionicle Facebook event " Month of Fire"

Executor Instruction by one case

181 12

940 PDF pages of professional instruction manual. contact namaskaar@naver.com for purchase.

Interior of the New Church, The Beauvoir Sanctuary, 675 Cote de Beauvoir, Brompton, Sherbrooke, Eastern Townships, Quebec by Snuffy

15 25

Excerpt from histoiresainteducanada.ca/en/le-sanctuaire-du-sacre-coeur...:

Father Joseph-Arthur Laporte was born in Saint-Paul de Joliette on August 15, 1857, the feast of the Assumption. He entered the community of the Clerics of Saint-Viateur on August 25, 1879. The members of this community have a great devotion to the Sacred Heart of Jesus, and it is through their contact that Father Laporte developed this devotion.

He left the community of the Clerics of Saint-Viateur on July 28, 1886 and requested his incardination to the Bishop of Sherbrooke. He was admitted to the number of priests of the diocese by Bishop Antoine Racine, and appointed pastor of the parish of Sainte-Praxède de Bromptonville (1891-1902) from where he discovered the “mountain” that he would later call “Beauvoir”.

Eight kilometers north of Sherbrooke, a small mountain of one hundred and fifteen meters, still unnamed, had long attracted the attention of this great lover of nature. After many approaches to Mr. Émile Lessard, a farmer, he bought two hectares of land from him in 1915. He gave the name “Beauvoir” (beautiful to see) to this corner of paradise whose panoramic view enchanted him. He decided to build a small cottage, a house of six meters on a side surrounded by a gallery. In 1916 and 1917, he bought more land to enlarge his small domain.

And in 1920, he founded the Sanctuary of the Sacred Heart of Beauvoir.

For years, Father Laporte has been fascinated by the devotion to the Sacred Heart of Jesus. He speaks of it tirelessly. So it is not surprising that the only decoration on the bare walls of his cottage is a lithograph, without much artistic pretension, of the Sacred Heart of Montmartre.

In 1916, Father Laporte still dreamed of making Beauvoir a place where people would come to pray and celebrate the Sacred Heart of Jesus, whose devotion was spreading more and more throughout the country. He therefore decided to erect, not far from his cottage, a statue of the Sacred Heart. Measuring two meters in height, this statue, with its arms wide open, stands on a pedestal of field stones that farmers have faithfully transported on their carts.

The parish priest now invites his parishioners to come and taste the happiness that is his at the Sacred Heart…

As early as 1918, pilgrims began “the ascent of the Rosary”, a devotional practice that would have its heyday in the 1930s. On Sunday afternoons, pilgrims, starting from the main road, climbed to Beauvoir while reciting the rosary.

In 1933, at the request of the pilgrims, Father Pierre-Achille Bégin had a cross erected in front of the road leading to the Shrine. It is from this cross, still visible, that the pilgrimages to Beauvoir started. Along the way, wooden boards were set up on which were written the fifteen mysteries of the rosary. For Beauvoir, the erection of this cross gives all its meaning to the ascent of the rosary: it is the beginning of the ascent, it is the cross of the rosary that the lips kiss before murmuring the “Aves”, the first links of this long chain that leads the pilgrims to the very Love that awaits them at the Shrine.

In 1920, during a Holy Hour, he asked for a special favor from the Sacred Heart, with the promise of building a small chapel in Beauvoir if he was granted it. With the help of some local craftsmen, he had the promised little chapel built.

It is an architectural jewel that Abbé Laporte had built on the hill of Beauvoir.

But the Sacred Heart, never defeated in generosity, knows how to reward his servant by giving to vile materials a stamp of rustic elegance, to a humble and poor building, a beauty that escapes no one. And all those who come to pray in this rustic chapel find there a calm, a peace that penetrates deep into their souls and leaves them pacified. One can almost feel the loving presence of the Sacred Heart of Jesus, which bends down with tenderness over those who come to visit it.

The exterior of this chapel is reminiscent in many ways of some of the country chapels of France. The rustic walls, the rudimentary furnishings and the few decorations are not likely to satisfy the connoisseur of expensive works of art. It is poverty, destitution. The only decoration is a statue, a frame, two statuettes, a few ex-votos testifying to the goodness of the Sacred Heart, lanterns and old images of the Way of the Cross. But, near the tabernacle, how one can taste with love and peace the divine presence of the Eucharistic Heart of Jesus!

On October 24, 1920, Bishop Larocque came to bless the little chapel. The next day, Father Laporte celebrated the first mass on Mount Beauvoir.

In the spring of 1921, his health inexorably deteriorated. Even though he was ill, he was taken to Beauvoir four or five more times. Then he had to give up returning to Beauvoir. He was hospitalized at the Saint-Vincent-de-Paul Hospital at the beginning of August. And on August 20, Father Laporte was finally able to meet face to face with the one who was the great love of his life.

The body of Father Laporte now rests in the crypt of the church of Saint-Jean-Baptiste of which he was parish priest. However, on the west wall of the little chapel in Beauvoir, a commemorative plaque recalls the man who founded the Shrine and who continues to watch over its work from above.

Father Laporte had bequeathed the Beauvoir property to the diocese on the condition that he pay the remaining $3,500 debt. The diocese refused this bequest. Beauvoir thus reverted to the universal legatee, Miss Euphémie Charest, Father Laporte’s former housekeeper. She sold Beauvoir in 1923 to the executor of Father Laporte’s will, the notary Gédéon Bégin, for the price of the debt. This wealthy businessman used Beauvoir Hill as a summer vacation spot for his family.

From 1923 to 1929, Beauvoir fell into almost complete abandonment. Only a few lovers of the Sacred Heart would go up there privately to pray at the foot of the Sacred Heart statue. But at the end of July 1929, Father Pierre Achille Bégin, a retired priest and brother of the owner, accompanied by a few members of the family, came to visit Beauvoir. Although the buildings had been quite damaged by thieves and the weeds had invaded the area, the group was charmed by the landscape and decided to settle there for two weeks.

From then on, the Bégin family would come to spend a few weeks in Beauvoir during the summer vacations.

Without looking for signs, the good abbot knows how to recognize an invitation. First of all, together with his family members, he decided to restore the place and to revive the project of Father Laporte. Every year in June, he invites the people of the area for the triduum in preparation for the feast of the Sacred Heart. This is the highlight of the year.

Throughout the summer months, Father Bégin, surrounded by nephews and nieces, ensures for the pilgrims the mass every morning and the prayer at the Sacred Heart every evening as well as a Holy Hour every Thursday evening. Father Bégin, after Father Laporte, sought to spread devotion to the Sacred Heart. It is in the small stone chapel that he spends most of his time in prayer and in welcoming the small groups of pilgrims who continue to climb the mountain. “All my desire is that in Beauvoir the Sacred Heart be particularly honored, praised and prayed to, and that He spread His greatest graces there.”

ANGEL by John K Thorne

70

HENRY BRASSEY MONUMENT, 1891

"The Lord Watch Between Me and Thee,

When We are Absent One from Another"

TO THE GLORY OF GOD

AND IN LOVING MEMORY OF

HENRY ARTHUR BRASSEY

OF PRESTON HALL

1840 – 1891

AND OF HIS WIFE ANNA HARRIET

1844 – 1898

Henry Brassey, died 1891. "The Good Squire of Aylesford." Lived at Preston Hall, the 2nd son of Thomas Brassey, a leading Railway Contractor. Educated at Harrow and University College, Oxford. J.P. for Kent. Liberal Unionist M. P. for Sandwich 1868 – 1885. High Sheriff of Kent 1890 – 91. Captain of West Kent (Queen's Own) Yeomanry Cavalry.

Prize winning Cattle Breeder. He died of pneumonia, following the influenza epidemic of 1891. His Pall Bearers were some of his oldest workmen; Guard of Honour from the R. W. K. Y. C. Very large number of mourners attended funeral, a special train was laid on from Charing Cross.

The monument is rather disappointing and commonplace, it is a pity that the Brassys' taste did not match their wealth!

The Times published his will:

"MR. H. A. BRASSEY'S WILL. Probate duty has been paid on £1,042,611 0s 8d as the net value (thegross being £1, 075,913 15s 7d) of the personal estate of Mr HENRY ARTHUR BRASSEY, of Preston Hall, Ashford (sic), Kent, and Bath-house, Piccadilly, who died on the 13th of May last, aged 51 years, and of whose will, dated the 10th of August, 1883, with a codicil made the 20th of July 1887, the executors are his brothers, Thomas first Lord Brassey, of Bulkely, Chester, Mr Albert Brassey, of Heythrop, Oxford, and Mr Robert Mitchell Campbell, of Glaisnock, Old Cumnock. The testator bequeaths to his wife during her widow-hood an annuity (including the income provided for by her marriage settlement) of £8,000 and the use and enjoyment of the testator's town house and its furniture and of plate to the value of £1,000. In the event of Mrs Brassey's remarriage her annuity is to be reduced to £2,000 for the remainder of her life.

Mr. Brassey leaves in trust for each of his daughters £50,000. He bequeaths to the Bishop's of London's Fund and the Fever Hospital, Liverpool road, Islington, £1,000 each; to the Great Ormand Street Hospital for Sick Children, St. George's Hospital, the Royal Hospital for Incurables, the British Lying-in Hospital, Endell street, the Lock Hospital, the Royal National Hospital for Consumption, Ventnor, the Hospital for Consumption, Brompton, and the Infant Orphan Asylum at Wanstead, £500 each.

To the West Kent General Hospital the testator bequeaths £1,000 and to the Kent County Ophthalmic Hospital, the Royal Albert Orphan Asylum, Bagshot, the Academy for the Blind, the Central London Hospital for Diseases of the Throat and Ear. The Metropolitan Convalescent Institution , Walton on Thames, and the Orphan Working School, Haverstock hill, £500 each.

Mr Brassey bequeaths also £500 to the National Refuges for Homeless and Destitute Children, Great Queen Street to be primarily applied in aid of maintaining the boys in and upon and in keeping up the training ships Chichester and Arethusa. He devises the Preston hall estate to the use of his first son in priority, and all the contents of the hall to the use of the tenant for life of that estate."

Rapeseed Fields near Thurstaston in the Wirral, Cheshire, England - April 2015 by Saffy H

61 63

en.wikipedia.org/wiki/Thurstaston

Thurstaston is a village on the Wirral Peninsula, England. It is part of the West Kirby & Thurstaston Ward of the Metropolitan Borough of Wirral. The village lies on the A540 road between Heswall and Caldy, although it stretches some distance down Station Road to the bank of the Dee estuary where there is a large caravan park.

At the time of the 2001 Census, the village itself had only 160 inhabitants,[1] although the national census included Caldy and parts of Irby, bringing the total population to 15,548.

History

Thurstaston means "village of a man called Thorsteinn / Þorsteinn", from the Old Norse personal name Thorsteinn / Þorsteinn and Old English tún "farm, village". A record of the name as Torstestiune in 1048 proves this origin. The village was mentioned in the Domesday Book as Turstanetone. Historically and popularly, the name was wrongly thought to refer to "Thor's Stone", a sandstone outcrop on Thurstaston Common.[3]

Thurstaston, including the hamlet of Dawpool, was a parish within the Wirral Hundred, in the county of Cheshire. The population was 112 in 1801, 98 in 1851, 141 in 1901 and 151 in 1951.[4]

The village is centred on the church of St Bartholomew, and Thurstaston Hall, of which parts date from 1350, although most of the current building dates from between 1680 and 1835. A ghostly "white lady" is said to haunt the Hall.

The earliest mention of a Church occurs around 1125 but other evidence suggests that one may have existed in Saxon times. The Norman church endured for many hundreds of years but was eventually taken down in 1820 and a second edifice, a plain stone building, was completed in 1824. In 1871, the executors of Joseph Hegan of Dawpool set apart £4,500 for a new church to be erected in his memory. This was designed in late 13th century mid-gothic style by John Loughborough Pearson, also the architect of Truro Cathedral, and was built entirely of local sandstone. It was consecrated in 1886. Although nothing remains of the earlier Norman church, the tower of the second one still stands in the churchyard and the sandstone of the building was used to construct a wall enclosing the new churchyard.

In 1882 the Liverpool shipowner Thomas Ismay, founder of White Star Line built his mansion 'Dawpool' at Thurstaston; Ismay is said to have used his influence to ensure that the West Kirby - Hooton railway be routed a mile away along the Dee Estuary, rather than closer to the village. He was also successful in moving the main Heswall to West Kirby road, which came too close to the doorstep of his mansion, via a cutting through Thurstaston Hill.[3] Ismay is buried in the nearby St Bartholomew's churchyard. The solidly-built 'Dawpool', designed by Richard Norman Shaw, was demolished by explosives in 1927.[5] Still standing in the village is the original building of Dawpool Primary School, now a private house.

Civic history

Between 1894 and 1933, Thurstaston was part of Wirral Rural District, then subsequently Wirral Urban District. On 1 April 1974, local government reorganisation in England and Wales resulted in most of Wirral, including Thurstaston, transfer from the county of Cheshire to Merseyside.

Geography

Thurstaston is notable for the large areas of parkland and heathland. Thurstaston Common is a Site of Special Scientific Interest (SSSI) and a local nature reserve. Nearby is Thurstaston Hill, a 298 ft Triassic sandstone ridge and one of the highest points on the Wirral. On the eastern side of the hill is Thorstone Rock, a large sandstone mound which was reputed, in early times, to have been thrown by the Norse God, Thor. The reality is of course somewhat more mundane; the rock mound, being totally sandstone has been worn constantly by the elements as well as many visitors prepared to climb to its small summit. The offices and a visitor centre of Wirral Country Park are situated near the site of what was Thurstaston railway station. The former trackbed of part of the Birkenhead Railway has been converted into a public path - the 'Wirral Way'. The visitor centre contains displays relevant to the local ecology.

Executor Bridge Book End/Display Stand by I Scream Clone

29

"No Disintegrations!" I present my interpretation of the classic scene from Empire Strikes Back, complete with lighting and non-slip design to hold books nicely. Instructions available here, rebrickable.com/users/IScreamClone/mocs/

MOC Executor by VLAD SHEVTSCOV

8

LEGO Starhawk-class Battleship (Version 1) - Star Wars MOC by CRCT Productions

55

"Designed by Nadiri Dockyards during the final days of the Galactic Empire, the Starhawk-Class Battleship was mainly used by the New Republic to pursue the remnants of the Empire. With a length standing slightly over 1800 m, it was built out of decommissioned Imperial Star Destroyers, and held a tractor beam strong enough to take down an Executor-class Star Destroyer."

This LEGO model was originally designed as a SHIPtember 2019, but unfortunately it wasn't finished until 3 1/2 months after the start. It's final length is 89 cm, so roughly 111 studs.

I hope you enjoyed this MOC, it certainly a lot of fun and a very big challenge from a LEGO design point of view!

Full showcase video: youtu.be/j9qXvzEGGPk

More close-ups coming soon!

Hughenden Manor, former residence of Benjamin Disraeli by tedesco57

9

Hughenden Manor, Hughenden, Buckinghamshire, England, is a Victorian mansion, with earlier origins, that served as the country house of the Prime Minister, Benjamin Disraeli, 1st Earl of Beaconsfield. It is now owned by the National Trust and open to the public. It sits on the brow of the hill to the west of the main A4128 road that links Hughenden to High Wycombe.

History

The manor of Hughenden is first recorded in 1086, as part of Queen Edith's lands, and held by William, son of Oger the Bishop of Bayeux, and was assessed for tax at 10 hides. After his forfeiture, the lands were held by the Crown, until King Henry I of England gave the lands to his chamberlain and treasurer, Geoffrey de Clinton.[1] Clinton, whose main home was in Kenilworth, Warwickshire, had the lands tenanted by Geoffrey de Sancto Roerio, who resultantly changed his surname to the Anglicised Hughenden.[1] After passing through that family, with successive Kings having to confirm the gift of the lands, the manor returned to the Crown in the 14th century.[1] In 1539, the Crown granted the manor and lands to Sir Robert Dormer, and it passed through his family until 1737 when it was sold by the 4th Earl of Chesterfield to Charles Savage.[1]

After passing through his extended family following a series of deaths and resultant devises by will, by 1816 the manor and lands were owned by John Norris, a distinguished antiquary and scholar.[1] Isaac D'Israeli, the father of Benjamin Disraeli, Prime Minister of the United Kingdom (1868 and 1874–1880, and Earl of Beaconsfield 1876), had for some time rented the nearby Bradenham Manor and, following Norris's death in 1845, bought the manor and lands from his executors in 1847.[1] The purchase was supported with the help of a loan of £25,000 (equivalent to almost £1,500,000 today) from Lord Henry Bentinck and Lord Titchfield. This was because at the time, as Disraeli was the leader of the Conservative Party, "it was essential to represent a county," and county members had to be landowners.[2] Taking ownership of the manor on the death of his father in 1848, Disraeli and his wife Mary Anne, alternated between Hughenden and several homes in London. Wikipedia

Harry Sinclair House/ Ukrainian Institute of America by Brule Laker

9

The Harry F. Sinclair House at E. 79th Street and 5th Avenue, completed in 1899, was successively the residence of businessmen Isaac D. Fletcher and Harry F. Sinclair, and then the descendants of Peter Stuyvesant. The mansion was designed by C. P. H. Gilbert and built by foreman Harvey Murdock. The building largely retains its original design, except for a 1917, [ on the roof. The mansion comprises 27 rooms on 6 floors, for a total floorspace of 20,000 square feet. Fletcher died at the house in 1917 and in his will bequeathed the property to the Metropolitan Museum of Art. The museum sold the house the next year to oil magnate Harry F. Sinclair, who sold the house in 1930 to Augustus Stuyvesant Jr. and Anne van Horne Stuyvesant. The siblings resided in the mansion until their deaths in 1953 and 1938, respectively. The executors of the Stuyvesant estate sold the Sinclair House in 1954 to a group of investors, who sold it in 1955 to the Ukrainian Institute of America, a nonprofit founded by Ukrainian businessman William Dzus in 1948 to promote Ukrainian culture.

Lego Super Star Destroyer Executor MOC by Flutdisque

14

Inspired by the new official set, I designed my own version.

I wanted more accurate proportions, a bit wider angle,

and a more accurate underside.

O, and this was all done with remaining bricks from my previous projects.

Source:

www.reddit.com/r/StarWars/comments/uitqtq/if_you_had_an_e...

Ightham Mote near Sevenoaks in Kent, England - August 2017 by Saffy H

40 21

Ightham Mote (pronounced "item moat"), Ightham, Kent is a medieval moated manor house. The architectural writer John Newman describes it as "the most complete small medieval manor house in the county."[1] Ightham Mote and its gardens are owned by the National Trust and are open to the public. The house is a Grade I listed building, and parts of it are a Scheduled Ancient Monument.

History

12th century-16th century

The origins of the house date from circa 1340-1360.[2] The earliest recorded owner is Sir Thomas Cawne, who was resident towards the middle of the 14th century.[1] The house passed by marriage to the Haut(e)s, Richard Haut being Sheriff of Kent in the late 15th century.[1] It was then purchased by Sir Richard Clement in 1521.[1] In 1591, Sir William Selby bought the estate.[1]

16th century-late 19th century

The house remained in the Selby family for nearly 300 years.[3] Sir William was succeeded by his nephew, also Sir William, who is notable for handing over the keys of Berwick-upon-Tweed to James I on his way south to succeed to the throne.[4] He married Dorothy Bonham of West Malling but had no children. The Selbys continued until the mid-19th century when the line faltered with Elizabeth Selby, the widow of a Thomas who disinherited his only son.[5] During her reclusive tenure, Joseph Nash drew the house for his multi-volume illustrated history Mansions of England in the Olden Time, published in the 1840s.[6] The house passed to a cousin, Prideaux John Selby, a distinguished naturalist, sportsman and scientist. On his death in 1867, he left Ightham to a daughter, Mrs Lewis Marianne Bigge. Her second husband, Robert Luard, changed his name to Luard-Selby. She died in 1889. The executors of her son Charles Selby-Bigge, a Shropshire land agent, put the house up for sale in July 1889.[6]

Late 19th century-21st century

The Mote was purchased by Thomas Colyer-Fergusson.[6] He and his wife brought up their six children at the Mote. In 1890-1891, he carried out much repair and restoration, which allowed the survival of the house after centuries of neglect.[7] Ightham Mote was opened to the public one afternoon a week in the early 20th century.[7]

Sir Thomas Colyer-Fergusson's third son, Riversdale, died aged 21 in 1917 in the Third Battle of Ypres, and won a posthumous Victoria Cross. A wooden cross in the New Chapel is in his memory. The oldest brother, Max, was killed at the age of 49 in a bombing raid on an army driving school near Tidworth in 1940 during World War II. One of the three daughters, Mary (called Polly) married Walter Monckton.

On Sir Thomas's death in 1951, the property and the baronetcy passed to Max's son, James. The high costs of upkeep and repair of the house led him to sell the house and auction most of the contents. The sale took place in October 1951 and lasted three days. It was suggested that the house be demolished to harvest the lead on the roofs, or that it be divided into flats. Three local men purchased the house: William Durling, John Goodwin and John Baldock. They paid £5,500 for the freehold, in the hope of being able to secure the future of the house.[8]

In 1953, Ightham Mote was purchased by Charles Henry Robinson, an American of Portland, Maine, United States. He had known the property when stationed nearby during the Second World War. He lived there for only fourteen weeks a year for tax reasons. He made many urgent repairs, and partly refurnished the house with 17th-century English pieces. In 1965, he announced that he would give Ightham Mote and its contents to the National Trust. He died in 1985 and his ashes were immured just outside the crypt. The National Trust took possession in that year.[8]

In 1989, the National Trust began an ambitious conservation project that involved dismantling much of the building and recording its construction methods before rebuilding it. During this process, the effects of centuries of ageing, weathering, and the destructive effect of the deathwatch beetle were highlighted. The project ended in 2004 after revealing numerous examples of structural and ornamental features which had been covered up by later additions.[1]

Architecture and description

Originally dating to around 1320, the building is important because it has most of its original features; successive owners effected relatively few changes to the main structure, after the completion of the quadrangle with a new chapel in the 16th century. Nikolaus Pevsner described it as "the most complete small medieval manor house in the country", and it remains an example that shows how such houses would have looked in the Middle Ages. Unlike most courtyard houses of its type, which have had a range demolished, so that the house looks outward, Nicholas Cooper observes that Ightham wholly surrounds its courtyard and looks inward, into it, offering little information externally.[9] The construction is of "Kentish ragstone and dull red brick,"[10] the buildings of the courtyard having originally been built of timber and subsequently rebuilt in stone.[11]

The house has more than 70 rooms, all arranged around a central courtyard, "the confines circumscribed by the moat."[10] The house is surrounded on all sides by a square moat, crossed by three bridges. The earliest surviving evidence is for a house of the early 14th century, with the Great Hall, to which were attached, at the high, or dais end, the Chapel, Crypt and two Solars. The courtyard was completely enclosed by increments on its restricted moated site, and the battlemented tower was constructed in the 15th century. Very little of the 14th century survives on the exterior behind rebuilding and refacing of the 15th and 16th centuries.

The structures include unusual and distinctive elements, such as the porter's squint, a narrow slit in the wall designed to enable a gatekeeper to examine a visitor's credentials before opening the gate. An open loccia with a fifteenth-century gallery above, connects the main accommodations with the gatehouse range. The courtyard contains a large, 19th century dog kennel.[12] The house contains two chapels; the New Chapel, of c.1520, having a barrel roof decorated with Tudor roses. [13] Parts of the interior were remodelled by Richard Norman Shaw.

executor by Fabrice Neaud

24 4

Mespelbrunn Castle by Wolfgang Staudt

55 300

Get here a large view!

Mespelbrunn Castle is a medieval moated castle on the territory of the town of Mespelbrunn, between Frankfurt and Würzburg, built in a remote tributary valley of the Elsava valley, within the Spessart forest. One of the most visited water castles in Germany, it is frequently featured in tourist books.

The first precursor of Mespelbrunn Castle was a simple house. The owner was Hamann Echter, vizedom of Aschaffenburg, a title which means that he was the representant of the ruler the prince elector archbishop of Mainz Johann II of Nassau at the castle and town of Aschaffenburg. On May 1, 1412, the prince elector bestowed the „Place to the Espelborn" to Echter, who constructed a house without fortifications in the valley close to a pond. The Echter family originates from the Odenwald region. Their name presumably means "der die Acht vollstreckt", the executor of the ostracism. These times, the Spessart was a wild and unexploited virgin forest, used for hideout by bandits and Hussites, who spoiled the regions nearby. Therefore in 1427 Hamann Echter, the son of the first owner, began to rebuild his father's house to a fortified castle with walls, towers and a moat, therefore using the nearby pond.

Only the "Bergfried", the round tower is a reminiscent of that time. The following generations changed the defense structures to a representative manor-house, mainly build in the style of Renaissance. Today's appearance primary is the result of rebuildings, made between 1551 and 1569 by Peter Echter of Mespelbrunn and his wife Gertraud of Adelsheim.

Most famous member of the family was Julius Echter, prince bishop of Würzburg, who founded the Juliusspital, a hospital in Würzburg in 1576 and the university of Würzburg in 1583.

In 1648, the last member of the family, Maria Ottilia, Echterin of Mespelbrunn, married Philipp Ludwig, of Ingelheim, member of a family of barons, later arose to counts of Ingelheim. By permission of the emperor the name of the Echter family was saved, because they were allowed to merge their names to Counts of Ingelheim called Echter of and to Mespelbrunn.

From Wikipedia, the free encyclopedia

Ightham Mote near Sevenoaks in Kent, England - August 2017 by Saffy H

21 30

ca.wikipedia.org/wiki/Operaci%C3%B3_Antropoide

Ightham Mote (pronounced "item moat"), Ightham, Kent is a medieval moated manor house. The architectural writer John Newman describes it as "the most complete small medieval manor house in the county."[1] Ightham Mote and its gardens are owned by the National Trust and are open to the public. The house is a Grade I listed building, and parts of it are a Scheduled Ancient Monument.

History

12th century-16th century

The origins of the house date from circa 1340-1360.[2] The earliest recorded owner is Sir Thomas Cawne, who was resident towards the middle of the 14th century.[1] The house passed by marriage to the Haut(e)s, Richard Haut being Sheriff of Kent in the late 15th century.[1] It was then purchased by Sir Richard Clement in 1521.[1] In 1591, Sir William Selby bought the estate.[1]

16th century-late 19th century

The house remained in the Selby family for nearly 300 years.[3] Sir William was succeeded by his nephew, also Sir William, who is notable for handing over the keys of Berwick-upon-Tweed to James I on his way south to succeed to the throne.[4] He married Dorothy Bonham of West Malling but had no children. The Selbys continued until the mid-19th century when the line faltered with Elizabeth Selby, the widow of a Thomas who disinherited his only son.[5] During her reclusive tenure, Joseph Nash drew the house for his multi-volume illustrated history Mansions of England in the Olden Time, published in the 1840s.[6] The house passed to a cousin, Prideaux John Selby, a distinguished naturalist, sportsman and scientist. On his death in 1867, he left Ightham to a daughter, Mrs Lewis Marianne Bigge. Her second husband, Robert Luard, changed his name to Luard-Selby. She died in 1889. The executors of her son Charles Selby-Bigge, a Shropshire land agent, put the house up for sale in July 1889.[6]

Late 19th century-21st century

The Mote was purchased by Thomas Colyer-Fergusson.[6] He and his wife brought up their six children at the Mote. In 1890-1891, he carried out much repair and restoration, which allowed the survival of the house after centuries of neglect.[7] Ightham Mote was opened to the public one afternoon a week in the early 20th century.[7]

Sir Thomas Colyer-Fergusson's third son, Riversdale, died aged 21 in 1917 in the Third Battle of Ypres, and won a posthumous Victoria Cross. A wooden cross in the New Chapel is in his memory. The oldest brother, Max, was killed at the age of 49 in a bombing raid on an army driving school near Tidworth in 1940 during World War II. One of the three daughters, Mary (called Polly) married Walter Monckton.

On Sir Thomas's death in 1951, the property and the baronetcy passed to Max's son, James. The high costs of upkeep and repair of the house led him to sell the house and auction most of the contents. The sale took place in October 1951 and lasted three days. It was suggested that the house be demolished to harvest the lead on the roofs, or that it be divided into flats. Three local men purchased the house: William Durling, John Goodwin and John Baldock. They paid £5,500 for the freehold, in the hope of being able to secure the future of the house.[8]

In 1953, Ightham Mote was purchased by Charles Henry Robinson, an American of Portland, Maine, United States. He had known the property when stationed nearby during the Second World War. He lived there for only fourteen weeks a year for tax reasons. He made many urgent repairs, and partly refurnished the house with 17th-century English pieces. In 1965, he announced that he would give Ightham Mote and its contents to the National Trust. He died in 1985 and his ashes were immured just outside the crypt. The National Trust took possession in that year.[8]

In 1989, the National Trust began an ambitious conservation project that involved dismantling much of the building and recording its construction methods before rebuilding it. During this process, the effects of centuries of ageing, weathering, and the destructive effect of the deathwatch beetle were highlighted. The project ended in 2004 after revealing numerous examples of structural and ornamental features which had been covered up by later additions.[1]

Architecture and description

Originally dating to around 1320, the building is important because it has most of its original features; successive owners effected relatively few changes to the main structure, after the completion of the quadrangle with a new chapel in the 16th century. Nikolaus Pevsner described it as "the most complete small medieval manor house in the country", and it remains an example that shows how such houses would have looked in the Middle Ages. Unlike most courtyard houses of its type, which have had a range demolished, so that the house looks outward, Nicholas Cooper observes that Ightham wholly surrounds its courtyard and looks inward, into it, offering little information externally.[9] The construction is of "Kentish ragstone and dull red brick,"[10] the buildings of the courtyard having originally been built of timber and subsequently rebuilt in stone.[11]

The house has more than 70 rooms, all arranged around a central courtyard, "the confines circumscribed by the moat."[10] The house is surrounded on all sides by a square moat, crossed by three bridges. The earliest surviving evidence is for a house of the early 14th century, with the Great Hall, to which were attached, at the high, or dais end, the Chapel, Crypt and two Solars. The courtyard was completely enclosed by increments on its restricted moated site, and the battlemented tower was constructed in the 15th century. Very little of the 14th century survives on the exterior behind rebuilding and refacing of the 15th and 16th centuries.

The structures include unusual and distinctive elements, such as the porter's squint, a narrow slit in the wall designed to enable a gatekeeper to examine a visitor's credentials before opening the gate. An open loccia with a fifteenth-century gallery above, connects the main accommodations with the gatehouse range. The courtyard contains a large, 19th century dog kennel.[12] The house contains two chapels; the New Chapel, of c.1520, having a barrel roof decorated with Tudor roses. [13] Parts of the interior were remodelled by Richard Norman Shaw.

Tragedia a Praga / A tragedy in Prague by SBA73

24 91

ENGLISH TEXT DOWN UNDER THE LINE

Foto presa amb una FED-2 fabricada el 1958 a la URSS; rodet Ilford Delta 100.

Aquesta església barroca aparentment anodina no tant sols és la catedral ortodoxa de Praga (ja explicaré perquè), sino que és un dels llocs més importants i dramatics de la historia txeca i eslovaca del s. XX, un veritable camp de batalla en miniatura. Es tracta de la catedral de St. Ciril i Metodi de Praga. El 27 de maig de 1942, paracaigudistes txecoslovacs emboscaren i feriren de mort al Reichprotektor de Bohemia i Moravia, el temudissim Reinhard Heydrich, organitzador de la Gestapo, del extermini dels jueus europeus i un dels 4 o 5 homes més importants del III Reich (el seu cotxe portava la matrícula SS-3, essent els altres dos primers per a Hitler i Himmler). Les repercussions mortals foren terribles, amb centenars de represaliats (en especial al poble de Lidice, on foren assassinats unes 340 persones), però no localitzaren els executors fins que un company seu els va trair, l’infame Karel Čurda.

Els paracaigudistes s’amagaven a la cripta de St. Ciril, montant guardia també a dalt del cor de l’església. El 18 de juny de 1942 de matinada, l’església fou encerclada per uns 800 soldats de les SS. Dins l’església hi havia 7 paracaigudistes, 3 dalt el cor i 4 dormint a la cripta. L’arribada sobtada dels alemanys impedí que els de la cripta poguessin sortir a ajudar als seus companys. Durant sis hores aguantaren els assalts de les SS, sobretot Jan Kubis, Adolf Opalka i Josef Bublik des de dalt del cor, on dominaven tot l’interior de l’església. Tots foren morts en combat, tot i que mataren a uns 14 alemans, i en feriren una trentena més. Un cop la nau de l’església estava en mans nazis, aquests localitzaren l’entrada a la cripta, però era massa petita per poder assaltar-la. Així que finalment inundaren el soterrani amb manegues dels bombers per l’única finestra de la cripta, previament ametrallada per a impedir que els paracaigudistes s’hi poguessin acostar. Aquests intentaren fugir excavant un forat fins les clavegueres, però el creixent nivell d’aigua i la voladura d’una segona entrada a la cripta acabà amb les seves opcions. Tots es suicidaren per no caure vius en mans dels nazis: Josef Gabzic, Josef Valcik, Jan Hruby i Jaroslav Sbarc.

Avui en dia, la cripta i tot l’edifici és un santuari molt emotiu, i de nou torna a ser catedral ortodoxa, també (per cert, originariament era una església catolica, però el 1930 fou venguda a l’exglésia ortodoxa, molt minoritaria a Txequia). Diverses pel·licules mostren el setge de St. Ciril i Metodi, notablement Operation Daylight (1975) i Anthropoid (2016).

www.prague.eu/en/object/places/442/cathedral-church-of-st...

www.army.cz/images/id_7001_8000/7419/assassination-en.pdf

Una escena del combat a Anthropoid (2016):

I a Operation Daybreak (1975):

I crec que a la txecoslovaca Atentát (1965):

en.wikipedia.org/wiki/Ss._Cyril_and_Methodius_Cathedral

=========================================

Picture taken with a Soviet FED-2 rangefinder camera made in 1958; Ilford Delta 100.

This rather mundane baroque church in Prague is in fact a cathedral, an orthodox one, St. Cyril and Methodius. But it is what happened here in WW2 that makes this place one of the most important and dramatic places in czech and slovak XX Century. On May 27th, 1942, czechoslovak paras killed the Reichprotektor of Bohemia and Moravia, Reinhard Heydrich. He was one of the 4 or 5 top nazi leaders, organizer of the Gestapo and of the Holocaust. In fact, his car, where he was mortally wounded, had the SS-3 plate (the 1 was for Hitler and the 2 for Himmler). The nazi repprisal was terrible, with thousands of imprisoned people, hundreds murdered (notably in the razed to the ground Lidice, where 340 were murdered). But the nazis failed to locate the paras. Until a traitor told them a lead that ultimately gave the hidding place: St. Cyril and Methodius cathedral.

The paras were hidding in the cript, but also kept guard up in the choir, which dominated the nave of the church. On the early morning of June 18th, 1942, the building and several streets were surrounded by 800 German soldiers and SS. Seven paras were in the church, four sleeping in the cript and three, Jan Kubis, Adolf Opalka and Josef Bublik, guarding the choir. When the SS entered the nave, the battle began. The siege lasted 6 hours, and all the paras were killed or comited shoot themselves. But they killed at least 14 Germans, according to some sources, and wounded maybe 30. With the nave secured, the nazis located the entrance into the cript but was so small that was impossible to attack. So they put firemen hoses down the only tiny window of the cript and blown up a large stone leading to the cript. The paras tried to dig a hole into the sewers but was too late and finally commited suicide to avoid being captured alive: : Josef Gabzic, Josef Valcik, Jan Hruby and Jaroslav Sbarc.

Nowadays the cript and all the building is a national sanctuary, a quite moving place when you know the dramatic events that happened there. Several movies show in a quite spectacular way the siege and assault, most notably Operation Daylight (1975) and Anthropoid (2016).

www.prague.eu/en/object/places/442/cathedral-church-of-st...

www.army.cz/images/id_7001_8000/7419/assassination-en.pdf

Here are the scenes of Anthropoid (2016) and Operation Daybreak (1975):

I presume this is the scene in the czechoslovak film Atentát (1965):

youtu.be/_6B-AZfwIGk?si=lhByPLsjihSYaoex

Vacances19_190164 by Joan

22 1

Ucero, Soria, Castilla y León, España.

Ucero es una villa y también un municipio de la provincia de Soria, partido judicial de Burgo de Osma, comunidad autónoma de Castilla y León, en España.

Dista 63,2 kilómetros de la capital y se encuentra a una altitud de 964 metros en la carretera que conduce de El Burgo de Osma a San Leonardo.

Junto con Herrera de Soria y Nafría de Ucero regenta un condominio conocido como Comunidad de Herrera de Soria, Nafría de Ucero y Ucero, con una extensión superficial de 384,84 hectáreas.

El señorío de Ucero perteneció en el siglo XIII a Juan García de Ucero, esposo de María de Meneses, y a la muerte de aquel, su esposa lo heredó y se lo entregó a la hija ilegítima que tuvo con el rey Sancho IV de Castilla, Violante Sánchez de Castilla.

Y en un documento emitido el 13 de noviembre de 1325 en Aviñón, el papa Juan XXII encomendó al arzobispo de Toledo, Juan de Aragón, que siguiera la causa o pleito que mantenían Violante Sánchez y el obispo de Osma, Juan Pérez de Ascarón, por la posesión del señorío de Ucero, que pertenecía legalmente a ella por la herencia de su madre y había sido ocupado y retenido ilegalmente por dicho obispo, según ella, desde que aquel lo compró el 23 de mayo de 1302 por 300.000 maravedís, y junto con otras propiedades, a los albaceas de Juan García de Villamayor, según consta en la escritura de venta publicada en el tomo II de las Memorias de Fernando IV de Castilla. Pero a pesar de lo anterior, Violante continuó considerándose propietaria del señorío y en 1327 lo donó, junto con el resto de sus posesiones, a la Orden de Santiago, a pesar de que el señorío de Ucero perteneció desde 1302 definitivamente a los obispos de Osma.

En el Censo de 1879, ordenado por el Conde de Floridablanca, figuraba como villa cabecera del Partido de Ucero en la Intendencia de Soria, con jurisdicción de abadengo y bajo la autoridad del Alcalde Mayor de Señorío, nombrado por el Obispo de Osma. Contaba entonces con 232 habitantes.

A la caída del Antiguo Régimen la localidad de constituye en municipio constitucional en la región de Castilla la Vieja que en el censo de 1842 contaba con 38 hogares y 150 vecinos.

Ucero is a town and also a municipality in the province of Soria, judicial district of Burgo de Osma, autonomous community of Castilla y León, in Spain.

It is 63.2 kilometers from the capital and is located at an altitude of 964 meters on the road that leads from El Burgo de Osma to San Leonardo.

Together with Herrera de Soria and Nafría de Ucero he runs a condominium known as Comunidad de Herrera de Soria, Nafría de Ucero and Ucero, with a surface area of 384.84 hectares.

The lordship of Ucero belonged in the thirteenth century to Juan García de Ucero, husband of María de Meneses, and upon his death, his wife inherited it and gave it to the illegitimate daughter he had with King Sancho IV of Castile, Violante Sánchez of Castilla.

And in a document issued on November 13, 1325 in Avignon, Pope John XXII entrusted the Archbishop of Toledo, Juan de Aragón, to follow the cause or lawsuit maintained by Violante Sánchez and the Bishop of Osma, Juan Pérez de Ascarón, for the possession of the lordship of Ucero, which legally belonged to her by inheritance from her mother and had been illegally occupied and retained by said bishop, according to her, since he bought it on May 23, 1302 for 300,000 maravedís, and together with other properties, to the executors of Juan García de Villamayor, as recorded in the deed of sale published in Volume II of the Memoirs of Fernando IV of Castile. But despite the above, Violante continued to consider herself the owner of the manor and in 1327 He donated it, along with the rest of his possessions, to the Order of Santiago, despite the fact that the dominion of Ucero belonged definitively from 1302 to the bishops of Osma.

In the 1879 Census, ordered by the Count of Floridablanca, it appeared as the head town of the Ucero Party in the Municipality of Soria, with jurisdiction of abadengo and under the authority of the Mayor of Señorío, appointed by the Bishop of Osma. It then had 232 inhabitants.

At the fall of the Old Regime, the town of constitutes a constitutional municipality in the region of Castilla la Vieja, which in the 1842 census had 38 homes and 150 neighbors.

Hired Help by mgstanton

11 2

Well, not exactly "hired" if that implies payment, more like coerced volunteers. Either way, getting the house ready for selling.... in this Covid environment. (not my house, I'm an executor of a will).

festina lente - Correr di Scarpa con scarpe da correre by fusion-of-horizons

228 16

youtu.be/J9i771qYngY?si=j9iyPneJH9_qYnoa

running through the Louvre scene from

Bande à part - Band of Outsiders 1964

youtu.be/P4MV1NLejQ0?si=483MwzHmj5C_8m_i

Bande à Part(1964)_vs_The Dreamers(2003)

music

youtu.be/8V_TXNdn5ss?si=P2LaxMDz-__gR7Mz

Barry Lyndon • Piano Trio in E-Flat • Franz Schubert

youtu.be/nioKJNp8ADE?si=8H_CX7z4Ko_4_W8C

Schubert, Trio No. 2, Op. 100, Andante con moto | Ambroise Aubrun, Maëlle Vilbert, Julien Hanck

.

photo

interventions in Museo Correr by Carlo Scarpa, 1953-1960

Il Correr di Carlo Scarpa 1953-1960

correr.visitmuve.it/en/exhibition/correr-scarpa/

In the 20th-century post-war museography, Carlo Scarpa’s double intervention for the Museo Correr in Venice (in 1952-53 the rooms of Venetian History on the first floor; in 1959-60 the Picture Gallery on the second floor) stood out as an exemplary model of the elegant Italian line inspired by international Rationalism, where above all it is the perspicuous consideration of the architectural environmental context and above all the alea specific to each individual work that gives reason and value to the choices of architecture and applied design.

The Museo Correr still bears witness to this high lesson; and even more so when the next interventions of reinstallation on the first floor and “restoration” of the Picture Gallery on the second floor are completed, each with the clear objective of the scholarly recovery of what is preserved; that is, some rooms and various individual elements on the first floor; almost the entire exhibition apparatus on the second floor. The exhibition will present an effective restitution of the architecture and the Scarpian furnishings of the Correr through the period photographic images taken from the MUVE Photographic Archive.

Along with them, some original examples of the refined design of Carlo Scarpa applied to the Correr will be exhibited: display cases and showcases, the famous “easel” for paintings, supports, joints and interlockings…; all demonstrating Scarpa’s extraordinary ability to combine form and function, with his unmistakable stylistic signature, in creations of high artisanal commitment; true “works” where the structural characteristics and the aesthetic qualities of the materials are enhanced to the maximum by a design of inimitable sensitivity and by the special qualities of the executor’s hand.

.

Fondazione Musei Civici di Venezia

en.wikipedia.org/wiki/Fondazione_Musei_Civici_di_Venezia

Museo Correr

en.wikipedia.org/wiki/Museo_Correr

correr.visitmuve.it/en/home/

Napoleonic Wing was designed by the architects Giovanni Antonio Antolini, Giuseppe Soli and Lorenzo Santi

Venice National Archaeological Museum

[collection of Greek and Roman sculptures]

en.wikipedia.org/wiki/Venice_National_Archaeological_Museum

www.venice-museum.com/archaeological-museum.php

Carlo Scarpa

en.wikipedia.org/wiki/Carlo_Scarpa

www.archinform.net/arch/4.htm

Executor class Star Dreadnought by one case

143 7

Custom Designed Lego Executor Super Star Destroyer 2018.

Brick Count 7400.

Entrance to Duneira by Lesley A Butler

78 18

Duneira house and gardens at Mount Macedon.

(Extract from Macedon Ranges cultural heritage and landscape study/Trevor Budge and Associates. 4 v. 1994.).

Henry Suetonius Officer reputedly aquired the Duneira site from

1872-1877 (Blocks 4,5,10,11,14) paying some Â£84 for 38 acres but

rate listings give Robert Officer as the owner. .

.

Suetonius Henry Officer (1830-1883).

Officer was born in Hullgreen, New Norfolk, Tasmania 1830, the

son of Sir Robert & Lady Officer. He was educated in Edinburgh

with his brother, Charles, and returned to the colonies, seeking

gold in Victoria but eventually settling for pastoralism in

company with his brothers and Charles Miles{ ibid.}. They managed

stations in the Wimmera and the Riverina, James marrying in 1866

and commencing construction of a 20 room homestead at Murray

Downs & Willakool, two adjoining properties fronting the Murray

River. After experimentation with irrigation, via steam pumps and

windmills, he was able to develop extensive orchards and crops. He was also, like his brother, interested in

acclimatisation, having developed an ostrich farm on his property

(Charles was a council member of the Zoological & Acclimatisation

Society for 10 years, president in 1887). .

.

Blighted by illness, Suetonius reputedly moved to Leighwood,

Toorak (Melbourne) in 1881, having erected the first stage of

Duneira at Mount Macedon, but died two years later. However his son, Henry jnr. was

born at South Yarra in 1869 and his next child, Jessie, was born

at Macedon in 1877, indicating that he was in residence at both

places prior to the dates previously supposed..

.

Suetonius probably commissioned the first stage of Duneira to be

erected as a summer house between c1874-6. The architect Levi

Powell is thought to have designed a house for him there around

that date. The first improvements listed on the site were

stables in 1874 when Robert Officer was rated as owning the site. The house was reputedly not occupied regularly

until c1881 when Suetonius moved to Toorak.

However it appears he and his family were in residence at Duneira

by 1877..

.

When Suetonius died in 1883 his wife, Mary Lillias Rigg Officer

(nee Cairns), of Glenbervie, Glenferrie Road, Toorak was the

co-executor of the estate, with merchant Robert Harper; she is

the rate occupier in 1888. Mrs Officer was the

sister of Mrs Robert Harper (Huntly Burn) and Mrs John C lloyd

(Montpelier, later Timsbury): all three houses were reputedly

built in the same period... .

.

The house bricks for the first stage were said to have come from

the Macedon Brick Kiln (once near the Macedon railway station,

set up in c1888-9?) with external walls built in 14" Flemish bond

from slop-moulded bricks (9 inch by 2.1/2). The bricks were reputedly carted

from Macedon by Cogger. The footings were of bluestone

and reputedly dressed sandstone blocks also survive, suggesting

that the first stage was face brick with stone quoins and the

next renovation c1888 added wings and a cement coating to the

whole complex. Floor frames were reputedly supported on stone

dwarf walls and joists were 6x2.1/2 inch jarrah, with flooring

being 6 inch pine}. Seaweed was apparently used for

ceiling insulation..

.

The servants' wing verandah was skillion in form with timber

posts with classical capitals. The main verandah had coupled

posts (rebuilt with single posts) a panelled frieze and slimmer

capitals set just under the frieze rail}. The

balustrade may have been of single cast-iron balusters..

.

Just prior to the sale to the speculator, James Smith Reid in

1890, and during the occupation of Edward Dyer, major additions

were made to the house complex and a reputedly a caretaker's

lodge was placed at the gate (survives, altered c1920s) but this

appears to have been added by Reid in the early 1890s. .

.

The added rooms were reputedly: billiard (32'x24') and dining

rooms, kitchen, servants bathroom, service block with 5 rooms

(engine room, dairy, pantry, store, boiler room, built of

Northcote machine made 9" brickwork). Damp proof coursing was

used in these additions compared to the slate of the first stage

and acetylene gas (engine room) was thought used for lighting

from this period, as reticulated in 1.1.2" mains and 1/2 inch

branches to internal and some external verandah lights.

Cast-iron elaborately detailed water radiators were also used,

with hot water pumped from the boiler room, and later a duplicate

boiler allowed hot water to be reticulated taps in the house{

ibid.}..

.

The description in rate books expands to villa and cottages (on

37 acres) for the first time under Reid in c1893 but the annual

valuation had already peeked in 1888 at Â£200 in the occupation of

Edward Dyer. An Edward Dyer was listed at that time as a fruiterer in

Burwood Road, Hawthorn..

.

The water supply is from a concrete tank fed by a spring.

Outbuildings include timber clad stables, storerooms,

blacksmith's shop, coachman's room, milking bails, hay shed and a

green house. The stables (extended) were described as having had

a shingled gabled roof (rear skillion) with loft entered via an

external stair at the north end. It had a blacksmith's

shop (altered for garage c1941), carriage and coachman's rooms,

two stores and vertically boarded main doors{ ibid.,p24}. The

milking and hay sheds had hipped roof forms and timber cladding

and frame. The interior was white-washed. The greenhouse

in the secret hedged garden is of a later date, with a timber

frame built up on 11" cavity brickwork walls, with a brick floor

and heated water pipes under each shelf. The boiler is near the

entry..

.

The `Gisborne Gazette' reported on Duneira in 1903 under the

heading of `A Popular Health Resort':.

`Duneira certainly merits a few remarks though beautiful

residences and grounds are by no means rare in that locality..

(when Reid purchased it, it was `little better than a wilderness'

and he had spared no expense to restore it).. After passing the

lodge at the main entrance, a broad serpentine drive leads up to

the house and from there the grounds are laid out in broad

sloping lawns surmounted with choice borders and fringed with

trees which however do not interfere to any great extent with the

view. There is of course no lack of flowers which grow

luxuriantly on the mount but the great feature of Duneira is the

lawns, those open green expanses which delight the eye at all

times of the year. the secret of this perennial verdure is to be

found in the copious water supply with which Macedon is blessed

(spring at rear of house, tapped by tunnelling 40m into the hill,

ie. grass grows up to base of Monterey pines)..

.

During Reid's time there, the valuation increased marginally in

1899-1900 and again soon after, with Reid's address being given

as care of Rosstrevor Magill, South Australia, in c1909-10. JS Reid died in 1922, leaving

the property to the management of JS Reid jun..

.

The main garden elements are: sweeping lawns, box hedges, weeping beech and cherry, extensive hedges (holly, laurel), a hedged

`secret garden' with green house, mature firs, elm and chestnut Ã¬

avenues. There is also a fountain and a wide spreading weeping elm to the rear of the house, near the tennis court..

.

Significant Trees:.

`Ulmus x hollandica'.

`Prunus' "shirotae".

`Albies procera'.

`Ilex kingiana'.

Atrinxerats al cor / Entrenched in the choir by SBA73

21 82

ENGLISH TEXT DOWN UNDER THE LINE

El cor domina la nau de la catedral de St. Ciril i Metodi, i fou una posició inexpugnable durant hores per a els tres paracaigudistes txecs que mataren a la majoria de SS que entraren a l'església.

Aquesta església barroca aparentment anodina no tant sols és la catedral ortodoxa de Praga (ja explicaré perquè), sino que és un dels llocs més importants i dramatics de la historia txeca i eslovaca del s. XX, un veritable camp de batalla en miniatura. Es tracta de la catedral de St. Ciril i Metodi de Praga. El 27 de maig de 1942, paracaigudistes txecoslovacs emboscaren i feriren de mort al Reichprotektor de Bohemia i Moravia, el temudissim Reinhard Heydrich, organitzador de la Gestapo, del extermini dels jueus europeus i un dels 4 o 5 homes més importants del III Reich (el seu cotxe portava la matrícula SS-3, essent els altres dos primers per a Hitler i Himmler). Les repercussions mortals foren terribles, amb centenars de represaliats (en especial al poble de Lidice, on foren assassinats unes 340 persones), però no localitzaren els executors fins que un company seu els va trair, l’infame Karel Čurda.

Els paracaigudistes s’amagaven a la cripta de St. Ciril, montant guardia també a dalt del cor de l’església. El 18 de juny de 1942 de matinada, l’església fou encerclada per uns 800 soldats de les SS. Dins l’església hi havia 7 paracaigudistes, 3 dalt el cor i 4 dormint a la cripta. L’arribada sobtada dels alemanys impedí que els de la cripta poguessin sortir a ajudar als seus companys. Durant sis hores aguantaren els assalts de les SS, sobretot Jan Kubis, Adolf Opalka i Josef Bublik des de dalt del cor, on dominaven tot l’interior de l’església. Tots foren morts en combat, tot i que mataren a uns 14 alemans, i en feriren una trentena més. Un cop la nau de l’església estava en mans nazis, aquests localitzaren l’entrada a la cripta, però era massa petita per poder assaltar-la. Així que finalment inundaren el soterrani amb manegues dels bombers per l’única finestra de la cripta, previament ametrallada per a impedir que els paracaigudistes s’hi poguessin acostar. Aquests intentaren fugir excavant un forat fins les clavegueres, però el creixent nivell d’aigua i la voladura d’una segona entrada a la cripta acabà amb les seves opcions. Tots es suicidaren per no caure vius en mans dels nazis: Josef Gabzic, Josef Valcik, Jan Hruby i Jaroslav Sbarc.

Avui en dia, la cripta i tot l’edifici és un santuari molt emotiu, i de nou torna a ser catedral ortodoxa, també (per cert, originariament era una església catolica, però el 1930 fou venguda a l’exglésia ortodoxa, molt minoritaria a Txequia). Diverses pel·licules mostren el setge de St. Ciril i Metodi, notablement Operation Daylight (1975) i Anthropoid (2016).

ca.wikipedia.org/wiki/Operaci%C3%B3_Antropoide

www.prague.eu/en/object/places/442/cathedral-church-of-st...

www.army.cz/images/id_7001_8000/7419/assassination-en.pdf

Una escena del combat a Anthropoid (2016):

I a Operation Daybreak (1975):

I crec que a la txecoslovaca Atentát (1965):

en.wikipedia.org/wiki/Ss._Cyril_and_Methodius_Cathedral

=========================================

Most of the combat of that 18 of june, 1942, happened here in the nave of the church. Almost all the 14 German dead were killed here by the fire of the paras entrenched in the choir. As you can see, the choir it's a perfect fire position that dominates the nave. It took the Germans a lot of blood and deads to climb up to that position.

This rather mundane baroque church in Prague is in fact a cathedral, an orthodox one, St. Cyril and Methodius. But it is what happened here in WW2 that makes this place one of the most important and dramatic places in czech and slovak XX Century. On May 27th, 1942, czechoslovak paras killed the Reichprotektor of Bohemia and Moravia, Reinhard Heydrich. He was one of the 4 or 5 top nazi leaders, organizer of the Gestapo and of the Holocaust. In fact, his car, where he was mortally wounded, had the SS-3 plate (the 1 was for Hitler and the 2 for Himmler). The nazi repprisal was terrible, with thousands of imprisoned people, hundreds murdered (notably in the razed to the ground Lidice, where 340 were murdered). But the nazis failed to locate the paras. Until a traitor told them a lead that ultimately gave the hidding place: St. Cyril and Methodius cathedral.

The paras were hidding in the cript, but also kept guard up in the choir, which dominated the nave of the church. On the early morning of June 18th, 1942, the building and several streets were surrounded by 800 German soldiers and SS. Seven paras were in the church, four sleeping in the cript and three, Jan Kubis, Adolf Opalka and Josef Bublik, guarding the choir. When the SS entered the nave, the battle began. The siege lasted 6 hours, and all the paras were killed or comited shoot themselves. But they killed at least 14 Germans, according to some sources, and wounded maybe 30. With the nave secured, the nazis located the entrance into the cript but was so small that was impossible to attack. So they put firemen hoses down the only tiny window of the cript and blown up a large stone leading to the cript. The paras tried to dig a hole into the sewers but was too late and finally commited suicide to avoid being captured alive: : Josef Gabzic, Josef Valcik, Jan Hruby and Jaroslav Sbarc.

Nowadays the cript and all the building is a national sanctuary, a quite moving place when you know the dramatic events that happened there. Several movies show in a quite spectacular way the siege and assault, most notably Operation Daylight (1975) and Anthropoid (2016).

www.prague.eu/en/object/places/442/cathedral-church-of-st...

www.army.cz/images/id_7001_8000/7419/assassination-en.pdf

Here are the scenes of Anthropoid (2016) and Operation Daybreak (1975):

St Mary's Church, Warwick by carolyngifford

10 5

More of the wonderful vaulted ceiling in the Beauchamp Chapel which, as if that was not enough, also has a whole wall of carved and painted angels, some very fine tombs, a Doom painting and a wealth of stained glass. This is a slightly closer view of these musical angels. The contract for creating the glass was drawn up on 23rd June 1447, between the executors of Richard Beauchamp and John Prudde of the town of Westminster, Prudde being an outstanding glazier and for seven years the king’s glazier. At Warwick he was asked to ‘glaze all the windows in the new chapel in Warwick with glass [made] beyond the seas, and with no glass of England, and that in the finest wise with the best, cleanest, and strongest glass of beyond the sea that may be had in England, and that of the finest colours’. The cost of glazing the chapel windows came to £106 18s. 6d., one of the most expensive glazing programmes carried out in England.

Empire Destroyers by one case

113 7

Executor and Monarch

Ightham Mote near Sevenoaks in Kent, England - August 2017 by Saffy H

30 38