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The Church of St. Blaise (Croatian: Crkva sv. Vlaha) is a Baroque church in Dubrovnik and one of the city's major sights. Saint Blaise (St. Vlaho), identified by medieval Slavs with the pagan god Veles, is the patron saint of the city of Dubrovnik and formerly the protector of the independent Republic of Ragusa.
In February 1349, a month after the Black Death had arrived in Dubrovnik, the Great Council decided to build a Romanesque church dedicated to St Blaise as head and protector of the city. As the plague killed many heirs and executors, the Council further decided to use some of the properties that had reverted to the state as funds for the building of the church. Under the supervision of the craftsmen Andelo Lorrin, Butko and Mihajlo Petrovic the church was completed in three years. The church of St. Blaise became soon the second most important church of Dubrovnik after its cathedral.
The current church was built in 1715 by the Venetian architect and sculptor Marino Gropelli (1662-1728) on the foundations of the medieval church which, though it survived the earthquake of 1667 fairly well, burned down in 1706. He modeled the church on Sansovino's Venetian church of San Maurizio
Crkva sv. Vlaha je barokna crkva zaštitnika grada Dubrovnika. Nalazi se na trgu Luža u Dubrovniku.
Barokna crkva sv. Vlaha sagrađena je na mjestu starije romaničke crkve (14. stoljeće), koja je preživjela veliki potres 1667. godine, ali je izgorjela u požaru 1706. godine. Crkva je oštećena u potresu godine 1979. godine, a u Domovinskom ratu (1991. – 1992.) oštećena je pogodcima, najjače na krovu i sjevernom pročelju.
Veliko vijeće 26. veljače 1348. godine donosi odluku o gradnji crkve sv. Vlaha na Platea Communis, na mjestu gdje je i današnja (barokna), ispred Vijećnice. Iz odluke o izgradnji nove crkve sv. Vlaha na navedenome mjestu još se može iščitati želja Dubrovčana za stjecanjem neovisnosti od mletačke vlasti, posebice ako se uzme u obzir arhivski podatak da je dubrovački nadbiskup Ilija Saraka postavio temeljni kamen crkve. Godine 1558. orgulje orguljara Colombija postavljene su u crkvu. Nova barokna crkva izgrađena je od 1706. do 1715. godine po nacrtima mletačkog graditelja Marina Gropellija. Crkva ima bogato ukrašeno pročelje s portalom, a ispred njega su široke stube. Središnji prostor crkve nadvišen je kupolom. Na glavnom mramornom oltaru nalazi se kip sv. Vlaha od pozlaćenog srebra, rad dubrovačkih majstora iz 15. stoljeća. U rukama drži maketu grada prije potresa 1667. godine. Kip je preživio i potres i požar u crkvi. Svake se godine 3. veljače u Dubrovniku slavi Festa svetog Vlaha.
Reedham is a village and parish in Norfolk. It is on the north bank of the River Yare, 12 miles (19 km) east of Norwich, and 7.5 miles (12.1 km) south-west of Great Yarmouth. The parish includes a significant area of nearby marshland, together with the famously isolated settlement of Berney Arms.
The village's name means 'reedy homestead/village' or 'reedy hemmed-in land'.
Before the draining of the marshes towards Great Yarmouth, Reedham was a coastal village, which in Roman times was said to included a lighthouse. Fragments of Roman brick and stone can be found in the north wall of the parish church of St. John the Baptist. The church was constructed around 1100, and the tower was added in the mid 15th century, the result of bequests. A fire in 1981 gutted the church, which has been restored. Reedham is one of the oldest recorded religious establishments in Norfolk. Records show that a church, founded by Bishop Felix of Dunwich, stood on the site present church in the 7th. century.
As a seat of the kings of East Anglia, King Edmund is said to have lived in Reedham. Ledend says that the Danish prince, Ragnor Lothbroc, landed in the village during a storm. He was murdered by one of Edmunds servants, and this led to the 20,000 strong Danish Viking invasion of England and the martyrdom of Edmund in 870.
The Fastolf family, whose most celebrated member was Sir John Fastolf, are recorded at Reedham from the 13th. century. During the last decade of his life Fastolf was a close political ally and friend of John Paston. Fastolf's deathbed testament naming Paston as his executor and heir led to many years of litigation. Paston's wife Margaret (c.1421 to 1484), was the writer of 104 of the 'Paston Letters', Most of the Paston letters and associated documents are now in the British Library, but some are in Oxford and Cambridge. Margaret gave money, along with Thomas Berney, for the building of the church tower. She is said to have lived in Reedham, but this may not be true.
Reedham Ferry, a chain ferry to the west of the village, is the only road crossing point on the River Yare between Norwich and Great Yarmouth. There has been a crossing at Reedham since the early 17th. century.
This metal sign is on the quay beside the River Yare. There is an older wooden sign with the same design close to the village school.
The sign shows a woman with the church of St. John the Baptist in the background. Some say the woman is Margaret Paston but it could also be a member of the Berney family, who have a much stronger link to Reedham than the Pastons.
On the woman's left is a Viking longship and on her right a Norfolk Wherry with Polkey's Mill in the background. On the spandrels are the crests of the Hatton family, left, and the Berney Family, right.
The two birds represent wildlife often seen on the marshes. The brickworks and feathers may represent industries or occupations from Reedham's past.
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Abused And Abandoned Jungle Dogs.
This has been a Very Looooong Day.
We left home around 8:30AM and
arrived at The Dog Palace at 9:45AM.
Got real busy feeding Mr Little Larry
some special food made just for him.
Sorted out things in The Bingo Room
then took off for Mr Kind Monks place.
Both Molly and Blondie received their
monthly inoculations plus special food.
No# 1 wife is cleaning her hands of some
liquid medication that spilled all over her.
From here we stopped at Mr Ed's and he
was given six juicy carrots, he loves-em .
Then it's off to the nuns place to pickup Mama.
Both nuns had left at 6:AM and will be back later.
Mama was loaded into the car and taken back to
The Bingo Room where she was given a bath ;-)-
Now, remember it's been mentioned the roads
are all torn-up and is an insane mess. Well we
are now going to head right back into said
mess in-order to get Mama to the clinic.
Rocky is on hold for the time being.
OK, it;s way after 11:AM when we finally arrive
at the dog clinic and surprisingly there's
a lot of people/dogs here too. While
waiting two different dogs came
in covered with blood and
in great pain so they
went to the front
of the line.
Three hours later the dog doctor saw Mama.
Did a test on her skin and said she is having
an allergic reaction to tic bites & mosquitoes.
Lucky there is no mange so injections were
given and pills are handed off to us. Both
Rocky and Mama have the same pills.
Other medical supplies were purchased
while we were there then off we went
back to the temple. Nuns showed up
right after we did so No# 1 explained
everything in detail. Now, for the next
part - Miss Legs The Zoomer was
loaded into the car and we head
for home through all the road
construction. Sometime
around 6:PM we made
it home, exhausted.
Now to answer your next question -
How is Legs, Pumpkin and Boney getting along ?
First I'll backup and fill you in on another part of the story.
About 18 months ago, no# 1's little brother died of cancer.
He stayed with us out here until the end of his life. We cared
for him all the way to the end and on his death bed he asked
us to do him a favor. He wanted no# 1 to be the executor of his
will and in his will he wanted another sister, who is younger then no# 1, to have a house out here where we live. But he also knew
it had to be approved by Uncle Jon. So the family came to me and stated their case. There was about 10K USD in his life insurance and the rest of the family said they would all chip in what they could to help out.
I thought about this for an hour then called for a sit down.
Knowing said sister will be retiring from a low paying job
in about 4-5 years and the fact she is a sweetheart and
a family favorite I made a decision. What they must all
agree to is her house must be painted white on the
outside. She could paint the inside any color she
wanted. And the house must be build close to
my house at a 90% angle making an L shape.
Reason for this is simple. This way If I yell
out for help, cuz I'm getting older, she
can hear me and come running.
Her home is about the same size as ours.
550 square feet including bathroom .
The size of a two car garage.
Now getting back to the question ---
Pumpkin and Boney sleep in my home
and right now Legs is with no# 1 in
her sisters home. We are doing
this very slowly & carefully .
When we first arrived no# 1 took Legs
and put her on her sisters porch.
I let Pumpkin & Boney out and they
ran right over and started sniffing.
No body made any kind of sound.
So, like I said this will be done real slow.
It could take awhile, it is what it is ;-)---
In a few days I'll return back to the temple.
More special food for Mr Little Larry and
of course juicy carrots for Mr Ed. Photos
will be taken to document the event.
Thank you for your comments and donations.
Thank You.
Jon&Crew.
Please help with your temple dog donations here.
www.gofundme.com/f/help-for-abandoned-thai-temple-dogs
Please,
No Political Statements, Awards,
Invites Large Logos or Copy/Pastes.
© All rights reserved.
.
OK well I used my recently new (fair enough) photograph skills on my Executor one last time.
A decent photo does not make background removal any easier though...
Building instructions and .ldr file available freely here. I strongly advise to have a look at it before doing anything.
Credits inside the building instructions. Enjoy!
Minor design changes may occur during the life of the MOC. When implemented, I make a new post in the album as soon as the building instructions are updated and available (the .zip file will indicate the date of the revision)
- ex Tracy Cooper collection...
Article from the "Michel Reporter" newspaper - (16 October 1909) - ELK PRAIRIE is a splendid fertile valley, extending north and east up the valley of the Elk, covering over 120 square miles, it has an acreage sufficiently great to feed and sustain the wants of the twin cities. The land In this valley has been ranked by government exports as "First Rank" and Its producing qualities amply justify this classification. Elk Prairie is being rapidly filled with enterprising settlers, who have not had to encounter the difficulties of breaking and tilling the soil found elsewhere in this province. All grains and vegetables reach a perfection while the cultivation of fruit so long delayed is now receiving its just and due consideration. Recently a post office has been opened and the wagon road improved so that commerce with New Michel is fast and steadily becoming an important factor in the development of the district.
(from - Wrigley's 1918 British Columbia Directory) - ELK PRAIRIE - a post office and village in Fernie Provincial Electoral District, 3 miles northwest of Natal, the nearest point on the C. P. R., and C. P. R. telegraph office. Local resources: Coal mining, lumbering, farming. Ornicle Camp Coal claims are located 4 miles north of Elk Prairie. The C. P. R. coal claims, 30, 50 and 60 miles north. The Kimball Lumber Co. owns a large tract of timber claims undeveloped at Wilson Creek, Elk Prairie. The Fernie Lumber Co. own timber claims at Elk Prairie.
The ELK PRAIRIE Post Office was established - 1 October 1903 and closed - 13 June 1928.
LINK to a list of the Postmasters who served at the ELK PRAIRIE Post Office - www.bac-lac.gc.ca/eng/discover/postal-heritage-philately/...;
- sent from - / ELK PRAIRIE / MAY 14 / 13 / B.C / - split ring cancel - this split ring hammer (A1-1) was not listed in the Proof Book - it was most likely proofed c. 1903 - (RF E / now is classified as RF E3).
- sent by - William Weaver / Elk Prairie / B.C.
William Weaver - Dairy Farming and Postmaster, specialized in breeding pure bred Holstein Friesian Cattle and Percheron Horses.
"Advertisement from 1909"
William Weaver
"Tyldesley Dairy" (named after his birth place)
Eggs, Butter and Vegetables For Sale at Elk River, B.C.
William Weaver Sr.
Birth - 29 Mar 1877 in Tyldesley, Metropolitan Borough of Wigan, Greater Manchester, England
Death - 13 Feb 1947 (aged 69) in Ladysmith, Cowichan Valley Regional District, British Columbia, Canada
William married 1) Lois Esther Higson (1877 - 1931) in Tyldesley, Lancashire England on June 4, 1898.
William married 2) Clara Elliot, in the British Columbia Death Registrations 1872-1986. She immigrated to Canada the same year as her marriage in England to William which was about 1933. William and Clara lived in Natal for about 8 years and then moved to a farm located about 2 km. North of Ladysmith, British Columbia, Canada.
His occupation in England was Horseman and in Canada, Dairy Farmer, located in the Elk Valley. He called his dairy farm Tyldesley Dairy after the place that he was born in England. The Rural Post Office called Elk Prairie Post Office was located in his log home that he built; his wife Esther took care of it. LINK - www.findagrave.com/memorial/114909681/william-weaver
Addressed to: J.C. Drewry, Esq / The Glen Ranch / Cowley, Alberta
- arrival - / COWLEY / PM / MY 16 / 13 / ALTA. / - partial cds arrival backstamp
John Climie Drewry
Birth - 1860 in Barrie, Simcoe County, Ontario, Canada
Death - 28 Dec 1914 (aged 53–54) in Cowley, Claresholm Census Division, Alberta, Canada
Little is known about J.C. Drewery, and yet he remains an important figure in district history as one of the largest landholders in the early 1900s. The local history mentions that Drewry had been a journalist with the Globe and Mail in Toronto and had also been involved in mining interests at Rossland and Moyie, British Columbia. He came to the Cowley district ca. 1905, first buying the Cook farm where he planned to build a large sandstone house. Although construction proceeded to the point where foundations were in place and local rock quarried, Drewry decided to move upriver to the NE where in 1910 the Glen Ranche was established. A fine stone house and the original barns are still used today by Joseph Reners.
Drewry specialized in raising Percheron horses and purebred Holstein cattle. He appears to have had extensive land holdings in the Three Rivers area to provide pasture for the stock, and also acted as landlord to families who rented houses from him. Drewry died in 1914, and the Glen Ranche was then operated by his sister Mary Burnham Drewry and his brother Andrew, both of whom had come west with Drewry earlier. A third sibling, William Steward Drewry, who was a surveyor in Victoria, British Columbia was also named as an executor. It is unclear how the property finally passed out of the Drewry family, although it appears that the Debt Adjustment Act was brought into play, with the banks having major interest in the property. LINK to the complete article - hermis.alberta.ca/ARHP/Details.aspx?DeptID=2&ObjectID...
Description of Historic Place - The Drewry House is an early twentieth century, two-storey building situated on 1.12 hectares on the north bank of the Crowsnest River near Cowley. Constructed of locally quarried, rough-faced sandstone, it features a hipped roof, plain exterior, and window bays on the west and south facades. LINK - www.historicplaces.ca/en/rep-reg/place-lieu.aspx?id=5890
your beloved body. day 8. how I feel in my body
The place where the soul dwells. You should honor that temple, they said. The place where the sacred shows up.
But I didn´t feel it to be true. My body was a servant, a vehicle, a container, an obstacle, an executor...sometimes a traitor, rarely a friend, how could it be a temple?
Coming from a society where women depend so much on their husbands and families in so many levels, I only yearned for independence and for getting away the traditional feminine roles. In an age where body cult was so preeminent, I felt far from that ideology.
Retrospectively, I think that I felt proud of both facts because they allowed me to construct my own identity. But I was not able to find a happy medium regarding to my body. (...)
However, one day I started to understand:
Body is not a chapel where a bright deity resides. Body is not a sacrificial altar or a place through which I can worship myself. It is not a business card or a tool at the services of other persons. It´s not a clothes rack or a shield, either.
Body is a way to materialize my essence and somehow, even when I can be much more than it, I am also this body. The more I respect it, the more my essence shines.
if you want to read the whole text: myhealingmoments.blogspot.com.es/p/blog-page.html
Ancient Trees (11th Century) @ Ripley Castle,England,UK
THE DEER PARK CONTAINS SEVERAL MAGNIFICENT TREES. SOME HAVE PROBABLY BEEN HERE SINCE THE 11TH CENTURY. CERTAINLY THESE OAKTREES MUST BE VERY OLD TO ACHIEVE A GIRTH OF 28.5'.
The Ingilby family celebrates 700 years at Ripley CastleThe Ingleby family can trace its history back to 1090, when Sir Robert Ingleby owned land in the village of Ingleby, near Saxelby, Lincs. Another branch of the family had extensive lands in and around Ingleby Greenhow and Ingleby Mill in North Yorkshire. When Sir Thomas Ingleby (c1290-1352) married the heiress Edeline Thwenge in 1308/9 she came with a very substantial dowry: Ripley Castle and its surrounding estates. Like most wedding presents, it has taken the family several generations to work out what to do with it! Life was far from easy: in 1318 the Scots, under Sir James ‘Black’ Douglas, plundered the region mercilessly, destroying 140 of the 160 houses in nearby Knaresborough. In the following year a bovine plague killed almost all of the cattle in the region, leaving thousands destitute and milk in short supply. In 1349 the Black Death struck, wiping out almost half of the local population and leaving numerous hamlets bereft of people.
The old village of Ripley was abandoned and the survivors built a new settlement on the site of the current village, on the doorstep of the castle. Sir Thomas was in great favour at the king’s court in London and was appointed as an Advocate in 1347. In 1351 he was appointed as a Justice of Assize. He died the following year and a magnificent tombchest in All Saint’s Church, Ripley, has the figures of Thomas and Edeline lying recumbent on the top, he in his armour and chain mail, she in a long robe and head dress. His oldest son, also called Thomas (1310-1369) also married well: Katherine Mauleverer was descended from Aelfwine, an Anglian of proud descent and one of the largest landowners in the North of England. He followed his father into the royal court, and accompanied Edward III on a hunting trip to the royal hunting forest of Knaresborough in 1357. The king found a wild boar and threw his spear at it, but only injured it. The boar charged the king’s horse, and the king was thrown to the ground. Thomas killed the boar, saving the king’s life. He was knighted, granted the boar’s head emblem as his family crest, and granted the right to hold a weekly market and annual horse fair in Ripley – both continued to be held until the early 1900’s. He was appointed as a justice of the King’s Bench in 1361, the only judge to hold that position apart from the Chief Justice. He could claim £40 pa for expenses, and a further £20pa for holding assizes in different counties.
Thomas’s brother, Sir Henry Ingleby, enjoyed an equally notable career. Rector of several parishes, he was appointed Master of the Rolls and Keeper of the Writs, serving under the Lord Chancellor William Edington: he had an office in the Tower of London and paid 40 shillings a year for the privilege of collecting the wool tax from the monasteries. He also oversaw the network of royal horse dealers who bought horses for the royal household, then sold them at a profit: the proceeds were used to build Windsor Castle. He died in 1375 and was buried in York Minster.
Sir John Ingleby (1434-1499) inherited the estate from his father at the age of five: his trustees had to testify to his correct date of birth in order to get the estates out of trust when he came of age. Their testimony paints a remarkable picture of an average day in the life of 15th century England. ‘Ralph Acclom remembers John’s birth because he was staying with John, Abbot of Fountains Abbey and rode across with him to baptize the baby. Ralph Apilton remembered John’s birth because he killed a deer between Ripley and Hampsthwaite. Robert Atkinson remembered the date because he rode with John Slingsby from Ripley to Sherburn and was robbed and beaten up, losing 28s and 8d.’John built the castle gatehouse – still there today – and married a wealthy heiress, Margery Strangeways of Harlsey Castle. She bore him a son and heir, William. In 1457 John abandoned his wife, son estates and earthly possessions to become a monk at Mount Grace Priory a Carthusian charterhouse near Northallerton which had been founded by his great grandfather – and was the last resting place for his parents.
He was appointed prior of Sheen in 1477 and first visitor of the English province between 1478 and 1496. The royal family worshipped at Sheen and John became the first of three executors for Queen Elizabeth, wife of Edward IV, in 1492. He was Henry VII’s special ambassador to Pope Innocent VIII, the king describing him as ‘my captain and envoy’ in one of the letters that John delivered to the Pope. Henry appointed him to oversee the conversion of priory at Sheen into the royal palace of Richmond between 1495 and 1499, and the Pope appointed him bishop of Llandaff on 27th June, 1496. He was buried at the church of St Nicholas in Hertford. His luckless wife, Margery, effectively became a widow when he took holy orders: she spent eleven years raising her son before marrying Richard, Lord Welles. Her luck was no better second time round: Edward IV reneged on a promise of safe keeping and had her husband beheaded in 1469, less than a year after their marriage.Sir William Ingleby (1518-1578) married the staunchly Catholic Ann Mallory and lived through a period of profound religious turbulence. When Henry VIII suppressed the smaller monasteries in 1536, Yorkshire’s old established Catholic families rose in revolt: the Pilgrimage of Grace was a populist and peaceful revolt that received such widespread support throughout the North that the king, heavily outnumbered, was forced to sue for peace. Reneging on a promise of safe keeping, Henry had the organizer, Robert Aske, arrested and put to death: 200 of his fellow pilgrims shared his fate. William received a reward for his staunch loyalty to the crown: Queen Mary wrote ‘For the opinion I have conceived of Sir William Ingleby…I have appointed him Treasurer of Berwick’. The Rising of the North in 1568 was potentially even more serious. The rebels set out from nearby Markenfield Hall and mustered an army that far outnumbered the king’s resources. Sir William, as High Sheriff of York, was obliged to muster additional troops but while doing so was surrounded in Ripon market square, by a group of rebels amongst whom were two of his sons, David and Francis. He had to fight his way out and, deciding that Ripley Castle was too weak to defend, took refuge in the duchy of Lancaster’s Knaresborough Castle until the troops under his command were strong enough to defeat the rebels. The earl of Sussex wrote to
William Cecil ‘Sir William Ingleby has served the Queen as truly and as chargeably from the first suspicion of this rebellion, as any man of his rank has done. He has delivered to me, from time to time, better intelligence than I have received from any others. He be such that her majesty may rest assured of his honesty and loyalty’. The rebellion was crushed: David and Francis fled into exile but Sir William’s own son in law,
Thomas Markenfield, was executed. Francis Ingleby (1550-1586) studied at Brasenose College, Oxford and read law at the Inner Temple. In 1583, having received a heavenly visitation while staying at Ripley, he emigrated to Reims and became ordained a Catholic seminary priest, returning to England in 1585. There are remarkable parallels with today: a native Englishman, passionately supporting a minority religion, goes abroad to receive militant training in his faith. He returns intent on spreading the word and overthrowing the established religion and government.
Francis was hung, drawn and quartered on York Knavesmire in 1586 and beatified by the Pope in 1987. His brother David (1547-1600) became known as ‘the Fox’ for his ability to outrun his pursuers. He was the man who guided the seminary priests around the North of England, leading them from one safe house to another. He married Lady Ann Neville, daughter of the exiled earl of Westmoreland – and another staunch Catholic. David was heavily implicated as a co-conspirator of John Ballard in the Babington treason, a conspiracy to remove Elizabeth I from the throne and replace her with Mary, Queen of Scots. He and Francis were described as ‘the most dangerous papists in the North’. A huge manhunt was launched to find them: a secret priest’s hiding hole, built to conceal them and other visiting priests while they were at Ripley, was only discovered by accident in 1964. A set of instructions written out for a spy being sent to the royal court in Scotland listed numerous things that the spy should and should not do: it ended with a very simple warning ‘ beware of David Ingleby’. David died in exile in Belgium: Elizabeth I, taking pity on his by now
impoverished widow, awarded her a pension provided she behaved herself. Their cousin Mary Ward spent several of her formative years staying with the Inglebys. In 1609 she founded a Catholic Society for Women, modeled on the Society of Jesus. They founded schools and taught in them, and the nuns were strongly encouraged to work in the community. Pope Urban VIII suppressed the order and it wasn’t until 1877 that her society was fully restored with papal blessing. The Bar Convent in York – which she founded - was the first teaching convent in the world. Sir William Ingleby (1546 - 1618) hosted a visit by James VI of Scotland en route to the king’s coronation as James I of England in 1603. Within two years William was heavily implicated in a plot to kill the king his family and hundreds of MP’s. The Ingilbys were related to or closely associated with, nine of the eleven principal conspirators of the infamous Gunpowder Plot. The mother of Robert and Thomas Wyntour, two of the leading conspirators, was an Ingleby. They had spent the week before the plot was unearthed at Ripley, buying horses from the surrounding district. Sir William and his son were arrested and charged with treason, but were, surprisingly, acquitted of all the charges. The third charge was that of bribing witnesses.
Sir William Ingleby (1594-1652) supported Charles I throughout the civil war, raising a troop of horse to fight under the generalship of Prince Rupert of the Rhine. He fought at the battle of Marston Moor, alongside his redoubtable sister, ‘Trooper’ Jane Ingleby, and somehow managed to escape the bloody rout that saw the king’s northern armies defeated for good. He made the safety of Ripley, but was his arrival was followed almost immediately by that of the victorious rebel general, Oliver Cromwell. Sir William leapt into the priest’s secret hiding place, leaving his sister to look after Cromwell. She at first refused to let him into the castle, swearing that she would defend it against all comers. After some negotiation, he was allowed to enter and spend the night there, guarded at pistol point by Jane, to prevent him from searching the castle for her brother. Cromwell, stunned at being held at gunpoint by a woman having just won the greatest victory of his career, did nothing and she saw him off the premises the following morning.
Sir William’s son, also called William (1620-1682) was deeply religious – and a closet ‘rebel’. He managed to get the family’s entire fortune captured by the rebels and his father, believing him to have done it on purpose, wrote him a blistering letter, threatening to disinherit him. The letter, signed ‘your loving father’, can be seen at the castle today.
William junior was not good looking: his portraits confirm that. In 1659 he employed a dating agent, a Mr E Pitt, to find him a wife, and again we have the correspondence: the mission was successful.Sir John Ingilby (1757 – 1835) married Elizabeth Amcotts, a Lincolnshire heiress. His father in law promised him funds to help the young couple rebuild the castle. Sir John had a row with his father in law half way through the project, and ended up so heavily in debt that he had to flee the country for eleven years while his land agent sold timber to pay off his debts. While he and his wife were abroad their oldest son died at the age of 18, and they were hustled from one European city to another as the Napoleonic wars consumed the continent. A bundle of frequently harrowing letters, written to his agent while he was in exile, survives. By the time he returned, his marriage was over: having had 11 children by his wife, he had a further 5 by Martha Webster, daughter of a local tenant farmer.
One son, Edward Webster, had problems involving a gamekeeper’s daughter near Skipton and was placed on board the RM Reynolds at Ramsgate with £200 and a supply of clean shirts: his stepbrother was ordered to remain on the dockside to ensure that he didn’t leave the vessel before it set sail for Sydney. This proved to be a life-changing experience and he and his successors thrived Down Under: Robert Webster was the minister of state for the Olympics in the NSW state government when Sydney won the bid for the games.
Sir John’s son Sir William Amcotts Ingilby (1783-1854) was the product of a broken home, and a great eccentric. He was a drinker, gambler and general reprobate: he became an MP, as many such people do. He was a leading Whig, and an outspoken supporter of the reform Act of 1832. His dress sense was spectacularly awful ‘’As to your friend, Sir William Ingilby I am told by a lady who saw him and absolutely took fright at it, that this eccentric baronet walks about Ripley and Ripon too, in his dressing gown, without smalls or loincloth on. The absence of the former was luckily disguised by the wrap of the gown, and is alleged on hearsay: but the naked throat, shirt collar displayed a la Milord Byron, had a striking effect, and produced the scarecrow impression.’ Believing that his tenants and workforce should be well housed in this age of industrial revolution, Sir William demolished the entire village of Ripley and rebuilt it as a model estate village, copying an idea that he had observed in Alsace Lorraine. Instead of a Town Hall, Ripley has a magnificent ‘Hotel de Ville’ – certainly the only one of its kind in England! He died without heir and left the estate to his cousin Henry, telling him that he was doing so because ‘ I don’t believe that you are any longer the canting hypocrite I took you for’. Sir William Ingilby (1829-1918) was a somewhat dictatorial Landlord. He disapproved of alcoholic drink being served on the Sabbath day and closed down the three pubs in the village when the Landlords refused to close on Sundays. The village remained dry for 71 years until the Boar’s Head opened in 1989. When a child ran out of the front door of one of the village houses and startled his horse, causing him to be deposited on the ground in the middle of the Main Street, he prevented further embarrassment by imposing an edict that the villagers should not use their front doors.
Having survived several plagues, invasions, civil wars, wars, religious turbulence, a plot to commit regicide, numerous periods of deep recession and everything else that has befallen this country in the last seven hundred years, the Ingilbys can justifiably breathe a sigh of relief that they have arrived safely at this astonishing landmark. Theirs is a story of how one family has been tossed around in the choppy waters of England’s stormy history – and somehow survived, despite being on the losing side more often than not. The history of the Ingilbys is a microcosm of the history of England and features a cast of extraordinarily brave, foolish, eccentric and courageous characters, black sheep and white. They have gone from high office in the court of kings and queens to running a wedding and conference venue and hotel, but they are still at Ripley and the story continues as they steer their family and business through these challenging times. Sir Thomas and Lady Ingilby have four sons and a daughter. A more detailed history of the family, complete with family trees not just of the Ingilby family but various families that became related to the Ingilbys by marriage over the centuries
My Husband's Uncle died recently and he is the executor of the estate. We had to take a trip to secure the house and do a preliminary inventory prior to probate. This was his Grandfather's house.
ENGLISH TEXT DOWN UNDER THE LINE
Detall de la única finestra, o més aviat lluernari, de la cripta assetjada per les SS. Fou ametrallada per impedir que els paracaigudistes txecoslovacs s'hi poguessin acostar. A sobre, el monument als martirs.
Aquesta església barroca aparentment anodina no tant sols és la catedral ortodoxa de Praga (ja explicaré perquè), sino que és un dels llocs més importants i dramatics de la historia txeca i eslovaca del s. XX, un veritable camp de batalla en miniatura. Es tracta de la catedral de St. Ciril i Metodi de Praga. El 27 de maig de 1942, paracaigudistes txecoslovacs emboscaren i feriren de mort al Reichprotektor de Bohemia i Moravia, el temudissim Reinhard Heydrich, organitzador de la Gestapo, del extermini dels jueus europeus i un dels 4 o 5 homes més importants del III Reich (el seu cotxe portava la matrícula SS-3, essent els altres dos primers per a Hitler i Himmler). Les repercussions mortals foren terribles, amb centenars de represaliats (en especial al poble de Lidice, on foren assassinats unes 340 persones), però no localitzaren els executors fins que un company seu els va trair, l’infame Karel Čurda.
Els paracaigudistes s’amagaven a la cripta de St. Ciril, montant guardia també a dalt del cor de l’església. El 18 de juny de 1942 de matinada, l’església fou encerclada per uns 800 soldats de les SS. Dins l’església hi havia 7 paracaigudistes, 3 dalt el cor i 4 dormint a la cripta. L’arribada sobtada dels alemanys impedí que els de la cripta poguessin sortir a ajudar als seus companys. Durant sis hores aguantaren els assalts de les SS, sobretot Jan Kubis, Adolf Opalka i Josef Bublik des de dalt del cor, on dominaven tot l’interior de l’església. Tots foren morts en combat, tot i que mataren a uns 14 alemans, i en feriren una trentena més. Un cop la nau de l’església estava en mans nazis, aquests localitzaren l’entrada a la cripta, però era massa petita per poder assaltar-la. Així que finalment inundaren el soterrani amb manegues dels bombers per l’única finestra de la cripta, previament ametrallada per a impedir que els paracaigudistes s’hi poguessin acostar. Aquests intentaren fugir excavant un forat fins les clavegueres, però el creixent nivell d’aigua i la voladura d’una segona entrada a la cripta acabà amb les seves opcions. Tots es suicidaren per no caure vius en mans dels nazis: Josef Gabzic, Josef Valcik, Jan Hruby i Jaroslav Sbarc.
Avui en dia, la cripta i tot l’edifici és un santuari molt emotiu, i de nou torna a ser catedral ortodoxa, també (per cert, originariament era una església catolica, però el 1930 fou venguda a l’exglésia ortodoxa, molt minoritaria a Txequia). Diverses pel·licules mostren el setge de St. Ciril i Metodi, notablement Operation Daylight (1975) i Anthropoid (2016).
ca.wikipedia.org/wiki/Operaci%C3%B3_Antropoide
www.prague.eu/en/object/places/442/cathedral-church-of-st...
www.katedrala.info/index.php/galerie-katedraly
www.army.cz/images/id_7001_8000/7419/assassination-en.pdf
Una escena del combat a Anthropoid (2016):
www.youtube.com/watch?v=_TLiRxwFCk0
I a Operation Daybreak (1975):
www.youtube.com/watch?v=mAWgbmluk34&t=194s
I crec que a la txecoslovaca Atentát (1965):
www.youtube.com/watch?v=ipoGy1XadYw
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A detail of the only window in the crypt of St. Cyril & Methodius, bullet ridden by the SS to attack the besieged paras. Above it, the martyrs memorial, with their names.
This rather mundane baroque church in Prague is in fact a cathedral, an orthodox one, St. Cyril and Methodius. But it is what happened here in WW2 that makes this place one of the most important and dramatic places in czech and slovak XX Century. On May 27th, 1942, czechoslovak paras killed the Reichprotektor of Bohemia and Moravia, Reinhard Heydrich. He was one of the 4 or 5 top nazi leaders, organizer of the Gestapo and of the Holocaust. In fact, his car, where he was mortally wounded, had the SS-3 plate (the 1 was for Hitler and the 2 for Himmler). The nazi repprisal was terrible, with thousands of imprisoned people, hundreds murdered (notably in the razed to the ground Lidice, where 340 were murdered). But the nazis failed to locate the paras. Until a traitor told them a lead that ultimately gave the hidding place: St. Cyril and Methodius cathedral.
The paras were hidding in the cript, but also kept guard up in the choir, which dominated the nave of the church. On the early morning of June 18th, 1942, the building and several streets were surrounded by 800 German soldiers and SS. Seven paras were in the church, four sleeping in the cript and three, Jan Kubis, Adolf Opalka and Josef Bublik, guarding the choir. When the SS entered the nave, the battle began. The siege lasted 6 hours, and all the paras were killed or comited shoot themselves. But they killed at least 14 Germans, according to some sources, and wounded maybe 30. With the nave secured, the nazis located the entrance into the cript but was so small that was impossible to attack. So they put firemen hoses down the only tiny window of the cript and blown up a large stone leading to the cript. The paras tried to dig a hole into the sewers but was too late and finally commited suicide to avoid being captured alive: : Josef Gabzic, Josef Valcik, Jan Hruby and Jaroslav Sbarc.
Nowadays the cript and all the building is a national sanctuary, a quite moving place when you know the dramatic events that happened there. Several movies show in a quite spectacular way the siege and assault, most notably Operation Daylight (1975) and Anthropoid (2016).
en.wikipedia.org/wiki/Ss._Cyril_and_Methodius_Cathedral
www.prague.eu/en/object/places/442/cathedral-church-of-st...
www.katedrala.info/index.php/galerie-katedraly
www.army.cz/images/id_7001_8000/7419/assassination-en.pdf
Here are the scenes of Anthropoid (2016) and Operation Daybreak (1975):
www.youtube.com/watch?v=_TLiRxwFCk0
www.youtube.com/watch?v=mAWgbmluk34&t=194s
I presume this is the scene in the czechoslovak film Atentát (1965):
This is my personal redesign of the midi-scale Imperial-Class Star Destroyer featured in the new Executor SSD set, which I wasn't the most impressed with. Until LEGO makes a modified plate with slope that's 1 stud shorter, this is as good as I can do to "upgrade" this design, but I'm still happy with it.
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While waiting for 75356 to come back in stock on LEGO.com, I've challenged myself to design some ships to go alongside it, all to scale. Here's the first batch of ships, but I'll likely check back here with some more designs soon!
Building instructions and .ldr file available freely here. I strongly advise to have a look at it before doing anything.
Credits inside the building instructions. Enjoy!
Another my Work-in-progress.
More pictures are available here: www.brickshelf.com/cgi-bin/gallery.cgi?f=534855
The Burgtheater at Dr.-Karl -Lueger-Ring (from now on, Universitätsring) in Vienna is an Austrian Federal Theatre. It is one of the most important stages in Europe and after the Comédie-Française, the second oldest European one, as well as the greatest German speaking theater. The original 'old' Burgtheater at Saint Michael's square was utilized from 1748 until the opening of the new building at the ring in October, 1888. The new house in 1945 burnt down completely as a result of bomb attacks, until the re-opening on 14 October 1955 was the Ronacher serving as temporary quarters. The Burgtheater is considered as Austrian National Theatre.
Throughout its history, the theater was bearing different names, first Imperial-Royal Theater next to the Castle, then to 1918 Imperial-Royal Court-Burgtheater and since then Burgtheater (Castle Theater). Especially in Vienna it is often referred to as "The Castle (Die Burg)", the ensemble members are known as Castle actors (Burgschauspieler).
History
St. Michael's Square with the old K.K. Theatre beside the castle (right) and the Winter Riding School of the Hofburg (left)
The interior of the Old Burgtheater, painted by Gustav Klimt. The people are represented in such detail that the identification is possible.
The 'old' Burgtheater at St. Michael's Square
The original castle theater was set up in a ball house that was built in the lower pleasure gardens of the Imperial Palace of the Roman-German King and later Emperor Ferdinand I in 1540, after the old house 1525 fell victim to a fire. Until the beginning of the 18th Century was played there the Jeu de Paume, a precursor of tennis. On 14 March 1741 finally gave the Empress Maria Theresa, ruling after the death of her father, which had ordered a general suspension of the theater, the "Entrepreneur of the Royal Court Opera" and lessees of 1708 built theater at Kärntnertor (Carinthian gate), Joseph Karl Selliers, permission to change the ballroom into a theater. Simultaneously, a new ball house was built in the immediate vicinity, which todays Ballhausplatz is bearing its name.
In 1748, the newly designed "theater next to the castle" was opened. 1756 major renovations were made, inter alia, a new rear wall was built. The Auditorium of the Old Burgtheater was still a solid timber construction and took about 1200 guests. The imperial family could reach her royal box directly from the imperial quarters, the Burgtheater structurally being connected with them. At the old venue at Saint Michael's place were, inter alia, several works of Christoph Willibald Gluck, Ludwig van Beethoven, Wolfgang Amadeus Mozart as well as Franz Grillparzer premiered .
On 17 February 1776, Emperor Joseph II declared the theater to the German National Theatre (Teutsches Nationaltheater). It was he who ordered by decree that the stage plays should not deal with sad events for not bring the Imperial audience in a bad mood. Many theater plays for this reason had to be changed and provided with a Vienna Final (Happy End), such as Romeo and Juliet or Hamlet. From 1794 on, the theater was bearing the name K.K. Court Theatre next to the castle.
1798 the poet August von Kotzebue was appointed as head of the Burgtheater, but after discussions with the actors he left Vienna in 1799. Under German director Joseph Schreyvogel was introduced German instead of French and Italian as a new stage language.
On 12 October 1888 took place the last performance in the old house. The Burgtheater ensemble moved to the new venue at the Ring. The Old Burgtheater had to give way to the completion of Saint Michael's tract of Hofburg. The plans to this end had been drawn almost 200 years before the demolition of the old Burgtheater by Joseph Emanuel Fischer von Erlach.
The "new" K.K. Court Theatre (as the inscription reads today) at the Ring opposite the Town Hall, opened on 14 October 1888 with Grillparzer's Esther and Schiller's Wallenstein's Camp, was designed in neo-Baroque style by Gottfried Semper (plan) and Karl Freiherr von Hasenauer (facade), who had already designed the Imperial Forum in Vienna together. Construction began on 16 December 1874 and followed through 14 years, in which the architects quarreled. Already in 1876 Semper withdrew due to health problems to Rome and had Hasenauer realized his ideas alone, who in the dispute of the architects stood up for a mainly splendid designed grand lodges theater.
However, created the famous Viennese painter Gustav Klimt and his brother Ernst Klimt and Franz Matsch 1886-1888 the ceiling paintings in the two stairwells of the new theater. The three took over this task after similar commissioned work in the city theaters of Fiume and Karlovy Vary and in the Bucharest National Theatre. In the grand staircase on the side facing the café Landtmann of the Burgtheater (Archduke stairs) reproduced Gustav Klimt the artists of the ancient theater in Taormina on Sicily, in the stairwell on the "People's Garden"-side (Kaiserstiege, because it was reserved for the emperor) the London Globe Theatre and the final scene from William Shakespeare's "Romeo and Juliet". Above the entrance to the auditorium is Molière's The Imaginary Invalid to discover. In the background the painter immortalized himself in the company of his two colleagues. Emperor Franz Joseph I liked the ceiling paintings so much that he gave the members of the company of artists of Klimt the Golden Cross of Merit.
The new building resembles externally the Dresden Semper Opera, but even more, due to the for the two theaters absolutely atypical cross wing with the ceremonial stairs, Semper's Munich project from the years 1865/1866 for a Richard Wagner Festspielhaus above the Isar. Above the middle section there is a loggia, which is framed by two side wings, and is divided from a stage house with a gable roof and auditorium with a tent roof. Above the center house there decorates a statue of Apollo the facade, throning between the Muses of drama and tragedy. Above the main entrances are located friezes with Bacchus and Ariadne. At the exterior facade round about, portrait busts of the poets Calderon, Shakespeare, Moliere, Schiller, Goethe, Lessing, Halm, Grillparzer, and Hebbel can be seen. The masks which also can be seen here are indicating the ancient theater, furthermore adorn allegorical representations the side wings: love, hate, humility, lust, selfishness, and heroism. Although the theater since 1919 is bearing the name of Burgtheater, the old inscription KK Hofburgtheater over the main entrance still exists. Some pictures of the old gallery of portraits have been hung up in the new building and can be seen still today - but these images were originally smaller, they had to be "extended" to make them work better in high space. The points of these "supplements" are visible as fine lines on the canvas.
The Burgtheater was initially well received by Viennese people due to its magnificent appearance and technical innovations such as electric lighting, but soon criticism because of the poor acoustics was increasing. Finally, in 1897 the auditorium was rebuilt to reduce the acoustic problems. The new theater was an important meeting place of social life and soon it was situated among the "sanctuaries" of Viennese people. In November 1918, the supervision over the theater was transferred from the High Steward of the emperor to the new state of German Austria.
1922/1923 the Academy Theatre was opened as a chamber play stage of the Burgtheater. On 8th May 1925, the Burgtheater went into Austria's criminal history, as here Mentscha Karnitschewa perpetrated a revolver assassination on Todor Panitza.
The Burgtheater in time of National Socialism
The National Socialist ideas also left traces in the history of the Burgtheater. In 1939 appeared in Adolf Luser Verlag the strongly anti-Semitic characterized book of theater scientist Heinz Kindermann "The Burgtheater. Heritage and mission of a national theater", in which he, among other things, analyzed the "Jewish influence "on the Burgtheater. On 14 October 1938 was on the occasion of the 50th anniversary of the opening of the Burgtheater a Don Carlos production of Karl-Heinz Stroux shown that served Hitler's ideology. The role of the Marquis of Posa played the same Ewald Balser, who in a different Don Carlos production a year earlier (by Heinz Hilpert) at the Deutsches Theater in the same role with the sentence in direction of Joseph Goebbels box vociferated: "just give freedom of thought". The actor and director Lothar Müthel, who was director of the Burgtheater between 1939 and 1945, staged 1943 the Merchant of Venice, in which Werner Kraus the Jew Shylock clearly anti-Semitic represented. The same director staged after the war Lessing's parable Nathan the Wise. Adolf Hitler himself visited during the Nazi regime the Burgtheater only once (1938), and later he refused in pure fear of an assassination.
For actors and theater staff who were classified according to the Reich Citizenship Law of 1935 as "Jews ", were quickly imposed stage bans, within a few days, they were on leave, fired or arrested. The Burgtheater ensemble between 1938 and 1945 did not put up significant resistance against the Nazi ideology, the repertoire was heavily censored, only a few joined the Resistance, as Judith Holzmeister (then also at the People's Theatre engaged) or the actor Fritz Lehmann. Although Jewish members of the ensemble indeed have been helped to emigrate, was still an actor, Fritz Strassny, taken to a concentration camp and murdered there.
The Burgtheater at the end of the war and after the Second World War
In summer 1944, the Burgtheater had to be closed because of the decreed general theater suspension. From 1 April 1945, as the Red Army approached Vienna, camped a military unit in the house, a portion was used as an arsenal. In a bomb attack the house at the Ring was damaged and burned down on 12th April 1945 completely. Auditorium and stage were useless, only the steel structure remained. The ceiling paintings and part of the lobby were almost undamaged.
The Soviet occupying power expected from Viennese City Councillor Viktor Matejka to launch Vienna's cultural life as soon as possible again. The council summoned on 23 April (a state government did not yet exist) a meeting of all Viennese cultural workers into the Town Hall. Result of the discussions was that in late April 1945 eight cinemas and four theaters took up the operation again, including the Burgtheater. The house took over the Ronacher Theater, which was understood by many castle actors as "exile" as a temporary home (and remained there to 1955). This venue chose the newly appointed director Raoul Aslan, who championed particularly active.
The first performance after the Second World War was on 30 April 1945 Sappho by Franz Grillparzer directed by Adolf Rott from 1943 with Maria Eis in the title role. Also other productions from the Nazi era were resumed. With Paul Hoerbiger, a few days ago as Nazi prisoner still in mortal danger, was shown the play of Nestroy Mädl (Girlie) from the suburbs. The Academy Theatre could be played (the first performance was on 19 April 1945 Hedda Gabler, a production of Rott from the year 1941) and also in the ball room (Redoutensaal) at the Imperial Palace took place performances. Aslan the Ronacher in the summer had rebuilt because the stage was too small for classical performances. On 25 September 1945, Schiller's Maid of Orleans could be played on the enlarged stage.
The first new productions are associated with the name of Lothar Müthel: Everyone and Nathan the Wise, in both Raoul Aslan played the main role. The staging of The Merchant of Venice by Müthel in Nazi times seemed to have been fallen into oblivion.
Great pleasure gave the public the return of the in 1938 from the ensemble expelled Else Wohlgemuth on stage. She performaed after seven years in exile in December 1945 in Clare Biharys The other mother in the Academy Theater. 1951 opened the Burgtheater its doors for the first time, but only the left wing, where the celebrations on the 175th anniversary of the theater took place.
1948, a competition for the reconstruction was tendered: Josef Gielen, who was then director, first tended to support the design of ex aequo-ranked Otto Niedermoser, according to which the house was to be rebuilt into a modern gallery theater. Finally, he agreed but then for the project by Michael Engelhardt, whose plan was conservative but also cost effective. The character of the lodges theater was largely taken into account and maintained, the central royal box but has been replaced by two balconies, and with a new slanted ceiling construction in the audience was the acoustics, the shortcoming of the house, improved significantly.
On 14 October 1955 was happening under Adolf Rott the reopening of the restored house at the Ring. For this occasion Mozart's A Little Night Music was played. On 15 and on 16 October it was followed by the first performance (for reasons of space as a double premiere) in the restored theater: King Ottokar's Fortune and End of Franz Grillparzer, staged by Adolf Rott. A few months after the signing of the Austrian State Treaty was the choice of this play, which the beginning of Habsburg rule in Austria makes a subject of discussion and Ottokar of Horneck's eulogy on Austria (... it's a good country / Well worth that a prince bow to it! / where have you yet seen the same?... ) contains highly symbolic. Rott and under his successors Ernst Haeusserman and Gerhard Klingenberg the classic Burgtheater style and the Burgtheater German for German theaters were finally pointing the way .
In the 1950s and 1960s, the Burgtheater participated (with other well-known theaters in Vienna) on the so-called Brecht boycott.
Gerhard Klingenberg internationalized the Burgtheater, he invited renowned stage directors such as Dieter Dorn, Peter Hall, Luca Ronconi, Giorgio Strehler, Roberto Guicciardini and Otomar Krejča. Klingenberg also enabled the castle debuts of Claus Peymann and Thomas Bernhard (1974 world premiere of The Hunting Party). Bernhard was as a successor of Klingenberg mentioned, but eventually was appointed Achim Benning, whereupon the writer with the text "The theatrical shack on the ring (how I should become the director of the Burgtheater)" answered.
Benning, the first ensemble representative of the Burgtheater which was appointed director, continued Klingenberg's way of Europeanization by other means, brought directors such as Adolf Dresen, Manfred Wekwerth or Thomas Langhoff to Vienna, looked with performances of plays of Vaclav Havel to the then politically separated East and took the the public taste more into consideration.
Directorate Claus Peymann 1986-1999
Under the by short-term Minister of Education Helmut Zilk brought to Vienna Claus Peymann, director from 1986 to 1999, there was further modernization of the programme and staging styles. Moreover Peymann was never at a loss for critical contributions in the public, a hitherto unusual attitude for Burgtheater directors. Therefore, he and his program within sections of the audience met with rejection. The greatest theater scandal in Vienna since 1945 occurred in 1988 concerning the premiere of Thomas Bernhard's Heldenplatz (Place of the Heroes) drama which was fiercly fought by conservative politicians and zealots. The play deals with the Vergangenheitsbewältigung (process of coming to terms with the past) and illuminates the present management in Austria - with attacks on the then ruling Social Democratic Party - critically. Together with Claus Peymann Bernhard after the premiere dared to face on the stage applause and boos.
Bernard, to his home country bound in love-hate relationship, prohibited the performance of his plays in Austria before his death in 1989 by will. Peymann, to Bernhard bound in a difficult friendship (see Bernhard's play Claus Peymann buys a pair of pants and goes eating with me) feared harm for the author's work, should his plays precisely in his homeland not being shown. First, it was through permission of the executor Peter Fabjan - Bernhard's half-brother - after all, possible the already in the schedule of the Burgtheater included productions to continue. Finally, shortly before the tenth anniversary of the death of Bernard it came to the revival of the Bernhard play Before retirement by the first performance director Peymann. The plays by Bernhard are since then continued on the programme of the Burgtheater and they are regularly newly produced.
In 1993, the rehearsal stage of the Castle theater was opened in the arsenal (architect Gustav Peichl). Since 1999, the Burgtheater has the operation form of a limited corporation.
Directorate Klaus Bachler 1999-2009
Peymann was followed in 1999 by Klaus Bachler as director. He is a trained actor, but was mostly as a cultural manager (director of the Vienna Festival) active. Bachler moved the theater as a cultural event in the foreground and he engaged for this purpose directors such as Luc Bondy, Andrea Breth, Peter Zadek and Martin Kušej.
Were among the unusual "events" of the directorate Bachler
* The Theatre of Orgies and Mysteries by Hermann Nitsch with the performance of 122 Action (2005 )
* The recording of the MTV Unplugged concert with Die Toten Hosen for the music channel MTV (2005, under the title available)
* John Irving's reading from his book at the Burgtheater Until I find you (2006)
* The 431 animatographische (animatographical) Expedition by Christoph Schlingensief and a big event of him under the title of Area 7 - Matthew Sadochrist - An expedition by Christoph Schlingensief (2006).
* Daniel Hoevels cut in Schiller's Mary Stuart accidentally his throat (December 2008). Outpatient care is enough.
Jubilee Year 2005
In October 2005, the Burgtheater celebrated the 50th Anniversary of its reopening with a gala evening and the performance of Grillparzer's King Ottokar's Fortune and End, directed by Martin Kušej that had been performed in August 2005 at the Salzburg Festival as a great success. Michael Maertens (in the role of Rudolf of Habsburg) received the Nestroy Theatre Award for Best Actor for his role in this play. Actor Tobias Moretti was awarded in 2006 for this role with the Gertrude Eysoldt Ring.
Furthermore, there were on 16th October 2005 the open day on which the 82-minute film "burg/private. 82 miniatures" of Sepp Dreissinger was shown for the first time. The film contains one-minute film "Stand portraits" of Castle actors and guest actors who, without saying a word, try to present themselves with a as natural as possible facial expression. Klaus Dermutz wrote a work on the history of the Burgtheater. As a motto of this season served a quotation from Lessing's Minna von Barnhelm: "It's so sad to be happy alone."
The Burgtheater on the Mozart Year 2006
Also the Mozart Year 2006 was at the Burgtheater was remembered. As Mozart's Singspiel Die Entführung aus dem Serail in 1782 in the courtyard of Castle Theatre was premiered came in cooperation with the Vienna State Opera on the occasion of the Vienna Festival in May 2006 a new production (directed by Karin Beier) of this opera on stage.
Directorate Matthias Hartmann since 2009
Since September 2009, Matthias Hartmann is Artistic Director of the Burgtheater. A native of Osnabrück, he directed the stage houses of Bochum and Zurich. With his directors like Alvis Hermanis, Roland Schimmelpfennig, David Bösch, Stefan Bachmann, Stefan Pucher, Michael Thalheimer, came actresses like Dorte Lyssweski, Katharina Lorenz, Sarah Viktoria Frick, Mavie Hoerbiger, Lucas Gregorowicz and Martin Wuttke came permanently to the Burg. Matthias Hartmann himself staged around three premieres per season, about once a year, he staged at the major opera houses. For more internationality and "cross-over", he won the Belgian artist Jan Lauwers and his Need Company as "Artists in Residence" for the Castle, the New York group Nature Theater of Oklahoma show their great episode drama Live and Times of an annual continuation. For the new look - the Burgtheater presents itself without a solid logo with word games around the BURG - the Burgtheater in 2011 was awarded the Cultural Brand of the Year .
The brick built Manor house used to have white stucco front and back which was removed by Disraeli's builders to keep in tune with the current fashion of brick build mansions
Hughenden Manor, Hughenden, Buckinghamshire, England, is a Victorian mansion, with earlier origins, that served as the country house of the Prime Minister, Benjamin Disraeli, 1st Earl of Beaconsfield. It is now owned by the National Trust and open to the public. It sits on the brow of the hill to the west of the main A4128 road that links Hughenden to High Wycombe.
History
The manor of Hughenden is first recorded in 1086, as part of Queen Edith's lands, and held by William, son of Oger the Bishop of Bayeux, and was assessed for tax at 10 hides. After his forfeiture, the lands were held by the Crown, until King Henry I of England gave the lands to his chamberlain and treasurer, Geoffrey de Clinton.[1] Clinton, whose main home was in Kenilworth, Warwickshire, had the lands tenanted by Geoffrey de Sancto Roerio, who resultantly changed his surname to the Anglicised Hughenden.[1] After passing through that family, with successive Kings having to confirm the gift of the lands, the manor returned to the Crown in the 14th century.[1] In 1539, the Crown granted the manor and lands to Sir Robert Dormer, and it passed through his family until 1737 when it was sold by the 4th Earl of Chesterfield to Charles Savage.[1]
After passing through his extended family following a series of deaths and resultant devises by will, by 1816 the manor and lands were owned by John Norris, a distinguished antiquary and scholar.[1] Isaac D'Israeli, the father of Benjamin Disraeli, Prime Minister of the United Kingdom (1868 and 1874–1880, and Earl of Beaconsfield 1876), had for some time rented the nearby Bradenham Manor and, following Norris's death in 1845, bought the manor and lands from his executors in 1847.[1] The purchase was supported with the help of a loan of £25,000 (equivalent to almost £1,500,000 today) from Lord Henry Bentinck and Lord Titchfield. This was because at the time, as Disraeli was the leader of the Conservative Party, "it was essential to represent a county," and county members had to be landowners.[2] Taking ownership of the manor on the death of his father in 1848, Disraeli and his wife Mary Anne, alternated between Hughenden and several homes in London.
There was a small gap of 1-2 mm between both upper hull sections. So I made little modification to the structure to get rid of it. Initially I wanted to do that with towball elements but it did not work so I implemented the same solution as my Executor.
Along with this, a few others minor changes:
- The Leg Mechanical, Droid with Technic Pin is too rare in light bluish grey, so I modified the model to have the dark bluish grey version.
- I added 2 tiles with grille on the underside hull to strenghen the back edge
- I removed both 1/2 pins from the Tantive IV and fitted directly on the stand
- I changed the stand a bit so that the model is perfectly horizontal when standing (without new parts).
Building instructions and .ldr file available freely here. I strongly advise to have a look at it before doing anything.
Credits inside the building instructions. Enjoy!
Minor design changes may occur during the life of the MOC. When implemented, I make a new post in the album as soon as the building instructions are updated and available (the .zip file will indicate the date of the revision)
TaTToo : .::DEATH INK::. -DARK DESTINY Evox Neck
NEW RELEASE AVAILABLE AT MEN ONLY EVENT December
Round Event start: Every 20th @ 12:00 PM SLT Close: Every 15th @ 12:00 PM SLT TAXI:
maps.secondlife.com/secondlife/Sunset%20Ambiance%20Island...
- [TANAKA x TREVOR] - EXECUTOR BLADE -
TANAKA :
maps.secondlife.com/secondlife/TOKYO%20ZERO/225/46/3306
TREVOR :
Artur Biernacki nominated me for a 3-day origami challenge - folda model and designate another person for 3 consecutive days.
Day 2 - Executor Class Super Star Destroyer - Morisue Kei
Nomination - Đorđe Jovanović
Tall 2-storey and attic house over raised basement (3-storey, U-plan rear), 5-bays, S facing. Harled with tooled and polished ashlar margins and dressings. Plain late 18th century house with 1852 embellishments, particularly to upper storey. Advanced and gabled centre bay with 1852
porch approached by flight of steps oversailing raised basement; pilastered and corniced entrance with florid Jacobean detailing, lunette and banded obelisk finials; tall canted 1st floor window above. Plain chamfered margins to ground and 1st floor windows; carved and monogrammed pediments to 1852 dormers; corbelled angle bartizans with conical bellcast fishscale slated roofs; moulded corbel and string courses; decorative water spouts. Projecting wing set back at E with raised ground floor canted oriel with corbelled base decorated with masks and with corbelled stone roof. 2 rear wings project to form U-plan service court.
Mainly 4-pane glazing. Crowstepped gables; end batteries of coped stacks with diamond flues; slate roofs. Small sun porch (circa 1975) at W of house.
Newton House built by George Forteath in 1793; it passed to his nephew Alexander Williamson (who took the name of Forteath) in 1815. Alexander Forteath was factor for the Trustees of the Earl of Fife's estates and took an active role in the public life of Moray. The property remained in the Forteath family until the 1930s. (Historic Environment Scotland List Entry)
Development History12 February 1992: The Aberdeen Evening Express reports that the house has been reduced to a shell by fire. The house had sat empty due to the death of its previous occupant, but was due to be marketed. Minimal safety works are subsequently carried out, but further stabilisation works are required. SCT understands that the executors of the house are not in a position to restore or redevelop it themselves. September 1992: A potential restorer reports that the house is being offered by agents at an asking price of £50,000, which includes 7 acres of woodland but not the adjacent cottage. January 1993: SCT understands that negotiations are continuing with the potential restorer, who plans to develop the house as long as enabling development in the grounds is permitted. March 1993: The house enters new ownership. 1994: An application is submitted to convert the house into 3 dwellings. 2 houses would be built within the walled garden, and the steading converted into a house. A further 5 houses would sit in the paddock to the south. Planning Permission is subsequently granted for 13 units in total. November 1996: No works have commenced, although SCT understands that other developers are showing an interest in the property. January 2000: Local planners are unaware of any change. January 2005: From visual inspection - no obvious change to builidng fabric. Property remains at risk.June 2008: External inspection finds the property has stood exposed for several years since the fire (1992) the new owners are clearing the surrounding site and are applying for permission to develop it. It is understood these plans will include the restoration of the shell. The previous planning approvals are understood to have lapsed.5 September 2012: External inspection finds no significant change from the previous site visit. Full Planning Permission for conversion of Newton House to 5 flats was conditionally approved Sept 2009 ref: 08/01414/FUL. Listed Building Consent for 2 dwellings in the walled garden was conditionally granted July 2009 and Outline Planning Permission for 5 plots in a paddock area was conditionally approved on appeal Oct 2011 ref: 10/00001/REF.13 July 2015: External inspection finds the building remains in much the same condition as seen previously.2 October 2015: A member of the public advises Newton House remains fenced off. New build development within the surrounding grounds has taken place.30 December 2016: The property is being marketed for sale, through agents CKD Galbraith, at offers over £50,000.
This is a Magic lantern Slide showing the corner of Blackfriars Road and Union Street, at 196 Blackfriars Road are the premises of J.W. Cunningham & Co, a long-established Ironmongers. On the opposite corner is the Surrey Chapel built by The Rev. Rowland Hill in 1783 in the form of an octagon, he stated that he built it this way so that the devil could not hide in the corners. The Ironmongers of J.W. Cunningham & Co was the third Ironmongery business at the premises, the first was run by a man name Walker, the second by a man named Hayward and the sign of the Dog and Pot or Dog and Porringer appears to have been attached to the premises since the late 18th Century. In 1824 a twelve-year-old Charles Dickens walked passed this corner daily on his way to and from his job at Warrens Blacking Factory at Hungerford Stairs on the Thames by Charing Cross and his lodgings in Lant Street. He recounted his recollections to his friend and executor John Forster, and they were published in the first biography of Dickens by Forster in 1872, two years after Dickens death. “My usual way home was over Blackfriars Bridge, and down that turning in the Blackfriars Road which has Rowland Hill's chapel on one side, and the likeness of a golden dog licking a golden pot over a shop-door on the other. There are a good many little low-browed old shops in that street, of a wretched kind; and some are unchanged now. I looked into one a few weeks ago, where I used to buy boot-laces on Saturday nights, and saw the corner where I once sat down on a stool to have a pair of ready-made half-boots fitted on. I have been seduced more than once, in that street on a Saturday night, by a show-van at a corner; and have gone in, with a very motley assemblage, to see the Fat-pig, the Wild-Indian, and the Little-lady. There were two or three hat-manufactories there then (I think they are there still); and among the things which, encountered anywhere or under any circumstances, will instantly recall that time, is the smell of hat-making.” In the early 1870s the ground lease of the Surrey Chapel was coming up for renewal but a legal technicality reverted the ownership of the lease to the original owner and the Surrey Chapel moved to a purpose built new church in Westminster Bridge Road, about a mile away. The Surrey Chapel was used for a short time by a group of primitive Methodists until 1881 when the building was leased for 21 years to Thomas Green & Son who produced gardening tools which included rollers and lawn mowers. In 1910 the Surrey Chapel was leased by Dick and Bella Burge; Dick had been quite a successful boxer until he was imprisoned in 1902 for ten years in connection with a bank fraud. The building then became known as “The Ring” and was the venue for boxing matches and later for wrestling bouts. Dick died in 1918 from pneumonia and his wife Bella then ran the venue very successfully until the building was hit by a German bomb in 1940 and then completely destroyed by another in 1941. The Ironmongers survived the war, but it did not survive Southwark Council which decided to demolish the building along with others to create Nelson Square Gardens Estate. A large office block called Palestra House now stands on the site of the Surrey Chapel and on the opposite corner an old lamp post supports a facsimile of the Dog and Pot, the actual sign is now in the Cuming Museum although in the same year as the facsimile was erected on the 201st birthday of Charles Dickens in 2013, there was a fire at the Museum which damaged the sign. There is also a facsimile of a metal coal hole cover adjacent to the Lamp Post showing the Dog and Pot sign and the name of J.W. Cunningham & Co, it would appear that the company had a foundry close by in Great Suffolk Street where it manufactured the coal hole covers and retailed them from the shop. I think the photograph dates from just after the first world war, you can just make out a Boxing poster on the wall of the Ring.
1981 Reliant Robin Super.
Supplied by J W Milward of Newmarket (Reliant).
Last MoT test expired in September 2010.
East Anglian Motor Auctions, Wymondham -
"On behalf of executors. Non-runner. V5 document. Estimate: £200 - £300."
Sold for £850 plus premium.
"No Disintegrations!" I present my interpretation of the classic scene from Empire Strikes Back, complete with lighting and non-slip design to hold books nicely. Instructions available here, rebrickable.com/users/IScreamClone/mocs/
St Peter’s Church, Parham is one of the five Wildbrooks Churches
Recent archaeological investigations indicate that the south wall of the church probably dates from c.1150, but the north wall, with its thirteenth-century arcades, had a north aisle, which was demolished when the building was largely rebuilt in the early 1800s
The tower, which dates from the rebuild, is a strange mixture of architectural styles.
At the south east corner is a mortuary chapel, built from recycled stone. Robert Palmer, who died on 14th May 1544, had asked to be buried in Parham Church and “that a chapel should be built adjoining [ the] choir there or chancel and over me a tomb be made as mine executors shall think meet and honest for a remembrance of me to be had”. That chapel still exists and is now the vestry. No trace of his monument remains.
The church seats nearly 80 people in high box-pews. These, the pulpit and the screen are Georgian. The Squire’s pew is recognisable by its private fireplace.
The original church had a steeple, recorded in 1665, and was roofed with Horsham stone, as mentioned in a presentment of 1641. In 1662 it had no pews but only a pulpit.
The mid fourteenth-century lead font has horizontal rectangular panels, enclosing the legend “+ IHC Nazar” [Jesus of Nazareth] in Lombardic letters. In the spaces between the panels are small shields bearing gyronny within a bordure charged with roundels – the arms of Andrew Peverell, knight of the shire in 1351. Lead fonts are exceptionally rare – there are only 29 in England – but Sussex has two more, at Edburton and Pyecombe.
www.parhaminsussex.co.uk/other-information/st-peters-church/
Duneira house and gardens at Mount Macedon.
(Extract from Macedon Ranges cultural heritage and landscape study/Trevor Budge and Associates. 4 v. 1994.).
Henry Suetonius Officer reputedly aquired the Duneira site from
1872-1877 (Blocks 4,5,10,11,14) paying some £84 for 38 acres but
rate listings give Robert Officer as the owner. .
.
Suetonius Henry Officer (1830-1883).
Officer was born in Hullgreen, New Norfolk, Tasmania 1830, the
son of Sir Robert & Lady Officer. He was educated in Edinburgh
with his brother, Charles, and returned to the colonies, seeking
gold in Victoria but eventually settling for pastoralism in
company with his brothers and Charles Miles{ ibid.}. They managed
stations in the Wimmera and the Riverina, James marrying in 1866
and commencing construction of a 20 room homestead at Murray
Downs & Willakool, two adjoining properties fronting the Murray
River. After experimentation with irrigation, via steam pumps and
windmills, he was able to develop extensive orchards and crops. He was also, like his brother, interested in
acclimatisation, having developed an ostrich farm on his property
(Charles was a council member of the Zoological & Acclimatisation
Society for 10 years, president in 1887). .
.
Blighted by illness, Suetonius reputedly moved to Leighwood,
Toorak (Melbourne) in 1881, having erected the first stage of
Duneira at Mount Macedon, but died two years later. However his son, Henry jnr. was
born at South Yarra in 1869 and his next child, Jessie, was born
at Macedon in 1877, indicating that he was in residence at both
places prior to the dates previously supposed..
.
Suetonius probably commissioned the first stage of Duneira to be
erected as a summer house between c1874-6. The architect Levi
Powell is thought to have designed a house for him there around
that date. The first improvements listed on the site were
stables in 1874 when Robert Officer was rated as owning the site. The house was reputedly not occupied regularly
until c1881 when Suetonius moved to Toorak.
However it appears he and his family were in residence at Duneira
by 1877..
.
When Suetonius died in 1883 his wife, Mary Lillias Rigg Officer
(nee Cairns), of Glenbervie, Glenferrie Road, Toorak was the
co-executor of the estate, with merchant Robert Harper; she is
the rate occupier in 1888. Mrs Officer was the
sister of Mrs Robert Harper (Huntly Burn) and Mrs John C lloyd
(Montpelier, later Timsbury): all three houses were reputedly
built in the same period... .
.
The house bricks for the first stage were said to have come from
the Macedon Brick Kiln (once near the Macedon railway station,
set up in c1888-9?) with external walls built in 14" Flemish bond
from slop-moulded bricks (9 inch by 2.1/2). The bricks were reputedly carted
from Macedon by Cogger. The footings were of bluestone
and reputedly dressed sandstone blocks also survive, suggesting
that the first stage was face brick with stone quoins and the
next renovation c1888 added wings and a cement coating to the
whole complex. Floor frames were reputedly supported on stone
dwarf walls and joists were 6x2.1/2 inch jarrah, with flooring
being 6 inch pine}. Seaweed was apparently used for
ceiling insulation..
.
The servants' wing verandah was skillion in form with timber
posts with classical capitals. The main verandah had coupled
posts (rebuilt with single posts) a panelled frieze and slimmer
capitals set just under the frieze rail}. The
balustrade may have been of single cast-iron balusters..
.
Just prior to the sale to the speculator, James Smith Reid in
1890, and during the occupation of Edward Dyer, major additions
were made to the house complex and a reputedly a caretaker's
lodge was placed at the gate (survives, altered c1920s) but this
appears to have been added by Reid in the early 1890s. .
.
The added rooms were reputedly: billiard (32'x24') and dining
rooms, kitchen, servants bathroom, service block with 5 rooms
(engine room, dairy, pantry, store, boiler room, built of
Northcote machine made 9" brickwork). Damp proof coursing was
used in these additions compared to the slate of the first stage
and acetylene gas (engine room) was thought used for lighting
from this period, as reticulated in 1.1.2" mains and 1/2 inch
branches to internal and some external verandah lights.
Cast-iron elaborately detailed water radiators were also used,
with hot water pumped from the boiler room, and later a duplicate
boiler allowed hot water to be reticulated taps in the house{
ibid.}..
.
The description in rate books expands to villa and cottages (on
37 acres) for the first time under Reid in c1893 but the annual
valuation had already peeked in 1888 at £200 in the occupation of
Edward Dyer. An Edward Dyer was listed at that time as a fruiterer in
Burwood Road, Hawthorn..
.
The water supply is from a concrete tank fed by a spring.
Outbuildings include timber clad stables, storerooms,
blacksmith's shop, coachman's room, milking bails, hay shed and a
green house. The stables (extended) were described as having had
a shingled gabled roof (rear skillion) with loft entered via an
external stair at the north end. It had a blacksmith's
shop (altered for garage c1941), carriage and coachman's rooms,
two stores and vertically boarded main doors{ ibid.,p24}. The
milking and hay sheds had hipped roof forms and timber cladding
and frame. The interior was white-washed. The greenhouse
in the secret hedged garden is of a later date, with a timber
frame built up on 11" cavity brickwork walls, with a brick floor
and heated water pipes under each shelf. The boiler is near the
entry..
.
The `Gisborne Gazette' reported on Duneira in 1903 under the
heading of `A Popular Health Resort':.
`Duneira certainly merits a few remarks though beautiful
residences and grounds are by no means rare in that locality..
(when Reid purchased it, it was `little better than a wilderness'
and he had spared no expense to restore it).. After passing the
lodge at the main entrance, a broad serpentine drive leads up to
the house and from there the grounds are laid out in broad
sloping lawns surmounted with choice borders and fringed with
trees which however do not interfere to any great extent with the
view. There is of course no lack of flowers which grow
luxuriantly on the mount but the great feature of Duneira is the
lawns, those open green expanses which delight the eye at all
times of the year. the secret of this perennial verdure is to be
found in the copious water supply with which Macedon is blessed
(spring at rear of house, tapped by tunnelling 40m into the hill,
ie. grass grows up to base of Monterey pines)..
.
During Reid's time there, the valuation increased marginally in
1899-1900 and again soon after, with Reid's address being given
as care of Rosstrevor Magill, South Australia, in c1909-10. JS Reid died in 1922, leaving
the property to the management of JS Reid jun..
.
The main garden elements are: sweeping lawns, box hedges, weeping beech and cherry, extensive hedges (holly, laurel), a hedged
`secret garden' with green house, mature firs, elm and chestnut ì
avenues. There is also a fountain and a wide spreading weeping elm to the rear of the house, near the tennis court..
.
Significant Trees:.
`Ulmus x hollandica'.
`Prunus' "shirotae".
`Albies procera'.
`Ilex kingiana'.
The A-Wing is the fastest Starfighter in Starwars (in the time it was used anyway)
In Return of The Jedi you saw an Green Leader's A-Wing crash into the bridge of the Executor (AKA the Super Star Destroyer), which caused it to lose control, and crash into the second Death Star, both destroying the Executor and causing massive damage to the Death Star.
On this LEGO model I tried my best to get the shape as close to the original as possible. When i was finished I noticed that there was a small gap in the front of the nose, which i haven't included, so this meant i had to redesign the entire red part of the nose to get it right.
I'm really happy with this model, I feel I really nailed the shape of the A-Wing. :-)
I hope you guys like it!
Visual Artist, Alberto Giacometti UK: 10 October 1901 – 11 January 1966) was a Swiss sculptor, painter, draftsman and printmaker. Beginning in 1922, he lived and worked mainly in Paris but regularly visited his hometown Borgonovo to see his family and work on his art.
Giacometti was one of the most important sculptors of the 20th century. His work was particularly influenced by artistic styles such as Cubism and Surrealism. Philosophical questions about the human condition, as well as existential and phenomenological debates played a significant role in his work. Around 1935 he gave up on his Surrealist influences in order to pursue a more deepened analysis of figurative compositions. Giacometti wrote texts for periodicals and exhibition catalogues and recorded his thoughts and memories in notebooks and diaries. His critical nature led to self-doubt about his own work and his self-perceived inability to do justice to his own artistic vision. His insecurities nevertheless remained a powerful motivating artistic force throughout his entire life.
Between 1938 and 1944 Giacometti's sculptures had a maximum height of seven centimeters (2.75 inches). Their small size reflected the actual distance between the artist's position and his model. In this context he self-critically stated: "But wanting to create from memory what I had seen, to my terror the sculptures became smaller and smaller". After World War II, Giacometti created his most famous sculptures: his extremely tall and slender figurines. These sculptures were subject to his individual viewing experience—between an imaginary yet real, a tangible yet inaccessible space.
In Giacometti's whole body of work, his painting constitutes only a small part. After 1957, however, his figurative paintings were equally as present as his sculptures. His almost monochromatic paintings of his late work do not refer to any other artistic styles of modernity
Giacometti was born in Borgonovo, Switzerland, the eldest of four children of Giovanni Giacometti, a well-known post-Impressionist painter, and Annetta Giacometti-Stampa. He was a descendant of Protestant refugees escaping the inquisition. Coming from an artistic background, he was interested in art from an early age. Alberto attended the Geneva School of Fine Arts. His brothers Diego (1902–1985) and Bruno (1907–2012) would go on to become artists and architects as well. Additionally, his cousin Zaccaria Giacometti, later professor of constitutional law and chancellor of the University of Zurich, grew up together with them, having been orphaned at the age of 12 in 1905.
In 1922, he moved to Paris to study under the sculptor Antoine Bourdelle, an associate of Rodin. It was there that Giacometti experimented with Cubism and Surrealism and came to be regarded as one of the leading Surrealist sculptors. Among his associates were Miró, Max Ernst, Picasso, Bror Hjorth, and Balthus.
Between 1936 and 1940, Giacometti concentrated his sculpting on the human head, focusing on the sitter's gaze. He preferred models he was close to—his sister and the artist Isabel Rawsthorne (then known as Isabel Delmer). This was followed by a phase in which his statues of Isabel became stretched out; her limbs elongated. Obsessed with creating his sculptures exactly as he envisioned through his unique view of reality, he often carved until they were as thin as nails and reduced to the size of a pack of cigarettes, much to his consternation. A friend of his once said that if Giacometti decided to sculpt you, "he would make your head look like the blade of a knife".
During World War II, Giacometti took refuge in Switzerland. There, in 1946, he met Annette Arm, a secretary for the Red Cross. They married in 1949.
After his marriage his tiny sculptures became larger, but the larger they grew, the thinner they became. For the remainder of Giacometti's life, Annette was his main female model. His paintings underwent a parallel procedure. The figures appear isolated and severely attenuated, as the result of continuous reworking.
He frequently revisited his subjects: one of his favourite models was his younger brother Diego
In 1958 Giacometti was asked to create a monumental sculpture for the Chase Manhattan Bank building in New York, which was beginning construction. Although he had for many years "harbored an ambition to create work for a public square",[16] he "had never set foot in New York, and knew nothing about life in a rapidly evolving metropolis. Nor had he ever laid eyes on an actual skyscraper", according to his biographer James Lord.[17] Giacometti's work on the project resulted in the four figures of standing women—his largest sculptures—entitled Grande femme debout I through IV (1960). The commission was never completed, however, because Giacometti was unsatisfied by the relationship between the sculpture and the site, and abandoned the project.
In 1962, Giacometti was awarded the grand prize for sculpture at the Venice Biennale, and the award brought with it worldwide fame. Even when he had achieved popularity and his work was in demand, he still reworked models, often destroying them or setting them aside to be returned to years later. The prints produced by Giacometti are often overlooked but the catalogue raisonné, Giacometti – The Complete Graphics and 15 Drawings by Herbert Lust (Tudor 1970), comments on their impact and gives details of the number of copies of each print. Some of his most important images were in editions of only 30 and many were described as rare in 1970.
In his later years Giacometti's works were shown in a number of large exhibitions throughout Europe. Riding a wave of international popularity, and despite his declining health, he traveled to the United States in 1965 for an exhibition of his works at the Museum of Modern Art in New York. As his last work he prepared the text for the book Paris sans fin, a sequence of 150 lithographs containing memories of all the places where he had lived.
Giacometti died in 1966 of heart disease (pericarditis) and Chronic Obstructive Pulmonary Disease at the Kantonsspital in Chur, Switzerland. His body was returned to his birthplace in Borgonovo, where he was interred close to his parents.
With no children, Annette Giacometti became the sole holder of his property rights. She worked to collect a full listing of authenticated works by her late husband, gathering documentation on the location and manufacture of his works and working to fight the rising number of counterfeited works. When she died in 1993, the Fondation Giacometti was set up by the French state.
In May 2007 the executor of his widow's estate, former French foreign minister Roland Dumas, was convicted of illegally selling Giacometti's works to a top auctioneer, Jacques Tajan, who was also convicted. Both were ordered to pay €850,000 to the Alberto and Annette Giacometti Foundation.
Born: 10 October 1901
Borgonovo, Stampa,Graubünden, Switzerland
Died: 11 January 1966 (aged 64) Chur, Graubünden, Switzerland
Orginal photo: Photograph by Ernst Scheidegger
en.wikipedia.org/wiki/Alberto_Giacometti
Artwork by TudioJepegii
Building instructions and .ldr file available freely here. I strongly advise to have a look at it before doing anything.
Credits inside the building instructions. Enjoy!
The Grade II* Listed Church of St Michael, Mavis Enderby, East Lindsey, Lincolnshire.
The church dates from the 14th and 15th centuries, the church was restored by James Fowler 1875. The tower was rebuilt by C. Hodgson Fowler in 1894. The exterior is of squared greenstone rubble, with limestone ashlar dressings. It has Welsh and Westmorland slate roofs with decorative tiled ridges. The church interior comprises a nave, western tower, south aisle and porch, and a chancel. At the threshold of west door to the tower is set part of a coped or round-topped 11th century Saxon grave slab, possibly placed here in 1894. The churchyard has the remains of a 14th-century churchyard cross. In the porch is a Norman pillar piscina, a stone basin for draining water used in the rinsing of the chalice. The churchyard has a sundial erected by a former rector
An alternative spelling for the town may be "Malvyssh Enderby", as seen in a legal record in 1430, where the plaintiffs are the executors of a man whose surname is Enderby, and the defendant lives in Malvyssh Enderby.
Mavis Enderby had a peal of bells named after it, called The Brides of Enderby, which is mentioned in Jean Ingelow's poem The High Tide on the Coast of Lincolnshire 1571: in the poem the ringing of the Enderby bells is the generally recognised signal of approaching danger to the neighbouring countryside: "Came down that kindly message free, the Brides of Mavis Enderby". An extract from the poem is at the head of Rudyard Kipling's short story, At the Pit's Mouth.
Douglas Adams used the name "Mavis Enderby" in his spoof The Meaning of Liff dictionary "of things that there aren't any words for yet". Adams assigned meanings to place names based on what he imagined them to mean, Mavis Enderby becoming "The almost-completely-forgotten girlfriend from your distant past for whom your wife has a completely irrational jealousy and hatred".
Duneira house and gardens at Mount Macedon.
(Extract from Macedon Ranges cultural heritage and landscape study/Trevor Budge and Associates. 4 v. 1994.).
Henry Suetonius Officer reputedly aquired the Duneira site from
1872-1877 (Blocks 4,5,10,11,14) paying some £84 for 38 acres but
rate listings give Robert Officer as the owner. .
.
Suetonius Henry Officer (1830-1883).
Officer was born in Hullgreen, New Norfolk, Tasmania 1830, the
son of Sir Robert & Lady Officer. He was educated in Edinburgh
with his brother, Charles, and returned to the colonies, seeking
gold in Victoria but eventually settling for pastoralism in
company with his brothers and Charles Miles{ ibid.}. They managed
stations in the Wimmera and the Riverina, James marrying in 1866
and commencing construction of a 20 room homestead at Murray
Downs & Willakool, two adjoining properties fronting the Murray
River. After experimentation with irrigation, via steam pumps and
windmills, he was able to develop extensive orchards and crops. He was also, like his brother, interested in
acclimatisation, having developed an ostrich farm on his property
(Charles was a council member of the Zoological & Acclimatisation
Society for 10 years, president in 1887). .
.
Blighted by illness, Suetonius reputedly moved to Leighwood,
Toorak (Melbourne) in 1881, having erected the first stage of
Duneira at Mount Macedon, but died two years later. However his son, Henry jnr. was
born at South Yarra in 1869 and his next child, Jessie, was born
at Macedon in 1877, indicating that he was in residence at both
places prior to the dates previously supposed..
.
Suetonius probably commissioned the first stage of Duneira to be
erected as a summer house between c1874-6. The architect Levi
Powell is thought to have designed a house for him there around
that date. The first improvements listed on the site were
stables in 1874 when Robert Officer was rated as owning the site. The house was reputedly not occupied regularly
until c1881 when Suetonius moved to Toorak.
However it appears he and his family were in residence at Duneira
by 1877..
.
When Suetonius died in 1883 his wife, Mary Lillias Rigg Officer
(nee Cairns), of Glenbervie, Glenferrie Road, Toorak was the
co-executor of the estate, with merchant Robert Harper; she is
the rate occupier in 1888. Mrs Officer was the
sister of Mrs Robert Harper (Huntly Burn) and Mrs John C lloyd
(Montpelier, later Timsbury): all three houses were reputedly
built in the same period... .
.
The house bricks for the first stage were said to have come from
the Macedon Brick Kiln (once near the Macedon railway station,
set up in c1888-9?) with external walls built in 14" Flemish bond
from slop-moulded bricks (9 inch by 2.1/2). The bricks were reputedly carted
from Macedon by Cogger. The footings were of bluestone
and reputedly dressed sandstone blocks also survive, suggesting
that the first stage was face brick with stone quoins and the
next renovation c1888 added wings and a cement coating to the
whole complex. Floor frames were reputedly supported on stone
dwarf walls and joists were 6x2.1/2 inch jarrah, with flooring
being 6 inch pine}. Seaweed was apparently used for
ceiling insulation..
.
The servants' wing verandah was skillion in form with timber
posts with classical capitals. The main verandah had coupled
posts (rebuilt with single posts) a panelled frieze and slimmer
capitals set just under the frieze rail}. The
balustrade may have been of single cast-iron balusters..
.
Just prior to the sale to the speculator, James Smith Reid in
1890, and during the occupation of Edward Dyer, major additions
were made to the house complex and a reputedly a caretaker's
lodge was placed at the gate (survives, altered c1920s) but this
appears to have been added by Reid in the early 1890s. .
.
The added rooms were reputedly: billiard (32'x24') and dining
rooms, kitchen, servants bathroom, service block with 5 rooms
(engine room, dairy, pantry, store, boiler room, built of
Northcote machine made 9" brickwork). Damp proof coursing was
used in these additions compared to the slate of the first stage
and acetylene gas (engine room) was thought used for lighting
from this period, as reticulated in 1.1.2" mains and 1/2 inch
branches to internal and some external verandah lights.
Cast-iron elaborately detailed water radiators were also used,
with hot water pumped from the boiler room, and later a duplicate
boiler allowed hot water to be reticulated taps in the house{
ibid.}..
.
The description in rate books expands to villa and cottages (on
37 acres) for the first time under Reid in c1893 but the annual
valuation had already peeked in 1888 at £200 in the occupation of
Edward Dyer. An Edward Dyer was listed at that time as a fruiterer in
Burwood Road, Hawthorn..
.
The water supply is from a concrete tank fed by a spring.
Outbuildings include timber clad stables, storerooms,
blacksmith's shop, coachman's room, milking bails, hay shed and a
green house. The stables (extended) were described as having had
a shingled gabled roof (rear skillion) with loft entered via an
external stair at the north end. It had a blacksmith's
shop (altered for garage c1941), carriage and coachman's rooms,
two stores and vertically boarded main doors{ ibid.,p24}. The
milking and hay sheds had hipped roof forms and timber cladding
and frame. The interior was white-washed. The greenhouse
in the secret hedged garden is of a later date, with a timber
frame built up on 11" cavity brickwork walls, with a brick floor
and heated water pipes under each shelf. The boiler is near the
entry..
.
The `Gisborne Gazette' reported on Duneira in 1903 under the
heading of `A Popular Health Resort':.
`Duneira certainly merits a few remarks though beautiful
residences and grounds are by no means rare in that locality..
(when Reid purchased it, it was `little better than a wilderness'
and he had spared no expense to restore it).. After passing the
lodge at the main entrance, a broad serpentine drive leads up to
the house and from there the grounds are laid out in broad
sloping lawns surmounted with choice borders and fringed with
trees which however do not interfere to any great extent with the
view. There is of course no lack of flowers which grow
luxuriantly on the mount but the great feature of Duneira is the
lawns, those open green expanses which delight the eye at all
times of the year. the secret of this perennial verdure is to be
found in the copious water supply with which Macedon is blessed
(spring at rear of house, tapped by tunnelling 40m into the hill,
ie. grass grows up to base of Monterey pines)..
.
During Reid's time there, the valuation increased marginally in
1899-1900 and again soon after, with Reid's address being given
as care of Rosstrevor Magill, South Australia, in c1909-10. JS Reid died in 1922, leaving
the property to the management of JS Reid jun..
.
The main garden elements are: sweeping lawns, box hedges, weeping beech and cherry, extensive hedges (holly, laurel), a hedged
`secret garden' with green house, mature firs, elm and chestnut ì
avenues. There is also a fountain and a wide spreading weeping elm to the rear of the house, near the tennis court..
.
Significant Trees:.
`Ulmus x hollandica'.
`Prunus' "shirotae".
`Albies procera'.
`Ilex kingiana'.
St Mary's Presbytery, Warwick, was built 1885-1887 to the design of local architects Wallace and Gibson for parish priest Father James Horan.
By the late 1850s, Warwick was the principal urban settlement on the southern Darling Downs, a service centre for the surrounding agricultural district. In 1862 Warwick became a large separate parish within the Roman Catholic Diocese of Brisbane, a year after the town became Queensland's fifth municipality. Early Catholic services began in Warwick at the Horse and Jockey Inn in 1854 with Father McGinty, one of only two Catholic priests in Queensland, travelling from Ipswich to celebrate mass. McGinty continued to service the parish from Ipswich until 1862. Dr John Cani, later first bishop of Rockhampton, was the first permanent parish priest in Warwick and during his posting the first St Mary's Church [QHR 600958] was constructed, opening in 1865. The order of the Sisters of Mercy arrived in 1874 assuming the role of schooling previously conducted by lay teachers from 1867.
Father James Horan was appointed parish priest of Warwick in 1876. Horan was born at Gormanston, Ireland on 1 January 1846 and studied in Dublin and Versailles before his ordination in January 1868. Shortly after entering the priesthood Horan left Ireland for Queensland, arriving in Brisbane in July. Horan and his brothers Matthew and Andrew - respectively parish priests of Gympie (1868-1923) and Ipswich (1873-1924) - were nephews of James Quinn, first Bishop of Brisbane (1861-1881). From 1868-1872 James Horan performed duties in Rockhampton, Fortitude Valley, Maryborough, Mount Perry and the Peak Downs. In 1872 and 1874 he travelled with Bishop Quinn on Episcopal missions to the north of Queensland as his chaplain. By 1873 he was private secretary to Quinn, a position he held until his arrival in Warwick.
On 2 May 1880 the foundation stone for a presbytery in the grounds of St Mary's Church was laid by Bishop Quinn. The architect for this building was Andrea Stombuco who had previously designed a number of Catholic buildings in the diocese of Brisbane. By August 1881 construction had begun on an elaborate two-storeyed freestone building, featuring towers over the main entrance and the rear wings. However, in the same month Quinn died and work on the presbytery stopped soon after.
Adopting the policy that underpinned the reconstruction of the Church in Ireland, Quinn had actively promoted the expression of Catholicism in Queensland through imposing and expensive ecclesiastical buildings. Quinn's three Horan nephews shared this enthusiasm for large building projects, as illustrated in Gympie by St Patrick's Church (1883-1887), in Ipswich by St Mary's Presbytery (1876), and in Warwick by the scale of the proposed 1880 presbytery, described as 'beyond compare' the largest of any dwelling in the town. Quinn's successor, Robert Dunne (Bishop and later Archbishop of Brisbane 1882-1917), opposed such ostentatious displays, which had nearly bankrupted the Brisbane diocese. One of Dunne's early actions as Bishop was to restrict and control building activities throughout the diocese.
In July 1885 Horan purchased land comprising allotments 13 and 14 of Section 46 on the corner of Percy and Palmerin Streets, almost opposite St Mary's Church. In September 1885 a parish meeting convened by Dunne discussed the question of proceeding with the presbytery in the church grounds, on a reduced scale. Although money was pledged and a 'large and influential' committee was formed, construction did not resume. While there appear to have been later parish intentions of proceeding with the earlier presbytery, this never eventuated.
The following month, on 10 October 1885 local architects Wallace and Gibson called tenders for the woodwork of a two storey brick dwelling on Horan's property at the corner of Palmerin and Percy streets, Warwick. William Wallace and Richard Gibson were in partnership as builders and contractors from 1876 and worked on Catholic churches at Leyburn and Goondiwindi. By the mid-1880s they were in practice as architects and building surveyors in Warwick with work that included the St George's Masonic Hall (1887). Stonemason John McCulloch, who had worked on the earlier presbytery, was awarded the contract for the brickwork. McCulloch worked on many prominent religious and civic buildings in Warwick including the Court House (1885), St Mark's Anglican Church (1867-1870), Our Lady of the Assumption Convent (1892-93) and the Warwick Town Hall (1888). The presbytery was built during a pronounced period of prosperity for Warwick and the surrounding agricultural district. The second half of the 1880s was characterised by a wave of development and many of the town's most imposing buildings date from this time.
Horan is likely to have taken up residence by the end of 1887, visiting Brisbane in November to buy furniture for the presbytery after a fund raising concert was held by pupils of St Mary's School. The building has functioned as the Warwick parish presbytery since its construction.
A photo thought to date from the 1890s provides evidence of its appearance soon after its construction. The two-storeyed building, constructed of red brick, was surmounted by an imposing tower of timber over the entrance porch and a hipped iron roof. Iron lacework adorned the verandahs on both floors with timber weatherboards enclosing the corners and rear of the building. A description of the presbytery in 1888 noted the 'charming panoramic view' from the tower and the 'handsomely furnished' 14 rooms. Although the building included a central tower over the entrance, there is no known documentary evidence to suggest Stombuco's earlier design was appropriated by Wallace and Gibson. While perhaps less grand than the Stombuco design, the presbytery was still a large and highly prominent residence for Warwick, an assertive expression of the Catholic presence in the town and the centrality of the priest to the parish community. Set in spacious grounds on the corner of Warwick's principal thoroughfare, the visual dominance of the presbytery made it a landmark within the townscape.
St Mary's Presbytery fulfilled a range of functions within the parish. As well as the residence for parish priests and their curates, the presbytery was the centre for parish administration. It was used occasionally for wedding ceremonies, provided accommodation for visiting catholic dignitaries and was a social space for hosting important guests. The suitability of Warwick's temperate climate for recuperation saw the presbytery used in this manner by Archbishop Dunne over the summer of 1893-1894. During World War II, soldiers were camped in and around Warwick and chaplains attached to the army used the presbytery as their base.
The Warwick presbytery was one of a number built in Catholic parishes throughout Queensland in the last quarter of the nineteenth century. These varied from modest timber houses in small settlements to more impressive dwellings located in important regional towns with larger catholic communities. Many nineteenth century presbyteries were replaced during the extensive building programme that characterised the reign of Archbishop James Duhig (1917-1965). Presbyteries dating from the 1880s that continue to function as residences for Catholic priests in Queensland are uncommon.
James Horan died at the presbytery in May 1905. By the end of his time in Warwick he had been instrumental in the construction of Our Lady of the Assumption Convent, St Mary's School, extensions to St Mary's Church and timber churches in Emu Vale, Clifton, Allora and Goondiwindi. Among Queensland priests, Horan was Archbishop Dunne's key supporter in promoting Irish catholic rural settlement. The increase in Warwick's catholic population from 11.4 percent in 1881 to 32.1 percent in 1911 illustrates his effectiveness in this regard. In accordance with Horan's will, the presbytery was sold by the estate executors to Archbishop Dunne, Father Andrew Horan and Father James Benedict Breen on behalf of Warwick parish for £3,235, with the proceeds of the sale forwarded to the construction of the Christian Brother's College that opened in Warwick in 1912. In 1951 title of the presbytery was transferred to the Roman Catholic Diocese of Toowoomba.
Monsignor Michael Potter, who was posted as a curate to Warwick in 1891, was appointed parish priest after Horan's death. Potter continued the enthusiasm for parish building with major projects including a new St Mary's Church (1926) and additions to the convent. Potter resided in the presbytery for over fifty years until his death in 1944.
In 1948 Father Michael Mahon was appointed administrator to the parish of Warwick. During the early years of Mahon's administration a substantial renovation program was undertaken on the presbytery. The brickwork of the presbytery was rendered and painted white. The decorative iron railings on the verandahs were replaced with timber weatherboards on the first floor and solid arches on the ground floor. At the rear of the building a single-storeyed timber kitchen/dining area and an office space were added. The rear ends of the verandah on the eastern side of the presbytery were enclosed to provide extra accommodation on the first floor and a sitting room on the ground floor. Basins were installed in the first floor bedrooms and a garage was built on the eastern side of the building. A hay shed at the rear of the property was replaced by a bowling green and clubhouse. More recently, a set of units have been built adjacent to the bowling green. Both the units and the bowling green are privately leased. An additional concrete block garage with a coloured metal sheeting roof has also been added behind the presbytery.
In the second half of the twentieth century, a succession of priests resided at the presbytery. St Mary's Presbytery continues to function as the dwelling of Warwick's resident priest and as administrative centre for the parish.
Source: Queensland Heritage Register.
Texas Heros Monument... Maybe while in Galveston TX you’ve driven by it. You’ve probably even taken a picture of it. Do you know any more about the Texas Heroes Monument other than the name? Henry Rosenberg, a name that is associated with Galveston Island’s history, is the businessman and philanthropist that commissioned the monument. Recently the Texas Heroes Monument was restored to its original glory by Robert Alden Marshall. Galveston.com reported on the restoration in a blog recently written by Robert Stanton. In the will of Henry Rosenberg, clause 19 reads,
“I give fifty thousand dollars for the erection of an appropriate monument in the city of Galveston to the memory of the heroes of the Texas revolution of 1836. The execution of this bequest is charged upon my executors, who will adopt plans and have the monument erected under their immediate supervision.” (Henry Rosenberg 94)
The monument to the Heroes of the Texas Revolution of 1836 was unveiled with ceremonies of state-wide interest on April 21, 1900, the sixty-fourth anniversary of the battle of San Jacinto.
The original invitation for the unveiling of the monument read:
Sidney Sherman Chapter
Daughters of the Republic of Texas
On San Jacinto Day, April 21, 1900, the Monument will be unveiled which was presented by the great philanthropist, Henry Rosenberg, to the State of Texas, a memorial to the Heroes of the Texas Revolution. This Monument is the result of a bequest of fifty thousand dollars, left by Mr. Rosenberg for this purpose, the execution of which has been under the wise direction of his executor, Major A.J. Walker, of Galveston, who has done so much toward the successful realization of Mr. Rosenberg’s charities and benefactions to the City of Galveston. The bronze statuary for the completion of this splendid testimonial to the valor, honor, courage and patriotism of the founders and defenders of the Republic of Texas was all cast in Rome and was designed by Prof. Amateis of Washington, D.C., one of the noted sculptors of this country. In his symbolic design he achieved a success that is satisfying and gratifying to every patriotic Texan, and it is the earnest desire of the citizens of Galveston and of Sidney Sherman Chapter, Daughters of the Republic of Texas, that the people of Texas will come to Galveston at the time to pay homage to this great occasion in the history of our State. (Henry Rosenberg 126)
Sculptor Louis Amateis was born in 1855 in Turin, Italy. He immigrated to New York City in 1883, and eventually made his way to Washington D.C. where he founded what is now George Washington University. Five different sculptures erected and on display in Galveston were created by Louis Amateis. His works include: A Monument to the Heroes of the Texas Revolution, a Statue of Henry Rosenberg, A Monument over the Grave of Major General John Bankhead Magruder, a monument to the Confederate Soldiers of the Civil War, and the bust of Major A.J. Walker, executor of the Rosenberg estate. Other works on Galveston Island but not on display at Rosenberg Library include “Mother Love," a bas-relief sculpture in plaster; “The Confederate Flag,” which is a photograph of a clay model for the Confederate Heroes Monument.
There are four sides to the monument each pointing in a different cardinal direction and depicting moral qualities of the men who fought for Texas: Patriotism, Honor, Devotion, and Courage. The monument is 74 feet tall, including Lady Victory, and the base is 34 feet square. The bulk of the monument is the four columns standing fifty feet tall. Carved from a single block of granite, it weighs twelve tons. The monument is constructed of granite with bronze statues seated at the base. The sub-base is adorned with bronze reliefs measuring nine feet long and three feet tall. The statues and bas-reliefs tell the story of Texas’s fight for independence. The granite used for this monument is from Concord, New Hampshire, and is the same material used in the Library of Congress.
At the top of the monument stands Lady Victory at 22 feet tall. When she was cast, Victory was the second largest bronze sculpture in America, second to William Penn at thirty-seven feet on top of Philadelphia’s City Hall. Lady Victory stands proud looking north across the State of Texas towards the battlefield of San Jacinto. Victory is holding a sheathed cross hilted sword pointing toward the earth, entwined with roses, in her left hand. The symbolism of the roses and sword define the beginning of an era of peace taken from German poetry. In Victory’s right hand is a crown of laurels for the heroes of the war. Under Lady Victory’s feet is the date October 2, 1835, the date of the Outbreak of Hostilities.
Devotion - The base of the column has a medallion of Stephen F. Austin, known as the Father of Texas. Austin is flanked by allegorical figures representative of war and diplomacy. Below the medallion is a bas-relief commemorating “The Defense of the Alamo.”
Courage - The column facing east is symbolic of the revolt of Texas colonists and the beginning of the revolution. Atop the column, the word "courage" is inscribed. Seated at the base of the granite column is the bronze figure known as Defiance. Armor clad and bearing an unsheathed sword in her right hand, Defiance is draped with the pelt of a lioness over her head and shoulders. Apparent as the Lone Star on her chest is her uncompromising demeanor evident as she orders the Mexicans out of Texas territory. Beneath Defiance, the date October 2, 1835 is carved, significant as the day of the Goliad Massacre or the outbreak of hostilities. “The Massacre at Goliad” is referenced in the bas-relief on the base of the monument."
I have been to Throwley on at least three previous occasions, the fourth was going to be during Ride and Stride in September, but another crawler told me it had failed to open as per the list.
St Michael and All Angles is a large and from the outside and interesting looking church, looked like it had a story to tell. So, last week, I contacted the wardens through the CofE A church Near You website, I got a reply and a date and time agreed for Saturday morning.
We arrived 15 minutes early, and it was as locked as ever, but on a fine if frosty morning took the time to study the church ad churchyard, and saw yet more fine details we had missed previously.
Dead on time the warden arrived, and was very welcoming indeed. They loved to have visitors she said. Now I know how to contact them, I can see that.
She was clearly proud of the church, and rightly so, most impressive was the south chapel with a pair of kneeling couples on top of chest tombs, staring at each other for all eternity.
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---------------------------------------------
St Michael & All Angels is the parish church of Throwley. The first church on the site was probably built between 800 and 825. This would have been a small wooden structure, barely distinguishable from a farm building.
After the Norman Conquest in 1066 this was replaced by a Romanesque stone structure.
This was still small, but as the population of the parish increased the church was enlarged, until in about 1510 it reached its present size. Since then its appearance has changed little, although an extra storey was added to the tower - now far seen - in the 1860s.
The church has an elaborate Romanesque west entrance; its east window in the chancel, by Curtis, Ward & Hughes of Soho, London, is a memorial to Throwley men who gave their lives in the First World War.
In the Harris chapel is the church's newest stained-glass window, commemorating Dorothy Lady Harris who died in 1981. It was designed and executed in the Canterbury Cathedral Workshops by Frederick Cole (see pictures on left).
The church has more than its fair share of fine 16th to 19th century monuments, mainly to members of the local Sondes and Harris families, and these are all described.
www.faversham.org/community/churches/throwley.aspx
--------------------------------------------
TQ 95 NE THROWLEY THROWLEY
ROAD
(west side)
4/181
Church of
St. Michael
and All
24.1.67 Angels
GV I
Parish Church. C12, C13 north chapel, C14 south chapel, C15
nave arcades, restored 1866 and tower heightened. Flint and
plain tiled roofs. Chancel, north and south chapels, nave and
aisles, south tower and south porch. West doorway, C12, with
attached shafts and 3 orders, the outer panelled with X's on
circles, the centre roll moulded with the blocks offset and
alternately projecting, the inner with more X's on circles,
with 2 offset buttresses either side of doorway. South aisle
with plinth, string course and parapet, 3 offset buttresses and
C15 Perpendicular windows. South tower of 2 stages with square
south-eastern stair turret and C16 moulded brick surround
sundial. Water spouts on each corner in the 4 Evangelical
symbols. Half-timbered C19 south porch, south doorway with
rolled and double hollow chamfered surround, and outer surround
with label and quatrefoil spandrels. North aisle under 1 roof
with nave, with C15 fenestration, and C19 chimney to north west.
North and south chapels with C14 cusped 'Y' tracery fenestration,
with hollow chamfered and ogee drip moulds. Chancel east
window C19 curvilinear style. Interior: 2 bay nave arcades,
double hollow chamfered arches on octagonal piers. C12 single
arches to north and south eastern bay, that to south recessed
and double chamfered through tower wall. Barrel roof.
Chamfered arch on corbels from south aisle to tower, itself
with corbel table on south wall, and triple arch through to south
chapel C19 chancel arch. Chancel with 2 bay double chamfered
arcade to north chapel with octagonal capitals on round piers, and
single double chamfered arch on round responds to south chapel.
Fittings: hollow chamfered piscina and sedile in window reveal in
chancel and cusped recess in north wall. C19 reredos and altar
rail. Cusped piscina and four centred arched wall recess in
south chapel. Choir stalls, some C19, the four on the south C15
with carved misericords. Monuments: south chapel C16 chest tomb,
with shields in panelled sides, moulded plinth, lozenge-shaped
flowers, fluting and frieze. Chest tomb, Sir George Sondes,
Earl of Faversham, d.1677. Black marble with blank panelled sides.
Inscription on the top panel (made 1728). Standing monument,
Sir Thomas Sondes, died 1592. Marble tomb chest, gadrooned with
achievements on side panels. Kneeling alabaster figures of
knight and his Lady on opposite sides of central prayer desk,
carrying inscription. Mary Sondes, died 1603. Smaller and
identical to Sir Thomas Sonde's monument, with 2 adults and 2
infant sons and daughters on either side of sarcophagus. Misplaced
scrolled and enriched carved achievement on floor to east of
those monuments. Wall plaque, Captain Thomas Sondes, died 1668.
Black and white marble, with draped apron, swagged and draped
sides with military trophies. Broken segmental pediment with male
bust. Signed W.S. (B.0.E. Kent II, p.477 suggests William Stanton).
North chapel C16 chest tomb, moulded plinth, panelled sides with
shields (1 panel reset in south chapel south wall). Early C16
tomb recess with moulded jambs, with rope work, crenellated,
with late Perpendicular motifs in spandrels, and tomb with 3
panelled recesses with 2 shields on each panel. Wall plaque,
Charles Harris, d.1814, by Flaxman. White plaque on white
background; dead soldier lifted from the grave by Victory, with
palms and cannon in background. Statue, to George, first Lord
Harris, life size soldier with sword and plans, on four foot
plinth. By George Rennie, 1835. Nave, wall plaque, Stephen
Bunce, d.1634. Black plaque on coved base and apron. Foliated
sides. Scrolled nowy cornice and pediment with achievement.
(See B.O.E. Kent II, 1983, 476-7.)
Listing NGR: TQ9883454254
www.britishlistedbuildings.co.uk/en-176587-church-of-st-m...
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LIES the next parish north-eastward from Stalisfield. It is called in the record of Domesday, Trevelei, in later records Truley and Thruley, in Latin ones Trulega and Truilla; it is now written both Throwley and Throwleigh.
THROWLEY is mostly situated on high ground, it is a more pleasant and open country than that last described, for though wild and romantic among the hills and woods, it is not so dreary and forlorn, nor the soil so uncomfortable, being much drier. Besides it has a more chearful and brighter aspect from the width of the principal valley which leads through it, from north to south, whence the hills rise on each side, with smaller delves interspersed among them. There is a good deal of wood-ground, mostly of beech, interspersed at places with oak and hazel, with some good timber trees of oak among them, especially in the northern and southern parts; much of the former belongs to the dean and chapter of Canterbury. The soil is mostly chalk, the rest a heavy tillage land of red cludy earth, the whole mixed with quantities of flint stones. There are some level lands, especially in the disparked grounds of Throwley park, which are tolerably good, much more so than those in the other parts of the parish; on the east side of the park are the foundations of the antient seat of the Sondes's, with the church close to them, the whole lying on high ground, with a good prospect of the surrounding country; not far from it is Town place, now only a farm-house. There is no village, excepting the few houses in Abraham-street may be so called, the rest of the houses, which are mostly cottages, standing dispersed throughout it, either single, or built round the little greens or softalls, of which there are several in different parts of the parish. On a larger one of these called Wilgate-green, there is a house belonging to the estate of Mr. Philerenis Willis's heirs, and another larger antient one, which with the estate belonging to it, was formerly the property of the Chapmans, and sold by them to Christopher Vane, lord Barnard, in 1789, gave it, with his other estates in this county, to David Papillon, esq. of Acrise, the present owner of it. (fn. 1)
There was a family named Wolgate, from whose residence here this green seems to have taken its name of Wolgate, or Wilgate-green. After they had remained here for some generations they ended in a daughter, for Mr. Ralph Wolgate dying in 1642, his daughter Anne married Mr. William Genery, and entitled him to her father's possessions here, at Posiers, in Borden, and other parts of this county. The Woodwards seem afterwards to have possessed their estate here, several of whom lie buried under a tomb in Throwley church-yard.
About half a mile distant south-westward from Wilgate-green, in Abraham-street, there is a seat, called, from its high situation and expensive prospect, BELMONT; it was built in the year 1769, by Edward Wilks, esq. storekeeper of the royal powdermills at Faversham, who inclosed a paddock or shrubbery round it, and occasionally resided here, till he alienated it in 1779 to John Montresor, esq. the present proprietor, who resides in it.
THE BEECH TREE flourishes in the greatest plenty, as well single to a large size, as in stubs in the coppice woods, which consist mostly of them, as well in these parts as they do in general on the range of chalk hills throughout this county, in some places extending two or three miles in width, and in others much more. The large tracts of ground in this and other counties, overspread with the beech-tree, the random situation of their stubs, and other circumstances which occur in viewing them, are strong proofs of their being the indigenous growth of this island, notwithstanding Cæfar's premptory assertion, in his Commentaries, of there being none here in this time. The Britons, he says, had every material for use and building, the same as the Gauls, excepting the fir and the beech. The former there is positive proof of his being grossly mistaken in, which will in some measure destroy that implicit credit we might otherwise give to his authority, as to the latter; indeed, the continued opposition he met with from the Britons, during his short stay here, assorded him hardly a possibility of seeing any other parts of this country than those near which he landed, and in the direct track through which he marched to wards Coway-stakes; too small a space for him to form any assertion of the general products of a whole country, or even of the neighbouring parts to him. Of those he passed through, the soil was not adapted to the growth of the beech tree; from which we may with great probability suppose, there were none growing on them, nor are there any throughout them, even at this time, a circumstance which most likely induced him to suppose, and afterwards to make the assertion beforementioned.
The slints, with which the cold unfertile lands in these parts, as well as some others in this county, are covered, have been found to be of great use in the bringing forward the crops on them, either by their warmth, or somewhat equivalent to it. Heretofore the occupiers of these lands were anxious to have them picked up and carried off from their grounds, but experiencing the disadvantage of it in the failure of their crops, they, never practice it themselves, and submit to the surveyors of the highways taking them off with great reluctance.
In the parish there are quantities of the great whitish ash coloured shell snail, which are of an unusual large size; they are found likewise near Darking, in Surry, and between Puckeridge and Ware, in Hertsordshire. They are not originally of this island, but have been brought from abroad, many of them are at this time observed in different parts of Italy.
MR. JACOB, in this Plantœ Favershamienses, has enumerated several scare plants observed by him in this parish, besides which, that scarce one, the Orchis myodes, or fly satrition, has been found here, growing on the side of the path, in a small wood, midway between the church and Wilgate green.
THIS PLACE, at the taking of the general survey of Domesday, about the 15th years of the Conqueror's reign, was part of the possessions of Odo, bishop of Baieux, and earl of Kent, the king's half brother, under the general title of whose lands it is thus described in it:
Hersrid holds Trevelai. It was taxed at three sulings. The arable land is eight carucates. In demesne there is one, and twenty-four villeins, with five borderers having six carucates and an half. There is a church, and five servants. Wood for the pannage of twenty bogs, and in the city three houses of thirty-two pence. In the time of king Edward the Conssessor it was worth seven pounds, and afterwards six pounds. Ulnod held it of king Edward.
On the bishop of Baieux's disgrace, about four years afterwards, this among his other estates, became consiscated to the crown.
After which it was held of the king in capite, by barony, by Jeffry de Peverel, and together with other lands made up the barony of Peverel, as it was called, being assigned to him for the defence of Dover-castle, for which purpose he was bound to maintain a certain number of soldiers from time to time for the desence of it, and to repair and defend at this own charge a particular tower or turret there, called afterwards Turris Gattoniana, or Gatton's tower.
In the reign of king Henry III. Robert de Gatton, who took his name from the lordship of Gatton, in Surry, of which his ancestors had been some time owners, was in possession of the manor Thrule, and died in the 38th year of that reign, holding it by knight's service of the king, of the honor of Peverel, by reason of the escheat of that honor, &c. (fn. 2) He was succeded in it by this eldest son Hamo de Gatton, who resided here, and served the office of sheriff in the 14th year of Edward I. His eldest son of the same name left one son Edmund, then an instant, who afterwards dying under age, his two sisters became his coheirs, and divided his inheritance, of which Elizabeth entitled her husband William de Dene to this manor, and all the rest of the estates in Kent; and Margery entitled her husband Simon de Norwood to Gatton, and all the other estates in Surry.
William de Dene had a charter of free warren for his lands in Thurley, in the 10th year of Edward II. He died anno 15 Edward III. then holding this manor by the law of England, as of the inheritance of Elizabeth his late wife deceased, of the king in capite, as of the castle of Dover, by knight's service, and paying to the ward of that castle. His son Thomas de Dene died possessed of it in the 23d year of that reign, leaving four daughters his coheirs, of whom Benedicta, the eldest, married John de Shelving, and entitled him to this manor, on whose death likewise without male issue, his two daughters became his coheirs, of whom, Joane married John Brampton, alias Detling, of Detlingcourt, and Ellen married John de Bourne, the former of whom, in his wife's right, became possessed of this manor. He lest only one daughter Benedicta his heir, who carried it in marriage to Thomas at Town, who was possessed of much land about Charing, and bore for his arms, Argent, on a chevron, sable, three crosscrostess, ermine, which coat is in the windows of Kennington church, impaled with Ellis, of that place. He removed hither in the reign of Henry VI. and built a feat for his residence in this parish, about a quarter of a mile from the church, which he named, from himself, Town-place, soon after which he died, leaving his possessions to his three daughters and coheirs, of whom Eleanor was married to Richard Lewknor, of Challock; Bennet to William Watton, of Addington, and Elizabeth to William Sondes, of this parish and of Lingfield, in Surry, in which county his ancestors had been seated as early as the reign of Henry III. at Darking, where their seat was named, from them, Sondes-place. (fn. 3) Upon the division of their inheritance, the manor of Throwley was allotted to William Sondes, and Town-place, with the lands belonging to it in Throwley, to Richard Lewknor, who sold it to Edward Evering, the eldest son of Nicholas, third son of John Evering, of Evering, in Alkham, and his daughter and heir Mary marrying in 1565, with John Upton, of Faversham, entitled him to this estate, which he very soon afterwards alienated to Shilling, from whom it as quickly afterwards passed by sale to Anthony Sondes, esq. of this parish, whose ancestor William Sondes, on the division of the inheritance of the daughters and coheirs of Thomas at Town as before mentioned, had become possessed of the manor of Throwley, and the antient mansion of it, in which he afterwards resided, and dying in 1474, anno 15 Edward IV. was buried in the north chapel of this church, though he ordered by his will a memorial for himself to be put up in the church of Lingfield. The family of Sondes bore for their arms, Argent, three blackmores heads, couped, between two chevronels, sable, which, with the several quarterings borne by them, are painted on their monuments in this church.
His descendant, Anthony Sondes, esq. of Throwley, in the 31st year of Henry VIII. procured his lands in this county to be disgavelled, by the act then passed, and died in 1575, having married Joane, daughter of Sir John Fineux, chief justice of the king's bench, by whom he had two sons, Thomas and Michael, and two daughters.
He was succeeded by his eldest son Sir Thomas Sondes, sheriff anno 22 Elizabeth, who founded the school in this parish. He died in 1592, leaving issue only by his second wife, one daughter Frances, married to Sir John Leveson, so that on his death without male issue, his only brother Sir Michael Sondes, of Eastry, succeeded to this manor and seat of his ancestors, in which he afterwards resided. He was sheriff in the 26th year of queen Elizabeth's reign, and died in the 16th year of king James I. having had by his first wife Mary, only daughter and heir of George Fynch, esq. of Norton, six sons and six daughters.
Sir Richard Sondes, the eldest son, resided at Throwley, where he died in the 8th year of Charles I. having had by his two wives a numerous issue, of both sons and daughters. He was succeeded in this manor and seat, with the rest of his estates, by his eldest son Sir George Sondes, who was made a knight of the Bath at the coronation of king Charles I. soon after which he began to rebuild his seat of Lees-court, in Sheldwich, and fixed his residence there, under the description of which a more particular account of him and his descendants may be seen. Not long after which this seat was entirely pulled down, and the park adjoining to it disparked. The foundations of the former still remain, and the disparked lands still retain the name of Throwley park.
Sir George Sondes was afterwards created Earl of Faversham, Viscount Sondes, of Lees court, and Baron of Throwley, whose two daughters became his coheirs; Mary was married to Lewis, lord Duras, marquis of Blanquefort, and afterwards earl of Faversham, and Katherine to Lewis Watson, esq. afterwards earl of Rockingham, who each successively, in right of their respective wives, inherited this manor and estate, which has since descended in like manner as Lees-court, in Sheldwich, to the right hon. Lewis-Thomas, lord Sondes, and he is the present possessor of this manor, with Town-place and the estate belonging to it. Acourt baron is held for this manor.
The denne of Toppenden, alias Tappenden, in Smarden, in the Weald, is an appendage to the manor of Throwley, and is held of it.
WILDERTON, alias Wolderton, called also in antient deeds Wilrinton, is a manor in this parish, which was once part of the possessions of the eminent family of Badlesmere, of which Bartholomew de Badlesmere was possessed of it in the reign of Edward II. of whom, for his services in the Scottish wars, he obtained in the 9th year of it many liberties and franchises for his different manors and estates, among which was that of free-warren in the demesne lands of this manor of Wolrington. (fn. 4) Having afterwards associated himself with the discontented barons, he was taken prisoner, and executed in the 16th year of that reign. By the inquisition taken after his death, which was not till anno 2 Edward III. at which time both the process and judgement against him was reversed, it was found that he died possessed of this manor, among others, which were then restored to his son Giles de Badlesmere, who died in the 12th year of Edward III. s. p. being then possessed of this manor. Upon which his four sisters became his comanor fell to the share of Margery, wife of William, manor fell to the share of Margery, wife of William, lord Roos, of Hamlake, who survived her husband, and died in the 37th year of Edward III. possessed of it, as did her grandson John, lord Roos, in the 9th year of Henry V. leaving no issue by Margaret his wife, who survived him, and had this manor assigned to her as part of her dower. She afterwards married Roger Wentworth, esq. whom she likewise survived, and died anno 18 Edward IV.
On the death of John, lord Roos, her first husband, s. p. the reversion of this manor, after her death, became vested in Thomas his next surviving brother and heir, whose son Thomas afterwards became a firm friend to the house of Lancaster, for which he was attainted anno 1 Edward IV. and his lands were consiscated to the crown.
On the death of Margaret, the widow of Roger Wentworth, esq. the manor of Wulrington, but whether by grant or purchase, I have not found, came into the possession of Richard Lewknor, of Challock, owner likewise of Town-place, as before-mentioned, who sold it to Edward Evering, already mentioned before, whose daughter and heir Mary marrying in 1565 with Mr. John Upton, of Faversham, entitled him to it. He joined with his brother Nicholas Upton, in 1583, in the sale of the manor-house, with all the demesne lands belonging to it, excepting one small piece called the manor-croft, and a moiety of the ma nor, which, from its situation, from that time was known by the name of NORTH-WILDERTON, to Anthony Terry, of North Wilderton, yeoman, upon whose death it came to his four sons, Arnold, William, Thomas, and George Terry, who in 1601 made a partition of their father's estates, in which this manor was allotted to Arnold Terry, and William his brother, from whom it descended to Anthony Terry, of Ospringe, who in 1689 sold it to Mr. Thomas Knowler, of Faversham, who devised it to his sister Abigail for her life, and after her death to John Knowler, gent. of Ospringe, in fee. She afterwards married John Bates, and they, together with John Knowler above-mentioned, about the year 1694, joined in the sale of it to Mr. Edward Baldock, of Aylesford, and Bennet his wife. He survived her, and by deed of gift in 1717, vested the fee of it in his son Edward Baldock, who passed it away to Mr. Thomas Greenstreet, of Norton, whose niece Elizabeth marrying with Mr. Thomas Smith, of Gillingham, entitled him to this manor, which has been since sold to John Montresor, esq. of Belmont, in this parish, the present owner of it. A court baron is held for this manor.
There was antiently a chapel at this manor of Wilrintune, as appears by a charter, dated anno 1217, lately in the treasury of St. Bertin's monastery at St. Omers, concerning the privilege of a bell to it.
BUT THE REMAINING MOIETY of the manor, with a small crost called the manor-croft, lying at the west end of Hockstet green, remained with John Upton, and thenceforward acquired the name of SOUTH, alias GREAT WILDERTON. After whose death it came to his eldest son John Upton, who died possessed of it in 1635, and was buried with his ancestors in Faversham church. They bore for their arms, Quarterly, sable, and or; in the first and fourth quarters, a cross flory, argent, each charged with a trefoil, azure. (fn. 5)
John Upton, his eldest son, inherited this manor, and at his death in 1664, by his will gave it to his daughter Anne, wife of Charles Castle, gent. who in 1688 devised it to her brother-in-law George Naylor, and George White, the former of whom becoming solely possessed of it, in 1705 devised it to his nephew Mr. John Dalton, gent. of St. Edmundsbury, for his life, and afterwards to his son Thomas Dalton, and his issue, in consequence of which it descended to Benjamin Shuckforth, of Diss, in Norfolk, who in 1741 sold it to Mr. Giles Hilton, of Lords, in Sheldwich, on whose death it descended to his three sons, John, William, and Robert Hilton, the youngest of whom, Mr. Robert Hilton, as well as by the devise of his two elder brothers, afterwards became the sole proprietor of this manor. He died in 1782, and his son Mr. John Hilton, of Sheldwich, as next in the entail, succeeded to it, and is the present possessor of it.
IN THE REIGN of king Stephen there was AN ALIEN PRIORY established in this parish, as a cell to the Benedictine abbey of St. Bertin, at St. Omers, the capital of Artois, in Flanders, William de Ipre, in 1153, having given this church, with that of Chilham, to it for that purpose; which gift was confirmed by king Stephen the same year, as it was by the several archbishops afterwards, and by the charters of Henry II. and III. The charter of this gift was till lately in the treasury of the monastery of St. Bertin, as were all the others hereafter mentioned relating to this church and priory.
There are very few formal foundations of these cells, the lands of them being usually granted to some monastery abroad, as an increase to their revenues, after which, upon some part of them they built convenient houses, for the reception of a small convent. Some of these cells were made conventual, having a certain number of monks, who were mostly foreigners, and removeable at pleasure, sent over with a prior at their head, who were little more than stewards to the superior abbey, to which they returned the revenues of their possessions annually; others were permitted to chuse their own prior, and these were entire societies within themselves, and received their revenues for their own use and benefit, paying perhaps only a yearly pension as an acknowledgement of their subjection, or what was at first the surplusage to the foreign house.
The cell at Throwley was of the former sort, for which reason, during the wars between England and France, as their revenues went to support the king's enemies, these kind of houses were generally seized on by the king, and restored again upon the return of a peace. (fn. 6)
In the 25th year of king Edward I. Peter, prior of Triwle, as it was spelt in the record, made fine to the king at Westminster, and had a privy seal for his protection, by which he had the custody of his house and possessions committed to his care, to retain them during the king's pleasure, answering to his exchequer for the profits of them, according to the directions of him and his council.
The scite of this priory was that of the parsonage of the church of Throwley, which, with that of Chilham, seems to have been all their possessions in this kingdom. These were valued in the 8th year of king Richard II. anno 1384, each at forty pounds annually, and their temporalities at 20s. 6d. at which time the parsonage of Throwley was become appropriated to this cell, and a vicarage was endowed in it. In which situation this priory remained till the general suppression of the alien priories throughout England, in the 2d year of Henry V. anno 1414, which was enacted in the parliament then held at Leicester, and all their houses, revenues, &c. were given to the king and his heirs for ever. (fn. 7)
This priory, with its possessions, seems to have remained in the hands of the crown till Henry VI. in his 22d year, settled them on the monastery of Sion, in Middlesex, founded by his father Henry V. with which they continued till the general suppression of religious houses, this being one of those greater monasteries dissolved by the act of the 31st year of king Henry VIII. How this priory was disposed of afterwards by the crown, may be further seen hereafter, under the description of the parsonage of the church of Throwley.
The only remains left of this priory are some few foundations, and two walls of flint, which support a building, standing behind the parsonage-house and garden.
THERE IS A FREE SCHOOL in this parish, the house of which is situated adjoining to the church-yard, which was founded by Sir Thomas Sondes, who died in 1592, who by his will devised a house and six poundes per annum to the master of it, to dwell in, and as a recompence for his pains; but having charged his executors and not his heirs to the fulfilling of this bequest, and charged the payment of the above sum, among other charitable legacies, on several leasehold estates, the terms of which expired in his nephew Sir Richard Sondes's time, and the house having tumbled down for want of repairs, Sir George Sondes, son of Sir Richard above-mentioned, thought it unreasonable, as he had none of the estates, that he should be bound to maintain the school; however, he voluntarily paid the master his salary, and gave him a house to live in, both which have been continued by the possessors of Throwley manor to this time, as far as I can learn, as of their own free gift.
The present right hon. lord Sondes appoints the schoolmaster as such during pleasure, and pays him a salary of twelve pounds per annum, besides which, he allots him an house and garden, worth about six pounds per annum, which his lordship repairs from time to time, and for which no parochial or church-dues are paid. There are at present fourteen boys taught reading, writing, and arithmetic, gratis, in this school, which though taken mostly from the parishes of Throwley, Badlesmere, and Leveland, are not confined to those parishes.
Charities.
CATHERINE, LADY SONDES, gave by will the sum of 40s. a year, to be received yearly on St. Barnabas's day, towards the relief of the poor, payable from a farm in it, called Bell-horn, now belonging to lord Sondes, and now of that annual produce.
THERE WERE three alms-houses in this parish, the gift of one of the Sondes family; one of them was some time since burnt down, and has not been rebuilt, but lord Sondes allows the person nominated to it the value of it in money yearly.
The poor constantly relieved are about thirty, casually double that number.
THROWLEY is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Ospringe.
The church, which is dedicated to St. Michael, consists of three isles and three chancels. The steeple is a square tower, and stands in the centre of the south side of it, in which there is a peal of six bells, given in 1781, at the expence of Mr. Montresor, of Belmont. In the south isle is a memorial for Francis Hosier Hart, gent. obt. 1761, leaving three daughters, Mary, Elizabeth, and Diana Hosier. In the middle isle is a small monument for Stephen Bunce, esq. of this parish, one of the Antients of New-Inn, who died there in 1634, and was buried in St. Clement's church, London. In the middle chancel there are two stalls of wood, which are not fixed, and in the north isle three more of the like sort, joined together, with a desk before them, which seem to have been removed from the chancel, and were both intended for the use of the religious of the priory here. In the middle of this chancel is a memorial for Dr. Thomas Horsemonden, patron and rector of Purleigh, in Essex, prebendary of Lincoln, &c. who died anno 1632. In the north and south chancel are several monuments for the family of Sondes, with their essigies, arms and quarterings; one of them in the latter, a plain altar tomb of black marble for Sir George Sondes, earl of Faversham, his lady and descendants; many more of this family, as appears by the parish register, are buried in the vault underneath, but the family of Watson burying at Rockingham, this vault has not been opened for several years. The north and south chancels above-mentioned belonged, one to the possessors of Throwley manor, the other to those of Townplace, but they both belong now to lord Sondes.
There were formerly in the windows the arms of Sondes, Finch, and Gatton, and in the north window this inscriptin, Pray for the good estate of Alice Martyn, the which did make this window, MCCCCXLV.
In the church yard, at the west end of the north isle, there is a circular door-case of stone, having several bordures of Saxon ornaments carved round it. In the church-yard is an altar tomb for William Woodward, gent. of Wilgate-green, obt. 1681, and Anne his wife.
It appears by the will of William Sondes, esq. anno 1474, that this church had then constantly burning in it lights, dedicated to St. Michael, the Holy Trinity, the Holy Cross, St. Mary, St. Thomas, St. Christopher, St. George, St. Katherine, St. Margaret, St. Mary Magdalen, and St. Nicholas.
An account of the antient patronage of the church of Throwley has already been given, as first belonging to the alien priory here, and then to the monastery of Sion, to the time of the dissolution of the latter in the 31st year of Henry VIII. the year after which, the king granted the rectory, with the advowson of the vicarage of the church of Throwley, to the prebendary of Rugmer, in the cathedral church of St. Paul, London, in exchange for lands belonging to that prebend, to be inclosed within the king's park of Marybone, in pursuance of an act then passed. Since which this parsonage and advowson have continued part of the abovementioned prebend. The former is leased out by the present prebendary to the right hon. lord Sondes, but the advowson of the vicarage he retains in his own hands, and is the present patron of it.
¶There was a rent of 4l. 18s. 4d. reserved from the parsonage by king Henry VIII. nomine decimœ, which was granted by queen Elizabeth, in her third year, to archbishop Parker, among other premises, in exchange for several manors, lands, &c. belonging to that see, which rent still continues part of the revenue of the archbishopric.
A vicarage was endowed here in 1367, anno 42 king Edward III. by archbishop Langham, at which time the chapel of Wylrington belonged to it. (fn. 8)
It is valued in the king's books at 7l. 11s. 8d. and the yearly tenths at 15s. 2d.
In 1578 there were one hundred and eighty communicants here. In 1640 it was valued at forty-five pounds, communicants two hundred and twenty.
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For The Purge.
On the way back from Oxfordshire, I thought about stopping off somewhere to take some church shots.
I'm sure Oxfordshire, Buckinghamshire, Surrey and Sussex have fine churches just off the motorway, but one had stuck in my head, back in Kent, and that Hever.
What I didn't realise is how hard it was to get too.
I followed the sat nav, taking me off the motorway whilst still in Sussex, then along narrow and twisting main roads along the edge of the north downs, through some very fine villages, but were in Sussex.
Would I see the sign marking my return to the Garden of England?
Yes, yes I would.
Edenbridge seemed quite an unexpectedly urban place, despite its name, so I didn't stop to search for an older centre, just pressing un until I was able to turn down Hever Road.
It had taken half an hour to get here.
St Peter stands by the gate to the famous castle, a place we have yet to visit, and even on a showery Saturday in March, there was a constant stream of visitors arriving.
I asked a nice young man who was directing traffic, where I could park to visit the church. He directed me to the staff car park, meaning I was able to get this shot before going in.
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Near the grounds of Hever Castle, medieval home of the Bullen family. Sandstone construction with a nice west tower and spire. There is a prominent chimney to the north chapel, although this is not the usual Victorian addition, but a Tudor feature, whose little fireplace may be seen inside! The church contains much of interest including a nineteenth-century painting of Christ before Caiphas by Reuben Sayers and another from the school of Tintoretto. The stained glass is all nineteenth and twentieth century and includes a wonderfully evocative east window (1898) by Burlisson and Grylls with quite the most theatrical sheep! The south chancel window of St Peter is by Hardman and dated 1877. In the north chapel is a fine tomb chest which displays the memorial brass of Sir Thomas Bullen (d. 1538), father of Queen Anne Boleyn. Just around the corner is a typical, though rather insubstantial, seventeenth-century pulpit with sounding board.
www.kentchurches.info/church.asp?p=Hever
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HEVER.
SOUTH-EASTWARD from Eatonbridge lies Hever, called in the Textus Roffensis, and some antient records, Heure, and in others, Evere.
This parish lies below the sand hill, and is consequently in that district of this county called The Weald.
There is a small part of it, called the Borough of Linckbill, comprehending a part of this parish, Chidingstone, and Hever, which is within the hundred of Ruxley, and being part of the manor of Great Orpington, the manerial rights of it belong to Sir John Dixon Dyke, bart. the owner of that manor.
THE PARISH of Hever is long, and narrow from north to south. It lies wholly below the sand hills, and consequently in the district of the Weald; the soil and face of the country is the same as that of Eatonbridge, last described, the oak trees in it being in great plently, and in general growing to a very large size. The river Eden directs its course across it, towards Penshurst and the Medway, flowing near the walls of Hever castle, about a quarter of a mile southward from which is the village of Hever and the parsonage; near the northern side of the river is the seat of Polebrooke, late Douglass's, now Mrs. Susannah Payne's; and a little farther, the hamlets of Howgreen and Bowbeach; part of Linckhill borough, which is in the hundred of Ruxley, extends into this parish. There is a strange odd saying here, very frequent among the common people, which is this:
Jesus Christ never was but once at Hever.
And then he fell into the river.
Which can only be accounted for, by supposing that it alluded to a priest, who was carrying the bost to a sick person, and passing in his way over a bridge, sell with it into the river.
Hever was once the capital seat and manor of a family of the same name, whose still more antient possessions lay at Hever, near Northfleet, in this county, who bore for their arms, Gules, a cross argent. These arms, with a lable of three points azure, still remained in the late Mote-house, in Maidstone, and are quartered in this manner by the earl of Thanet, one of whose ancestors, Nicholas Tuston, esq. of Northiam, married Margaret, daughter and heir of John Hever of this county. (fn. 1)
William de Heure. possessed a moiety of this place in the reign of king Edward I. in the 2d of which he was was sheriff of this county, and in the 9th of it obtained a grant of free warren within his demesne lands in Heure, Chidingstone, and Lingefield.
Sir Ralph de Heure seems at this time to have possessed the other moiety of this parish, between whose son and heir, Ralph, and Nicholas, abbot of St. Augustine's, there had been, as appears by the register of that abbey, several disputes concerning lands in Hever, which was settled in the 4th year of king Edward I. by the abbot's granting to him and his heirs for ever, the land which he held of him in Hever, to hold by the service of the fourth part of a knight's fee.
William de Hever, in the reign of king Edward III. became possessed of the whole of this manor, and new built the mansion here, and had licence to embattle it; soon after which he died, leaving two daughters his coheirs; one of whom, Joane, carried one moiety of this estate in marriage to Reginald Cobham, a younger son of the Cobhams of Cobham, in this county; (fn. 2) whence this part of Hever, to distinguish it from the other, acquired the name of Hever Cobham.
His son, Reginald lord Cobham, in the 14th year of that reign, obtained a charter for free warren within his demesne lands in Hever. (fn. 3) He was succeeded in this manor by his son, Reginald lord Cobham, who was of Sterborough castle, in Surry, whence this branch was stiled Cobhams of Sterborough.
The other moiety of Hever, by Margaret, the other daughter and coheir, went in marriage to Sir Oliver Brocas, and thence gained the name of Hever Brocas. One of his descendants alienated it to Reginald lord Cobham, of Sterborough, last mentioned, who died possessed of both these manors in the 6th year of king Henry IV.
His grandson, Sir Thomas Cobham, sold these manors to Sir Geoffry Bulleyn, a wealthy mercer of London, who had been lord mayor in the 37th year of king Henry VI. He died possessed of both Hever Cobham and Hever Brocas, in the 3d year of king Edward IV. leaving by Anne, his wife, eldest sister of Thomas, lord Hoo and Hastings, Sir William Bulleyn, of Blickling, in Norfolk, who married Margaret, daughter and coheir of Thomas Boteler, earl of Ormond, by whom he had a son and heir, Thomas, who became a man of eminent note in the reign of king Henry VIII. and by reason of the king's great affection to the lady Anne Bulleyn, his daughter, was in the 17th year of that reign, created viscount Rochford; and in the 21st year of it, being then a knight of the Garter, to that of earl of Wiltshire and Ormond; viz. Wiltshire to his heirs male, and Ormond to his heirs general.
He resided here, and added greatly to those buildings, which his grandfather, Sir Geoffry Bulleyn, began in his life time, all which he completely finished, and from this time this seat seems to have been constantly called HEVER-CASTLE.
He died in the 30th of the same reign, possessed of this castle, with the two manors of Hever Cobham and Brocas, having had by Elizabeth his wife, daughter of Thomas Howard, duke of Norfolk, one sonGeorge, executed in his life time; and two daughters, Anne, wife to king Henry VIII. and Mary, wife of William Carey, esquire of the body, and ancestor of the lords Hunsdon and the earls of Dover and Monmouth.
On the death of the earl of Wiltshire, without issue male, who lies buried in this church, under an altar tomb of black marble, on which is his figure, as large as the life, in brass, dressed in the robes of the Garter, the king seised on this castle and these manors, in right of his late wife, the unfortunate Anne Bulleyn, the earl's daughter, who resided at Hever-castle whilst the king courted her, there being letters of both extant, written by them from and to this place, and her chamber in it is still called by her name; and they remained in his hands till the 32d year of his reign, when he granted to the lady Anne of Cleves, his repudiated wife, his manors of Hever, Seale, and Kemsing, among others, and his park of Hever, with its rights, members, and appurtenances, then in the king's hands; and all other estates in Hever, Seale, and Kemsing, lately purchased by him of Sir William Bulleyn and William Bulleyn, clerk, to hold to her during life, so long as she should stay within the realm, and not depart out of it without his licence, at the yearly rent of 931. 13s. 3½d. payable at the court of augmention. She died possessed of the castle, manors, and estates of Hever, in the 4th and 5th year of king Philip and queen Mary, when they reverted again to the crown, where they continued but a short time, for they were sold that year, by commissioners authorised for this purpose, to Sir Edward Waldegrave and dame Frances his wife; soon after which the park seems to have have been disparked.
This family of Waldegrave, antiently written Walgrave, is so named from a place, called Walgrave, in the county of Northampton, at which one of them was resident in the reign of king John, whose descendants afterwards settled in Essex, and bore for their arms, Per pale argent and gules. Warine de Walgrave is the first of them mentioned, whose son, John de Walgrave, was sheriff of London, in the 7th year of king John's reign, whose direct descendant was Sir Edward Waldegrave, who purchased this estate, as before mentioned. (fn. 5) He had been a principal officer of the household to the princess Mary; at the latter end of the reign of king Edward VI. he incurred the king's displeasure much by his attachment to her interest, and was closely imprisoned in the Tower; but the king's death happening soon afterwards, queen Mary amply recompensed his sufferings by the continued marks of her favour and bounty, which she conferred on him; and in the 4th and 5th years of that reign, he obtained, as above mentioned, on very easy terms, the castle and manors of Hever Cobham and Brocas; and besides being employed by the queen continually in commissions of trust and importance, had many grants of lands and other favours bestowed on him. But on the death of queen Mary, in 1558, he was divested of all his employments, and committed prisoner to the Tower, (fn. 6) where he died in the 3d year of queen Elizabeth. He left two sons, Charles, his heir; and Nicholas, ancestor to those of Boreley, in Essex; and several daughters.
Charles Waldegrave succeeded his father in his estates in this parish; whose son Edward received the honour of knighthood at Greenwich, in 1607, and though upwards of seventy years of age, at the breaking out of the civil wars, yet he nobly took arms in the king's defence, and having the command of a regiment of horse, behaved so bravely, that he had conferred on him the dignity of a baronet, in 1643; after which he continued to act with great courage in the several attacks against the parliamentary forces, in which time he lost two of his sons, and suffered in his estate to the value of fifty thousand pounds.
His great grandson, Sir Henry Waldegrave, in 1686, in the 1st year of king James II. was created a peer, by the title of baron Waldegrave of Chewton, in Somersetshire, and had several offices of trust conferred on him; but on the Revolution he retired into France, and died at Paris, in 1689. (fn. 7) He married Henrietta, natural daughter of king James II. by Arabella Churchill, sister of John duke of Marlborough, by whom he had James, created earl of Waldegrave in the 3d year of king George II. who, in the year 1715, conveyed the castle and these manors to Sir William Humfreys, bart. who that year was lord mayor of the city of London. He was of Barking, in Essex, and had been created a baronet in 1714. He was descended from Nathaniel Humfreys, citizen of London, the second son of William ap Humfrey, of Montgomery, in North Wales, and bore for his arms two coats, Quarterly, 1st and 4th, sable, two nags heads erased argent; 2d and 3d, per pale or and gules, two lions rampant endorsed, counterchanged.
He died in 1735, leaving by his first wife, Margaret, daughter of William Wintour, of Gloucestershire, an only son and heir, Sir Orlando Humfreys, bart. who died in 1737, having had by Ellen, his wife, only child of colonel Robert Lancashire, three sons and two daughters; two of the sons died young; Robert, the second and only surviving son, had the castle and manors of Hever Cobham and Brocas, and died before his father possessed of them, as appears by his epitaph, in 1736, ætat. 28.
On Sir Orlando's death his two daughters became his, as well as their brother's, coheirs, of whom Mary, the eldest, had three husbands; first, William Ball Waring, of Dunston, in Berkshire, who died in 1746, without issue; secondly, John Honywood, esq. second brother of Richard, of Mark's-hall, who likewife died without issue, in 1748; and lastly, Thomas Gore, esq. uncle to Charles Gore, esq. M.P. for Hertfordshire; which latter had married, in 1741, Ellen Wintour, the only daughter of Sir Orlando Humfreys, above mentioned.
They, with their husbands, in 1745, joined in the sale of Hever-castle and the manors of Hever Cobham and Hever Brocas, to Timothy Waldo. He was descended from Thomas Waldo, of Lyons, in France, one of the first who publicly opposed the doctrines of the church of Rome, of whom there is a full account in the Atlas Geograph. vol. ii. and in Moreland's History of the Evangelical Churches of Piedmont. One of his descendants, in the reign of queen Elizabeth, to escape the persecution of the duke D'Alva, came over to England, where he and his descendants afterwards settled, who bore for their arms, Argent a bend azure, between three leopards heads of the second; of whom, in king Charles II.'s reign, there were three brothers, the eldest of whom, Edward, was knighted, and died without male issue, leaving two daughters his coheirs; the eldest of whom, Grace, married first Sir Nicholas Wolstenholme, bart. and secondly, William lord Hunsdon, but died without issue by either of them, in 1729. The second brother was of Harrow, in Middlesex; and Timothy, the third, was an eminent merchant of London, whose grandsons were Edward, who was of South Lambeth, esq. and died in 1783, leaving only one daughter; and Timothy, of Clapham, esquire, the purchaser of this estate, as above mentioned, who was afterwards knighted, and died possessed of it, with near thirteen hundred acres of land round it, in 1786; he married, in 1736, Miss Catherine Wakefield, by whom he left an only daughter and heir, married to George Medley, esq. of Sussex, lady Waldo surviving him is at this time intitled to it.
The castle is entire, and in good condition; it has a moat round it, formed by the river Eden, over which there is a draw bridge, leading to the grand entrance, in the gate of which there is yet a port cullis, within is a quadrangle, round which are the offices, and a great hall; at the upper end of which, above a step, is a large oak table, as usual in former times. The great stair case leads up to several chambers and to the long gallery, the cieling of which is much ornamented with soliage in stucco; the rooms are all wainscotted with small oaken pannels, unpainted. On one side of the gallery is a recess, with an ascent of two steps, and one seat in it, with two returns, capable of holding ten or twelve persons, which, by tradition, was used as a throne, when king Henry VIII. visited the castle. At the upper end of the gallery, on one side of a large window, there is in the floor a kind of trap door, which, when opened, discovers a narrow and dark deep descent, which is said to reach as far as the moat, and at this day is still called the dungeon. In a closet, in one of the towers, the window of which is now stopped up, there is an adjoining chamber, in which queen Anne Bulleyn is said to have been consined after her dis grace. The entrance to this closet, from the chamber, is now by a small door, which at that time was a secret sliding pannel, and is yet called Anne Bulleyn's pannel.
In the windows of Hever-castle are these arms; Argent, three buckles gules, within the garter; a shield of four coasts, Howard, Brotherton, Warren, and Mowbray, argent three buckles gules; a shield of eight coats, viz. Bulleyn, Hoo, St. Omer, Malmains, Wickingham, St. Leger, Wallop, and Ormond; and one, per pale argent and gules, for Waldegrave. (fn. 8)
It is reported, that when Henry VIII. with his attendants, came to the top of the hill, within sight of the castle, he used to wind his bugle horn, to give notice of his approach.
There was a court baron constantly held for each of the above manors till within these forty years, but at present there is only one, both manors being now esteemed but as one, the circuit of which, over the neighbouring parishes, is very extensive.
SEYLIARDS is an estate here which extends itself into the parishes of Brasted and Eatonbridge, but the mansion of it is in this parish, and was the antient seat of the Seyliards, who afterwards branched out from hence into Brasted, Eatonbridge, Chidingstone, and Boxley, in this county.
The first of this name, who is recorded to have possessed this place, was Ralph de Seyliard, who resided here in the reign of king Stephen.
Almerick de Eureux, earl of Gloucester, who lived in the reign of king Henry III. demised lands to Martin at Seyliard, and other lands, called Hedinden, to Richard Seyliard, both of whom were sons of Ralph at Seyliard, and the latter of them was ancestor to those seated here and at Delaware, in Brasted. (fn. 9)
This place continued in his descendants till Sir Tho. Seyliard of Delaware, passed it away to John Petley, esq. who alienated it to Sir Multon Lambarde, of Sevenoke, and he died possessed of it in 1758; and it is now the property of his grandson, Multon Lambarde, of Sevenoke, esq.
Charities.
A PERSON gave, but who or when is unknown, but which has time out of mind been distributed among the poor of this parish, the sum of 10s. yearly, to be paid out of land vested in the churchwardens, and now of that annual produce.
The Rev. JOHN PETER gave by will, about 1661, the sum of 10s. yearly, to be paid for the benefit of poor farmers only, out of land vested in the rector, the heirs of Wm. Douglass, and the heirs of Francis Bowty, and now of that annual produce.
The Rev. GEORGE BORRASTON, rector, and several of the parishioners, as appears by a writing dated in 1693, purchased, with money arising from several bequests, the names of the donors unknown, except that of WILLIAM FALKNER, to which the parishioners added 15l. a piece of land, the rent to be distributed yearly among the poor of the parish, vested in the rector and churchwardens, and of the annual produce of 3l. 12s.
Rev. THOMAS LANCASTER, rector, gave by will in 1714, for buying good books for the poor, and in case books are not wanting for the schooling of poor children at the discretion of the mimister, part of a policy on lives, which was exchanged for a sum of money paid by his executor, being 20l. vested in the minister and churchwardens.
SIR TIMOTHY WALDO gave by will in 1786, 500l. consolidated 3 per cent. Bank Annuities, one moiety of the interest of which to be applied for the placing of some poor boy of the parish apprentice to a farmer, or some handicraft trade, or to the sea service, or in cloathing such poor boy during his apprenticeship, and in case no such poor boy can be found, this moiety to be distributed among such of the industrious poor who do not receive alms. The other moiety to be laid out in buying and distributing flannel waistcoats, or strong shoes, or warm stockings, among such of the industrious or aged poor persons inhabiting within this parish, as do not receive alms, vested in the Salters Company.
HEVER is within the ECCLESIASTICAL JURISDICTION of the diocese of Rochester, and being a peculiar of the archbishop, is as such within the deanry of Shoreham. The church, which stands at the east end of the village, is a small, but neat building, consisting of one isle and two chancels, having a handsome spire at the west end of it. It is dedicated to St. Peter.
Among other monuments and inscriptions in it are the following:—In the isle is a grave-stone, on which is the figure of a woman, and inscription in black letter in brass, for Margaret, wife of William Cheyne, obt. 1419, arms, a fess wavy between three crescents.—In the chancel, a memorial for Robert Humfreys, esq. lord of the manor of Heaver, only son and heir of Sir Orlando Humfreys, bart. of Jenkins, in Effex, obt. 1736. Against the wall is a brass plate, with the figure of a man kneeling at a desk, and inscription in black letter for William Todde, schoolmaster to Charles Waldegrave, esq. obt. 1585.—In the north chancel, an altar tomb, with the figure on it at large in brass, of Sir Thomas Bullen, knight of the garter, earl of Wilcher and earl of Ormunde, obt. 1538. A small slab with a brass plate, for ........ Bullayen, the son of Sir Thomas Bullayen.—In the belsry, a stone with a brass plate, and inscription in black letter in French, for John de Cobham, esquire, obt. 1399, and dame Johane, dame de Leukenore his wife, and Renaud their son; near the above is an antient altar tomb for another of that name, on which is a shield of arms in brass, or, on a chevron, three eagles displayed, a star in the dexter point. These were the arms of this branch of the Cobhams, of Sterborough-castle. (fn. 10)
This church is a rectory, the advowson of which belonged to the priory of Combwell, in Goudhurst, and came to the crown with the rest of its possessions at the time of the surrendry of it, in the 7th year of king Henry VIII. in consequence of the act passed that year for the surrendry of all religious houses, under the clear yearly revenue of two hundred pounds. Soon after which this advowson was granted, with the scite of the priory, to Thomas Colepeper, but he did not long possess it; and it appears, by the Escheat Rolls, to have come again into the hands of the crown, and was granted by the king, in his 34th year, to Sir John Gage, to hold in capite by knights service; who exchanged it again with Tho. Colepeper, to confirm which an act passed the year after. (fn. 11) His son and heir, Alexander Colepeper, had possession granted of sundry premises, among which was the advowson of Hever, held in capite by knights service, in the 3d and 4th years of king Philip and queen Mary; the year after which it was, among other premises, granted to Sir Edward Waldegrave, to hold by the like tenure.
Charles Waldegrave, esq. in the 12th year of queen Elizabeth, alienated this advowson to John Lennard, esq. of Chevening, and being entailed to his heirs male, by the last will of Sampson Lennard, esq. his eldest son, under the word hereditament possessed it, and it being an advowson in gross, was never disentailed by Henry, Richard, or Francis, lords Dacre, his descendants, so that it came to Thomas lord Dacre, son of the last mentioned Francis, lord Dacre, afterwards earl of Sussex, in 1673, and at length sole heir male of the descendants of John Lennard, esq. of Chevening, above mentioned; and the same trial was had for the claim of a moiety of it, at the Queen's-bench bar, as for the rest of the earl's estates, and a verdict then obtained in his favour, as has been already fully mentioned before, under Chevening.
The earl of Sussex died possessed of it in 1715, (fn. 12) whose two daughters, his coheirs, on their father's death became entitled to this advowson, and a few years afterwards alienated the same.
It then became the property of the Rev. Mr. Geo. Lewis, as it has since of the Rev. Mr. Hamlin, whose daughter marrying the Rev. Mr. Nott, of Little Horsted, in Sussex, he is now intitled to it.
In the 15th year of king Edward I. this church of Heure was valued at fifteen marcs.
By virtue of a commission of enquiry, taken by order of the state, in 1650, issuing out of chancery, it was returned, that Hever was a parsonage, with a house, and twelve acres of glebe land, which, with the tithes, were worth seventy-seven pounds per annum, master John Petter being then incumbent, and receiving the profits, and that Francis lord Dacre was donor of it. (fn. 13)
This rectory was valued, in 1747, at 1831. per annum, as appears by the particulars then made for the sale of it.
It is valued, in the king's books, at 15l. 17s. 3½d. and the yearly tenths at 1l. 10s. 8¾d. It is now of the yearly value of about 200l.
¶The priory of Combwell, in Goudhurst, was endowed by Robert de Thurnham, the founder of that house, in the reign of king Henry II. with his tithe of Lincheshele and sundry premises in this parish, for which the religious received from the rector of this church the annual sum of 43s. 4d.
Duneira house and gardens at Mount Macedon.
(Extract from Macedon Ranges cultural heritage and landscape study/Trevor Budge and Associates. 4 v. 1994.).
Henry Suetonius Officer reputedly aquired the Duneira site from
1872-1877 (Blocks 4,5,10,11,14) paying some £84 for 38 acres but
rate listings give Robert Officer as the owner. .
.
Suetonius Henry Officer (1830-1883).
Officer was born in Hullgreen, New Norfolk, Tasmania 1830, the
son of Sir Robert & Lady Officer. He was educated in Edinburgh
with his brother, Charles, and returned to the colonies, seeking
gold in Victoria but eventually settling for pastoralism in
company with his brothers and Charles Miles{ ibid.}. They managed
stations in the Wimmera and the Riverina, James marrying in 1866
and commencing construction of a 20 room homestead at Murray
Downs & Willakool, two adjoining properties fronting the Murray
River. After experimentation with irrigation, via steam pumps and
windmills, he was able to develop extensive orchards and crops. He was also, like his brother, interested in
acclimatisation, having developed an ostrich farm on his property
(Charles was a council member of the Zoological & Acclimatisation
Society for 10 years, president in 1887). .
.
Blighted by illness, Suetonius reputedly moved to Leighwood,
Toorak (Melbourne) in 1881, having erected the first stage of
Duneira at Mount Macedon, but died two years later. However his son, Henry jnr. was
born at South Yarra in 1869 and his next child, Jessie, was born
at Macedon in 1877, indicating that he was in residence at both
places prior to the dates previously supposed..
.
Suetonius probably commissioned the first stage of Duneira to be
erected as a summer house between c1874-6. The architect Levi
Powell is thought to have designed a house for him there around
that date. The first improvements listed on the site were
stables in 1874 when Robert Officer was rated as owning the site. The house was reputedly not occupied regularly
until c1881 when Suetonius moved to Toorak.
However it appears he and his family were in residence at Duneira
by 1877..
.
When Suetonius died in 1883 his wife, Mary Lillias Rigg Officer
(nee Cairns), of Glenbervie, Glenferrie Road, Toorak was the
co-executor of the estate, with merchant Robert Harper; she is
the rate occupier in 1888. Mrs Officer was the
sister of Mrs Robert Harper (Huntly Burn) and Mrs John C lloyd
(Montpelier, later Timsbury): all three houses were reputedly
built in the same period... .
.
The house bricks for the first stage were said to have come from
the Macedon Brick Kiln (once near the Macedon railway station,
set up in c1888-9?) with external walls built in 14" Flemish bond
from slop-moulded bricks (9 inch by 2.1/2). The bricks were reputedly carted
from Macedon by Cogger. The footings were of bluestone
and reputedly dressed sandstone blocks also survive, suggesting
that the first stage was face brick with stone quoins and the
next renovation c1888 added wings and a cement coating to the
whole complex. Floor frames were reputedly supported on stone
dwarf walls and joists were 6x2.1/2 inch jarrah, with flooring
being 6 inch pine}. Seaweed was apparently used for
ceiling insulation..
.
The servants' wing verandah was skillion in form with timber
posts with classical capitals. The main verandah had coupled
posts (rebuilt with single posts) a panelled frieze and slimmer
capitals set just under the frieze rail}. The
balustrade may have been of single cast-iron balusters..
.
Just prior to the sale to the speculator, James Smith Reid in
1890, and during the occupation of Edward Dyer, major additions
were made to the house complex and a reputedly a caretaker's
lodge was placed at the gate (survives, altered c1920s) but this
appears to have been added by Reid in the early 1890s. .
.
The added rooms were reputedly: billiard (32'x24') and dining
rooms, kitchen, servants bathroom, service block with 5 rooms
(engine room, dairy, pantry, store, boiler room, built of
Northcote machine made 9" brickwork). Damp proof coursing was
used in these additions compared to the slate of the first stage
and acetylene gas (engine room) was thought used for lighting
from this period, as reticulated in 1.1.2" mains and 1/2 inch
branches to internal and some external verandah lights.
Cast-iron elaborately detailed water radiators were also used,
with hot water pumped from the boiler room, and later a duplicate
boiler allowed hot water to be reticulated taps in the house{
ibid.}..
.
The description in rate books expands to villa and cottages (on
37 acres) for the first time under Reid in c1893 but the annual
valuation had already peeked in 1888 at £200 in the occupation of
Edward Dyer. An Edward Dyer was listed at that time as a fruiterer in
Burwood Road, Hawthorn..
.
The water supply is from a concrete tank fed by a spring.
Outbuildings include timber clad stables, storerooms,
blacksmith's shop, coachman's room, milking bails, hay shed and a
green house. The stables (extended) were described as having had
a shingled gabled roof (rear skillion) with loft entered via an
external stair at the north end. It had a blacksmith's
shop (altered for garage c1941), carriage and coachman's rooms,
two stores and vertically boarded main doors{ ibid.,p24}. The
milking and hay sheds had hipped roof forms and timber cladding
and frame. The interior was white-washed. The greenhouse
in the secret hedged garden is of a later date, with a timber
frame built up on 11" cavity brickwork walls, with a brick floor
and heated water pipes under each shelf. The boiler is near the
entry..
.
The `Gisborne Gazette' reported on Duneira in 1903 under the
heading of `A Popular Health Resort':.
`Duneira certainly merits a few remarks though beautiful
residences and grounds are by no means rare in that locality..
(when Reid purchased it, it was `little better than a wilderness'
and he had spared no expense to restore it).. After passing the
lodge at the main entrance, a broad serpentine drive leads up to
the house and from there the grounds are laid out in broad
sloping lawns surmounted with choice borders and fringed with
trees which however do not interfere to any great extent with the
view. There is of course no lack of flowers which grow
luxuriantly on the mount but the great feature of Duneira is the
lawns, those open green expanses which delight the eye at all
times of the year. the secret of this perennial verdure is to be
found in the copious water supply with which Macedon is blessed
(spring at rear of house, tapped by tunnelling 40m into the hill,
ie. grass grows up to base of Monterey pines)..
.
During Reid's time there, the valuation increased marginally in
1899-1900 and again soon after, with Reid's address being given
as care of Rosstrevor Magill, South Australia, in c1909-10. JS Reid died in 1922, leaving
the property to the management of JS Reid jun..
.
The main garden elements are: sweeping lawns, box hedges, weeping beech and cherry, extensive hedges (holly, laurel), a hedged
`secret garden' with green house, mature firs, elm and chestnut ì
avenues. There is also a fountain and a wide spreading weeping elm to the rear of the house, near the tennis court..
.
Significant Trees:.
`Ulmus x hollandica'.
`Prunus' "shirotae".
`Albies procera'.
`Ilex kingiana'.
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Carte de visite by A.I. Blauvelt of Port Hudson, La.Major George Blight Halsted’s military service placed him in a variety of battles and other operations during the Civil War. He participated in the first combined army-navy operations against the batteries of Hatteras Inlet in August 1861. He fell into enemy hands at the Battle of Cedar Mountain in August 1862 and was held at Libby Prison for two months—for some of the time wearing a halter around his neck. He returned in time for the Battle of Fredericksburg in December 1862. He served in operations against Port Hudson in 1863. He organized colored troops. He distinguished himself in the Petersburg and Appomattox Campaigns in 1864-1865.
The list of men on whose staffs he served included navy officers Silas Stringham and Louis M. Goldsborough, and generals Phil Kearney, Nathaniel P. Banks, Christopher Columbus Augur, Augustus Louis Chetlain, Gouverneur K. Warren and Charles Griffin.
Acting as an aide to Maj. Gen. Warren at the Battle of White Oak Road on March 31, 1865, he suffered two wounds. A version of how he came to receive these injuries was written by Augustus Caesar Buell, a New York cavalryman who wrote several books after the war later found to be full of exaggeration, embellishment and outright falsehoods. The account of Halsted’s woundings makes for a good read, and lines up with the facts of his service. Buell wrote:
"Maj. Halsted was hit twice while helping Warren to rally the troops, but was not disabled. One bullet struck him on the thigh, cutting his trousers, and making a slight flesh wound. The other hit him just above the corner of his vest pocket, glancing from the ends of his ribs, and passing under the skin clear around to his back, where it lodged on the large muscle alongside his spine.
Halsted swayed a little in his saddle when this last ball struck him, and turned a bit white in his lips, but straightened up in a moment and said to me and the other Orderly with him, as we noticed his distress: “I’m not much hurt boys; come along!"
Buell added, "He was a game a man as I ever knew." The surgeon had to dress the back wound twice a day, "but he stuck to the saddle and never quit till Lee surrendered."
Halsted survived his wounds and the rest of the war.
Born in New Jersey in 1820, his mother descended from Abraham Clark, a signer of the Declaration of Independence. Halsted graduated from Princeton in 1839 and, three years later, joined his father in the practice of law. In 1845, he became a court reporter and served in this capacity until the Civil War—with the exception of a one-year adventure to California in 1849.
A Democrat who voted for Stephen Douglas in the 1860 presidential election, Halsted joined the military on April 20, 1861—motivated to fight for the Union after the Baltimore Riot, also known as the Pratt Street Riot, that occurred a day earlier.
A lieutenant at the beginning of his war service, he received a promotion to captain with the Adjutant General's Office in 1862 and the brevet rank of major on April 9, 1865—the day Lee surrendered to Grant. He mustered out of the army in March 1866.
His younger brother, Frank William Halsted of the U.S. Navy, praised Halsted in a letter endorsing a promotion to Secretary of War Edwin M. Stanton: Halsted, he wrote, "has always sustained a reputation for extreme bravery, gallantry, and a thorough performance of his duty."
A peacetime lawyer, Halsted traveled to Lake Minnetonka, Minn., in 1876, to attend to the estate of his late brother Frank, who had settled in a small cottage known as the Hermitage. Frank became known as “The Hermit of Lake Minnetonka.”
Halsted decided to remain in Minnesota and take his brother’s place as the new Hermit. He remained so until his death when the Hermitage caught fire and burned in 1906.
Here's a full account of his Minnesota experience:
Captain Frank William Halsted and his elder brother, Major George Blight Halsted, were the lonely occupants for nearly fifty years, one succeeding the other, of a picturesque dwelling called the "Hermitage." It was situated on Halsted's Bay, so named for Captain Halsted, at the head of Lake Minnetonka, ten miles west of Minneapolis, a popular summer home-site for Minnesota people. Both Captain and Major Halsted met tragic deaths.
At the age of twenty-three years in 1855, Frank William Halsted left a fine home, a cultured and well-to-do family, and bright prospects in cultivated society in New Jersey, for what reason is not now known, to build a cabin in a wilderness, and lived there alone for twenty odd years. Returning after service in the United States Navy in the Civil War, Captain Halsted replaced the cabin with a substantial house, in which he accumulated
books and historical relics, including a chair from the Mississippi home of Jefferson Davis, given him by Miss Winnie Davis. Although called a hermit, he did not have the traditional traits of one, for he was genial and sociable.
Sightseers, whom he welcomed, visited his unique home, and wrote their names on the walls, both inside and outside, until they were finally entirely covered with signatures and addresses.
Captain Halsted was drowned in the Lake Minnetonka in 1876, probably as a suicide, although there was some evidence of foul-play by robbers. He had constructed a boat, which he had named "Mary" in honor of his mother, that was a failure as a water-craft, and his disappointment is thought to have prompted self-destruction. In compliance with his wishes the body was placed in a coffin, which he had made and left ready, and was buried in the front yard of the "Hermitage" under a large maple tree with a boulder as a grave-stone.
Major Halsted came to the "Hermitage" at the time of his brother's death, was attracted to the place, and decided to remain and live there alone also. It is a legend that he left the furnishings in some parts of the house exactly as he had found them, even to the dining-table dishes, which had been laid out by his deceased brother for a meal. Major Halsted added to the library and the curios, and the stream of visitors continued.
About 1:00 o'clock in the night of September 51 1901, the "Hermitage" burned, and Major Halsted was destroyed in the flames. This was not known until the next afternoon. Neighbors who noticed the fire mistook it for the burning of a boat-house on the lakeshore. The Major had gone to the village of Excelsior in the afternoon, seemingly in good health and spirits, and had returned to his home in his rowboat as usual. It was supposed that a kerosene lamp at his bedside, by which he was known to read at night, had been overturned, perhaps when he
had fallen asleep. His will contained this unique section:
It is my wish and desire and I hereby order, desire, and direct my executors hereinafter named, that when I am dead I shall be buried in the simple box, as was my brother, which I have made for this occasion years ago. It will be found behind the front door entrance to the "Hermitage", requiring no hammer or nail to prepare it for its intended use, viz., to carry me into the grave to be laid beside my brother, Frank, under the maple. Let the large army flag be placed on it from the "Hermitage" to the grave and if the ladies of Mary Halsted Circle of the
G.A.R. are present, or absent, let the flag be given to the circle as a memento of mother and sons. The ashes of Major Halsted were placed in a simple black box, instead of the coffin he had made for his body, and were buried under the maple tree beside his brother, and the spot was marked with a second large boulder. The ladies of Mary Halsted Circle of the G.A.R. were present at the funeral, and received the flag.
Some years afterwards the maple tree was blown down in a cyclone. The "Hermitage" property was purchased by C. A. Loring, of Minneapolis, President of the Pillsbury Flour Mills Company, a friend of Major Halsted, who erected a modern dwelling on the site.
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An elegant starship - Lego Ultimate Collector Series RZ-1 A-Wing interceptor I got from my wife :)
Designed by Ralph McQuarrie, they were originally colored blue but had to be changed due to the limited bluescreen technology at the time.
Thanks for your comments!
An elegant starship - Lego Ultimate Collector Series RZ-1 A-Wing interceptor I got from my wife :)
Designed by Ralph McQuarrie, they were originally colored blue but had to be changed due to the limited bluescreen technology at the time.
Thanks for your comments!
It's easy to pick holes in the legend of Thomas the Rhymer. Many of the references to him and his predictions were written centuries after his death, but folklore is not necessarily unreliable just because it's verbal, and there's a good argument that in this case, where there's smoke there may once have been fire!
The problem is that the historical reality of True Thomas has been almost completely submerged in the tidal wave of myth and legend that has grown up around him over the centuries since. While it seems reasonable to dismiss the story that he "disappeared for seven years to live with the Queen of Elfland and returned to Ercildoune with the gift of prophecy", there are plenty of predictions attributed to him that may either be genuine or may have contained some degree of truth.
Popular lore recounts that he prophesied some of the great events in Scottish history, including the death of Alexander III of Scotland in 1286. He is said to have told the Earl of Dunbar:
"On the morrow, afore noon, shall blow the greatest wind that ever was heard before in Scotland."
There having been no significant change in the weather by the time his lordship sat down for his lunch the following day, a "please explain" was sent to Thomas, who replied that the appointed hour had not yet come, shortly after which, news arrived from Fife of the king's death.
Another of the Rhymer's predictions is said to go like this:
"When the Yowes o' Gowrie come to land,
The Day o' Judgment's near at hand"
A "Yowe" in the country parts of Scotland, is a ewe and the Yowes of Gowrie were two large rounded ovine looking rocks in the Tay estuary, just off the shore from Invergowrie, close to the outlet of the Fowlis Burn. Why and how should two large rocks ever come ashore you might well wonder? Well they had been observed over a period of many years to be getting slowly but surely closer to the shoreline! Or to be more precise, the shoreline was getting closer to them! Then in the 19th century they finally did come ashore. The Dundee to Perth railway line was built along that part of the coast line, seemingly just offshore of the yowes, after which the area to landward of the railway was used as a rubbish dump - supposedly burying the yowes in the process. So technically the yowes have "come to land", without triggering the Day of Judgement, although there are parts of Dundee where it probably can't come soon enough!
Perhaps my favourite of the Rhymer's prophecies, concerns Fyvie Castle in Aberdeenshire. He is said to have said:
"Fyvie, Fyvie thou'se never thrive,
lang's there's in thee stanes three :
There's ane intill the highest tower,
There's ane intill the ladye's bower,
There's ane aneath the water-yett,
And thir three stanes ye'se never get."
What does that mean when translated loosely into understandable English?
It is believed that there were three special stones at Fyvie - weeping stones. They remained permanently damp, whatever the weather and the whereabouts of two of them are unknown. The Rhymer's prediction is interpreted as meaning that until all three were located, no eldest son would succeed to his father at Fyvie. The 'Ladye's bower' is the castle's charter room, and the one surviving stone is kept there to this day. Whether there is another one built into the castles 'highest tower', nobody seems to know, but the biggest problem is the one said to be underneath the water-gate. This would place it in the River Ythan, which runs around the castle, and trying to identify a damp stone is a river is of course a difficult task!
So what about the prediction, that no oldest son would inherit? I have known this story, without questioning it, for most of my life, having been solemnly told that indeed, no eldest son had ever inherited the castle. But in the interests of science, I though I would spend some time now trying to find out whether that's true!
Fyvie was originally (before the time of the Rhymer a royal castle. We know that King Alexander II signed charters here in February 1222 and The Bruce stayed here in the early years of the 14th century. Since then, it has been owned by five families - the Prestons, the Meldrums, the Setons, the Gordons and the Forbes-Leiths.
Actually, technically, there were six families! In 1370, King Robert II granted Fyvie to his son and heir John (later Robert III), who in turn passed the castle to his cousin, Sir James Lindsay. However, in 1388 the Scots had a rare victory over the English at the Battle of Otterburn, during which Ralph de Percy was captured by Sir Henry Preston, the brother-in-law of Sir James Lindsay. When Robert III came to the throne two years later in 1390 he purchased the rights to Ralph de Percy's ransom by transferring ownership of Fyvie Castle from Sir James Lindsay to Sir Henry Preston. This would seem rather unfair, although I imagine Sir James would have been adequately compensated, but it does of course set the prophesy off in the right direction - Sir James' heir never inherited Fyvie!
So leaving Sir James Lyndsay to one side, the first effective owner of Fyvie in the post royal era, was Sir Henry Preston. When he died around the year 1433, he wasn't succeeded by his son, because he didn't have any! Fyvie went to Sir Alexander Meldrum of that ilk, who had married one of Sir Henry's two daughters.
Fyvie remained in the hands of the Meldrums for about 160 years, passing through the hands of several (probably five) generations of the family, but as we don't know the genealogy of this part of the Meldrum family, we can't say whether an eldest son ever inherited. Probably yes, but the accuracy of the prophesy can't be disproved! In 1596, Fyvie was sold by the Meldrums to Alexander Seton, later Chancellor of Scotland.
Alexander Seton, 1st Earl of Dunfermline and Chancellor of Scotland, was born in 1555. His first wife, to whom he was already married when he bought Fyvie, was Lillias Drummond and after producing five children for him, all girls, it is said that Lord Seton, blaming his wife for the lack of a son and heir, began an affair with her cousin (and future wife) Grizel Leslie. Betrayed and heartbroken Lillias died not long after learning of the affair, .
Lillias Drummond died in May 1601 and Lord Seton married Grizel Leslie a few months later in October 1601. On their wedding night at Fyvie it is said that they were both distracted by a 'mournful moaning' from outside their bedroom window. A search for the source of the noises produced no results but the next morning the words D. LILLIAS DRUMMOND were found carved into the stone sill outside their bedroom window, in letters three inches high and upside down, the window being over 50 feet above ground level. The letters remain visible to this day and since that time, Fyvie Castle is said to have been haunted by a lady in green, roaming the corridors of the castle, crying at her betrayal by her husband and leaving behind the scent of Rose petals!
How much of that is true, I don’t know, but what is true is that before her death in 1606, Grizel Leslie produced two daughters and a son Charles, and that Charles died young! It was up to Lord Seton's third wife to produce his successor, another Charles.
The eldest son and heir of Charles Seton, 2nd Earl of Dunfermline, also named Charles, died in 1672, just before his father! Alexander, the 2nd son became 3rd Earl of Dunfermline, but dying unmarried, the title passed to his brother James.
James Seton, 4th Earl of Dunfermline, died in 1694, also unmarried - which was somewhat immaterial because, having supported the Jacobite cause in the 1689 Rising, his castle and estate had already been confiscated by the crown. Fyvie remained a crown property until it was sold in 1733.
The purchaser in 1733 was William Gordon, 2nd Earl of Aberdeen. His wife at the time was Anne Gordon, daughter of the 2nd Duke of Gordon and their eldest son William inherited Fyvie from his father. But those that have read this far and are hoping the Rhymer's prophesy will hold true will be delighted to learn that Lord William Gordon had already been married, twice and had two sons by his 2nd wife. So once again, the eldest son and heir didn't inherit Fyvie.
General William Gordon, 1st of Fyvie died in 1816 when, unfortunately for Thomas the Rhymer, who now can never be taken seriously again, was succeeded by his only son William Gordon, 2nd of Fyvie Castle. He died without children in 1847, whereupon Fyvie passed to his nephew, Charles Gordon 3rd of Fyvie.
When the 3rd laird died in 1851, Fyvie passed to his son and heir, for the 2nd (and last) time that we know of in five centuries, William Cosmo Gordon. Either he or his executors put Fyvie up for sale and it sold in 1889 to the 5th and last family to own it.
Fyvie's new owner was Alexander John Forbes-Leith, later 1st Baron Leith of Fyvie. He was a local boy who had made his fortune in the steel industry in the US of A and used Fyvie to house his huge collection of paintings, tapestries, armour and furniture. His only son and heir, Percy Forbes-Leith, 2nd Lt Royal Dragoons, was killed aged 19 in 1900 during the Boer War.
In 1982 Fyvie Castle was once again placed on the market, and in 1984 it was purchased by the National Trust for Scotland.
So could Thomas the Rhymer predict the future? Well it's my belief he could do so every bit as accurately as Nostradamus!