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Thames vista from Execution Dock, with the towers of Canary Wharf in distance. London Borough of Tower Hamlets.
Execution on Gibbela
19 BBY "The blaster fire has stopped, the battlefield has gone silent, we've finally chased the CIS out of the farmland of Gibbela. With the news of both general grievous and count dooku's deaths this war's end is in sight. Now the only things left to do are informing commander chase of our imminent departure and prepare for my debriefing with the council. Hopefully this will be my last battle of this wretched war."
West Virginia State Penitentiary at Moundsville
A very interesting read from Wikipedia:
Design
The West Virginia State Penitentiary's design is similar to the facility at the 1858 state prison in Joliet, Illinois, with its castellated Gothic, stone structure, complete with turrets and battlements, except it is scaled down to half the size.The original architectural designs have been lost. The dimensions of the parallelogram-shaped prison yard are 82½ feet in length, by 352½ feet in width. The stone walls are 5 feet (1.5 m) thick at the base, tapering to 2½ feet at the top, with foundations 5 feet (1.5 m) deep. The center tower section is 682 feet (208 m) long. It lies at the western side of the complex along Jefferson Avenue and is considered the front, as this is where the main entrance is located. The walls here are 24 feet (7.3 m) high and 6 feet (1.8 m) wide at the base, tapering to 18 inches (460 mm) towards the top.
Founding
In 1863, West Virginia seceded from Virginia at the height of the American Civil War. Consequently, the new state had a shortage of various public institutions, including prisons. From 1863 to 1866, Governor Arthur I. Boreman lobbied the West Virginia Legislature for a state penitentiary but was repeatedly denied. The Legislature at first directed him to send the prisoners to other institutions out of the state, and then they directed him to use existing county jails, which turned out to be inadequate. After nine inmates escaped in 1865, the local press took up the cause, and the Legislature took action. On February 7, 1866, the state legislature approved the purchase of land in Moundsville for the purpose of constructing a state prison. Ten acres were purchased just outside the then city limits of Moundsville for $3000. Moundsville proved an attractive site, as it is approximately twelve miles south of Wheeling, West Virginia, which at that time was the state capital.
The state built a temporary wooden prison nearby that summer. This gave prison officials time to assess what prison design should be used. They chose a modified version of the design of Northern Illinois Penitentiary at Joliet. Its Gothic Revival architecture "exhibit[ed], as much as possible, great strength and convey[ed] to the mind a cheerless blank indicative of the misery which awaits the unhappy being who enters within its walls."
The first building constructed on the site was the North Wagon Gate. It was made with hand-cut sandstone, which was quarried from a local site.The state used prison labor during the construction process, and work continued on this first phase until 1876. When completed, the total cost was of $363,061. In addition to the North Wagon Gate, there was now north and south cellblock areas (both measuring 300 ft. by 52 ft. South Hall had 224 cells (7 ft. by 4 ft.), and North Hall had a kitchen, dining area, hospital, and chapel. A 4-story tower connecting the two was the administration building (measuring 75 ft. by 75 ft.) It included space for female inmates and personal living quarters for the warden and his family. The facility officially opened in this year, and it had a prison population of 251 male inmates, including some who had helped construct the prison where they were incarcerated. After this phase, work began on prison workshops and other secondary facilities
Operation
In addition to construction, the inmates had other jobs to do in support of the prison. In the early 1900s some industries within the prison walls included a carpentry shop, a paint shop, a wagon shop, a stone yard, a brickyard, a blacksmith, a tailor, a bakery, and a hospital. At the same time, revenue from the prison farm and inmate labor helped the prison financially. It was virtually self-sufficient. A prison coal mine located a mile away opened in 1921. This mine helped fill some of the prison's energy needs and saved the state an estimated $14,000 a year. Some inmates were allowed to stay at the mine's camp under the supervision of a mine foreman, who was not a prison employee.
Conditions at the prison during the turn of the 20th century were good, according to a warden's report, which stated that, "both the quantity and the quality of all the purchases of material, food and clothing have been very gradually, but steadily, improved, while the discipline has become more nearly perfect and the exaction of labor less stringent." Education was a priority for the inmates during this time. They regularly attended class. Construction of a school and library was completed in 1900 to help reform and educate inmates.
Cells where the prison's worst inmates were kept.
However, the conditions at the prison worsened through the years, and the facility would be ranked on the United States Department of Justice's Top Ten Most Violent Correctional Facilities list. One of the more infamous locations in the prison, with instances of gambling, fighting, and raping, was a recreation room known as "The Sugar Shack".
A notable inmate in the early 20th century was labor activist Eugene V. Debs, who served time here from April 13 to June 14, 1919 (at which time he was transferred to an Atlanta prison) on charges of violating the Espionage Act of 1917.
In 1929, the state decided to double the size of the penitentiary because overcrowding was a problem. The 5 x 7-foot (2.1 m) cells were too small to hold three prisoners at a time, but until the expansion there was no other option. Two prisoners would sleep in the bunks, with the third sleeping on a mattress on the floor. The state used prison labor again and completed this phase of construction in 1959. The construction had been delayed by a steel shortage during World War II.
In total, thirty-six homicides took place in the prison. One of the more notable ones is the butchering of R.D. Wall, inmate number 44670. On October 8, 1929, after "snitching" on his fellow inmates, he was attacked while heading to the boiler room by three prisoners with dull shivs.
In 1983, convicted multiple murderer Charles Manson requested to be transferred to this prison to be nearer to his family. His request was denied.
1979 prison break
On Wednesday, November 7, 1979, fifteen prisoners escaped from the prison. One of the escapees was Ronald Turney Williams, serving time for murdering Sergeant David Lilly of the Beckley Police Department on May 12, 1975. He managed to steal a prison guard's service weapon in the escape, and upon reaching the streets of Moundsville, encountered twenty-three-year-old off-duty West Virginia State Trooper Philip S. Kesner, who was driving past the prison with his wife.
Trooper Kesner saw the escapees and attempted to take action against them. The prisoners pulled him from his car and Williams shot him. Trooper Kesner returned fire at the fleeing suspects despite being mortally wounded.
Williams remained at large for eighteen months, sending taunting notes to authorities and making the FBI's Ten Most Wanted List. During that time, he murdered John Bunchek in Scottsdale, Arizona during a robbery and was connected to crimes in Colorado and Pennsylvania. After a shootout with federal agents at the George Washington Hotel in New York City in 1981, he was apprehended and returned to West Virginia to complete several life sentences. Arizona had sought his extradition for his execution, but as of 19 January 2018 he remains in West Virginia custody.
At the time, Marshall County Sheriff Robert Lightner was very critical about poor police communications during the break. The sheriff's office and local police did not learn about the escape from the state police. They first heard of it over the police scanner. "It was a good twenty minutes before we knew about the escape. If somebody had notified us, there's a good chance that the sheriff's department and the Moundsville police could have been on the scene while all the prisoners were still on the block." He was also critical of the four-state manhunt that followed, when convicted murderers David Morgan and Ronald T. Williams, along with convicted rapist Harold Gowers, Jr., remained at large. "Communications have been very poor. I think they should keep the local law enforcement officers more informed I have no idea what they're doing, what they've found."
1986 riot
January 1, 1986 was the date of one of the most infamous riots in recent history.[citation needed] The West Virginia Penitentiary was undergoing many changes and problems. Security had become extremely loose in all areas. Since it was a "cons" prison, most of the locks on the cells had been picked and inmates roamed the halls freely. Bad plumbing and insects caused rapid spreading of various diseases. The prison was holding more than 2,000 men and crowding was an issue. Another major contribution to the riot's cause was the fact that it was a holiday. Many of the officers had called off work, and prisoners planned to conduct their uprising on this specific day.
At around 5:30 pm, twenty inmates, known as a group called the Avengers, stormed the mess hall where Captain Glassock and others were on duty. "Within seconds, he (Captain Glassock), five other officers, and a food service worker were tackled and slammed to the floor. Inmates put knives to their throats and handcuffed them with their own handcuffs."Although several hostages were taken throughout the day, none of them was seriously injured. However, over the course of the two-day upheaval, three inmates were killed for an assortment of reasons. "The inmates who initiated the riot were not prepared to take charge of it. Danny Lehman, the Avengers' president, was quickly agreed upon as best suited for the task of negotiating with authorities and presenting the demands to the media." Yet, Lehman was not a part of the twenty men who began the riot. Governor Arch A. Moore, Jr. was sent to the penitentiary to talk with the inmates. This meeting set up a new list of rules and standards on which the prison would build. National and local news covered the story, as well as the inmates meeting with Governor Moore.
Decommissioning
Toward the end of its life as a prison, the facility was marked by many instances of riots and escapes. In the 1960s, the prison reached a peak population of about 2,000 inmates.[4] With the building of more prisons, that number declined to 600 – 700 inmates by 1995. The fate of the prison was sealed in a 1986 ruling by the West Virginia Supreme Court which stated that confinement to the 5 x 7-foot (2.1 m) cells constituted cruel and unusual punishment. Within nine years, the West Virginia State was closed as a prison. Most of the inmates were transferred to the Mt. Olive Correctional Complex in Fayette County, West Virginia.A smaller correctional facility was built a mile away in Moundsville to serve as a regional jail.
Executions
The original Old Sparky on display
From 1899 to 1959, ninety-four men were executed at the prison. Hanging was the method of execution until 1949, with eighty-five men meeting that fate. The public could attend hangings, which were public until June 19, 1931. On that date, Frank Hyer was executed for murdering his wife. When the trap door beneath him was opened and his full weight settled into the noose, he was instantly decapitated. Following this event, attendance at hangings was by invitation only. The last man executed by hanging, Bud Peterson from Logan County, was buried in the prison's cemetery because his family refused to claim his body.
Beginning in 1951, electrocution became the means of execution. The electric chair, nicknamed "Old Sparky", used by the prison was originally built by an inmate there, Paul Glenn. Nine men were electrocuted before the state prohibited capital punishment entirely in 1965. The original chair is on display in the facility and is included in the official tour.
The prison has been featured in a variety of books, films, television shows, songs and video games.
Novels
Moundsville native Davis Grubb has written a couple of novels with Moundsville as the setting, Fools' Parade (also known as Dynamite Man from Glory Jail) and The Night of the Hunter. The penitentiary was featured as a significant part of each plot.
Film
These works by Grubb have been adapted as major motion pictures. The Night of the Hunter was adapted into a film by Charles Laughton and James Agee in 1955. It stars Robert Mitchum and Shelley Winters. Fools' Parade, starring James Stewart, Kurt Russell, and George Kennedy, was adapted into a film in 1971.
Prison scenes in the 2013 film Out of the Furnace were filmed on site at the penitentiary.[19]
Television
Many ghost-themed or science fiction television shows have visited the prison:
* ABC Family’s Scariest Places on Earth originally aired on October 29, 2002.
* A&E's Paranormal State originally aired on January 12, 2010.
* Discovery Channel's Ghost Lab originally aired on November 20, 2010.
* MTV's Fear allowed six college students to experience the so-called "haunted prison" for themselves in the 2000 pilot episode.
* Syfy's The Dresden Files. (Exterior images)[citation needed]
* Syfy's Ghost Hunters episode 303, originally aired on October 25, 2006.
* Syfy's Stranded, a paranormal reality show, featured the prison in the first season's third episode on March 13, 2013.[20]
* Syfy's Warehouse 13. (Exterior images)[citation needed]
* Travel Channel's Ghost Adventures originally aired on October 31, 2008.
* Destination America's Ghost Asylum, which originally aired on May 17, 2015.
* Netflix’s Mindhunter, which originally aired on October 13, 2017.
Songs Edit
The prison is mentioned in the song "You Missed My Heart" by Mark Kozelek and Jimmy LaValle on their 2013 collaboration Perils from the Sea. Kozelek also references Wheeling, West Virginia in his lyrics to the song.
1994, Soweto, South Africa --- South African police arrest a Zulu man suspected of being a sniper, a few weeks before South Africa's free elections of April 1994. Severe conflicts between the Zulu Inkatha Freedom Party and the African National Congress broke out during preparations for the election --- Image by � David Turnley/CORBIS
I had done a photo like this almost 2 years ago that was inspired by terra kate and wanted to redo it, I'll try to find the first one and post it in the comment box!
published on vogue
www.vogue.it/en/photovogue/Portfolio/717048e6-3e03-404c-9...
126/365
This photograph featured in online article by Tia Ghose called: '' Crows and ravens took over the world because they're spookily smart (and brawny, too) '', in LIVESCIENCE, part of Future US Inc, an International media group and leading digital publisher in America.© Future US, Inc. Full 7th Floor, 130 West 42nd Street, New York, NY 10036.
The photograph was previously published by Getty Images on July 14th 2021
AN IN DEPTH LOOK AT CORVUS CORONE
LEGEND AND MYTHOLOGY
By Paul Williams
Crows appear in the Bible where Noah uses one to search for dry land and to check on the recession of the flood. Crows supposedly saved the prophet, Elijah, from famine and are an Inuit deity. Legend has it that England and its monarchy will end when there are no more crows in the Tower of London. And some believe that the crows went to the Tower attracted by the regular corpses following executions with written accounts of their presence at the executions of Anne Boleyn and Jane Gray.
In Welsh mythology, unfortunately Crows are seen as symbolic of evilness and black magic thanks to many references to witches transforming into crows or ravens and escaping. Indian legend tells of Kakabhusandi, a crow who sits on the branches of a wish-fulfilling tree called Kalpataru and a crow in Ramayana where Lord Rama blessed the crow with the power to foresee future events and communicate with the souls.
In Native American first nation legend the crow is sometimes considered to be something of a trickster, though they are also viewed positively by some tribes as messengers between this world and the next where they carry messages from the living to those deceased, and even carry healing medicines between both worlds. There is a belief that crows can foresee the future. The Klamath tribe in Oregon believe that when we die, we fly up to heaven as a crow. The Crow can also signify wisdom to some tribes who believe crows had the power to talk and were therefore considered to be one of the wisest of birds. Tribes with Crow Clans include the Chippewa (whose Crow Clan and its totem are called Aandeg), the Hopi (whose Crow Clan is called Angwusngyam or Ungwish-wungwa), the Menominee, the Caddo, the Tlingit, and the Pueblo tribes of New Mexico.
The crow features in the Nanissáanah (Ghost dance), popularized by Jerome Crow Dog, a Brulé Lakota sub-chief and warrior born at Horse Stealing Creek in Montana Territory in 1833, the crow symbolizing wisdom and the past, when the crow had became a guide and acted as a pathfinder during hunting. The Ghost dance movement was originally created in 1870 by Wodziwob, or Gray Hair, a prophet and medicine man of the Paiute tribe in an area that became known as Nevada. Ghost dancers wore crow and eagle feathers in their clothes and hair, and the fact that the Crow could talk placed it as one of the sages of the animal kingdom. The five day dances seeking trance,prophecy and exhortations would eventually play a major part in the pathway towards the white man's broken treaties, the infamous battle at Wounded knee and the surrender of Matȟó Wanáȟtaka (Kicking Bear), after officials began to fear the ghost dancers and rituals which seemed to occur prior to battle.
Historically the Vikings are the group who made so many references to the crow, and Ragnarr Loðbrók and his sons used this species in his banner as well as appearances in many flags and coats of arms. Also, it had some kind of association with Odin, one of their main deities. Norse legend tells us that Odin is accompanied by two crows. Hugin, who symbolizes thought, and Munin, who represents a memory. These two crows were sent out each dawn to fly the entire world, returning at breakfast where they informed the Lord of the Nordic gods of everything that went on in their kingdoms. Odin was also referred to as Rafnagud (raven-god). The raven appears in almost every skaldic poem describing warfare.Coins dating back to 940's minted by Olaf Cuaran depict the Viking war standard, the Raven and Viking war banners (Gonfalon) depicted the bird also.
In Scandinavian legends, crows are a representative of the Goddess of Death, known as Valkyrie (from old Norse 'Valkyrja'), one of the group of maidens who served the Norse deity Odin, visiting battlefields and sending him the souls of the slain worthy of a place in Valhalla. Odin ( also called Wodan, Woden, or Wotan), preferred that heroes be killed in battle and that the most valiant of souls be taken to Valhöll, the hall of slain warriors. It is the crow that provides the Valkyries with important information on who should go. In Hindu ceremonies that are associated to ancestors, the crow has an important place in Vedic rituals. They are seen as messengers of death in Indian culture too.
In Germanic legend, Crows are seen as psychonomes, meaning the act of guiding spirits to their final destination, and that the feathers of a crow could cure a victim who had been cursed. And yet, a lone black crow could symbolize impending death, whilst a group symbolizes a lucky omen! Vikings also saw good omens in the crow and would leave offerings of meat as a token.
The crow also has sacred and prophetic meaning within the Celtic civilization, where it stood for flesh ripped off due to combat and Morrighan, the warrior goddess, often appears in Celtic mythology as a raven or crow, or else is found to be in the company of the birds. Crow is sacred to Lugdnum, the Celtic god of creation who gave his name to the city of Lug
In Greek mythology according to Appolodorus, Apollo is supposedly responsible for the black feathers of the crow, turning them forever black from their pristine white original plumage as a punishment after they brought news that Κορωνις (Coronis) a princess of the Thessalian kingdom of Phlegyantis, Apollo's pregnant lover had left him to marry a mortal, Ischys. In one legend, Apollo burned the crows feathers and then burned Coronis to death, in another Coronis herself was turned into a black crow, and another that she was slain by the arrows of Αρτεμις (Artemis - twin to Apollo). Koronis was later set amongst the stars as the constellation Corvus ("the Crow"). Her name means "Curved One" from the Greek word korônis or "Crow" from the word korônê.A similar Muslim legend allegedly tells of Muhammad, founder of Islam and the last prophet sent by God to Earth, who's secret location was given away by a white crow to his seekers, as he hid in caves. The crow shouted 'Ghar Ghar' (Cave, cave) and thus as punishment, Muhammad turned the crow black and cursed it for eternity to utter only one phrase, 'Ghar, ghar). Native Indian legend where the once rainbow coloured crows became forever black after shedding their colourful plumage over the other animals of the world.
In China the Crow is represented in art as a three legged bird on a solar disk, being a creature that helps the sun in its journey. In Japan there are myths of Crow Tengu who were priests who became vain, and turned into this spirit to serve as messengers until they learn the lesson of humility as well as a great Crow who takes part in Shinto creation stories.
In animal spirit guides there are general perceptions of what sightings of numbers of crows actually mean:
1 Crow Meaning: To carry a message from your near one who died recently.
2 Crows Meaning: Two crows sitting near your home signifies some good news is on your way.
3 Crows Meaning: An upcoming wedding in your family.
4 Crows Meaning: Symbolizes wealth and prosperity.
5 Crows Meaning: Diseases or pain.
6 Crows Meaning: A theft in your house!
7 Crows Meaning: Denotes travel or moving from your house.
8 Crows Meaning: Sorrowful events
Crows are generally seen as the symbolism when alive for doom bringing, misfortune and bad omens, and yet a dead crow symbolises potentially bringing good news and positive change to those who see it. This wonderful bird certainly gets a mixed bag of contradictory mythology and legend over the centuries and in modern days is often seen as a bit of a nuisance, attacking and killing the babies of other birds such as Starlings, Pigeons and House Sparrows as well as plucking the eyes out of lambs in the field, being loud and noisy and violently attacking poor victims in a 'crow court'....
There is even a classic horror film called 'THE CROW' released in 1994 by Miramax Films, directed by Alex Proyas and starring Brandon Lee in his final film appearance as Eric Draven, who is revived by a Crow tapping on his gravestone a year after he and his fiancée are murdered in Detroit by a street gang. The crow becomes his guide as he sets out to avenge the murders. The only son of martial arts expert Bruce Lee, Brandon lee suffered fatal injuries on the set of the film when the crew failed to remove the primer from a cartridge that hit Lee in the abdomen with the same force as a normal bullet. Lee died that day, March 31st 1993 aged 28.
The symbolism of the Crow resurrecting the dead star and accompanying him on his quest for revenge was powerful, and in some part based on the history of the carrion crow itself and the original film grossed more than $94 Million dollars with three subsequent sequels following.
TAKING A CLOSER LOOK
So let's move away from legend, mythology and stories passed down from our parents and grandparents and look at these amazing birds in isolation.
Carrion crow are passerines in the family Corvidae a group of Oscine passerine birds including Crows, Ravens, Rooks, Jackdaws, Jays, Magpies, Treepies, Choughs and Nutcrackers. Technically they are classed as Corvids, and the largest of passerine birds. Carrion crows are medium to large in size with rictal bristles and a single moult per year (most passerines moult twice). Carrion crow was one of the many species originally described by Swedish naturalist Carl Linnaeus (Carl Von Linne after his ennoblement) in his 1758 and 1759 editions of 'SYSTEMA NATURAE', and it still bears its original name of Corvus corone, derived from the Latin of Corvus, meaning Raven and the Greek κορώνη (korōnē), meaning crow.
Carrion crow are of the Animalia kingdom Phylum: Chordata Class: Aves Order: Passeriformes Family: Corvidae Genus: Corvus and Species: Corvus corone
Corvus corone can reach 45-47cm in length with a 93-104cm wingspan and weigh between 370-650g. They are protected under The Wildlife and Countryside Act 1981 in the United Kingdom with a Green UK conservation status which means they are of least concern with more than 1,000,000 territories. Breeding occurs in April with fledging of the chicks taking around twenty nine days following an incubation period of around twenty days with 3 to 4 eggs being the average norm. They are abundant in the UK apart from Northwest Scotland and Ireland where the Hooded crow (Corvus cornix) was considered the same species until 2002. They have a lifespan of around four years, whilst Crow species can live to the age of Twenty years old, and the oldest known American crow in the wild was almost Thirty years old. The oldest documented captive crow died at age Fifty nine. They are smaller and have a shorter lifespan than the Raven, which again is used as a symbol in history to live life to the full and not waste a moment!
They are often mistaken for the Rook (Corvus frugilegus), a similar bird, though in the UK, the Rook is actually technically smaller than the Carrion crow averaging 44-46cm in length, 81-99cm wingspan and weighing up to 340g. Rooks have white beaks compared to the black beaks of Carrion crow, a more steeply raked ratio from head to beak, and longer straighter beaks as well as a different plumage pattern. There are documented cases in the UK of singular and grouped Rooks attacking and killing Carrion crows in their territory. Rooks nest in colonies unlike Carrion crows. Carrion crows have only a few natural enemies including powerful raptors such as the northern goshawk, the peregrine falcon, the Eurasian eagle-owl and the golden eagle which will all readily hunt them.
Regarded as one of the most intelligent birds, indeed creatures on the planet, studies suggest that Corvids cognitive abilities can rival that of primates such as chimpanzees and gorillas and even provide clues to understanding human intelligence. Crows have relatively large brains for their body size, compared to other animals. Their encephalization quotient (EQ) a ratio of brain to body size, adjusted for size because there isn’t a linear relationship is 4.1. That is remarkably close to chimps at 4.2 whilst humans are 8.1. Corvids also have a very high neuronal density, the number of neurons per gram of brain, factoring in the number of cortical neurons, neuron packing density, interneuronal distance and axonal conduction velocity shows that Corvids score high on this measure as well, with humans scoring the highest.
A corvid's pallium is packed with more neurons than a great ape's. Corvids have demonstrated the ability to use a combination of mental tools such as imagination, and anticipation of future events. They can craft tools from twigs and branches to hook grubs from deep recesses, they can solve puzzles and intricate methods of gaining access to food set by humans., and have even bent pieces of wire into hooks to obtain food. They have been proven to have a higher cognitive ability level than seven year old humans. Communications wise, their repertoire of wraw-wraw's is not fully understood, but the intensity, rhythm, and duration of caws seems to form the basis of a possible language. They also remember the faces of humans who have hindered or hurt them and pass that information on to their offspring.
Aesop's fable of 'The Crow and the Pitcher, tells of a thirsty crow which drops stones into a water pitcher to raise the water level and enable it to take a drink. Scientists have conducted tests to see whether crows really are this intelligent. They placed floating treats in a deep tube and observed the crows indeed dropping dense objects carefully selected into the water until the treat floated within reach. They had the intelligence to pick up, weigh and discount objects that would float in the water, they also did not select ones that were too large for the container.
Pet crows develop a unique call for their owners, in effect actually naming them. They also know to sunbathe for a dose of vitamin D, regularly settling on wooden garden fences, opening their mouths and wings and raising their heads to the sun. In groups they warn of danger and communicate vocally. They store a cache of food for later if in abundance and are clever enough to move it if they feel it has been discovered. They leave markers for their cache. They have even learned to place walnuts and similar hard food items under car tyres at traffic lights as a means of cracking them!
Crows regularly gather around a dead fellow corvid, almost like a funeral, and it is thought they somehow learn from each death. They can even remember human faces for decades.Crows group together to attack larger predators and even steal their food, and they have different dialects in different areas, with the ability to mimic the dialect of the alpha males when they enter their territory!
They have a twenty year life span, the oldest on record reaching the age of Fifty nine. Crows can leave gifts for those who feed them such as buttons or bright shiny objects as a thank you, and they even kiss and make up after an argument, having mated for life.
In mythology they are associated with good and bad luck, being the bringers of omens and even witchcraft and are generally reviled for their attacks on baby birds and small mammals. They have an attack method of to stunning smaller birds before consuming them, tearing violently at smaller, less aggressive birds, which is simply down to the fact that they are so highly intelligent, and also the top of the food chain.
Their diet includes over a thousand different items: Dead animals (as their name suggests), invertebrates, grain, as well as stealing eggs and chicks from other birds' nests, worms, insects, fruit, seeds, kitchen scraps. They are highly adaptable when food sources grow scarce. I absolutely love them, they are magnificent, bold, beautiful and incredibly interesting to watch and though at times it is hard to witness attacks made by them, I cannot help but adore them for so many other and more important reasons.
OBSERVATIONS ON THE PAIR IN MY GARDEN
Crows have been in the area for a while, but rarely had strayed into my garden, leaving the Magpies to own the territory. Things changed towards the end of May when a beautiful female Carrion crow appeared and began to take some of the food that I put down for the other birds. Within a few days she began to appear regularly, on occasions stocking up on food, whilst other times placing pieces in the birdbath to soften them. She would stand on the birdbath and eat and drink and come back over the course of the day to eat the softened food.
Shortly afterwards she brought along her mate, a tall and handsome fella, much larger than her who was also very vocal if he felt she was getting a little too close to me. By now I had moved from a seated position from the patio as an observer, to laying on a mat just five feet from the birdbath with my Nikon so that I could photograph the pair as they landed, scavenged and fed. She was now confident enough to let me be very close, and she even tolerated and recognized the clicking of the camera. At first I used silent mode to reduce the noise but this only allowed two shooting frame rates of single frame or continuous low frame which meant I was missing shots. I reverted back to normal continuous high frames and she soon got used to the whirring of the mechanisms as the mirror slapped back and forth.
The big fella would bark orders at her from the safety of the fence or the rear of the garden, whilst she rarely made a sound. That was until one day when in the sweltering heat she kept opening her beak and sunning on the grass, panting slightly in the heat. I placed the circular water sprayer nearby and had it rotating so that the birdbath and grass was bathed in gentle water droplets and she soon came back, landed and seemed to really like the cooling effect on offer. She then climbed onto the birdbath and opened her wings slightly and made some gentle purring, cooing noises....
I swear she was expressing happiness, joy....
On another blisteringly hot day when the sprayer was on, she came down, walked towards it and opened her wings up running into the water spray. Not once, but many times.
A further revelation into the unseen sides to these beautiful birds came with the male and female on the rear garden fence. They sat together, locked beaks like a kiss and then the male took his time gently preening her head feathers and the back of her neck as she made tiny happy sounds. They stayed together like that for several minutes, showing a gentle, softer side to their nature and demonstrating the deep bond between them. Into July and the pair started to bring their three youngsters to my garden, the nippers learning to use the birdbath for bathing and dipping food, the parents attentive as ever. Two of the youngsters headed off once large enough and strong enough.
I was privileged to be in close attendance as the last juvenile was brought down by the pair, taught to take food and then on a night in July, to soar and fly with it's mother in the evening sky as the light faded. She would swoop and twirl, and at regular intervals just touch the juvenile in flight with her wing tip feathers, as if to reassure it that she was close in attendance. What an amazing experience to view. A few days later, the juvenile, though now gaining independence and more than capable of tackling food scraps in the garden, was still on occasions demand feeding from it's mother who was now teaching him to take chicken breast, hotdogs or digestive biscuits and bury them in the garden beds for later delectation. The juvenile also liked to gather up peanuts and bury them in the grass. On one occasion I witnessed a pair of rambunctious Pica Pica (Magpies), chasing the young crow on rooftops, leaping at him no matter how hard he tried to get away. He defended himself well and survived the attacks, much to my relief.
Into August and the last youngster remained with the adults, though now was very independent even though he still spent time with his parents on rooftops, and shared food gathering duties with his mum.Hotdog sausages were their favourite choice, followed by fish fingers and digestive biscuits which the adult male would gather up three at a time. In October, the three Crows were still kings of the area, but my time observing them was pretty much over as I will only put food out now for the birds in the winter months.
Corvus Corone.... magnificently misunderstood by some!
Paul Williams June 4th 2021
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Photograph taken at an altitude of Sixty four metres at 11:04am on a beautiful morning on Saturday 29th May 2021, off Hythe Avenue and Chessington Avenue in Bexleyheath, Kent.
Nikon D850 Focal length 600mm Shutter speed: 1/800s Aperture f/6.3 iso400 Tripod mounted with Gimbal head. Image area FX (36 x 24) NEF RAW L (4128 x 2752). JPeg basic (14 bit uncompressed) AF-C Priority Selection: Release. Nikon Back button focusing enabled. AF-S Priority selection: Focus. 3D Tracking watch area: Normal 55 Tracking points Exposure mode: Manual exposure mode Metering mode: Matrix metering White balance on: Auto1 (4600k) Colour space: RGB Picture control: Neutral (Sharpening +2)
Sigma 60-600mm f/4.5-6.3DG OS HSM SPORTS. Lee SW150 MKI filter holder with MK2 light shield and custom made velcro fitting for the Sigma lens. Lee SW150 circular polariser glass filter.Lee SW150 Filters field pouch.Hoodman HEYENRG round eyepiece oversized eyecup.Manfrotto MT057C3-G Carbon fiber Geared tripod 3 sections. Neewer Carbon Fiber Gimble tripod head 10088736 with Arca Swiss standard quick release plate. Neewer 9996 Arca Swiss release plate P860 x2.Jessops Tripod bag. Mcoplus professional MB-D850 multi function battery grip 6960.Two Nikon EN-EL15a batteries (Priority to battery in Battery grip). Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag.
LATITUDE: N 51d 28m 28.17s
LONGITUDE: E 0d 8m 10.41s
ALTITUDE: 64.0m
RAW (TIFF) FILE: 130.00MB NEF FILE: 90.6MB
PROCESSED (JPeg) FILE: 46.70MB
PROCESSING POWER:
Nikon D850 Firmware versions C 1.10 (9/05/2019) LD Distortion Data 2.018 (18/02/20) LF 1.00
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit Version 1.4.1 (18/02/2020). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.13.5. Adobe photoshop Elements 8 Version 8.0 64bit.
Flickering Executions Shadows Of Madness.
Экстремальные философия непрекращающиеся пресловутые пламенные вдохов рассчитывается жалкие действия,
Folgen atemlos Gefühle Einbildungen Diminutiv Beteuerung der Verhöhnung des Schneid absteigend,
horreurs hideuses dévastatrices dissolutions saignantes structures vives Bouffons pestilence empêché mascarade,
ornamente îngrozitoare meditatii nervoase arestat gaieties camere writhed teribil emoții delirante,
absconditus est vera lux aeterna fornace ferrea vincula angitur tenebris domos dira tormenta muta metu immortalis mortis legibus sulphureo,
opprivende visjoner sturen alder ruinerende oppgaver dele ønsker forferdelige skyer skjelvende røster tårevåte leksjoner vises,
ζοφερή τύψεις σφύριγμα έρημο τρομακτική εγκαταλείψει τα μάτια τεράστια τεράστια αναφιλητό αιωνιότητα ζηλεύει κρησφύγετα καταβροχθίζοντας ελπίδες,
深淵悲しげな谷を叫ん都市を研削振子住民透明認識ヒトへの感染が満たさ.
Steve.D.Hammond.
Ginza (銀座) es un distrito de abolengo del barrio de Chūō (中央区), en Tokio, Japón. Está localizado al sur de los distritos de Yaesu y Kyobashi; al oeste del distrito de Tsukiji, al este de Yurakucho y Uchisaiwaicho; y al norte de Shinbashi. Es famoso por la concentración de grandes almacenes, boutiques y restaurantes.
Ginza era un territorio pantanoso en la época en que Tokugawa Ieyasu se mudó a Edo. Los comerciantes comenzaron a poblar el área, hasta que en 1612 se construyó una casa de moneda en la zona, la cual le dio su nombre, pues Ginza significa "lugar de la plata".
La urbanización fue destruida por el fuego en 1872, y el arquitecto inglés Thomas Waters fue el encargado de la reconstrucción. La zona se vio entonces poblada con edificios de dos y tres pisos, junto con un paseo comercial en la calle que unía al puente Shinbashi con el puente Kyōbashi. La mayoría de estos edificios ya fueron demolidos para dar paso a construcciones mayores. Sobrevive la tienda departamental Wako, en Chuo-Dori.
A lo largo del siglo XX, Ginza concentró las influencias occidentales más notorias en el país, lo cual se ha visto reforzado por la localización de los centros corporativos de varias compañías transnacionales, como Sony Corporation.
Ginza - Wikipedia, la enciclopedia libre
Ginza / Portal Oficial de Turismo de Tokyo GO TOKYO
Ginza ( 銀座 [ɡindza]) is a district of Chūō, Tokyo, located south of Yaesu and Kyōbashi, west of Tsukiji, east of Yūrakuchō and Uchisaiwaichō, and north of Shinbashi. It is a popular upscale shopping area of Tokyo, with numerous internationally renowned department stores, boutiques, restaurants and coffeehouses located in its vicinity. It is considered to be one of the most expensive, elegant, and luxurious streets in the world.
Ginza was a part of the old Kyobashi ward of Tokyo City, which, together with Nihonbashi and Kanda, formed the core of Shitamachi, the original downtown center of Edo (Tokyo).
Ginza was built upon a former swamp that was filled in during the 16th century. The name Ginza comes after the establishment of a silver-coin mint established there in 1612, during the Edo period.
After a devastating fire in 1872 burned down most of the area, the Meiji government designated the Ginza area as a "model of modernization." The government planned the construction of fireproof brick buildings and larger, better streets connecting Shimbashi Station all the way to the foreign concession in Tsukiji.
Soon after the fire, redevelopment schemes were prepared by Colin Alexander McVean a chief surveyor of the Public Works under direction of Yamao Yozo, but execution designs were provided by the Irish-born engineer Thomas Waters; the Bureau of Construction of the Ministry of Finance was in charge of construction. In the following year, a Western-style shopping promenade on the street from the Shinbashi bridge to the Kyōbashi bridge in the southwestern part of Chūō with two- and three-story Georgian brick buildings was completed.
These "bricktown" buildings were initially offered for sale and later were leased, but the high rent prevented many of them from being permanently occupied. Moreover, the construction was not adapted to the climate, and the bold design contrasted the traditional Japanese notion of home construction. The new Ginza was not popular with visiting foreigners, who were looking for a more Edo-styled city. Isabella Bird visited in 1878 and in 1880 implied that Ginza was less like an Oriental city than like the outskirts of Chicago or Melbourne. Philip Terry, the English writer of tour guides, likened it to Broadway, not in a positive sense.
Nevertheless, the area flourished as a symbol of "civilization and enlightenment" thanks to the presence of newspapers and magazine companies, which helped spread the latest trends of the day. The area was also known for its window displays, an example of modern marketing techniques. Everyone visited so the custom of "killing time in Ginza" developed strongly between the two world wars.
Most of these European-style buildings disappeared, but some older buildings still remain, most famously the Wakō building with the now-iconic Hattori Clock Tower. The building and the clock tower were originally built by Kintarō Hattori, the founder of Seiko.
Its recent history has seen it as a prominent outpost of Western luxury shops. Ginza is a popular destination on weekends, when the main north-south artery is closed to traffic since the 1960s, under governor Ryokichi Minobe.
Many leading fashion houses' flagship stores are located here, in the area with the highest concentration of Western shops in Tokyo. It is one of two locations in Tokyo considered by Chevalier and Mazzalovo to be the best locations for a luxury goods store. Prominent high-end retailers include the American company Carolina Herrera New York, French companies Chanel, Dior, Louis Vuitton and Saint Laurent, Italian company Gucci and Austrian brands Swarovski and Riedel.
Flagship electronic retail stores like the Sony showroom (which closed in 2017 and new building would open in 2022) and the Apple Store are also here (Ginza 2 chome). The electronics company, Ricoh is headquartered in the Ricoh Building in Ginza. The neighborhood is a major shopping district. It is home to Wako department store, which is located in a building dating from 1894. The building has a clock tower. There are many department stores in the area, including Hankyu, Seibu, and Matsuya, in which there are many shops: grocery stores, restaurants, women and men clothes, sportswear, and jewellers etc. There are also art galleries. Kabuki-za is the theater for kabuki, one of Japanese traditional playing, and locates on between Ginza and Tsukiji. The building was opened in 1889 and has been reconstructed several times because of war and fire. The present building was built in 2013.
Each Saturday and Sunday, from 12:00 p.m. until 5:00 p.m., the main street through Ginza is closed off to road traffic, allowing people to walk freely. This is called Hokōsha Tengoku (歩行者天国) or Hokoten for short, literally meaning "pedestrian heaven". There are some people who do street performance such as magic and playing instruments. As a famous photo spot, some cats sleep on signs, where people can put their own cats onto these signs. The location where cats are is different depending on the date.
Ginza - Wikipedia
Back in 1853 Anders Gustav Pettersson brutally murdered his employer Hugo Fredrik Jaedren at the gates to the Näringsberg estate, together with a compatriot. They were arrested the following day. The trial took place at Tingshuset in Västerhaninge, and two years later Anders Gustav Pettersson became the last person to be executed at this galgsten in Jordbro. He was beheaded. My third photo from today's Thursday Walk for Utata.
Twilight Zone Tower of Terror
Disney California Adventure
Anaheim, CA
If you look at the last 17 or so years you'll see notice that Disney has been on a bit of an E-ticket attraction roll. Indiana Jones in 1995, Journey to the Center of the Earth and 20,000 Leagues under the Sea in 2001, Expedition Everest in 2006, and arguably Star Tours 2.0 in 2011 (and perhaps Radiator Springs Racers in 2012). This string of E-ticket hits all started with the arrival of the Twilight Zone Tower of Terror in 1994, and it may arguably still be the best of the bunch. There's a unique atmosphere about it, combining a refined golden age of Hollywood aesthetic, Haunted Mansion sense of the macabre, and the excitement of a thrill ride. It feels uniquely "old" Disney in atmosphere but "new" Disney in execution and as such feels integrated yet modern. My only complaint is that the Twilight Zone theme largely feels unnecessary and perhaps a bit forced. I think the attraction would do fine without it, as the Tokyo version attests.
There's no doubt that the original and more robust version in Florida is the superior incarnation, but even the slightly abbreviated version in California still hits all the right notes, much like Florida's Pirates of the Caribbean is still great even though the original in California is ever so slightly better.
Exécution sans jugement sous les rois maures de Grenade, (1870, Henri Renault), Huile sur toile (Oil on canvas).
OM-2n | 50mm
"There are no extra pieces in the universe. Everyone is here because he or she has a place to fill, and every piece must fit itself into the big jigsaw puzzle." Deepak Chopra
© copyrighted
From the archives, taken a few years ago with my trusty D7000. A sunset game of basketball on Clapham Common.
Photograph taken at an altitude of Seventy metres at 11:56am on a summer morning on Tuesday 16th June 2022, off Hythe Avenue and Chessington Avenue in Bexleyheath, Kent.
AN IN DEPTH LOOK AT CORVUS CORONE & OBSERVATIONS ON MY RESIDENT THREE
LEGEND AND MYTHOLOGY
By Paul Williams
Crows appear in the Bible where Noah uses one to search for dry land and to check on the recession of the flood. Crows supposedly saved the prophet, Elijah, from famine and are an Inuit deity. Legend has it that England and its monarchy will end when there are no more crows in the Tower of London. And some believe that the crows went to the Tower attracted by the regular corpses following executions with written accounts of their presence at the executions of Anne Boleyn and Jane Gray.
In Welsh mythology, unfortunately Crows are seen as symbolic of evilness and black magic thanks to many references to witches transforming into crows or ravens and escaping. Indian legend tells of Kakabhusandi, a crow who sits on the branches of a wish-fulfilling tree called Kalpataru and a crow in Ramayana where Lord Rama blessed the crow with the power to foresee future events and communicate with the souls.
In Native American first nation legend the crow is sometimes considered to be something of a trickster, though they are also viewed positively by some tribes as messengers between this world and the next where they carry messages from the living to those deceased, and even carry healing medicines between both worlds.
There is a belief that crows can foresee the future. The Klamath tribe in Oregon believe that when we die, we fly up to heaven as a crow. The Crow can also signify wisdom to some tribes who believe crows had the power to talk and were therefore considered to be one of the wisest of birds. Tribes with Crow Clans include the Chippewa (whose Crow Clan and its totem are called Aandeg), the Hopi (whose Crow Clan is called Angwusngyam or Ungwish-wungwa), the Menominee, the Caddo, the Tlingit, and the Pueblo tribes of New Mexico.
The crow features in the Nanissáanah (Ghost dance), popularized by Jerome Crow Dog, a Brulé Lakota sub-chief and warrior born at Horse Stealing Creek in Montana Territory in 1833, the crow symbolizing wisdom and the past, when the crow had become a guide and acted as a pathfinder during hunting. The Ghost dance movement was originally created in 1870 by Wodziwob, or Gray Hair, a prophet and medicine man of the Paiute tribe in an area that became known as Nevada.
Ghost dancers wore crow and eagle feathers in their clothes and hair, and the fact that the Crow could talk placed it as one of the sages of the animal kingdom. The five-day dances seeking trance, prophecy and exhortations would eventually play a major part in the pathway towards the white man's broken treaties, the infamous battle at Wounded knee and the surrender of Matȟó Wanáȟtaka (Kicking Bear), after officials began to fear the ghost dancers and rituals which seemed to occur prior to battle.
Historically the Vikings are the group who made so many references to the crow, and Ragnarr Loðbrók and his sons used this species in his banner as well as appearances in many flags and coats of arms. Also, it had some kind of association with Odin, one of their main deities. Norse legend tells us that Odin is accompanied by two crows.
Hugin, who symbolizes thought, and Munin, who represents a memory. These two crows were sent out each dawn to fly the entire world, returning at breakfast where they informed the Lord of the Nordic gods of everything that went on in their kingdoms. Odin was also referred to as Rafnagud (raven-god).
The raven appears in almost every skaldic poem describing warfare. Coins dating back to 940's minted by Olaf Cuaran depict the Viking war standard, the Raven and Viking war banners (Gonfalon) depicted the bird also.
In Scandinavian legends, crows are a representative of the Goddess of Death, known as Valkyrie (from old Norse 'Valkyrja'), one of the group of maidens who served the Norse deity Odin, visiting battlefields and sending him the souls of the slain worthy of a place in Valhalla. Odin ( also called Wodan, Woden, or Wotan), preferred that heroes be killed in battle and that the most valiant of souls be taken to Valhöll, the hall of slain warriors.
It is the crow that provides the Valkyries with important information on who should go. In Hindu ceremonies that are associated to ancestors, the crow has an important place in Vedic rituals. They are seen as messengers of death in Indian culture too.
In Germanic legend, Crows are seen as psychonomes, meaning the act of guiding spirits to their final destination, and that the feathers of a crow could cure a victim who had been cursed. And yet, a lone black crow could symbolize impending death, whilst a group symbolizes a lucky omen! Vikings also saw good omens in the crow and would leave offerings of meat as a token.
The crow also has sacred and prophetic meaning within the Celtic civilization, where it stood for flesh ripped off due to combat and Morrighan, the warrior goddess, often appears in Celtic mythology as a raven or crow, or else is found to be in the company of the birds. Crow is sacred to Lugdnum, the Celtic god of creation who gave his name to the city of Lug
In Greek mythology according to Appolodorus, Apollo is supposedly responsible for the black feathers of the crow, turning them forever black from their pristine white original plumage as a punishment after they brought news that Κορωνις (Coronis) a princess of the Thessalian kingdom of Phlegyantis, Apollo's pregnant lover had left him to marry a mortal, Ischys.
In one legend, Apollo burned the crows feathers and then burned Coronis to death, in another Coronis herself was turned into a black crow, and another that she was slain by the arrows of Αρτεμις (Artemis - twin to Apollo). Koronis was later set amongst the stars as the constellation Corvus ("the Crow").
Her name means "Curved One" from the Greek word korônis or "Crow" from the word korônê.A similar Muslim legend allegedly tells of Muhammad, founder of Islam and the last prophet sent by God to Earth, who's secret location was given away by a white crow to his seekers, as he hid in caves. The crow shouted 'Ghar Ghar' (Cave, cave) and thus as punishment, Muhammad turned the crow black and cursed it for eternity to utter only one phrase, 'Ghar, ghar). Native Indian legend where the once rainbow-coloured crows became forever black after shedding their colourful plumage over the other animals of the world.
In China the Crow is represented in art as a three legged bird on a solar disk, being a creature that helps the sun in its journey. In Japan there are myths of Crow Tengu who were priests who became vain, and turned into this spirit to serve as messengers until they learn the lesson of humility as well as a great Crow who takes part in Shinto creation stories.
In animal spirit guides there are general perceptions of what sightings of numbers of crows actually mean:
1 Crow Meaning: To carry a message from your near one who died recently.
2 Crows Meaning: Two crows sitting near your home signifies some good news is on your way.
3 Crows Meaning: An upcoming wedding in your family.
4 Crows Meaning: Symbolizes wealth and prosperity.
5 Crows Meaning: Diseases or pain.
6 Crows Meaning: A theft in your house!
7 Crows Meaning: Denotes travel or moving from your house.
8 Crows Meaning: Sorrowful events
Crows are generally seen as the symbolism when alive for doom bringing, misfortune and bad omens, and yet a dead crow symbolizes potentially bringing good news and positive change to those who see it.
This wonderful bird certainly gets a mixed bag of contradictory mythology and legend over the centuries and in modern days is often seen as a bit of a nuisance, attacking and killing the babies of other birds such as Starlings, Pigeons and House Sparrows as well as plucking the eyes out of lambs in the field, being loud and noisy and violently attacking poor victims in a 'crow court'....
There is even a classic horror film called 'THE CROW' released in 1994 by Miramax Films, directed by Alex Proyas and starring Brandon Lee in his final film appearance as Eric Draven, who is revived by a Crow tapping on his gravestone a year after he and his fiancée are murdered in Detroit by a street gang. The crow becomes his guide as he sets out to avenge the murders.
The only son of martial arts expert Bruce Lee, Brandon lee suffered fatal injuries on the set of the film when the crew failed to remove the primer from a cartridge that hit Lee in the abdomen with the same force as a normal bullet. Lee died that day, March 31st 1993 aged 28.
The symbolism of the Crow resurrecting the dead star and accompanying him on his quest for revenge was powerful, and in some part based on the history of the carrion crow itself and the original film grossed more than $94 Million dollars with three subsequent sequels following.
TAKING A CLOSER LOOK
So, let's move away from legend, mythology and stories passed down from our parents and grandparents and look at these amazing birds in isolation.
Carrion crow are passerines in the family Corvidae a group of Oscine passerine birds including Crows, Ravens, Rooks, Jackdaws, Jays, Magpies, Treepies, Choughs and Nutcrackers. Technically they are classed as Corvids, and the largest of passerine birds. Carrion crows are medium to large in size with rictal bristles and a single moult per year (most passerines moult twice).
Carrion crow was one of the many species originally described by Swedish naturalist Carl Linnaeus (Carl Von Linne after his ennoblement) in his 1758 and 1759 editions of 'SYSTEMA NATURAE', and it still bears its original name of Corvus corone, derived from the Latin of Corvus, meaning Raven and the Greek κορώνη (korōnē), meaning crow.
Carrion crow are of the Animalia kingdom Phylum: Chordata Class: Aves Order: Passeriformes Family: Corvidae Genus: Corvus and Species: Corvus corone
Corvus corone can reach 45-47cm in length with a 93-104cm wingspan and weigh between 370-650g. They are protected under The Wildlife and Countryside Act 1981 in the United Kingdom with a Green UK conservation status which means they are of least concern with more than 1,000,000 territories.
Breeding occurs in April with fledging of the chicks taking around twenty nine days following an incubation period of around twenty days with 3 to 4 eggs being the average norm. They are abundant in the UK apart from Northwest Scotland and Ireland where the Hooded crow (Corvus cornix) was considered the same species until 2002. They have a lifespan of around four years, whilst Crow species can live to the age of Twenty years old, and the oldest known American crow in the wild was almost Thirty years old.
The oldest documented captive crow died at age Fifty nine. They are smaller and have a shorter lifespan than the Raven, which again is used as a symbol in history to live life to the full and not waste a moment!
They are often mistaken for the Rook (Corvus frugilegus), a similar bird, though in the UK, the Rook is actually technically smaller than the Carrion crow averaging 44-46cm in length, 81-99cm wingspan and weighing up to 340g. Rooks have white beaks compared to the black beaks of Carrion crow, a more steeply raked ratio from head to beak, and longer straighter beaks as well as a different plumage pattern.
There are documented cases in the UK of singular and grouped Rooks attacking and killing Carrion crows in their territory. Rooks nest in colonies unlike Carrion crows. Carrion crows have only a few natural enemies including powerful raptors such as the northern goshawk, the peregrine falcon, the Eurasian eagle-owl and the golden eagle which will all readily hunt them.
Regarded as one of the most intelligent birds, indeed creatures on the planet, studies suggest that Corvids cognitive abilities can rival that of primates such as chimpanzees and gorillas and even provide clues to understanding human intelligence.
Crows have relatively large brains for their body size, compared to other animals. Their encephalization quotient (EQ) a ratio of brain to body size, adjusted for size because there isn’t a linear relationship is 4.1.
That is remarkably close to chimps at 4.2 whilst humans are 8.1. Corvids also have a very high neuronal density, the number of neurons per gram of brain, factoring in the number of cortical neurons, neuron packing density, intraneuronal distance and axonal conduction velocity shows that Corvids score high on this measure as well, with humans scoring the highest.
A corvid's pallium is packed with more neurons than a great ape's. Corvids have demonstrated the ability to use a combination of mental tools such as imagination, and anticipation of future events.
They can craft tools from twigs and branches to hook grubs from deep recesses, they can solve puzzles and intricate methods of gaining access to food set by humans,and have even bent pieces of wire into hooks to obtain food. They have been proven to have a higher cognitive ability level than seven year old humans.
Communications wise, their repertoire of wraw-wraw's is not fully understood, but the intensity, rhythm, and duration of caws seems to form the basis of a possible language. They also remember the faces of humans who have hindered or hurt them and pass that information on to their offspring.
Aesop's fable of 'The Crow and the Pitcher, tells of a thirsty crow which drops stones into a water pitcher to raise the water level and enable it to take a drink. Scientists have conducted tests to see whether crows really are this intelligent. They placed floating treats in a deep tube and observed the crows indeed dropping dense objects carefully selected into the water until the treat floated within reach. They had the intelligence to pick up, weigh and discount objects that would float in the water, they also did not select ones that were too large for the container.
Pet crows develop a unique call for their owners, in effect actually naming them. They also know to sunbathe for a dose of vitamin D, regularly settling on wooden garden fences, opening their mouths and wings and raising their heads to the sun. In groups they warn of danger and communicate vocally.
They store a cache of food for later if in abundance and are clever enough to move it if they feel it has been discovered. They leave markers for their cache. They have even learned to place walnuts and similar hard food items under car tyres at traffic lights as a means of cracking them!
Crows regularly gather around a dead fellow corvid, almost like a funeral, and it is thought they somehow learn from each death. They can even remember human faces for decades. Crows group together to attack larger predators and even steal their food, and they have different dialects in different areas, with the ability to mimic the dialect of the alpha males when they enter their territory!
They have a twenty year life span, the oldest on record reaching the age of Fifty nine. Crows can leave gifts for those who feed them such as buttons or bright shiny objects as a thank you, and they even kiss and make up after an argument, having mated for life.
In mythology they are associated with good and bad luck, being the bringers of omens and even witchcraft and are generally reviled for their attacks on baby birds and small mammals. They have an attack method of stunning smaller birds before consuming them, tearing violently at smaller, less aggressive birds, which is simply down to the fact that they are so highly intelligent, and also the top of the food chain.
Their diet includes over a thousand different items: Dead animals (as their name suggests), invertebrates, grain, as well as stealing eggs and chicks from other birds' nests, worms, insects, fruit, seeds, kitchen scraps. They are highly adaptable when food sources grow scarce. I absolutely love them, they are magnificent, bold, beautiful and incredibly interesting to watch and though at times it is hard to witness attacks made by them, I cannot help but adore them for so many other and more important reasons.
OBSERVATIONS ON THE PAIR IN MY GARDEN
Known mostly for my landscape work, Covid-19 changed everything for me photographically speaking thanks to a series of lock downs which naturally impeded my ability to travel. I began to spend more time on my own land, photographing the wildlife, and suddenly those wildlife photographs began to sell worldwide in magazines and books.
Crows have been in the area for a while, but rarely had strayed into my garden, leaving the Magpies to own the territory. Things changed around mid May 2021 when a beautiful female Carrion crow appeared and began to take some of the food that I put down for the other birds. Within a few days she began to appear regularly, on occasions stocking up on food, whilst other times placing pieces in the birdbath to soften them. She would stand on the birdbath and eat and drink and come back over the course of the day to eat the softened food. Naturally I named her Sheryl (Crow).
Shortly afterwards she brought along her mate, a tall and handsome fella, much larger than her who was also very vocal if he felt she was getting a little too close to me. I named him Russell (Crow). By now I had moved from a seated position from the patio as an observer, to laying on a mat just five feet from the birdbath with my Nikon so that I could photograph the pair as they landed, scavenged and fed.
Sheryl was now confident enough to let me be very close, and she even tolerated and recognized the clicking of the camera. At first, I used silent mode to reduce the noise, but this only allowed two shooting frame rates of single frame or continuous low frame which meant I was missing shots. I reverted back to normal continuous high frames, and she soon got used to the whirring of the mechanisms as the mirror slapped back and forth.
Russell would bark orders at her from the safety of the fence or the rear of the garden, whilst she rarely made a sound. That was until one day when in the sweltering heat she kept opening her beak and sunning on the grass, panting slightly in the heat.
I placed the circular water sprayer nearby and had it rotating so that the birdbath and grass was bathed in gentle water droplets and she soon came back, landed and seemed to really like the cooling effect on offer. She then climbed onto the birdbath and opened her wings slightly and made some gentle purring, cooing noises....
I swear she was expressing happiness, joy even....
On another blisteringly hot day when the sprayer was on, she came down, walked towards it and opened her wings up running into the water spray. Not once, but many times.
A further revelation into the unseen sides to these beautiful birds came with the male and female on the rear garden fence. They sat together, locked beaks like a kiss and then the male took his time gently preening her head feathers and the back of her neck as she made tiny happy sounds.
They stayed together like that for several minutes, showing a gentle, softer side to their nature and demonstrating the deep bond between them. Into July and the pair started to bring their three youngsters to my garden, the nippers learning to use the birdbath for bathing and dipping food, the parents attentive as ever. Two of the youngsters headed off once large enough and strong enough.
I was privileged to be in close attendance as the last juvenile was brought down by the pair, taught to take food and then on a night in July, to soar and fly with its mother in the evening sky as the light faded. She would swoop and twirl, and at regular intervals just touch the juvenile in flight with her wing tip feathers, as if to reassure it that she was close in attendance.
What an amazing experience to view. A few days later, the juvenile, though now gaining independence and more than capable of tackling food scraps in the garden, was still on occasions demand feeding from its mother who was now teaching him to take chicken breast, hotdogs or digestive biscuits and bury them in the garden beds for later delectation.
The juvenile also liked to gather up peanuts (monkey nuts) and bury them in the grass. On one occasion I witnessed a pair of rumbunctious Pica Pica (Magpies), chasing the young crow on rooftops, leaping at him no matter how hard he tried to get away. He defended himself well and survived the attacks, much to my relief.
Into August and the last youngster remained with the adults, though now was very independent even though he still spent time with his parents on rooftops, and shared food gathering duties with his mum. Hotdog sausages were their favourite choice, followed by fish fingers and digestive biscuits which the adult male would gather up three at a time.
In October 2021, the three Crows were still kings of the area, but my time observing them was pretty much over as I will only put food out now for the birds in the winter months. The two adults are still here in December and now taking the food that I put out to help all birds survive in the winter months. They also have a pair of Magpies to compete with now.
Late February 2022 and Cheryl and Russell and their youngster are still with me, still dominant in the area and still taking raw chicken, hotdogs, biscuits and fat balls that I put out for them. Today I saw them mating for the first time this year in the tree and the cycle continues.
By October 2022 the pair had successfully reared a new baby who we nicknamed Baboo, and the other youngster flew the coup. The three now recognised our car returning from weekends away, and were enjoying sausages, hotdogs, raw chicken, fish and especially cheese, but life was hard as they aged with daily morning and evening tussles in the air with invaders and intruders hoping to take their land.
Russell picked up an injury during one fight and hobbled about for a few weeks before fully recovering, though a slight limp remained long-term, but Sheryl was visibly ageing and struggled at times to gain height from a vertical ground take off. I placed a garden chair near the house and she would often jump onto the top and then onto the fence and then the roof in stages.
Baboo became the dominant garden watcher, swooping in to take advantage of the food I put out, though he now faced competition from a gaggle eight resident Magpies, and gulls which seemed to have adopted the area, and brave enough to snatch food from under his nose and eat on the grass in his presence. The three crows still held on to our garden and the territory and loved cheese, hot dogs, raw chicken, fish fingers and digestive biscuits and also mixed nuts, crusty bread and cakes and fat from steak or gammon plus fish skin from salmon or haddock. But by December 13th 2022, feeding became almost impossible as Black headed gulls (Chroicocephalus ridibundus), Herring Gulls (Larus argentatus) and Common Gulls (Larus canus), seemed to take up residence, swooping from nowhere in dozens as soon as I tried to feed the crows and Magpies. I had to wait until any of my three crows were nestled in the Chestnut tree which seeps into my garden, before throwing food out to them, watching as they grabbed what they could, followed by the resident Magpies, before the gulls began to swoop once more!
The three crows could recognise my car and know if we were returning home, and call each other, and wait for me to feed them. They enjoyed Tesco finest mince pies, tinned Salmon steaks, fatballs and raw meatballs over the festive period, and Sheryl particularly loved her mature cheddar cheese in large chunks. Into February, March and April 2023 and the morning skirmishes with bands of four or more outsider crows grew in regularity and intensity. Russell and Sheryl are by now getting older, at least into their third year, probably fourth or more, and the battles must have been getting harder to win.
Corvus Corone.... magnificently misunderstood by some!
Paul Williams June 4th 2021 (Updated on April 3rd 2023)
©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®
No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of ©DESPITE STRAIGHT LINES (Paul Williams). No image may be used as source material for paintings, drawings, sculptures, or any other art form without permission and/or compensation to ©DESPITE STRAIGHT LINES (Paul Williams)
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Nikon D850 Focal length 380mm Shutter speed: 1/500s (Mechanical shutter) Aperture f/6.3 iso200 Hand held with Tamron VC Vibration control set to ON in position 1 14 Bit uncompressed RAW NEF file size L (8256 x 5504 pixels) FX (36 x 24) Full frame Focus mode: AF-C AF-Area mode: 3D-tracking AF-C Priority Selection: Release. Nikon Back button focusing enabled 3D Tracking watch area: Normal 55 Tracking points Exposure mode: Manual exposure mode Metering mode: Matrix metering White balance on: Auto1, 0, 0 (4770k) Colour space: RGB High ISO NR: On (Low) Active D-Lighting: Auto Vignette control: Normal Picture control: (SD) Standard (Sharpening +3 Clarity: +1.00)
Tamron SP 150-600mm F/5-6.3 Di VC USD G2. Nikon GP-1 GPS module. Lee SW150 MKII filter holder. Lee SW150 95mm screw in adapter ring. Lee SW150 circular polariser glass filter.Lee SW150 Filters field pouch. Hoodman HEYENRG round eyepiece oversized eyecup.Mcoplus professional MB-D850 multi function battery grip 6960.Two Nikon EN-EL15a batteries (Priority to battery in Battery grip). Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag.
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LONGITUDE: E 0d 8m 10.80s
ALTITUDE: 70.0m
RAW (TIFF) FILE: 130.00MB NEF FILE: 90.80MB
PROCESSED (JPeg) FILE: 35.50MB
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The photographer captures the actual moment of the condemned's reaction to being riddled with bullets.
AN IN DEPTH LOOK AT CORVUS CORONE
LEGEND AND MYTHOLOGY
By Paul Williams
Crows appear in the Bible where Noah uses one to search for dry land and to check on the recession of the flood. Crows supposedly saved the prophet, Elijah, from famine and are an Inuit deity. Legend has it that England and its monarchy will end when there are no more crows in the Tower of London. And some believe that the crows went to the Tower attracted by the regular corpses following executions with written accounts of their presence at the executions of Anne Boleyn and Jane Gray.
In Welsh mythology, unfortunately Crows are seen as symbolic of evilness and black magic thanks to many references to witches transforming into crows or ravens and escaping. Indian legend tells of Kakabhusandi, a crow who sits on the branches of a wish-fulfilling tree called Kalpataru and a crow in Ramayana where Lord Rama blessed the crow with the power to foresee future events and communicate with the souls.
In Native American first nation legend the crow is sometimes considered to be something of a trickster, though they are also viewed positively by some tribes as messengers between this world and the next where they carry messages from the living to those deceased, and even carry healing medicines between both worlds.
There is a belief that crows can foresee the future. The Klamath tribe in Oregon believe that when we die, we fly up to heaven as a crow. The Crow can also signify wisdom to some tribes who believe crows had the power to talk and were therefore considered to be one of the wisest of birds. Tribes with Crow Clans include the Chippewa (whose Crow Clan and its totem are called Aandeg), the Hopi (whose Crow Clan is called Angwusngyam or Ungwish-wungwa), the Menominee, the Caddo, the Tlingit, and the Pueblo tribes of New Mexico.
The crow features in the Nanissáanah (Ghost dance), popularized by Jerome Crow Dog, a Brulé Lakota sub-chief and warrior born at Horse Stealing Creek in Montana Territory in 1833, the crow symbolizing wisdom and the past, when the crow had become a guide and acted as a pathfinder during hunting. The Ghost dance movement was originally created in 1870 by Wodziwob, or Gray Hair, a prophet and medicine man of the Paiute tribe in an area that became known as Nevada.
Ghost dancers wore crow and eagle feathers in their clothes and hair, and the fact that the Crow could talk placed it as one of the sages of the animal kingdom. The five-day dances seeking trance, prophecy and exhortations would eventually play a major part in the pathway towards the white man's broken treaties, the infamous battle at Wounded knee and the surrender of Matȟó Wanáȟtaka (Kicking Bear), after officials began to fear the ghost dancers and rituals which seemed to occur prior to battle.
Historically the Vikings are the group who made so many references to the crow, and Ragnarr Loðbrók and his sons used this species in his banner as well as appearances in many flags and coats of arms. Also, it had some kind of association with Odin, one of their main deities. Norse legend tells us that Odin is accompanied by two crows.
Hugin, who symbolizes thought, and Munin, who represents a memory. These two crows were sent out each dawn to fly the entire world, returning at breakfast where they informed the Lord of the Nordic gods of everything that went on in their kingdoms. Odin was also referred to as Rafnagud (raven-god).
The raven appears in almost every skaldic poem describing warfare. Coins dating back to 940's minted by Olaf Cuaran depict the Viking war standard, the Raven and Viking war banners (Gonfalon) depicted the bird also.
In Scandinavian legends, crows are a representative of the Goddess of Death, known as Valkyrie (from old Norse 'Valkyrja'), one of the group of maidens who served the Norse deity Odin, visiting battlefields and sending him the souls of the slain worthy of a place in Valhalla. Odin ( also called Wodan, Woden, or Wotan), preferred that heroes be killed in battle and that the most valiant of souls be taken to Valhöll, the hall of slain warriors.
It is the crow that provides the Valkyries with important information on who should go. In Hindu ceremonies that are associated to ancestors, the crow has an important place in Vedic rituals. They are seen as messengers of death in Indian culture too.
In Germanic legend, Crows are seen as psychonomes, meaning the act of guiding spirits to their final destination, and that the feathers of a crow could cure a victim who had been cursed. And yet, a lone black crow could symbolize impending death, whilst a group symbolizes a lucky omen! Vikings also saw good omens in the crow and would leave offerings of meat as a token.
The crow also has sacred and prophetic meaning within the Celtic civilization, where it stood for flesh ripped off due to combat and Morrighan, the warrior goddess, often appears in Celtic mythology as a raven or crow, or else is found to be in the company of the birds. Crow is sacred to Lugdnum, the Celtic god of creation who gave his name to the city of Lug
In Greek mythology according to Appolodorus, Apollo is supposedly responsible for the black feathers of the crow, turning them forever black from their pristine white original plumage as a punishment after they brought news that Κορωνις (Coronis) a princess of the Thessalian kingdom of Phlegyantis, Apollo's pregnant lover had left him to marry a mortal, Ischys.
In one legend, Apollo burned the crows feathers and then burned Coronis to death, in another Coronis herself was turned into a black crow, and another that she was slain by the arrows of Αρτεμις (Artemis - twin to Apollo). Koronis was later set amongst the stars as the constellation Corvus ("the Crow").
Her name means "Curved One" from the Greek word korônis or "Crow" from the word korônê.A similar Muslim legend allegedly tells of Muhammad, founder of Islam and the last prophet sent by God to Earth, who's secret location was given away by a white crow to his seekers, as he hid in caves. The crow shouted 'Ghar Ghar' (Cave, cave) and thus as punishment, Muhammad turned the crow black and cursed it for eternity to utter only one phrase, 'Ghar, ghar). Native Indian legend where the once rainbow-coloured crows became forever black after shedding their colourful plumage over the other animals of the world.
In China the Crow is represented in art as a three legged bird on a solar disk, being a creature that helps the sun in its journey. In Japan there are myths of Crow Tengu who were priests who became vain, and turned into this spirit to serve as messengers until they learn the lesson of humility as well as a great Crow who takes part in Shinto creation stories.
In animal spirit guides there are general perceptions of what sightings of numbers of crows actually mean:
1 Crow Meaning: To carry a message from your near one who died recently.
2 Crows Meaning: Two crows sitting near your home signifies some good news is on your way.
3 Crows Meaning: An upcoming wedding in your family.
4 Crows Meaning: Symbolizes wealth and prosperity.
5 Crows Meaning: Diseases or pain.
6 Crows Meaning: A theft in your house!
7 Crows Meaning: Denotes travel or moving from your house.
8 Crows Meaning: Sorrowful events
Crows are generally seen as the symbolism when alive for doom bringing, misfortune and bad omens, and yet a dead crow symbolizes potentially bringing good news and positive change to those who see it.
This wonderful bird certainly gets a mixed bag of contradictory mythology and legend over the centuries and in modern days is often seen as a bit of a nuisance, attacking and killing the babies of other birds such as Starlings, Pigeons and House Sparrows as well as plucking the eyes out of lambs in the field, being loud and noisy and violently attacking poor victims in a 'crow court'....
There is even a classic horror film called 'THE CROW' released in 1994 by Miramax Films, directed by Alex Proyas and starring Brandon Lee in his final film appearance as Eric Draven, who is revived by a Crow tapping on his gravestone a year after he and his fiancée are murdered in Detroit by a street gang. The crow becomes his guide as he sets out to avenge the murders.
The only son of martial arts expert Bruce Lee, Brandon lee suffered fatal injuries on the set of the film when the crew failed to remove the primer from a cartridge that hit Lee in the abdomen with the same force as a normal bullet. Lee died that day, March 31st 1993 aged 28.
The symbolism of the Crow resurrecting the dead star and accompanying him on his quest for revenge was powerful, and in some part based on the history of the carrion crow itself and the original film grossed more than $94 Million dollars with three subsequent sequels following.
TAKING A CLOSER LOOK
So, let's move away from legend, mythology and stories passed down from our parents and grandparents and look at these amazing birds in isolation.
Carrion crow are passerines in the family Corvidae a group of Oscine passerine birds including Crows, Ravens, Rooks, Jackdaws, Jays, Magpies, Treepies, Choughs and Nutcrackers. Technically they are classed as Corvids, and the largest of passerine birds. Carrion crows are medium to large in size with rictal bristles and a single moult per year (most passerines moult twice).
Carrion crow was one of the many species originally described by Swedish naturalist Carl Linnaeus (Carl Von Linne after his ennoblement) in his 1758 and 1759 editions of 'SYSTEMA NATURAE', and it still bears its original name of Corvus corone, derived from the Latin of Corvus, meaning Raven and the Greek κορώνη (korōnē), meaning crow.
Carrion crow are of the Animalia kingdom Phylum: Chordata Class: Aves Order: Passeriformes Family: Corvidae Genus: Corvus and Species: Corvus corone
Corvus corone can reach 45-47cm in length with a 93-104cm wingspan and weigh between 370-650g. They are protected under The Wildlife and Countryside Act 1981 in the United Kingdom with a Green UK conservation status which means they are of least concern with more than 1,000,000 territories.
Breeding occurs in April with fledging of the chicks taking around twenty nine days following an incubation period of around twenty days with 3 to 4 eggs being the average norm. They are abundant in the UK apart from Northwest Scotland and Ireland where the Hooded crow (Corvus cornix) was considered the same species until 2002. They have a lifespan of around four years, whilst Crow species can live to the age of Twenty years old, and the oldest known American crow in the wild was almost Thirty years old.
The oldest documented captive crow died at age Fifty nine. They are smaller and have a shorter lifespan than the Raven, which again is used as a symbol in history to live life to the full and not waste a moment!
They are often mistaken for the Rook (Corvus frugilegus), a similar bird, though in the UK, the Rook is actually technically smaller than the Carrion crow averaging 44-46cm in length, 81-99cm wingspan and weighing up to 340g. Rooks have white beaks compared to the black beaks of Carrion crow, a more steeply raked ratio from head to beak, and longer straighter beaks as well as a different plumage pattern.
There are documented cases in the UK of singular and grouped Rooks attacking and killing Carrion crows in their territory. Rooks nest in colonies unlike Carrion crows. Carrion crows have only a few natural enemies including powerful raptors such as the northern goshawk, the peregrine falcon, the Eurasian eagle-owl and the golden eagle which will all readily hunt them.
Regarded as one of the most intelligent birds, indeed creatures on the planet, studies suggest that Corvids cognitive abilities can rival that of primates such as chimpanzees and gorillas and even provide clues to understanding human intelligence.
Crows have relatively large brains for their body size, compared to other animals. Their encephalization quotient (EQ) a ratio of brain to body size, adjusted for size because there isn’t a linear relationship is 4.1.
That is remarkably close to chimps at 4.2 whilst humans are 8.1. Corvids also have a very high neuronal density, the number of neurons per gram of brain, factoring in the number of cortical neurons, neuron packing density, intraneuronal distance and axonal conduction velocity shows that Corvids score high on this measure as well, with humans scoring the highest.
A corvid's pallium is packed with more neurons than a great ape's. Corvids have demonstrated the ability to use a combination of mental tools such as imagination, and anticipation of future events.
They can craft tools from twigs and branches to hook grubs from deep recesses, they can solve puzzles and intricate methods of gaining access to food set by humans,and have even bent pieces of wire into hooks to obtain food. They have been proven to have a higher cognitive ability level than seven year old humans.
Communications wise, their repertoire of wraw-wraw's is not fully understood, but the intensity, rhythm, and duration of caws seems to form the basis of a possible language. They also remember the faces of humans who have hindered or hurt them and pass that information on to their offspring.
Aesop's fable of 'The Crow and the Pitcher, tells of a thirsty crow which drops stones into a water pitcher to raise the water level and enable it to take a drink. Scientists have conducted tests to see whether crows really are this intelligent. They placed floating treats in a deep tube and observed the crows indeed dropping dense objects carefully selected into the water until the treat floated within reach. They had the intelligence to pick up, weigh and discount objects that would float in the water, they also did not select ones that were too large for the container.
Pet crows develop a unique call for their owners, in effect actually naming them. They also know to sunbathe for a dose of vitamin D, regularly settling on wooden garden fences, opening their mouths and wings and raising their heads to the sun. In groups they warn of danger and communicate vocally.
They store a cache of food for later if in abundance and are clever enough to move it if they feel it has been discovered. They leave markers for their cache. They have even learned to place walnuts and similar hard food items under car tyres at traffic lights as a means of cracking them!
Crows regularly gather around a dead fellow corvid, almost like a funeral, and it is thought they somehow learn from each death. They can even remember human faces for decades. Crows group together to attack larger predators and even steal their food, and they have different dialects in different areas, with the ability to mimic the dialect of the alpha males when they enter their territory!
They have a twenty year life span, the oldest on record reaching the age of Fifty nine. Crows can leave gifts for those who feed them such as buttons or bright shiny objects as a thank you, and they even kiss and make up after an argument, having mated for life.
In mythology they are associated with good and bad luck, being the bringers of omens and even witchcraft and are generally reviled for their attacks on baby birds and small mammals. They have an attack method of stunning smaller birds before consuming them, tearing violently at smaller, less aggressive birds, which is simply down to the fact that they are so highly intelligent, and also the top of the food chain.
Their diet includes over a thousand different items: Dead animals (as their name suggests), invertebrates, grain, as well as stealing eggs and chicks from other birds' nests, worms, insects, fruit, seeds, kitchen scraps. They are highly adaptable when food sources grow scarce. I absolutely love them, they are magnificent, bold, beautiful and incredibly interesting to watch and though at times it is hard to witness attacks made by them, I cannot help but adore them for so many other and more important reasons.
OBSERVATIONS ON THE PAIR IN MY GARDEN
Known mostly for my landscape work, Covid-19 changed everything for me photographically speaking thanks to a series of lock downs which naturally impeded my ability to travel. I began to spend more time on my own land, photographing the wildlife, and suddenly those wildlife photographs began to sell worldwide in magazines and books.
Crows have been in the area for a while, but rarely had strayed into my garden, leaving the Magpies to own the territory. Things changed around mid May 2021 when a beautiful female Carrion crow appeared and began to take some of the food that I put down for the other birds. Within a few days she began to appear regularly, on occasions stocking up on food, whilst other times placing pieces in the birdbath to soften them. She would stand on the birdbath and eat and drink and come back over the course of the day to eat the softened food. Naturally I named her Sheryl (Crow).
Shortly afterwards she brought along her mate, a tall and handsome fella, much larger than her who was also very vocal if he felt she was getting a little too close to me. I named him Russell (Crow). By now I had moved from a seated position from the patio as an observer, to laying on a mat just five feet from the birdbath with my Nikon so that I could photograph the pair as they landed, scavenged and fed.
Sheryl was now confident enough to let me be very close, and she even tolerated and recognized the clicking of the camera. At first, I used silent mode to reduce the noise, but this only allowed two shooting frame rates of single frame or continuous low frame which meant I was missing shots. I reverted back to normal continuous high frames, and she soon got used to the whirring of the mechanisms as the mirror slapped back and forth.
Russell would bark orders at her from the safety of the fence or the rear of the garden, whilst she rarely made a sound. That was until one day when in the sweltering heat she kept opening her beak and sunning on the grass, panting slightly in the heat.
I placed the circular water sprayer nearby and had it rotating so that the birdbath and grass was bathed in gentle water droplets and she soon came back, landed and seemed to really like the cooling effect on offer. She then climbed onto the birdbath and opened her wings slightly and made some gentle purring, cooing noises....
I swear she was expressing happiness, joy even....
On another blisteringly hot day when the sprayer was on, she came down, walked towards it and opened her wings up running into the water spray. Not once, but many times.
A further revelation into the unseen sides to these beautiful birds came with the male and female on the rear garden fence. They sat together, locked beaks like a kiss and then the male took his time gently preening her head feathers and the back of her neck as she made tiny happy sounds.
They stayed together like that for several minutes, showing a gentle, softer side to their nature and demonstrating the deep bond between them. Into July and the pair started to bring their three youngsters to my garden, the nippers learning to use the birdbath for bathing and dipping food, the parents attentive as ever. Two of the youngsters headed off once large enough and strong enough.
I was privileged to be in close attendance as the last juvenile was brought down by the pair, taught to take food and then on a night in July, to soar and fly with its mother in the evening sky as the light faded. She would swoop and twirl, and at regular intervals just touch the juvenile in flight with her wing tip feathers, as if to reassure it that she was close in attendance.
What an amazing experience to view. A few days later, the juvenile, though now gaining independence and more than capable of tackling food scraps in the garden, was still on occasions demand feeding from its mother who was now teaching him to take chicken breast, hotdogs or digestive biscuits and bury them in the garden beds for later delectation.
The juvenile also liked to gather up peanuts (monkey nuts) and bury them in the grass. On one occasion I witnessed a pair of rumbunctious Pica Pica (Magpies), chasing the young crow on rooftops, leaping at him no matter how hard he tried to get away. He defended himself well and survived the attacks, much to my relief.
Into August and the last youngster remained with the adults, though now was very independent even though he still spent time with his parents on rooftops, and shared food gathering duties with his mum. Hotdog sausages were their favourite choice, followed by fish fingers and digestive biscuits which the adult male would gather up three at a time.
In October 2021, the three Crows were still kings of the area, but my time observing them was pretty much over as I will only put food out now for the birds in the winter months. The two adults are still here in December and now taking the food that I put out to help all birds survive in the winter months. They also have a pair of Magpies to compete with now.
Late February 2022 and Cheryl and Russell and their youngster are still with me, still dominant in the area and still taking raw chicken, hotdogs, biscuits and fat balls that I put out for them. Today I saw them mating for the first time this year in the tree and the cycle continues.
By October 2022 the pair had successfully reared a new baby who we nicknamed Baboo, and the other youngster flew the coup. The three now recognised our car returning from weekends away, and were enjoying sausages, hotdogs, raw chicken, fish and especially cheese, but life was hard as they aged with daily morning and evening tussles in the air with invaders and intruders hoping to take their land.
Russell picked up an injury during one fight and hobbled about for a few weeks before fully recovering, though a slight limp remained long-term, but Sheryl was visibly ageing and struggled at times to gain height from a vertical ground take off. I placed a garden chair near the house and she would often jump onto the top and then onto the fence and then the roof in stages.
Baboo became the dominant garden watcher, swooping in to take advantage of the food I put out, though he now faced competition from a gaggle of five or so resident Magpies, Black headed gulls and Herring Gulls which seemed to have adopted the area, and brave enough to snatch food from under his nose and eat on the grass in his presence. The three crows still held on to our garden and the territory and were dominant still into December 2022. They loved cheese, hot dogs, raw chicken, fish fingers and digestive biscuits and also mixed nuts, crusty bread and cakes and fat from steak or gammon plus fish skin from salmon or haddock. But by December 13th 2022, feeding became almost impossible as Black headed gulls (Chroicocephalus ridibundus), Herring Gulls (Larus argentatus) and Common Gulls (Larus canus), seemed to take up residence, swooping from nowhere in dozens as soon as I tried to feed the crows and Magpies. I had to wait until any of my three crows were nestled in the Chestnut tree which seeps into my garden, before throwing food out to them, watching as they grabbed what they could, followed by the resident Magpies, before the gulls began to swoop once more!
By December 25th normal service was resumed and the crows could recognise my car and know if we were returning home, and call each other, then me to feed them.
Corvus Corone.... magnificently misunderstood by some!
Paul Williams June 4th 2021 (Updated on December 26th 2022)
©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®
No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of ©DESPITE STRAIGHT LINES (Paul Williams). No image may be used as source material for paintings, drawings, sculptures, or any other art form without permission and/or compensation to ©DESPITE STRAIGHT LINES (Paul Williams)
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©DESPITE STRAIGHT LINES (Paul Williams)
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Photograph taken at an altitude of Fifty five metres at 10:55pm on a Springtime afternoon on Thursday 16th June 2022, off Hythe Avenue and Chessington Avenue in Bexleyheath, Kent.
Here we see an adult female Carrion crow (Corvus corone) standing in a garden off Hythe Avenue and Chessington Avenue in Bexleyheath, Kent.
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Nikon D850 Focal length 380mm Shutter speed: 1/400s Aperture f/6.3 iso200 Hand held with Tamron VC Vibration control set to ON in position 1 14 Bit uncompressed RAW NEF file size L (8256 x 5504 pixels) FX (36 x 24) Focus mode: AF-C AF-Area mode: 3D-tracking AF-C Priority Selection: Release. Nikon Back button focusing enabled 3D Tracking watch area: Normal 55 Tracking points Exposure mode: Manual exposure mode Metering mode: Matrix metering White balance on: Auto1, 0, 0 (4490k) Colour space: RGB Picture control: (SD) Standard (Sharpening +3 & Clarity +1.00) Active D-Lighting: Auto Vignette Control: Normal High ISO NR: ON (Low)
Tamron SP 150-600mm F/5-6.3 Di VC USD G2. Nikon GP-1 GPS module. Lee SW150 MKII filter holder. Lee SW150 95mm screw in adapter ring. Lee SW150 circular polariser glass filter.Lee SW150 Filters field pouch. Hoodman HEYENRG round eyepiece oversized eyecup.Mcoplus professional MB-D850 multi function battery grip 6960.Two Nikon EN-EL15a batteries (Priority to battery in Battery grip). Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag.
LATITUDE: N 51d 28m 28.40s
LONGITUDE: E 0d 8m 10.70s
ALTITUDE: 55.0m
RAW (TIFF) FILE: 130.00MB NEF FILE: 90.70MB
PROCESSED (JPeg) FILE: 28.70MB
PROCESSING POWER:
Nikon D850 Firmware versions C 1.10 (9/05/2019) LD Distortion Data 2.018 (18/02/20) LF 1.00
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TE939 (LK58KHD) seen at Barnet Hospital standing, these E400s are the oldest double deckers in Metrolines fleet and are soon to be withdrawn
(2) SMGO
If realistic pictures of great execution were described as paintings that only luck voice, the superflowing plastic Gleitzeit painting only luck the tune.
The attempt to communicate visual art through speech is a continuation of an art experiment that started as long ago in ancient Egypt, in archaic Greece, in medieval art where scrolls come out of the mouths from figures to show what they were saying.
When Jaisini paints straight on canvas without preliminary sketch he is close to a transitory moment of creation that becomes an apogee of human effort when an artist doesn’t premeditate art but pushed himself to make future visible not yet existing in any other form or ready sketch.
The artist’s mind is a container of his picture’s idea.
At this moment of art making many factors contribute to the execution of the painting. Questioning this many times anyone will hardly get the final answer because of the nature of inquiry to explain the moment of high inspiration. How a man could paint complex paintings that allow endless topics to write about? Meanwhile Jaisini paints in short time duration of few hours bringing out something never seen before and of immediate production, not the result of prepared studies and sketches.
Watching Jaisini speaking I try to see anything that could connect to his art.
Language of gestures and words could explain the artist’s language of color and imagery. Jaisini seems to be tense and relaxed simultaneously.
His human condition overcomes regular norms of life. He is instantly analytical and frivolous and like a great actor doesn’t need a mask or a make-up to enforce his transition in a role. For him paintings are like roles where he can explore ambiguities through faces of the images and linear plastic. A skillful master he in fact never contributed time to polish his skills.
The mastery comes from another source. The freshness of his approach maybe explained by the authentic method and refusal to overdo or over practice that often is an enemy of creativity substituting productivity for inspiration. An artist who is a mass producer of his one discovery is not an artist but a craftsman manufacturing artifacts automatically. Jaisini had never repeated himself in predictable way. The artist pointed out that he can’t repeat any of his painting when he might even intent to adding that it is too complicated and impossible to remember the way it was once painted, the layer of colors, the spontaneity of the line is unattainable for repetition.
I was interested to create a connection with thoughts and visual subjects of complexity because of their strong potential to communicate.
Communication with these paintings has resulted in desire to write and even to start a new art of imagination.
I think that Jaisini’s entanglement of lines and thoughts, colors and images had trapped me. The plasticity of line is something programmed to catch the attention. When you think that you just caught the line it runs away as flirtatious suitor. The plastic configuration of line that allures you with superflowing outlines is as potent in words and in vision as for instance a succulent fruit, a seductive nude, and aroma of flowers. The plasticity invites you to puzzle out hidden content as if it was a personal secret.
You might not stop even if it takes time as in my case after my curiosity was never satisfied with finding explanation.
First I wanted to see the pictures and with time I was seeing in them more and more. But when I tried to establish meaning of the paintings the things I saw were changing. With time I returned to the stage of pure seeing but it was not the same as if I was already a different person. Apparently the mind is so avid to learn and find meanings that it will go on searching and integrating as if it is hungering for new all the time ready to devour new food for mind and uncover mysteries. Based on cognitive psychology people perceive reality and think through clusters of meanings. The style of Jaisini is based on creation of such clusters with information for the eye, mind, and instinct.
The picture offers certain clues and the picture’s puzzle adjusts to viewer’s capacity of understanding and seeing the idea in connection between reality and puzzle-like artistic formula.
The coherence of the picture can be reached by different approaches either through thinking, or seeing, by intuitive comprehension, or knowledge.
Jaisini’s line clusters do not claim to construct reality. They aim to present us with alternative connection to reality. And it is a self-conscious exercise of seeing but not believing, believing but not feeling, feeling but not knowing. The artist motivates us to experience many levels of this self-conscious exercise. Jaisini places more force of signification on linear spontaneity such as free flow, causality of the line that compete with conceptual activity of meaning creating that is a brain teasing game.
It was set up by the artist to bring out such a creation that when you are tired of looking you can think and read. The special achievement of Jaisini is his mastery over causality and non-tension of line that is a great tool to cultivate subconscious comfort and willingness to further understanding.
The original impulse of Show Must GO On creation drove the artist’s hand to build the meaning and idea, but at the same time the overall compositional elements of this painting are hardly explainable or meaningful.
It seems that this picture is a contest of subject matter against pure form, pure spatial balance with only purpose of space elaboration. Jaisini seems to consciously use his emotion of sorrow, emotion from musical stimulation to find unusual combinations of images, colors, and linear patterns. The painting’s ensemble of images is the most surprising in relation to title and original motive. The central main image of man in SMGO is being pulled by two opposing forces of creation and destruction, most likely self-destruction if read into the picture’s context. There is also a complex subject of rape that is presented in the painting.
In our minds and epoch rape symbolic seems to completely loose its original artistic context when the heroic rape was produced during the 15th through 18th centuries in pursuit of marital doctrine and to serve as erotic stimulation, sometimes to assert political authority.
Jaisini’s impulse to suggest a “heroic” rape from comes from an ingrain artistic reaction to the outside world as eternal antagonistic power to creativity. In such art as of Jaisini the symbolic of sexual nature transforms into yet another level of meaning. In classical art sexual subjects and images of rape were meant to justify violence against woman in a high fashion of submissiveness to husband and sacrifice for family. In Gleitzeit art presence of sexual symbolic is disinherits social quality.
It is a tool for creating figurative contrasts and points of higher sensibility.
At the same time imagery inherit a history of meaning in art and therefore can emit additional aspect of possible meaning. In that capacity Jaisini’s paintings are magnets for the mind. The line reminds a lasso that traps the prey. Jaisini’s visual manner of creating a tangled line derives from the deep-seated character of a hunter who has to capture his subject and tighten it up. But the picture’s composition is never strained. It is at the moment of creation and capture. The prey that could be the artist’s thought of an image is not restricted to one meaning, one vision. It is on a brink of new development. Just as interpretation of the picture.
Tradition in art to portray scenes of hunting traces back to ancient Greek but is transformed now in purely formal development of line that is not easily comprehended because in the art of Jaisini there is no figurative scenes of hunt or pursuit, no heroes with role ranks.
In Show Must Go On a central figure of a man non-ambiguously enters a figure of submissive person. It looks like a “heroic” rape scene but not as a classical representation of a god or a hero chasing a woman or a youth.
The painting doesn’t represent metaphorically sexual desire of Greek art’s sample where sexual relations were transformed in a metaphor of hunt.
This version is easily eliminated as the scene in Show Must Go On is homoerotic and the violated figure is not of youth or of an attractive appearance. As in many traditional images of “heroic” rape in the one in SMGO no one suffered great harm. A classical happy ending of marital story doesn’t apply to the concept of Show Must Go On that puts attacker in a position of victim. He is a victim of a personal creative urge of an artist who sacrifices something not known to majority of people shown by the unusual development when the raper in turn is violated by a portrayed predator (a sword-fish) who enters from the back and aims at his heart.
The image of submissive man might take on a role of bride who doesn’t resist the event of rape. His role of a silent victim seems to be a bigger burden then a role of transgressor or the rapist. Jaisini creates unique transformations in each of his work. The singer is this central man-rapist is not accidentally depicted as athletically build one to highlight a sensation of attractiveness worthy of assault. The transgressor is more worthy the assault then his victim. The prototype of a singer, Freddie Mercury, is not athletic.
The central man’s visual image doesn’t correspond to the initial inspiration.
The transformation changes percept of things when the prototype of the singer originally is not the body builder type.
The victimization by creative process is a complex subject taking in account the process of spontaneous painting style. In the works of Jaisini there are no pornographicall images, but sensuality is intense. It is achieved by the curvilinear plastic entrapping with line’s contact points accented by special symbolism making sensuality tangible without realistic portrayals.
One of the painting’s concepts is to show a victim of creative urge.
The mechanism of the offered role change is even more complex taking in account process of painting when the artist starts his work from a fleeting vision from mind finishing his painting in one session. It means that Jaisini executes inner thought and formulates it even before he fully understands what is done. That may explain mastery of the fresh and brisk approach of painting and unusual associations.
The main image of male in the painting who is rushing forward seems to be a deliberately provocative indication of an intercourse in bizarre set up. But the figure of aggressor is vulnerable by the depiction of a sward-fish attack.
Is this predator is a truer portrayal of maleness than of the central man meant to be masculine and aggressive but renewed in meaning with additional context of victimization. This image is going through immediate unusual change into a new type of androgen.
The man (creator) has attractiveness of female as recent popular incarnations of the androgen images in popular culture singers with strong sexual charge such as Alice Cooper, Freddie Mercury, Robert Plant.
The expression of sexual ambivalence in the artist establishes a fascinating game that exploits the confusion surrounding the male and female roles.
AN IN DEPTH LOOK AT CORVUS CORONE
LEGEND AND MYTHOLOGY
Crows appear in the Bible where Noah uses one to search for dry land and to check on the recession of the flood. Crows supposedly saved the prophet, Elijah, from famine and are an Inuit deity. Legend has it that England and its monarchy will end when there are no more crows in the Tower of London. And some believe that the crows went to the Tower attracted by the regular corpses following executions with written accounts of their presence at the executions of Anne Boleyn and Jane Gray.
In Welsh mythology, unfortunately Crows are seen as symbolic of evilness and black magic thanks to many references to witches transforming into crows or ravens and escaping. Indian legend tells of Kakabhusandi, a crow who sits on the branches of a wish-fulfilling tree called Kalpataru and a crow in Ramayana where Lord Rama blessed the crow with the power to foresee future events and communicate with the souls.
In Native American first nation legend the crow is sometimes considered to be something of a trickster, though they are also viewed positively by some tribes as messengers between this world and the next where they carry messages from the living to those deceased, and even carry healing medicines between both worlds. There is a belief that crows can foresee the future. The Klamath tribe in Oregon believe that when we die, we fly up to heaven as a crow. The Crow can also signify wisdom to some tribes who believe crows had the power to talk and were therefore considered to be one of the wisest of birds. Tribes with Crow Clans include the Chippewa (whose Crow Clan and its totem are called Aandeg), the Hopi (whose Crow Clan is called Angwusngyam or Ungwish-wungwa), the Menominee, the Caddo, the Tlingit, and the Pueblo tribes of New Mexico.
The crow features in the Nanissáanah (Ghost dance), popularized by Jerome Crow Dog, a Brulé Lakota sub-chief and warrior born at Horse Stealing Creek in Montana Territory in 1833, the crow symbolizing wisdom and the past, when the crow had became a guide and acted as a pathfinder during hunting. The Ghost dance movement was originally created in 1870 by Wodziwob, or Gray Hair, a prophet and medicine man of the Paiute tribe in an area that became known as Nevada. Ghost dancers wore crow and eagle feathers in their clothes and hair, and the fact that the Crow could talk placed it as one of the sages of the animal kingdom. The five day dances seeking trance,prophecy and exhortations would eventually play a major part in the pathway towards the white man's broken treaties, the infamous battle at Wounded knee and the surrender of Matȟó Wanáȟtaka (Kicking Bear), after officials began to fear the ghost dancers and rituals which seemed to occur prior to battle.
Historically the Vikings are the group who made so many references to the crow, and Ragnarr Loðbrók and his sons used this species in his banner as well as appearances in many flags and coats of arms. Also, it had some kind of association with Odin, one of their main deities. Norse legend tells us that Odin is accompanied by two crows. Hugin, who symbolizes thought, and Munin, who represents a memory. These two crows were sent out each dawn to fly the entire world, returning at breakfast where they informed the Lord of the Nordic gods of everything that went on in their kingdoms. Odin was also referred to as Rafnagud (raven-god). The raven appears in almost every skaldic poem describing warfare.Coins dating back to 940's minted by Olaf Cuaran depict the Viking war standard, the Raven and Viking war banners (Gonfalon) depicted the bird also.
In Scandinavian legends, crows are a representative of the Goddess of Death, known as Valkyrie (from old Norse 'Valkyrja'), one of the group of maidens who served the Norse deity Odin, visiting battlefields and sending him the souls of the slain worthy of a place in Valhalla. Odin ( also called Wodan, Woden, or Wotan), preferred that heroes be killed in battle and that the most valiant of souls be taken to Valhöll, the hall of slain warriors. It is the crow that provides the Valkyries with important information on who should go. In Hindu ceremonies that are associated to ancestors, the crow has an important place in Vedic rituals. They are seen as messengers of death in Indian culture too.
In Germanic legend, Crows are seen as psychonomes, meaning the act of guiding spirits to their final destination, and that the feathers of a crow could cure a victim who had been cursed. And yet, a lone black crow could symbolize impending death, whilst a group symbolizes a lucky omen! Vikings also saw good omens in the crow and would leave offerings of meat as a token.
The crow also has sacred and prophetic meaning within the Celtic civilization, where it stood for flesh ripped off due to combat and Morrighan, the warrior goddess, often appears in Celtic mythology as a raven or crow, or else is found to be in the company of the birds. Crow is sacred to Lugdnum, the Celtic god of creation who gave his name to the city of Lug
In Greek mythology according to Appolodorus, Apollo is supposedly responsible for the black feathers of the crow, turning them forever black from their pristine white original plumage as a punishment after they brought news that Κορωνις (Coronis) a princess of the Thessalian kingdom of Phlegyantis, Apollo's pregnant lover had left him to marry a mortal, Ischys. In one legend, Apollo burned the crows feathers and then burned Coronis to death, in another Coronis herself was turned into a black crow, and another that she was slain by the arrows of Αρτεμις (Artemis - twin to Apollo). Koronis was later set amongst the stars as the constellation Corvus ("the Crow"). Her name means "Curved One" from the Greek word korônis or "Crow" from the word korônê.A similar Muslim legend allegedly tells of Muhammad, founder of Islam and the last prophet sent by God to Earth, who's secret location was given away by a white crow to his seekers, as he hid in caves. The crow shouted 'Ghar Ghar' (Cave, cave) and thus as punishment, Muhammad turned the crow black and cursed it for eternity to utter only one phrase, 'Ghar, ghar). Native Indian legend where the once rainbow coloured crows became forever black after shedding their colourful plumage over the other animals of the world.
In China the Crow is represented in art as a three legged bird on a solar disk, being a creature that helps the sun in its journey. In Japan there are myths of Crow Tengu who were priests who became vain, and turned into this spirit to serve as messengers until they learn the lesson of humility as well as a great Crow who takes part in Shinto creation stories.
In animal spirit guides there are general perceptions of what sightings of numbers of crows actually mean:
1 Crow Meaning: To carry a message from your near one who died recently.
2 Crows Meaning: Two crows sitting near your home signifies some good news is on your way.
3 Crows Meaning: An upcoming wedding in your family.
4 Crows Meaning: Symbolizes wealth and prosperity.
5 Crows Meaning: Diseases or pain.
6 Crows Meaning: A theft in your house!
7 Crows Meaning: Denotes travel or moving from your house.
8 Crows Meaning: Sorrowful events
Crows are generally seen as the symbolism when alive for doom bringing, misfortune and bad omens, and yet a dead crow symbolises potentially bringing good news and positive change to those who see it. This wonderful bird certainly gets a mixed bag of contradictory mythology and legend over the centuries and in modern days is often seen as a bit of a nuisance, attacking and killing the babies of other birds such as Starlings, Pigeons and House Sparrows as well as plucking the eyes out of lambs in the field, being loud and noisy and violently attacking poor victims in a 'crow court'....
There is even a classic horror film called 'THE CROW' released in 1994 by Miramax Films, directed by Alex Proyas and starring Brandon Lee in his final film appearance as Eric Draven, who is revived by a Crow tapping on his gravestone a year after he and his fiancée are murdered in Detroit by a street gang. The crow becomes his guide as he sets out to avenge the murders. The only son of martial arts expert Bruce Lee, Brandon lee suffered fatal injuries on the set of the film when the crew failed to remove the primer from a cartridge that hit Lee in the abdomen with the same force as a normal bullet. Lee died that day, March 31st 1993 aged 28.
The symbolism of the Crow resurrecting the dead star and accompanying him on his quest for revenge was powerful, and in some part based on the history of the carrion crow itself and the original film grossed more than $94 Million dollars with three subsequent sequels following.
TAKING A CLOSER LOOK
So let's move away from legend, mythology and stories passed down from our parents and grandparents and look at these amazing birds in isolation.
Carrion crow are passerines in the family Corvidae a group of Oscine passerine birds including Crows, Ravens, Rooks, Jackdaws, Jays, Magpies, Treepies, Choughs and Nutcrackers. Technically they are classed as Corvids, and the largest of passerine birds. Carrion crows are medium to large in size with rictal bristles and a single moult per year (most passerines moult twice). Carrion crow was one of the many species originally described by Swedish naturalist Carl Linnaeus (Carl Von Linne after his ennoblement) in his 1758 and 1759 editions of 'SYSTEMA NATURAE', and it still bears its original name of Corvus corone, derived from the Latin of Corvus, meaning Raven and the Greek κορώνη (korōnē), meaning crow.
Carrion crow are of the Animalia kingdom Phylum: Chordata Class: Aves Order: Passeriformes Family: Corvidae Genus: Corvus and Species: Corvus corone
Corvus corone can reach 45-47cm in length with a 93-104cm wingspan and weigh between 370-650g. They are protected under The Wildlife and Countryside Act 1981 in the United Kingdom with a Green UK conservation status which means they are of least concern with more than 1,000,000 territories. Breeding occurs in April with fledging of the chicks taking around twenty nine days following an incubation period of around twenty days with 3 to 4 eggs being the average norm. They are abundant in the UK apart from Northwest Scotland and Ireland where the Hooded crow (Corvus cornix) was considered the same species until 2002. They have a lifespan of around four years, whilst Crow species can live to the age of Twenty years old, and the oldest known American crow in the wild was almost Thirty years old. The oldest documented captive crow died at age Fifty nine. They are smaller and have a shorter lifespan than the Raven, which again is used as a symbol in history to live life to the full and not waste a moment!
They are often mistaken for the Rook (Corvus frugilegus), a similar bird, though in the UK, the Rook is actually technically smaller than the Carrion crow averaging 44-46cm in length, 81-99cm wingspan and weighing up to 340g. Rooks have white beaks compared to the black beaks of Carrion crow, a more steeply raked ratio from head to beak, and longer straighter beaks as well as a different plumage pattern. There are documented cases in the UK of singular and grouped Rooks attacking and killing Carrion crows in their territory. Rooks nest in colonies unlike Carrion crows. Carrion crows have only a few natural enemies including powerful raptors such as the northern goshawk, the peregrine falcon, the Eurasian eagle-owl and the golden eagle which will all readily hunt them.
Regarded as one of the most intelligent birds, indeed creatures on the planet, studies suggest that Corvids cognitive abilities can rival that of primates such as chimpanzees and gorillas and even provide clues to understanding human intelligence. Crows have relatively large brains for their body size, compared to other animals. Their encephalization quotient (EQ) a ratio of brain to body size, adjusted for size because there isn’t a linear relationship is 4.1. That is remarkably close to chimps at 4.2 whilst humans are 8.1. Corvids also have a very high neuronal density, the number of neurons per gram of brain, factoring in the number of cortical neurons, neuron packing density, interneuronal distance and axonal conduction velocity shows that Corvids score high on this measure as well, with humans scoring the highest.
A corvid's pallium is packed with more neurons than a great ape's. Corvids have demonstrated the ability to use a combination of mental tools such as imagination, and anticipation of future events. They can craft tools from twigs and branches to hook grubs from deep recesses, they can solve puzzles and intricate methods of gaining access to food set by humans., and have even bent pieces of wire into hooks to obtain food. They have been proven to have a higher cognitive ability level than seven year old humans. Communications wise, their repertoire of wraw-wraw's is not fully understood, but the intensity, rhythm, and duration of caws seems to form the basis of a possible language. They also remember the faces of humans who have hindered or hurt them and pass that information on to their offspring.
Aesop's fable of 'The Crow and the Pitcher, tells of a thirsty crow which drops stones into a water pitcher to raise the water level and enable it to take a drink. Scientists have conducted tests to see whether crows really are this intelligent. They placed floating treats in a deep tube and observed the crows indeed dropping dense objects carefully selected into the water until the treat floated within reach. They had the intelligence to pick up, weigh and discount objects that would float in the water, they also did not select ones that were too large for the container.
Pet crows develop a unique call for their owners, in effect actually naming them. They also know to sunbathe for a dose of vitamin D, regularly settling on wooden garden fences, opening their mouths and wings and raising their heads to the sun. In groups they warn of danger and communicate vocally. They store a cache of food for later if in abundance and are clever enough to move it if they feel it has been discovered. They leave markers for their cache. They have even learned to place walnuts and similar hard food items under car tyres at traffic lights as a means of cracking them!
Crows regularly gather around a dead fellow corvid, almost like a funeral, and it is thought they somehow learn from each death. They can even remember human faces for decades.Crows group together to attack larger predators and even steal their food, and they have different dialects in different areas, with the ability to mimic the dialect of the alpha males when they enter their territory!
They have a twenty year life span, the oldest on record reaching the age of Fifty nine. Crows can leave gifts for those who feed them such as buttons or bright shiny objects as a thank you, and they even kiss and make up after an argument, having mated for life.
In mythology they are associated with good and bad luck, being the bringers of omens and even witchcraft and are generally reviled for their attacks on baby birds and small mammals. They have an attack method of to stunning smaller birds before consuming them, tearing violently at smaller, less aggressive birds, which is simply down to the fact that they are so highly intelligent, and also the top of the food chain. Their diet includes over a thousand different items: Dead animals (as their name suggests), invertebrates, grain, as well as stealing eggs and chicks from other birds' nests, worms, insects, fruit, seeds, kitchen scraps. They are highly adaptable when food sources grow scarce. I absolutely love them, they are magnificent, bold, beautiful and incredibly interesting to watch and though at times it is hard to witness attacks made by them, I cannot help but adore them for so many other and more important reasons.
OBSERVATIONS ON THE PAIR IN MY GARDEN
Crows have been in the area for a while, but rarely had strayed into my garden, leaving the Magpies to own the territory. Things changed towards the end of May when a beautiful female Carrion crow appeared and began to take some of the food that I put down for the other birds. Within a few days she began to appear regularly, on occasions stocking up on food, whilst other times placing pieces in the birdbath to soften them. She would stand on the birdbath and eat and drink and come back over the course of the day to eat the softened food.
Shortly afterwards she brought along her mate, a tall and handsome fella, much larger than her who was also very vocal if he felt she was getting a little too close to me. By now I had moved from a seated position from the patio as an observer, to laying on a mat just five feet from the birdbath with my Nikon so that I could photograph the pair as they landed, scavenged and fed. She was now confident enough to let me be very close, and she even tolerated and recognized the clicking of the camera. At first I used silent mode to reduce the noise but this only allowed two shooting frame rates of single frame or continuous low frame which meant I was missing shots. I reverted back to normal continuous high frames and she soon got used to the whirring of the mechanisms as the mirror slapped back and forth.
The big fella would bark orders at her from the safety of the fence or the rear of the garden, whilst she rarely made a sound. That was until one day when in the sweltering heat she kept opening her beak and sunning on the grass, panting slightly in the heat. I placed the circular water sprayer nearby and had it rotating so that the birdbath and grass was bathed in gentle water droplets and she soon came back, landed and seemed to really like the cooling effect on offer. She then climbed onto the birdbath and opened her wings slightly and made some gentle purring, cooing noises....
I swear she was expressing happiness, joy....
On another blisteringly hot day when the sprayer was on, she came down, walked towards it and opened her wings up running into the water spray. Not once, but many times.
A further revelation into the unseen sides to these beautiful birds came with the male and female on the rear garden fence. They sat together, locked beaks like a kiss and then the male took his time gently preening her head feathers and the back of her neck as she made tiny happy sounds. They stayed together like that for several minutes, showing a gentle, softer side to their nature and demonstrating the deep bond between them. Into July and the pair started to bring their three youngsters to my garden, the nippers learning to use the birdbath for bathing and dipping food, the parents attentive as ever. Two of the youngsters headed off once large enough and strong enough.
I was privileged to be in close attendance as the last juvenile was brought down by the pair, taught to take food and then on a night in July, to soar and fly with it's mother in the evening sky as the light faded. She would swoop and twirl, and at regular intervals just touch the juvenile in flight with her wing tip feathers, as if to reassure it that she was close in attendance. What an amazing experience to view. A few days later, the juvenile, though now gaining independence and more than capable of tackling food scraps in the garden, was still on occasions demand feeding from it's mother who was now teaching him to take chicken breast, hotdogs or digestive biscuits and bury them in the garden beds for later delectation. The juvenile also liked to gather up peanuts and bury them in the grass. On one occasion I witnessed a pair of rambunctious Pica Pica (Magpies), chasing the young crow on rooftops, leaping at him no matter how hard he tried to get away. He defended himself well and survived the attacks, much to my relief.
Into August and the last youngster remained with the adults, though now was very independent even though he still spent time with his parents on rooftops, and shared food gathering duties with his mum.Hotdog sausages were their favourite choice, followed by fish fingers and digestive biscuits which the adult male would gather up three at a time. In October, the three Crows were still kings of the area, but my time observing them was pretty much over as I will only put food out now for the birds in the winter months.
Corvus Corone.... magnificently misunderstood by some!
Paul Williams June 4th 2021
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Photograph taken at an altitude of Sixty two metres at 11:02am on a summer morning on Tuesday 8th June 2021, of an adult Carrion crow (Corvus corone), cracking open and eating a walnut having pulled it from under the earth where a Grey squirrel had previously buried it. Taken off Hythe Avenue and Chessington Avenue in Bexleyheath, Kent.
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赤嵌樓海神廟 - 普羅民遮城 / 夢境新來頭一天 - 魚龍變換就今年
Chihkan Tower Poseidon Temple - Old Fort Proventia / New backing dream one day - Carp transform to dragon in this year
Torre Chihkan Templo de Poseidón - Old Fort Proventia / Nuevo respaldo de soñar con un día - Carp transformar al dragón en este año
赤嵌楼ポセイドン神殿 - オールドフォート普羅民遮城 / 夢の世界は新しく1日目に来ます - 魚竜は今年について変えます
Chihkan Tower Poseidon-Tempel - Old Fort Proventia / Neue Träger träumen einem Tag - Carp transformieren, um Drachen in diesem Jahr
Chihkan Tour Poséidon Temple - le sentiment de Old Fort Proventia / Nouveau soutien rêver une journée - Carp transformer en dragon dans cette année
Tainan Taiwan / Tainan Taiwán / 台灣台南
管樂小集 2015/12/05 赤嵌樓 Chihkan Tower performances
{ Will still love me tomorrow 明天是否依然愛我 明日依然として私が好きかどうか }
{View large size on fluidr / 觀看大圖}
{My Blog / 管樂小集精彩演出-觸動你的心}
{My Blog / Great Music The splendid performance touches your heart}
{My Blog / 管楽小集すばらしい公演-はあなたの心を心を打ちます}
{Mi blog / La gran música el funcionamiento espléndido toca su corazón}
{Mein Blog / Große Musik die herrliche Leistung berührt Ihr Herz}
{Mon blog / La grande musique l'exécution splendide touche votre coeur}
Melody 曲:JAPAN / Words 詞:Sheesen / Singing : Sheesen
{ 夢旅人 1990 Dream Traveler 1990 }
家住安南鹽溪邊
The family lives in nearby the Annan salt river
隔壁就是聽雨軒
The next door listens to the rain porch
一旦落日照大員
The sunset Shineing to the Taiwan at once
左岸青龍飛九天
The left bank white dragon flying in the sky
Source: en.wikipedia.org/wiki/Rizal_Monument
The Rizal Monument (original title: Motto Stella, Latin, "guiding star") is a memorial in Rizal Park in Manila, Philippines built to commemorate the executed Filipino nationalist, José Rizal. The monument consists of a standing bronze sculpture of Rizal, with an obelisk, set on a stone base within which his remains are interred. A plaque on the pedestal's front reads: "To the memory of José Rizal, patriot and martyr, executed on Bagumbayan Field December Thirtieth 1896. This monument is dedicated by the people of the Philippine Islands".
The perimeter of the monument is guarded continuously by the Philippine Marine Corps’ Marine Security and Escort Group, the changing of the guard having become a daily ritual. About 100 m (330 ft) north-northwest of the monument is the exact location where Rizal was executed, marked by life-size dioramas depicting his final moments.
An exact replica of the Rizal Monument can be found in Madrid, Spain at the junction of Avenida de Las Islas Filipinas and Calle Santander.
It is a place with an ominous ambience if you know what happened here. Just below the top of Gallowhill, deep in the woodland is a place of execution. It is said that the gallows were situated on a flat ledge just below the summit of the hill which has commanding views across the Moray Firth, and is the highest point for miles.
This was where many a person who upset the local landowners met their end, their corpses dangling from a gallows would have been visible for miles around. Details are sketchy, but the hill and woodlands are named after the execution site.
There are natural woodlands around the hill, mainly ancient caledonian pines and birches with oaks near the foot but with occasional examples all the way up to near the summit. Much has been planted now, with an array of giant alien commercial species and a wide range of more ornamental varieties closer to the ruined castle of Redcastle.
Redcastle claimed to be the oldest inhabited castle until it was abandoned as giant cracks appeared in the walls and it was deemed too expensive to repair or stop it from toppling into the gully behind. But it is clinging on gamely and still stands. It is from this ancient stronghold that local justice was meted out.
I found the flat place below the summit. It is now covered in mainly birch, with the odd magnificent old pine. Whether the gallows was constructed or they just used a convenient tree - a common practice in the highlands (there is a fantastic gallows tree in Drumnadrochit, beside the Benleva Hotel, for example) is unclear.
The flat place is like a 100 yard long ledge, around the south side of the summit. It has a slight corner in the middle and I thought that would make the best location if deterent visibility was key. As I walked further along I saw this old pine. Bearing in mind that it can be difficult to age old pines, some really old ones are short and stunted and some young ones can be really tall. Perhaps nature has provided the perfect natural hanging tree?