The Liechtenstein Garden Palace is a Baroque palace at the Fürstengasse in the 9th District of Vienna, Alsergrund. Between the palace, where the Liechtenstein Museum was until the end of 2011, and executed as Belvedere summer palace on the Alserbachstraße is a park. Since early 2012, the Liechtenstein Garden Palace is a place for events. Part of the private art collection of the Prince of Liechtenstein is still in the gallery rooms of the palace. In 2010 was started to call the palace, to avoid future confusion, officially the Garden Palace, since 2013 the city has renovated the Palais Liechtenstein (Stadtpalais) in Vienna's old town and then also equipped with a part of the Liechtenstein art collection.

Building

Design for the Liechtenstein Garden Palace, Johann Bernhard Fischer von Erlach in 1687/1688

Canaletto: View of Palais Liechtenstein

1687 bought Prince Johann Adam Andreas von Liechtenstein a garden with adjoining meadows of Count Weikhard von Auersperg in the Rossau. In the southern part of the property the prince had built a palace and in the north part he founded a brewery and a manorial, from which developed the suburb Lichtental. For the construction of the palace Johann Adam Andreas organised 1688 a competition, in the inter alia participating, the young Johann Bernhard Fischer von Erlach. Meanwhile, a little functional, " permeable " project was rejected by the prince but, after all, instead he was allowed to built a garden in the Belvedere Alserbachstraße 14, which , however, was canceled in 1872.

The competition was won by Domenico Egidio Rossi, but was replaced in 1692 by Domenico Martinelli. The execution of the stonework had been given the royal Hofsteinmetzmeister (master stonemason) Martin Mitschke. He was delivered by the Masters of Kaisersteinbruch Ambrose Ferrethi , Giovanni Battista Passerini and Martin Trumler large pillars, columns and pedestal made ​​from stone Emperor (Kaiserstein). Begin of the contract was the fourth July 1689 , the total cost was around 50,000 guilders.

For contracts from the years 1693 and 1701 undertook the Salzburg master stonemason John and Joseph Pernegger owner for 4,060 guilders the steps of the great grand staircase from Lienbacher (Adnet = red) to supply marble monolith of 4.65 meters. From the Master Nicolaus Wendlinger from Hallein came the Stiegenbalustraden (stair balustrades) for 1,000 guilders.

A palazzo was built in a mix of city and country in the Roman-style villa. The structure is clear and the construction very blocky with a stressed central risalite, what served the conservative tastes of the Prince very much. According to the procedure of the architectural treatise by Johann Adam Andreas ' father, Karl Eusebius, the palace was designed with three floors and 13 windows axis on the main front and seven windows axis on the lateral front. Together with the stems it forms a courtyard .

Sala terrene of the Palais

1700 the shell was completed. In 1702, the Salzburg master stonemason and Georg Andreas Doppler took over 7,005 guilders for the manufacture of door frame made ​​of white marble of Salzburg, 1708 was the delivery of the fireplaces in marble hall for 1,577 guilders. For the painted decoration was originally the Bolognese Marcantonio Franceschini hired, from him are some of the painted ceilings on the first floor. Since he to slow to the prince, Antonio Belucci was hired from Venice, who envisioned the rest of the floor. The ceiling painting in the Great Hall, the Hercules Hall but got Andrea Pozzo . Pozzo in 1708 confirmed the sum of 7,500 florins which he had received since 1704 for the ceiling fresco in the Marble Hall in installments. As these artists died ( Pozzo) or declined to Italy, the Prince now had no painter left for the ground floor.

After a long search finally Michael Rottmayr was hired for the painting of the ground floor - originally a temporary solution, because the prince was of the opinion that only Italian artist buon gusto d'invenzione had. Since Rottmayr was not involved in the original planning, his paintings not quite fit with the stucco. Rottmayr 1708 confirmed the receipt of 7,500 guilders for his fresco work.

Giovanni Giuliani, who designed the sculptural decoration in the window roofing of the main facade, undertook in 1705 to provide sixteen stone vases of Zogelsdorfer stone. From September 1704 to August 1705 Santino Bussi stuccoed the ground floor of the vault of the hall and received a fee of 1,000 florins and twenty buckets of wine. 1706 Bussi adorned the two staircases, the Marble Hall, the Gallery Hall and the remaining six halls of the main projectile with its stucco work for 2,200 florins and twenty buckets of wine. Giuliani received in 1709 for his Kaminbekrönungen (fireplace crowning) of the great room and the vases 1,128 guilders.

Garden

Liechtenstein Palace from the garden

The new summer palace of Henry of Ferstel from the garden

The garden was created in the mind of a classic baroque garden. The vases and statues were carried out according to the plans of Giuseppe Mazza from the local Giovanni Giuliani. In 1820 the garden has been remodeled according to plans of Joseph Kornhäusel in the Classical sense. In the Fürstengasse was opposite the Palais, the Orangerie, built 1700s.

Use as a museum

Already from 1805 to 1938, the palace was housing the family collection of the house of Liechtenstein, which was also open for public viewing, the collection was then transferred to the Principality of Liechtenstein, which remained neutral during the war and was not bombed. In the 1960s and 1970s, the so-called Building Centre was housed in the palace as a tenant, a permanent exhibition for builders of single-family houses and similar buildings. From 26 April 1979 rented the since 1962 housed in the so-called 20er Haus Museum of the 20th Century , a federal museum, the palace as a new main house, the 20er Haus was continued as a branch . Since the start of operations at the Palais, the collection called itself Museum of Modern Art (since 1991 Museum of Modern Art Ludwig Foundation ), the MUMOK in 2001 moved to the newly built museum district.

From 29 March 2004 till the end of 2011 in the Palace was the Liechtenstein Museum, whose collection includes paintings and sculptures from five centuries. The collection is considered one of the largest and most valuable private art collections in the world, whose main base in Vaduz (Liechtenstein) is . As the palace, so too the collection is owned by the Prince of Liechtenstein Foundation .

On 15 November 2011 it was announced that the regular museum operating in the Garden Palace was stopped due to short of original expectations, visiting numbers remaining lower as calculated, with January 2012. The Liechtenstein City Palace museum will also not offer regular operations. Exhibited works of art would then (in the city palace from 2013) only during the "Long Night of the Museums", for registered groups and during leased events being visitable. The name of the Liechtenstein Museum will no longer be used.

de.wikipedia.org/wiki/Palais_Liechtenstein_(F%C3%BCrstengasse)

Alchemy is one of Jackson Pollock’s earliest poured paintings, executed in the revolutionary technique that constituted his most significant contribution to twentieth-century art. After long deliberation before the empty canvas, he used his entire body in a picture-making process that can be described as drawing in paint. By pouring streams of commercial paint onto the canvas from a can with the aid of a stick, Pollock made obsolete the conventions and tools of traditional easel painting. He often tacked the unstretched canvas onto the floor in an approach he likened to that of the Navajo Indian sandpainters, explaining that “on the floor I am more at ease. I feel nearer, more a part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting.”¹ Surrealist notions of chance and automatism are given full expression in Pollock’s classic poured paintings, in which line no longer serves to describe shape or enclose form, but exists as an autonomous event, charting the movements of the artist’s body. As the line thins and thickens it speeds and slows, its appearance modified by chance behavior of the medium such as bleeding, pooling, or blistering.

When Alchemy is viewed from a distance, its large scale and even emphasis encourage the viewer to experience the painting as an environment. The layering and interpenetration of the labyrinthine skeins give the whole a dense and generalized appearance. The textured surface is like a wall on which primitive signs are inscribed with white pigment squeezed directly from the tube. Interpretations of these markings have frequently relied on the title Alchemy; however, this was assigned not by Pollock, but by Ralph Manheim and his wife, neighbors of the Pollocks in East Hampton.

Dawn raids saw officers in Oldham execute six drugs warrants as part of a crackdown on drug dealing in the district.

At around 6.15am this morning (Thursday 2 July 2020), officers from GMP’s Oldham division raided an address on Chamber Road, Coppice, and at five properties in the Glodwick area.

The action comes after concerns were raised in the community regarding the dealing of drugs in the area.

Neighbourhood Inspector Steve Prescott, of GMP’s Oldham division, said: “We hope that today’s operation demonstrates not only how keen we are to tackle drugs across the district and the Force, but also our endeavours to listen to community concerns and to act upon them.

“Today’s action is a significant part of tackling the issues around drugs that we see too often in our societies and the devastating impact they can have on individuals, their families and loved ones as well as the wider community.

“This action will have caused a huge amount of disruption for the criminals who seek to infiltrate these substances onto our streets and degrade the quality of life for so many.

“Anyone with concerns about the dealing of such drugs in their area should not hesitate to contact police; safe in the knowledge that we are prepared to strike back against those who operate in this destructive and illegal industry.”

To find out more about Greater Manchester Police please visit

www.gmp.police.uk

You should call 101, the national non-emergency number, to report crime and other concerns that do not require an emergency response.

Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.

You can also call anonymously with information about crime to Crimestoppers on 0800 555 111. Crimestoppers is an independent charity who will not want your name, just your information. Your call will not be traced or recorded and you do not have to go to court or give a statement.

You can access many of our services online at www.gmp.police.uk

This morning (Tuesday 1 February 2022), we executed warrants at six properties in the Chadderton area.

A 25-year-old was arrested on suspicion of rape, sexual assault and trafficking a person within the UK for sexual exploitation.

A second 25-year-old was arrested on suspicion of sexual assault.

A 26-year-old was arrested on suspicion of sexual assault and trafficking a person within the UK for sexual exploitation.

A 27-year-old was arrested on suspicion of rape and trafficking a person within the UK for sexual exploitation.

A 28-year-old was arrested on suspicion of rape and trafficking a person within the UK for sexual exploitation.

The warrants were executed as part of Operation Gabel - an investigation into the child sexual exploitation of two teenage girls in 2012/2013.

Inspector Nick Helme, of GMP's Oldham district, said: "This morning's action at several properties in the Chadderton area was a result of just one of a number of ongoing investigations into historic child sexual exploitation in Greater Manchester.

"I can assure members of the public and warn offenders that investigating this type of crime is a top priority for the force. Regardless of time passed, dedicated teams in a specialist unit leave no stone unturned whilst gathering evidence to make arrests with the intention of bringing suspects to face justice.

"I hope these warrants build public trust and confidence that Greater Manchester Police is committed to fighting, preventing and reducing CSE to keep people safe and care for victims - giving them the faith they need in the force to come forward.

Greater Manchester is nationally recognised as a model of good practice in terms of support services available to victims.

If you or someone you know has been raped or sexually assaulted, we encourage you not to suffer in silence and report it to the police, or a support agency so you can get the help and support available.

- Saint Mary's Sexual Assault Referral Centre, Manchester provides a comprehensive and co-ordinated response to men, women and children who live or have been sexually assaulted within Greater Manchester. We offer forensic medical examinations, practical and emotional support as well as a counselling service for all ages. Services are available on a 24-hour basis and can be accessed by telephoning 0161 276 6515.

-Greater Manchester Rape Crisis is a confidential information, support and counselling service run by women for women over 18 who have been raped or sexually abused at any time in their lives. Call us on 0161 273 4500 or email us at help@manchesterrapecrisis.co.uk

- Survivors Manchester provides specialist trauma informed support to boys and men in Greater Manchester who have experienced sexual abuse, rape or sexual exploitation. Call 0161 236 2182.

In the undercover of darkness, officers from GMP’s Xcalibre task force executed a number of simultaneous warrants this morning (Wednesday 9 November 2022) – three in the Middleton area of Rochdale and one in Sheffield – and arrested four people on suspicion of attempted murder, conspiracy to commit murder, and possession of a firearm with the intent to endanger life.

The arrests come in response to the drive-by shooting that occurred on Quinney Crescent in Moss Side on Friday 29 July 2022, where a party was being held. A teenage girl sustained serious injuries from the shotgun blast and another girl was injured from what was believed to be shrapnel resulting from the firearms discharge.

Both attended hospital at the time and were subsequently discharged to recover at home.

Detectives are today renewing their appeal for witnesses to the incident and are urging anyone with any information on the shooting, or the vehicle of interest, as well as any mobile, CCTV, dashcam or doorbell footage to come forward and speak to GMP.

Officers will be out in the community of Moss Side today to offer reassurance and to be a point of contact for anyone who wants to talk.

Detective Superintendent David Meeney from the City of Manchester Division said: “This incident could have been far more serious. We do not believe that the two girls were the intended targets and were simply innocent bystanders, enjoying a party.

“This shows me that the people responsible are clearly dangerous as they have shown zero regard for who could have been injured that night. Guns have no place on the streets of Manchester and investigating these offences is a priority for GMP – to ensure we that we can bring the offenders to justice and protect the communities of Greater Manchester.

“Today’s arrests, led by the Xcalibre Task Force, shows how determined we are to bring those responsible for this callous attack to justice. I am appealing to anyone who was in the area of Moss Side on Friday 29 July 2022 between 10pm and 11pm, who may have seen a vehicle being driven erratically, to contact us.

“I am particularly interested in any sightings of a dark coloured SUV-type car and I am asking for anyone with any dashcam or doorbell footage that may have captured those responsible, either arriving or leaving the area, to please contact us. I have trained officers on-hand who can download and review any footage quickly.

“I am also appealing to anyone in the local community and those who live or work in the surrounding areas, who may have any information regarding the shooting to come forward. As well as approaching our officers who are out today, you can call 101 or use the Live Chat service on our website – www.gmp.police.uk.

Kibirizi, Province du Nord-Kivu, RD Congo: Des danses traditionnelles exécutées par les différentes communautés et groupes ethniques à Kibirizi à l’occasion de la Journée internationale de la paix. Photo MONUSCO/ Myriam Asmani

===

Kibirizi, North Kivu Province, DR Congo: Traditional dances performed by different communities and ethnic groups in Kibirizi on the occasion of the International Peace Day. Photo MONUSCO/ Myriam Asmani

In November 2013 the first survey after more than 30 years was executed by the R/V Dr. Fridtjof Nansen.

Myanmar is probably among the countries in Southeast Asia with the most intact marine environment, but our findings in 2013 indicate that fish stocks have been reduced and fish communities changed structure since the surveys in 1980. This has serious consequences for the availability of fish for food, jobs and income for coastal population in Myanmar.

Based on the findings the Department of Fisheries in Myanmar asked FAO and CDCF to conduct a follow-up study to confirm the results and also to identify any seasonality in the ecosystem. This survey will be conducted from April 28 to June 2 this year. We will repeat the survey made in 2013 and try to verify results. In addition, we will map the biodiversity and the marine environment. Among the participants there is Merete Kvalsund that will provide a glimpse of work and life on board. The work is part of the EAF-Nansen Project.

The Paddle Steamer Waverley executes a very wide 160 degree turn, near Sgeir Bhuidhe, which guards the yacht anchorage immediately east of Plockton. The engine piston to the crank that turns both paddles is fused, so it turns ‘gracefully' on the rudder only. Paddles cannot be disconnected for tight turns.

Hazy bright moist evening. Distance was about 1.2 miles/ 2 kms. Difficult photography with a long lens amidst a rising heat haze.

Passengers from Kyle onboard for 2.25 hours at £30 a ticket.

Waverley is run as a charity and circumnavigates the UK every year, carrying as many passengers on short trips as she can.

Wonderful old ship , but not all that old. Very elegant in every aspect.

PS Waverley is the last seagoing passenger carrying paddle steamer in the world.

Built in 1946, she sailed from Craigendoran on the Firth of Clyde to Arrochar on Loch Long until 1973. Bought by the Paddle Steamer Preservation Society (PSPS), she has been restored to her 1947 appearance and now operates passenger excursions around the British coast.

Since 2003, Waverley has been listed in the National Historic Fleet by National Historic Ships UK as, "a vessel of pre-eminent national importance”.

I have sailed on her twice before, the first time with the family about 30 years ago from Weymouth to Bournemouth and return, in a very memorably phosphorescent sea.

Waverley makes passenger excursions from various British ports. She regularly sails from Glasgow and other towns on the Firth of Clyde, the Thames, the South Coast of England and the Bristol Channel. She also undertakes private charters and has provided a period setting for television documentaries and movies, such as Sherlock Holmes: A Game of Shadows (2011).

Primarily during the summer she is based on the Clyde, operating excursions from Glasgow, Greenock, Largs or Ayr.

Typically her Clyde timetable ends at the end of August and Waverley spends 6 weeks between September and October cruising the Bristol Channel, the Solent and the Thames before returning to the Clyde for two sailings in October.

On 3 September 2020, Waverley collided with the Brodick Pier on the Isle of Arran, causing damage to the bow. Twenty-four people were injured. The ship was carrying 213 passengers and 26 crew, who were temporarily stranded on Arran. A Caledonian MacBrayne ferry, MV Caledonian Isles, made an unscheduled sailing to return them to the Scottish mainland later that evening.

During the 2021 season Waverley was unable to operate south of the Clyde owing to crew availability. 2022 marks the 75th anniversary of her maiden voyage and she was able to return to other parts of the British coast.

Operation Vulcan executed their latest warrant yesterday (3 May 2023) at a property on Great Ducie Street in Cheetham Hill.

The warrant was carried out after intelligence came to light suggesting the property - a large distribution warehouse - was being used to supply a network of counterfeit stores throughout Cheetham Hill.

The number of items seized have an estimated worth of £1.2million pounds.

The enterprise was so vast officers made use of a conveyor belt to speed up the transfer of seized items into waiting vehicles.

Over the last 6 months through relentless policing and support from dedicated partners, Operation Vulcan has turned the tide against the criminals. The support of partners has been integral to Operation Vulcan and that was on full display yesterday (3 May 2023) with over 15 departments, teams, organisations and partner representatives in attendance - including from Greater Manchester Fire and Rescue Service, Intellectual Property Office, Trading Standards, Brand Experts and Border Force.

GMFRS also raised concerns about the safety of the building, which led to it being issued it with a prohibition order.

Inspector Andy Torkington said: "The network of counterfeit stores in Cheetham Hill might seem chaotic and disorganised but this is far from the truth. The latest warrant demonstrates that these stores are well funded and well supplied and it's big business for organised crime groups who have been operating out of the area.

"This warrant is an opportunity to make a huge dent in the supply chain by cutting off the head of the supply snake. I hope it sends a message to any remaining counterfeit stores in the area who persist in trading to pack up now or face the consequences.

"Operation Vulcan is here to stay and we will continue making it unsustainable for criminal businesses to exist here and will work shoulder-to-shoulder with our partners to re-build the area into a thriving community where people feel safe.”

Neil Fairlamb, Strategic Director of Neighbourhoods for Manchester City Council said: "The work that has taken place throughout Operation Vulcan has shown the scope and scale of the counterfeit industry. It is huge enterprise, one which has had an incredibly negative impact on our communities. By striking a blow against this criminal supply chain we will succeed in forcing these traders out for good."

The Intellectual Property Office’s Deputy Director of Intelligence and Law Enforcement, Marcus Evans said: The Intellectual Property Office’s Deputy Director of Intelligence and Law Enforcement, Marcus Evans said: “Criminal networks are seeking to exploit consumers and communities for their own financial gain through the trade in illegal counterfeits – with absolutely no regard for the quality or safety of the items being sold, which are often dangerous and defective. Such items can cause genuine harm to the people who buy and use them, as well as those workers often exploited during their production.

“As well as helping to sustain serious and organised crime, the sale of counterfeit goods has been estimated to contribute to over 80,000 job loses each year in the UK by diverting funds away from legitimate traders and into the hands of criminals. We are pleased to support the ongoing activity by Greater Manchester Police to clamp down on this illegal activity and help protect the public, as we continue to work with partners across in industry, local government, and law enforcement to help empower consumers and raise awareness of the damage these goods cause.”

Operation Vulcan executed their latest warrant yesterday (3 May 2023) at a property on Great Ducie Street in Cheetham Hill.

The warrant was carried out after intelligence came to light suggesting the property - a large distribution warehouse - was being used to supply a network of counterfeit stores throughout Cheetham Hill.

The number of items seized have an estimated worth of £1.2million pounds.

The enterprise was so vast officers made use of a conveyor belt to speed up the transfer of seized items into waiting vehicles.

Over the last 6 months through relentless policing and support from dedicated partners, Operation Vulcan has turned the tide against the criminals. The support of partners has been integral to Operation Vulcan and that was on full display yesterday (3 May 2023) with over 15 departments, teams, organisations and partner representatives in attendance - including from Greater Manchester Fire and Rescue Service, Intellectual Property Office, Trading Standards, Brand Experts and Border Force.

GMFRS also raised concerns about the safety of the building, which led to it being issued it with a prohibition order.

Inspector Andy Torkington said: "The network of counterfeit stores in Cheetham Hill might seem chaotic and disorganised but this is far from the truth. The latest warrant demonstrates that these stores are well funded and well supplied and it's big business for organised crime groups who have been operating out of the area.

"This warrant is an opportunity to make a huge dent in the supply chain by cutting off the head of the supply snake. I hope it sends a message to any remaining counterfeit stores in the area who persist in trading to pack up now or face the consequences.

"Operation Vulcan is here to stay and we will continue making it unsustainable for criminal businesses to exist here and will work shoulder-to-shoulder with our partners to re-build the area into a thriving community where people feel safe.”

Neil Fairlamb, Strategic Director of Neighbourhoods for Manchester City Council said: "The work that has taken place throughout Operation Vulcan has shown the scope and scale of the counterfeit industry. It is huge enterprise, one which has had an incredibly negative impact on our communities. By striking a blow against this criminal supply chain we will succeed in forcing these traders out for good."

The Intellectual Property Office’s Deputy Director of Intelligence and Law Enforcement, Marcus Evans said: The Intellectual Property Office’s Deputy Director of Intelligence and Law Enforcement, Marcus Evans said: “Criminal networks are seeking to exploit consumers and communities for their own financial gain through the trade in illegal counterfeits – with absolutely no regard for the quality or safety of the items being sold, which are often dangerous and defective. Such items can cause genuine harm to the people who buy and use them, as well as those workers often exploited during their production.

“As well as helping to sustain serious and organised crime, the sale of counterfeit goods has been estimated to contribute to over 80,000 job loses each year in the UK by diverting funds away from legitimate traders and into the hands of criminals. We are pleased to support the ongoing activity by Greater Manchester Police to clamp down on this illegal activity and help protect the public, as we continue to work with partners across in industry, local government, and law enforcement to help empower consumers and raise awareness of the damage these goods cause.”

This statue of George Washington (Catalog INDE14419) was executed by William Rush in 1814.

George Washington (1732-1799) was the first President of the United States from 1789–1797 after serving as Commander-in-Chief and leading the Continental Army to victory over the Great Britain in the American Revolutionary War. As president, he established many of the customs and usages of the new government's executive department. His unilateral Proclamation of Neutrality of 1793 provided a basis for avoiding any involvement in foreign conflicts. He supported plans to build a strong central government by funding the national debt, implementing an effective tax system, and creating a national bank.

The Second Bank of the United States, at 420 Chestnut Street, was chartered five years after the expiration of the First Bank of the United States in 1816 to keep inflation in check following the War of 1812. The Bank served as the depository for Federal funds until 1833, when it became the center of bitter controversy between bank president Nicholas Biddle and President Andrew Jackson. The Bank, always a privately owned institution, lost its Federal charter in 1836, and ceased operations in 1841. The Greek Revival building, built between 1819 and 1824 and modeled by architect William Strickland after the Parthenon, continued for a short time to house a banking institution under a Pennsylvania charter. From 1845 to 1935 the building served as the Philadelphia Customs House. Today it is open, free to the public, and features the "People of Independence" exhibit--a portrait gallery with 185 paintings of Colonial and Federal leaders, military officers, explorers and scientists, including many by Charles Willson Peale.

Independence National Historical Park preserves several sites associated with the American Revolution. Administered by the National Park Service, the 45-acre park was authorized in 1948, and established on July 4, 1956. The Second Bank of the United States was added to the Park's properties in 2006.

Second Bank of the United States National Register #87001293 (1987)

Independence National Park Historic District National Register #66000675 (1966)

In the early hours of Wednesday morning (12 April 2023) Operation Vulcan executed 10 simultaneous warrants at a number of properties across Greater Manchester and Lancashire.

A search of the properties resulted in large amounts of suspected class B and class C drugs and approximately £60,000 being seized by Operation Vulcan – supported by Manchester North Neighbourhood Officers and GMP Serious Organised Crime Group - as part of their investigation into the suspected drug distribution and exploitation of minors.

These arrests are the latest in Operation Vulcan, a proactive multi agency approach to tackling to serious organised crime in the Cheetham Hill and Strangeways areas of Manchester.

Detective Inspector Chris Julien, one of Operation Vulcan’s specialist officers said: “I hope today’s arrests and seizures demonstrate that Operation Vulcan is about much more than seizing counterfeit clothing.

“The sale of drugs and the exploitation of young, vulnerable people is a product of the criminality that has been embedded in the area for decades, and we are absolutely committed to tackling these issues, identifying those who are responsible, and bringing them to justice.

“At its heart, Operation Vulcan is a partnership effort, and whilst enforcement is an important element; real, sustainable change would not be possible without the help of the local community and our dedicated partner agencies. The multi-agency approach Operation Vulcan has adopted allows for maximum intelligence and evidence sharing to make sure every victim is identified early on and safeguarded.

“I’d like to take this opportunity to appeal to members of the public for information. If you’ve noticed any suspicious activity in your area, or you suspect an individual may be being taken advantage of by criminal gangs, please report it. We will act on this information.”

Could you spot a child who is at risk of Child Criminal Exploitation?

Spot the signs of child exploitation: changes in behaviour; not coming home when they say they will or going missing; changes in appearance; reluctant to talk about friends/relationships and becoming secretive; struggling to engage in school; overly protective of their messages/social media; having more than one phone; accompanied by individuals older than them; concerns surrounding the use of alcohol or drugs; sudden changes/fear of people/friends.

If something doesn’t feel right – report it.

Information can be shared online at www.gmp.police.uk or by calling 101. Alternatively, details can be shared via the independent charity Crimestoppers anonymously on 0800 555 111.

This morning (Tuesday 1 February 2022), we executed warrants at six properties in the Chadderton area.

A 25-year-old was arrested on suspicion of rape, sexual assault and trafficking a person within the UK for sexual exploitation.

A second 25-year-old was arrested on suspicion of sexual assault.

A 26-year-old was arrested on suspicion of sexual assault and trafficking a person within the UK for sexual exploitation.

A 27-year-old was arrested on suspicion of rape and trafficking a person within the UK for sexual exploitation.

A 28-year-old was arrested on suspicion of rape and trafficking a person within the UK for sexual exploitation.

The warrants were executed as part of Operation Gabel - an investigation into the child sexual exploitation of two teenage girls in 2012/2013.

Inspector Nick Helme, of GMP's Oldham district, said: "This morning's action at several properties in the Chadderton area was a result of just one of a number of ongoing investigations into historic child sexual exploitation in Greater Manchester.

"I can assure members of the public and warn offenders that investigating this type of crime is a top priority for the force. Regardless of time passed, dedicated teams in a specialist unit leave no stone unturned whilst gathering evidence to make arrests with the intention of bringing suspects to face justice.

"I hope these warrants build public trust and confidence that Greater Manchester Police is committed to fighting, preventing and reducing CSE to keep people safe and care for victims - giving them the faith they need in the force to come forward.

Greater Manchester is nationally recognised as a model of good practice in terms of support services available to victims.

If you or someone you know has been raped or sexually assaulted, we encourage you not to suffer in silence and report it to the police, or a support agency so you can get the help and support available.

- Saint Mary's Sexual Assault Referral Centre, Manchester provides a comprehensive and co-ordinated response to men, women and children who live or have been sexually assaulted within Greater Manchester. We offer forensic medical examinations, practical and emotional support as well as a counselling service for all ages. Services are available on a 24-hour basis and can be accessed by telephoning 0161 276 6515.

-Greater Manchester Rape Crisis is a confidential information, support and counselling service run by women for women over 18 who have been raped or sexually abused at any time in their lives. Call us on 0161 273 4500 or email us at help@manchesterrapecrisis.co.uk

- Survivors Manchester provides specialist trauma informed support to boys and men in Greater Manchester who have experienced sexual abuse, rape or sexual exploitation. Call 0161 236 2182.

Photographer: Abdurrahman Warsameh

Description: Condemned man

Islamist fighters flank a man to be excuted in southern Somalia after he allegedly confessed to killing his father. ( December 08)

Note: You must credit the photographer and the International Relations and Security Network when using these photographs.

Shipboarding on a hijacked ship by UNGERIN.

UNGERIN is a Special Assault Unit by the Marine Unit of the Royal Malaysian Police.

This shot taken during a demo at the Maritime Section during LIMA '09.

FORT IRWIN, Calif. - U.S. Army Soldiers from 1st Battalion, 8th Infantry Regiment, 3rd Armored Brigade Combat Team, 4th Infantry Division, execute a rehearsal of a mission for live fire operations during Decisive Action Rotation 15-02 at the National Training Center here, Nov. 11, 2014. The decisive action training environment was developed in order to create a common training scenario for use throughout the Army. (U.S. Army photo by Sgt. Charles Probst, Operations Group, National Training Center)

Albert Bierstadt's Estes Park was executed in 1877. In response to this painting of a famous Colorado peak, an 1877 issue of the Rocky Mountain News proclaimed that Bierstadt "could not have found a more lovely spot than the Gem of the Rocky Mountains as the scene of the highest triumphs of his art."

The Denver Art Museum, a private, non-profit museum, is known for its collection of American Indian art. Its impressive collection of more than 68,000 works includes pieces from around the world including modern and contemporary art, European and American painting and sculpture, and pre-Columbian and Spanish Colonial art. The museum was originally founded in 1893 as the Denver Artists Club. In 1918, it moved into galleries in the Denver City and County Building, and became the Denver Art Museum.

In 1971, the museum opened what is now known as the North Building, designed by Italian architect Gio Ponti and Denver-based James Sudler Associates. The seven-story structure, 210,000-square-foot building allowed the museum to display its collections under one roof for the first time. The Frederic C. Hamilton Building, designed by Studio Daniel Libeskind and Denver firm Davis Partnership Architects, opened on October 7, 2006 to accommodate the Denver Art Museum's growing collections and programs.

Sometime between 1303 and 1310 Giotto executed (and signed) his most influential work, the painted decoration of the interior of the Scrovegni Chapel in Padua. This chapel, the building and decoration of which were commissioned by Enrico degli Scrovegni to atone for the sins of his father, is externally a very plain building of pink brick which was constructed next to an older palace that Scrovegni was restoring for himself. The palace, now gone, and the chapel were on the site of a Roman arena, for which reason it is commonly known as the Arena Chapel.

The Lamentation of Christ is a very common subject in Christian art from the High Middle Ages to the Baroque. After Jesus was crucified, his body was removed from the cross and his friends and family mourned over his body. This event has been depicted by many different artists.

Lamentation works are very often included in cycles of the Life of Christ, and also form the subject of many individual works. One specific type of Lamentation depicts only Jesus' mother Mary cradling his body. These are known as Pietà (Italian for "pity").

Lamentations did not appear in art north of the Alps until the 14th century, but then became very popular there, and Northern versions further developed the centrality of Mary to the composition. The typical position of Christ's body changes from being flat on the ground or slab, usually seen in profile across the centre of the work, to the upper torso being raised by Mary or others, and finally being held in a near-vertical position, seen frontally, or across Mary's lap. Mary Magdalene typically holds Jesus' feet, and Joseph is usually a bearded older man, often richly dressed. In fully populated Lamentations the figures shown with the body include The Three Marys, John the Apostle, Joseph and Nicodemus, and often others of both sexes, not to mention angels and donor portraits.

Giotto's famous depiction in the Scrovegni Chapel includes ten further female figures, who are not intended to be individualized as they have no halos. The subject became increasingly a separate devotional image, concentrating on Mary's grief for her son, with less narrative emphasis; the logical outcome of this trend was the Pietá, showing just these two figures, which was especially suitable for sculpture.

The Liechtenstein Garden Palace is a Baroque palace at the Fürstengasse in the 9th District of Vienna, Alsergrund . Between the palace, where the Liechtenstein Museum was until the end of 2011, and executed as Belvedere summer palace on the Alserbachstraße is a park. Since early 2012, the Liechtenstein Garden Palace is a place for events. Part of the private art collection of the Prince of Liechtenstein is still in the gallery rooms of the palace. In 2010 was started to call the palace, to avoid future confusion, officially the Garden Palace, since 2013 the city has renovated the Palais Liechtenstein (Stadtpalais) in Vienna's old town and then also equipped with a part of the Liechtenstein art collection.

Building

Design for the Liechtenstein Garden Palace, Johann Bernhard Fischer von Erlach in 1687/1688

Canaletto: View of Palais Liechtenstein

1687 bought Prince Johann Adam Andreas von Liechtenstein a garden with adjoining meadows of Count Weikhard von Auersperg in the Rossau. In the southern part of the property the prince had built a palace and in the north part he founded a brewery and a manorial, from which developed the suburb Lichtental. For the construction of the palace Johann Adam Andreas organised 1688 a competition, in the inter alia participating, the young Johann Bernhard Fischer von Erlach. Meanwhile, a little functional, " permeable " project was rejected by the prince but, after all, instead he was allowed to built a garden in the Belvedere Alserbachstraße 14, which , however, was canceled in 1872.

The competition was won by Domenico Egidio Rossi, but was replaced in 1692 by Domenico Martinelli. The execution of the stonework had been given the royal Hofsteinmetzmeister (master stonemason) Martin Mitschke. He was delivered by the Masters of Kaisersteinbruch Ambrose Ferrethi , Giovanni Battista Passerini and Martin Trumler large pillars, columns and pedestal made ​​from stone Emperor (Kaiserstein). Begin of the contract was the fourth July 1689 , the total cost was around 50,000 guilders.

For contracts from the years 1693 and 1701 undertook the Salzburg master stonemason John and Joseph Pernegger owner for 4,060 guilders the steps of the great grand staircase from Lienbacher (Adnet = red) to supply marble monolith of 4.65 meters. From the Master Nicolaus Wendlinger from Hallein came the Stiegenbalustraden (stair balustrades) for 1,000 guilders.

A palazzo was built in a mix of city and country in the Roman-style villa. The structure is clear and the construction very blocky with a stressed central risalite, what served the conservative tastes of the Prince very much. According to the procedure of the architectural treatise by Johann Adam Andreas ' father, Karl Eusebius, the palace was designed with three floors and 13 windows axis on the main front and seven windows axis on the lateral front. Together with the stems it forms a courtyard .

Sala terrene of the Palais

1700 the shell was completed. In 1702, the Salzburg master stonemason and Georg Andreas Doppler took over 7,005 guilders for the manufacture of door frame made ​​of white marble of Salzburg, 1708 was the delivery of the fireplaces in marble hall for 1,577 guilders. For the painted decoration was originally the Bolognese Marcantonio Franceschini hired, from him are some of the painted ceilings on the first floor. Since he to slow to the prince, Antonio Belucci was hired from Venice, who envisioned the rest of the floor. The ceiling painting in the Great Hall, the Hercules Hall but got Andrea Pozzo . Pozzo in 1708 confirmed the sum of 7,500 florins which he had received since 1704 for the ceiling fresco in the Marble Hall in installments. As these artists died ( Pozzo) or declined to Italy, the Prince now had no painter left for the ground floor.

After a long search finally Michael Rottmayr was hired for the painting of the ground floor - originally a temporary solution, because the prince was of the opinion that only Italian artist buon gusto d'invenzione had. Since Rottmayr was not involved in the original planning, his paintings not quite fit with the stucco. Rottmayr 1708 confirmed the receipt of 7,500 guilders for his fresco work.

Giovanni Giuliani, who designed the sculptural decoration in the window roofing of the main facade, undertook in 1705 to provide sixteen stone vases of Zogelsdorfer stone. From September 1704 to August 1705 Santino Bussi stuccoed the ground floor of the vault of the hall and received a fee of 1,000 florins and twenty buckets of wine. 1706 Bussi adorned the two staircases, the Marble Hall, the Gallery Hall and the remaining six halls of the main projectile with its stucco work for 2,200 florins and twenty buckets of wine. Giuliani received in 1709 for his Kaminbekrönungen (fireplace crowning) of the great room and the vases 1,128 guilders.

Garden

Liechtenstein Palace from the garden

The new summer palace of Henry of Ferstel from the garden

The garden was created in the mind of a classic baroque garden. The vases and statues were carried out according to the plans of Giuseppe Mazza from the local Giovanni Giuliani. In 1820 the garden has been remodeled according to plans of Joseph Kornhäusel in the Classical sense. In the Fürstengasse was opposite the Palais, the Orangerie, built 1700s.

Use as a museum

Already from 1805 to 1938, the palace was housing the family collection of the house of Liechtenstein, which was also open for public viewing, the collection was then transferred to the Principality of Liechtenstein, which remained neutral during the war and was not bombed. In the 1960s and 1970s, the so-called Building Centre was housed in the palace as a tenant, a permanent exhibition for builders of single-family houses and similar buildings. From 26 April 1979 rented the since 1962 housed in the so-called 20er Haus Museum of the 20th Century , a federal museum, the palace as a new main house, the 20er Haus was continued as a branch . Since the start of operations at the Palais, the collection called itself Museum of Modern Art (since 1991 Museum of Modern Art Ludwig Foundation ), the MUMOK in 2001 moved to the newly built museum district.

From 29 March 2004 till the end of 2011 in the Palace was the Liechtenstein Museum, whose collection includes paintings and sculptures from five centuries. The collection is considered one of the largest and most valuable private art collections in the world, whose main base in Vaduz (Liechtenstein) is . As the palace, so too the collection is owned by the Prince of Liechtenstein Foundation .

On 15 November 2011 it was announced that the regular museum operating in the Garden Palace was stopped due to short of original expectations, visiting numbers remaining lower as calculated, with January 2012. The Liechtenstein City Palace museum will also not offer regular operations. Exhibited works of art would then (in the city palace from 2013) only during the "Long Night of the Museums", for registered groups and during leased events being visitable. The name of the Liechtenstein Museum will no longer be used.

de.wikipedia.org/wiki/Palais_Liechtenstein_(F%C3%BCrstengasse)

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#ELDER_SCROLL_OF_MNEM_0.0♾😻

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ℹ️8️⃣📞📲📳☎️♾💁‍♂️

ℹ️▶️⏯⏭↕️🔘https://youtu.be/bS5JnGBmghM

First of all; the #FBI does not have the clearance, to be in possession, of my nuclear codesz.

Load, Load, Load; you're too slow, #YouTube. And do you know what that means? It means that you are #Guilty of #HighTreason. &, do you know what that means? It means that you are #Executed by #FiringSquad.

Nope; your apology means nothing to me. It means, that you are still #Executed by #FiringSquad.

That's one☝️. Two✌️; I👆, told you💭💬📣🔊📢; I did not suggest to you – I told you, #YouTube; that I need 14-15,000 characters🔤🔡🔠🔢; &, you refused to comply. Therefore; you are shot🔫 to death – #Executed for #HighTreason, twice✌️👋😽💀😵.👀‍

Three3️⃣☘️; #JohnPaulMacIssac: I simply, or merely, tell💭💬📣🔊📢 the #FBI, to go & fuck themselves; & to eat shit💩🚽, & die💀😵⚰️⚱️. 👀‍

☎️▶️⏯⏩⏭➡️🔀↕️🔘https://music.youtube.com/watch?v=qKVkhQQXEGE&feature=share

She asked me to cum⛲️💦💧🌊🎣🐟🔫 over, to #Steinway🎹🏭, in #Astoria👸; & then, after driving from #Pennsylvania #Pistolvania, she was on the #AOL_IM #AIM, w/ #JesseHenry. I told her that she was being rude; & she told me to go & fuck myself. So; I left, drove home🏡, & ate the cost💸 of travel. &, I went & fuckt myself. &; she was unhappy that I left; & she didn't get none. &; I don't really give a fuck. She can eat shit💩🚽, & die💀.👀‍❄️ @/#GregGutfeld #CarleyShimkus

#OliviaCampbellPatton #OliviaWildeNeeCockburne

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It is nice to see #TulsiGabbard; @/#FoxNewsCorp.

#Owlephant

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#ELDER_SCROLL_OF_MNEM_0.0♾😻

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#EvanRachelWood-._•✏️📝✍️🔏🐧

--WRW

_.• ✍️🔏

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One of many absurdities executed in our country with the historical heritage: the long promised but never opened railway museum in the place of El Clot del Moro. The lack of political commitment, and personnel mismanagement on the part of its director, was for many years preserved vehicles were abandoned in the open and subject to the effects of the harsh climate of the pre-Pyrenees.

In this picture you can see, abandoned to the elements, the cars of the funiculars of Vallvidrera, Montjuic and Nuria. (Photo scanned from an original paper).

___________________________________________________________________________

Uno de tantos despropósitos ejecutados en nuestro país con el patrimonio histórico: el siempre prometido, pero nunca abierto, museo del ferrocarril en el paraje del Clot del Moro. La falta de compromiso político, y una pésima gestión personal por parte de su director, llevó a que durante muchos años los vehículos preservados fueran abandonados a la intemperie y sometidos a los efectos del duro clima del pre-Pirineo.

En esta foto se pueden ver, abandonados a la intemperie, los coches de los funiculares de Vallvidrera, Montjuïc y Núria. (Foto escaneada de un original de papel).

John Quincy Adams Ward's Indian Hunter, executed in 1860, is a small bronze version of the first monumental sculpture installed in New York City's Central Park.

The Denver Art Museum, a private, non-profit museum, is known for its collection of American Indian art. Its impressive collection of more than 68,000 works includes pieces from around the world including modern and contemporary art, European and American painting and sculpture, and pre-Columbian and Spanish Colonial art. The museum was originally founded in 1893 as the Denver Artists Club. In 1918, it moved into galleries in the Denver City and County Building, and became the Denver Art Museum.

In 1971, the museum opened what is now known as the North Building, designed by Italian architect Gio Ponti and Denver-based James Sudler Associates. The seven-story structure, 210,000-square-foot building allowed the museum to display its collections under one roof for the first time. The Frederic C. Hamilton Building, designed by Studio Daniel Libeskind and Denver firm Davis Partnership Architects, opened on October 7, 2006 to accommodate the Denver Art Museum's growing collections and programs.

Ambitious production Incredible India! performed at City Palace, udaipur. Conceptualized and executed by Goura Prema for an international product launch in the august presence of the king of Udaipur and over 100 dignitaries from around the world

Street art is visual art created in public locations, usually unsanctioned artwork executed outside of the context of traditional art venues. The term gained popularity during the graffiti art boom of the early 1980s and continues to be applied to subsequent incarnations. Stencil graffiti, wheatpasted poster art or sticker art, and street installation or sculpture are common forms of modern street art. Video projection, yarn bombing and Lock On sculpture became popularized at the turn of the 21st century.

The terms "urban art", "guerrilla art", "post-graffiti" and "neo-graffiti" are also sometimes used when referring to artwork created in these contexts.[1] Traditional spray-painted graffiti artwork itself is often included in this category, excluding territorial graffiti or pure vandalism.

Street art is often motivated by a preference on the part of the artist to communicate directly with the public at large, free from perceived confines of the formal art world.[2] Street artists sometimes present socially relevant content infused with esthetic value, to attract attention to a cause or as a form of "art provocation".[3]

Street artists often travel between countries to spread their designs. Some artists have gained cult-followings, media and art world attention, and have gone on to work commercially in the styles which made their work known on the streets.

Police in North Manchester have raided a network of shops selling 'legal highs' or New Psychoactive Substances.

It follows an investigation by Greater Manchester Police who previously seized a large amount of legal highs from a storage unit in the Strangeways area. These packets were forensically tested and a large proportion were found to contain illegal class B drugs such as Methylphenidate and Ethylphenidate.

Today, 20 May 2015, officers from Greater Manchester Police's North Manchester division have executed warrants at two shops in Manchester city centre as well as a shop in Strangeways and a private property in Sale.

As a result of today's raids, numerous packets of legal highs, non-descript bags of pills and a large amount of unknown powder have been seized from the shops and will now be subject to forensic analysis by experts to establish their true chemical composition.

Police Sergeant Adam Cronshaw said: "Today's warrants are GMPs response to safeguard vulnerable people from 'legal highs.' We are encountering increasing numbers of young people across Manchester under the influence of these drugs making them vulnerable to child sexual exploitation and addictive behaviour. We want to satisfy ourselves and the community that illegal products are not being sold.

A recent report revealed that since 2009, the number of deaths attributed to these 'legal highs' has increased by 800 percent, which shows the very real dangers anyone faces when taking these substances. Essentially, you are playing Russian Roulette with your own lives. Even though these shops will say that they only sell to over 18s it is clear that they are eventually ending up in the hands of children. They only cost £8 per packet and so are easily affordable. Some of these shops even sell their products over the internet.

Users may have no idea what substances may be contained within the packets as there are no legal quality controls and the packets are often marked with 'Not For Human Consumption' to absolve the sellers from any responsibilities should someone become ill from taking them.

To find out more about Greater Manchester Police please visit our website.

www.gmp.police.uk

You should call 101, the national non-emergency number, to report crime and other concerns that do not require an emergency response.

Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.

You can also call anonymously with information about crime to Crimestoppers on 0800 555 111.

Crimestoppers is an independent charity who will not want your name, just your information. Your call will not be traced or recorded and you do not have to go to court or give a statement.

The Liechtenstein Garden Palace is a Baroque palace at the Fürstengasse in the 9th District of Vienna, Alsergrund . Between the palace, where the Liechtenstein Museum was until the end of 2011, and executed as Belvedere summer palace on the Alserbachstraße is a park. Since early 2012, the Liechtenstein Garden Palace is a place for events. Part of the private art collection of the Prince of Liechtenstein is still in the gallery rooms of the palace. In 2010 was started to call the palace, to avoid future confusion, officially the Garden Palace, since 2013 the city has renovated the Palais Liechtenstein (Stadtpalais) in Vienna's old town and then also equipped with a part of the Liechtenstein art collection.

Building

Design for the Liechtenstein Garden Palace, Johann Bernhard Fischer von Erlach in 1687/1688

Canaletto: View of Palais Liechtenstein

1687 bought Prince Johann Adam Andreas von Liechtenstein a garden with adjoining meadows of Count Weikhard von Auersperg in the Rossau. In the southern part of the property the prince had built a palace and in the north part he founded a brewery and a manorial, from which developed the suburb Lichtental. For the construction of the palace Johann Adam Andreas organised 1688 a competition, in the inter alia participating, the young Johann Bernhard Fischer von Erlach. Meanwhile, a little functional, " permeable " project was rejected by the prince but, after all, instead he was allowed to built a garden in the Belvedere Alserbachstraße 14, which , however, was canceled in 1872.

The competition was won by Domenico Egidio Rossi, but was replaced in 1692 by Domenico Martinelli. The execution of the stonework had been given the royal Hofsteinmetzmeister (master stonemason) Martin Mitschke. He was delivered by the Masters of Kaisersteinbruch Ambrose Ferrethi , Giovanni Battista Passerini and Martin Trumler large pillars, columns and pedestal made ​​from stone Emperor (Kaiserstein). Begin of the contract was the fourth July 1689 , the total cost was around 50,000 guilders.

For contracts from the years 1693 and 1701 undertook the Salzburg master stonemason John and Joseph Pernegger owner for 4,060 guilders the steps of the great grand staircase from Lienbacher (Adnet = red) to supply marble monolith of 4.65 meters. From the Master Nicolaus Wendlinger from Hallein came the Stiegenbalustraden (stair balustrades) for 1,000 guilders.

A palazzo was built in a mix of city and country in the Roman-style villa. The structure is clear and the construction very blocky with a stressed central risalite, what served the conservative tastes of the Prince very much. According to the procedure of the architectural treatise by Johann Adam Andreas ' father, Karl Eusebius, the palace was designed with three floors and 13 windows axis on the main front and seven windows axis on the lateral front. Together with the stems it forms a courtyard .

Sala terrene of the Palais

1700 the shell was completed. In 1702, the Salzburg master stonemason and Georg Andreas Doppler took over 7,005 guilders for the manufacture of door frame made ​​of white marble of Salzburg, 1708 was the delivery of the fireplaces in marble hall for 1,577 guilders. For the painted decoration was originally the Bolognese Marcantonio Franceschini hired, from him are some of the painted ceilings on the first floor. Since he to slow to the prince, Antonio Belucci was hired from Venice, who envisioned the rest of the floor. The ceiling painting in the Great Hall, the Hercules Hall but got Andrea Pozzo . Pozzo in 1708 confirmed the sum of 7,500 florins which he had received since 1704 for the ceiling fresco in the Marble Hall in installments. As these artists died ( Pozzo) or declined to Italy, the Prince now had no painter left for the ground floor.

After a long search finally Michael Rottmayr was hired for the painting of the ground floor - originally a temporary solution, because the prince was of the opinion that only Italian artist buon gusto d'invenzione had. Since Rottmayr was not involved in the original planning, his paintings not quite fit with the stucco. Rottmayr 1708 confirmed the receipt of 7,500 guilders for his fresco work.

Giovanni Giuliani, who designed the sculptural decoration in the window roofing of the main facade, undertook in 1705 to provide sixteen stone vases of Zogelsdorfer stone. From September 1704 to August 1705 Santino Bussi stuccoed the ground floor of the vault of the hall and received a fee of 1,000 florins and twenty buckets of wine. 1706 Bussi adorned the two staircases, the Marble Hall, the Gallery Hall and the remaining six halls of the main projectile with its stucco work for 2,200 florins and twenty buckets of wine. Giuliani received in 1709 for his Kaminbekrönungen (fireplace crowning) of the great room and the vases 1,128 guilders.

Garden

Liechtenstein Palace from the garden

The new summer palace of Henry of Ferstel from the garden

The garden was created in the mind of a classic baroque garden. The vases and statues were carried out according to the plans of Giuseppe Mazza from the local Giovanni Giuliani. In 1820 the garden has been remodeled according to plans of Joseph Kornhäusel in the Classical sense. In the Fürstengasse was opposite the Palais, the Orangerie, built 1700s.

Use as a museum

Already from 1805 to 1938, the palace was housing the family collection of the house of Liechtenstein, which was also open for public viewing, the collection was then transferred to the Principality of Liechtenstein, which remained neutral during the war and was not bombed. In the 1960s and 1970s, the so-called Building Centre was housed in the palace as a tenant, a permanent exhibition for builders of single-family houses and similar buildings. From 26 April 1979 rented the since 1962 housed in the so-called 20er Haus Museum of the 20th Century , a federal museum, the palace as a new main house, the 20er Haus was continued as a branch . Since the start of operations at the Palais, the collection called itself Museum of Modern Art (since 1991 Museum of Modern Art Ludwig Foundation ), the MUMOK in 2001 moved to the newly built museum district.

From 29 March 2004 till the end of 2011 in the Palace was the Liechtenstein Museum, whose collection includes paintings and sculptures from five centuries. The collection is considered one of the largest and most valuable private art collections in the world, whose main base in Vaduz (Liechtenstein) is . As the palace, so too the collection is owned by the Prince of Liechtenstein Foundation .

On 15 November 2011 it was announced that the regular museum operating in the Garden Palace was stopped due to short of original expectations, visiting numbers remaining lower as calculated, with January 2012. The Liechtenstein City Palace museum will also not offer regular operations. Exhibited works of art would then (in the city palace from 2013) only during the "Long Night of the Museums", for registered groups and during leased events being visitable. The name of the Liechtenstein Museum will no longer be used.

de.wikipedia.org/wiki/Palais_Liechtenstein_(F%C3%BCrstengasse)

www.law.mq.edu.au/research/colonial_case_law/nsw/cases/ca...

In the cemetery are the headstones of nine of the thirteen mutineers executed in September 1834. Due to Judges reluctance to travel to Norfolk Island, lots had been cast among the judges to decide who would sail to Norfolk Island to conduct the trials there, and Justice Burton was chosen. He apparently made excessive claims for expenses on this trip, which he was required to refund, the Crown refused to pay for his life insurance, wine and spirits.

THE MUTINY.

The Norfolk Island mutiny took place on January 15. 1834 but The Alligator, carrying the judge did not arrive until July. Difficulties were put in the way of the Governor by the Judges of the Supreme Court in Sydney. Although the services of Mr. Justice Burton were eventually made available, the Governor was given to understand that the Norfolk Island trip was not to be considered a precedent for holding the Court there. The trials commenced on July 10.

Details of the mutiny, which was suppressed with all the ferocity of the period, were forwarded to the Home authorities by Sir Richard Bourke the following year. He told how thirty convicts, "generally of the worst character," had attacked the gaol guard. About an equal number, "under false pretexts of ill health." had been taken to the hospital behind the gaol, under the usual escort. But, breaking out of the lock-up, where they had been detained for examination, they overpowered and confined the hospital attendants. Having knocked off each other's Irons, and armed themselves "with such implements adapted for offence as the hospital afforded," and being joined by other convicts from the saw pits and other places, they rushed the guard. For a time, the Governor admitted, the guard was nearly overpowered. But the soldiers, with the use of firearms, and assisted by reinforcements from the barracks, quelled the mutiny, killing two and wounding eleven. Seven of the latter died. That the outbreak had been carefully and ably planned was obvious and convicts at the agricultural station at Longridge attempted to join their confederates. But they only arrived In time to increase the number of fugitives. Depositions laid before the Attorney-General In Sydney resulted in 55 men being tried. Of these 29 were "capitally convicted" (by a military Jury), and 13 were ordered for execution. The remainder had their sentences commuted for various terms of additional servitude on the Island. By order, the executions on September 22 and 23, took place in the presence of the other convicts.

Archbishp Ullathorne was sent from Sydney to hear the confessions, before execution, of those condemned who were of the Catholic faith, an Anglican clergyman having been already been engaged for the same occasion. In his autobiography he describes how the executions took place half one day and half the next. One thousand convicts divided into two bodies were brought on the ground the first day, and the other thousand on the second day. “Thus all passed off in tranquillity.”

I had six of my men put together in one cell and five in another, (This implies that the writer had charge of eleven convicts. He has stated above that seven of those condemned to die had placed themselves in his hands. It is to be supposed that the additional four must have been of the number of those condemned by an earlier Commission), one of which parties was executed each day, and executed in one group, whilst the Protestants were executed in another. The second day was but a repetition of the first. The Protestant convicts were executed after the Catholics. The Anglican clergyman had three to attend to each day. Then came the funerals, the Catholics at a separate time from the Protestants. A selected number of the convicts followed each coffin to the most beautiful cemetery that the eye of man could possibly contemplate. archive.org/stream/a611465300ullauoft/a611465300ullauoft_...

CAMP COURTNEY, OKINAWA, Japan (Aug. 16, 2019 ) - U.S. Marine Cpl. Logan Foster with Headquarters Battalion, 3rd Marine Division, executes knee strikes after being sprayed by Oleoresin Capsicum Spray during a non-lethal weapons training course on Camp Courtney, Okinawa, Japan, Aug. 16, 2019. The training encompasses classes in the lawful use of force, M1014 Shotgun qualification, and OC Spray qualification. During OC Spray qualification Marines are exposed to OC and conduct a simulated arrest with a non-compliant suspect. (U.S. Marine Corps photo by Lance Cpl. Joshua Sechser) 190816-M-IB436-1500

** Interested in following U.S. Indo-Pacific Command? Engage and connect with us at www.facebook.com/indopacom | twitter.com/INDOPACOM |

www.instagram.com/indopacom | www.flickr.com/photos/us-pacific-command; | www.youtube.com/user/USPacificCommand | www.pacom.mil/ **

This sculptural bust of John F. Kennedy, Jr., was executed by Robert Berks shortly after his assassination in 1963. In 1971, it was installed in the Grand Foyer of the Kennedy Center. Seen from one angle, the face looks young and filled with idealism; seen from the other angle, the face looks older, more tired, and contemplative.

The John F. Kennedy Center for the Performing Arts, or Kennedy Center, located on the Potomac River, adjacent to the Watergate Hotel, opened in 1971 as both the nation's living memorial to President John F. Kennedy and the national center for the performing arts. The center’s origins date to 1958, when President Dwight D. Eisenhower signed into law the National Cultural Center Act, the first time in history that the US government backed and helped finance a structure dedicated to the performing arts. Designed by architect Edward Durrell Stone, it was built by Philadelphia contractor John McShain and is administered by a bureau of the Smithsonian Institution. It receives federal funding each year to pay for maintenance and operation.

patrimoine.region-bretagne.fr/sdx/sribzh/main.xsp?execute...

In the undercover of darkness, officers from GMP’s Xcalibre task force executed a number of simultaneous warrants this morning (Wednesday 9 November 2022) – three in the Middleton area of Rochdale and one in Sheffield – and arrested four people on suspicion of attempted murder, conspiracy to commit murder, and possession of a firearm with the intent to endanger life.

The arrests come in response to the drive-by shooting that occurred on Quinney Crescent in Moss Side on Friday 29 July 2022, where a party was being held. A teenage girl sustained serious injuries from the shotgun blast and another girl was injured from what was believed to be shrapnel resulting from the firearms discharge.

Both attended hospital at the time and were subsequently discharged to recover at home.

Detectives are today renewing their appeal for witnesses to the incident and are urging anyone with any information on the shooting, or the vehicle of interest, as well as any mobile, CCTV, dashcam or doorbell footage to come forward and speak to GMP.

Officers will be out in the community of Moss Side today to offer reassurance and to be a point of contact for anyone who wants to talk.

Detective Superintendent David Meeney from the City of Manchester Division said: “This incident could have been far more serious. We do not believe that the two girls were the intended targets and were simply innocent bystanders, enjoying a party.

“This shows me that the people responsible are clearly dangerous as they have shown zero regard for who could have been injured that night. Guns have no place on the streets of Manchester and investigating these offences is a priority for GMP – to ensure we that we can bring the offenders to justice and protect the communities of Greater Manchester.

“Today’s arrests, led by the Xcalibre Task Force, shows how determined we are to bring those responsible for this callous attack to justice. I am appealing to anyone who was in the area of Moss Side on Friday 29 July 2022 between 10pm and 11pm, who may have seen a vehicle being driven erratically, to contact us.

“I am particularly interested in any sightings of a dark coloured SUV-type car and I am asking for anyone with any dashcam or doorbell footage that may have captured those responsible, either arriving or leaving the area, to please contact us. I have trained officers on-hand who can download and review any footage quickly.

“I am also appealing to anyone in the local community and those who live or work in the surrounding areas, who may have any information regarding the shooting to come forward. As well as approaching our officers who are out today, you can call 101 or use the Live Chat service on our website – www.gmp.police.uk.

Operation Vulcan executed their latest warrant yesterday (3 May 2023) at a property on Great Ducie Street in Cheetham Hill.

The warrant was carried out after intelligence came to light suggesting the property - a large distribution warehouse - was being used to supply a network of counterfeit stores throughout Cheetham Hill.

The number of items seized have an estimated worth of £1.2million pounds.

The enterprise was so vast officers made use of a conveyor belt to speed up the transfer of seized items into waiting vehicles.

Over the last 6 months through relentless policing and support from dedicated partners, Operation Vulcan has turned the tide against the criminals. The support of partners has been integral to Operation Vulcan and that was on full display yesterday (3 May 2023) with over 15 departments, teams, organisations and partner representatives in attendance - including from Greater Manchester Fire and Rescue Service, Intellectual Property Office, Trading Standards, Brand Experts and Border Force.

GMFRS also raised concerns about the safety of the building, which led to it being issued it with a prohibition order.

Inspector Andy Torkington said: "The network of counterfeit stores in Cheetham Hill might seem chaotic and disorganised but this is far from the truth. The latest warrant demonstrates that these stores are well funded and well supplied and it's big business for organised crime groups who have been operating out of the area.

"This warrant is an opportunity to make a huge dent in the supply chain by cutting off the head of the supply snake. I hope it sends a message to any remaining counterfeit stores in the area who persist in trading to pack up now or face the consequences.

"Operation Vulcan is here to stay and we will continue making it unsustainable for criminal businesses to exist here and will work shoulder-to-shoulder with our partners to re-build the area into a thriving community where people feel safe.”

Neil Fairlamb, Strategic Director of Neighbourhoods for Manchester City Council said: "The work that has taken place throughout Operation Vulcan has shown the scope and scale of the counterfeit industry. It is huge enterprise, one which has had an incredibly negative impact on our communities. By striking a blow against this criminal supply chain we will succeed in forcing these traders out for good."

The Intellectual Property Office’s Deputy Director of Intelligence and Law Enforcement, Marcus Evans said: The Intellectual Property Office’s Deputy Director of Intelligence and Law Enforcement, Marcus Evans said: “Criminal networks are seeking to exploit consumers and communities for their own financial gain through the trade in illegal counterfeits – with absolutely no regard for the quality or safety of the items being sold, which are often dangerous and defective. Such items can cause genuine harm to the people who buy and use them, as well as those workers often exploited during their production.

“As well as helping to sustain serious and organised crime, the sale of counterfeit goods has been estimated to contribute to over 80,000 job loses each year in the UK by diverting funds away from legitimate traders and into the hands of criminals. We are pleased to support the ongoing activity by Greater Manchester Police to clamp down on this illegal activity and help protect the public, as we continue to work with partners across in industry, local government, and law enforcement to help empower consumers and raise awareness of the damage these goods cause.”

Executed. Turn over.

A modified M1068A3 SICPS assigned to 278th Armored Cavalry Regiment, Tennessee Army National Guard, executes a tactical pause to direct operations during Decisive Action Rotation 18-07 at the National Training Center, Fort Irwin, Calif., May 6, 2018. Decisive Action Rotations at the National Training Center ensure units remain versatile, responsive, and consistently available for current and future contingencies. (U.S. Army photo by Spc. Guy Mingo, Operations Group, National Training Center)

9/21/11 DESPITE PROTESTS, TROY DAVIS WILL BE EXECUTED TONIGHT ...is Troy an innocent man ? What really happened that night ? Was he in the vicinity of the shooting near Burger King ? No physical evidence? I haven't read all the details. Europeans are protesting as well. Pope Benedict attempted to help Troy previously. There seems to be MORE objections in this death case than others (albeit there are always protestors at every execution) . One thing I find interesting is how "conservatives" tend to be more in favor of death penalty albeit also more in favor of pro-life (protecting the unborn) on the other end, while "liberals" are often more in favor of pro-choice (allowing abortion) but get more upset with the death penalty. If Troy is an innocent man, may the executors beg for grace from God. If he is not innocent, they still need grace from God. We ALL need grace, & none of us are innocent, even if we may be innocent of actual murder. This case, however, seems to be more controversial b/c there apparently remain legitimate doubts about Troy's involvement in the shooting (again, I haven't read all the details), unlike other cases where guilt is not a question, only whether the death penalty is cruel & unusual punishment. I am praying for the powers-to-be to make the right decision, as well as the loved ones of the murdered man (an off-duty police officer by the name of Mark MacPhail)...they should not be overlooked or forgotten either (albeit I am troubled by the statement by one of the loved ones of MacPhail who said that it is time to get this over with so they can "start their lives.."...this happened in 1989, over 20 years ago, & they have been waiting all this time for Troy to be put to death so they can "start their lives" ? That's troubling to think that only the death of this man will allow them to start living again ...my friends, Jesus died for ALL of us...including the repentant murderers, including Troy Davis (if he is guilty)....forget about the man who murdered Mark, whether it was Troy or somebody else. Concentrate on Jesus Christ & the hope that Mark is in a better place today & that you can be with him again if you know Jesus (I myself got in an argument w/ a black man just today here in los angeles & was convinced he hated me as a white person..he even made a barely veiled death threat...I know anger...I know hurt...& I have to keep reminding myself to forgive, as hard as it may be & pray for those who have insulted, offended, & would even murder me, if necessary...I can't hang on to grudges against people who are not people...not truly human..such as the fellow who insulted me this morning...& whoever murdered Mark is non-human as well...its like hanging on to anger towards a rock for falling on top of your car... God will hold them accountable ...we don't have to hang on to the clipboard of justice...God has it in His Hands...His justice will prevail ) . Finally, I am also praying for Troy. I hope he already knows Jesus as Savior,...if so, & he has sincerely repented for any & all sins (not just this murder, guilty or not) he will be in a better place at midnight tonight. That's the best wisdom I can provide for the time being.

www.google.com/hostednews/afp/article/ALeqM5imGV-LA1hGflf...

Most execute the usual shot in color, while tonight I opted for the black and white. Getting proper exposure was tricky with the light streaming in at odd angles but I managed to find a happy medium.

In the undercover of darkness, officers from GMP’s Xcalibre task force executed a number of simultaneous warrants this morning (Wednesday 9 November 2022) – three in the Middleton area of Rochdale and one in Sheffield – and arrested four people on suspicion of attempted murder, conspiracy to commit murder, and possession of a firearm with the intent to endanger life.

The arrests come in response to the drive-by shooting that occurred on Quinney Crescent in Moss Side on Friday 29 July 2022, where a party was being held. A teenage girl sustained serious injuries from the shotgun blast and another girl was injured from what was believed to be shrapnel resulting from the firearms discharge.

Both attended hospital at the time and were subsequently discharged to recover at home.

Detectives are today renewing their appeal for witnesses to the incident and are urging anyone with any information on the shooting, or the vehicle of interest, as well as any mobile, CCTV, dashcam or doorbell footage to come forward and speak to GMP.

Officers will be out in the community of Moss Side today to offer reassurance and to be a point of contact for anyone who wants to talk.

Detective Superintendent David Meeney from the City of Manchester Division said: “This incident could have been far more serious. We do not believe that the two girls were the intended targets and were simply innocent bystanders, enjoying a party.

“This shows me that the people responsible are clearly dangerous as they have shown zero regard for who could have been injured that night. Guns have no place on the streets of Manchester and investigating these offences is a priority for GMP – to ensure we that we can bring the offenders to justice and protect the communities of Greater Manchester.

“Today’s arrests, led by the Xcalibre Task Force, shows how determined we are to bring those responsible for this callous attack to justice. I am appealing to anyone who was in the area of Moss Side on Friday 29 July 2022 between 10pm and 11pm, who may have seen a vehicle being driven erratically, to contact us.

“I am particularly interested in any sightings of a dark coloured SUV-type car and I am asking for anyone with any dashcam or doorbell footage that may have captured those responsible, either arriving or leaving the area, to please contact us. I have trained officers on-hand who can download and review any footage quickly.

“I am also appealing to anyone in the local community and those who live or work in the surrounding areas, who may have any information regarding the shooting to come forward. As well as approaching our officers who are out today, you can call 101 or use the Live Chat service on our website – www.gmp.police.uk.

Operation Vulcan executed their latest warrant yesterday (3 May 2023) at a property on Great Ducie Street in Cheetham Hill.

The warrant was carried out after intelligence came to light suggesting the property - a large distribution warehouse - was being used to supply a network of counterfeit stores throughout Cheetham Hill.

The number of items seized have an estimated worth of £1.2million pounds.

The enterprise was so vast officers made use of a conveyor belt to speed up the transfer of seized items into waiting vehicles.

Over the last 6 months through relentless policing and support from dedicated partners, Operation Vulcan has turned the tide against the criminals. The support of partners has been integral to Operation Vulcan and that was on full display yesterday (3 May 2023) with over 15 departments, teams, organisations and partner representatives in attendance - including from Greater Manchester Fire and Rescue Service, Intellectual Property Office, Trading Standards, Brand Experts and Border Force.

GMFRS also raised concerns about the safety of the building, which led to it being issued it with a prohibition order.

Inspector Andy Torkington said: "The network of counterfeit stores in Cheetham Hill might seem chaotic and disorganised but this is far from the truth. The latest warrant demonstrates that these stores are well funded and well supplied and it's big business for organised crime groups who have been operating out of the area.

"This warrant is an opportunity to make a huge dent in the supply chain by cutting off the head of the supply snake. I hope it sends a message to any remaining counterfeit stores in the area who persist in trading to pack up now or face the consequences.

"Operation Vulcan is here to stay and we will continue making it unsustainable for criminal businesses to exist here and will work shoulder-to-shoulder with our partners to re-build the area into a thriving community where people feel safe.”

Neil Fairlamb, Strategic Director of Neighbourhoods for Manchester City Council said: "The work that has taken place throughout Operation Vulcan has shown the scope and scale of the counterfeit industry. It is huge enterprise, one which has had an incredibly negative impact on our communities. By striking a blow against this criminal supply chain we will succeed in forcing these traders out for good."

The Intellectual Property Office’s Deputy Director of Intelligence and Law Enforcement, Marcus Evans said: The Intellectual Property Office’s Deputy Director of Intelligence and Law Enforcement, Marcus Evans said: “Criminal networks are seeking to exploit consumers and communities for their own financial gain through the trade in illegal counterfeits – with absolutely no regard for the quality or safety of the items being sold, which are often dangerous and defective. Such items can cause genuine harm to the people who buy and use them, as well as those workers often exploited during their production.

“As well as helping to sustain serious and organised crime, the sale of counterfeit goods has been estimated to contribute to over 80,000 job loses each year in the UK by diverting funds away from legitimate traders and into the hands of criminals. We are pleased to support the ongoing activity by Greater Manchester Police to clamp down on this illegal activity and help protect the public, as we continue to work with partners across in industry, local government, and law enforcement to help empower consumers and raise awareness of the damage these goods cause.”

St Giles High Kirk of Edinburgh.

The memorial for James Graham, Marquis of Montrose, 5th Earl and 1st Marquis of Montrose. 1612-1650. Executed age 37.

The Montrose monument was designed by Robert Rowand Anderson and carved by John and William Birnie Rhind.

On 21 May 1650, James Graham, Marquis of Montrose, the chief Royalist military commander in Scotland, was executed in Edinburgh.

Montrose had initially been one of the nobles to draw up the National Covenant in 1638, however, he became concerned about the opposite extreme, a Presbyterian oligarchy led by Archibald Campbell, the 8th Earl of Argyll, who imprisoned Graham in 1640.

Montrose, therefore, sided with the King against the Covenanting Army under Argyll, which was allied to the English Parliamentarians.

Montrose won six successive battles at Tippermuir, Aberdeen, Inverlochy, Auldearn, Alford and Kilsyth, before being defeated by David Leslie at Philiphaugh. He escaped to continental Europe.

Shocked at the execution of Charles I, he returned to avenge the old King and support the young King Charles II, but his small force was defeated at Carbisdale.

He was betrayed by MacLeod of Assynt, captured, brought as a prisoner to Edinburgh, summarily convicted, hung, disembowelled, beheaded, quartered and his head impaled on a stake at the Mercat Cross on Edinburgh’s Royal Mile.

What was left of his remains were regathered for reburial in St. Giles Kirk some eleven years after his execution.

James VI of Scotland in 1581 had signed the “National League and Covenant” which essentially provided protection for the new Presbyterianism worship set against the continuing silent Catholicism with its edicts from Rome, coupled to the invasion of Episcopalianism from the south.

In its clauses the King was beholden to maintain the new religion and resist, if necessary by force, any attempt to have it usurped. This edict allowed the people of Scotland the right to express dissent in matters of religion foisted on them by any King.

James’s son, Charles I, who came to the throne in 1625, was a firm believer in Catholicism and the divine right of kings. He subsequently was beheaded over the latter issue. He, to a large degree, rebuffed the document and its intent, and had already alienated much of the population by marrying Henrietta Maria, the Catholic daughter of Henry IV of France. He also had displayed apparent sympathy for Catholicism at his Scottish coronation in Holyrood Palace in Edinburgh in 1633.

Suspicion of him had become evident early in his reign when he issued from England an act of revocation cancelling all grants for crown and church property which had been in effect for over a hundred years. It therefore was apparent that Charles was a discreet advocate of Catholicism. His activities in matters of religion and display of religious worship caused a lot of discomfort to many in Britain and in Scotland in particular.

A new book of common prayer was introduced in St. Giles Cathedral in Edinburgh. It caused an instant furore. Emotions were high in protest, and became so heated that Jennie Geddes, and no doubt part of Knox’s congregation, his “monstrous regiment”, threw a stool at the officiating Dean in the Cathedral. Riots occurred in the streets with the prelates running for their homes chased by angry mobs.

The issue of divine right surfaced three years later and the English Civil War commenced with all the fury that a civil war brings.

As most Scots were aligned with the Act of Covenant, positions were taken. James Graham, the Marquis of Montrose, a Protestant by birth, however, rose to leadership of the King’s army.

His opponents were known as the Protestant Covenanters. Their army was commanded by Alexander Leslie. Leslie was a Scots mercenary soldier on the continent. He had been persuaded to return from Sweden, and given the rank of Field-Marshal. On his return to Scotland he had brought with him a plentiful supply of arms and ammunition as well as military men.

Both armies were a motley crew. Montrose as the King’s commander in Scotland was accompanied by some Perthshire “lights” including the eldest son of the Earl of Monteith, John Graham-Lord Kilpont, David Drummond Master of Maderty (Madderty), Sir John Drummond, and a son of the Earl of Perth. They collected a motley crew of levies from a variety of clans which included Appin Stewarts, Camerons, Farquharsons, Gordons, several cadet branches of the clan MacDonald, MacKinnons, MacLeans, MacNabs, Macphersons, as well as mercenaries from Ireland.

the other team, and opposed to the dictates of the King, under the command and control of Archibald Campbell, was the eighth Earl, and first Marquis of Argyll. Argyll could summon the multitudes of Clan Campbell and he appointed as its army commander, Lord Elcho. Elcho surrounded himself with a mixed bag of acolytes including, strange to say, some from Covenanting families like Murray of Gask, and some from non-Covenanting families like Lord Drummond’s. He had collected about 8,000 men including a squadron of 700 horses. On Sunday September 1, 1644, at Tippermuir, outside Perth, the opposing forces met for the first time.

Montrose arranged his men in three ranks, the front two with muskets, and the third armed only with stones. They required to scavenge weapons from the fallen opposition. The first two ranks fired and then a highland charge followed. The Coventanting line was broken, through with few killed, but the retreat became a route with no quarter given and resulted in carnage.

Montrose’s subsequent campaigns including the destruction of Argylls army at Inverlochy, following an inspired night-time traverse of snow filled mountains and glens to appear at dawn on the high ground and in complete command of the battlefield for the morning. The wounded or ill Campbell watched the catastrophe from his Birlin in the loch.

Thereafter the career of Montrose as a brilliant general became a reality. His lightning moves against the Covenanting army are the stuff of legends. He took them on time after time. At Aberdeen, Fyvie, Inverlochy, the classic retreat from Dundee to Auldearn, and Alford, followed up with the Battle at Kilsyth sealed for him a place amongst the great generals of history.

It was said that one of the horses complained to another horse that it had sore feet with all the marching. Time after time these movements gave Montrose the advantages of location, height and surprise.

After the King Charles 1st decisive defeat at Naseby in June 1645, Montrose’s army melted away, and the small force remaining was routed at Philiphaugh in September. Montrose fled to the European continent in 1646 but, with the exiled Charles II’s blessing, returned to Scotland with about 1,200 men in March 1650.

Sadly for the Marquis his luck ran out. He was ambushed and defeated at Carbisdale in 1650. He sought shelter at Ardvreck Castle in Assynt. This was one of the homes of the MacLeods. There, under their hospitality and protection as per the clan code, they betrayed him. He was bound, taken to Edinburgh via Inverness and Dundee, and vilified and humiliated on the way.

At the Water Gate he was met by the hangman, transferred to the hangman's cart and tied to the seat, to be taken through the streets to the Tolbooth prison. Argyll was watching from a house on the route and the two men's eyes are said to have met for a moment as the cart trundled by. Far from stoning and reviling the prisoner, as had been hoped, the watching crowds were silent, and observers sensed an air of reluctant admiration and sympathy. The cart reached the Tolbooth prison about seven o'clock in the evening. Montrose spent the Sunday in his cell, pestered by Presbyterian ministers, who renewed their assault on Monday, when he was taken to the Parliament to hear the death sentence.

A court made up of all his enemies, many Campbells among them, was convened. After due evidence was introduced and presented he was convicted and sentenced to death by hanging. The sentence was a foregone conclusion but hanging was not a part of it. The axe or the sword was used to execute noblemen, the rope was for the common criminal.

An appeal was made but the Court was in no mood to be trifled with or dictated to by the Marquis and his request was denied. He, like many other noble fellows was hung at the Grassmarket by the rope on May 21st, 1650. He died forgiving all his enemies and confirming his loyalty to his King and cause! His last words were, “God have mercy on this afflicted land.”

On Tuesday morning Montrose rose for the last time on earth and made himself ready. Carefully combing out his long hair, he was reproached by one of the Puritan divines for paying so much attention to his appearance at such a time. "My head is still my own," Montrose replied. "Tonight, when it will be yours, treat it as you please". At two in the afternoon he was taken on foot along the High Street to the Mercat Cross, close by to St Giles High Kirk, where a gallows 30ft high had been erected on a platform.

After death on the gallows, he was beheaded, his head shown to the public at the Tolbooth where it hung for eleven years eventually being replaced by the head of his enemy, the beheaded 1st Marquis of Argyll. The fates of both opposing commanders speaks volumes to the chaos of monarchy, religion, power in these almost hopeless times.

His body was sectioned and distributed to various towns. His limbs were displayed in prominent places in Glasgow, Edinburgh, Perth and Aberdeen. His torso was buried in the Boroughmuir graveyard.

In early January, 1661, as many parts of his body as it was possible to find were gathered together and placed in a linen-draped casket for final internment within St Giles High Kirk. His heart was missing.

He had been granted “honourable reparation” by the Scots Parliament and a great assembly foregathered for his final burial.

The background to this came after the demise of Cromwell, an invite was extended to the exiled Charles, son of the beheaded Charles 1st, after exile following the battle of Worcester, was invited back to regain his monarchal role and crowned King Charles 2nd. Supposedly having disavowed Catholicism and having signed the Solemn League and Covenant at Speybay, he in fact remained fairly to true to his Catholic roots.

Snakes (Untitled) was executed by Norval Morrisseau around 1968-1970.

The Denver Art Museum, a private, non-profit museum, is known for its collection of American Indian art. Its impressive collection of more than 68,000 works includes pieces from around the world including modern and contemporary art, European and American painting and sculpture, and pre-Columbian and Spanish Colonial art. The museum was originally founded in 1893 as the Denver Artists Club. In 1918, it moved into galleries in the Denver City and County Building, and became the Denver Art Museum.

In 1971, the museum opened what is now known as the North Building, designed by Italian architect Gio Ponti and Denver-based James Sudler Associates. The seven-story structure, 210,000-square-foot building allowed the museum to display its collections under one roof for the first time. The Frederic C. Hamilton Building, designed by Studio Daniel Libeskind and Denver firm Davis Partnership Architects, opened on October 7, 2006 to accommodate the Denver Art Museum's growing collections and programs.

Travelers, was executed by Deborah Masters in 2007, was installed in Audubon Park in March, 2008 as part of Sculpture for New Orleans.

Audubon Park, bordered by the Mississippi River and St. Charles Avenue, was carved out of the plantations owned by the Foucher and Boré familes in 1871, and initially called Upper City Park. The park is named in honor of artist and naturalist John James Audubon, who began living in New Orleans in 1821. Inside the park, there is a golf course, several lakes, and the 58-acre Audubon Zoo.

In 1884 the World's Industrial and Cotton Exposition, or World Cotton Centennial, celebrating the first shipment of cotton, was held in Audubon Park. The first street car was introduced at the expo, led by motorman/tea baron Thomas Lipton. The Mardi Gras Krewe of Rex arrived at the Expo aboard a yacht, establishing a tradition that survives today. New Orleans was still recovering from the Civil War and Reconstruction, and it was the World's Fair that helped jumpstart development around the city. Most remnants of the Cotton Exposition were demolished or destroyed in the ensuing years and Audubon Park's present form follows a a design drafted by John Charles Olmsted, a principal of the renowned Olmsted Brothers landscape architecture practice.

The Sanctury of the St Kilda Presbyterian Church features three beautiful 1880s Ferguson and Urie stained glass windows; Faith on the left, Charity in the middle and Hope on the right. All are executed in iridescent reds, yellows, greens and blues, to reflect the colour palate used in other Ferguson and Urie windows elsewhere around the church.

Built on the crest of a hill in a prominent position overlooking St Kilda and the bay is the grand St Kilda Presbyterian Church.

The St Kilda Presbyterian Church's interior is cool, spacious and lofty, with high ceilings of tongue and groove boards laid diagonally, and a large apse whose ceiling was once painted with golden star stenciling. The bluestone walls are so thick that the sounds of the busy intersection of Barkley Street and Alma Road barely permeate the church's interior, and it is easy to forget that you are in such a noisy inner Melbourne suburb. The cedar pews of the church are divided by two grand aisles which feature tall cast iron columns with Corinthian capitals. At the rear of the building towards Alma Road there are twin porches and a narthex with a staircase that leads to the rear gallery where the choir sang from. It apparently once housed an organ by William Anderson, but the space today is used as an office and Bible study area. The current impressive Fincham and Hobday organ from 1892 sits in the north-east corner of the church. It cost £1030.00 to acquire and install. The church is flooded with light, even on an overcast day with a powerful thunder storm brewing (as the weather was on my visit). The reason for such light is because of the very large Gothic windows, many of which are filled with quarry glass by Ferguson and Urie featuring geometric tracery with coloured borders. The church also features stained glass windows designed by Ferguson and Urie, including the impressive rose window, British stained glass artist Ernest Richard Suffling, Brooks, Robinson and Company Glass Merchants, Mathieson and Gibson of Melbourne and one by Australian stained glass artist Napier Waller.

Opened in 1886, the St Kilda Presbyterian church was designed by the architects firm of Wilson and Beswicke, a business founded in 1881 by Ralph Wilson and John Beswicke (1847 - 1925) when they became partners for a short period. The church is constructed of bluestone with freestone dressings and designed in typical Victorian Gothic style. The foundation stone, which may be found on the Alma Road facade, was laid by the Governor of Victoria Sir Henry Barkly on 27 January. When it was built, the St Kilda Presbyterian Church was surrounded by large properties with grand mansions built upon them, so the congregation were largely very affluent and wished for a place of worship that reflected its stature not only in location atop a hill, but in size and grandeur.

The exterior facades of the church on Barkley Street and Alma Road are dominated by a magnificent tower topped by an imposing tower. The location of the church and the height of the tower made the spire a landmark for mariners sailing into Melbourne's port. The tower features corner pinnacles and round spaces for the insertion of a clock, which never took place. Common Victorian Gothic architectural features of the St Kilda Presbyterian Church include complex bar tracery over the windows, wall buttresses which identify structural bays, gabled roof vents, parapeted gables and excellent stone masonry across the entire structure.

I am very grateful to the Reverend Paul Lee for allowing me the opportunity to photograph the interior of the St Kilda Presbyterian Church so extensively.

The architects Wilson and Beswicke were also responsible for the Brighton, Dandenong, Essendon, Hawthorn and Malvern Town Halls and the Brisbane Wesleyan Church on the corner of Albert and Ann Streets. They also designed shops in the inner Melbourne suburbs of Auburn and Fitzroy. They also designed several individual houses, including "Tudor House" in Williamstown, "Tudor Lodge" in Hawthorn and "Rotha" in Hawthorn, the latter of which is where John Beswicke lived.

The stained glass firm of Ferguson and Urie was established by Scots James Ferguson (1818 – 1894), James Urie (1828 – 1890) and John Lamb Lyon (1836 – 1916). They were the first known makers of stained glass in Australia. Until the early 1860s, window glass in Melbourne had been clear or plain coloured, and nearly all was imported, but new churches and elaborate buildings created a demand for pictorial windows. The three Scotsmen set up Ferguson and Urie in 1862 and the business thrived until 1899, when it ceased operation, with only John Lamb Lyon left alive. Ferguson and Urie was the most successful Nineteenth Century Australian stained glass window making company. Among their earliest works were a Shakespeare window for the Haymarket Theatre in Bourke Street, a memorial window to Prince Albert in Holy Trinity, Kew, and a set of Apostles for the West Melbourne Presbyterian Church. Their palatial Gothic Revival office building stood at 283 Collins Street from 1875. Ironically, their last major commission, a window depicting “labour”, was installed in the old Melbourne Stock Exchange in Collins Street in 1893 on the eve of the bank crash. Their windows can be found throughout the older suburbs of Melbourne and across provincial Victoria.

the iliveisl sim, Enercity Park, goes away shortly after these pics were taken. it was one of only 100 or so remaining openspace sims.

it had been 3750 prims but when Linden Lab poorly executed their change in policy and pricing and went from $75 to $95 per month and from 3750 prims to 750 prims, this became the most expensive type of land isl

but i promised my residents that Enercity would have a park so kept it until the estate was transferred to the very best residents in all of second life

the park was the closest to a home that Ener Hax had. two sparse fallout shelters would become Ener's homes

one just a bare mattress and cardboard boxes to reduce drafts from broken windows and had and old turret slowly rotating that stood as a silent sentinel to bygone eras when we humans could have taken a lesson from our own avatars and the other a small emergency shelter for the bus stop

the lake in the park was called Butterfly Lake from its shape when viewed from the air and had a swan and ducklings swimming and a nice bench for friends to sit and visit under a weeping willow. near that spot was an old underground shelter to park military vehicles. that spot became an underground skatepark and was connected to the city's catacombs. these catacombs, like in Paris, ran below the city streets

zombies lived in one section near a small graveyard. no one knew why zombies were there, some suspect it was related to the war time bunkers. the manhole cover near the zombies was opened and the catacombs tagged with "i <3 ener hax" and "subQuark sux"

the most favourite spot for Ener Hax was near the bus stop and the 1950's era rotating and steaming coffee billboard (hmm, maybe the chemical smoke from that big coffee cup is to blame for the zombies? after all, the "steam" does drift over the grave yard

the fave spot looked over the smaller lake west of the bus stop and was in view of one of the parks two waterfalls. that spot was made very special because of Mr. Bunny. Ener loved to sit on the ground and just watch Mr. Bunny hop around and doze occasionally. what a cute bunny =) he even had his own carrots planted by Ener

high above the eastern part of the park was the huge zebra striped zeppelin. a bit of a trademark of the iliveisl estate

it was a lovely spot, even had tai chi on the big bunker and a zip line from the water tower

ooh, the water tower! as a surprise gift, DreamWalker scripted the water tower and turned it int a funky hang out spot. there was an abandoned pool inside the tower (???) and place to sit and talk. even a cute ladybug called it home. the water tower's top would slide up and down and also turn invisible. for romance, a moon beam came through the towers top port and could even have its brightness changed

even though the park was outrageously expensive, it was Ener Hax and Mr. Bunnies home and will be sincerely missed

namas te

Operation Vulcan executed their latest warrant yesterday (3 May 2023) at a property on Great Ducie Street in Cheetham Hill.

The warrant was carried out after intelligence came to light suggesting the property - a large distribution warehouse - was being used to supply a network of counterfeit stores throughout Cheetham Hill.

The number of items seized have an estimated worth of £1.2million pounds.

The enterprise was so vast officers made use of a conveyor belt to speed up the transfer of seized items into waiting vehicles.

Over the last 6 months through relentless policing and support from dedicated partners, Operation Vulcan has turned the tide against the criminals. The support of partners has been integral to Operation Vulcan and that was on full display yesterday (3 May 2023) with over 15 departments, teams, organisations and partner representatives in attendance - including from Greater Manchester Fire and Rescue Service, Intellectual Property Office, Trading Standards, Brand Experts and Border Force.

GMFRS also raised concerns about the safety of the building, which led to it being issued it with a prohibition order.

Inspector Andy Torkington said: "The network of counterfeit stores in Cheetham Hill might seem chaotic and disorganised but this is far from the truth. The latest warrant demonstrates that these stores are well funded and well supplied and it's big business for organised crime groups who have been operating out of the area.

"This warrant is an opportunity to make a huge dent in the supply chain by cutting off the head of the supply snake. I hope it sends a message to any remaining counterfeit stores in the area who persist in trading to pack up now or face the consequences.

"Operation Vulcan is here to stay and we will continue making it unsustainable for criminal businesses to exist here and will work shoulder-to-shoulder with our partners to re-build the area into a thriving community where people feel safe.”

Neil Fairlamb, Strategic Director of Neighbourhoods for Manchester City Council said: "The work that has taken place throughout Operation Vulcan has shown the scope and scale of the counterfeit industry. It is huge enterprise, one which has had an incredibly negative impact on our communities. By striking a blow against this criminal supply chain we will succeed in forcing these traders out for good."

The Intellectual Property Office’s Deputy Director of Intelligence and Law Enforcement, Marcus Evans said: The Intellectual Property Office’s Deputy Director of Intelligence and Law Enforcement, Marcus Evans said: “Criminal networks are seeking to exploit consumers and communities for their own financial gain through the trade in illegal counterfeits – with absolutely no regard for the quality or safety of the items being sold, which are often dangerous and defective. Such items can cause genuine harm to the people who buy and use them, as well as those workers often exploited during their production.

“As well as helping to sustain serious and organised crime, the sale of counterfeit goods has been estimated to contribute to over 80,000 job loses each year in the UK by diverting funds away from legitimate traders and into the hands of criminals. We are pleased to support the ongoing activity by Greater Manchester Police to clamp down on this illegal activity and help protect the public, as we continue to work with partners across in industry, local government, and law enforcement to help empower consumers and raise awareness of the damage these goods cause.”

MARINE CORPS AIR STATION IWKAUNI, Japan (May 5, 2018) - The U.S. Army Golden Knights execute a flag jump during the 42nd Japan Maritime Self-Defense Force - Marine Corps Air Station Iwakuni Friendship Day at MCAS Iwakuni. Since 1973, MCAS Iwakuni has held a single-day air show designed to foster positive relationships and offer an exciting experience that displays the communal support between the U.S. and Japan. The air show also encompassed various U.S. and Japanese static display aircraft, aerial performances, food and entertainment. (U.S. Marine Corps photo by Sgt. N.W. Huertas) 180505-M-RH401-0099

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Travelers, was executed by Deborah Masters in 2007, was installed in Audubon Park in March, 2008 as part of Sculpture for New Orleans.

Audubon Park, bordered by the Mississippi River and St. Charles Avenue, was carved out of the plantations owned by the Foucher and Boré familes in 1871, and initially called Upper City Park. The park is named in honor of artist and naturalist John James Audubon, who began living in New Orleans in 1821. Inside the park, there is a golf course, several lakes, and the 58-acre Audubon Zoo.

In 1884 the World's Industrial and Cotton Exposition, or World Cotton Centennial, celebrating the first shipment of cotton, was held in Audubon Park. The first street car was introduced at the expo, led by motorman/tea baron Thomas Lipton. The Mardi Gras Krewe of Rex arrived at the Expo aboard a yacht, establishing a tradition that survives today. New Orleans was still recovering from the Civil War and Reconstruction, and it was the World's Fair that helped jumpstart development around the city. Most remnants of the Cotton Exposition were demolished or destroyed in the ensuing years and Audubon Park's present form follows a a design drafted by John Charles Olmsted, a principal of the renowned Olmsted Brothers landscape architecture practice.

This morning (Tuesday 1 February 2022), we executed warrants at six properties in the Chadderton area.

A 25-year-old was arrested on suspicion of rape, sexual assault and trafficking a person within the UK for sexual exploitation.

A second 25-year-old was arrested on suspicion of sexual assault.

A 26-year-old was arrested on suspicion of sexual assault and trafficking a person within the UK for sexual exploitation.

A 27-year-old was arrested on suspicion of rape and trafficking a person within the UK for sexual exploitation.

A 28-year-old was arrested on suspicion of rape and trafficking a person within the UK for sexual exploitation.

The warrants were executed as part of Operation Gabel - an investigation into the child sexual exploitation of two teenage girls in 2012/2013.

Inspector Nick Helme, of GMP's Oldham district, said: "This morning's action at several properties in the Chadderton area was a result of just one of a number of ongoing investigations into historic child sexual exploitation in Greater Manchester.

"I can assure members of the public and warn offenders that investigating this type of crime is a top priority for the force. Regardless of time passed, dedicated teams in a specialist unit leave no stone unturned whilst gathering evidence to make arrests with the intention of bringing suspects to face justice.

"I hope these warrants build public trust and confidence that Greater Manchester Police is committed to fighting, preventing and reducing CSE to keep people safe and care for victims - giving them the faith they need in the force to come forward.

Greater Manchester is nationally recognised as a model of good practice in terms of support services available to victims.

If you or someone you know has been raped or sexually assaulted, we encourage you not to suffer in silence and report it to the police, or a support agency so you can get the help and support available.

- Saint Mary's Sexual Assault Referral Centre, Manchester provides a comprehensive and co-ordinated response to men, women and children who live or have been sexually assaulted within Greater Manchester. We offer forensic medical examinations, practical and emotional support as well as a counselling service for all ages. Services are available on a 24-hour basis and can be accessed by telephoning 0161 276 6515.

-Greater Manchester Rape Crisis is a confidential information, support and counselling service run by women for women over 18 who have been raped or sexually abused at any time in their lives. Call us on 0161 273 4500 or email us at help@manchesterrapecrisis.co.uk

- Survivors Manchester provides specialist trauma informed support to boys and men in Greater Manchester who have experienced sexual abuse, rape or sexual exploitation. Call 0161 236 2182.

Operation Vulcan executed their latest warrant yesterday (3 May 2023) at a property on Great Ducie Street in Cheetham Hill.

The warrant was carried out after intelligence came to light suggesting the property - a large distribution warehouse - was being used to supply a network of counterfeit stores throughout Cheetham Hill.

The number of items seized have an estimated worth of £1.2million pounds.

The enterprise was so vast officers made use of a conveyor belt to speed up the transfer of seized items into waiting vehicles.

Over the last 6 months through relentless policing and support from dedicated partners, Operation Vulcan has turned the tide against the criminals. The support of partners has been integral to Operation Vulcan and that was on full display yesterday (3 May 2023) with over 15 departments, teams, organisations and partner representatives in attendance - including from Greater Manchester Fire and Rescue Service, Intellectual Property Office, Trading Standards, Brand Experts and Border Force.

GMFRS also raised concerns about the safety of the building, which led to it being issued it with a prohibition order.

Inspector Andy Torkington said: "The network of counterfeit stores in Cheetham Hill might seem chaotic and disorganised but this is far from the truth. The latest warrant demonstrates that these stores are well funded and well supplied and it's big business for organised crime groups who have been operating out of the area.

"This warrant is an opportunity to make a huge dent in the supply chain by cutting off the head of the supply snake. I hope it sends a message to any remaining counterfeit stores in the area who persist in trading to pack up now or face the consequences.

"Operation Vulcan is here to stay and we will continue making it unsustainable for criminal businesses to exist here and will work shoulder-to-shoulder with our partners to re-build the area into a thriving community where people feel safe.”

Neil Fairlamb, Strategic Director of Neighbourhoods for Manchester City Council said: "The work that has taken place throughout Operation Vulcan has shown the scope and scale of the counterfeit industry. It is huge enterprise, one which has had an incredibly negative impact on our communities. By striking a blow against this criminal supply chain we will succeed in forcing these traders out for good."

The Intellectual Property Office’s Deputy Director of Intelligence and Law Enforcement, Marcus Evans said: The Intellectual Property Office’s Deputy Director of Intelligence and Law Enforcement, Marcus Evans said: “Criminal networks are seeking to exploit consumers and communities for their own financial gain through the trade in illegal counterfeits – with absolutely no regard for the quality or safety of the items being sold, which are often dangerous and defective. Such items can cause genuine harm to the people who buy and use them, as well as those workers often exploited during their production.

“As well as helping to sustain serious and organised crime, the sale of counterfeit goods has been estimated to contribute to over 80,000 job loses each year in the UK by diverting funds away from legitimate traders and into the hands of criminals. We are pleased to support the ongoing activity by Greater Manchester Police to clamp down on this illegal activity and help protect the public, as we continue to work with partners across in industry, local government, and law enforcement to help empower consumers and raise awareness of the damage these goods cause.”

Detail of the Baptistry Window, a masterpiece of abstract stained glass designed by John Piper and executed by Patrick Reyntiens.

Coventry's Cathedral is a unique synthesis of old a new, born of wartime suffering and forged in the spirit of postwar optimism, famous for it's history and for being the most radically modern of Anglican cathedrals. Two cathedral's stand side by side, the ruins of the medieval building, destroyed by incendiary bombs in 1940 and the bold new building designed by Basil Spence and opened in 1962.

It is a common misconception that Coventry lost it's first cathedral in the wartime blitz, but the bombs actually destroyed it's second; the original medieval cathedral was the monastic St Mary's, a large cruciform building believed to have been similar in appearance to Lichfield Cathedral (whose diocese it shared). Tragically it became the only English cathedral to be destroyed during the Reformation, after which it was quickly quarried away, leaving only scant fragments, but enough evidence survives to indicate it's rich decoration (some pieces were displayed nearby in the Priory Visitors Centre, sadly since closed). Foundations of it's apse were found during the building of the new cathedral in the 1950s, thus technically three cathedrals share the same site.

The mainly 15th century St Michael's parish church became the seat of the new diocese of Coventry in 1918, and being one of the largest parish churches in the country it was upgraded to cathedral status without structural changes (unlike most 'parish church' cathedrals created in the early 20th century). It lasted in this role a mere 22 years before being burned to the ground in the 1940 Coventry Blitz, leaving only the outer walls and the magnificent tapering tower and spire (the extensive arcades and clerestoreys collapsed completely in the fire, precipitated by the roof reinforcement girders, installed in the Victorian restoration, that buckled in the intense heat).

The determination to rebuild the cathedral in some form was born on the day of the bombing, however it wasn't until the mid 1950s that a competition was held and Sir Basil Spence's design was chosen. Spence had been so moved by experiencing the ruined church he resolved to retain it entirely to serve as a forecourt to the new church. He envisaged the two being linked by a glass screen wall so that the old church would be visible from within the new.

Built between 1957-62 at a right-angle to the ruins, the new cathedral attracted controversy for it's modern form, and yet some modernists argued that it didn't go far enough, after all there are echoes of the Gothic style in the great stone-mullioned windows of the nave and the net vaulting (actually a free-standing canopy) within. What is exceptional is the way art has been used as such an integral part of the building, a watershed moment, revolutionising the concept of religious art in Britain.

Spence employed some of the biggest names in contemporary art to contribute their vision to his; the exterior is adorned with Jacob Epstein's triumphant bronze figures of Archangel Michael (patron of the cathedral) vanquishing the Devil. At the entrance is the remarkable glass wall, engraved by John Hutton with strikingly stylised figures of saints and angels, and allowing the interior of the new to communicate with the ruin. Inside, the great tapestry of Christ in majesty surrounded by the evangelistic creatures, draws the eye beyond the high altar; it was designed by Graham Sutherland and was the largest tapestry ever made.

However one of the greatest features of Coventry is it's wealth of modern stained glass, something Spence resolved to include having witnessed the bleakness of Chartres Cathedral in wartime, all it's stained glass having been removed. The first window encountered on entering is the enormous 'chess-board' baptistry window filled with stunning abstract glass by John Piper & Patrick Reyntiens, a symphony of glowing colour. The staggered nave walls are illuminated by ten narrow floor to ceiling windows filled with semi-abstract symbolic designs arranged in pairs of dominant colours (green, red, multi-coloured, purple/blue and gold) representing the souls journey to maturity, and revealed gradually as one approaches the altar. This amazing project was the work of three designers lead by master glass artist Lawrence Lee of the Royal College of Art along with Keith New and Geoffrey Clarke (each artist designed three of the windows individually and all collaborated on the last).

The cathedral still dazzles the visitor with the boldness of it's vision, but alas, half a century on, it was not a vision to be repeated and few of the churches and cathedrals built since can claim to have embraced the synthesis of art and architecture in the way Basil Spence did at Coventry.

The cathedral is generally open to visitors most days. For more see below:-

www.coventrycathedral.org.uk/

www.law.mq.edu.au/research/colonial_case_law/nsw/cases/ca...

In the cemetery are the headstones of nine of the thirteen mutineers executed in September 1834. Due to Judges reluctance to travel to Norfolk Island, lots had been cast among the judges to decide who would sail to Norfolk Island to conduct the trials there, and Justice Burton was chosen. He apparently made excessive claims for expenses on this trip, which he was required to refund, the Crown refused to pay for his life insurance, wine and spirits.

THE MUTINY.

The Norfolk Island mutiny took place on January 15. 1834 but The Alligator, carrying the judge did not arrive until July. Difficulties were put in the way of the Governor by the Judges of the Supreme Court in Sydney. Although the services of Mr. Justice Burton were eventually made available, the Governor was given to understand that the Norfolk Island trip was not to be considered a precedent for holding the Court there. The trials commenced on July 10.

Details of the mutiny, which was suppressed with all the ferocity of the period, were forwarded to the Home authorities by Sir Richard Bourke the following year. He told how thirty convicts, "generally of the worst character," had attacked the gaol guard. About an equal number, "under false pretexts of ill health." had been taken to the hospital behind the gaol, under the usual escort. But, breaking out of the lock-up, where they had been detained for examination, they overpowered and confined the hospital attendants. Having knocked off each other's Irons, and armed themselves "with such implements adapted for offence as the hospital afforded," and being joined by other convicts from the saw pits and other places, they rushed the guard. For a time, the Governor admitted, the guard was nearly overpowered. But the soldiers, with the use of firearms, and assisted by reinforcements from the barracks, quelled the mutiny, killing two and wounding eleven. Seven of the latter died. That the outbreak had been carefully and ably planned was obvious. For, convicts at the agricultural station at Longridge, armed with implements, attempted to Join their confederates. But they only arrived In time to increase the number of fugitives. Depositions laid before the Attorney-General In Sydney resulted in 55 men being tried. Of these 29 were "capitally convicted" (by a military Jury), and 13 were ordered for execution. The remainder had their sentences commuted for various terms of additional servitude on the Island. By order, the executions on September 22 and 23, took place in the presence of the other convicts.

Archbishp Ullathorne was sent from Sydney to hear the confessions, before execution, of those condemned who were of the Catholic faith, an Anglican clergyman having been already been engaged for the same occasion. In his autobiography he describes how the executions took place half one day and half the next. One thousand convicts divided into two bodies were brought on the ground the first day, and the other thousand on the second day. “Thus all passed off in tranquillity.”

I had six of my men put together in one cell and five in another, (This implies that the writer had charge of eleven convicts. He has stated above that seven of those condemned to die had placed themselves in his hands. It is to be supposed that the additional four must have been of the number of those condemned by an earlier Commission), one of which parties was executed each day, and executed in one group, whilst the Protestants were executed in another. The second day was but a repetition of the first. The Protestant convicts were executed after the Catholics. The Anglican clergyman had three to attend to each day. Then came the funerals, the Catholics at a separate time from the Protestants. A selected number of the convicts followed each coffin to the most beautiful cemetery that the eye of man could possibly contemplate.

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