View allAll Photos Tagged Executed
2217 Iranian women executed through the life of the ruling rejim in Iran.
for more and list of the names and detail:
English Civil War Society: London 2015
King executed in London's Whitehall on January 30 1649 after bloody war between royalists and parliamentarians, fathers, sons, brothers
Studiolo from the Ducal Palace in Gubbio
•Designer: Designed by Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed under the supervision of Francesco di Giorgio Martini (Italian, Siena 1439-1501 Siena)
•Maker: Executed in the workshop of Giuliano da Maiano (Italian, Maiano 1432-1490 Naples)
•Maker: and Benedetto da Maiano (Italian, Maiano 1442-1497 Florence)
•Date: ca. 1478-1782
•Culture: Italian, Gubbio
•Medium: Walnut, beech, rosewood, oak and fruitwoods in walnut base
•Dimensions:
oHeight: 15 ft. 10 15/16 in. (485 cm)
oWidth: 16 ft. 11 15/16 in. (518 cm)
oDepth: 12 ft. 7 3/16 in. (384 cm)
•Classification: Woodwork
•Credit Line: Rogers Fund, 1939
•Accession Number: 39.153
On view at The Met Fifth Avenue in Gallery 501.
This detail is from a study, (or studiolo), intended for meditation and study. Its walls are carried out in a wood-inlay technique known as intarsia. The latticework doors of the cabinets, shown open or partly closed, indicate the contemporary interest in linear perspective. The cabinets display objects reflecting Duke Federico’s wide-ranging artistic and scientific interests, and the depictions of books recall his extensive library. Emblems of the Montefeltro are also represented. This room may have been designed by Francesco di Giorgio (1439-1502) and was executed by Giuliano da Majano (1432-1490). A similar room, in situ, was made for the duke’s palace at Urbino.
Signatures, Inscriptions, and Markings
•Inscription:
oLatin inscription in elegiac couplets in frieze: ASPICIS AETERNOS VENERANDAE MATRIS ALUMNOS // DOCTRINA EXCELSOS INGENIOQUE VIROS // UT NUDA CERVICE CADANT ANTE //.. // .. GENU // IUSTITIAM PIETAS VINCIT REVERENDA NEC ULLUM // POENITET ALTRICI SUCCUBUISSE SUAE.
oTranslation: (“You see the eternal nurselings of the venerable mother // Men pre-eminent in learning and genius, // How they fall with bared neck before // …… // ………………………………………………knee. // Honored loyalty prevails over justice, and no one // Repents having yielded to his foster mother.”)
Provenance
Duke Federico da Montefeltr, Palazzo Ducale, Gubbio, Italy (ca. 1479-1482); Prince Filippo Massimo Lancellotti, Frascati (from 1874); Lancelotti family, Frascati (until 1937; sold to Adolph Loewi, Venice); [Adolph Loewi, Venice (1937-1939; sold to MMA)]
Timeline of Art History
•Essays
oCollecting for the Kunstkammer
oDomestic Art in Renaissance Italy
oRenaissance Organs
•Timelines
oFlorence and Central Italy, 1400-1600 A.D.
MetPublications
oVermeer and the Delft School
oPeriod Rooms in The Metropolitan Museum of Art
oPainting Words, Sculpting Language: Creative Writing Activities at The Metropolitan Museum of Art
oOne Met. Many Worlds.
oMusical Instruments: Highlights of The Metropolitan Museum of Art
oThe Metropolitan Museum of Art. Vol. 4, The Renaissance in Italy and Spain
oThe Metropolitan Museum of Art Guide (Spanish)
oThe Metropolitan Museum of Art Guide (Russian)
oThe Metropolitan Museum of Art Guide (Portuguese)
oThe Metropolitan Museum of Art Guide (Korean)
oThe Metropolitan Museum of Art Guide (Japanese)
oThe Metropolitan Museum of Art Guide (Italian)
oThe Metropolitan Museum of Art Guide (German)
oThe Metropolitan Museum of Art Guide (French)
oThe Metropolitan Museum of Art Guide (Chinese)
oThe Metropolitan Museum of Art Guide (Arabic)
oThe Metropolitan Museum of Art Guide
oThe Metropolitan Museum of Art Guide
oMasterpieces of The Metropolitan Museum of Art
oMasterpieces of The Metropolitan Museum of Art
o“The Liberal Arts Studiolo from the Ducal Palace at Gubbio”: The Metropolitan Museum of Art Bulletin, v. 53, no. 4 (Spring, 1996)
oGuide to The Metropolitan Museum of Art
oThe Gubbio Studiolo and Its Conservation. Vol. 2, Italian Renaissance Intarsia and the Conservation of the Gubbio Studiolo
oThe Gubbio Studiolo and Its Conservation. Vol. 1, Federico da Montefeltro’s Palace at Gubbio and Its Studiolo
o“Carpaccio’s Young Knight in a Landscape: Christian Champion and Guardian of Liberty”: Metropolitan Museum Journal, v. 18 (1983)
oThe Artist Project: What Artists See When They Look At Art
oThe Artist Project
oThe Art of Renaissance Europe: A Resource for Educators
oThe Art of Chivalry: European Arms and Armor from The Metropolitan Museum of Art
oArt and Love in Renaissance Italy
Floor Tiles (Set of 350)
•Factory: San Marco Laterizi di Noale Pottery
•Date: 1995
•Culture: Italian, Venice
•Medium: Earthenware
•Dimensions:
oHeight: 10¾ in. sq. (27.3 cm. sq.)
oWidth: 1¼ in. thick (3.2 cm. thick)
•Classification: Ceramics-Pottery
•Credit Line: Purchase, Anonymous Gift, 1996
•Accession Number: Inst.1996.1.1–.350
On view at The Met Fifth Avenue in Gallery 501.
Provenance
Made by San Marco Laterizi di Noale as reproductions of original tiles in the Ducal Palace in Gubbio
Timeline of Art History
•Timelines
oItalian Peninsula, 1900 A.D.-Present
Detail of the Baptistry Window, a masterpiece of abstract stained glass designed by John Piper and executed by Patrick Reyntiens.
Coventry's Cathedral is a unique synthesis of old a new, born of wartime suffering and forged in the spirit of postwar optimism, famous for it's history and for being the most radically modern of Anglican cathedrals. Two cathedral's stand side by side, the ruins of the medieval building, destroyed by incendiary bombs in 1940 and the bold new building designed by Basil Spence and opened in 1962.
It is a common misconception that Coventry lost it's first cathedral in the wartime blitz, but the bombs actually destroyed it's second; the original medieval cathedral was the monastic St Mary's, a large cruciform building believed to have been similar in appearance to Lichfield Cathedral (whose diocese it shared). Tragically it became the only English cathedral to be destroyed during the Reformation, after which it was quickly quarried away, leaving only scant fragments, but enough evidence survives to indicate it's rich decoration (some pieces displayed nearby in the Priory Visitors Centre). Foundations of it's apse were found during the building of the new cathedral in the 1950s, thus technically three cathedrals share the same site.
The mainly 15th century St Michael's parish church became the seat of the new diocese of Coventry in 1918, and being one of the largest parish churches in the country it was upgraded to cathedral status without structural changes (unlike most 'parish church' cathedrals created in the early 20th century). It lasted in this role a mere 22 years before being burned to the ground in the 1940 Coventry Blitz, leaving only the outer walls and the magnificent tapering tower and spire (the extensive arcades and clerestoreys collapsed completely in the fire, precipitated by the roof reinforcement girders, installed in the Victorian restoration, that buckled in the intense heat).
The determination to rebuild the cathedral in some form was born on the day of the bombing, however it wasn't until the mid 1950s that a competition was held and Sir Basil Spence's design was chosen. Spence had been so moved by experiencing the ruined church he resolved to retain it entirely to serve as a forecourt to the new church. He envisaged the two being linked by a glass screen wall so that the old church would be visible from within the new.
Built between 1957-62 at a right-angle to the ruins, the new cathedral attracted controversy for it's modern form, and yet some modernists argued that it didn't go far enough, afterall there are echoes of the gothic style in the great stone-mullioned windows of the nave and the net vaulting (actually a free-standing canopy) within. What is exceptional is the way art has been used as such an integral part of the building, a watershed moment, revolutionising the concept of religious art in Britain.
Spence employed some of the biggest names in contemporary art to contribute their vision to his; the exterior is adorned with Jacob Epstein's triumphant bronze figures of Archangel Michael (patron of the cathedral) vanquishing the Devil. At the entrance is the remarkable glass wall, engraved by John Hutton with strikingly stylised figures of saints and angels, and allowing the interior of the new to communicate with the ruin. Inside, the great tapestry of Christ in majesty surrounded by the evangelistic creatures, draws the eye beyond the high altar; it was designed by Graham Sutherland and was the largest tapestry ever made.
However one of the greatest features of Coventry is it's wealth of modern stained glass, something Spence resolved to include having witnessed the bleakness of Chartres Cathedral in wartime, when all it's stained glass had been removed. The first window encountered on entering is the enormous 'chess-board' baptistry window filled with stunning abstract glass by John Piper & Patrick Reyntiens, a symphony of glowing colour. The staggered nave walls are illuminated by ten narrow floor to ceiling windows filled with semi-abstract symbolic designs arranged in pairs of dominant colours (green, red, multi-coloured, purple/blue and gold) representing the souls journey to maturity, and revealed gradually as one approaches the altar. This amazing project was the work of three designers lead by master glass artist Lawrence Lee of the Royal College of Art along with Keith New and Geoffrey Clarke (each artist designed three of the windows individually and all collaborated on the last).
The cathedral still dazzles the visitor with the boldness of it's vision, but alas, half a century on, it was not a vision to be repeated and few of the churches and cathedrals built since can claim to have embraced the synthesis of art and architecture in the way Basil Spence did at Coventry.
The cathedral is generally open to visitors most days, but now charges an entry fee (a fix for recent financial worries; gone are the frequent days I used to wander around it in search of inspiration!)and sadly visitors are also encouraged to enter by the far end of the building, contrary to Spence's intentions.
For more see below:-
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ℹ️8️⃣📞📲📳☎️♾💁♂️
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First of all; the #FBI does not have the clearance, to be in possession, of my nuclear codesz.
Load, Load, Load; you're too slow, #YouTube. And do you know what that means? It means that you are #Guilty of #HighTreason. &, do you know what that means? It means that you are #Executed by #FiringSquad.
Nope; your apology means nothing to me. It means, that you are still #Executed by #FiringSquad.
That's one☝️. Two✌️; I👆, told you💭💬📣🔊📢; I did not suggest to you – I told you, #YouTube; that I need 14-15,000 characters🔤🔡🔠🔢; &, you refused to comply. Therefore; you are shot🔫 to death – #Executed for #HighTreason, twice✌️👋😽💀😵.👀
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☎️▶️⏯⏩⏭➡️🔀↕️🔘https://music.youtube.com/watch?v=qKVkhQQXEGE&feature=share
She asked me to cum⛲️💦💧🌊🎣🐟🔫 over, to #Steinway🎹🏭, in #Astoria👸; & then, after driving from #Pennsylvania #Pistolvania, she was on the #AOL_IM #AIM, w/ #JesseHenry. I told her that she was being rude; & she told me to go & fuck myself. So; I left, drove home🏡, & ate the cost💸 of travel. &, I went & fuckt myself. &; she was unhappy that I left; & she didn't get none. &; I don't really give a fuck. She can eat shit💩🚽, & die💀.👀❄️ @/#GregGutfeld #CarleyShimkus
#OliviaCampbellPatton #OliviaWildeNeeCockburne
🏰🏯🔘https://en.wikipedia.org/wiki/Sigiriya
By the way; it is #Ceylon; do not offend me again. This is your first(ly)☝️, & only⏳⌛️ warning⚠️⛔️☣️☢️
#SAP_q / #SAR_Q, how-ever, not #SAP-q / #SAR-Q; #RobertCharles #THE_COMMODORES_CIRCLE.👀😾😠😤😡
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☝️; there is no quick select, of 20,000+ images, on #iPhone, #Apple #TimCook. ✌️; there is no #conspicuous way to remove the #Slideslow option, on #iPhone, w/ your shitty, shitty musick selection. Therefore, I cannot turn it off. Oh, by the way; I cannot trash individual #AppCaches, neither, all of them, in a single tap. Take a wild guess what that means for you; all of you. #HighTreason = #Execution🔫 @ the #Gallows💀😵, or #Gibbet💀😵.👋👋👋
3️⃣; @/ #GregGutfeld‼️⚠️ : The #Saxophone🎷 is lame, gey, & any-person, who may believe it to be kool, or trendy, or even good; they may eat shit💩🚽, & die💀😵.
4️⃣ By the way; #SullyErna; you're a bitch.👋💀
🔘https://music.youtube.com/watch?v=R8pj2y39_jc&feature=share
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It is nice to see #TulsiGabbard; @/#FoxNewsCorp.
#Owlephant
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#EvanRachelWood-._•✏️📝✍️🔏🐧
--WRW
_.• ✍️🔏
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Anthony Cramer, one of fourteen people charged in civilian courts with aiding eight Nazi saboteurs who landed by submarine on U.S. shores In June 1942, is shown in a full frontal photograph after his arrest.
Cramer was aa close friend of Werner Thiel, one of eight German Nazi saboteurs who landed by U-boat on U.S. shores in June 1942.
Cramer was born in Allendorf, Germany in 1900 and served in the German army during World War I. He arrived in the United States in 1925 and became a naturalized citizen in 1936.
He was a member of the Friends of New Germany—the predecessor organization to the German-American Bund, a pro-Nazi organization.
While in the United States, Cramer worked as both an engineer and a mechanic in New York.
He had dinner with both Thiel and Edward Kerling, another of the saboteurs, while in New York. Thiel gave Cramer $3,670 for safekeeping which Cramer put in a safe deposit box.
Cramer was charged and convicted of treason in November 1942 and sentenced to forty-five years in prison plus a $10,000 fine.
While Cramer remained imprisoned, the case was appealed all the way to the U.S. Supreme Court, which reversed his conviction on April 23, 1945 in a 5-4 decision.
Writing for the majority, Justice Robert H. Jackson said that the Constitution is clear in its definition of treason, limited to the waging of war, or giving material assistance to an enemy.
The prosecution and its witnesses could demonstrate only an association and not that Cramer had given "Aid and Comfort," as defined in Article Three. Jackson wrote that the jury had been given no evidence that Cramer had "even paid for their drinks." As such, the majority opinion held, the associations were insufficient to convict Cramer for treason, and the judgment of the Court of Appeals was reversed.
But Cramer’s legal troubles were not over. Minutes before the paperwork could reach the prison to release him, Cramer was indicted for violating the “Trading with the Enemy” act and a Presidential “freeze order” over Cramer’s safeguarding Thiel’s money.
Cramer pled guilty September 29, 1945 and was sentenced to six years in prison. The judge remarked that it would have been 10 years except that Cramer had already been in prison for over three years.
The eight Nazi saboteurs who landed in the U.S. in Florida and New York were almost immediately arrested after one of them, George Dasch, contacted the FBI and turned himself in.
The eight saboteurs were quickly convicted--six of whom were executed in August 1942, including Kerling and Thiel; one received a life sentence; and one received 30 years imprisonment following a Washington, D.C. military trial.
Fourteen other people, including Cramer, were charged with aiding the eight saboteurs. Cramer was charged with treason and the government sought the death penalty.
Of the others charged with aiding the saboteurs some received various prison terms, some had charges dropped, some were detained as enemy aliens and deported after the war ended.
For more information and related images, see flic.kr/s/aHsmPiRmT4
The photographer is unknown. The image is believed to be a U.S. government photograph. It is housed in the D.C. Library Washington Star Collection.
St Albans claims to be the earliest site of Christian pilgrimage in England, being named after our first martyr, who was executed at some point in the 3rd century AD (when the city was still known by its Roman name, Verulanium) having sheltered a persecuted Christian priest, St Amphibalus, and been impressed by his faith, offering himself for arrest in his place. Both men were buried here and Alban's tomb was venerated and marked in some form long before the present cathedral was built.
The cathedral is nonetheless one of the most ancient of our major churches, though its cathedral status dates only to 1877 when the new diocese of St Albans was formed. The church was originally founded as St Alban's Abbey, and built close to the presumed site of Alban's martyrdom. Founded in 793 by King Offa, the abbey was rebuilt several times with the earliest parts of the present cathedral dating back to the late 11th century. Much use was made of recycled material from the abandoned Roman city of Verulanium, and the handsome Romanesque tower appears to be entirely constructed of reused Roman bricks. The Abbey was built on an impressive scale, and must have once been a very wealthy institution owing to pilgrimages to the shrine of St Alban behind the high altar. However its fortunes had begun to decline even before the Reformation swept medieval monastic life away.
The abbey church miraculously survived the Dissolution in its entirety and was sold to the town for use as their parish church. The monastic buildings however were completely erased aside from the splendid Abbey Gatehouse near the west end, and only the weathered remains of arcading on the south side of the nave remains of the former cloisters. Upkeep thereafter seems to have been a serious challenge and the huge church spent much of the following centuries in poor repair, thus much work was done by a succession of architects in the Victorian period prior to the abbey church being raised to the status of cathedral. The most obvious interventions are those made by Edmund Beckett / Lord Grimthorpe, an amateur architect who paid for much of the work in the 1870s in return for a free hand in redesigning parts of the building. His are the strange turrets on ends of the transepts, along with their facade windows below and the west front, which is clearly a Victorian confection, though the medieval facade it replaced had been left in a rather bare, unfinished state.
The cathedral we see today is thus a rather surprising mixture of styles and materials, everything from Roman brick, flint and rubble to fine white limestone., which gives it a rather patchy appearance. Its great length however is remarkable, being the second longest medieval church in the country (only Winchester is longer, but St Albans has a longer nave). The oldest parts are the towers and transepts from the end of the 11th century, along with much of the north side of the nave, all fine examples of early Romanesque architecture. Most of the rest was rebuilt in the Gothic style in various phases throughout the 14th century, including the greater part of the nave and all of the choir and Lady Chapel (though the east end was heavily renewed externally in the Victorian restoration).
Entering the cathedral one cannot fail to be impressed by the enormous length of the nave,, mostly of late 13th and early 14th century date aside from the strikingly austere north arcade in the more easterly section, where the raw unadorned early Norman architecture contrasts dramatically with the more ornate Gothic arcade opposite. The Norman columns have the added appeal of retaining substantial remains of medieval mural decoration, with a succession of Crucifixion scenes that may have originally served as reredos to long vanished side altars. The medieval pulpitum screen remains and separates the eastern bays for use as the choir beyond it. This area also retains its flat late medieval wooden ceiling complete with painted panels of angels holding shields.
The transepts and crossing beneath the tower form an especially memorable interior space, again the architecture is of the more raw, auster Norman variety, but the tower arches are enlivened with painted decoration simulating brickwork and much Roman and Saxon material is incorporated in the transepts. Beyond is the fully Gothic eastern limb with the presbytery covered by a handsome medieval wooden vault, again replete it medieval painted decoration, and the striking altar reredos, a towering late medieval screen populated with elaborate niches and statuary (the latter being Victorian replacements for originals long lost). Behind this is the re-assembled shrine of St Alban (along with that of St Amphibalus in the south choir aisle nearby). The Lady Chapel beyond is a handsome example of 14th century Decorated Gothic, though much restored following centuries of use as a schoolroom separated from the rest of the church.
There is much of interest to see in the cathedral, though most of the furnishings are Victorian (the originals having long vanished) and there are few monuments of note aside from the two late medieval chantry chapels of Abbot Ramryge and Humphrey Duke of Gloucester, the latter overlooking the shrine of St Alban and balanced by a 15th century wooden watching loft on the opposite side (a rare survival). There is a mixture of glass, the most notable pieces being the most recent additions in the south aisle and north transept rose window. The best features are the unusually extensive remnants of medieval mural painting in various parts of the church, a quite remarkable survival, making a thorough exploration of this cathedral all the more rewarding.
This was my third visit, and longest one, though my attempt at a fuller photographic record was severely compromised by accidents with my camera, which at one point fell from my tripod onto the stone floor in one of the chantry chapels. I was lucky it survived at all given the dreadful crash it made, but it was seriously affected and my photos were very hit and miss from that point onwards. My day however ended on a happier note, returning in the evening to attend a lovely performance of Mozart's Requiem, and the acoustics in there are indeed impressive.
For more about the cathedral see below.
The Liechtenstein Garden Palace is a Baroque palace at the Fürstengasse in the 9th District of Vienna, Alsergrund . Between the palace, where the Liechtenstein Museum was until the end of 2011, and executed as Belvedere summer palace on the Alserbachstraße is a park. Since early 2012, the Liechtenstein Garden Palace is a place for events. Part of the private art collection of the Prince of Liechtenstein is still in the gallery rooms of the palace. In 2010 was started to call the palace, to avoid future confusion, officially the Garden Palace, since 2013 the city has renovated the Palais Liechtenstein (Stadtpalais) in Vienna's old town and then also equipped with a part of the Liechtenstein art collection.
Building
Design for the Liechtenstein Garden Palace, Johann Bernhard Fischer von Erlach in 1687/1688
Canaletto: View of Palais Liechtenstein
1687 bought Prince Johann Adam Andreas von Liechtenstein a garden with adjoining meadows of Count Weikhard von Auersperg in the Rossau. In the southern part of the property the prince had built a palace and in the north part he founded a brewery and a manorial, from which developed the suburb Lichtental. For the construction of the palace Johann Adam Andreas organised 1688 a competition, in the inter alia participating, the young Johann Bernhard Fischer von Erlach. Meanwhile, a little functional, " permeable " project was rejected by the prince but, after all, instead he was allowed to built a garden in the Belvedere Alserbachstraße 14, which , however, was canceled in 1872.
The competition was won by Domenico Egidio Rossi, but was replaced in 1692 by Domenico Martinelli. The execution of the stonework had been given the royal Hofsteinmetzmeister (master stonemason) Martin Mitschke. He was delivered by the Masters of Kaisersteinbruch Ambrose Ferrethi , Giovanni Battista Passerini and Martin Trumler large pillars, columns and pedestal made from stone Emperor (Kaiserstein). Begin of the contract was the fourth July 1689 , the total cost was around 50,000 guilders.
For contracts from the years 1693 and 1701 undertook the Salzburg master stonemason John and Joseph Pernegger owner for 4,060 guilders the steps of the great grand staircase from Lienbacher (Adnet = red) to supply marble monolith of 4.65 meters. From the Master Nicolaus Wendlinger from Hallein came the Stiegenbalustraden (stair balustrades) for 1,000 guilders.
A palazzo was built in a mix of city and country in the Roman-style villa. The structure is clear and the construction very blocky with a stressed central risalite, what served the conservative tastes of the Prince very much. According to the procedure of the architectural treatise by Johann Adam Andreas ' father, Karl Eusebius, the palace was designed with three floors and 13 windows axis on the main front and seven windows axis on the lateral front. Together with the stems it forms a courtyard .
Sala terrene of the Palais
1700 the shell was completed. In 1702, the Salzburg master stonemason and Georg Andreas Doppler took over 7,005 guilders for the manufacture of door frame made of white marble of Salzburg, 1708 was the delivery of the fireplaces in marble hall for 1,577 guilders. For the painted decoration was originally the Bolognese Marcantonio Franceschini hired, from him are some of the painted ceilings on the first floor. Since he to slow to the prince, Antonio Belucci was hired from Venice, who envisioned the rest of the floor. The ceiling painting in the Great Hall, the Hercules Hall but got Andrea Pozzo . Pozzo in 1708 confirmed the sum of 7,500 florins which he had received since 1704 for the ceiling fresco in the Marble Hall in installments. As these artists died ( Pozzo) or declined to Italy, the Prince now had no painter left for the ground floor.
After a long search finally Michael Rottmayr was hired for the painting of the ground floor - originally a temporary solution, because the prince was of the opinion that only Italian artist buon gusto d'invenzione had. Since Rottmayr was not involved in the original planning, his paintings not quite fit with the stucco. Rottmayr 1708 confirmed the receipt of 7,500 guilders for his fresco work.
Giovanni Giuliani, who designed the sculptural decoration in the window roofing of the main facade, undertook in 1705 to provide sixteen stone vases of Zogelsdorfer stone. From September 1704 to August 1705 Santino Bussi stuccoed the ground floor of the vault of the hall and received a fee of 1,000 florins and twenty buckets of wine. 1706 Bussi adorned the two staircases, the Marble Hall, the Gallery Hall and the remaining six halls of the main projectile with its stucco work for 2,200 florins and twenty buckets of wine. Giuliani received in 1709 for his Kaminbekrönungen (fireplace crowning) of the great room and the vases 1,128 guilders.
Garden
Liechtenstein Palace from the garden
The new summer palace of Henry of Ferstel from the garden
The garden was created in the mind of a classic baroque garden. The vases and statues were carried out according to the plans of Giuseppe Mazza from the local Giovanni Giuliani. In 1820 the garden has been remodeled according to plans of Joseph Kornhäusel in the Classical sense. In the Fürstengasse was opposite the Palais, the Orangerie, built 1700s.
Use as a museum
Already from 1805 to 1938, the palace was housing the family collection of the house of Liechtenstein, which was also open for public viewing, the collection was then transferred to the Principality of Liechtenstein, which remained neutral during the war and was not bombed. In the 1960s and 1970s, the so-called Building Centre was housed in the palace as a tenant, a permanent exhibition for builders of single-family houses and similar buildings. From 26 April 1979 rented the since 1962 housed in the so-called 20er Haus Museum of the 20th Century , a federal museum, the palace as a new main house, the 20er Haus was continued as a branch . Since the start of operations at the Palais, the collection called itself Museum of Modern Art (since 1991 Museum of Modern Art Ludwig Foundation ), the MUMOK in 2001 moved to the newly built museum district.
From 29 March 2004 till the end of 2011 in the Palace was the Liechtenstein Museum, whose collection includes paintings and sculptures from five centuries. The collection is considered one of the largest and most valuable private art collections in the world, whose main base in Vaduz (Liechtenstein) is . As the palace, so too the collection is owned by the Prince of Liechtenstein Foundation .
On 15 November 2011 it was announced that the regular museum operating in the Garden Palace was stopped due to short of original expectations, visiting numbers remaining lower as calculated, with January 2012. The Liechtenstein City Palace museum will also not offer regular operations. Exhibited works of art would then (in the city palace from 2013) only during the "Long Night of the Museums", for registered groups and during leased events being visitable. The name of the Liechtenstein Museum will no longer be used.
de.wikipedia.org/wiki/Palais_Liechtenstein_(F%C3%BCrstengasse)
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ℹ️8️⃣📞📲📳☎️♾💁♂️
ℹ️▶️⏯⏭↕️🔘https://youtu.be/bS5JnGBmghM
First of all; the #FBI does not have the clearance, to be in possession, of my nuclear codesz.
Load, Load, Load; you're too slow, #YouTube. And do you know what that means? It means that you are #Guilty of #HighTreason. &, do you know what that means? It means that you are #Executed by #FiringSquad.
Nope; your apology means nothing to me. It means, that you are still #Executed by #FiringSquad.
That's one☝️. Two✌️; I👆, told you💭💬📣🔊📢; I did not suggest to you – I told you, #YouTube; that I need 14-15,000 characters🔤🔡🔠🔢; &, you refused to comply. Therefore; you are shot🔫 to death – #Executed for #HighTreason, twice✌️👋😽💀😵.👀
Three3️⃣☘️; #JohnPaulMacIssac: I simply, or merely, tell💭💬📣🔊📢 the #FBI, to go & fuck themselves; & to eat shit💩🚽, & die💀😵⚰️⚱️. 👀
☎️▶️⏯⏩⏭➡️🔀↕️🔘https://music.youtube.com/watch?v=qKVkhQQXEGE&feature=share
She asked me to cum⛲️💦💧🌊🎣🐟🔫 over, to #Steinway🎹🏭, in #Astoria👸; & then, after driving from #Pennsylvania #Pistolvania, she was on the #AOL_IM #AIM, w/ #JesseHenry. I told her that she was being rude; & she told me to go & fuck myself. So; I left, drove home🏡, & ate the cost💸 of travel. &, I went & fuckt myself. &; she was unhappy that I left; & she didn't get none. &; I don't really give a fuck. She can eat shit💩🚽, & die💀.👀❄️ @/#GregGutfeld #CarleyShimkus
#OliviaCampbellPatton #OliviaWildeNeeCockburne
🏰🏯🔘https://en.wikipedia.org/wiki/Sigiriya
By the way; it is #Ceylon; do not offend me again. This is your first(ly)☝️, & only⏳⌛️ warning⚠️⛔️☣️☢️
#SAP_q / #SAR_Q, how-ever, not #SAP-q / #SAR-Q; #RobertCharles #THE_COMMODORES_CIRCLE.👀😾😠😤😡
👀😎⚠️⛔️☣️☢️🔘https://en.wikipedia.org/wiki/Special_access_program#:~:text=Special%20access%20programs%20%28SAPs%29%20in%20the%20U.S.%20Federal,that%20exceed%20those%20for%20regular%20%28collateral%29%20classified%20information.
☝️; there is no quick select, of 20,000+ images, on #iPhone, #Apple #TimCook. ✌️; there is no #conspicuous way to remove the #Slideslow option, on #iPhone, w/ your shitty, shitty musick selection. Therefore, I cannot turn it off. Oh, by the way; I cannot trash individual #AppCaches, neither, all of them, in a single tap. Take a wild guess what that means for you; all of you. #HighTreason = #Execution🔫 @ the #Gallows💀😵, or #Gibbet💀😵.👋👋👋
3️⃣; @/ #GregGutfeld‼️⚠️ : The #Saxophone🎷 is lame, gey, & any-person, who may believe it to be kool, or trendy, or even good; they may eat shit💩🚽, & die💀😵.
4️⃣ By the way; #SullyErna; you're a bitch.👋💀
🔘https://music.youtube.com/watch?v=R8pj2y39_jc&feature=share
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It is nice to see #TulsiGabbard; @/#FoxNewsCorp.
#Owlephant
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#ELDER_SCROLL_OF_MNEM_0.0♾😻
•———————————•
#EvanRachelWood-._•✏️📝✍️🔏🐧
--WRW
_.• ✍️🔏
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The Sun Vow, executed in 1899 by sculptor Herman Artkins MacNeil and cast in 1902, has adorned the lawn in front Montclair Art Museum since it first opened. he Sun Vow depicts a Native American rite of passage that MacNeil learned of during his travels. In the Sioux tribe, for a boy to become a man and accepted as a warrior, he must shoot an arrow directly into the sun. If the chieftain is blinded by the sun’s rays and cannot follow the arrow’s path, the boy passes the test. MacNeil created The Sun Vow to fulfill a requirement for his four-year Rinehart Scholarship at the American Academy in Rome.
Montclair Art Museum (MAM), at 3 South Mountain Avenue, is one of the few museums in the United States devoted to American art and Native American art forms, with a collection consisting of more than 12,000 works. Chartered in 1909, thanks to the donations of artwork and funding of its two founders, Montclair residents William T. Evans, civic leader and art collector, and heiress Florence Osgood Rand Lang, the Montclair Art Museum opened its doors in 1914. The Beaux Arts building was designed by architect Albert R. Ross, at the direction of museum trustee Michel Le Brun. As the collection has grown, so too has the building housing it. The museum underwent renovations in 1924, 1931 and 2000-2001. The recent renovation doubled the museum's square footage, with architectural firm Beyer Blinder Belle at the helm.
Ricky a été exécuté en 1992. Malgré son état mental, le Gouverneur de l'Arkansas Bill Clinton a fait un exemple de lui, pendant sa campagne présidentiel de 1992.
Pour son dernier repas, Ricky laissa son dessert de côté et dit à ses gardiens, je le garde pour plus tard...
Il semble que Bill Clinton voulait montrer qu'il était capable d'être dur et voulais aussi faire oublier le scandale sexuel avec lequel il était au prise. Il avait eu une affaire avec Gennifer Flowers alors c'était un moyen de faire diversion.
Ricky was executed in 1992.Despite Rector's mental state, then Arkansas Governor Bill Clinton made a point of returning to Arkansas to oversee Rector's January 24, 1992 execution during the 1992 U.S. Presidential campaign.
For his last meal, he left the pecan pie on the side, telling the guards who came to take him to the execution chamber that he was saving it for later.
Bill Clinton wanted to show to people that he was tough and he was in a sexual scandal, he had a affairs with Gennifer Flowers, so the execution was maybe a diversion.
The portrait of William Penn (Catalog Number INDE14117) was executed by Henry Inman in 1832. Inman won an 1826 commission for the portrait by the Commemoration of the Landin of William Penn. He was heavily influenced by Benjamin West's portrayal of Penn in Treaty With The Indians When He Founded the Province of Pennsylvania in North America, which depicts Penn and a group of Quakers and merchants standing with a group of Native Americans.
William Penn (1644 – 1718) was founder and "Absolute Proprietor" of the Province of Pennsylvania, the English colony and future State of Pennsylvania. He was known as an early champion of democracy and religious freedom and famous for his treaty with the Lenape Indians. Well ahead of his time, Penn wrote and urged for a Union of all the English colonies. The democratic principles that he set forth in the Pennsylvania Frame(s) of Government served as an inspiration for the United States Constitution. As a pacifist Quaker, Penn considered the problems of war and peace deeply, and included a plan for a United States of Europe, "European Dyet, Parliament or Estates," in his voluminous writings.
The Second Bank of the United States, at 420 Chestnut Street, was chartered five years after the expiration of the First Bank of the United States in 1816 to keep inflation in check following the War of 1812. The Bank served as the depository for Federal funds until 1833, when it became the center of bitter controversy between bank president Nicholas Biddle and President Andrew Jackson. The Bank, always a privately owned institution, lost its Federal charter in 1836, and ceased operations in 1841. The Greek Revival building, built between 1819 and 1824 and modeled by architect William Strickland after the Parthenon, continued for a short time to house a banking institution under a Pennsylvania charter. From 1845 to 1935 the building served as the Philadelphia Customs House. Today it is open, free to the public, and features the "People of Independence" exhibit--a portrait gallery with 185 paintings of Colonial and Federal leaders, military officers, explorers and scientists, including many by Charles Willson Peale.
Independence National Historical Park preserves several sites associated with the American Revolution. Administered by the National Park Service, the 45-acre park was authorized in 1948, and established on July 4, 1956. The Second Bank of the United States was added to the Park's properties in 2006.
Second Bank of the United States National Register #87001293 (1987)
Independence National Park Historic District National Register #66000675 (1966)
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#ELDER_SCROLL_OF_MNEM_0.0♾😻
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ℹ️8️⃣📞📲📳☎️♾💁♂️
ℹ️▶️⏯⏭↕️🔘https://youtu.be/bS5JnGBmghM
First of all; the #FBI does not have the clearance, to be in possession, of my nuclear codesz.
Load, Load, Load; you're too slow, #YouTube. And do you know what that means? It means that you are #Guilty of #HighTreason. &, do you know what that means? It means that you are #Executed by #FiringSquad.
Nope; your apology means nothing to me. It means, that you are still #Executed by #FiringSquad.
That's one☝️. Two✌️; I👆, told you💭💬📣🔊📢; I did not suggest to you – I told you, #YouTube; that I need 14-15,000 characters🔤🔡🔠🔢; &, you refused to comply. Therefore; you are shot🔫 to death – #Executed for #HighTreason, twice✌️👋😽💀😵.👀
Three3️⃣☘️; #JohnPaulMacIssac: I simply, or merely, tell💭💬📣🔊📢 the #FBI, to go & fuck themselves; & to eat shit💩🚽, & die💀😵⚰️⚱️. 👀
☎️▶️⏯⏩⏭➡️🔀↕️🔘https://music.youtube.com/watch?v=qKVkhQQXEGE&feature=share
She asked me to cum⛲️💦💧🌊🎣🐟🔫 over, to #Steinway🎹🏭, in #Astoria👸; & then, after driving from #Pennsylvania #Pistolvania, she was on the #AOL_IM #AIM, w/ #JesseHenry. I told her that she was being rude; & she told me to go & fuck myself. So; I left, drove home🏡, & ate the cost💸 of travel. &, I went & fuckt myself. &; she was unhappy that I left; & she didn't get none. &; I don't really give a fuck. She can eat shit💩🚽, & die💀.👀❄️ @/#GregGutfeld #CarleyShimkus
#OliviaCampbellPatton #OliviaWildeNeeCockburne
🏰🏯🔘https://en.wikipedia.org/wiki/Sigiriya
By the way; it is #Ceylon; do not offend me again. This is your first(ly)☝️, & only⏳⌛️ warning⚠️⛔️☣️☢️
#SAP_q / #SAR_Q, how-ever, not #SAP-q / #SAR-Q; #RobertCharles #THE_COMMODORES_CIRCLE.👀😾😠😤😡
👀😎⚠️⛔️☣️☢️🔘https://en.wikipedia.org/wiki/Special_access_program#:~:text=Special%20access%20programs%20%28SAPs%29%20in%20the%20U.S.%20Federal,that%20exceed%20those%20for%20regular%20%28collateral%29%20classified%20information.
☝️; there is no quick select, of 20,000+ images, on #iPhone, #Apple #TimCook. ✌️; there is no #conspicuous way to remove the #Slideslow option, on #iPhone, w/ your shitty, shitty musick selection. Therefore, I cannot turn it off. Oh, by the way; I cannot trash individual #AppCaches, neither, all of them, in a single tap. Take a wild guess what that means for you; all of you. #HighTreason = #Execution🔫 @ the #Gallows💀😵, or #Gibbet💀😵.👋👋👋
3️⃣; @/ #GregGutfeld‼️⚠️ : The #Saxophone🎷 is lame, gey, & any-person, who may believe it to be kool, or trendy, or even good; they may eat shit💩🚽, & die💀😵.
4️⃣ By the way; #SullyErna; you're a bitch.👋💀
🔘https://music.youtube.com/watch?v=R8pj2y39_jc&feature=share
•-----------•----•💀•---•-------------•
It is nice to see #TulsiGabbard; @/#FoxNewsCorp.
#Owlephant
•———————————•
#ELDER_SCROLL_OF_MNEM_0.0♾😻
•———————————•
#EvanRachelWood-._•✏️📝✍️🔏🐧
--WRW
_.• ✍️🔏
•-----------•----•💀•---•-------------•
The NZ Army and Royal NZ Navy embarked on a six week long amphibious warfare exercise in Southern California at the US Marine Corps’ Camp Pendleton in July 2013. The exercise saw our sailors and soldiers learn amphibious war fighting skills from their US Marine counterparts from the 1st Marine Division. Also taking part in the exercise were Japanese and Canadian forces.
The exercise was designed to prepare troops for amphibious operations, which sees the force launch their military operation from ships onto the land in either a conflict or humanitarian aid situation in the Pacific. The NZ Defence Force has been preparing its own forces for amphibious operations for some time and this was a perfect opportunity to further develop the skills and knowledge to allow the NZ Defence Force to execute successful amphibious operations in the South Pacific.
This portrait of Thomas Paine (Catalog Number INDE11881) was executed about 1859 and is attributed to Bass Otis, deriving from English artist George Romney's 1792 portrait of the sitter (now unlocated). The Romney work was well known in 19th-century America through William Sharp's 1793 British engraving. American artists frequently copied Sharp's engraving, as Otis may have done here. Or perhaps Otis worked from a copy (now unlocated) by Thomas Thompson that once belonged to artist Charles Wesley Jarvis, Otis' mentor. This portrait was given to the City of Philadelphia for Dr. William Wright and others in 1859.
Thomas Paine (1737-1809) was an English pamphleteer, revolutionary, radical, classical liberal, inventor and intellectual. He lived and worked in Britain until the age of 37, when he migrated to the American colonies just in time to take part in the American Revolution. His main contribution was as the author of the powerful, widely read pamphlet, Common Sense (1776), advocating independence for the American Colonies from the Kingdom of Great Britain, and of The American Crisis, a series of pamphlets distributed between 1776-1783 that supported the Revolution.
The Second Bank of the United States, at 420 Chestnut Street, was chartered five years after the expiration of the First Bank of the United States in 1816 to keep inflation in check following the War of 1812. The Bank served as the depository for Federal funds until 1833, when it became the center of bitter controversy between bank president Nicholas Biddle and President Andrew Jackson. The Bank, always a privately owned institution, lost its Federal charter in 1836, and ceased operations in 1841. The Greek Revival building, built between 1819 and 1824 and modeled by architect William Strickland after the Parthenon, continued for a short time to house a banking institution under a Pennsylvania charter. From 1845 to 1935 the building served as the Philadelphia Customs House. Today it is open, free to the public, and features the "People of Independence" exhibit--a portrait gallery with 185 paintings of Colonial and Federal leaders, military officers, explorers and scientists, including many by Charles Willson Peale.
Independence National Historical Park preserves several sites associated with the American Revolution. Administered by the National Park Service, the 45-acre park was authorized in 1948, and established on July 4, 1956. The Second Bank of the United States was added to the Park's properties in 2006.
Second Bank of the United States National Register #87001293 (1987)
Independence National Park Historic District National Register #66000675 (1966)
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#ELDER_SCROLL_OF_MNEM_0.0♾😻
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ℹ️8️⃣📞📲📳☎️♾💁♂️
ℹ️▶️⏯⏭↕️🔘https://youtu.be/bS5JnGBmghM
First of all; the #FBI does not have the clearance, to be in possession, of my nuclear codesz.
Load, Load, Load; you're too slow, #YouTube. And do you know what that means? It means that you are #Guilty of #HighTreason. &, do you know what that means? It means that you are #Executed by #FiringSquad.
Nope; your apology means nothing to me. It means, that you are still #Executed by #FiringSquad.
That's one☝️. Two✌️; I👆, told you💭💬📣🔊📢; I did not suggest to you – I told you, #YouTube; that I need 14-15,000 characters🔤🔡🔠🔢; &, you refused to comply. Therefore; you are shot🔫 to death – #Executed for #HighTreason, twice✌️👋😽💀😵.👀
Three3️⃣☘️; #JohnPaulMacIssac: I simply, or merely, tell💭💬📣🔊📢 the #FBI, to go & fuck themselves; & to eat shit💩🚽, & die💀😵⚰️⚱️. 👀
☎️▶️⏯⏩⏭➡️🔀↕️🔘https://music.youtube.com/watch?v=qKVkhQQXEGE&feature=share
She asked me to cum⛲️💦💧🌊🎣🐟🔫 over, to #Steinway🎹🏭, in #Astoria👸; & then, after driving from #Pennsylvania #Pistolvania, she was on the #AOL_IM #AIM, w/ #JesseHenry. I told her that she was being rude; & she told me to go & fuck myself. So; I left, drove home🏡, & ate the cost💸 of travel. &, I went & fuckt myself. &; she was unhappy that I left; & she didn't get none. &; I don't really give a fuck. She can eat shit💩🚽, & die💀.👀❄️ @/#GregGutfeld #CarleyShimkus
#OliviaCampbellPatton #OliviaWildeNeeCockburne
🏰🏯🔘https://en.wikipedia.org/wiki/Sigiriya
By the way; it is #Ceylon; do not offend me again. This is your first(ly)☝️, & only⏳⌛️ warning⚠️⛔️☣️☢️
#SAP_q / #SAR_Q, how-ever, not #SAP-q / #SAR-Q; #RobertCharles #THE_COMMODORES_CIRCLE.👀😾😠😤😡
👀😎⚠️⛔️☣️☢️🔘https://en.wikipedia.org/wiki/Special_access_program#:~:text=Special%20access%20programs%20%28SAPs%29%20in%20the%20U.S.%20Federal,that%20exceed%20those%20for%20regular%20%28collateral%29%20classified%20information.
☝️; there is no quick select, of 20,000+ images, on #iPhone, #Apple #TimCook. ✌️; there is no #conspicuous way to remove the #Slideslow option, on #iPhone, w/ your shitty, shitty musick selection. Therefore, I cannot turn it off. Oh, by the way; I cannot trash individual #AppCaches, neither, all of them, in a single tap. Take a wild guess what that means for you; all of you. #HighTreason = #Execution🔫 @ the #Gallows💀😵, or #Gibbet💀😵.👋👋👋
3️⃣; @/ #GregGutfeld‼️⚠️ : The #Saxophone🎷 is lame, gey, & any-person, who may believe it to be kool, or trendy, or even good; they may eat shit💩🚽, & die💀😵.
4️⃣ By the way; #SullyErna; you're a bitch.👋💀
🔘https://music.youtube.com/watch?v=R8pj2y39_jc&feature=share
•-----------•----•💀•---•-------------•
It is nice to see #TulsiGabbard; @/#FoxNewsCorp.
#Owlephant
•———————————•
#ELDER_SCROLL_OF_MNEM_0.0♾😻
•———————————•
#EvanRachelWood-._•✏️📝✍️🔏🐧
--WRW
_.• ✍️🔏
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Fresco (plural frescos or frescoes) is a technique of mural painting executed upon freshly-laid, or wet lime plaster. Water is used as the vehicle for the pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word fresco (Italian: affresco) is derived from the Italian adjective fresco meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting.
______________________________
A mural is any piece of artwork painted or applied directly on a wall, ceiling or other large permanent surface. A distinguishing characteristic of mural painting is that the architectural elements of the given space are harmoniously incorporated into the picture.
Some wall paintings are painted on large canvases, which are then attached to the wall (e.g., with marouflage). Whether these works can be accurately called "murals" is a subject of some controversy in the art world, but the technique has been in common use since the late 19th century.
HISTORY
Murals of sorts date to Upper Paleolithic times such as the paintings in the Chauvet Cave in Ardèche department of southern France (around 30,000 BC). Many ancient murals have survived in Egyptian tombs (around 3150 BC), the Minoan palaces (Middle period III of the Neopalatial period, 1700-1600 BC) and in Pompeii (around 100 BC - AD 79).
During the Middle Ages murals were usually executed on dry plaster (secco). In Italy, circa 1300, the technique of painting of frescos on wet plaster was reintroduced and led to a significant increase in the quality of mural painting.
In modern times, the term became more well-known with the Mexican "muralista" art movement (Diego Rivera, David Siqueiros, or José Orozco). There are many different styles and techniques. The best-known is probably fresco, which uses water-soluble paints with a damp lime wash, a rapid use of the resulting mixture over a large surface, and often in parts (but with a sense of the whole). The colors lighten as they dry. The marouflage method has also been used for millennia.
Murals today are painted in a variety of ways, using oil or water-based media. The styles can vary from abstract to trompe-l'œil (a French term for "fool" or "trick the eye"). Initiated by the works of mural artists like Graham Rust or Rainer Maria Latzke in the 1980s, trompe-l'oeil painting has experienced a renaissance in private and public buildings in Europe. Today, the beauty of a wall mural has become much more widely available with a technique whereby a painting or photographic image is transferred to poster paper or canvas which is then pasted to a wall surface (see wallpaper, Frescography) to give the effect of either a hand-painted mural or realistic scene.
TECHNIQUE
In the history of mural several methods have been used:
A fresco painting, from the Italian word affresco which derives from the adjective fresco ("fresh"), describes a method in which the paint is applied on plaster on walls or ceilings. The buon fresco technique consists of painting in pigment mixed with water on a thin layer of wet, fresh, lime mortar or plaster. The pigment is then absorbed by the wet plaster; after a number of hours, the plaster dries and reacts with the air: it is this chemical reaction which fixes the pigment particles in the plaster. After this the painting stays for a long time up to centuries in fresh and brilliant colors.
Fresco-secco painting is done on dry plaster (secco is "dry" in Italian). The pigments thus require a binding medium, such as egg (tempera), glue or oil to attach the pigment to the wall.
Mezzo-fresco is painted on nearly-dry plaster, and was defined by the sixteenth-century author Ignazio Pozzo as "firm enough not to take a thumb-print" so that the pigment only penetrates slightly into the plaster. By the end of the sixteenth century this had largely displaced the buon fresco method, and was used by painters such as Gianbattista Tiepolo or Michelangelo. This technique had, in reduced form, the advantages of a secco work.
MATERIAL
In Greco-Roman times, mostly encaustic colors applied in a cold state were used.
Tempera painting is one of the oldest known methods in mural painting. In tempera, the pigments are bound in an albuminous medium such as egg yolk or egg white diluted in water.
In 16th-century Europe, oil painting on canvas arose as an easier method for mural painting. The advantage was that the artwork could be completed in the artist’s studio and later transported to its destination and there attached to the wall or ceiling. Oil paint can be said to be the least satisfactory medium for murals because of its lack of brilliance in colour. Also the pigments are yellowed by the binder or are more easily affected by atmospheric conditions. The canvas itself is more subject to rapid deterioration than a plaster ground. Different muralists tend to become experts in their preferred medium and application, whether that be oil paints, emulsion or acrylic paints applied by brush, roller or airbrush/aerosols. Clients will often ask for a particular style and the artist may adjust to the appropriate technique.
A consultation usually leads to a detailed design and layout of the proposed mural with a price quote that the client approves before the muralist starts on the work. The area to be painted can be gridded to match the design allowing the image to be scaled accurately step by step. In some cases the design is projected straight onto the wall and traced with pencil before painting begins. Some muralists will paint directly without any prior sketching, preferring the spontaneous technique.
Once completed the mural can be given coats of varnish or protective acrylic glaze to protect the work from UV rays and surface damage.
As an alternative to a hand-painted or airbrushed mural, digitally printed murals can also be applied to surfaces. Already existing murals can be photographed and then be reproduced in near-to-original quality.
The disadvantages of pre-fabricated murals and decals are that they are often mass-produced and lack the allure and exclusivity of an original artwork. They are often not fitted to the individual wall sizes of the client and their personal ideas or wishes can not be added to the mural as it progresses. The Frescography technique, a digital manufacturing method (CAM) invented by Rainer Maria Latzke addresses some of the personalisation and size restrictions.
Digital techniques are commonly used in advertisements. A "wallscape" is a large advertisement on or attached to the outside wall of a building. Wallscapes can be painted directly on the wall as a mural, or printed on vinyl and securely attached to the wall in the manner of a billboard. Although not strictly classed as murals, large scale printed media are often referred to as such. Advertising murals were traditionally painted onto buildings and shops by sign-writers, later as large scale poster billboards.
SIGNIFICANCE OF MURALS
Murals are important in that they bring art into the public sphere. Due to the size, cost, and work involved in creating a mural, muralists must often be commissioned by a sponsor. Often it is the local government or a business, but many murals have been paid for with grants of patronage. For artists, their work gets a wide audience who otherwise might not set foot in an art gallery. A city benefits by the beauty of a work of art.
Murals can be a relatively effective tool of social emancipation or achieving a political goal. Murals have sometimes been created against the law, or have been commissioned by local bars and coffeeshops. Often, the visual effects are an enticement to attract public attention to social issues. State-sponsored public art expressions, particularly murals, are often used by totalitarian regimes as a tool of mass-control and propaganda. However, despite the propagandist character of that works, some of them still have an artistic value.
Murals can have a dramatic impact whether consciously or subconsciously on the attitudes of passers by, when they are added to areas where people live and work. It can also be argued that the presence of large, public murals can add aesthetic improvement to the daily lives of residents or that of employees at a corporate venue.
Other world-famous murals can be found in Mexico, New York, Philadelphia, Belfast, Derry, Los Angeles, Nicaragua, Cuba and in India. They have functioned as an important means of communication for members of socially, ethnically and racially divided communities in times of conflict. They also proved to be an effective tool in establishing a dialogue and hence solving the cleavage in the long run. The Indian state Kerala has exclusive murals. These Kerala mural painting are on walls of Hindu temples. They can be dated from 9th century AD.
The San Bartolo murals of the Maya civilization in Guatemala, are the oldest example of this art in Mesoamerica and are dated at 300 BC.
Many rural towns have begun using murals to create tourist attractions in order to boost economic income. Colquitt, Georgia is one such town. Colquitt was chosen to host the 2010 Global Mural Conference. The town has more than twelve murals completed, and will host the Conference along with Dothan, Alabama, and Blakely, Georgia. In the summer of 2010, Colquitt will begin work on their Icon Mural.
WIKIPEDIA
Appleyard executed the sculpture on top of Dyson's cantilevered Tempus Fugit clock, which is suspended from the front of the Time Ball Buildings, Leeds. Although the clock is dated 1865, the figure of Chronos or Old Father Time above the clock was created by Appleyard after Dyson bought the building in 1872.
Bestia / Beast – painting process – first color (fuschia), Mirek & Przemek masking
Jarecki workshop, near Poznań, Poland, December 3013
Bestia
Maurycy Gomulicki, 2013
sculpture, resin, car paint, 3 m long
second version – private garden, Portugal
executed by Grzegorz Olech
masking by Mirek Heinrich & Przemek Jarecki
color coating by Przemek Jarecki
LUBLIN, Poland — LITPOLUKRBRIG moved to the next scenario stage executing ANAKONDA 16 training plan and held Civil-Military Cooperation Operations while affiliated units conducted clearance of buildings and deactivated improvised explosive devices and mines.
Thus, Lithuanian-Polish-Ukrainian Brigade Commander Brigadier General Adam Joks and the Deputy Colonel Volodymyr Yudanov accompanied with Chief S-9 section Major Tomasz Pędzik met a Governor of a fictional province and discussed requirements to recover the part of the country affected by terror. During the long and challenging chat the meeting participants came to a common point of view.
“Such events bring an outstanding opportunity to exercise personal diplomatic standards. We were supposed to carefully listen to the local official, express our readiness to help, but simultaneously be aware of political trades in the area of operation and take into account that we cannot be involved in the political speculation or other, so called, games. We did our best to offer meaningful help to the local population but to be reasonable with available resources,” Colonel Volodymyr Yudanov talked about the CIMIC meeting.
Meanwhile, combined Polish-Ukrainian unit entered the designated area of recovery and secured the area. The soldiers checked out the buildings in order to ensure no adversary followers remain in the town. Demining specialists searched for improvised explosive devices still threating civilians and military patrols.
“The main intent of the crisis-response operation is not just to suppress adversary but also to recover the area and mitigate suffering of the local population. For this reason, we exercised and examined the Multinational Brigade means of securing civilians and cooperation with them. Thus, I want to underline, that ANAKONDA 16 allows us to exercise a wide spectrum of LITPOLUKRBRIG functions and receive easy adaptable to any operation training. Also, it integrates Lithuanian-Polish-Ukrainian Brigade in the global operational environment, establishes mutual trust and understanding between the involved armies,” concluded Brigadier General Adam Joks.
“Анаконда-2016”: ЛИТПОЛУКРБРИГ налагоджує життя цивільного населення в районі проведення операції
Литовсько-Польсько-Українська бригада перейшла до наступного кроку виконання операції за сценарієм навчання “Анаконда-2016”. Зокрема, військовослужбовці провели заходи цивільно-військового співробітництва, зачистили будівлі населеного пукнту та розмінували саморобні вибухові пристрої.
Командир ЛИТПОЛУКРБРИГ бригадний генерал Адам Йокс, його заступник полковник Володимир Юданов разом з начальником секції С-9 майором Томашем Пенджіком провели робочу зустріч з місцевим губернатором під час якої вони обговорили аспекти відновлення регіону, що постраджав від діяльності незаконних збройних формувань. Протягом тривалої розмови учасники дійшли спільної думки.
— Такі навчальні події допомагають нам підготуватися дипломатично вирішувати складні ситуації. Ми уважно вислухали представника місцевої влади, висловили готовність допомагати, але водночас врахували особливості відносин між політичними течіями регіону. Ми не можемо бути втягнутими в якісь політичні конфлікти чи, так звані, ігри. Тому, оцінюючи власні сили і засоби, ми запропонували таку допомогу, яку зможемо надати – не більше, і не менше, — розповів про зустріч в рамках цивільно-військового співробітництва полковник Володимир Юданов.
Тим часом, польсько-український підрозділ прибув у визначений населений пункт і взяв його під охорону. Військові з двох країн перевірили будівлі з метою пересвідчитися, що прихильників ворога в містечку не залишилося. А сапери знешкодили закладені саморобні вибухові пристрої та міни, що загрожували цивільному населенню та військовим патрулям.
— Основне зусилля операцій з підтримки миру не тільки зменшити діяльність сил противника, а й мінімізувати страждання місцевого населення. З цією метою ми перевірили засоби багатонаціональної бригади щодо роботи з цивільним населенням і забезпечення їх безпеки. Також, я хочу наголосити, що “Анаконда-2016” дозволяє нам перевірити роботу широкого спектру сил і засобів ЛИТПОЛУКРБРИГ і отримати підготовку, що легко адаптовується до умов будь-яких майбутніх місій. Також, навчання інтегровує Литовсько-Польсько-Україську бригаду в міжнародне середовище виконання операцій, встановлює засади взаємної довіри і порозуміння між країнами-учасниками, — додав на завершення бригадний генерал Адам Йокс.
Фото: Олександр Гайн
"Wow Noshee. Awesome! I just made nearly 100% off that FFIV trade. Fantastic
and big thanks. Got any other ideas for me?"
- Financial Markets Wizard Member - R. P.
"Sold one LNKD contract at 343% profit, another one at 288% profit, third
one at 229% profit, $2000+!"
- Financial Markets Wizard Member - J. G.
How to Turn $5,000 into $35,000 in Two Months
Dear Reader,
I know you're busy, so I'll make this quick. Our quick-action Swing Options
Service has done it again....
From August 1st, to October 26th out of 97 trades we executed we had 90
winners. This is remarkable 93% win ratio.
What could this mean to your portfolio?
Imagine this....
If you started with $5000 and took all our trades you could have grown your
portfolio to $35,000.
That's a 7 times return in over two months.
Need Proof?
Please look at the profit statement one member sent to us.
"I started trading with Noshee in August with $5,000, today, after just over
two months, I'm up over $30,000 in profits! That's amazing!"
- Financial Markets Wizard Member - K. S.
Following are some of winners which helped this member and others to grow
their portfolio quickly in a short period of time.
HAL - 24.00%
SHLD - 139.41%
BBBY - 26.87%
CRM - 25.64%
CF - 33.78%
DISH - 35.00%
PG - 33.33%
WLT - 71.43%
IOC - 105.00%
IBM - 68.42%
CLF - 139.41%
WYNN - 52.73%
JOY - 40.91%
FOSL - 41.94%
VLO - 32.81%
BMY - 33.33%
RIG - 32.26%
DD - 736.36%
Please read what our member Jerome has to say about our GOOG trade.
"Bought 3 March 630/635 weekly spreads $1.40 on GOOG. Sadly, I got out
@2.80, $3.25 and $3.50 because of my profit in LNKD earlier. Still 227%
gains for $535 profit."
Or member John has to say....
"Hi Noshee, I'm up 144% on remaining COF, looks like it wants to go to $50,
your thoughts?"
Or member Marty has to say.....
"NOSHEE - YOU ARE AMAZING. I wish I knew how you get to know this from
whatever indicators you have. I did buy SBUX at $50.32 today as you
suggested. Now I am tempted to sell it in afterhours or just wait for the
opening tomorrow. Thank you."
And member Ravi has to say
"Noshee, You are one of the BEST in the business. There are lot of people
offering service on twitter these days but I see you have the best system
and precise timing. I really like your picks. As your option trades are
simple calls and puts anyone interested can change to a cash account and do
as many trades as they can. Only disadvantage of cash account is the amount
traded and will not be available till next trading day."
Two Months from Today, You Could Also Grow Your Portfolio 7 Times
The growth like this could happen again and it could coincide with the
Christmas celebration.
The question is, will you be on board for the next wealth run? Here's why I
ask...
You could've made $30,000 just in two months starting with $5000.
Rest assured - you don't even need $5000 to begin.
In fact, $2000 is more than enough to get you going.
You know secret to trading option is not just picking any stock and hoping
it will move enough to make some gains in option. The secret is to finding
the right stock, at the right time, moving in right direction, moving fast
enough to give you some decent gains.
I "WALKED AWAY" few years back as IT Consultant
When I discovered the secret of option trading I walked away from my
full-time IT consultant job which was paying me six figures income and all
the other fringe benefits which come with any corporate job.
Now my job is to identify the most lucrative option move at any given moment
and send them to my elite group of members.
That way, they can profit from these moves. Today, I want you to have this
same advantage.
That's why I am writing to you today. With this invitation, you can start
trading alongside me and my members - making yourself 20% to 50% in profits
day after day.
Here is How My Alert Works
Each night I spend 3-4 hours going through my database of 240 stocks
individually. I look for technical set up for long and short. After finding
the promising setup I put them in my watch list and then during trading
hours I run my proprietary program to alert me which stock is making its
move as I had determined to be. The next step for me is the selection of
right option. Once the option is finalized members receive trade alert via
email and/or text message along with the chart of the stock to buy the
option at the limit price mentioned in the alert. Each trade is also sent
with three profit targets and stop price so that members can set their sell
orders in advance at one of the targets provided. At the end of the day each
trade is entered in the worksheet and the worksheet is sent to the members.
If there is any update for the trade then members are notified via email
immediately.
In other words if my technical analysis tells me a stock is about to go up,
I email you and tell you to buy a Call option. If a stock is about to go
down, I email you and tell you to buy a Put option.
As soon as the first target is about to hit I send you alert to sell some
contracts based on predefined scaling out strategy (each member receive
40-page guide book and series of lessons via email educating what to do with
each alert). When second target is about to hit I will send you another
alert to sell the other 1/3 of your contracts or sell all depending upon
each stock and/or member's situation. You see you are never alone in any
trade. You have constant access to me via email or phone to guide you each
and every stage of the trade so that you could go about doing your daily
chores knowing some one is watching the trade for you.
Therefore, regardless of your age, where you live, or how much you know
about the markets...two months from now you will be celebrating Christmas
happily and would be buying gifts without thinking how much you have to
spend for your loved ones.
You see to amass fortune in option trading you do not need to hit home runs
often. The trick is to sell the option at decent profit such as 20 to 30
percent and move on to the next trade. This quick turnover grows the
portfolio fast within no time. By the time you realize you have already
doubled your portfolio.
"I have 30 winners in a row. I have just sent you check for another quarter
- I know you like me to pay via Pay Pal but I am still old school and prefer
to send check. I hope you don't mind Noshee. Keep up the great work!"
- Financial Markets Wizard Member - S. T.
During the day you may be busy with your job or business or simply wants to
play golf. In this age of technology you can act upon my buy or sell alert
from wherever you are. Heck, you can be in the meeting with the boss and
still can act upon the alert I will send you. It is that simple and easy. On
the other hand if you are pro in trading your trading skills will go to the
next level. It is like having a trading buddy you can look up to for second
thoughts on your own trade. Everyday mentorship comes to you at no cost. You
have full access to me via email. Each and every email is responded to
immediately.
PLEASE NOTE: Profits can pop up in mere hours. Many profit opportunities I
send you happen within a single trading day. To benefit the most, you must
be ready to act. And please do not worry about day-trading rules. If you hit
three winners in five trading days and you cant trade for few days that is
fine too. You made money and now you can take a break from trading or simply
do the paper trading. The choice is yours.
The point I am making is that you are never alone in the sea. I'm with you
every step of the way. Soon, you will be one happy trader enjoying each day
of your trading.
You've seen the proof...
You've learned about my story, and what I believe I can do for you.
You can join my fast-paced Swing Options Service today at reduced cost of
$189 for three months. Here is the Pay Pal link for you. Simply click or
copy and paste and start trading with me. It is that simple...
www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_bu...
DBAEGW
Now, Here's the scoop...
The way I trade options, it doesn't matter what business a company is in -
or even if that business is any good or bad.
That's because options give you the power to easily trade a stock going up
and a stock going down. To prove my point even AAPL can fall from $705 to
$610 in a matter of few weeks, "Even Monkeys Fall from the Tree." Japanese
Proverb. So do we care if company is sound if we find stock will go down
next few sessions? We will trade Puts and make decent gains whenever the
opportunity presents itself.
I don't care about a company's bottom line.
Costs, growth, margins, products, history, or future prospects don't matter
either.
The only thing that matters is the stock chart and what it shows it will do
next few days.
Charts help me figure out how quickly the stock could move up or down and
deliver you a fast gain. For example, in recent months you could've booked
gains from...
*DISH Network going Up...this move was good for a 35.00% gain.
*Goldman Sachs going Down...this move was good for a 29.17% gain.
*Trans Ocean going Up...this move was good for a 32.26% gain.
*Wells Fargo going Up...this move was good for 32.81% gain.
*Amgen going Up...this move was good for fast 25.77% gain.
*Fossil going Up...this move was good for 41.94% gain.
*Dollar Tree going Down...this move was good for 10.53% gain.
*Occidental Petroleum going Up...this move was good for 22.22% gain.
*Dollar General going Up...this move was good for fast 23.08% gain.
*Valero Energy going Up...this move was good for 32.81% gain.
*Franklin Resources going Up...this move was good for 19.57% gain.
In total there were 97 trades executed by members since August 1st. Out of
these 97 trades 90 were winners. You can't find this 93% accuracy rate
anywhere in the financial industry.
The point is that with any kind of company, doing any kind of business, YOU
can use options to make healthy gains in a super-short period of time.
This is exactly how you can turn $5000 into over $35,000 in two months.
I bet you're wondering HOW I pick the best options each day. I'll show
you...via my charts, the entry and exit points. I call it "Caveman" trading.
Even caveman can trade the chart after looking at mine. You see lot of
traders make things complicated by following too many indicators and
studies. They fall in the trap of analysis paralysis. My trade is based on
simple logic and no fancy stuff. The chart is not cluttered and easy to
understand. Once you look at my chart you will say "hmmmmnn...is that it?,
so simple".
So, your choice is now clear. You can respond to this letter and get ready
to lock gains after gains.
No matter your age, job history, or your level of market experience.
You simply read the emails I send to your computer or phone or tablet and
decide if you want to act for yourself.
Getting in on the Action has NEVER been Easier.
A 3-month membership to Financial Markets Wizard is reduced from $239 to
$189. This membership is only available to first 25 members and at this
price spaces will be filled fast.
If you are ready to try out the service for reduced price of $189 then here
is the link for Pay Pal. You can also copy and paste the link into your
favorite browser.
www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_bu...
DBAEGW
Doubtful?
Please read what one of our members - Stephen O. has to say:
"Noshee I am leaving on Wednesdays and will be out of the country for the
next 2 months. Please remove me from your list and I will contact you when I
return. Thanks for all your help for the last several years. I am going down
to build a home in Cayman Brac and I would say you helped me get there!
Thanks!"
Stephen O just rejoined.
If you are interested in joining my elite group of members then please act
today. I cannot guarantee that this offer will be available tomorrow. You
have nothing to lose and lot to gain.
I am looking forward in seeing you soon in my special circle of traders
friends.
Skeptical?
Please read one more testimonial sent to us by John:
"What I'm impressed with is that you are finding things that are moving in
the short-term. I can use MACD and moving averages to find stocks that are
doing well or poorly over longer time frames but the correlations to
short-term movements are rarely any good. You seem to have found the secret
sauce to things that are on the move in the short-term."
Thank you and Regards!
Noshee
The plan, which came pretty close to being executed perfectly.
I did this in Excel, with the spreadsheet cells sized to equal one inch in scale. Yes, it is scary.
Basically, when we started to think about redoing the bathroom we were torn between the subway-tile retro look and the modern look of tiny blue glass tiles. I struggled to think of how they could come together (and a very-high-end D.C. design house basically told me they couldn't come together, and that we should think of neutral colors for resale value!). Finally, I saw a photo in a magazine that showed subway tiles as wainscoting and 1-inch-by-1-inch tiles above that. I wish I had saved the picture -- the idea was much more in the earth-tone vein, but it made things click for me.
I'm very proud of this design, though I admit that it's a shameless mishmash of periods. The subway tile and the mosaic floor and the Art Deco sconces and maybe the schoolhouse pendant are sorta 1920s. The kneewall of glass block is sorta '50s-cum-'80s. The blue glass is late '90s. The towel bars are contemporary, and the vanity is that Restoration Hardware retro "apothecary" look, which may or may not have existed in any decade previous to the 1990s. The sink is a simple drop-in, and the faucets will be retro in their own way, with cross-style handles. Polished chrome is the metal choice throughout.
The shower hardware is British and traditional, with a rain head that is traditional in its own way while also being rather current.
Officers seized a number of exhibits during searches of property.
On Monday 15th April Bedfordshire Police executed warrants at 40 properties across Luton and arrested 19 people as part of a significant operation to tackle burglary and the handling of stolen goods.
Most of those arrested have been identified as handling property taken from burglaries committed across the county following a lengthy and on-going covert investigation codenamed Operation Sabre. The warrants were executed under the Theft Act 1968; more are expected to follow in the weeks to come. Others were arrested for a variety of offences including possession with intent to supply illegal substances.
The warrants were executed simultaneously at 7am in Luton, by unarmed officers from Bedfordshire Police and a number of collaborated units including police dogs, members of the Beds, Cambs and Herts Roads Policing Unit and the Beds, Cambs and Herts Scenes of Crime Unit. PCSOs from the local policing teams across Luton have deployed into the areas where the warrants were carried out to assist neighbours and residents.
Chief Constable Alf Hitchcock was on the ground as the warrants were executed and said today’s operation was significant and a direct response to public concerns about burglary and the handling of stolen goods. He said: “There has been significant reduction in burglary offences across the county. Crimes associated with burglary such as handling stolen goods are also an issue that we are determined to address. We are acutely aware of the concern burglary brings to our communities, which is why this operation has been carried out. It has taken many months to piece together the necessary information, intelligence and evidence in order for today to happen. There is a long way to go but we are confident offenders will be charged and brought to justice.”
Commissioner Olly Martins was also present and welcomed the success of the operation. He added; “My Police and Crime Plan is quite clear: I support robust action against criminals who cause our communities such harm. Burglars who steal from people's homes must be brought to justice, as must those who handle stolen goods. That's what this operation is all about. Burglary across the county is falling and I am confident that Operation Sabre will help keep that welcome trend going, so reducing the number of people who fall victim to this often traumatic crime".
Mondays operation was an intelligence-led operation that has been achieved through information supplied by the public. If you have information about burglary and handling stolen goods please contact the police in the following ways.
Call Crimestoppers, anonymously, on 0800 555 111; text Bedfordshire Police on 07786 200011; email enquiries@bedfordshire.pnn.police.uk
At Bedfordshire Police our aim is "fighting crime, protecting the public."
We cover 477 square miles, serve a population of around 550,000 and employ in the region of 1,260 Police Officers, 950 police staff and 120 Police Community Support Officers (PCSOs). For more details about the force, visit our website www.bedfordshire.police.uk
This morning (Thursday 9 July) more than 100 officers from GMP and Cheshire Police executed nine warrants at homes across South Manchester and Cheshire.
Ten men – aged between 22 and 34 – were arrested on suspicion of conspiracy to commit burglary and conspiracy to steal motor vehicles. They are currently in our custody.
Officers recovered suspected stolen jewellery and watches, four vehicles suspected to be used in criminal activity and equipment used in burglaries from the addresses.
Our Didsbury and Stockport Divisions launched an investigation into a series of high-value car and key residential burglaries between April and June 2026. Colleagues from Cheshire Police also led a similar investigation into the same offences across Wilmslow, Handforth and Knutsford between May and June.
We combined investigations after identifying that the organised crime group was operating collectively across both forces.
Led by PC’s Woodall and Forsyth, they identified a total of 25 residential burglaries, with the estimated value of loss sitting at over £500,000 in just three months.
Offences took place across the eastern area of Cheshire and in Wythenshawe, Stockport and Trafford.
PC Woodall, of our Didsbury Neighbourhood Crime Team, said: “Today’s joint operation has resulted in 10 men arrested and in our custody for their roles in an organised crime group.
“It is believed the offenders entered properties via different methods, including open windows or doors, snapping locked rear doors and ripping keys and alarm boxes off the wall.
“High-value vehicles, jewellery, watches and handbags were taken. One of the vehicles stolen was pursued by our Tactical Vehicle Intercept Team at the end of June following the report it had just been stolen in Wilmslow and believed to be heading towards Wythenshawe.
“The car drove at speeds over 100mph, leaving a pedestrian with life-changing injuries. Charges have since been secured against the male driver.
“We are committed to doing all we can to tackle this type of criminality. Crime prevention advice can be found on our website - Keep burglars out of your property | Greater Manchester Police
“These warrants are part of our ongoing efforts to protect local people. We appreciate the community's support and cooperation as we carry out operations like these.
“Results such as these are not possible without the information and intelligence we receive from the public. If you have information about burglary in your area, please don’t hesitate to contact us.
“You can do this by contacting us on 101 or via the ‘Live Chat’ function on our website. Alternatively, you can contact the independent charity Crimestoppers, anonymously, on 0800 555 111.”
July marks five years since we launched Operation Castle – our commitment to tackling neighbourhood crime and keeping victims safe.
Five years ago, we pledged to send an officer to every reported domestic burglary, while utilising dedicated neighbourhood crime teams and forensic investigators to gather evidence.
We were recording around 1,500 residential burglaries per calendar month before Operation Castle launched. We have since seen a consistent downward trend to around 650 per month by June 2026.
You should call 101, the national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
You can also call anonymously with information about crime to Crimestoppers on 0800 555 111. Crimestoppers is an independent charity who will not want your name, just your information. Your call will not be traced or recorded and you do not have to go to court or give a statement.
You can access many of our services online at www.gmp.police.uk
St Albans claims to be the earliest site of Christian pilgrimage in England, being named after our first martyr, who was executed at some point in the 3rd century AD (when the city was still known by its Roman name, Verulanium) having sheltered a persecuted Christian priest, St Amphibalus, and been impressed by his faith, offering himself for arrest in his place. Both men were buried here and Alban's tomb was venerated and marked in some form long before the present cathedral was built.
The cathedral is nonetheless one of the most ancient of our major churches, though its cathedral status dates only to 1877 when the new diocese of St Albans was formed. The church was originally founded as St Alban's Abbey, and built close to the presumed site of Alban's martyrdom. Founded in 793 by King Offa, the abbey was rebuilt several times with the earliest parts of the present cathedral dating back to the late 11th century. Much use was made of recycled material from the abandoned Roman city of Verulanium, and the handsome Romanesque tower appears to be entirely constructed of reused Roman bricks. The Abbey was built on an impressive scale, and must have once been a very wealthy institution owing to pilgrimages to the shrine of St Alban behind the high altar. However its fortunes had begun to decline even before the Reformation swept medieval monastic life away.
The abbey church miraculously survived the Dissolution in its entirety and was sold to the town for use as their parish church. The monastic buildings however were completely erased aside from the splendid Abbey Gatehouse near the west end, and only the weathered remains of arcading on the south side of the nave remains of the former cloisters. Upkeep thereafter seems to have been a serious challenge and the huge church spent much of the following centuries in poor repair, thus much work was done by a succession of architects in the Victorian period prior to the abbey church being raised to the status of cathedral. The most obvious interventions are those made by Edmund Beckett / Lord Grimthorpe, an amateur architect who paid for much of the work in the 1870s in return for a free hand in redesigning parts of the building. His are the strange turrets on ends of the transepts, along with their facade windows below and the west front, which is clearly a Victorian confection, though the medieval facade it replaced had been left in a rather bare, unfinished state.
The cathedral we see today is thus a rather surprising mixture of styles and materials, everything from Roman brick, flint and rubble to fine white limestone., which gives it a rather patchy appearance. Its great length however is remarkable, being the second longest medieval church in the country (only Winchester is longer, but St Albans has a longer nave). The oldest parts are the towers and transepts from the end of the 11th century, along with much of the north side of the nave, all fine examples of early Romanesque architecture. Most of the rest was rebuilt in the Gothic style in various phases throughout the 14th century, including the greater part of the nave and all of the choir and Lady Chapel (though the east end was heavily renewed externally in the Victorian restoration).
Entering the cathedral one cannot fail to be impressed by the enormous length of the nave,, mostly of late 13th and early 14th century date aside from the strikingly austere north arcade in the more easterly section, where the raw unadorned early Norman architecture contrasts dramatically with the more ornate Gothic arcade opposite. The Norman columns have the added appeal of retaining substantial remains of medieval mural decoration, with a succession of Crucifixion scenes that may have originally served as reredos to long vanished side altars. The medieval pulpitum screen remains and separates the eastern bays for use as the choir beyond it. This area also retains its flat late medieval wooden ceiling complete with painted panels of angels holding shields.
The transepts and crossing beneath the tower form an especially memorable interior space, again the architecture is of the more raw, auster Norman variety, but the tower arches are enlivened with painted decoration simulating brickwork and much Roman and Saxon material is incorporated in the transepts. Beyond is the fully Gothic eastern limb with the presbytery covered by a handsome medieval wooden vault, again replete it medieval painted decoration, and the striking altar reredos, a towering late medieval screen populated with elaborate niches and statuary (the latter being Victorian replacements for originals long lost). Behind this is the re-assembled shrine of St Alban (along with that of St Amphibalus in the south choir aisle nearby). The Lady Chapel beyond is a handsome example of 14th century Decorated Gothic, though much restored following centuries of use as a schoolroom separated from the rest of the church.
There is much of interest to see in the cathedral, though most of the furnishings are Victorian (the originals having long vanished) and there are few monuments of note aside from the two late medieval chantry chapels of Abbot Ramryge and Humphrey Duke of Gloucester, the latter overlooking the shrine of St Alban and balanced by a 15th century wooden watching loft on the opposite side (a rare survival). There is a mixture of glass, the most notable pieces being the most recent additions in the south aisle and north transept rose window. The best features are the unusually extensive remnants of medieval mural painting in various parts of the church, a quite remarkable survival, making a thorough exploration of this cathedral all the more rewarding.
This was my third visit, and longest one, though my attempt at a fuller photographic record was severely compromised by accidents with my camera, which at one point fell from my tripod onto the stone floor in one of the chantry chapels. I was lucky it survived at all given the dreadful crash it made, but it was seriously affected and my photos were very hit and miss from that point onwards. My day however ended on a happier note, returning in the evening to attend a lovely performance of Mozart's Requiem, and the acoustics in there are indeed impressive.
For more about the cathedral see below.
Not only was Heinz Petry mere 16 year old when executed, his execution took place on June 11, 1945 -long after World War II hostilities in Europe ended.
There were actually three boys, two of them students of AHS.(Adolf Hitler School) Of the latter one who was arrested by the Americans, could escape. The other two were convicted and executed on 01.06.1945. That was the Adolf Hitler students Heinz Petry and the Hitler Youth Josef Schöner (not Schener). In the court's opinion of the U.S. military the accusation of spying served only as a pretext for the Chairman of the Military Court who emphasized in the court's opinion "that the responsibility for the fate of the two boys lies with the Nazi leaders, and they only, will send send them to their deaths. The German military and political leaders force us", said the chairman,"to fight fire with fire and blood with blood. We will not tolerate those responsible to hide behind women and children". Unless the presiding judge considered this a "deterrent sentence", he unjustly sentenced the sixteen and seventeen year-old boys whose guilt as so called spies did not justify the death penalty. Read the text quoted in the "Aachen News" www.youtube.com/watch?v=XOKEebktVco
If you ever drive through the airport tunnel it is always impressive to see a huge plane drive over the top of you. The effect is even more impressive in the dark. But it is rare for aircraft to taxi over this way, and it only happens when the wind is from the North East instead of the prevailing westerly winds. It's even rarer for an aircraft to stop in this position as they trundle down the taxiway.
I wanted to catch the plane stopped over the tunnel with rush-hour car lights trailing through the tunnel.
Standing in the freezing air lastnight, it just didn't 'happen' for me. Only two planes came over, without stopping, before the wind direction changed and the aircraft taxied across the airport out of sight. And I didn't have things set up right. I decided to give it another go whenever the wind next swings round, perhaps later next week, when we are due to get another icy blast from Scandinavia. Freezing cold, I got my chance to warm up and get my hands filthy rescuing a woman from a 3 hour wait for the RAC man to change a flat tyre. Wednesday night wasn't good for either of us!
Stained Glass executed by Kraut. Designed by Maestro Rafael del Casal.
From the Cathedral of the Immaculate Conception, Diocese of Cubao.
Thousands of pounds worth of Class A drugs, cash, and a suspected firearm have been recovered during raids across Manchester this morning.
At around 5am this morning (Thursday 25 March) Officers from GMP's City of Manchester Division, the Intelligence development Unit, Op Challenger and the North West Regional Organised Crime Unit, executed warrants as part of Operation Apostle, at five addresses across the city.
During the Operation, five men, aged between 23 and 59 were arrested on suspicion of drugs and firearms offences, and money laundering, and remain in custody for questioning.
During searches of the properties, Class A drugs were recovered believed to be worth around £10,000, along with £2000 worth of cash, and a suspected firearm.
This morning's activity forms part of an investigation into organised crime, possession of firearms and drug dealing in the Hulme, Moss Side and Manchester area.
Chief Inspector John Harris of GMP's City of Manchester Division, said "The early morning police activity today has been the culmination of a great team effort. Over a period of time officers have been gathering intelligence and evidence, leading to the activity today where we have been able to continue to enforce, intervene and tackle organised crime in Hulme, Moss Side and the wider Manchester area.
Today we have been able to recover a potentially lethal weapon, a significant quantity of drugs, and an amount of cash. This is another positive step forward in our commitment to ensuring the community are kept safe and that the risk of harm is reduced.
“A lot of unseen work has gone into the preparation of today's activity to disrupt and dismantle organised criminal activity, and our investigations will continue. Officers often rely on the intelligence and information received from members of the community, so I would encourage anyone with any information or concern to contact the police, whether in person, by telephone on 0161 856 4428, online www.gmp.police.uk or anonymously via the independent charity Crimestoppers on 0800 555 111."
The Tomb of the family Oneto with the Angel of Death.
This angel with ambiguous charm is the most famous statue, of Staglieno, in the world. It is a work of the sculptor Giulio Monteverde (Bistagno, Alexandria, 1837 - Rome 1917) , a pupil of Varni, 1882. An angel watches over the remains of the deceased in an almost absent, mysterious with a magnetic look at nothing, or infinity. A symbol that will make Monteverde a precursor of Symbolism especially the one of the current "culture of the mystery " of the English Pre-Raphaelites in expressive features easily recognizable but cleverly allusive. In fact, the angel is also difficult to determine with certainty the sex, for many concerns, but the work is so beautiful and charming and all the more mysterious for this question. This work was commissioned by Francesco Oneto a wealthy merchant of the bourgeoisie as well as banker.
The statue has many copies of which some were executed by Monteverde and has been copied in many cemeteries of the Catholic faith.
Note : A photograph of this statue has been published in the book PASSEGGIATE A LEVANTE by Enrico Pelos which include an itinerary that allows you to enter in the Staglieno Monumental Cemetery and visit some of the most famous tombs with news, map and informations
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La Tomba della famiglia Oneto con l'Angelo della Morte.
Questo angelo dal fascino ambiguo, androgino, è la statua, di Staglieno, più famosa nel mondo. È un opera dello scultore Giulio Monteverde (Bistagno, Alessandria, 1837 - Roma 1917), allievo del Varni, del 1882. Un angelo inquietante veglia sulle spoglie del defunto in modo quasi assente, meditabondo e misterioso con uno sguardo magnetico verso il nulla, o l'infinito. Un simbolo che farà di Monteverde uno dei precursori del Simbolismo soprattutto quello della corrente della "cultura del mistero" dei preraffaelliti inglesi ben riconoscibili nei tratti espressivi ma sapientemente allusivi. E infatti dell'angelo rimane anche difficile stabilirne con certezza il sesso, preoccupazioni per molti, ma l'opera è talmente bella e affascinante e tanto più misteriosa anche per questo dubbio. Venne comissionata da Francesco Oneto un ricco commerciante della borghesia genovese nonchè banchiere della classe borghese.
La statua vanta innumerevoli copie alcune delle quali eseguite dallo stesso Monteverde ed è stata copiata in molti cimiteri di fede cattolica.
Nota:Una fotografia di questa statua è stata pubblicata sul libro PASSEGGIATE A LEVANTE di Enrico Pelos inserita in un itinerario descrittivo che permette di entrare nel Cimitero Monumentale di Staglieno e di visitare alcune delle tombe più famose con notizie, cartina e informazioni.
Helmut Leiner, one of fourteen people charged in civilian courts with aiding eight Nazi saboteurs who landed by submarine on U.S. shores In July 1942, is shown in a full frontal photograph after his arrest.
Helmut Leiner was a close friend of Edward John Kerling, the leader of a group of German Nazi saboteurs who landed by U-boat near Jacksonville, Florida on June 17, 1942.
Leiner had been approved by the German High Command as a secret contact for the saboteurs in the United States.
Kerling contacted Leiner in New York City immediately after arriving in the United States and Leiner assisted him in making other contacts in the area. Leiner changed large American bills into smaller denominations and brought Kerling up to speed on travel regulations.
Leiner was born in Germany in August 1909 and first arrived in the U.S. in 1929. He was a member of the Nazi Party in Germany and associated with the German American Bund-a pro-Nazi organization in the U.S.
While in Germany he received the golden insignia, emblematic of pioneer service with the Nazi party.
Leiner worked as a gardener in the United States and was not a citizen. At the time of his arrest he was living in Astoria, Queens, New York.
The eight Nazi saboteurs who landed in the U.S. in Florida and New York were almost immediately arrested after one of them, George Dasch, contacted the FBI and turned himself in.
The eight saboteurs were quickly convicted--six of whom were executed in August 1942, including Kerling; one received a life sentence; and one received 30 years imprisonment following a Washington, D.C. military trial.
Fourteen other people, including Leiner, were charged with aiding the eight saboteurs. Leiner was charged with treason and the government was seeking the death penalty.
However Leiner was acquitted by the Judge John W. Clancy of treason on technical grounds November 30, 1942.
The government quickly moved to detain Leiner as an enemy alien for the duration of the war. They brought new charges against Leiner in 1943. Leiner in turn pled guilty to the lesser charge of trading with the enemy June 18, 1943 and was sentenced to 18 years in prison.
Of the others charged with aiding the saboteurs some received various prison terms, some had charges dropped, some were detained as enemy aliens and deported after the war ended.
For more information and related images, see flic.kr/s/aHsmPiRmT4
The photographer is unknown. The image is believed to be a U.S. government photograph. It is housed in the D.C. Library Washington Star Collection.
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#ELDER_SCROLL_OF_MNEM_0.0♾😻
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ℹ️8️⃣📞📲📳☎️♾💁♂️
ℹ️▶️⏯⏭↕️🔘https://youtu.be/bS5JnGBmghM
First of all; the #FBI does not have the clearance, to be in possession, of my nuclear codesz.
Load, Load, Load; you're too slow, #YouTube. And do you know what that means? It means that you are #Guilty of #HighTreason. &, do you know what that means? It means that you are #Executed by #FiringSquad.
Nope; your apology means nothing to me. It means, that you are still #Executed by #FiringSquad.
That's one☝️. Two✌️; I👆, told you💭💬📣🔊📢; I did not suggest to you – I told you, #YouTube; that I need 14-15,000 characters🔤🔡🔠🔢; &, you refused to comply. Therefore; you are shot🔫 to death – #Executed for #HighTreason, twice✌️👋😽💀😵.👀
Three3️⃣☘️; #JohnPaulMacIssac: I simply, or merely, tell💭💬📣🔊📢 the #FBI, to go & fuck themselves; & to eat shit💩🚽, & die💀😵⚰️⚱️. 👀
☎️▶️⏯⏩⏭➡️🔀↕️🔘https://music.youtube.com/watch?v=qKVkhQQXEGE&feature=share
She asked me to cum⛲️💦💧🌊🎣🐟🔫 over, to #Steinway🎹🏭, in #Astoria👸; & then, after driving from #Pennsylvania #Pistolvania, she was on the #AOL_IM #AIM, w/ #JesseHenry. I told her that she was being rude; & she told me to go & fuck myself. So; I left, drove home🏡, & ate the cost💸 of travel. &, I went & fuckt myself. &; she was unhappy that I left; & she didn't get none. &; I don't really give a fuck. She can eat shit💩🚽, & die💀.👀❄️ @/#GregGutfeld #CarleyShimkus
#OliviaCampbellPatton #OliviaWildeNeeCockburne
🏰🏯🔘https://en.wikipedia.org/wiki/Sigiriya
By the way; it is #Ceylon; do not offend me again. This is your first(ly)☝️, & only⏳⌛️ warning⚠️⛔️☣️☢️
#SAP_q / #SAR_Q, how-ever, not #SAP-q / #SAR-Q; #RobertCharles #THE_COMMODORES_CIRCLE.👀😾😠😤😡
👀😎⚠️⛔️☣️☢️🔘https://en.wikipedia.org/wiki/Special_access_program#:~:text=Special%20access%20programs%20%28SAPs%29%20in%20the%20U.S.%20Federal,that%20exceed%20those%20for%20regular%20%28collateral%29%20classified%20information.
☝️; there is no quick select, of 20,000+ images, on #iPhone, #Apple #TimCook. ✌️; there is no #conspicuous way to remove the #Slideslow option, on #iPhone, w/ your shitty, shitty musick selection. Therefore, I cannot turn it off. Oh, by the way; I cannot trash individual #AppCaches, neither, all of them, in a single tap. Take a wild guess what that means for you; all of you. #HighTreason = #Execution🔫 @ the #Gallows💀😵, or #Gibbet💀😵.👋👋👋
3️⃣; @/ #GregGutfeld‼️⚠️ : The #Saxophone🎷 is lame, gey, & any-person, who may believe it to be kool, or trendy, or even good; they may eat shit💩🚽, & die💀😵.
4️⃣ By the way; #SullyErna; you're a bitch.👋💀
🔘https://music.youtube.com/watch?v=R8pj2y39_jc&feature=share
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It is nice to see #TulsiGabbard; @/#FoxNewsCorp.
#Owlephant
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#ELDER_SCROLL_OF_MNEM_0.0♾😻
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#EvanRachelWood-._•✏️📝✍️🔏🐧
--WRW
_.• ✍️🔏
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Two men have been arrested in connection with an investigation into a drive-by shooting in north Manchester earlier this year.
yesterday officers executed six warrants at addresses in the north Manchester and Failsworth areas.
Police arrested two men - aged 31 and 39 - who have been taken to custody to be questioned on suspicion of possession of a firearm with intent to endanger life.
The arrests come as part of Central Park CID's investigation into a firearms discharge on Briscoe Lane in the Newton Heath area of the city on the afternoon of Tuesday 19 January 2021.
A total of eight arrests have been made as part of the investigation so far and one man has been charged with possession of a shortened shotgun.
Detective Inspector Claire Moss, of GMP's City of Manchester North, said: "This was an incident that caused great concern in the community at the time and we were committed to ensure that we were able to catch those responsible for this recklessness and prevent this incident from escalating.
"Our team of detectives have worked tirelessly in order to gather further evidence and progress this investigation to the point of these arrests today, where we have been able to detain two men and speak to them about what was an incredibly dangerous daylight shooting.
"It is not too late for anyone who witnessed this incident to come forward to police or Crimestoppers anonymously and I encourage you to come forward with any information you may have."
Anyone with information should call 0161 856 1146 quoting incident 1373 of 19/01/2021. Details can be passed anonymously to the independent charity Crimestoppers on 0800 555 111.
At around 5.30am today (Tuesday 12 October) officers from GMP's Oldham Challenger Team executed three warrants at addresses across Newton Heath and Failsworth.
The warrants formed part of an ongoing investigation into the supply of class A drugs across Greater Manchester, as well as the criminal use of the encrypted communications platform Encrochat, often used by organised criminal groups.
During the raids, three men in their 30s were arrested on suspicion of conspiracy to supply cocaine and two of the men were further arrested on suspicion of conspiracy to supply amphetamine, entering into a money laundering agreement and possession of a prohibited weapon with intent to cause fear.
They remain in custody for questioning by detectives.
Following searches of all three properties, suspected class A and B drugs were recovered, along with over £3000 in cash, designer clothing, jewellery, phones and vehicles.
In July 2020, GMP alongside nearly every law enforcement agency across the UK came together as part of the National Crime Agency led 'Operation Venetic', focused on the takedown of 'Encrochat' - a sophisticated encrypted communications service used by OCG's.
GMP launched a series of intricate investigations bringing together 16 teams of officers from across all ten districts of Greater Manchester. Codenamed 'Operation Foam', the force wide operation has been in constant action for the past 15 months.
Detective Sergeant Alex Brown of GMP's Oldham Challenger Team, said: "Today's action is the culmination of months of intricate investigative work and is another positive result for the team in our endeavour to disrupt and dismantle the distribution and trade of drugs across our region.
"Thankfully today we have been able to remove what is suspected to be a large quantity of drugs from our community, and although we have three men in custody our searches and investigation will continue this morning and we will ensure all criminal assets are seized.
"An inordinate amount of work goes on behind the scenes to investigate the distribution of drugs and I hope today's arrests and seizures send a stark warning that GMP will do all in its power to pursue offenders and ensure no one benefits from ill-gotten gains and the sale of drugs.
"Often these investigations rely on intelligence passed to police by members of the public can often play a big part in investigations. If you have information that could aid our investigations into the trade of drugs across Greater Manchester then please get in touch with police."
Anyone with information should contact police on 101. Alternatively, details can be passed via our LiveChat function at www.gmp.police.uk or via the independent charity Crimestoppers on 0800 555 111.
You can access many of our services online at www.gmp.police.uk.
For emergencies only call 999, or 101 if it's a less urgent matter.
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#ELDER_SCROLL_OF_MNEM_0.0♾😻
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ℹ️8️⃣📞📲📳☎️♾💁♂️
ℹ️▶️⏯⏭↕️🔘https://youtu.be/bS5JnGBmghM
First of all; the #FBI does not have the clearance, to be in possession, of my nuclear codesz.
Load, Load, Load; you're too slow, #YouTube. And do you know what that means? It means that you are #Guilty of #HighTreason. &, do you know what that means? It means that you are #Executed by #FiringSquad.
Nope; your apology means nothing to me. It means, that you are still #Executed by #FiringSquad.
That's one☝️. Two✌️; I👆, told you💭💬📣🔊📢; I did not suggest to you – I told you, #YouTube; that I need 14-15,000 characters🔤🔡🔠🔢; &, you refused to comply. Therefore; you are shot🔫 to death – #Executed for #HighTreason, twice✌️👋😽💀😵.👀
Three3️⃣☘️; #JohnPaulMacIssac: I simply, or merely, tell💭💬📣🔊📢 the #FBI, to go & fuck themselves; & to eat shit💩🚽, & die💀😵⚰️⚱️. 👀
☎️▶️⏯⏩⏭➡️🔀↕️🔘https://music.youtube.com/watch?v=qKVkhQQXEGE&feature=share
She asked me to cum⛲️💦💧🌊🎣🐟🔫 over, to #Steinway🎹🏭, in #Astoria👸; & then, after driving from #Pennsylvania #Pistolvania, she was on the #AOL_IM #AIM, w/ #JesseHenry. I told her that she was being rude; & she told me to go & fuck myself. So; I left, drove home🏡, & ate the cost💸 of travel. &, I went & fuckt myself. &; she was unhappy that I left; & she didn't get none. &; I don't really give a fuck. She can eat shit💩🚽, & die💀.👀❄️ @/#GregGutfeld #CarleyShimkus
#OliviaCampbellPatton #OliviaWildeNeeCockburne
🏰🏯🔘https://en.wikipedia.org/wiki/Sigiriya
By the way; it is #Ceylon; do not offend me again. This is your first(ly)☝️, & only⏳⌛️ warning⚠️⛔️☣️☢️
#SAP_q / #SAR_Q, how-ever, not #SAP-q / #SAR-Q; #RobertCharles #THE_COMMODORES_CIRCLE.👀😾😠😤😡
👀😎⚠️⛔️☣️☢️🔘https://en.wikipedia.org/wiki/Special_access_program#:~:text=Special%20access%20programs%20%28SAPs%29%20in%20the%20U.S.%20Federal,that%20exceed%20those%20for%20regular%20%28collateral%29%20classified%20information.
☝️; there is no quick select, of 20,000+ images, on #iPhone, #Apple #TimCook. ✌️; there is no #conspicuous way to remove the #Slideslow option, on #iPhone, w/ your shitty, shitty musick selection. Therefore, I cannot turn it off. Oh, by the way; I cannot trash individual #AppCaches, neither, all of them, in a single tap. Take a wild guess what that means for you; all of you. #HighTreason = #Execution🔫 @ the #Gallows💀😵, or #Gibbet💀😵.👋👋👋
3️⃣; @/ #GregGutfeld‼️⚠️ : The #Saxophone🎷 is lame, gey, & any-person, who may believe it to be kool, or trendy, or even good; they may eat shit💩🚽, & die💀😵.
4️⃣ By the way; #SullyErna; you're a bitch.👋💀
🔘https://music.youtube.com/watch?v=R8pj2y39_jc&feature=share
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It is nice to see #TulsiGabbard; @/#FoxNewsCorp.
#Owlephant
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#ELDER_SCROLL_OF_MNEM_0.0♾😻
•———————————•
#EvanRachelWood-._•✏️📝✍️🔏🐧
--WRW
_.• ✍️🔏
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•-----------•----•💀•---•-------------•
#ELDER_SCROLL_OF_MNEM_0.0♾😻
•-----------•----•💀•---•-------------•
ℹ️8️⃣📞📲📳☎️♾💁♂️
ℹ️▶️⏯⏭↕️🔘https://youtu.be/bS5JnGBmghM
First of all; the #FBI does not have the clearance, to be in possession, of my nuclear codesz.
Load, Load, Load; you're too slow, #YouTube. And do you know what that means? It means that you are #Guilty of #HighTreason. &, do you know what that means? It means that you are #Executed by #FiringSquad.
Nope; your apology means nothing to me. It means, that you are still #Executed by #FiringSquad.
That's one☝️. Two✌️; I👆, told you💭💬📣🔊📢; I did not suggest to you – I told you, #YouTube; that I need 14-15,000 characters🔤🔡🔠🔢; &, you refused to comply. Therefore; you are shot🔫 to death – #Executed for #HighTreason, twice✌️👋😽💀😵.👀
Three3️⃣☘️; #JohnPaulMacIssac: I simply, or merely, tell💭💬📣🔊📢 the #FBI, to go & fuck themselves; & to eat shit💩🚽, & die💀😵⚰️⚱️. 👀
☎️▶️⏯⏩⏭➡️🔀↕️🔘https://music.youtube.com/watch?v=qKVkhQQXEGE&feature=share
She asked me to cum⛲️💦💧🌊🎣🐟🔫 over, to #Steinway🎹🏭, in #Astoria👸; & then, after driving from #Pennsylvania #Pistolvania, she was on the #AOL_IM #AIM, w/ #JesseHenry. I told her that she was being rude; & she told me to go & fuck myself. So; I left, drove home🏡, & ate the cost💸 of travel. &, I went & fuckt myself. &; she was unhappy that I left; & she didn't get none. &; I don't really give a fuck. She can eat shit💩🚽, & die💀.👀❄️ @/#GregGutfeld #CarleyShimkus
#OliviaCampbellPatton #OliviaWildeNeeCockburne
🏰🏯🔘https://en.wikipedia.org/wiki/Sigiriya
By the way; it is #Ceylon; do not offend me again. This is your first(ly)☝️, & only⏳⌛️ warning⚠️⛔️☣️☢️
#SAP_q / #SAR_Q, how-ever, not #SAP-q / #SAR-Q; #RobertCharles #THE_COMMODORES_CIRCLE.👀😾😠😤😡
👀😎⚠️⛔️☣️☢️🔘https://en.wikipedia.org/wiki/Special_access_program#:~:text=Special%20access%20programs%20%28SAPs%29%20in%20the%20U.S.%20Federal,that%20exceed%20those%20for%20regular%20%28collateral%29%20classified%20information.
☝️; there is no quick select, of 20,000+ images, on #iPhone, #Apple #TimCook. ✌️; there is no #conspicuous way to remove the #Slideslow option, on #iPhone, w/ your shitty, shitty musick selection. Therefore, I cannot turn it off. Oh, by the way; I cannot trash individual #AppCaches, neither, all of them, in a single tap. Take a wild guess what that means for you; all of you. #HighTreason = #Execution🔫 @ the #Gallows💀😵, or #Gibbet💀😵.👋👋👋
3️⃣; @/ #GregGutfeld‼️⚠️ : The #Saxophone🎷 is lame, gey, & any-person, who may believe it to be kool, or trendy, or even good; they may eat shit💩🚽, & die💀😵.
4️⃣ By the way; #SullyErna; you're a bitch.👋💀
🔘https://music.youtube.com/watch?v=R8pj2y39_jc&feature=share
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It is nice to see #TulsiGabbard; @/#FoxNewsCorp.
#Owlephant
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#ELDER_SCROLL_OF_MNEM_0.0♾😻
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#EvanRachelWood-._•✏️📝✍️🔏🐧
--WRW
_.• ✍️🔏
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BREAKING: This afternoon, Israeli forces executed a Palestinian young man in occupied al-Khalil (Hebron). According to eye-witnesses at the scene, the man was walking towards a checkpoint in the vicinity of the Ibrahimi mosque. Israeli forces did not ask him to show his ID or even ask him to stop. Instead they just started shooting him when he was a few meters away from him. 'There was no knife', explains an eyewitness that does not want to be identified, 'I heard four to five shots'. Even though an Israeli ambulance arrived at the scene shortly after, no medical attention was given to the youth. More ambulances kept coming to the scene, but still no first aid was administered. He was identified as 19-year old Saad Muhammad Youssef al-Atrash. This is the second cold-blooded murder in the neighbourhood of the Ibrahimi mosque, after 17-year old Dania Arshid was gunned down by Israeli forces yesterday. - ift.tt/1RxiWyX
This bronze sculptural bust of George Moscone, located in San Francisco City Hall, was executed by sculptor Spero Anargyros. George Richard Moscone (1929-1978) served as the 37th mayor of San Francisco, from January 1976 until his assassination along with Harvey Milk at the hands of Dan White in City Hall in 1978. As mayor, he prevented the San Francisco Giants from leaving for Toronto and was appointed large numbers of women, gays and racial minorities to city commissions. Prior to his running for mayor, he served in the California State Senate as Majority Leader.
The following is inscribed on the plaque below:
San Francisco is an extraordinary city because its people have learned to live together with one another, to respect each other, and to work with each other for the future of their community. That's the strength and the beauty of this city - and it's the reason why the citizens who live here are the luckiest people in the world. -Mayor George Moscone
San Francisco City Hall, at 1 Dr. Carlton B. Goodlett Place, was built from 1913-1915 by architect Arthur Brown, Jr., replacing an building destroyed during the 1906 Earthquake. The vast Beaux-Arts French Renaissance building covers over 500,000 square feet over two full blocks and features the fifth largest dome in the world, rising 301-feet, 5.5-inches from the curb--13-feet, 7¾-inches higher than the U.S. Capitol.
The exterior is made of gray granite from the foothills of the Sierra. The interior is lavishly finished in California marble, Indiana sandstone and Manchurian oak. The dome, owing to Mansart's Les Invalides, has a diameter of 86-feet at its springing line and was originally covered with gold leaf gilded copper, but has since been restored with gold leaf on a special paint. Below the dome is the defining architectural element--the Rotunda and Great staircase, an open stairwell bookended by two-storied loggia on the north and south, extending from the second to the top of the third story and articulated with Giant Corinthian half columns. The stairs lead to the Board of Supervisors chamber, and opposite it is the office of the Mayor.
President Warren G. Harding lay in state at City Hall after dying of a heart attack at the Palace Hotel in 1923. Joe DiMaggio and Marilyn Monroe were married at City Hall in 1954. Mayor George Moscone and Supervisor Harvey Milk were assassinated there in 1978, by former Supervisor Dan White. The Loma Prieta earthquake of 1989 damaged the structure, and twisted the dome four inches (102 mm) on its base. Afterwards work was undertaken to render City Hall earthquake resistant through a base isolation system.
Three people have been arrested after early morning warrants were executed in Manchester.
Earlier this morning (Friday 29 November 2019), officers executed warrants at two addresses in Cheetham Hill and made three arrests in relation to an ongoing firearms investigation.
The action comes after GMP launched a dedicated operation – codenamed Heamus - earlier in the month. The operation is set to tackle a dispute between two local crime groups, following a series of firearms discharges which have taken place since the beginning of September 2019.
Superintendent Rebecca Boyce, of GMP’s City of Manchester division, said: “Following this morning’s direct action, we have three people in custody and I would like to thank those officers who have worked extremely hard as part of this ongoing operation and who are committed to keeping the people of Cheetham Hill safe.
“Whilst we believe that these incidents have been targeted, we understand and appreciate how concerned local residents may be and as a result of this have set up this dedicated operation. We want to reassure those who feel affected that we are doing all that we can and stress that we are treating these incidents as an absolute priority.
“This is a complex investigation, which brings its own challenges and whilst we have made arrests, we are continuing to appeal for the public’s help. We believe that answers lie within the community and would urge anyone with information to get in touch. Whether you want to speak to us directly, or whether you’d prefer to talk to Crimestoppers anonymously, please do so if you think you can assist our enquiries with even the smallest piece of information.
“We will continue to work closely with partners in order to disrupt this kind of activity and I hope that this morning’s action demonstrates that are working hard in order to prevent any further incidents and protect those in our communities.
“This type of criminal behaviour is reckless and dangerous- it will not be tolerated on our streets.”
Anyone with information should call 0161 856 1146, quoting incident number 2348 of 18/11/19. Reports can also be made anonymously to the independent charity Crimestoppers on 0800 555 111.
House built 1882, designed by Edmund Wright, sold 1914 to Marist Brothers for Sacred Heart College, a Catholic Boys school. Sale of contents Jun 1915 listed entrance hall, drawing room, ballroom, library, breakfast room, dining room, billiard room, sitting room, 11 bedrooms, sewing room, bathrooms and more.
“There is now on view in the window of Messrs. E. S. Wigg & Sons' premises, in Rundle-street, a beautifully executed perspective in pen and ink, drawn by Mr. J. S. Beaver, of a residence designed and being built at Somerton, near Brighton, for Mr. J. F. Cudmore.” [Register 9 Feb 1882]
“The house of 30 rooms was renowned for its woodwork and beautiful fittings. The stained-glass windows at the entrance hall depicted the Cudmore coat of arms. Entertaining was run on a lavish scale, and visitors to the house will remember the beautiful stained windows in the ballroom which represented the seasons of the year. Many of the rooms had walls of embossed oak leaves, and the Marshall Wood statuary, the wonderful pictures and china, and rare old silver kept connoisseurs in a state of rapture. The entrance hall was remarkable for its Italian tiles, and beautiful parquetry floored most of the rooms.” [The Mail 15 Dec 1928]
“the Chief Secretary received a letter from Mr. J. F. Cudmore, of Glenelg, of which the following is a copy:— ‘In view of the prospect of war with Russia, I beg to offer the Government without cost the use of my house, Paringa HalL New Glenelg, as a military hospital should such be required, and I am also prepared without expense to the Government to provide such furniture and bedding as may be found necessary. I would call the attention of the Government to the fact that the position of my house, the number of rooms, and the appointments (which include hot and cold water baths), would render it in every way suitable for the purposes above mentioned, as would also the fact of its having a tower and flagstaff, from which observations could be made and signals given.’” [Register 29 Apr 1885]
“CUDMORE.-On the 17th August at Paringa Hall, Somerton, Glenelg, James Francis beloved husband of Margaret Cudmore, aged 74 years.” [Register 19 Aug 1912]
“The death occurred on Saturday of Mr. J. F. Cudmore, of Paringa Hall, Brighton road, Somerton, at the age of 74 years. The deceased was one of the leading pastoralists of South Australia, and his activities extended to the other States. His father (the late Mr. D. Cudmore) originally came out from England to Tasmania to join a cousin, who was attached to a regiment of British troops there, but subsequently decided to settle on the mainland of Australia. He chartered a vessel to cross over to South Australia, and on the voyage the late Mr. J. F. Cudmore was born. The father started a brewery at Kapunda, but not long afterwards took up sheepfarming at Yongala Station. The son was educated at Sevenhills College, in the Clare district. About 1859 he crossed the River Murray, and became the occupier of Paringa Station, opposite to Renmark. In 1863 he proceeded to Brisbane, bought sheep there, travelled them along the coast to Rockhampton, and then out into Central Queensland in search of another pastoral holding. The flock was shorn en route. . . a few years later he ventured into Queensland again, started Gooyea Station, and next the Milo and Welford Downs, in South-Western Queensland. As time went on he became interested in land in Central Queensland, and took up Tara Station, with several of his sons. He established his home at Paringa Hall about 30 years ago. When the Western Australian gold rush occurred he was early on the Coolgardie field with a camel party, and erected what was believed to be the first crusher there. . . He has left six sons and four [five] daughters. The sons are Mr. K. Cudmore (Brisbane manager for Goldsbrough, Mort, & Co.), Dr. A. M. Cudmore (of Adelaide), Messrs. J. K. and D. C. Cudmore (of Tara), T. C. Cudmore (of near Blackall), and R. M. Cudmore (of Adelaide).” [Register 19 Aug 1912]
“CUDMORE.—On the 1st December, at Paringa Hall, New Glenelg, Margaret, widow of the late J. F. Cudmore.” [Register 2 Dec 1912]
“Mrs. Cudmore, widow of Mr. J. F. Cudmore, died at her residence, Paringa Hall, New Glenelg, on Sunday. Her husband, who for some years was one of the leading pastoralists in South Australia, besides being interested in squatting pursuits in the other States, died on August 17 last. Six sons and five daughters are left.” [Advertiser 3 Dec 1912]
“For Sale. . . Paringa Hall. The well-known residence of the late J. F. Cudmore, situated in 10 Acres of Grounds, with complete Stables, Outhouses, &c, and 7 Acres of adjoining Land, with Cottage.” [Register 20 Nov 1913]
“The purchase of Paringa Hall by the Marist Brothers of Sacred Heart College, Semaphore, demonstrates the great interest taken in educational extension by the educational authorities of the Roman Catholic faith; and in their latest possession, which cost originally £30,000 to build. Paringa College will be one of the most ornate educational institutions in the Commonwealth. When originally constructed by Mr. J. F. Cudmore, the question of expense was not allowed to enter into the minds of builder or architects, and one large set of stained glass windows alone cost 300 guineas. The upstair portion, surrounded by spacious balconies, will form the living quarters for the students and guardians, whilst the ground floor will be utilised for chapel, class, and living room.” [Advertiser 6 Jun 1914]
“Messrs. Theodore Bruce & Co.. auctioneers, wish to draw special attention to the fact that the furniture at Paringa Hall, as advertised in the auction columns, is of the highest quality throughout, having been manufactured to order by Walker and Sons, the well-known English manufacturers. The marble statuary and bronzes are also worthy of special mention, being works of art of the best quality. Included in the statuary are exceptionally fine examples by Marshall Wood, the world-famed sculptor.” [The Mail 13 Jun 1914]
The Shot at Dawn Memorial can be seen near Alrewas in Staffordshire in an area which is first touched by the dawn light in remembrance of the 306 British and Commonwealth soldiers executed for a variety of believed offences including cowardice and desertion during World War I
The statue of a young blindfolded soldier is modelled on the likeness of Private Herbert Burden, 1st Battalion Northumberland Fusiliers, who lied about his age in order to enlist and who was shot for desertion in 1915 at Ypres aged 17.
His name and the names of those others who suffered the same fate of being shot at dawn are listed on the wooden stakes arranged behind him .
This 8.5 foot white concrete statue was created by the artist Andy De Comyn and was unveiled by Mrs Gertrude Harris, on 21st June 2001.
Source The National Memorial guide book, United Kingdom National Inventory of War Memorials, and Wikipedia
A classic example of the layered arcade design solution, a solution in which New York pioneered, the Romanesque Revival Lincoln Building is representative of an important transitional phase in the history of tall buildings. It was constructed in 1889-901 and was designed by the well-known New York architect R. H. Robertson.
Using interior metal skeleton skyscraper construction in combination with traditional masonry bearing walls, the building is executed in limestone, granite, and brick, and has exceptionally fine carved and terra cotta detail — which includes the corner griffin, acanthus scrolls, Byzantine capitals, crisp moldings, human and lion heads — that is effectively placed on both the Union Square West facade and on the 14th-Street elevation.
The Development of Union Square
The Commissioners Map of 1807-11, which first laid out the grid plan of Manhattan above Houston Street, allowed for certain existing thoroughfares to retain their original configuration. Bloomingdale Road (now Broadway), and the Bowery intersected at 16th Street.
The acute angle formed by this "union" was set aside by the Commissioners and named Union Place.2 Initially Union Place extended from 10th to 17th Streets, on land owned by the Manhattan Bank:
It then presented to the eye of the tourist and pedestrian a shapeless and ill-looking collection of lots, where garden sauce flourished — devoid of symmetry, and around which were reared a miserable group of shanties.
In 1815, the state legislature reduced the size of Union Place by making 14th Street its southern boundary.4 As the city expanded northward and land" use intensified, the need for open spaces became apparent. A report drafted by the street committee in 1831 states the need for public squares "for purposes of military, and civic parades, and festivities, and ... to serve as ventilators to a densely populated city."
Designated a public space in 1832 at the urging of local residents, additional land was acquired so that the area could be regularized. Graded, paved, and fenced, Union Place was finally opened to the public in July 1839. Throughout much of its history, the square has been used for public gatherings, political rallies, and demonstrations.
By the 1850s, Union Square (as it came to be known) was completely surrounded by buildings including some of the city's most splendid mansions; but, "already by 1860, the dramatic march of commerce had begun." Theaters, hotels, and luxury retailers predominated in the 1870s. By the 1890s, the vestiges of the fashionable residential area, as well as the elegant stores and theaters, had been supplanted on Union Square by taller buildings that catered to the needs of publishers and manufacturers who had moved uptown.
The block on which the Lincoln Building stands was originally part of the Henry Spingler farm, and the land, which was let on long leases, remained in the Spingler family's possession until 1958.The Lincoln Building, which replaced four smaller structures, was constructed for a Mr. Crawford, who was listed as the "owner" on the New Building Application and who may have been a trustee for the Spingler-Van Buren family's interests or connected with the lessee.
The Lincoln Building is prominently situated on the northwest corner of 14th street and Union Square West, considered the most desirable side of the square "probably because for all practical purposes it really was Broadway." Its early tenants included a wide variety of businesses and occupations — from the Eyelet Buttonhole Attachment Co. to a number of firms involved in building trades, as well as the offices of architects, including that of Alfred Zucker.
Robert H. Robertson 1849-1919
A successful and prolific architect, the Philadelphia-born Robert Henderson Robertson employed the major popular styles of the late nineteenth and early twentieth centuries.-- Montgomery Schuyler noted that Robertson had "taken part in every one of the successive *movements' that have agitated American architects in his time" — from the High Victorian Gothic to the Romanesque and later the neo-Renaissance.
Educated in Scotland and at Rutgers College, Robertson was first employed in the Philadelphia office of Henry Sims from 1869 to around 1872. After moving to New York, he worked briefly in the offices of the noted architect George B. Post and in 1873 and 1874 for Edward T. Potter.
During these years he designed the Phillips Presbyterian Church in New York, a High Victorian Gothic structure which displays the influence of Potter, who was an early advocate of the style. From 1875 to 1881, he formed a partnership with Potter's younger half-brother William A, Potter, who also favored the High Victorian Gothic style. Together they designed a number of early Shingle Style houses.
In later years Robertson was occasionally associated with others, including his son T. Markoe Robertson. Robertson joined the AIA in 1873, the New York City chapter in the following year, and was elevated to the status of Fellow in 1885; he became a member of the Architectural League in 1886.
In the 1880s, Robertson employed the Romanesque Revival style, an especially fine example being his Mott Haven Railroad Station (1885-86) . Although the noted New York critic Montgomery Schuyler observed that Robertson "took up the Romanesque in his own way and arrived at his own expression in it," the Lincoln Building (1889-90) shows the influence of H. H. Richardson and especially his later use of light stone for Romanesque designs, such as the Allegheny County Buildings in Pittsburgh (1883-88).
Robertson's other Romanesque Revival designs in New York include St. Luke's Episcopal Church (1892) located in the Hamilton Heights Historic District, and the YWCA at 7 East 15th Street (1883). The Lincoln Building is apparently his first skyscraper, soon followed by the Mclntyre Building (1890-92), the Corn Exchange Bank Building (1893-94, now demolished), the American Tract Society Building (1894-95), and the twenty-seven story Park Row Building (1896-99) , for a time the tallest building in the world.
Other notable commissions include St. James's Church (1883-85, rebuilt in 1923-24 by Ralph Adams Cram) in the Upper East Side Historic District; Saint Paul's Methodist Episcopal Church and Parish House (1895-97; now the United Church of Saint Paul and Saint Andrew), a designated New York City Landmark; Hammersmith Farm (1887-89) in Newport, Rhode Island for John W. Auchincloss; William Seward Webb House and Farm Buildings (1887-1902) in Shelburn, Vermont; The Margaret Louisa Home (1889-91) in New York; The Rutgers Rivers ide Church (1889-90), New York ; Hodge Hall, Princeton Theological Seminary (1893-94), New Jersey; New Yorfc Bank for ..Savings (1896-98); the Chas. T. Yerkes House (1896), New York; Lying-in Hospital of New York (1899-1902).
Design of the Building
The Lincoln Building is a transitional skyscraper incorporating load-bearing masonry walls along with an interior
metal skeleton consisting of steel beams with steel girders and columns of cast iron-19 By the 1890s Robertson was employing the metal skeleton alone, often considered one of the essential criteria for a true skyscraper.
The arcaded elevations of the building visually suggest the hybrid nature of its construction. The two-story arcades relate to the verticality and height which skeletal construction permitted, while the layering or stacking of floors provides a horizontality associated with traditional masonry construction. In addition, while the Lincoln Building does have a defined base, shaft, and capital — thus embodying the tripartite columnar skyscraper analogy favored by contemporary critics for tall buildings — the layering of stories nevertheless predominates.
An interesting and important stage in the evolution of the skyscraper from the modern point of view, this emphasis on the horizontal led the famous nineteenth-century critic Montgomery Schuyler to chastise the architect:
In the Lincoln building, the subordinate division is carried so far as to confuse the principal division . . . The architect's power of design is shown in the parts [of the tall building], rather than in the whole, in the picturesque features in which his ... work abounds.
Within the context of the evolution of arcaded buildings in New York during the later nineteenth century, the Lincoln Building is a classic example of the layered type, a design solution in which New York pioneered.
Other comparable examples include McKim, Mead and White's Judge Building (1888-90) and George B. Post's New York Times Building (1888-89), an arcaded structure in the "popular Richardsonian style."
Despite Schuyler's reservations, he conceded that the ornament and detailing — "the picturesque features" — of Robertson's work are exceptionally fine; those of the Lincoln Building are particularly good. Moreover, Robertson's handling of textures in the design of the Lincoln Building — smooth and rusticated limestone, brick and terra cotta — is subtle, as is the placement of the extremely handsome carved and terra-cotta ornament, which includes acanthus scrolls, Byzantine capitals, crisp moldings, human and lion heads, and the fantastical and ferocious corner griffin.
Many of the buildings qualities — such as the rich textural contrasts, the massive stone arches, piers and columns, complex Byzantine and Celtic style carving, Norman zigzag moldings — are characteristic of the Romanesque Revival as it was employed after the Civil War.24 Schuyler judged Robertson's Romanesque work to be his best, observing that "the Romanesque, or at least the Romantic, phase of his design seems to be so much the more characteristic and important as to constitute artistically the bulk of his work."
The use of historical styles for modern tall buildings posed certain problems of adaptation.
The Romanesque Revival style could be adapted to arcaded designs, even if the massiveness and heaviness traditionally associated with it were less suited to the vertical ity demanded by the skyscraper and by open shop-fronts with their wide expanse of plate-glass windows.
And indeed — as skyscrapers grew ever taller and the arcaded type was abandoned, architects who favored medieval styles turned to the Gothic for inspiration, going on to create soaring spire-like towers, such as Cass Gilbert's famous Woolworth Building (1911-13)
Description
The Lincoln Building is a nine-story28 structure, which combines iron- and steel-framing with masonry bearing walls. Faced with light-colored smooth- and rock-faced Indiana limestone, light brick, and granite, the Union Square West facade is divided into four bays, the 14th Street elevation into seven.
Except at the ground floor, all the windows and arches at each story of the 14th Street elevation appear to be the same but wider than those of the Union Square facade. Located in the northernmost bay on the Union Square facade, the main entrance to the offices above is composed of a massive round arch with engaged columns and ornamented with a Norman zigzag molding; the arch spandrels contain Byzantine acanthus scroll carving.
Although the ground floor has been substantially altered, the original engaged colonettes with Byzantine detailing remain on six of the seven 14th-Street bays and on one side of the southernmost bay on the Union Square facade. The commercial bays on 14th Street and the southernmost bay on the Union Square West facade are flanked by the original rock-faced limestone piers (four now have display windows which are later additions). These piers rest on granite bases. The final westernmost bay on this elevation contains a service entrance that retains its cast-iron frame ornamented with bosses. Late nineteenth and early twentieth century photographic views show the original design.
The first three office stories are faced with smooth- and rock-faced limestone. The second- and third-story windows are set within a double-height arcade demarcated by smooth limestone piers with rock-faced arches. The pier capitals, arch spandrels, and imposts are ornamented by Byzantine foliage, Celtic intertwining bands, bunches of grapes, Norman zigzags, and expressive human heads. On the second story are pairs of windows separated by piers with Byzantine capitals. A molding of counterposed triangles decorates the chamfered upper edge of each window enframement.
Smooth rectangular panels outlined by bands of small square indentations separate the second-story windows from the round-arched third-story openings. A band of these indentations runs between the third and fourth stories. At the fourth story, paired round-arched windows are separated by squat
Byzantine columns. Elaborately embellished imposts and corbels support the smooth limestone voussoirs which have simple molded enframements.
At both Union Square corners of the building, very slender three-story colonnettes rise from the base of the second story ending in flaring foliate capitals that support bulbous cartouches surrounded by foliate decoration.
A crisp cornice of dentils placed within indentations surmounts the fourth story and articulates the transition to the simple brick and limestone fifth floor, with paired rectangular windows separated by piers with Byzantine curvilinear terminations. Surmounted by a protruding band of small square indentations, the fifth story forms a transition between the double-height arcades of the lower section and those above.
The design of the sixth and seventh stories echoes that of the second and thi*rd; however the upper stories are faced with brick and smooth limestone, and the architectural forms are lighter and more restrained. The sixth story has corbels at the corners of the windows which are separated by piers again with Byzantine capitals. The seventh-story windows are round-arched.
These two stories are divided by spandrels with recessed rectangular panels with terra-cotta egg-and-dart moldings. The moldings of the seventh story arches rest on corbels ornamented with human faces; at the corners, the moldings extend into rich acanthus scrolled banding at impost level. A stylized variant of a dentilled cornice runs above the seventh story. At the corner this cornice is accentuated by a flagpole base in the form of a large and impressive griffin. The paired round-arched windows of the eighth story are faced with terra-cotta panels.
Those of the upper half are cast in complex Byzantine guilloche and Celtic patterns. Above is a band of stylized triglyphs and metopes surmounted by a heavy projecting cornice consisting of moldings, a band of bosses, and a smooth band supported by a row of human and lion headed corbels. The ninth story, a loggia with paired terra-cotta spiral columns separating the small rectangular windows, is shorter than the stories below. Handsome strapwork embellishes the Union Square West corner. The attic is topped by an ovolo molding with recessed panels and incising.
- From the 1988 NYCLPC Landmark Designation Report
Greater Manchester Police have today, Thursday 15 March 2012, made arrests following the murder of a man in Rochdale.
In the early hours of this morning 22 warrants were executed at addresses in Moston, Moss Side, Fallowfield, Davyhulme, Urmston, Newton Heath, Blackley, Harpurhey, Beswick, Bolton and Hyde.
Eight men aged between 20 and 30 were arrested on suspicion of murder and violent disorder.
At about 2.40am on Sunday 25 December 2011, police were called to Sinclair's Bar on Drake Street, Rochdale, following reports of a large disturbance.
Officers attended and discovered a man had been stabbed.
John Lee Barrett, 31, was taken to hospital but died, Tuesday 27 December 2011.
A post mortem examination concluded he died from a stab wound to the back.
It is also believed he had been hit over the head with a glass or bottle.
Chief Superintendent John O'Hare said: "By conducting this operation, we have sent out a firm message to those who think they can travel across Greater Manchester and commit crime in other areas that we will catch up with them.
"We have demonstrated that if you commit crime as part of a pack, you will be arrested and dealt with as a pack.
"I would also reassure residents within the local communities that there will be an extra police presence in their area and if anyone has any concerns, please speak to your local officer.
"We are working very hard to ensure their neighbourhoods are safer and we will not tolerate offenders who think they can get away with their actions and break the law."
Detective Chief Inspector Pete Jackson from the Major Incident Team said "The warrants have been part of a lengthy and complicated investigation.
Hours of CCTV have been studied and the club has been forensically examined by a team of highly experienced officers.
"However, despite these warrants, the investigation is still ongoing and we are still keen to hear from anyone who was at Sinclair's Bar on the night of the attack.
"We have interviewed a number of people who have helped us piece together what may have happened in the early hours of Christmas Day but I would still urge others who we haven't spoken with to get in touch - your information could be vital.
"I would urge anyone who may have information about what happened that night to contact police on 0161 856 3691 or the independent charity Crimestoppers, anonymously, on 0800 555 111. The information you supply will be treated with the strictest of confidence."
For information about Greater Manchester Police please visit our website.
You should call 101, the new national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
You can also call anonymously with information about crime to Crimestoppers on 0800 555 111. Crimestoppers is an independent charity who will not want your name, just your information. Your call will not be traced or recorded and you do not have to go to court or give a statement.