View allAll Photos Tagged Executed
This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
Early morning raids saw four arrested as officers executed several drug warrants across Tameside.
Today (Wednesday 19 June 2019) warrants were executed across seven addresses as part of a crackdown on the supply of Class A and B drugs – codenamed Operation Leporine.
Following today’s action, two men – aged 21 and 27 – and two women – aged 21 and 52 - have been arrested on suspicion of possession with intent to supply Class A and B drugs.
Sergeant Stephanie O’Brien, of GMP’s Tameside district, said: “At present we have four people in custody and as part of this morning’s operation we have been able to seize a significant quantity of drugs.
“I would like to thank the team here in Tameside who, as part of Operation Leporine, have worked tirelessly in order to bring a sophisticated and audacious group of offenders to justice.
“The supply of illegal drugs blights communities and destroys people’s livelihoods; and I hope that today’s very direct and visible action demonstrates to the local community that we are doing all that we to make the streets of Tameside a safer place.
“It will remain a top priority for us to continue to tackle the influx of drugs in the area, however we cannot do this alone and I would appeal directly to the community and those most affected to please come forward with any information that could assist us in what continues to be an ongoing operation.”
Anyone with information should contact police on 101, or alternatively reports can be made to the independent charity Crimestoppers, anonymously on 0800 555 111.
To find out more about Greater Manchester Police please visit our website. www.gmp.police.uk
You should call 101, the national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
Hermann Herdtle (1848-1926)
Chest for the Imperial Royal Austrian Museum of Art and Industry
Vienna, 1894
Execution: Kölbl and Threm, oil painting by Prof. Rudolf Rössler
Limewood, softwood
Executed for the Imperial Royal Austrian Museum of Art and Industry, at the expense of the Hoftiteltaxfonds endowwnment
Hermann Herdtle (1848-1926)
Truhe für das k. k. Österreichische Museum für Kunst und Industrie
Wien, 1894
Ausführung: Kölbl und Threm, Ölgemälde von Prof. Rudolf Rössler
Lindenholz, Weichholz
H 854/1895, ausgeführt für das k. k. Österreichische Museum für Kunst und Industrie, zu Kosten des Hoftiteltaxfonds
The history of the Austrian Museum of Applied Art/Contemporary Art
1863 / After many years of efforts by Rudolf Eitelberger decides emperor Franz Joseph I on 7 March on the initiative of his uncle archduke Rainer, following the model of the in 1852 founded South Kensington Museum (now the Victoria and Albert Museum, London) the establishment of the "k.u.k. Austrian Museum for Art and Industry" and appoints Rudolf von Eitelberger, the first professor of art history at the University of Vienna director. The museum should be serving as a specimen collection for artists, industrialists, and public and as a training and education center for designers and craftsmen.
1864/ on 12th of May, opened the museum - provisionally in premises of the ball house next to the Vienna Hofburg, the architect Heinrich von Ferstel for museum purposes had adapted. First exhibited objects are loans and donations from the imperial collections, monasteries, private property and from the k.u.k. Polytechnic in Vienna. Reproductions, masters and plaster casts are standing value-neutral next originals.
1865-1897 / The Museum of Art and Industry publishes the journal Communications of Imperial (k.u.k.) Austrian Museum for Art and Industry .
1866 / Due to the lack of space in the ballroom the erection of an own museum building is accelerated. A first project of Rudolf von Eitelberger and Heinrich von Ferstel provides the integration of the museum in the project of imperial museums in front of the Hofburg Imperial Forum. Only after the failure of this project, the site of the former Exerzierfelds (parade ground) of the defense barracks before Stubentor the museum here is assigned, next to the newly created city park at the still being under development Rind Road.
1867 / Theoretical and practical training are combined with the establishment of the School of Applied Arts. This will initially be housed in the old gun factory, Währinger street 11-13/Schwarzspanier street 17, Vienna 9.
1868 / With the construction of the building at Stubenring is started as soon as it is approved by emperor Franz Joseph I. the second draft of Heinrich Ferstel.
1871 / The opening of the building at Stubering takes place after three years of construction, 15 November. Designed according to plans by Heinrich von Ferstel in the Renaissance style, it is the first built museum building at the Ring. Objects from now on could be placed permanently and arranged according to main materials. / / The School of Arts and Crafts (Kunstgewerbeschule) moves into the house at Stubenring. / / Opening of Austrian arts and crafts exhibition.
1873 / Vienna World Exhibition. / / The Museum of Art and Industry and the Vienna School of Arts and Crafts are exhibiting together at Stubenring. / / Rudolf von Eitelberger organizes in the framework of the World Exhibition the worldwide first international art scientific congress in Vienna, thus emphasizing the orientation of the Museum on teaching and research. / / During the World Exhibition major purchases for the museum from funds of the Ministry are made, eg 60 pages of Indo-Persian Journal Mughal manuscript Hamzanama.
1877 / decision on the establishment of taxes for the award of Hoftiteln (court titels). With the collected amounts the local art industry can be promoted. / / The new building of the School of Arts and Crafts, adjoining the museum, Stubenring 3, also designed by Heinrich von Ferstel, is opened.
1878 / participation of the Museum of Art and Industry as well as of the School of Arts and Crafts at the Paris World Exhibition.
1884 / founding of the Vienna Arts and Crafts Association with seat in the museum. Many well-known companies and workshops (led by J. & L. Lobmeyr), personalities and professors of the School of Arts and Crafts join the Arts and Crafts Association. Undertaking of this association is to further develop all creative and executive powers the arts and craft since the 1860s has obtained. For this reason are organized various times changing, open to the public exhibitions at the Imperial Austrian Museum for Art and Industry. The exhibits can also be purchased. These new, generously carried out exhibitions give the club the necessary national and international resonance.
1885 / After the death of Rudolf von Eitelberger, Jacob von Falke, his longtime deputy, is appointed manager. Falke plans all collection areas al well as publications to develop newly and systematically. With his popular publications he influences significantly the interior design style of the historicism in Vienna.
1888 / The Empress Maria Theresa exhibition revives the contemporary discussion with the high Baroque in the history of art and in applied arts in particular.
1895 / end of directorate of Jacob von Falke. Bruno Bucher, longtime curator of the Museum of metal, ceramic and glass, and since 1885 deputy director, is appointed director.
1896 / The Vienna Congress exhibition launches the confrontation with the Empire and Biedermeier style, the sources of inspiration of Viennese Modernism.
1897 / end of the directorate of Bruno Bucher. Arthur von Scala, director of the Imperial Oriental Museum in Vienna since its founding in 1875 (renamed Imperial Austrian Trade Museum 1887), takes over the management of the Museum of Art and Industry. / / Scala wins Otto Wagner, Felician of Myrbach, Koloman Moser, Josef Hoffmann and Alfred Roller to work at the museum and School of Arts and Crafts. / / The style of the Secession is crucial for the Arts and Crafts School. Scala propagates the example of the Arts and Crafts Movement and makes appropriate acquisitions for the museum's collection.
1898 / Due to differences between Scala and the Arts and Crafts Association, which sees its influence on the Museum wane, archduke Rainer puts down his function as protector. / / New statutes are written.
1898-1921 / The Museum magazine Art and Crafts replaces the Mittheilungen (Communications) and soon gaines international reputation.
1900 / The administration of Museum and Arts and Crafts School is disconnected.
1904 / The Exhibition of Old Vienna porcelain, the to this day most comprehensive presentation on this topic, brings with the by the Museum in 1867 definitely taken over estate of the "k.u.k. Aerarial Porcelain Manufactory" (Vienna Porcelain Manufactory) important pieces of collectors from all parts of the Habsburg monarchy together.
1907 / The Museum of Art and Industry takes over the majority of the inventories of the Imperial Austrian Trade Museum, including the by Arthur von Scala founded Asia collection and the extensive East Asian collection of Heinrich von Siebold .
1908 / Integration of the Museum of Art and Industry in the Imperial and Royal Ministry of Public Works.
1909 / separation of Museum and Arts and Crafts School, the latter remains subordinated to the Ministry of Culture and Education. / / After three years of construction, the according to plans of Ludwig Baumann extension building of the museum (now Weiskirchnerstraße 3, Wien 1) is opened. The museum thereby receives rooms for special and permanent exhibitions. / / Arthur von Scala retires, Eduard Leisching follows him as director. / / Revision of the statutes.
1909 / Archduke Carl exhibition. For the centenary of the Battle of Aspern. / / The Biedermeier style is discussed in exhibitions and art and arts and crafts.
1914 / Exhibition of works by the Austrian Art Industry from 1850 to 1914, a competitive exhibition that highlights, among other things, the role model of the museum for arts and crafts in the fifty years of its existence.
1919 / After the founding of the First Republic it comes to assignments of former imperial possession to the museum, for example, of oriental carpets that are shown in an exhibition in 1920. The Museum now has one of the finest collections of oriental carpets worldwide.
1920 / As part of the reform of museums of the First Republic, the collection areas are delimited. The Antiquities Collection of the Museum of Art and Industry is given away to the Museum of Art History.
1922 / The exhibition of glasses of classicism, the Empire and Biedermeier time offers with precious objects from the museum and private collections an overview of the art of glassmaking from the former Austro-Hungarian Empire. / / Biedermeier glass serves as a model for contemporary glass production and designs, such as of Josef Hoffmann.
1922 / affiliation of the museal inventory of the royal table and silver collection to the museum. Until the institutional separation the former imperial household and table decoration is co-managed by the Museum of Art and Industry and is inventoried for the first time by Richard Ernst.
1925 / After the end of the directorate of Eduard Leisching, Hermann Trenkwald is appointed director.
1926 / The exhibition Gothic in Austria gives a first comprehensive overview of the Austrian panel painting and of arts and crafts of the 12th to 16th Century.
1927 / August Schestag succeeds Hermann Trenkwald as director.
1930 / The Werkbund (artists' organization) Exhibition Vienna, a first comprehensive presentation of the Austrian Werkbund, takes place on the occasion of the meeting of the Deutscher (German) Werkbund in Austria, it is organized by Josef Hoffmann in collaboration with Oskar Strnad, Josef Frank, Ernst Lichtblau and Clemens Holzmeister.
1931 / August Schestag concludes his directorate.
1932 / Richard Ernst is new director.
1936 and 1940 / In exchange with the Kunsthistorisches Museum (Museum of Art History), the museum at Stubenring gives away part of the sculptures and takes over arts and crafts inventories of the collection Albert Figdor and the Kunsthistorisches Museum.
1937 / The Collection of the Museum of Art and Industry is newly set up by Richard Ernst according to periods. / / Oskar Kokoschka exhibition on the 50th birthday of the artist.
1938 / After the "Anschluss" (annexation) of Austria by Nazi Germany, the museum is renamed into "National Museum of Arts and Crafts in Vienna".
1939-1945 / The museums are taking over numerous confiscated private collections. The collection of the "State Museum of Arts and Crafts in Vienna" in this way also is enlarged.
1945 / Partial destruction of the museum building by impact of war. / / War losses on collection objects, even in the places of rescue of objects.
1946 / The return of the outsourced objects of art begins. A portion of the during the Nazi time expropriated objects is returned in the following years.
1947 / The "State Museum of Arts and Crafts in Vienna" is renamed into "Austrian Museum of Applied Arts".
1948 / The "Cathedral and Metropolitan Church of St. Stephen" organizes the exhibition The St. Stephen's Cathedral in the Museum of Applied Arts. History, monuments, reconstruction.
1949 / The Museum is reopened after repair of the war damages.
1950 / As last exhibition under director Richard Ernst takes place Great art from Austria's monasteries (Middle Ages).
1951 / Ignaz Schlosser is appointed manager.
1952 / The exhibition Social home decor, designed by Franz Schuster, makes the development of social housing in Vienna again the topic of the Museum of Applied Arts.
1955 / The comprehensive archive of the Wiener Werkstätte (workshop) is acquired.
1955-1985 / The Museum publishes the periodical ancient and modern art .
1956 / Exhibition New Form from Denmark, modern design from Scandinavia becomes topic of the museum and model.
1957 / On the occasion of the exhibition Venini Murano glass, the first presentation of Venini glass in Austria, there are significant purchases and donations for the collection of glass.
1958 / End of the directorate of Ignaz Schlosser
1959 / Viktor Griesmaier is appointed as new director.
1960 / Exhibition Artistic creation and mass production of Gustavsberg, Sweden. Role model of Swedish design for the Austrian art and crafts.
1963 / For the first time in Europe, in the context of a comprehensive exhibition art treasures from Iran are shown.
1964 / The exhibition Vienna around 1900 (organised by the Cultural Department of the City of Vienna) presents for the frist time after the Second World War, inter alia, arts and crafts of Art Nouveau. / / It is started with the systematic work off of the archive of the Wiener Werkstätte. / / On the occasion of the founding anniversary offers the exhibition 100 years Austrian Museum of Applied Arts using examples of historicism insights into the collection.
1965 / The Geymüllerschlössel (small castle) is as a branch of the Museum angegliedert (annexed). Simultaneously with the building came the important collection of Franz Sobek - old Viennese clocks, made between 1760 and the second half of the 19th Century - and furniture from the years 1800 to 1840 in the possession of the MAK.
1966 / In the exhibition Selection 66 selected items of modern Austrian interior designers (male and female ones) are brought together.
1967 / The Exhibition The Wiener Werkstätte. Modern Arts and Crafts from 1903 to 1932 is founding the boom that continues until today of Austria's most important design project in the 20th Century.
1968 / To Viktor Griesmaier follows Wilhelm Mrazek as director.
1969 / The exhibition Sitting 69 shows at the international modernism oriented positions of Austrian designers, inter alia by Hans Hollein.
1974 / For the first time outside of China Archaeological Finds of the People's Republic of China are shown in a traveling exhibition in the so-called Western world.
1979 / Gerhart Egger is appointed director.
1980 / The exhibition New Living. Viennese interior design 1918-1938 provides the first comprehensive presentation of the spatial art in Vienna during the interwar period.
1981 / Herbert Fux follows Gerhart Egger as director.
1984 / Ludwig Neustift is appointed interim director. / / Exhibition Achille Castiglioni: designer. First exhibition of the Italian designer in Austria
1986 / Peter Noever is appointed director and starts with the building up of the collection contemporary art.
1987 / Josef Hoffmann. Ornament between hope and crime is the first comprehensive exhibition on the work of the architect and designer.
1989-1993 / General renovation of the old buildings and construction of a two-storey underground storeroom and a connecting tract. A generous deposit for the collection and additional exhibit spaces arise.
1989 / Exhibition Carlo Scarpa. The other city, the first comprehensive exhibition on the work of the architect outside Italy.
1990 / exhibition Hidden impressions. Japonisme in Vienna 1870-1930, first exhibition on the theme of the Japanese influence on the Viennese Modernism.
1991 / exhibition Donald Judd Architecture, first major presentation of the artist in Austria.
1992 / Magdalena Jetelová domestication of a pyramid (installation in the MAK portico).
1993 / The permanent collection is newly put up, interventions of internationally recognized artists (Barbara Bloom, Eichinger oder Knechtl, Günther Förg, GANGART, Franz Graf, Jenny Holzer, Donald Judd, Peter Noever, Manfred Wakolbinger and Heimo Zobernig) update the prospects, in the sense of "Tradition and Experiment". The halls on Stubenring accommodate furthermore the study collection and the temporary exhibitions of contemporary artists reserved gallery. The building in the Weiskirchner street is dedicated to changing exhibitions. / / The opening exhibition Vito Acconci. The City Inside Us shows a room installation by New York artist.
1994 / The Gefechtsturm (defence tower) Arenbergpark becomes branch of the MAK. / / Start of the cooperation MAK/MUAR - Schusev State Museum of Architecture Moscow. / / Ilya Kabakov: The Red Wagon (installation on MAK terrace plateau).
1995 / The MAK founds the branch of MAK Center for Art and Architecture in Los Angeles, in the Schindler House and at the Mackey Apartments, MAK Artists and Architects-in-Residence Program starts in October 1995. / / Exhibition Sergei Bugaev Africa: Krimania.
1996 / For the exhibition Philip Johnson: Turning Point designs the American doyen of architectural designing the sculpture "Viennese Trio", which is located since 1998 at the Franz-Josefs-Kai/Schottenring.
1998 / The for the exhibition James Turrell. The other Horizon designed Skyspace today stands in the garden of MAK Expositur Geymüllerschlössel. / / Overcoming the utility. Dagobert Peche and the Wiener Werkstätte, the first comprehensive biography of the work of the designer of Wiener Werkstätte after the Second World War.
1999 / Due to the Restitution Act and the Provenance Research from now on numerous during the Nazi time confiscated objects are returned.
2000 / Outsourcing of Federal Museums, transformation of the museum into a "scientific institution under public law". / / The exhibition Art and Industry. The beginnings of the Austrian Museum of Applied Arts in Vienna is dealing with the founding history of the house and the collection.
2001 / In the course of the exhibition Franz West: No Mercy, for which the sculptor and installation artist developed his hitherto most extensive work, the "Four lemurs heads" are placed at the bridge Stubenbrücke, located next to the MAK. / / Dennis Hopper: A System of Moments.
2001-2002 / The CAT Project - Contemporary Art Tower after New York, Los Angeles, Moscow and Berlin is presented in Vienna.
2002 / Exhibition Nodes. symmetrical-asymmetrical. The historical Oriental Carpets of the MAK presents the extensive rug collection.
2003 / Exhibition Zaha Hadid. Architecture. / / For the anniversary of the artist workshop, takes place the exhibition The Price of Beauty. 100 years Wiener Werkstätte. / / Richard Artschwager: The Hydraulic Door Check. Sculpture, painting, drawing.
2004 / James Turrell's MAKlite is since November 2004 permanently on the facade of the building installed. / / Exhibition Peter Eisenmann. Barefoot on White-Hot Walls, large-scaled architectural installation on the work of the influential American architect and theorist.
2005 / Atelier Van Lieshout: The Disciplinator / / The exhibition Ukiyo-e Reloaded presents for the first time the collection of Japanese woodblock prints of the MAK on a large scale.
2006 / Since the beginning of the year, the birthplace of Josef Hoffmann in Brtnice of the Moravian Gallery in Brno and the MAK Vienna as a joint branch is run and presents annually special exhibitions. / / The exhibition The Price of Beauty. The Wiener Werkstätte and the Stoclet House brings the objects of the Wiener Werkstätte to Brussels. / / Exhibition Jenny Holzer: XX.
2007/2008 / Exhibition Coop Himmelb(l)au. Beyond the Blue, is the hitherto largest and most comprehensive museal presentation of the global team of architects.
2008 / The 1936 according to plans of Rudolph M. Schindler built Fitzpatrick-Leland House, a generous gift from Russ Leland to the MAK Center LA, becomes with the aid of a promotion that granted the Bureau of Educational and Cultural Affairs of the U.S. Department the MAK Center, center of the MAK UFI project - MAK Urban Future Initiative. / / Julian Opie: Recent Works / / The exhibition Recollecting. Looting and Restitution examines the status of efforts to restitute expropriated objects from Jewish property from museums in Vienna.
2009 / The permanent exhibition Josef Hoffmann: Inspiration is in the Josef Hoffmann Museum, Brtnice opened. / / Exhibition Anish Kapoor. Shooting into the Corner / / The museum sees itself as a promoter of Cultural Interchange and discusses in the exhibition Global:lab Art as a message. Asia and Europe 1500-1700 the intercultural as well as the intercontinental cultural exchange based on objects from the MAK and from international collections.
2011 / After Peter Noever's resignation, Martina Kandeler-Fritsch takes over temporarily the management. / /
Since 1 September Christoph Thun-Hohenstein is director of the MAK and declares "change through applied art" as the new theme of the museum.
2012 / With future-oriented examples of mobility, health, education, communication, work and leisure, shows the exhibition MADE4YOU. Designing for Change, the new commitment to positive change in our society through applied art. // Exhibition series MAK DESIGN SALON opens the MAK branch Geymüllerschlössel for contemporary design positions.
2012/2013 / opening of the newly designed MAK Collection Vienna 1900. Design / Decorative Arts from 1890 to 1938 in two stages as a prelude to the gradual transformation of the permanent collection under director Christoph Thun-Hohenstein
2013 / SIGNS, CAUGHT IN WONDER. Looking for Istanbul today shows a unique, current snapshot of contemporary art production in the context of Istanbul. // The potential of East Asian countries as catalysts for a socially and ecologically oriented, visionary architecture explores the architecture exhibition EASTERN PROMISES. Contemporary Architecture and production of space in East Asia. // With a focus on the field of furniture design NOMADIC FURNITURE 3.0. examines new living without bounds? the between subculture and mainstream to locate "do-it-yourself" (DIY) movement for the first time in a historical context.
2014 / Anniversary year 150 years MAK // opening of the permanent exhibition of the MAK Asia. China - Japan - Korea // Opening of the MAK permanent exhibition rugs // As central anniversary project opens the dynamic MAK DESIGN LABORATORY (redesign of the MAK Study Collection) exactly on the 150th anniversary of the museum on May 12, 2014 // Other major projects for the anniversary: ROLE MODELS. MAK 150 years: from arts and crafts to design // // HOLLEIN WAYS OF MODERN AGE. Josef Hoffmann, Adolf Loos and the consequences.
Steven Judy, murderer/rapist was executed by electric chair in 1981. He murdered and raped Terry Chasteen, and murdered her three young children Misty, Stephen and Mark. He raped and strangled Terry, and drowned the children in a creek. These graves are in Camby, IN.
What is it about the lulls in executing a passion that make it so hard to jump back into action?
My relationship with photography has become less lustful then when it commenced, years ago. So many questions have been asked and answered, lessons have been learned, boundaries found, we live comfortably with each other but there is a thrill from that beginning that has ebbed a bit. And I want that back.
This photograph was created with the help of my darling sister Eve, who sustained a very chilly bath, (made so by the sleeping water heater of the upstairs apartment. Anyone looking to rent?) and who is a born natural beauty! Those eyes, I mean!!
In the next two and a half weeks leading up to my move to France, I want to romance photography again, get to know a new depth of what it means to be a photographer, and continue to create, create, create!!
XOXO everyone!
🍂 And happy Autumn 🍁
Here is your sneak peak at "The Lost Saga." This is proof I am not just doing a small comic, this is going to be bigger, better, and filled to the top with action.
The estimate release date of Chapter 1 will be sometime this Fall.
If you want to be kept up to date with the progress, why not start here?
This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
Three men have been arrested after warrants were executed earlier this morning, Thursday 3 December 2020, at addresses in Manchester, Rochdale and Oldham.
The men were arrested on suspicion of firearms and drugs offences.
The arrests took place during raids at addresses in the Heywood, Chadderton, Miles Platting and Blackley of Greater Manchester.
The action forms part of Operation Foam – the GMP strand of the NCA-led Operation Venetic - which has seen law enforcement agencies across the UK join together in order to breakthrough a highly sophisticated encrypted global communication service, which was being used by organised crime groups.
Detective Inspector Ian McNabb of GMP’s Challenger Team, said: “Operation Foam is GMP’s dedicated strand of Operation Venetic, and it’s a mammoth operation that has required hours of complex and sophisticated investigative work.
“GMP is dedicated to ensuring our communities are kept safe and today’s result is another step forward in this mission. Organised criminal activity can not only have a devastating impact on individual lives but it can blight communities and GMP, alongside specialist agencies, will continue to disrupt and dismantle this activity.”
Anyone with information should contact Challenger Manchester on 0161 856 3933 Alternatively, details can be passed on anonymously via the independent charity Crimestoppers on 0800 555 111.
This 11-foot, 4-inch marble statue of George Washington was executed by Horatio Greenough in 1840. The piece was commissioned by Congress on July 14, 1832, to commemorate the centennial of Washington's birth. It arrived from Italy on July 31, 1841 and was installed in the Capitol Rotunda in December 1841. Due to its weight and lighting concerns of the dimly lit interior, the statue was moved outdoors to the east lawn shortly after its installation, and on May 22, 1908, a joint resolution from Congress authorized its transfer to the Smithsonian Institution. It remained at the Castle until 1964, when it was moved to the new Museum of History and Technology (now the National Museum of American History).
Greenough's sculpture depicts a seated figure of George Washington dressed in a classical robe and sandals with his right arm held up in the air and holding a sheathed sword in his left hand. He is nude from waist up. As soon as it arrived in the Capitol City, it attracted controversy and criticism. Greenough modeled his on a classical Greek statue of Zeus, but many Americans found the sight of a half-naked Washington offensive, even comical. After the statue was relocated to the east lawn, some joked that Washington was desperately reaching for his clothes, on exhibit at the Patent Office several blocks to the north.
The National Museum of American History (NMAH), administered by the Smithsonian Institute, collects, preserves and displays American heritage in the areas of social, political, cultural, scientific and military history. The museum, which first opened in 1964 as the Museum of History and Technology, is located on the National Mall in one of the last structures designed by McKim, Mead & White. It was renamed in 1980, and closed for a 2-year, $85 million renovation by Skidmore, Owings & Merrill LLP from 2006 to 2008.
The Smithsonian Institution, an educational and research institute and associated museum complex, administered and funded by the government of the United States and by funds from its endowment, contributions, and profits from its shops and its magazines, was established in 1846. Although concentrated in Washington DC, its collection of over 136 million items is spread through 19 museums, a zoo, and nine research centers from New York to Panama.
The Liechtenstein Garden Palace is a Baroque palace at the Fürstengasse in the 9th District of Vienna, Alsergrund . Between the palace, where the Liechtenstein Museum was until the end of 2011, and executed as Belvedere summer palace on the Alserbachstraße is a park. Since early 2012, the Liechtenstein Garden Palace is a place for events. Part of the private art collection of the Prince of Liechtenstein is still in the gallery rooms of the palace. In 2010 was started to call the palace, to avoid future confusion, officially the Garden Palace, since 2013 the city has renovated the Palais Liechtenstein (Stadtpalais) in Vienna's old town and then also equipped with a part of the Liechtenstein art collection.
Building
Design for the Liechtenstein Garden Palace, Johann Bernhard Fischer von Erlach in 1687/1688
Canaletto: View of Palais Liechtenstein
1687 bought Prince Johann Adam Andreas von Liechtenstein a garden with adjoining meadows of Count Weikhard von Auersperg in the Rossau. In the southern part of the property the prince had built a palace and in the north part he founded a brewery and a manorial, from which developed the suburb Lichtental. For the construction of the palace Johann Adam Andreas organised 1688 a competition, in the inter alia participating, the young Johann Bernhard Fischer von Erlach. Meanwhile, a little functional, " permeable " project was rejected by the prince but, after all, instead he was allowed to built a garden in the Belvedere Alserbachstraße 14, which , however, was canceled in 1872.
The competition was won by Domenico Egidio Rossi, but was replaced in 1692 by Domenico Martinelli. The execution of the stonework had been given the royal Hofsteinmetzmeister (master stonemason) Martin Mitschke. He was delivered by the Masters of Kaisersteinbruch Ambrose Ferrethi , Giovanni Battista Passerini and Martin Trumler large pillars, columns and pedestal made from stone Emperor (Kaiserstein). Begin of the contract was the fourth July 1689 , the total cost was around 50,000 guilders.
For contracts from the years 1693 and 1701 undertook the Salzburg master stonemason John and Joseph Pernegger owner for 4,060 guilders the steps of the great grand staircase from Lienbacher (Adnet = red) to supply marble monolith of 4.65 meters. From the Master Nicolaus Wendlinger from Hallein came the Stiegenbalustraden (stair balustrades) for 1,000 guilders.
A palazzo was built in a mix of city and country in the Roman-style villa. The structure is clear and the construction very blocky with a stressed central risalite, what served the conservative tastes of the Prince very much. According to the procedure of the architectural treatise by Johann Adam Andreas ' father, Karl Eusebius, the palace was designed with three floors and 13 windows axis on the main front and seven windows axis on the lateral front. Together with the stems it forms a courtyard .
Sala terrene of the Palais
1700 the shell was completed. In 1702, the Salzburg master stonemason and Georg Andreas Doppler took over 7,005 guilders for the manufacture of door frame made of white marble of Salzburg, 1708 was the delivery of the fireplaces in marble hall for 1,577 guilders. For the painted decoration was originally the Bolognese Marcantonio Franceschini hired, from him are some of the painted ceilings on the first floor. Since he to slow to the prince, Antonio Belucci was hired from Venice, who envisioned the rest of the floor. The ceiling painting in the Great Hall, the Hercules Hall but got Andrea Pozzo . Pozzo in 1708 confirmed the sum of 7,500 florins which he had received since 1704 for the ceiling fresco in the Marble Hall in installments. As these artists died ( Pozzo) or declined to Italy, the Prince now had no painter left for the ground floor.
After a long search finally Michael Rottmayr was hired for the painting of the ground floor - originally a temporary solution, because the prince was of the opinion that only Italian artist buon gusto d'invenzione had. Since Rottmayr was not involved in the original planning, his paintings not quite fit with the stucco. Rottmayr 1708 confirmed the receipt of 7,500 guilders for his fresco work.
Giovanni Giuliani, who designed the sculptural decoration in the window roofing of the main facade, undertook in 1705 to provide sixteen stone vases of Zogelsdorfer stone. From September 1704 to August 1705 Santino Bussi stuccoed the ground floor of the vault of the hall and received a fee of 1,000 florins and twenty buckets of wine. 1706 Bussi adorned the two staircases, the Marble Hall, the Gallery Hall and the remaining six halls of the main projectile with its stucco work for 2,200 florins and twenty buckets of wine. Giuliani received in 1709 for his Kaminbekrönungen (fireplace crowning) of the great room and the vases 1,128 guilders.
Garden
Liechtenstein Palace from the garden
The new summer palace of Henry of Ferstel from the garden
The garden was created in the mind of a classic baroque garden. The vases and statues were carried out according to the plans of Giuseppe Mazza from the local Giovanni Giuliani. In 1820 the garden has been remodeled according to plans of Joseph Kornhäusel in the Classical sense. In the Fürstengasse was opposite the Palais, the Orangerie, built 1700s.
Use as a museum
Already from 1805 to 1938, the palace was housing the family collection of the house of Liechtenstein, which was also open for public viewing, the collection was then transferred to the Principality of Liechtenstein, which remained neutral during the war and was not bombed. In the 1960s and 1970s, the so-called Building Centre was housed in the palace as a tenant, a permanent exhibition for builders of single-family houses and similar buildings. From 26 April 1979 rented the since 1962 housed in the so-called 20er Haus Museum of the 20th Century , a federal museum, the palace as a new main house, the 20er Haus was continued as a branch . Since the start of operations at the Palais, the collection called itself Museum of Modern Art (since 1991 Museum of Modern Art Ludwig Foundation ), the MUMOK in 2001 moved to the newly built museum district.
From 29 March 2004 till the end of 2011 in the Palace was the Liechtenstein Museum, whose collection includes paintings and sculptures from five centuries. The collection is considered one of the largest and most valuable private art collections in the world, whose main base in Vaduz (Liechtenstein) is . As the palace, so too the collection is owned by the Prince of Liechtenstein Foundation .
On 15 November 2011 it was announced that the regular museum operating in the Garden Palace was stopped due to short of original expectations, visiting numbers remaining lower as calculated, with January 2012. The Liechtenstein City Palace museum will also not offer regular operations. Exhibited works of art would then (in the city palace from 2013) only during the "Long Night of the Museums", for registered groups and during leased events being visitable. The name of the Liechtenstein Museum will no longer be used.
de.wikipedia.org/wiki/Palais_Liechtenstein_(F%C3%BCrstengasse)
This morning, Thursday 2 February 2017, officers executed warrants at addresses across Miles Platting and Ancoats.
The warrants were executed as part of Operation Rudow a multi-agency operation targeting organised crime and the supply of drugs across Greater Manchester.
Chief Inspector Andy Cunliffe, of GMP’s City of Manchester team, said: "Drugs ruin lives and destroy communities. We will systematically root out and dismantle groups that seek to profit from flooding our streets with drugs.
"Today, we have made arrests after executing warrants across North Manchester.
"By sharing information with our partners, we are better equipped to tackle organised crime and make it impossible for them to profit from it.
"I'd like to thank the community who came forward with information that has proved vital in making this enforcement action a success.
“We still however, need people to come forward with information to prevent people from benefiting from the proceeds of crime at the demise of others. If you know about it, report it.
"Organised crime has no place on the streets of Greater Manchester and we will continue to work tirelessly to remove the scourge of criminal gangs."
Anyone with information should contact police on 101 or Crimestoppers, anonymously, on 0800 555 111.
Conflict Between India And The West Pakistan: The Birth Of Bangladesh. The end of the conflict in East Pakistan (which proclaimed its independence on March 25, 1971 under the name of Bangladesh), between the Bengalis backed by India, in West Pakistan: execution of armed collaborators of Pakistan Army by Mukti Bahini; in GHINGERGACHA, near Jessore, the first "liberated" village in the region that suffered the most from the massacres of the population by Pakistani troops.
Pakistan Army & their collaborators committed genocide against Bengalis. More than three million Bengalis killed & half a million Bengali women were raped by Pakistan Army & their collaborators.
November 01, 1971
(Photo by Jack Garofalo / Paris Match via Getty Images)
a bit poorly executed but sometimes when i drink i like to take pictures and this is the outcome. the light painting was a lot harder on the darker car and being inebriated i wasn't able to keep the lines as straight as i wanted them to be. oh well
a little over 100 shots stacked. first time i messed with white balance and i kind of liked the redish sky vs the blue of the car.
side note:
ive been thinking of trying to do one in one single frame but finding a place where there is no light is becoming quite difficult
CBP officers from the Office of Field Operations and agents from the U.S. Border Patrol and Air and Marine Operations execute a planned readiness exercise at the San Ysidro Port of Entry. The exercise is designed to evaluate readiness and assess the capabilities of CBP facilities to make necessary preparations. November 22, 2018. CBP photo by Shawn Moore.
Nymph (Central Figure for "The Three Graces") was originally executed in 1930 by Aristide Maillol, and cast in 1953. The nude female bronze figure is the central figure from the artist's sculpture of The Three Graces, which shows the three female figures holding hands as they are about to start dancing. It was acquired as a gift of Joseph H. Hirshhorn in 1966, purchased from the Curt Valentin Gallery in 1955.
The Hirshhorn Museum and Sculpture Garden, with an emphasis on contemporary and modern art, was established by Act of Congress in 1966. Gordon Bunshaft's museum and 4-acre garden complex with a two-level sculpture garden opened along the National Mall in 1974.
The Smithsonian Institution, an educational and research institute and associated museum complex, administered and funded by the government of the United States and by funds from its endowment, contributions, and profits from its shops and its magazines, was established in 1846. Although concentrated in Washington DC, its collection of over 136 million items is spread through 19 museums, a zoo, and nine research centers from New York to Panama.
Detail of the Baptistry Window, a masterpiece of abstract stained glass designed by John Piper and executed by Patrick Reyntiens.
Coventry's Cathedral is a unique synthesis of old a new, born of wartime suffering and forged in the spirit of postwar optimism, famous for it's history and for being the most radically modern of Anglican cathedrals. Two cathedral's stand side by side, the ruins of the medieval building, destroyed by incendiary bombs in 1940 and the bold new building designed by Basil Spence and opened in 1962.
It is a common misconception that Coventry lost it's first cathedral in the wartime blitz, but the bombs actually destroyed it's second; the original medieval cathedral was the monastic St Mary's, a large cruciform building believed to have been similar in appearance to Lichfield Cathedral (whose diocese it shared). Tragically it became the only English cathedral to be destroyed during the Reformation, after which it was quickly quarried away, leaving only scant fragments, but enough evidence survives to indicate it's rich decoration (some pieces were displayed nearby in the Priory Visitors Centre, sadly since closed). Foundations of it's apse were found during the building of the new cathedral in the 1950s, thus technically three cathedrals share the same site.
The mainly 15th century St Michael's parish church became the seat of the new diocese of Coventry in 1918, and being one of the largest parish churches in the country it was upgraded to cathedral status without structural changes (unlike most 'parish church' cathedrals created in the early 20th century). It lasted in this role a mere 22 years before being burned to the ground in the 1940 Coventry Blitz, leaving only the outer walls and the magnificent tapering tower and spire (the extensive arcades and clerestoreys collapsed completely in the fire, precipitated by the roof reinforcement girders, installed in the Victorian restoration, that buckled in the intense heat).
The determination to rebuild the cathedral in some form was born on the day of the bombing, however it wasn't until the mid 1950s that a competition was held and Sir Basil Spence's design was chosen. Spence had been so moved by experiencing the ruined church he resolved to retain it entirely to serve as a forecourt to the new church. He envisaged the two being linked by a glass screen wall so that the old church would be visible from within the new.
Built between 1957-62 at a right-angle to the ruins, the new cathedral attracted controversy for it's modern form, and yet some modernists argued that it didn't go far enough, after all there are echoes of the Gothic style in the great stone-mullioned windows of the nave and the net vaulting (actually a free-standing canopy) within. What is exceptional is the way art has been used as such an integral part of the building, a watershed moment, revolutionising the concept of religious art in Britain.
Spence employed some of the biggest names in contemporary art to contribute their vision to his; the exterior is adorned with Jacob Epstein's triumphant bronze figures of Archangel Michael (patron of the cathedral) vanquishing the Devil. At the entrance is the remarkable glass wall, engraved by John Hutton with strikingly stylised figures of saints and angels, and allowing the interior of the new to communicate with the ruin. Inside, the great tapestry of Christ in majesty surrounded by the evangelistic creatures, draws the eye beyond the high altar; it was designed by Graham Sutherland and was the largest tapestry ever made.
However one of the greatest features of Coventry is it's wealth of modern stained glass, something Spence resolved to include having witnessed the bleakness of Chartres Cathedral in wartime, all it's stained glass having been removed. The first window encountered on entering is the enormous 'chess-board' baptistry window filled with stunning abstract glass by John Piper & Patrick Reyntiens, a symphony of glowing colour. The staggered nave walls are illuminated by ten narrow floor to ceiling windows filled with semi-abstract symbolic designs arranged in pairs of dominant colours (green, red, multi-coloured, purple/blue and gold) representing the souls journey to maturity, and revealed gradually as one approaches the altar. This amazing project was the work of three designers lead by master glass artist Lawrence Lee of the Royal College of Art along with Keith New and Geoffrey Clarke (each artist designed three of the windows individually and all collaborated on the last).
The cathedral still dazzles the visitor with the boldness of it's vision, but alas, half a century on, it was not a vision to be repeated and few of the churches and cathedrals built since can claim to have embraced the synthesis of art and architecture in the way Basil Spence did at Coventry.
The cathedral is generally open to visitors most days. For more see below:-
Hermann Herdtle (1848-1926)
Chest for the Imperial Royal Austrian Museum of Art and Industry
Vienna, 1894
Execution: Kölbl and Threm, oil painting by Prof. Rudolf Rössler
Limewood, softwood
Executed for the Imperial Royal Austrian Museum of Art and Industry, at the expense of the Hoftiteltaxfonds endowwnment
Hermann Herdtle (1848-1926)
Truhe für das k. k. Österreichische Museum für Kunst und Industrie
Wien, 1894
Ausführung: Kölbl und Threm, Ölgemälde von Prof. Rudolf Rössler
Lindenholz, Weichholz
H 854/1895, ausgeführt für das k. k. Österreichische Museum für Kunst und Industrie, zu Kosten des Hoftiteltaxfonds
The history of the Austrian Museum of Applied Art/Contemporary Art
1863 / After many years of efforts by Rudolf Eitelberger decides emperor Franz Joseph I on 7 March on the initiative of his uncle archduke Rainer, following the model of the in 1852 founded South Kensington Museum (now the Victoria and Albert Museum, London) the establishment of the "k.u.k. Austrian Museum for Art and Industry" and appoints Rudolf von Eitelberger, the first professor of art history at the University of Vienna director. The museum should be serving as a specimen collection for artists, industrialists, and public and as a training and education center for designers and craftsmen.
1864/ on 12th of May, opened the museum - provisionally in premises of the ball house next to the Vienna Hofburg, the architect Heinrich von Ferstel for museum purposes had adapted. First exhibited objects are loans and donations from the imperial collections, monasteries, private property and from the k.u.k. Polytechnic in Vienna. Reproductions, masters and plaster casts are standing value-neutral next originals.
1865-1897 / The Museum of Art and Industry publishes the journal Communications of Imperial (k.u.k.) Austrian Museum for Art and Industry .
1866 / Due to the lack of space in the ballroom the erection of an own museum building is accelerated. A first project of Rudolf von Eitelberger and Heinrich von Ferstel provides the integration of the museum in the project of imperial museums in front of the Hofburg Imperial Forum. Only after the failure of this project, the site of the former Exerzierfelds (parade ground) of the defense barracks before Stubentor the museum here is assigned, next to the newly created city park at the still being under development Rind Road.
1867 / Theoretical and practical training are combined with the establishment of the School of Applied Arts. This will initially be housed in the old gun factory, Währinger street 11-13/Schwarzspanier street 17, Vienna 9.
1868 / With the construction of the building at Stubenring is started as soon as it is approved by emperor Franz Joseph I. the second draft of Heinrich Ferstel.
1871 / The opening of the building at Stubering takes place after three years of construction, 15 November. Designed according to plans by Heinrich von Ferstel in the Renaissance style, it is the first built museum building at the Ring. Objects from now on could be placed permanently and arranged according to main materials. / / The School of Arts and Crafts (Kunstgewerbeschule) moves into the house at Stubenring. / / Opening of Austrian arts and crafts exhibition.
1873 / Vienna World Exhibition. / / The Museum of Art and Industry and the Vienna School of Arts and Crafts are exhibiting together at Stubenring. / / Rudolf von Eitelberger organizes in the framework of the World Exhibition the worldwide first international art scientific congress in Vienna, thus emphasizing the orientation of the Museum on teaching and research. / / During the World Exhibition major purchases for the museum from funds of the Ministry are made, eg 60 pages of Indo-Persian Journal Mughal manuscript Hamzanama.
1877 / decision on the establishment of taxes for the award of Hoftiteln (court titels). With the collected amounts the local art industry can be promoted. / / The new building of the School of Arts and Crafts, adjoining the museum, Stubenring 3, also designed by Heinrich von Ferstel, is opened.
1878 / participation of the Museum of Art and Industry as well as of the School of Arts and Crafts at the Paris World Exhibition.
1884 / founding of the Vienna Arts and Crafts Association with seat in the museum. Many well-known companies and workshops (led by J. & L. Lobmeyr), personalities and professors of the School of Arts and Crafts join the Arts and Crafts Association. Undertaking of this association is to further develop all creative and executive powers the arts and craft since the 1860s has obtained. For this reason are organized various times changing, open to the public exhibitions at the Imperial Austrian Museum for Art and Industry. The exhibits can also be purchased. These new, generously carried out exhibitions give the club the necessary national and international resonance.
1885 / After the death of Rudolf von Eitelberger, Jacob von Falke, his longtime deputy, is appointed manager. Falke plans all collection areas al well as publications to develop newly and systematically. With his popular publications he influences significantly the interior design style of the historicism in Vienna.
1888 / The Empress Maria Theresa exhibition revives the contemporary discussion with the high Baroque in the history of art and in applied arts in particular.
1895 / end of directorate of Jacob von Falke. Bruno Bucher, longtime curator of the Museum of metal, ceramic and glass, and since 1885 deputy director, is appointed director.
1896 / The Vienna Congress exhibition launches the confrontation with the Empire and Biedermeier style, the sources of inspiration of Viennese Modernism.
1897 / end of the directorate of Bruno Bucher. Arthur von Scala, director of the Imperial Oriental Museum in Vienna since its founding in 1875 (renamed Imperial Austrian Trade Museum 1887), takes over the management of the Museum of Art and Industry. / / Scala wins Otto Wagner, Felician of Myrbach, Koloman Moser, Josef Hoffmann and Alfred Roller to work at the museum and School of Arts and Crafts. / / The style of the Secession is crucial for the Arts and Crafts School. Scala propagates the example of the Arts and Crafts Movement and makes appropriate acquisitions for the museum's collection.
1898 / Due to differences between Scala and the Arts and Crafts Association, which sees its influence on the Museum wane, archduke Rainer puts down his function as protector. / / New statutes are written.
1898-1921 / The Museum magazine Art and Crafts replaces the Mittheilungen (Communications) and soon gaines international reputation.
1900 / The administration of Museum and Arts and Crafts School is disconnected.
1904 / The Exhibition of Old Vienna porcelain, the to this day most comprehensive presentation on this topic, brings with the by the Museum in 1867 definitely taken over estate of the "k.u.k. Aerarial Porcelain Manufactory" (Vienna Porcelain Manufactory) important pieces of collectors from all parts of the Habsburg monarchy together.
1907 / The Museum of Art and Industry takes over the majority of the inventories of the Imperial Austrian Trade Museum, including the by Arthur von Scala founded Asia collection and the extensive East Asian collection of Heinrich von Siebold .
1908 / Integration of the Museum of Art and Industry in the Imperial and Royal Ministry of Public Works.
1909 / separation of Museum and Arts and Crafts School, the latter remains subordinated to the Ministry of Culture and Education. / / After three years of construction, the according to plans of Ludwig Baumann extension building of the museum (now Weiskirchnerstraße 3, Wien 1) is opened. The museum thereby receives rooms for special and permanent exhibitions. / / Arthur von Scala retires, Eduard Leisching follows him as director. / / Revision of the statutes.
1909 / Archduke Carl exhibition. For the centenary of the Battle of Aspern. / / The Biedermeier style is discussed in exhibitions and art and arts and crafts.
1914 / Exhibition of works by the Austrian Art Industry from 1850 to 1914, a competitive exhibition that highlights, among other things, the role model of the museum for arts and crafts in the fifty years of its existence.
1919 / After the founding of the First Republic it comes to assignments of former imperial possession to the museum, for example, of oriental carpets that are shown in an exhibition in 1920. The Museum now has one of the finest collections of oriental carpets worldwide.
1920 / As part of the reform of museums of the First Republic, the collection areas are delimited. The Antiquities Collection of the Museum of Art and Industry is given away to the Museum of Art History.
1922 / The exhibition of glasses of classicism, the Empire and Biedermeier time offers with precious objects from the museum and private collections an overview of the art of glassmaking from the former Austro-Hungarian Empire. / / Biedermeier glass serves as a model for contemporary glass production and designs, such as of Josef Hoffmann.
1922 / affiliation of the museal inventory of the royal table and silver collection to the museum. Until the institutional separation the former imperial household and table decoration is co-managed by the Museum of Art and Industry and is inventoried for the first time by Richard Ernst.
1925 / After the end of the directorate of Eduard Leisching, Hermann Trenkwald is appointed director.
1926 / The exhibition Gothic in Austria gives a first comprehensive overview of the Austrian panel painting and of arts and crafts of the 12th to 16th Century.
1927 / August Schestag succeeds Hermann Trenkwald as director.
1930 / The Werkbund (artists' organization) Exhibition Vienna, a first comprehensive presentation of the Austrian Werkbund, takes place on the occasion of the meeting of the Deutscher (German) Werkbund in Austria, it is organized by Josef Hoffmann in collaboration with Oskar Strnad, Josef Frank, Ernst Lichtblau and Clemens Holzmeister.
1931 / August Schestag concludes his directorate.
1932 / Richard Ernst is new director.
1936 and 1940 / In exchange with the Kunsthistorisches Museum (Museum of Art History), the museum at Stubenring gives away part of the sculptures and takes over arts and crafts inventories of the collection Albert Figdor and the Kunsthistorisches Museum.
1937 / The Collection of the Museum of Art and Industry is newly set up by Richard Ernst according to periods. / / Oskar Kokoschka exhibition on the 50th birthday of the artist.
1938 / After the "Anschluss" (annexation) of Austria by Nazi Germany, the museum is renamed into "National Museum of Arts and Crafts in Vienna".
1939-1945 / The museums are taking over numerous confiscated private collections. The collection of the "State Museum of Arts and Crafts in Vienna" in this way also is enlarged.
1945 / Partial destruction of the museum building by impact of war. / / War losses on collection objects, even in the places of rescue of objects.
1946 / The return of the outsourced objects of art begins. A portion of the during the Nazi time expropriated objects is returned in the following years.
1947 / The "State Museum of Arts and Crafts in Vienna" is renamed into "Austrian Museum of Applied Arts".
1948 / The "Cathedral and Metropolitan Church of St. Stephen" organizes the exhibition The St. Stephen's Cathedral in the Museum of Applied Arts. History, monuments, reconstruction.
1949 / The Museum is reopened after repair of the war damages.
1950 / As last exhibition under director Richard Ernst takes place Great art from Austria's monasteries (Middle Ages).
1951 / Ignaz Schlosser is appointed manager.
1952 / The exhibition Social home decor, designed by Franz Schuster, makes the development of social housing in Vienna again the topic of the Museum of Applied Arts.
1955 / The comprehensive archive of the Wiener Werkstätte (workshop) is acquired.
1955-1985 / The Museum publishes the periodical ancient and modern art .
1956 / Exhibition New Form from Denmark, modern design from Scandinavia becomes topic of the museum and model.
1957 / On the occasion of the exhibition Venini Murano glass, the first presentation of Venini glass in Austria, there are significant purchases and donations for the collection of glass.
1958 / End of the directorate of Ignaz Schlosser
1959 / Viktor Griesmaier is appointed as new director.
1960 / Exhibition Artistic creation and mass production of Gustavsberg, Sweden. Role model of Swedish design for the Austrian art and crafts.
1963 / For the first time in Europe, in the context of a comprehensive exhibition art treasures from Iran are shown.
1964 / The exhibition Vienna around 1900 (organised by the Cultural Department of the City of Vienna) presents for the frist time after the Second World War, inter alia, arts and crafts of Art Nouveau. / / It is started with the systematic work off of the archive of the Wiener Werkstätte. / / On the occasion of the founding anniversary offers the exhibition 100 years Austrian Museum of Applied Arts using examples of historicism insights into the collection.
1965 / The Geymüllerschlössel (small castle) is as a branch of the Museum angegliedert (annexed). Simultaneously with the building came the important collection of Franz Sobek - old Viennese clocks, made between 1760 and the second half of the 19th Century - and furniture from the years 1800 to 1840 in the possession of the MAK.
1966 / In the exhibition Selection 66 selected items of modern Austrian interior designers (male and female ones) are brought together.
1967 / The Exhibition The Wiener Werkstätte. Modern Arts and Crafts from 1903 to 1932 is founding the boom that continues until today of Austria's most important design project in the 20th Century.
1968 / To Viktor Griesmaier follows Wilhelm Mrazek as director.
1969 / The exhibition Sitting 69 shows at the international modernism oriented positions of Austrian designers, inter alia by Hans Hollein.
1974 / For the first time outside of China Archaeological Finds of the People's Republic of China are shown in a traveling exhibition in the so-called Western world.
1979 / Gerhart Egger is appointed director.
1980 / The exhibition New Living. Viennese interior design 1918-1938 provides the first comprehensive presentation of the spatial art in Vienna during the interwar period.
1981 / Herbert Fux follows Gerhart Egger as director.
1984 / Ludwig Neustift is appointed interim director. / / Exhibition Achille Castiglioni: designer. First exhibition of the Italian designer in Austria
1986 / Peter Noever is appointed director and starts with the building up of the collection contemporary art.
1987 / Josef Hoffmann. Ornament between hope and crime is the first comprehensive exhibition on the work of the architect and designer.
1989-1993 / General renovation of the old buildings and construction of a two-storey underground storeroom and a connecting tract. A generous deposit for the collection and additional exhibit spaces arise.
1989 / Exhibition Carlo Scarpa. The other city, the first comprehensive exhibition on the work of the architect outside Italy.
1990 / exhibition Hidden impressions. Japonisme in Vienna 1870-1930, first exhibition on the theme of the Japanese influence on the Viennese Modernism.
1991 / exhibition Donald Judd Architecture, first major presentation of the artist in Austria.
1992 / Magdalena Jetelová domestication of a pyramid (installation in the MAK portico).
1993 / The permanent collection is newly put up, interventions of internationally recognized artists (Barbara Bloom, Eichinger oder Knechtl, Günther Förg, GANGART, Franz Graf, Jenny Holzer, Donald Judd, Peter Noever, Manfred Wakolbinger and Heimo Zobernig) update the prospects, in the sense of "Tradition and Experiment". The halls on Stubenring accommodate furthermore the study collection and the temporary exhibitions of contemporary artists reserved gallery. The building in the Weiskirchner street is dedicated to changing exhibitions. / / The opening exhibition Vito Acconci. The City Inside Us shows a room installation by New York artist.
1994 / The Gefechtsturm (defence tower) Arenbergpark becomes branch of the MAK. / / Start of the cooperation MAK/MUAR - Schusev State Museum of Architecture Moscow. / / Ilya Kabakov: The Red Wagon (installation on MAK terrace plateau).
1995 / The MAK founds the branch of MAK Center for Art and Architecture in Los Angeles, in the Schindler House and at the Mackey Apartments, MAK Artists and Architects-in-Residence Program starts in October 1995. / / Exhibition Sergei Bugaev Africa: Krimania.
1996 / For the exhibition Philip Johnson: Turning Point designs the American doyen of architectural designing the sculpture "Viennese Trio", which is located since 1998 at the Franz-Josefs-Kai/Schottenring.
1998 / The for the exhibition James Turrell. The other Horizon designed Skyspace today stands in the garden of MAK Expositur Geymüllerschlössel. / / Overcoming the utility. Dagobert Peche and the Wiener Werkstätte, the first comprehensive biography of the work of the designer of Wiener Werkstätte after the Second World War.
1999 / Due to the Restitution Act and the Provenance Research from now on numerous during the Nazi time confiscated objects are returned.
2000 / Outsourcing of Federal Museums, transformation of the museum into a "scientific institution under public law". / / The exhibition Art and Industry. The beginnings of the Austrian Museum of Applied Arts in Vienna is dealing with the founding history of the house and the collection.
2001 / In the course of the exhibition Franz West: No Mercy, for which the sculptor and installation artist developed his hitherto most extensive work, the "Four lemurs heads" are placed at the bridge Stubenbrücke, located next to the MAK. / / Dennis Hopper: A System of Moments.
2001-2002 / The CAT Project - Contemporary Art Tower after New York, Los Angeles, Moscow and Berlin is presented in Vienna.
2002 / Exhibition Nodes. symmetrical-asymmetrical. The historical Oriental Carpets of the MAK presents the extensive rug collection.
2003 / Exhibition Zaha Hadid. Architecture. / / For the anniversary of the artist workshop, takes place the exhibition The Price of Beauty. 100 years Wiener Werkstätte. / / Richard Artschwager: The Hydraulic Door Check. Sculpture, painting, drawing.
2004 / James Turrell's MAKlite is since November 2004 permanently on the facade of the building installed. / / Exhibition Peter Eisenmann. Barefoot on White-Hot Walls, large-scaled architectural installation on the work of the influential American architect and theorist.
2005 / Atelier Van Lieshout: The Disciplinator / / The exhibition Ukiyo-e Reloaded presents for the first time the collection of Japanese woodblock prints of the MAK on a large scale.
2006 / Since the beginning of the year, the birthplace of Josef Hoffmann in Brtnice of the Moravian Gallery in Brno and the MAK Vienna as a joint branch is run and presents annually special exhibitions. / / The exhibition The Price of Beauty. The Wiener Werkstätte and the Stoclet House brings the objects of the Wiener Werkstätte to Brussels. / / Exhibition Jenny Holzer: XX.
2007/2008 / Exhibition Coop Himmelb(l)au. Beyond the Blue, is the hitherto largest and most comprehensive museal presentation of the global team of architects.
2008 / The 1936 according to plans of Rudolph M. Schindler built Fitzpatrick-Leland House, a generous gift from Russ Leland to the MAK Center LA, becomes with the aid of a promotion that granted the Bureau of Educational and Cultural Affairs of the U.S. Department the MAK Center, center of the MAK UFI project - MAK Urban Future Initiative. / / Julian Opie: Recent Works / / The exhibition Recollecting. Looting and Restitution examines the status of efforts to restitute expropriated objects from Jewish property from museums in Vienna.
2009 / The permanent exhibition Josef Hoffmann: Inspiration is in the Josef Hoffmann Museum, Brtnice opened. / / Exhibition Anish Kapoor. Shooting into the Corner / / The museum sees itself as a promoter of Cultural Interchange and discusses in the exhibition Global:lab Art as a message. Asia and Europe 1500-1700 the intercultural as well as the intercontinental cultural exchange based on objects from the MAK and from international collections.
2011 / After Peter Noever's resignation, Martina Kandeler-Fritsch takes over temporarily the management. / /
Since 1 September Christoph Thun-Hohenstein is director of the MAK and declares "change through applied art" as the new theme of the museum.
2012 / With future-oriented examples of mobility, health, education, communication, work and leisure, shows the exhibition MADE4YOU. Designing for Change, the new commitment to positive change in our society through applied art. // Exhibition series MAK DESIGN SALON opens the MAK branch Geymüllerschlössel for contemporary design positions.
2012/2013 / opening of the newly designed MAK Collection Vienna 1900. Design / Decorative Arts from 1890 to 1938 in two stages as a prelude to the gradual transformation of the permanent collection under director Christoph Thun-Hohenstein
2013 / SIGNS, CAUGHT IN WONDER. Looking for Istanbul today shows a unique, current snapshot of contemporary art production in the context of Istanbul. // The potential of East Asian countries as catalysts for a socially and ecologically oriented, visionary architecture explores the architecture exhibition EASTERN PROMISES. Contemporary Architecture and production of space in East Asia. // With a focus on the field of furniture design NOMADIC FURNITURE 3.0. examines new living without bounds? the between subculture and mainstream to locate "do-it-yourself" (DIY) movement for the first time in a historical context.
2014 / Anniversary year 150 years MAK // opening of the permanent exhibition of the MAK Asia. China - Japan - Korea // Opening of the MAK permanent exhibition rugs // As central anniversary project opens the dynamic MAK DESIGN LABORATORY (redesign of the MAK Study Collection) exactly on the 150th anniversary of the museum on May 12, 2014 // Other major projects for the anniversary: ROLE MODELS. MAK 150 years: from arts and crafts to design // // HOLLEIN WAYS OF MODERN AGE. Josef Hoffmann, Adolf Loos and the consequences.
Otto Wergin, accused of aiding his friends’ son Herbert Haupt in a Nazi-organized effort to conducted sabotage in the United States during World War II, is shown in a mugshot after his arrest in 1942.
A Washington Star photo editor has placed an X over the image on the left.
Otto Wergin was born in 1896 in Arenswalde, Germany and served in the German Navy during World War I. He came to the came to the United States from Konigsberg, Prussia with his wife Kate and two children in 1926. The couple lived in Chicago with their son Wolfgang, born in 1924, and daughter Irene, born in 1922.
Wergin became a naturalized citizen in 1936 and was alleged to have been a close associate of the German-American Bund, a pro-Nazi organization.
The Wergins were charged with being fully advised of Haupt’s plans for sabotage. Their son Wolfgang had also accompanied Haupt on his trip to Germany in 1940 where Haupt was recruited as a spy. Wolfgang served in the Nazi regime’s army on the Eastern Front for three years during World War II.
Six relatives and friends of Nazi saboteur Herbert Haupt, who was executed with five others in August 1942, faced charges of aiding Haupt in his effort to carry out sabotage of U.S. factories, transportation infrastructure and other facilities.
The six were among 14 people in the United States indicted in 1942 for aiding the eight convicted Nazi saboteurs--six of whom were executed, one received a life sentence and one received 30 years imprisonment following a Washington, D.C. military trial.
A three week civilian trial in Chicago of those six charged with aiding the saboteurs ended November 14, 1942. Found guilty of treason and aiding and sheltering Herbert Hans Haupt were Hans and Erna Haupt, Herbert Haupt’s parents; Walter and Lucille Froehling, Herbert Haupt’s uncle and aunt; and Otto and Kate Wergin, family friends of the Haupts and Froehlings.
On November 24th, Federal Judge William J. Campbell sentenced the three men to death and gave the women twenty-five year prison sentences and fined $10,000 each.
“The sentence must serve notice upon the enemy that the cunningly devised scheme for the use of American citizens of German birth as pawns in the game of sabotage and espionage in this country is doomed to failure.”
“How different this trial was from the treatment given in Germany to persons accused of similar offense against the German Reich.
“In pronouncing this sentence upon these six men and women this court is constrained to give full consideration to the fact that our nation, and every man, woman and child in it, are engaged in a global death struggle against forces of tyranny and evil unprecedented in the history of mankind. Our enemies seek to destroy us both by force of arms on our far flung battlefronts and through disaffection and treacherous sabotage within our borders.”
“The home front in our titanic struggle against the enemy is equally important and certainly more vulnerable than our battle lines. This is a war of people against people, as well as cannon and cannon. To endanger this home front, therefore, is as treasonable act as the act of spiking our guns in the face of the foe.”
On June 29, 1943, the U.S. Court of Appeals overturned the verdict, citing serious errors in the proceedings. The ruling saved the three men from the electric chair.
Among the trial errors cited was the admissibility of “confessions” that had been obtained by the FBI without advising the defendants of their right to counsel and prior to their arraignment on charges. The judge’s denial of motions to sever the defendants trials from each other was another error.
Otto Wergin and Walter Froehling pled guilty July 22, 1944 to misprision of treason (deliberate concealment of knowledge of treason) and were sentenced to five years each in prison.
Hans M. Haupt was tried a second time on treason charges, convicted and sentenced to life imprisonment and fined $10,000
Charges were dropped against the wives of the defendants, including Kate Wergin. However, Erna Haupt was interred for the duration of the war, had her citizenship revoked and was deported to the American sector in Germany after the war ended.
Hans Haupt, a formerly naturalized U.S. citizen, was granted clemency by U.S. President Dwight Eisenhower in 1957 and scheduled for deportation to Germany.
The conditions of Haupt’s release provided that if he set foot on American soil, the clemency would be automatically revoked and he would be returned to prison for the rest of his life. Haupt had already lost his citizenship upon his conviction.
For more information and related images, see flic.kr/s/aHsmPiRmT4
The photographer is unknown. The image is believed to be a U.S. government photograph. It is housed in the D.C. Library Washington Star Collection.
This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
Early morning raids saw four arrested as officers executed several drug warrants across Tameside.
Today (Wednesday 19 June 2019) warrants were executed across seven addresses as part of a crackdown on the supply of Class A and B drugs – codenamed Operation Leporine.
Following today’s action, two men – aged 21 and 27 – and two women – aged 21 and 52 - have been arrested on suspicion of possession with intent to supply Class A and B drugs.
Sergeant Stephanie O’Brien, of GMP’s Tameside district, said: “At present we have four people in custody and as part of this morning’s operation we have been able to seize a significant quantity of drugs.
“I would like to thank the team here in Tameside who, as part of Operation Leporine, have worked tirelessly in order to bring a sophisticated and audacious group of offenders to justice.
“The supply of illegal drugs blights communities and destroys people’s livelihoods; and I hope that today’s very direct and visible action demonstrates to the local community that we are doing all that we to make the streets of Tameside a safer place.
“It will remain a top priority for us to continue to tackle the influx of drugs in the area, however we cannot do this alone and I would appeal directly to the community and those most affected to please come forward with any information that could assist us in what continues to be an ongoing operation.”
Anyone with information should contact police on 101, or alternatively reports can be made to the independent charity Crimestoppers, anonymously on 0800 555 111.
To find out more about Greater Manchester Police please visit our website. www.gmp.police.uk
You should call 101, the national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
Police have today executed a number of warrants as part of an investigation into a disturbance in Oldham.
This morning (Wednesday 27 November 2019) officers visited 14 properties across Oldham and Crumpsall as well as a property in West Yorkshire.
Warrants were executed at Oldham and Crumpsall
13 men aged between 15 and 40 years of age were arrested on suspicion of violent disorder.
The action comes as part of Operation Woodville – a long-running investigation into serious public disorder occurring on Saturday 18 May 2019 in the Limeside area of Oldham.
As part of ongoing enquiries, police have released the images of (26) people that they want to speak to.
Chief Superintendent Neil Evans of GMP’s Territorial Commander with responsibility for Oldham said: “As the scale of this morning’s operation demonstrates, we continue to treat May’s disturbance with the upmost seriousness.
“We have been in liaison with the Crown Prosecution Service since the early stages of the investigation and a team of detectives has been working to identify those whose criminal behaviour resulted in the ugly scenes witnessed.
“Investigators have been working alongside key local partners as part of our extensive enquiries. Specialist detectives from our Major Investigations Team as well as local officers have been involved in hours of work assessing evidence and information received from the public.
“While we have made a number of arrests, our enquiries remain very much ongoing.
“In conjunction with this morning’s positive action, we have released a number of images of people who we want to speak to concerning their actions on 18 May 2019.
“As we have previously said, we understand and respect the right to peaceful protest and counter-protest. However we will not tolerate it when this crosses into criminal behaviour.
“Accordingly, we can and will respond when that line is crossed.
“It remains a line of enquiry that a number of those who were involved with the disorder had travelled to Oldham from outside Greater Manchester.
“As such, we are continuing to liaise with our partners in neighbouring forces.
“I’d like to take this opportunity to thank those who have already been in touch with officers.
“We must continue to work together as a community and support the justice process so that criminal behaviour is appropriately and proportionately challenged.”
Information can be left with police on 0161 856 6551 or the independent charity Crimestoppers, anonymously, on 0800 555 111.
CBP officers from the Office of Field Operations and agents from the U.S. Border Patrol and Air and Marine Operations execute a planned readiness exercise at the San Ysidro Port of Entry. The exercise is designed to evaluate readiness and assess the capabilities of CBP facilities to make necessary preparations. November 22, 2018. CBP photo by SCPBO Luis Angulo.
One of many absurdities executed in our country with the historical heritage: the long promised but never opened railway museum in the place of El Clot del Moro. The lack of political commitment, and personnel mismanagement on the part of its director, was for many years preserved vehicles were abandoned in the open and subject to the effects of the harsh climate of the pre-Pyrenees.
In this picture you can see old buses and trams of Barcelona and trains of FGC. (Photo of JR scanned from an original paper).
___________________________________________________________________________
Uno de tantos despropósitos ejecutados en nuestro país con el patrimonio histórico: el siempre prometido, pero nunca abierto, museo del ferrocarril en el paraje del Clot del Moro. La falta de compromiso político, y una pésima gestión personal por parte de su director, llevó a que durante muchos años los vehículos preservados fueran abandonados a la intemperie y sometidos a los efectos del duro clima del pre-Pirineo.
En esta foto se pueden ver antiguos autobuses y tranvías de Barcelona y trenes de FGC. (Foto de JR escaneada de un original de papel).
From Metro News Paper, Oct 16, 2007
Che what?
my view by Ignacio Gutierrez
OCT 16
"Paredón!! Paredón!!!” (to the wall!) they chanted in movie theaters throughout Cuba in 1959 as news clips played executions by firing squads. Many of those executed were police and soldiers who tortured and killed opponents of Cuba’s previous dictator, Fulgencio Batista. But some businessmen and students, whose only crime was voicing dissent against Castro’s revolution, were also executed.
In charge of the execution squad at San Carlos de La Cabaña prison from January to June of 1959 was Ernesto “Che” Guevara. Sources vary on the total number of people killed during Che’s watch. The History Channel tallied the count Che ordered at the 18th century fortress in Havana at 50. But others, such as university professor Jose Vilasuso, who belonged to the body in charge of the summary judicial process at La Cabaña, recorded 400.
For someone responsible for so many deaths, it’s ironic Guevara got his nickname by calling those around him pal or “che.” But even more ironic are hipsters who proudly wear Che T-shirts as if privy to some political knowledge average Americans are too stupid to grasp.
But for those who’ve actually read Che’s memoirs, “The Motorcycle Diaries,” it’s amazing they wouldn’t conclude he was a borderline sociopath. “I feel my nostrils dilate, savoring the acrid smell of gunpowder and blood of the enemy’s death” can be found in the book’s last paragraph. And how did someone who wrote “the black is indolent and fanciful, he spends his money on frivolity and drink” become a symbol for racial equality?
While youthful naivete may explain historical myopia, why do filmmakers such as Robert Redford choose to edit out such words of hatred from the film he produced based on Guevara’s memoirs? Has idealism driven him and some in the media to denial? Maybe Redford and other children of the ‘60s are still reacting to the U.S. government’s own crimes against humanity in countries such as Vietnam and now in Iraq. But do two wrongs make a right?
To celebrate the 40th anniversary of Che’s death, I propose donating a copy of “Economics for Dummies” to every caviar-communist and hipster/artist sporting a Che Guevara T-shirt. Maybe if they understood the simple basics of how free markets promote human dignity much more effectively than imposing an egalitarian society through violence, they’d think twice before getting behind another totalitarian sociopath.
WINNER IN DEFEAT
(1495 - 1525)
One of history's recurring ironies is the spectacle of figures who die in defeat or disgrace, but emerge in future generations as heroes while the people who defeated them are downgraded to villains. Miguel Hidalgo, executed as a "traitor" to the Spanish crown, is today considered Mexico's George Washington. Nathan Hale, hanged by the British as a spy, has become a symbol of resistance to tyranny. Helmuth von Moltke, judicially murdered for his anti-Nazi activities, is now hailed as a noble representative of the "other Germany" that opposed Hitler.
Then we have the example of Cuauhtemoc, last emperor of the Aztecs. Today, Cuauhtemoc is a universal object of veneration in Mexico. Streets, parks, stadia -- even a brewery -- are named after him. Yet Hernan Cortés, the man who defeated him, is so little celebrated that I have only encountered one street that bears his name. In Orwell's term, Cortés has become an "unperson" -- not "nonperson," as the word is so frequently misquoted.
Though the exact year of Cuauhtemoc's birth is uncertain, most historians agree that he was born around A.D. 1495. In his History of the Conquest, Bernal Diaz de Castillo writes that in 1520, the year he became emperor, Cuauhtemoc was "not more than twenty-five years old, and elegant in his person for an Indian."
Cuauhtemoc was of royal birth, nephew to both Moctezuma and his brother Cuitlahuac, who succeeded him. He was also Moctezuma's son-in-law, having married his daughter Princess Tecuichpo. Though relatively little is known of his career before the Conquest, William H. Prescott, in his definitive The Conquest of Mexico, writes that the young prince had "ample experience in military matters." Adds Prescott: "He bore a sort of religious hatred to the Spaniards, like that which Hannibal is said to have sworn, and which he certainly cherished, against his Roman foes."
Cuauhtemoc first became a high profile figure through an incident which may have been apocryphal. The Spaniards had seized the royal palace and were holding Moctezuma prisoner. Ironically, the emperor's death was triggered by a clash between rival factions of Spaniards. Diego Velazquez, governor of Cuba, had sent an expedition to Mexico to overthrow Cortés, of whose success he was jealous. Cortés led part of his force against the new enemy, leaving a rear guard in Tenochtitlan, the Aztec name for Mexico City. Having successfully repelled the invaders from Cuba, Cortés returned to find that his lieutenant, the brutal Pedro de Alvarado, had provoked open revolt by killing 600 Aztec nobles. As the Indians besieged the palace, Cortés ordered Moctezuma to tell his subjects to disperse. Not only did they refuse but the shower of stones they directed against their captive emperor caused injuries that resulted in his death. The hail of stones began when a nobleman defiantly brandished a javelin at Moctezuma. According to legend, that nobleman was Cuauhtemoc.
Moctezuma was succeeded as emperor by Cuitlahuac. Moctezuma had been intimidated by Cortés because he believed the Spaniards were representatives of the bearded, fair- skinned god Quetzalcoatl. Cuitlahuac never believed the legend and set out to organize a determined resistance to the conquistadores. Though he only ruled four months before succumbing to smallpox, Cuitlahuac drove Cortés's men out of Tenochtitlan during the famous Noche Triste ("sad night") of either July 1 or 10, 1520, depending on which historian you read.
After Cuitlahuac's death, Cuauhtemoc was elected emperor by a council of nobles. In the meantime, Cortés was regrouping for another attack on Tenochtitlan. Allied with him were the Tlaxcalans, traditional enemies of the Aztecs. Tenochtitlan in those days lay on a large lake. The Spaniards had built 13 brigantines while in Tlaxcalan territory and now planned to use the vessels in a naval assault on Tenochtitlan. Before mounting their offensive, Cortés called on Cuauhtemoc to surrender. The young emperor defiantly refused and announced that all Christian converts found in his lands would be sacrificed to the Aztec gods.
The attack was launched in March 1521. Cortés began with a reconnaissance in force to gain control of communities in the Valley of Mexico adjacent to Tenochtitlan. He got as far as the neighboring settlement of Tacuba before Cuauhtemoc drove the Spaniards and Tlaxcalans back in a determined land and naval counterattack. Then the tide turned again when reinforcements arrived from Hispaniola -- the island that today houses the Dominican Republic and Haiti. With 200 more men, plus 80 horses, supplies and ammunition, Cortés was able to consolidate his hold on the entire Valley of Mexico.
The stage was now set for the final assault. The brigantines were launched April 28, 1521, and land operations began a few days later. Cuauhtemoc, realizing that his horseless troops were no match for the Spaniards in open country, became a master of urban warfare. Turning Tenochtitlan into an Aztec Stalingrad, he defeated the initial Spanish assault on the city and drove the enemy back to their siege lines outside the gates.
In the end, Cuauhtemoc was defeated more by famine than by force of arms. The Spaniards, backed by their Indian allies, seized the city market and the defenders were threatened with starvation. Indomitable as ever, Cuauhtemoc decided to raise fresh forces in the countryside to aid the beleaguered city. But he was captured while crossing the lake in a pirogue and, with that, all Aztec resistance ended.
At first, Cortés treated his foe chivalrously. "A Spaniard knows how to respect valor even in an enemy," he declared. Then, to his eternal discredit, he allowed Aldrete, the greedy royal treasurer, to have Cuauhtemoc tortured to make him reveal the whereabouts of hidden treasure.
Cuauhtemoc, insisting that there was no hidden treasure, heroically stood up under the ordeal. In the end, a shamed Cortés delivered him from Aldrete's hands. But there was a final horror. In 1525, Cuauhtemoc was serving as an auxiliary on a Cortés-led expedition into Honduras. Convinced by an Indian convert to Christianity that Cuauhtemoc was conspiring against him, Cortés had him tried for treason. Found guilty, he was sentenced to hang. Though even some of the Spaniards -- notably Bernal Diaz de Castillo -- believed the former emperor innocent, the sentence was carried out. Cuauhtemoc's last words to Cortés demonstrate his unconquerable spirit: "I knew what it was...to trust to your false promises; I knew that you had destined me to this fate since I did not fall by my own hand when you entered my city of Tenochtitlan."
At the time of his death, Cuauhtemoc's official status was that of an army auxiliary guilty of treason against his superior officer. Then the forces of historical revisionism set in and, as we know, Cuauhtemoc is today one of the most revered figures in the Mexican pantheon. As for Cortés, his present position could accurately be described as that of the Unknown Conqueror.
Delhi, commemoration of the Martyrdom of Guru Tegh Bahadur
Guru Tegh Bahadur (1 April 1621 – 24 November 1675), revered as the ninth Nanak, was the ninth of ten Gurus (Prophets) of the Sikh religion. Guru Tegh Bahadur carried forward the light of sanctity and divinity of the first Sikh Guru, Guru Nanak; his spiritual revelations dealing with varied themes such as the nature of God, human attachments, body, mind, sorrow, dignity, service, death and deliverance, are registered in the form of 115 poetic hymns in the sacred text Guru Granth Sahib.
Although a Guru of the Sikhs, Guru Tegh Bahadur was approached by Hindu Pandits from Kashmir in 1675, to seek his intercession against the forced conversions of Hindus to Islam by the Mughal rulers of India. For resisting these forced conversions and for himself refusing to convert to Islam, Guru Teg Bahadur was publicly executed via beheading at the imperial capital Delhi on the orders of the Mughal Emperor Aurangzeb. Along with Guru Teg Bahadur, three other Sikhs, Bhai Mati Das, Bhai Sati Das and Bhai Dayala, were also executed. Owing to this sacrifice, Guru Tegh Bahadur is revered as Hind-di-Chaadar (shield of Hind(India)). Gurudwara Sis Ganj Sahib and Gurdwara Rakab Ganj Sahib in Delhi mark the places of execution and cremation of the Guru's body.
(source: en.wikipedia.org/wiki/Guru_Tegh_Bahadur)
CBP officers from the Office of Field Operations and agents from the U.S. Border Patrol and Air and Marine Operations execute a planned readiness exercise at the San Ysidro Port of Entry. The exercise is designed to evaluate readiness and assess the capabilities of CBP facilities to make necessary preparations. November 22, 2018.
Photos by Mani Albrecht
U.S. Customs and Border Protection
Office of Public Affairs
Visual Communications Division
Poorly executed (shoulda paid more attention to lining up the lights in a pattern) but I laughed when I saw it on the computer and that's good enough for me.
Police have today executed a number of warrants as part of an investigation into a disturbance in Oldham.
This morning (Wednesday 27 November 2019) officers visited 14 properties across Oldham and Crumpsall as well as a property in West Yorkshire.
Warrants were executed at Oldham and Crumpsall
13 men aged between 15 and 40 years of age were arrested on suspicion of violent disorder.
The action comes as part of Operation Woodville – a long-running investigation into serious public disorder occurring on Saturday 18 May 2019 in the Limeside area of Oldham.
As part of ongoing enquiries, police have released the images of (26) people that they want to speak to.
Chief Superintendent Neil Evans of GMP’s Territorial Commander with responsibility for Oldham said: “As the scale of this morning’s operation demonstrates, we continue to treat May’s disturbance with the upmost seriousness.
“We have been in liaison with the Crown Prosecution Service since the early stages of the investigation and a team of detectives has been working to identify those whose criminal behaviour resulted in the ugly scenes witnessed.
“Investigators have been working alongside key local partners as part of our extensive enquiries. Specialist detectives from our Major Investigations Team as well as local officers have been involved in hours of work assessing evidence and information received from the public.
“While we have made a number of arrests, our enquiries remain very much ongoing.
“In conjunction with this morning’s positive action, we have released a number of images of people who we want to speak to concerning their actions on 18 May 2019.
“As we have previously said, we understand and respect the right to peaceful protest and counter-protest. However we will not tolerate it when this crosses into criminal behaviour.
“Accordingly, we can and will respond when that line is crossed.
“It remains a line of enquiry that a number of those who were involved with the disorder had travelled to Oldham from outside Greater Manchester.
“As such, we are continuing to liaise with our partners in neighbouring forces.
“I’d like to take this opportunity to thank those who have already been in touch with officers.
“We must continue to work together as a community and support the justice process so that criminal behaviour is appropriately and proportionately challenged.”
Information can be left with police on 0161 856 6551 or the independent charity Crimestoppers, anonymously, on 0800 555 111.
Prince Edward Island: Charles Bray took this picture of the stone were the following persons below have been known to been executed on this spot: the first execution is of Queen Anne Boleyn took place on 19 May 1536 at 8 o'clock in the morning. It was the first public execution of an English queen.
* Richard, Duke of Gloucester arrested Hastings on a false charge of treason on the 13th June 14831 and had him beheaded without trial [beheading for treason was common for nobility] the same day [some argue 14th or 20th] in the Tower of London. He is buried in St. George Chapel, Windsor, and Berkshire. The death of William Hastings as protector of Edward IV left the throne of England clear for Richard who became Richard III in the same year, yet Richard was to meet his end only two years later at the Battle of Bosworth.
* Margaret Pole born August 14th 1473, Countess of Salisbury, was the daughter of George, Duke of Clarence and Isabella Neville. Her father was a brother of both Edward 1V and Richard III. Eventually Henry VIII executed her on May 27 1541 in the Tower of London in continuation of his father's program of eliminating possible contenders for the throne. She refused to acknowledge that she was a traitor. She was not tried. She was small, frail, elderly, and ill. She was dragged to the block, but refused to lay her head on the block. She was forced down. The executioner swung his axe as she struggled. However it made a gash in her shoulder rather than her neck. Then she leapt from the block and ran away pursued by the executioner, with his axe. She was struck eleven times before she died.
• Catherine's greatest crime was her silliness. Raised in the far too permissive household of her grandmother, she was a flirtatious and emotional girl who rarely understood the consequences of her actions. She made the mistake of continuing her girlish indiscretions as queen. Henry was besotted with her, calling her his 'Rose without a Thorn' and showering her with gifts and public affection. Catherine was understandably more attracted to men of her own age, and after just seventeen months of marriage to the king, she was arrested for adultery. The distraught king at first refused to believe the evidence but it was persuasive. Unlike Anne Boleyn, Catherine had betrayed the king. She was beheaded on 13 February 1542, only nineteen or twenty years old.
* The fall of Viscountess Rochford started on the northern progress where Queen Catherine Howard started her affair with Culpeper. Both the Queen and Culpeper said in their confessions that it was the Viscountess who had encouraged the pair to become lovers. No one knows why she did this but it is believed that her death was mainly political. She was a reminder of Anne Boleyn and a negative past. Jane, Viscountess Rochford, was beheaded in 1542, at the scaffold site minutes after Catherine Howard and in the words of Antonia Fraser
* Lady Jane Grey was queen for nine days and one of the most famous political pawns of history. She was the grand daughter of Henry VIII sister Mary. She was forced to marry Lord Guildford after her father's machinations to marry her to Edward VI failed. When Edward VI died, Jane was proclaimed queen in order to keep a Protestant on the throne of England and stop Henry VIII Catholic daughter Mary seizing power. However, like all of the plans concerning Lady Jane Grey, this failed. Mary seized London and imprisoned Lady Jane in the Tower of London. Jane Grey was executed at the scaffold site on 12 February 1554 - she was only 16 years old and had been queen for nine days.
* Robert Devereux, Earl of Essex born in 1566, was a soldier and courtier inherited his earldom at the age of nine. Good-looking and charming, he exploited Elizabeth I, affection to seek glory and power his military endeavours were showy and expensive: the siege of Rouen (1591), the sack of Cadiz (1596) An abortive attack on Spanish treasure ships in the Azores (1597) lost him a fortune and the good will of the Queen Worse was his expedition to Ireland (1599-1600) where his failure led him to signing a truce with Tyrone this lost him all favour with Elizabeth who placed him under house arrest In 1601 he attempted a coup d'etat, was tried for treason and executed in 1601. See more histories of executions. www.richard.clark32.btinternet.co.uk/behead.html
The Postcard
A postally unused National Series postcard that was published by M. & L. Ltd. The card, which was printed in Great Britain, has a divided back
The Victoria Memorial, London
The Victoria Memorial is a monument to Queen Victoria, located at the end of The Mall in London. It was designed and executed by the sculptor Sir Thomas Brock.
The memorial is placed in the middle of an architectural setting of formal gardens and gates designed by the architect Sir Aston Webb.
Designed in 1901, it was unveiled on the 16th. May 1911, though it was not fully completed until 1924.
It was the centrepiece of an ambitious urban planning scheme, which included the creation of the Queen’s Gardens to a design by Sir Aston Webb, and the refacing of Buckingham Palace (which stands behind the memorial) by the same architect.
Like the earlier Albert Memorial in Kensington Gardens, the Victoria Memorial has an elaborate scheme of iconographic sculpture. The central pylon of the memorial is of Pentelic marble, and individual statues are in Lasa marble and gilt bronze.
The memorial weighs 2,300 metric tonnes, and is 104 ft wide. In 1970 it was listed as Grade I.
Description of the Memorial
At the top of the central pylon stands a gilded bronze Winged Victory, standing on a globe, and with a victor's palm in one hand. Beneath her are personifications of Constancy, holding a compass with its needle pointing true north, and Courage, holding a club.
Beneath these, on the eastern and western sides, are two eagles with wings outspread, representing Empire. Below these, statues of an enthroned Queen Victoria (facing The Mall) and of Motherhood (facing Buckingham Palace), with Justice (facing north-west towards Green Park) and Truth (facing south-east).
These four statues were created from solid blocks of marble, with Truth being sculpted from a block weighing 40 tonnes.
Sir Thomas Brock described the symbolism of the Memorial, saying that:
"It is devoted to the qualities which
made our Queen so great and so
much beloved."
He added that the statue of the Queen was placed to face towards the city, while flanked by Truth and Justice as he felt that :
"She was just, and sought the truth
always and in circumstances.
Motherhood represents her great
love for her people".
At the four corners of the monument are massive bronze figures with lions, representing Peace (a female figure holding an olive branch), Progress (a nude youth holding a flaming torch), Agriculture (a woman in peasant dress with a sickle and a sheaf of corn) and Manufacture (a blacksmith in modern costume with a hammer and a scroll). The bronzes were restored in 2011.
The whole sculptural programme has a nautical theme, much like the rest of The Mall (Admiralty Arch, for example). This can be seen in the mermaids, mermen and the hippogriff, all of which are redolent of the United Kingdom's naval power.
At nearly 25 metres (82 ft) tall, the Victoria Memorial remains the tallest monument to a King or Queen in England.
History of the Memorial
King Edward VII suggested that a Parliamentary committee should be formed to develop plans for a Memorial to Queen Victoria following her death. The first meeting took place on the 19th. February 1901 at the Foreign Office, Whitehall.
The first secretary of the committee was Arthur Bigge, 1st. Baron Stamfordham. Initially these meetings were behind closed doors, and the proceedings were not revealed to the public. However the Lord Mayor of London, Sir Joseph Dimsdale, publicly announced that the committee had decided that the Memorial should be "monumental".
Reginald Brett, 2nd. Viscount Esher, the secretary of the committee, submitted the proposal to the King on the 4th. March 1901. A number of sites were suggested, and the King visited both Westminster Abbey and the park near the Palace of Westminster. Several ideas were rumoured at this time, including an open square in The Mall near to the Duke of York Column, and a memorial located in Green Park.
On the 26th. March 1901 the decision was announced to locate the Memorial outside Buckingham Palace which would involve slightly shortening The Mall.
It was estimated that the work would cost £250,000, and it was further decided that there would be no grant given by the Government for the construction.
A competition was conducted for the design, with five architects being chosen to develop designs. At the beginning of July 1901 the committee selected its primary choice for the construction, and took it to the King for approval. It was announced on the 21st. October 1902 that Thomas Brock had been chosen as the designer.
Funding and Construction of the Memorial
Funding for the memorial was gathered from around the British Empire as well as the public. The Australian House of Representatives granted a £25,000 contribution for the construction, and the New Zealand government submitted a cheque for £15,000 towards the fund.
By October 1901, £154,000 had been gathered. During 1902 a number of tribes from the west coast of Africa sent goods to be sold, with the proceeds going towards the fund. Alfred Lewis Jones arranged for these items to be brought from Africa to Liverpool free of charge on his ships.
Following the public and national donations towards the funds, there was more money collected than was necessary for the construction of the Memorial.
Funds were therefore diverted towards the construction of Admiralty Arch at the other end of The Mall, and a redevelopment to clear a path directly from that road into Trafalgar Square.
Sir Aston Webb was put in charge of this project; he built the Arch so economically that enough money was left over to re-front the entirety of Buckingham Palace, a job that was completed in 13 weeks due to the pre-fabrication of the new stonework.
The initial preparatory stage was to re-route the road and modify The Mall, and work on constructing the Memorial started in 1905. The lower half of the Memorial was revealed to the public on the 24th. May 1909. Thousands of people visited it on the first day.
Dedication and Inauguration
Following a practice ceremony on the 11th. March 1911 in the presence of Prince Arthur, Duke of Connaught and Strathearn, the dedication ceremony took place on the 16th. May 1911, presided over by King George V.
His first cousin, Wilhelm II of Germany, was also present. These two were the senior grandsons of Queen Victoria, and arrived, together with their families, in royal procession. Also in attendance were a large number of Members of Parliament, and representatives of the armed forces.
In his role as Home Secretary, Winston Churchill carried the text of the speeches. Lord Esher addressed the King and the gathered crowd, explaining the history of the Memorial. The King replied to this, referring to his involvement in the development of the monument to his grandmother.
The King talked of the impact of Queen Victoria and of her popularity with the public. In total, the ceremony went on for thirty minutes. Following this, it was revealed to the press that the King had decided that the sculptor of the Memorial, Thomas Brock, was to be knighted.
Later Uses of the Memorial
As part of the celebrations of the Golden Jubilee of Elizabeth II in 2002, the Victoria Memorial (along with areas in Green Park and Buckingham Palace) was used as a platform for a fireworks display which lasted fourteen minutes, with a total of two and three-quarter tonnes of fireworks being used.
In addition, water jets were added to the fountains in the Victoria Memorial, which fired water 40 feet (12 m) up into the air. This display followed a concert held in the Palace forecourt.
It was announced in February 2012 that the Victoria Memorial would form the centrepiece of the stage for Queen Elizabeth II's Diamond Jubilee Concert on the 4th. June 2012.
Platforms were built around the memorial at a cost of £200,000. A number of performers appeared from across the sixty years of Queen Elizabeth II's reign, including Gary Barlow, Tom Jones, Elton John, Jessie J, Madness, Dame Shirley Bassey and Paul McCartney.
Tickets were free, and allocated by public ballot; and in addition to being seen live by the 10,000 fans in attendance, the event was broadcast by the BBC, with highlights being shown in the United States on ABC.
Later in 2012, the Memorial marked the end of "Our Greatest Team Parade" on the 10th. September 2012. This parade celebrated the successes of the British teams at the 2012 Summer Olympics and Paralympics. There were 21 floats holding a total of around 800 athletes, and it was estimated that around a million members of the public cheered them on.
The area from Admiralty Arch to the Victoria Memorial down the Mall was reserved for ticket holders. After the arrival at the Victoria Memorial, there was a flypast by helicopters of the Royal Air Force, as well as a British Airways jet and a flight of the Red Arrows.
During the games, the Mall and the Victoria Memorial had been used as the finishing point for the Marathon, as well as being on the triathlon route.
The Memorial was damaged by anti-austerity protesters during the "Million Mask March" on the 5th. November 2013, which took place in central London. During the following year's protests, the Memorial was guarded by police officers.
Officers investigating the recent spate of firearms discharges in Salford have executed a series of warrants in Little Hulton and Eccles.
In the early hours of this morning, Friday 16 October 2015, officers from Greater Manchester Police’s Salford Division searched nine properties throughout the division in the hunt for firearms linked to the recent shootings in the area.
The warrants were executed as part of a Project Gulf operation designed to tackle organised crime. Gulf is part of Programme Challenger, the Greater Manchester approach to tackling organised criminality across the region.
Seven men and one woman have been arrested on suspicion of a number of offences, ranging from possession with intent to supply to handling stolen goods.
A significant amount of Class A and Class B drugs were seized as part of the operation, though no firearms were found.
Detective Inspector Alan Clitherow said: “This series of warrants are just one element of the continuing and relentless operation being orchestrated to tackle organised crime gangs in Salford.
“They came about as a result of the on-going investigation into the recent spate of firearms discharges in Salford, including the horrific attack of young Christian Hickey and his mother Jayne.
“We wanted to show our communities that we are leaving no stone unturned in the hunt for those responsible for the abhorrent attack on an innocent child and his mother, and that we will not stand for the spate of shootings taking place on our streets in recent weeks.
“But there is still more to do and, as with any fight against organised crime groups embedded in our city, we need residents to come to us with information so we can put a stop to this criminality.
“There has been much said about people breaking this wall of silence in Salford, and once again I urge people to search their consciences and please come forward.
“You could provide the information that may help prevent any further innocent lives being touched by this senseless violence, and prevent further children being injured by thugs that many people within Salford seem so intent on protecting.
“I want to stress that if you come forward with what you know, we can offer you complete anonymity and I assure you that you will have our full support. Or if you don’t feel you can talk to police but you have information, you can speak to Crimestoppers anonymously.”
A dedicated information hotline has been set up on 0161 856 9775, or people can also pass information on by calling 101, or the independent charity, Crimestoppers, anonymously on 0800 555 111.
When he heard that the French had attacked his baggage train, Henry ordered the execution of all but the most high ranking of the French prisoners that had been taken. English archers carried out this gruesome work. Once the French got word that the English had executed the prisoners, the nerve of the main army failed, and they started to retreat.
CBP officers from the Office of Field Operations and agents from the U.S. Border Patrol and Air and Marine Operations execute a planned readiness exercise at the San Ysidro Port of Entry. The exercise is designed to evaluate readiness and assess the capabilities of CBP facilities to make necessary preparations. November 22, 2018. CBP photo by Shawn Moore.
2007 March 11 - FAA investigators (pictured) were at the scene of the most recent Kauai fatal helictoper crash within minutes, thanks to the continuing investigation of Thursday's crash. SB photo by Tom Finnegan.
www.ntsb.gov/about/employment/_layouts/ntsb.aviation/brie...
CHI07MA083
HISTORY OF FLIGHT
On March 11, 2007, at 1259 Hawaiian Standard Time, a McDonnell Douglas (MD) 369FF helicopter, N911VC, operated by Smoky Mountain Helicopters and doing business as Inter-Island Helicopters Inc., sustained substantial damage when it impacted trees and terrain in the town of Haena on the island of Kauai, Hawaii, during a Part 135 commercial air tour flight. The flight departed from the Port Allen Airport (PAK), Hanapepe, Hawaii, on a 55-minute sightseeing tour of Kauai. During cruise flight near Tunnel Beach in Haena, the tail rotor output shaft and the tail rotor blades separated from the tail rotor gearbox and fell into the ocean. The pilot executed an autorotation to a YMCA campground that was located next to the beach. The pilot received minor injuries; however, the right front seat passenger was killed, and the three other passengers received serious injuries. Visual meteorological conditions prevailed and a company flight plan was in effect.
The pilot stated that he reported for duty one hour prior to his first flight of the day that was scheduled for 0800. He conducted a thorough preflight of the aircraft that included an inspection of the tail rotor section. The fluid levels were normal and there were no signs of cracks, dings, or delamination of the surface and leading edges of the tail rotor blades. The pitch change links were in good condition and no loose bearings were noted. He reported that the tail rotor gearbox housing appeared to be in good condition and no cracks were observed. He checked the nuts that hold the tail rotor section in place. The torque seal was visible on each nut, and he physically checked each one to determine if they were tight. The bellcrank was not cracked, the nuts were tight, and the cotter pins were in place.
The pilot reported that the first two flights of the day, the first at 0800 and the second at 1005, were "waterfall" flights. During the waterfall flights, he flew to a private landing zone located near a waterfall. While in the landing zone, he shut the helicopter down while the passengers visited the waterfall for about 45 minutes. He reported that he conducted a post flight inspection "as we always do." He checked the fluid levels of the engine, main rotor transmission, and the tail rotor gearbox. The fluid levels were normal and no leaks were noted. He checked the main rotor and tail rotor blades for cracks, dings, and delamination of the surface and leading edges of the blades. During both flights, the helicopter operated normally and no abnormal vibrations were noted.
The third flight was a 50 to 55-minute island tour that departed about 1210. The pilot reported, "I viewed the passengers that got on board, jackets were on, zipped up and secured, life jacket pouches were on and secured, cameras were secured, and they had no hats or bags with them."
He reported that during the accident flight he felt no abnormal vibrations in the controls. About halfway through the flight, he was flying over Tunnel Beach, about 50 yards from the shoreline, at 1,000 feet above ground level (agl) with 80 - 85 knots of airspeed. Within a split-second, he heard two loud "bangs" and he "felt it" in his seat and pedals. The nose of the helicopter pitched down, and the helicopter yawed to the right. He applied left pedal but without effect. He attempted to "get more forward airspeed," but each time he did the helicopter nosed over and yawed to the right. The right yaw developed into a tight spin, and he realized that he "lost his tail rotor." He adjusted the collective and throttle to get the "yaw under control," and reported that, "it did slow down the yaw a little."
He recognized the YMCA campground and decided to execute an autorotation to the open field at the campground. He entered the autorotation by rolling off the throttle and lowering the collective. He reported the "right yaw slowed even more." He attempted to gain airspeed and he "followed the right yaw," which made the spin slower, as he approached the campground. When the helicopter was about five feet agl, he pulled the collective up to cushion the landing. After the helicopter impacted the terrain, he checked the condition of each passenger, and then secured the engine by turning the master switch off and pulling the fuel shutoff. He took the fire extinguisher and exited the helicopter. He saw that the tail rotor blades and output shaft had separated from the tail rotor gearbox.
Local citizens arrived at the accident site almost immediately to provide assistance to the pilot and passengers. Within minutes, the local police and fire department personnel were on site.
There were numerous witnesses to the accident. One witness reported that she heard a loud "pop" and she saw two objects falling into the ocean. The larger object fell into the ocean close to shore. The other object "fell slower in a fluttering action." She reported that both objects fell into the ocean where the waves were breaking and the reef ended.
Another witness heard a "pop" and observed the helicopter spiraling down. She reported, "Then the spiral tightened and sped up. The overhead rotor could be seen as blades (not turning). The blue and white body of the copter was turning slowly around the rotor - rather flat - no obvious pitch of the nose up or down. There was a large thud - presumably impact."
A third witness reported that the helicopter "started a slow spiral to the right as it was circling a house" and that the "spiral tightened up and there were two of these tight spirals - the main blades were not turning very rapidly." He reported that at "no time was the nose significantly down. It was a gradual descent but not in a violent down descent. It did a total of 3 spirals - one gradual and the last 2 were more rapid."
The three passengers on board the helicopter were interviewed. They reported that they did not see anything fall out of the helicopter prior to the accident, and they did not observe birds in the area.
PERSONNEL INFORMATION
The pilot was a 30-year-old commercial pilot with helicopter and instrument (helicopter) ratings. He held a second-class medical certificate that was issued in January 2007. He reported a total of 2,041 flight hours with 189 hours in the MD 369FF helicopter.
AIRCRAFT INFORMATION
The helicopter was a MD Helicopter 369FF manufactured in 1987. It was equipped with a turbine-powered Allison 250-C30 engine. At the time of the accident, the total helicopter time was about 7,800.8 flight hours. The most recent airframe inspection was a 100-hour inspection completed on February 28, 2007, at a total airframe time of 7,775.8 hours. The last annual inspection was completed on July 9, 2006, at a total airframe time of 7,098.0 hours. The last inspection of the engine was a 150-hour inspection completed on February 11, 2007, at a Hobbs time of 4,174.2 and an engine time of 7,400.2 hours.
METEOROLOGICAL CONDITIONS
The observed surface weather at the Lihue Airport, Lihue, Hawaii, located about 17 miles southeast of the accident site, was: Wind 010 at 4 knots, scattered clouds at 2,800 feet, overcast 3,700 feet, temperature 23 degrees Celsius (C), dew point 18 degrees C, altimeter 29.94 inches of mercury.
WRECKAGE AND IMPACT INFORMATION
The helicopter impacted the trees and terrain at the western edge of the YMCA campground at coordinates 22 degrees 13.412 minutes north latitude, 159 degrees 33.231 minutes west longitude. The entire helicopter wreckage was located at the impact site, except for the tail rotor output shaft and tail rotor blades. A broken tree limb about 15 - 20 feet above the ground was visible in the trees located next to the wreckage. There was no ground fire.
The inspection of the airframe revealed extensive damage to the fuselage with major damage concentrated at the underside of the lower right and forward fuselage section. There was extensive crushing, tearing, and deformation of fuselage structure and skin panels in that area. The cockpit structure received extensive damage. The cockpit seat support structure and cockpit flooring were distorted and displaced upward. The aft passenger compartment was intact. The bench seat frame was distorted and the left rear attaching point was separated from the fuselage station (FS) 124.9 fuselage frame and the left seat leg had separated from its floor mounting point. The keel beam was intact with some damage to the forward section. There was no visible damage to the mast support structure. The lower section of the fuselage in and around the landing gear attaching points was deformed and buckled. The aft fuselage section was deformed and wrinkled. The composite upper pylon was intact with minor damage to the forward and aft sections. The aft boom fairing was attached with minor visible wrinkling of the skin surfaces. The right landing gear's aft strut was fractured at the mounting flange and the aft strut was separated from the fuselage. The forward strut was still attached and displaced upward and aft. The skid tube was fractured into two pieces at the forward saddle mount. The left landing gear was intact and it remained attached to the airframe. The tailboom was nearly fractured into two segments at about FS 242.12. The main rotor hub assembly and components exhibited minor damage. All five main rotor blades were still attached to the rotor head, and they exhibited bent spars, skin delamination, trailing edge separation, cuts and gouges. The blades were bent upward at varying degrees of 5 - 18 degrees. The main transmission showed no exterior damage and rotated when the main rotor system was turned by hand.
The tail rotor system received extensive damage. The tail rotor gearbox fractured across the case elbow with the aft segment of the case remaining attached to the tailboom extension. The gearbox mounting bolts were in place and secure. There was no visible evidence of tail rotor gearbox movement on the tail boom extension. The tail rotor gearbox input quill rotated when manipulated by hand.
The outer segment of the fractured gearbox, the output shaft with associated bearing sets, the FS 284 bellcrank, the fractured tailboom control rod, the tail rotor pitch change assembly, the drive fork with teetering bearings, and the tail rotor hub and blades, had separated from the helicopter and were not located during the onsite portion of the investigation.
The available section of the fractured tail rotor gearbox was sent to the National Transportation Safety Board's (NTSB) Materials Laboratory for inspection. The initial inspection of the tail rotor gearbox on March 22, 2007, revealed that all the fractures were typical of overstress fractures.
Police scuba divers searched for the tail rotor output shaft and tail rotor blades for two days, but were unable to locate the missing parts. High surf conditions prevented divers from continuing the search for the parts. Within weeks of the accident, the missing parts were retrieved from the Tunnels Beech area and were sent to the NTSB Materials Laboratory for inspection.
TESTS AND RESEARCH
The tail rotor blade assembly, the aft portion of the tail boom, the tail boom extension, and the fractured portion of the tail rotor gearbox were inspected at the NTSB Materials Laboratory. The Materials Laboratory reported that the tail rotor blade assembly fractured through the root fitting, P/N 369A1624-3, in the general area that coincided with a hole for the blade retention bolt. The root fitting contained a 1-inch nominal diameter longitudinal hub bore with a tapered (conical) hole bottom. A relief radius was located between the hub bore and the conical hole bottom. A 0.12-inch nominal diameter hole extended below the conical hole bottom. The root fitting also contained a hole for the tail rotor retention bolt (a smaller hole that was oriented perpendicular to the hub bore).
On the top (camber) side of the blade, the fracture extended between the top surface and the relief radius of the hub bore. At the relief radius, the fracture extended around approximately 40 percent of the circumference of the hub bore and intersected the hole for the blade retention bolt. On the opposite side of the retention bolt hole, the fracture extended through to the bottom (non-camber) surface inboard of the relief radius.
Bench binocular microscope examination of the root fitting revealed the fracture face contained radial marks that emanated from the hub bore. Closer examination of the fracture face revealed crack arrest marks typical of a fatigue cracking that emanated from multiple origins at the relief radius between the hub bore and conical hole bottom. The arc length of the multiple origin fatigue crack along the relief radius measured approximately 0.6 inch. The fatigue crack origin area was located adjacent to the top surface of the root fitting and slightly toward the trailing edge. Various areas of the fracture face showed evidence of fatigue crack arrest marks indicating that the fatigue crack propagated toward the exterior top surface, around both sides of the bore, approximately half way around the root fitting cross section, and into the hole for the blade retention bolt. The fatigue crack re-initiated on the opposite side of the hole for the blade retention bolt and propagated as much as 0.3 inch.
A longitudinal-radial section was made through the hub bore, relief radius, and portion of the conical bottom. The section was encased in a metallurgical mount and polished. Examination of the metallurgical section revealed that the relief radius was similar to the size of the machine marks in the bore. The relief radius measured approximately 0.001 inch, much less than specified by the engineering drawing (0.12 inch and 0.15 inch).
ADDITIONAL INFORMATION
On April 26, 2007, McDonnell Helicopters, Inc. (MDHI) issued mandatory Service Bulletin (SB) 369D-204, 369E-099, 369F-084, 369H-247, titled "Tail Rotor Blade Assembly, One Time Inspection." According to MDHI SB, before further flight, the tail rotor should be removed from helicopter models 369 (Army YOH-6A), 369 (Army OH-6A), 369H, 369HM, 369HS, 369HE, 369D, 369E, 369F, and 369FF. The hub bore should be visually examined with a flashlight. If the relief radius does not contain a smooth transition between the bore and conical bottom hole, the root fitting should be removed from service.
On April 27, 2007, the Federal Aviation Administration issued emergency Airworthiness Directive (AD) 2007-09-51 that mandated inspection of the root fittings per the MDHI SB.
NTSB Identification: CHI07MA083.
The docket is stored in the Docket Management System (DMS). Please contact Records Management Division
Nonscheduled 14 CFR
Accident occurred Sunday, March 11, 2007 in Haena, HI
Probable Cause Approval Date: 07/30/2008
Aircraft: McDonnell Douglas 369FF, registration: N911VC
Injuries: 1 Fatal,3 Serious,1 Uninjured.
NTSB investigators traveled in support of this investigation and used data obtained from various sources to prepare this aircraft accident report.
The helicopter pilot reported that he was conducting a Part 135 air tour flight with 4 passengers on board the helicopter. The helicopter was about 1,500 feet above ground level with about 80 - 85 knots of airspeed when within a split-second he heard two loud "bangs." The nose of the helicopter pitched down and the helicopter yawed to the right. He applied left pedal but without effect. He attempted to "get more forward airspeed," but each time he did the helicopter nosed over and yawed to the right. The right yaw developed into a tight spin, and he realized that he "lost his tail rotor." The pilot executed an autorotation to a clearing located at a campground. The helicopter impacted the trees at the western edge of the clearing during the autorotation. The helicopter impacted the terrain on its right, front side. Inspection of the helicopter revealed that the tail rotor output shaft and the tail rotor blades separated from the tail rotor gearbox. The tail rotor assembly was inspected at the National Transportation Safety Board's Materials Laboratory. The inspection revealed that the tail rotor blade assembly fractured through the root fitting in the general area that coincided with a hole for the blade retention bolt. The root fitting contained a 1-inch nominal diameter longitudinal hub bore with a tapered (conical) hole bottom. A relief radius was located between the hub bore and the conical hole bottom. The inspection revealed crack arrest marks typical of a fatigue cracking that emanated from multiple origins at the relief radius between the hub bore and conical hole bottom. The relief radius measured approximately 0.001 inch, much less than specified by the engineering drawing (0.12 inch and 0.15 inch). On April 26, 2007, McDonnell Helicopters, Inc. (MDHI) issued mandatory Service Bulletin (SB) 369D-204, 369E-099, 369F-084, 369H-247, titled "Tail Rotor Blade Assembly, One Time Inspection." According to MDHI SB, before further flight, the tail rotor should be removed from helicopter models 369 (Army YOH-6A), 369 (Army OH-6A), 369H, 369HM, 369HS, 369HE, 369D, 369E, 369F, and 369FF. The hub bore should be visually examined with a flashlight. If the relief radius does not contain a smooth transition between the bore and conical bottom hole, the root fitting should be removed from service. On April 27, 2007, the Federal Aviation Administration issued emergency Airworthiness Directive (AD) 2007-09-51 that mandated inspection of the root fittings per the MDHI SB.
The National Transportation Safety Board determines the probable cause(s) of this accident to be:
The fatigue failure of the tail rotor blade root fitting due to a manufacturing defect which resulted in the separation of the tail rotor system and loss of tail rotor control. A contributing factor to the accident were the trees that the helicopter struck during the autorotation.
Title: Chapel erected by Austrian Government on Hill of the Bells where Maximilian was executed June 19 - 1867 - Queretaro.
Creator: Unknown
Date: 1902
Part Of: Tourist album: Mexico, Arizona, California, Colorado and Utah
Place: Santiago de Queretaro, Queretaro, Mexico
Description: This is one of 287 photographs in an album entitled, 'Tourist Album: Mexico, Arizona, California, Colorado and Utah.'
Physical Description: 1 photographic print: gelatin silver, part of 1 album (287 gelatin silver prints); 10 x 13 cm on 28 x 35 cm mount
File: ag2000_1304_34a_2_opt.jpg
Rights: Please cite DeGolyer Library, Southern Methodist University when using this file. A high-resolution version of this file may be obtained for a fee. For details see the sites.smu.edu/cul/degolyer/research/permissions/ web page. For other information, contact degolyer@smu.edu.
For more information and to view in high resolution, see: digitalcollections.smu.edu/cdm/ref/collection/mex/id/2394
View the Mexico: Photographs, Manuscripts, and Imprints Collection
The photo is executed in technique «LightGraphic » or «The painting of light», that assumes illumination of model by small light sources in darkness on long endurance.
Thus, all lightcloth (composition) - is one Photo Exposition, is embodied on a matrix of the camera in one click of a shutter.
We submit the sample photos in this series in three-nine-square.
Photos is possible to look here:
BNSF SD70MAC #9828, an ex-BN Executive MAC recently pulled out of storage, leads IHB GA8 into La Vergne interlocking at the west end of Cicero Yard.
This 11-foot, 4-inch marble statue of George Washington was executed by Horatio Greenough in 1840. The piece was commissioned by Congress on July 14, 1832, to commemorate the centennial of Washington's birth. It arrived from Italy on July 31, 1841 and was installed in the Capitol Rotunda in December 1841. Due to its weight and lighting concerns of the dimly lit interior, the statue was moved outdoors to the east lawn shortly after its installation, and on May 22, 1908, a joint resolution from Congress authorized its transfer to the Smithsonian Institution. It remained at the Castle until 1964, when it was moved to the new Museum of History and Technology (now the National Museum of American History).
Greenough's sculpture depicts a seated figure of George Washington dressed in a classical robe and sandals with his right arm held up in the air and holding a sheathed sword in his left hand. He is nude from waist up. As soon as it arrived in the Capitol City, it attracted controversy and criticism. Greenough modeled his on a classical Greek statue of Zeus, but many Americans found the sight of a half-naked Washington offensive, even comical. After the statue was relocated to the east lawn, some joked that Washington was desperately reaching for his clothes, on exhibit at the Patent Office several blocks to the north.
The National Museum of American History (NMAH), administered by the Smithsonian Institute, collects, preserves and displays American heritage in the areas of social, political, cultural, scientific and military history. The museum, which first opened in 1964 as the Museum of History and Technology, is located on the National Mall in one of the last structures designed by McKim, Mead & White. It was renamed in 1980, and closed for a 2-year, $85 million renovation by Skidmore, Owings & Merrill LLP from 2006 to 2008.
The Smithsonian Institution, an educational and research institute and associated museum complex, administered and funded by the government of the United States and by funds from its endowment, contributions, and profits from its shops and its magazines, was established in 1846. Although concentrated in Washington DC, its collection of over 136 million items is spread through 19 museums, a zoo, and nine research centers from New York to Panama.
This photo is excerpted from Kinship Circle: Act - Undue Justice: Stu On Death Row, 4 years.
All alerts:
07/13/09 - Kinship Circle: Update - A Chance for Stu!
07/05/09 - Kinship Circle: Update - Stu is scheduled to be executed on 7-23-09
06/18/09 - Kinship Circle: Act - Undue Justice: Stu On Death Row, 4 years
06/20/07 - Kinship Circle: Saving Stu: Legally They Can Kill Him Any Day Now
01/10/07 - Kinship Circle: Stu In Grave Danger. Again. [KC MEMBER ALERT]
09/08/06 - Kinship Circle: UPDATE: Stu Is Safe!
09/06/06 - Kinship Circle: LETTER / End Stu’s Nightmare Inside LAAS
---------- Forwarded message ----------
From: Kinship Circle - info [at] kinshipcircle.org
Date: Thu, Jun 18, 2009 at 8:15 PM
Subject: Act/ Undue Justice: Stu On Death Row, 4 years
KINSHIP CIRCLE PRIMARY / PERMISSION TO CROSSPOST
6/18/09: Undue Justice - Stu On Death Row, 4 Years And Counting
PHOTOS LT-RT: Stu at Thanksgiving, 2008 after 3+ years in custody. Stu with former Animal Services Board Commissioner Marie Atake, who famously resigned in 2007, frustrated in her attempts to increase Department integrity and professionalism. Stu, on day he was impounded by L.A. Animal Services, 2005.
Source: The Examiner: Playing political games with a dog's life
Kinship Circle does not usually cover complex dog custody cases. Stu's story is different. His person, Jeff de la Rosa, is a Kinship Circle supporter. We've watched Stu grow old in "jail" since he was wrongfully impounded in 2005. Please read the sample letter below, and an account of Stu's ordeal after that. Stu still faces death. As always, the decision to act is yours.
======================
EMAIL BLOCKS: Sample letter + Complete contact information at end
======================
* TO SEND: COPY/PASTE EMAIL BLOCKS INTO BCC: LINE OF YOUR EMAIL
* TYPE YOUR OWN EMAIL ADDRESS IN THE TO: LINE
* COPY/PASTE SAMPLE LETTER INTO SAME EMAIL.
* Change some words, sign with your name/full address and send!
LOS ANGELES CITY ATTORNEY'S OFFICE & BOARD OF ANIMAL SERVICES COMMISSIONERS
Rocky.Delgadillo [at] lacity.org, Laurie.Rittenberg [at] lacity.org, Todd.Leung [at] lacity.org, Dov.Lesel [at] lacity.org, tariqkhero [at] gmail.com, ninekitties [at] aol.com, ireneponce [at] earthlink.net, secundar [at] unitedtalent.com, ajq1trq2 [at] aol.com, Jim.Bickhart [at] lacity.org, Ani.Commission [at] lacity.org
PUBLIC SAFETY COMMITTEE & CITY OFFICIALS
councilmember.weiss [at] lacity.org, weiss [at] lacity.org, Councilmember.Parks [at] lacity.org, Bernard.Parks.Jr [at] lacity.org, councilmember.smith [at] lacity.org, Dennis.Zine [at] lacity.org, councilmember.reyes [at] lacity.org, ed.reyes [at] lacity.org, David.Hersch [at] lacity.org, Mike.Hernandez [at] lacity.org, Moniquea.Roberson [at] lacity.org, jose.gardea [at] lacity.org, rebecca.valdez [at] lacity.org, guadalupe.duran.medina [at] lacity.org, lisa.flores [at] lacity.org, tony.perez [at] lacity.org, monica.valencia [at] lacity.org, mayor [at] lacity.org
CONTACT WITH NO EMAIL AVAILABLE:
[incoming] City Attorney Elect Carmen Trutanich
180 East Ocean Blvd.; Long Beach, CA 90802
ph: 562-216-4444; fax: 562-216-4445
***KINSHIP CIRCLE CANNOT GUARANTEE ALL EMAILS WILL WORK***
During campaigns, recipients may change or disable their email addresses.
Emails from government, corporate, or institute websites may be incorrect.
======================
GET A FORMATTED LETTER (WORD DOC): info [at] kinshipcircle.org
Easily modify letter. Copy/paste it into an email or print letter to fax or mail.
======================
Dear City of Los Angeles Officials,
I trust all letter recipients are familiar with Stu, a rescued dog who lived an uneventful five years with Jeff de la Rosa, before de la Rosa entrusted his dogs to an assistant while away for a family emergency.
Under that pet sitter's care, in August 2005, Stu atypically clashed with another household dog and wound up with a torn ear. It is accepted knowledge that injured animals may react defensively. As the pet sitter slipped a harness over Stu's hurt ear, the scared dog bit her twice on the arm.
"A couple of puncture wounds," Commissioner Archie Quincey, a 30-year veteran of L.A. Country Animal Control, would later state. Still, a full month after the incident, the assistant served de la Rosa with a lawsuit and Stu was seized from a locked, backyard kennel. Thus began Stu's incarceration under L.A. Animal Services (LAAS) and a bureaucratic battle so absurd, Stu's story has gained worldwide notoriety.
What is the point of keeping this now elderly dog on death row? Dr. Richard Polsky, a co-creator of City criteria for gauging dangerous dogs, and Bobby Dorofshar of New Leash on Life, also a City advisor and one-time member of its Spay/Neuter Advisory Committee -- have testified that Stu poses no threat of aggression to humans. Their conclusion stems from assessment of Stu's pre- and post-incident behavior, plus comprehension of how the victim's actions may have triggered the bites. Dorofshar sheltered Stu at his own facility for many months, during which time he came to know the dog.
The City Attorney should call off his resistance to de la Rosa's appeal and close the books on this case. Please stop shuffling Stu through a bureaucratic thicket and let the dog live his final years with de la Rosa.
After four years of wrongful internment in LAAS facilities, just one fair and merciful outcome remains: Stu needs to go home. Yesterday.
Sincerely,
======================
PLAYING POLITICAL GAMES WITH A DOG'S LIFE
======================
A detailed article (link) gives an accurate picture of Stu and Jeff de la Rosa's ordeal. Kinship Circle re-phrases it for simplicity and length:
Stu lived uneventfully with Jeff and two other dogs for five years, before Jeff had to leave him with a sitter in Aug. 2005, due to a family emergency. He entrusted his dogs to an assistant who knew them. While away Stu atypically clashed with another of Jeff's dogs and wound up with a torn ear.
The pet sitter tried to slip a harness over Stu's wounded ear, to bring him to the vet. Injured animals often act uncharacteristically defensive. Such was the case with Stu: The scared dog bit the assistant twice on her arm.
The assistant did not file a report with police or L.A. Animal Services (LAAS). She told Jeff she "didn't want to get Stu in trouble."
Yet three weeks later, Jeff was slapped with a lawsuit. Ten days after that, Stu was seized (without warning) from Jeff's locked outdoor kennel. Jeff rushed to Animal Services, but staff denied Stu's release, citing a bite report received one full month after its occurrence. Thus began Stu's incarceration, a battle of bureaucratic power plays so embarrassingly absurd, Stu's story is notorious worldwide.
With the assistant now dramatizing her account (Stu "dragged her back and forth across the floor"), lawyers asked for six million dollars in damages. Meanwhile LAAS ruled in its initial hearing to revoke the dog's license. The verdict would have let Jeff relocate Stu outside Los Angeles or move himself. The verdict would have let Stu live.
Instead, LAAS ignored the Hearing Examiner's recommendations (defying LAAS rules) and a Captain Helen Brakemeier memoed then-General Manager Guerdon Stuckey: "After reviewing the [Hearing Examiner's] report, I disagree...and think that the dog should be deemed dangerous." Brakemeier never mentioned evaluating Stu herself or what authorized her to override the original verdict. Still, Stuckey sided with Brakemeier to sentence Stu to death.
Ironically, Mayor Villaraigosa fired Stuckey days later for the GM's inability to bring euthanasia numbers down. Jeff only found out about Brakemeier's inappropriate role in Stu's fate after securing all public records in the case, in an attempt to save his dog.
Fast forward four years and Stu is still trapped in a bureaucratic thicket. He's aged inside City facilities as Jeff fights a relentless legal battle. Esteemed dog behaviorists -- such as Dr. Richard Polsky, a co-creator of City criteria for gauging dangerous dogs, and Bobby Dorofshar of New Leash on Life, another City advisor and one-time member of its Spay/Neuter Advisory Committee -- have testified that Stu poses no threat of aggression to humans. Their common conclusion stems from assessment of Stu's pre- and post-incident behavior, along with comprehension of how the victim's actions may have triggered the bites. Dorofshar even sheltered Stu at his own facility for many months, during which time he came to know the dog.
Animal Services and the City Attorney's office remain dead-set on killing Stu. Are they peeved over the negative publicity? Just before the forced resignation of previous General Manager Ed Boks, the City Council admonished him for blogging against Jeff (and other LAAS critics) on the City's time.
Animal Services Commission, created to monitor LAAS, even advocated for Stu's life. Commissioner Archie Quincey, a 30-year L.A. County Animal Control veteran, motioned the City Attorney to call off his resistance to Jeff's appeal. Quincey proposed the case go back to Superior Court to drop Stu's sentence because evidence shows a denial of due process. But Commissioner Quincey's motion has vanished from the Commission's agenda and a 6/8/09 meeting before Stu's Appeals Court case was cancelled as well.
No one seems to know who's in charge -- Animal Services Commission or Animal Services Department -- of meeting agendas. It is clear, however, that Stu's case is shuffled so that Commissioner Quincey's motion goes unheard.
Quincey intends to bring up Stu's case at the June 22 meeting whether it's scheduled or not. "I think it's gone too far," he told reporter Kate Woodviolet for LA Pet Rescue Examiner. "I have a lot of Animal Control experience. I saw the pictures [of the human victim's injuries], there were a couple of small puncture wounds -- and the dog was injured when it happened. On that one bite Stu gets the ultimate penalty? That's like getting the electric chair for a misdemeanor!"
At this point, there is but one fair and merciful outcome left: Stu needs to go home. Yesterday.
======================
FULL CONTACT INFORMATION
======================
[incoming] City Attorney Elect Carmen Trutanich
180 East Ocean Blvd.; Long Beach, CA 90802
ph: 562-216-4444; fax: 562-216-4445; (no email available)
[outgoing] City Attorney Rocky Delgadillo
800 City Hall East; 200 North Main Street; Los Angeles, CA 90012
ph: 213-978-8100; fax: 213-978-8312
email: Rocky.Delgadillo [at] lacity.org
Ms. Laurie Rittenberg and Mr. Todd Leung
Office of the City Attorney
200 N Main Street; City Hall East, 9th floor; Los Angeles CA 90012
fax: 213-978-2250; email: Laurie.Rittenberg [at] lacity.org,
Todd.Leung [at] lacity.org, Dov.Lesel [at] lacity.org
BOARD OF ANIMAL SERVICES COMMISSIONERS
President Tariq Khero: tariqkhero [at] gmail.com
Vice President Kathy Riordan: ninekitties [at] aol.com
Commissioner Irene Ponce: ireneponce [at] earthlink.net
Commissioner Ruthanne Secunda: secundar [at] unitedtalent.com
Commisioner Archie Quincey: ajq1trq2 [at] aol.com
*(Mayoral aide assigned to Dept.) Jim Bickhart: Jim.Bickhart [at] lacity.org
Ani.Commission [at] lacity.org
PUBLIC SAFETY COMMITTEE
Councilmember Jack Weiss, Chair, Council District 5
200 N. Spring Street, Room 440; Los Angeles, CA 90012
ph: 213-473-7005; fax: 213-978-2250
email: councilmember.weiss [at] lacity.org, weiss [at] lacity.org
Councilmember Bernard C. Parks (former police chief), Council District 8
200 N. Spring Street, Rm. 460; Los Angeles, CA 90012
ph 213-473-7008; fax: 213-485-7683
email: Councilmember.Parks [at] lacity.org, Bernard.Parks.Jr [at] lacity.org
Councilmember Greig Smith, Council District 12
200 North Spring St., Rm 405; Los Angeles, CA 90012
ph: 213-473-7012; fax: (213) 473-6925
email: councilmember.smith [at] lacity.org
Councilmember Dennis Zine, Council District 3
200 N. Spring Street, Rm.450; Los Angeles, CA 90012
ph: 213-473-7003; fax: 213-485-8988
email: Dennis.Zine [at] lacity.org
Councilmember Ed Reyes, Council District 1
200 N. Spring Street, Room 410; Los Angeles, CA 90012
ph: 213-473-7001; fax: 213-485-8907
email: councilmember.reyes [at] lacity.org, ed.reyes [at] lacity.org
David Hersch, Public Safety Deputy: David.Hersch [at] lacity.org
Mike Hernandez, Assistant Chief of Staff: Mike.Hernandez [at] lacity.org
Moniquea Roberson, Executive Assistant / Administrative Manager:
Moniquea.Roberson [at] lacity.org
Jose A. Gardea, Chief of Staff: jose.gardea [at] lacity.org
Rebecca Valdez, Chief Planning Deputy: rebecca.valdez [at] lacity.org
Guadalupe Duran-Medina, Planning Deputy: guadalupe.duran.medina [at] lacity.org
Lisa Flores, Executive Assistant/Scheduler: lisa.flores [at] lacity.org
Tony Perez, Communications Director: tony.perez [at] lacity.org
Monica Valencia, Press Deputy: monica.valencia [at] lacity.org
Mayor Antonio Villaraigosa, City Hall
200 North Spring Street, RM 303; Los Angeles, CA 90012
ph: 213-978-0600; fax: 213-978-0750
Mayor Antonio Villaraigosa: mayor [at] lacity.org
Jim Bickhart, Mayor's Office: Jim.Bickhart [at] lacity.org
======================
SOURCE OF INFORMATION / REFERENCE LINKS
======================
Playing political games with a dog's life
Proposed [impossible] settlement in Stu's case
Jeff de la Rosa, Stu's dad
stu.911 [at] gmail.com
======================
ACTION CAMPAIGNS • EDUCATION • ANIMAL DISASTER AID NETWORK
www.KinshipCircle.org * www.kinshipcircle.org/disasters
UNSUBSCRIBE:
* Select a Kinship Circle ALERT received in your mailbox
* Hit "FORWARD"
* Enter kinshipcircle [at] accessus.net
* Type UNSUBSCRIBE in your subject line and hit send
Subscribe Now – For Breaking News & Action:
Kinship Circle Primary: subscribe [at] kinshipcircle.org
Action campaigns on animal cruelty issues worldwide
Kinship Circle Animal Disaster Aid Network: disasteraid [at] kinshipcircle.org
Animal rescue coordination/news in disasters + companion animal alerts
*DISCLAIMER: The information in these alerts is verified with the original source. Kinship Circle does not assume responsibility for the accuracy of the information or for the consequences of its use. Nothing in this email is intended to encourage illegal action in whatever country you are reading it in. Kinship Circle does not engage in, nor support, any form of harassment or unlawful activity. Nothing in this alert serves to promote such conduct.
A return visit to St Mary.
I was last here about 6 years ago, parking in the little square one warm September afternoon.
Much colder in March, but plenty of parking spaces, and St Mary was surprisingly open.
--------------------------------------------
The church stands in the village square removed from the main road. The flint rubble construction and severe restoration of the exterior does not look welcoming, but the interior is most appealing with plenty of light flooding through the clerestory windows. The rectangular piers of both north and south arcades with their pointed arches and boldly carved stops are of late twelfth-century date. Between them hang some eighteenth-century text boards. The character of the church is given in the main by late nineteenth- and early twentieth-century work. The high altar has four charmingly painted panels by John Ripley Wilmer in Pre-Raphaelite style, executed in 1907. At the opposite end of the church are the organ loft, font cover and baptistry, all designed by F.C. Eden, who restored the church in the early 1900s. He also designed the west window of the south aisle as part of a larger scheme which was not completed. In the south chancel wall are two windows of great curiosity. One contains a fifteenth-century figure of St Thomas Becket while the other shows figures of David and Saul. This dates from the nineteenth century and was painted by Frank Wodehouse who was the then vicar's brother. The face of David was based on that of Mme Carlotta Patti, the opera singer, while Gladstone and Disraeli can be identified hovering in the background! It is a shame that it has deteriorated badly.
www.kentchurches.info/church.asp?p=Elham
------------------------------------------
ELEHAM,
OR, as it is as frequently written, Elham, lies the next parish south-eastward from Stelling. It was written in the time of the Saxons both Uleham and Æiham, in Domesday, Albam. Philipott says, it was antiently written Helham, denoting the situation of it to be a valley among the hills, whilst others suppose, but with little probability, that it took its name from the quantity of eels which the Nailbourn throws out when it begins to run. There are Seven boroughsin it, of Bladbean, Boyke, Canterwood, Lyminge, Eleham, Town, Sibton, and Hurst.
Eleham is said to be the largest parish in the eastern parts of this county, extending itself in length from north to south, through the Nailbourn valley, about three miles and an half; and in breadth five miles and a half, that is, from part of Stelling-minnis, within the bounds of it, across the valley to Eleham down and Winteridge, and the southern part of Swinfield-minnis, almost up to Hairn-forstal, in Uphill Folkestone. The village, or town of Eleham, as it is usually called, is situated in the above-mentioned valley, rather on a rise, on the side of the stream. It is both healthy and pleasant, the houses in it being mostly modern and wellbuilt, of brick and fashed. As an instance of the healthiness of this parish, there have been within these few years several inhabitants of it buried here, of the ages of 95, 97, and 99, and one of 105; the age of 40 years being esteemed that of a young person, in this parish. The church, with the vicarage on the side of the church-yard, is situated on the eastern side of it, and the court lodge at a small distance from it. This is now no more than a small mean cottage, thatched, of, I believe, only two rooms on a floor, and unsit for habitation. It appears to be the remains of a much larger edifice, and is built of quarry-stone, with small arched gothic windows and doors, the frames of which are of ashlar stone, and seemingly very antient indeed. It is still accounted a market-town, the market having been obtained to it by prince Edward, afterwards king Edward I. in his father's life-time, anno 35 Henry III. to be held on a Monday weekly, which, though disused for a regular constancy, is held in the market-house here once in five or six years, to keep up the claim to the right of it; besides which there are three markets regularly held, for the buying and selling of cattle, in every year, on Palm, Easter, and Whit Mondays, and one fair on Oct. 20th, by the alteration of the stile, being formerly held on the day of St. Dionis, Oct. 9, for toys and pedlary. The Nailbourn, as has been already mentioned before, in the description of Liminage, runs along this valley northward, entering this parish southward, by the hamlet of Ottinge, and running thence by the town of Eleham, and at half a mile's distance, by the hamlet of North Eleham, where there are several deep ponds, in which are from time to time quantities of eels, and so on to Brompton's Pot and Wingmere, at the northern extremity of this parish. The soil in the valley is mostly an unfertile red earth, mixed with many flints; but the hills on each side of it, which are very frequent and steep, extend to a wild romantic country, with frequent woods and uninclosed downs, where the soil consists mostly of chalk, excepting towards Stelling and Swinfield minnis's, where it partakes of a like quality to that of the valley, tance,by the hamlet of North Eleham, where there only still more poor and barren. At the north-west corner of the parish, on the hill, is Eleham park, being a large wood, belonging to the lord of Eleham manor.
Dr. Plot says, he was informed, that there was the custom of borough English prevailing over some copyhold lands in this parish, the general usage of which is, that the youngest son should inherit all the lands and tenements which his father had within the borough, &c. but I cannot find any here subject to it. On the contrary, the custom here is, to give the whole estate to the eldest son, who pays to the younger ones their proportions of it, as valued by the homage of the manor, in money.
At the time of taking the survey of Domesday, anno 1080, this place was part of the possessions of the bishop of Baieux, under the general title of whose lands it is thus entered in it:
In Honinberg hundred, the bishop of Baieux holds in demesne Alham. It was taxed at six sulins. The arable land is twenty-four carucates. In demesne there are five carucates and forty-one villeins, with eight borderers having eighteen carucates. There is a church, and eight servants, and two mills of six shillings, and twenty eight acres of meadow. Wood for the pannage of one hundred hogs. In the time of king Edward the Confessor, and afterwards, it was worth thirty pounds, now forty, and yet it yields fifty pounds. Ederic held this manor of king Edward.
Four years after the bishop was disgraced, and all his possessions were consiscated to the crown, whence this manor seems to have been granted to William de Albineto, or Albini, surnamed Pincerna, who had followed the Conqueror from Normandy in his expedition hither. He was succeeded by his son, of the same name, who was made Earl of Arundel anno 15 king Stephen, and Alida his daughter carried it in marriage to John, earl of Ewe, in Normandy, whose eldest son Henry, earl of Ewe, was slain at the siege of Ptolemais in 1217, leaving Alice his sole daughter and heir, who entitled her husband Ralph D'Issondon to the possession of this manor, as well as to the title of earl of Ewe. She died in the reign of king Henry III. possessed of this manor, with the advowson of the church, and sealed with Barry, a label of six points, as appears by a deed in the Surrenden library; after which it appears to have come into the possession of prince Edward, the king's eldest son, who in the 35th year of it obtained the grant of a market on a Monday, and a fair, at this manor, (fn. 1) and afterwards, in the 41st year of that reign, alienated it to archbishop Boniface, who, left he should still further inflame that enmity which this nation had conceived against him, among other foreigners and aliens, by thus increasing his possessions in it, passed this manor away to Roger de Leyborne, who died possessed of it in the 56th year of that reign, at which time it appears that there was a park here; (fn. 2) and in his name it continued till Juliana de Leyborne, daughter of Thomas, became the sole heir of their possessions, from the greatness of which she was usually called the Infanta of Kent. She was thrice married, yet she had no issue by either of her husbands, all of whom she survived, and died in the 41st year of king Edward III. upon which this manor, among the rest of her estates, escheated to the crown, there being no one who could make claim to them, by direct or even by collateral alliance. (fn. 3) Afterwards it continued in the crown till king Richard II. vested it in feoffees in trust, towards the endowment of St. Stephen's chapel, in his palace of Westminster, which he had in his 22d year, completed and made collegiate, and had the year before granted to the dean and canons this manor, among others, in mortmain. (fn. 4) All which was confirmed by king Henry IV. and VI. and by king Edward IV. in their first years; the latter of whom, in his 9th year, granted to them a fair in this parish yearly, on the Monday after Palm-Sunday, and on the Wednesday following, with all liberties, &c. In which situation it continued till the 1st year of king Edward VI. when this college was, with all its possessions, surrendered into the king's hands, where this manor did not continue long; for the king in his 5th year, granted it to Edward, lord Clinton and Saye, and he reconveyed it to the crown the same year. After which the king demised it, for the term of eighty years, to Sir Edward Wotton, one of his privy council, whose son Thomas Wotton, esq. sold his interest in it to Alexander Hamon, esq. of Acrise, who died in 1613, leaving two daughters his coheirs, the youngest of whom Catherine, married to Sir Robert Lewknor, entitled him to it; he was at his death succeeded by his son Hamon Lewknor, esq. but the reversion in see having been purchased of the crown some few years before the expiration of the above-mentioned term, which ended the last year of king James I.'s reign, to Sir Charles Herbert, master of the revels. He at the latter end of king Charles I.'s reign, alienated it to Mr. John Aelst, merchant, of London; after which, I find by the court rolls, that it was vested in Thomas Alderne, John Fisher, and Roger Jackson, esqrs. who in the year 1681 conveyed it to Sir John Williams, whose daughter and sole heir Penelope carried it in marriage to Thomas Symonds, esq. of Herefordshire, by the heirs of whose only surviving son Thomas Symonds Powell, esq. of Pengethley, in that county, it has been lately sold to Sir Henry Oxenden, bart. who is now entitled to it.
A court leet and court baron is held for this manor, which is very extensive. There is much copyhold land held of it. The demesnes of it are tithe-free. There is a yearly rent charge, payable for ever out of it, of 87l. 13s. 1d. to the ironmongers company, in London.
Shottlesfield is a manor, situated at the southeast boundary of this parish, the house standing partly in Liminge, at a small distance southward from the street or hamlet of the same name. It was, as early as the reign of king Edward II. the inheritance of a family called le Grubbe, some of whom had afterwards possessions about Yalding and Eythorne. Thomas le Grubbe was possessed of it in the 3d year of that reign, and wrote himself of Shottlesfeld, and from him it continued down by paternal descent to John Grubbe, who in the 2d year of king Richard III. conveyed it by sale to Thomas Brockman, of Liminge, (fn. 5) whose grandson Henry Brockman, in the 1st year of queen Mary, alienated it to George Fogge, esq. of Braborne, and he, in the beginning of queen Elizabeth's reign, sold it to Bing, who, before the end of that reign, passed it away to Mr. John Masters, of Sandwich, from whom it descended to Sir Edward Masters, of Canterbury, who at his decease, soon after the death of Charles I. gave it to his second son, then LL. D. from whose heirs it was alienated to Hetherington, whose last surviving son the Rev. William Hetherington, of North Cray place, died possessed of it unmarried in 1778, and by will devised it, among his other estates, to Thomas Coventry, esq. of London, who lately died possessed of it s. p. and the trustees of his will are now entitled to it.
The manor of Bowick, now called Boyke, is situated likewise in the eastern part of this parish, in the borough of its own name, which was in very antient times the residence of the Lads, who in several of their old evidences were written De Lad, by which name there is an antient farm, once reputed a manor, still known, as it has been for many ages before, in the adjoining parish of Acrise, which till the reign of queen Elizabeth, was in the tenure of this family. It is certain that they were resident here at Bowick in the beginning of king Henry VI.'s reign, and in the next of Edward IV. as appears by the registers of their wills in the office at Canterbury, they constantly stiled themselves of Eleham. Thomas Lade, of Bowick, died possessed of it in 1515, as did his descendant Vincent Lade in 1563, anno 6 Elizabeth. Soon after which it passed by purchase into the name of Nethersole, from whence it quickly afterwards was alienated to Aucher, and thence again to Wroth, who at the latter end of king Charles I.'s reign sold it to Elgar; whence, after some intermission, it was sold to Thomas Scott, esq. of Liminge, whose daughter and coheir Elizabeth, married to William Turner, esq. of the Friars, in Canterbury, at length, in her right, became possessed of it; his only surviving daughter and heir Bridget married David Papillon, esq. of Acrise, and entitled him to this manor, and his grandson Thomas Papillon, esq. of Acrise, is the present owner of it.
Mount and Bladbean are two manors, situated on the hills, on the opposite sides of this parish, the former near the eastern, and the latter near the western boundaries of it; the latter being antiently called Bladbean, alias Jacobs-court, a name now quite forgotten. Both these manors appear to have been in the reign of the Conqueror, part of the possessions of Anschitillus de Ros, who is mentioned in Domesday as holding much land in the western part of this county, their principal manor there being that of Horton, near Farningham. One of this family made a grant of it to the Cosentons, of Cosenton, in Aylesford, to hold of their barony of Ros, as of their manor of Horton before-mentioned, by knight's service. In the 7th year of Edward III. Sir Stephen de Cosenton obtained a charter of freewarren for his lands here. He was the son of Sir William de Cosenton, sheriff anno 35 Edward I. and was sometimes written of Cosenton, and sometimes of Mount, in Eleham. At length his descendant dying in the beginning of king Henry VIII.'s reign, without male issue, his three daughters, married to Duke, Wood, and Alexander Hamon, esq. became his coheirs, and shared a large inheritance between them, and upon their division of it, the manor of Bladbean, alias Jacobs-court, was allotted to Wood, and Mount to Alexander Hamon.
The manor of Bladbean, alias Jacobs-court, was afterwards alienated by the heirs of Wood to Thomas Stoughton, esq. of St. Martin's, near Canterbury, who by will in 1591 (fn. 6) gave this manor, with its rents and services, to Elizabeth his daughter and coheir, married to Thomas Wilde, esq. of St. Martin's, whose grandson Colonel Dudley Wilde, at his death in 1653, s. p. devised it to his widow, from whom it went by sale to Hills, and Mr. James Hills, in 1683, passed it away to Mr. Daniel Woollet, whose children divided this estate among them; a few years after which John Brice became, by purchase of it at different times, possessed of the whole of it, which he in 1729 conveyed by sale to Mr. Valentine Sayer, of Sandwich, who died possessed of it in 1766, and the heirs of his eldest son Mr. George Sayer, of Sandwich, are now entitled to it.
The manor of Mount, now called Mount court, which was allotted as above-mentioned, to Alexander Hamon, continued down to his grandson, of the same name, who died possessed of it in 1613, leaving two daughters his coheirs, the youngest of whom, Catherine, entitled her husband Sir Robert Lewknor, to it, in whose descendants it continued till Robert Lewknor, esq. his grandson, in 1666, alienated it, with other lands in this parish, to Thomas Papillon, esq. of Lubenham, in Leicestershire, whose descendant Thomas Papillon, esq. of Acrise, is the present proprietor of it.
Ladwood is another manor in this parish, lying at the eastern boundary of it, likewise on the hills next to Acrise. It was written in old evidences Ladswood, whence it may with probability be conjectured, that before its being converted into a farm of arable land, and the erecting of a habitation here, it was a wood belonging to the family of Lad, resident at Bowick; but since the latter end of king Edward III.'s reign, it continued uninterrupted in the family of Rolse till the reign of king Charles II. soon after which it was alienated to Williams, in which name it remained till Penelope, daughter of Sir John Williams, carried it in marriage to Thomas Symonds, esq. the heirs of whose only surviving son Thomas Symonds Powell, esq. sold it to David Papillon, esq. whose son Thomas Papillon, esq. now possesses it.
The manor of Canterwood, as appears by an old manuscript, seemingly of the time of Henry VIII. was formerly the estate of Thomas de Garwinton, of Welle, lying in the eastern part of the parish, and who lived in the reigns of Edward II. and III. whose greatgrandson William Garwinton, dying s. p. Joane his kinswoman, married to Richard Haut, was, in the 9th year of king Henry IV. found to be his heir, not only in this manor, but much other land in these parts, and their son Richard Haut having an only daughter and heir Margery, she carried this manor in marriage to William Isaak. After which, as appears from the court-rolls, which do not reach very high, that the family of Hales became possessed of it, in which it staid till the end of queen Elizabeth's reign, when it went by sale to Manwood, from which name it was alienated to Sir Robert Lewknor, whose grandson Robert Lewknor, esq. in 1666 sold it, with other lands in this parish already mentioned, to Thomas Papillon, esq. of Lu benham, in Leicestershire, whose descendant Thomas Papillon, esq. of Acrise, is the present owner of it.
Oxroad, now usually called Ostrude, is a manor, situated a little distance eastward from North Eleham. It had antiently owners of the same name; Andrew de Oxroad held it of the countess of Ewe, in the reign of king Edward I. by knight's service, as appears by the book of them in the king's remembrancer's office. In the 20th year of king Edward III. John, son of Simon atte Welle, held it of the earl of Ewe by the like service. After which the Hencles became possessed of it, from the reign of king Henry IV. to that of king Henry VIII. when Isabel, daughter of Tho. Hencle, marrying John Beane, entitled him to it, and in his descendants it continued till king Charles I.'s reign, when it was alienated to Mr. Daniel Shatterden, gent. of this parish, descended from those of Shatterden, in Great Chart, which place they had possessed for many generations. At length, after this manor had continued for some time in his descendants, it was sold to Adams, in which name it remained till the heirs of Randall Adams passed it away by sale to Papillon, in whose family it still continues, being now the property of Thomas Papillon, esq. of Acrise.
Hall, alias Wingmere, is a manor, situated in the valley at the northern boundary of this parish, next to Barham, in which some part of the demesne lands of it lie. It is held of the manor of Eleham, and had most probably once owners of the name of Wigmere, as it was originally spelt, of which name there was a family in East Kent, and in several antient evidences there is mention made of William de Wigmere and others of this name. However this be, the family of Brent appear to have been for several generations possessed of this manor, and continued so till Thomas Brent, of Wilsborough, dying in 1612,s. p. it passed into the family of Dering, of Surrenden; for in king James I.'s reign Edward Dering, gent. of Egerton, eldest son of John, the fourth son of John Dering, esq, of Surren den, who had married Thomas Brent's sister, was become possessed of it; and his only son and heir Thomas Dering, gent. in 1649, alienated it to William Codd, gent. (fn. 7) of Watringbury, who was succeeded in it by his son James Codd, esq. of Watringbury, who died s. p. in 1708, being then sheriff of this county, and being possessed at his death of this manor in fee, in gavelkind; upon which it came to the representatives of his two aunts, Jane, the wife of Boys Ore, and Anne, of Robert Wood, and they, in 1715, by fine levied, entitled Thomas Manley, and Elizabeth, his wife, to the possession of this manor for their lives, and afterwards to them in fee, in separate moieties. He died s. p. in 1716, and by will gave his moiety to John Pollard; on whose death s. p. it came, by the limitation in the above will, to Joshua Monger, whose only daughter and heir Rachael carried it in marriage to her husband Arthur Pryor, and they in 1750 joined in the sale of it to Mr. Richard Halford, gent. of Canterbury. The other moiety of this manor seems to have been devised by Elizabeth Manley above-mentioned, at her death, to her nephew Thomas Kirkby, whose sons Thomas, John, and Manley Kirkby, joined, in the above year, in the conveyance of it to Mr. Richard Halford above-mentioned, who then became possessed of the whole of it. He was third son of Richard Halford, clerk, rector of the adjoining parish of Liminge, descended from the Halfords, of Warwickshire, as appears by his will in the Prerogative-office, Canterbury, by which he devised to his several sons successively in tail, the estate in Warwickshire, which he was entitled to by the will of his kinsman William Halford, gent, of that county. They bear for their arms, Argent, a greybound passant, sable, on a chief of the second, three fleurs de lis, or. He died possessed of it in 1766, leaving by Mary his wife, daughter of Mr. Christopher Creed, of Canterbury, one son Richard Halford, gent. now of Canterbury; and two daughters, Mary married to Mr. John Peirce, surgeon, of Canterbury; and Sarah. In 1794, Mr. Peirce purchased the shares of Mr. Richard and Mrs. Sarah Halford, and he is now the present owner of this manor. He bears for his arms, Azure field, wavy bend, or, two unicorns heads, proper.
The manor OF Clavertigh is situated on the hills at the north-west boundary of this parish, next to Liminge, which antiently belonged to the abbey of Bradsole, or St. Radigund, near Dover, and it continued among the possessions of it till the 27th year of king Henry VIII. when by the act then passed, it was suppressed, as not having the clear yearly revenue of two hundred pounds, and was surrendered into the king's hands, who in his 29th year, granted the scite of this priory, with all its lands and possessions, among which this manor was included, with certain exceptions, however, mentioned in it, to archbishop Cranmer, who in the 38th year of that reign, conveyed this manor of Clavertigh, with lands called Monkenlands, late belonging to the same priory in this parish, back again to the king, who that same year granted all those premises to Sir James Hales, one of the justices of the common pleas, to hold in capite, (fn. 8) and he, in the beginning of king Edward VI.'s reign, passed them away to Peter Heyman, esq. one of the gentlemen of that prince's bedchamber who seems to have had a new grant of them from the crown, in the 2d year of that reign. He was succeeded by his eldest son, Ralph Heyman, esq. of Sellindge, whose descendant Sir Peter Heyman, bart. alienated the manor of Clavetigh to Sir Edward Honywood, of Evington, created a baronet in 1660, in whose descendants this manor has continued down to Sir John Honywood, bart. of Evington, who is the present possessor of it.
Charities.
Jonas Warley, D. D. gave by will in 1722, 50l. to be put out on good security, the produce to be given yearly in bread on every Sunday in the year, after divine service, to six poor widows, to each of them a two-penny loaf. The money is now vested in the vicar and churchwardens, and the produce of it being no more than 2l. 5s. per annum, only a three-halfpenny loaf is given to each widow.
Land in this parish, of the annual produce of 1l. was given by a person unknown, to be disposed of to the indigent. It is vested in the minister, churchwardens, and overseers.
Four small cottages were given to the parish, by a person unknown, and are now inhabited by poor persons. They are vested in the churchwardens and overseers.
Sir John Williams, by will in 1725, founded A CHARITY SCHOOL in this parish for six poor boys, legal inhabitants, and born in this parish, to be taught reading, writing, and accounts, to be cloathed once in two years; and one such boy to be bound out apprentice, as often as money sufficient could be raised for that use. The minister, churchwardens, and overseers to be trustees, who have power to nominate others to assist them in the management of it. The master has a house to live in, and the lands given to it are let by the trustees.
The poor constantly relieved are about seventy-five, casually fifty-five.
Eleham is within the ecclesiastical jurisdiction of the diocese of Canterbury, and deanry of its own name.
The church, which is dedicated to St. Mary, is large and handsome, consisting of three isles, the middle one having an upper range of windows, and one chancel, having a tower steeple, with a spire shast on it, at the west end, in which are eight bells, a clock, and chimes. Within the altar-rails is a memorial for John Somner, gent. son of the learned William Somner, of Canterbury, obt. 1695; arms, Ermine, a chevron voided. In the chancel a brass plate for Michael Pyx, of Folkestone, mayor and once high bailisf to Yarmouth, obt. 1601. Another for Nicholas Moore, gent. of Bettenham, in Cranbrooke; he died at Wingmer in 1577. In the middle isle a memorial for Captain William Symons, obt. 1674; arms, Parted per pale, and fess, three trefoils slipt. A brass plate for John Hill, dean and vicar of Eleham, obt. 1730. In this church was a lamp burning, called the light of Wyngmer, given before the year 1468, probably by one of the owners of that manor.
The church of Eleham was given by archbishop Boniface, lord of the manor of Eleham, and patron of this church appendant to it, at the instance of Walter de Merton, then canon of St. Paul's, and afterwards bishop of Rochester, to the college founded by the latter in 1263, at Maldon, in Surry. (fn. 9) After which the archbishop, in 1268, appropriated this church to the college, whenever it should become vacant by the death or cession of the rector of it, saving a reasonable vicarage of thirty marcs, to be endowed by him in it, to which the warden of the college should present to him and his successors, a fit vicar, as often as it should be vacant, to be nominated to the warden by the archbishop; otherwise the archbishop and his successors should freely from thence dispose of the vicarage for that turn. (fn. 10)
¶The year before this, Walter de Merton had begun a house in Oxford, whither some of the scholars were from time to time to resort for the advancement of their studies, to which the whole society of Maldon was, within a few years afterwards, removed, and both societies united at Oxford, under the name of the warden and fellows of Merton college. This portion of thirty marcs, which was a stated salary, and not tithes, &c. to that amount, was continued by a subsequent composition or decree of archbishop Warham, in 1532; but in 1559, the college, of their own accord, agreed to let the vicarial tithes, &c. to Thomas Carden, then vicar, at an easy rent, upon his discharging the college from the before-mentioned portion of thirty marcs: and this lease, with the like condition, has been renewed to every subsequent vicar ever since; and as an addition to their income, the vicars have for some time had another lease, of some wood grounds here, from the college. (fn. 11)
The appropriation or parsonage of this church is now held by lease from the warden and fellows, by the Rev. John Kenward Shaw Brooke, of Town-Malling. The archbishop nominates a clerk to the vicarage of it, whom the warden and fellows above-mentioned present to him for institution.
This vicarage is valued in the king's books at twenty pounds, (being the original endowment of thirty marcs), and the yearly tenths at two pounds, the clear yearly certified value of it being 59l. 15s. 2d. In 1640 it was valued at one hundred pounds per annum. Communicants six hundred. It is now of about the yearly value of one hundred and fifty pounds.
All the lands in this parish pay tithes to the rector or vicar, excepting Parkgate farm, Farthingsole farm, and Eleham-park wood, all belonging to the lord of Eleham manor, which claim a modus in lieu of tithes, of twenty shillings yearly paid to the vicar. The manor farm of Clavertigh, belonging to Sir John Honywood, bart and a parcel of lands called Mount Bottom, belonging to the Rev. Mr. Thomas Tournay, of Dover, claim a like modus in lieu of tithes.
CBP officers from the Office of Field Operations and agents from the U.S. Border Patrol and Air and Marine Operations execute a planned readiness exercise at the San Ysidro Port of Entry. The exercise is designed to evaluate readiness and assess the capabilities of CBP facilities to make necessary preparations. November 22, 2018. CBP photo by Shawn Moore.
From Wiki:
Marie Antoinette's execution on 16 October 1793.
King Louis XVI was executed on 21 January 1793, at the age of thirty-eight. The result was that Marie Antoinette, as the former queen, plunged into deep mourning; she refused to eat or do any exercise. There is no knowledge of her proclaiming her son as Louis XVII; however, the comte de Provence, in exile, recognised his nephew as the new king of France and took the title of Regent. Marie-Antoinette's health rapidly deteriorated in the following months. By this time she suffered from tuberculosis and possibly uterine cancer, which caused her to hemorrhage frequently.
Despite her condition, the debate as to her fate was the central question of the National Convention after Louis's death. There were those who had been advocating her death for some time, while some had the idea of exchanging her for French prisoners of war or for a ransom from the Holy Roman Emperor. Thomas Paine advocated exile to America. Starting in April, however, a Committee of Public Safety was formed, and men such as Jacques Hébert were beginning to call for Antoinette's trial; by the end of May, the Girondins had been chased out of power and arrested.Other calls were made to "retrain" the Dauphin, to make him more pliant to revolutionary ideas. This was carried out when the eight year old boy Louis Charles was separated from Antoinette on 3 July, and given to the care of a cobbler. On 1 August, she herself was taken out of the Tower and entered into the Conciergerie as Prisoner No. 280. Despite various attempts to get her out, such as the Carnation Plot in September, Marie Antoinette refused when the plots for her escape were brought to her attention. While in the Conciergerie, she was attended by her last servant, Rosalie Lamorlière.
She was finally tried by the Revolutionary Tribunal on 14 October. Unlike the king, who had been given time to prepare a defence, the queen's trial was far more of a sham, considering the time she was given (less than one day). Among the things she was accused of (most, if not all, of the accusations were untrue and probably lifted from rumours begun by libelles) were orchestrating orgies in Versailles, sending millions of livres of treasury money to Austria, plotting to kill the Duke of Orléans, incest with her son, declaring her son to be the new king of France and orchestrating the massacre of the Swiss Guards in 1792.
The most infamous charge was that she sexually abused her son. This was according to Louis Charles, who, through his coaching by Hébert and his guardian, accused his mother. After being reminded that she had not answered the charge of incest, Marie Antoinette protested emotionally to the accusation, and the women present in the courtroom – the market women who had stormed the palace for her entrails in 1789 – ironically began to support her. She had been composed throughout the trial until this accusation was made, to which she finally answered, "If I have not replied it is because Nature itself refuses to respond to such a charge laid against a mother."
However, in reality the outcome of the trial had already been decided by the Committee of Public Safety around the time the Carnation Plot was uncovered, and she was declared guilty of treason in the early morning of 16 October, after two days of proceedings. Back in her cell, she composed a moving letter to her sister-in-law Madame Élisabeth, affirming her clear conscience, her Catholic faith and her feelings for her children. The letter did not reach Élisabeth.
On the same day, her hair was cut off and she was driven through Paris in an open cart, wearing a simple white dress. At 12:15 pm, two and a half weeks before her thirty-eighth birthday, she was executed at the Place de la Révolution (present-day Place de la Concorde). Her last words were "Pardon me sir, I meant not to do it", to Henri Sanson the executioner, whose foot she had accidentally stepped on after climbing the scaffold. Her body was thrown into an unmarked grave in the Madeleine cemetery, rue d'Anjou, (which was closed the following year).
Her sister-in-law Élisabeth was executed in 1794 and her son died in prison in 1795. Her daughter returned to Austria in a prisoner exchange, married and died childless in 1851.
Both her body and that of Louis XVI were exhumed on 18 January 1815, during the Bourbon Restoration, when the comte de Provence had become King Louis XVIII. Christian burial of the royal remains took place three days later, on 21 January, in the necropolis of French Kings at the Basilica of St Denis.
Zum Gedenken an die hier während der NS-Zeit aus politischen Gründen hingerichteten Frauen und Männer (in memoriam to the here during the Nazi era for political reasons executed women and men)
Vienna Regional Court for Criminal Matters
The Vienna Regional Court for Criminal Matters (colloquially referred to as "landl" (Landesgericht)) is one of 20 regional courts in Austria and the largest court in Austria. It is located in the 8th District of Vienna, Josefstadt, at the Landesgerichtsstraße 11. It is a court of first respectively second instance. A prisoners house, the prison Josefstadt, popularly often known as the "Grey House" is connected.
Court Organization
In this complex there are:
the Regional Court for Criminal Matters Vienna,
the Vienna District Attorney (current senior prosecutor Maria-Luise Nittel)
the Jurists association-trainee lawer union (Konzipientenverband) and
the largest in Austria existing court house jail, the Vienna Josefstadt prison.
The Regional Criminal Court has jurisdiction in the first instance for crimes and offenses that are not pertain before the district court. Depending on the severity of the crime, there is a different procedure. Either decides
a single judge,
a senate of lay assessors
or the jury court.
In the second instance, the District Court proceeds appeals and complaints against judgments of district courts. A three-judge Court decides here whether the judgment is canceled or not and, if necessary, it establishes a new sentence.
The current President Friedrich Forsthuber is supported by two Vice Presidents - Henriette Braitenberg-Zennenberg and Eve Brachtel.
In September 2012, the following data have been published
Austria's largest court
270 office days per year
daily 1500 people
70 judges, 130 employees in the offices
5300 proceedings (2011) for the custodial judges and legal protection magistrates, representing about 40 % of the total Austrian juridical load of work
over 7400 procedures at the trial judges (30 % of the total Austrian juridical load of work)
Prosecution with 93 prosecutors and 250 employees
19,000 cases against 37,000 offenders (2011 )
Josefstadt prison with 1,200 inmates (overcrowded)
History
1839-1918
The original building of the Vienna Court House, the so-called civil Schranne (corn market), was from 1440 to 1839 located at the Hoher Markt 5. In 1773 the Schrannenplatz was enlarged under Emperor Joseph II and the City Court and the Regional Court of the Viennese Magistrate in this house united. From this time it bore the designation "criminal court".
Due to shortcomings of the prison rooms in the Old Court on Hoher Markt was already at the beginning of the 19th Century talk of building a new crime courthouse, but this had to be postponed because of bankruptcy in 1811.
In 1816 the construction of the criminal court building was approved. Although in the first place there were voices against a construction outside the city, as building ground was chosen the area of the civil Schießstätte (shooting place) and the former St. Stephanus-Freithofes in then Alservorstadt (suburb); today, in this part Josefstadt. The plans of architect Johann Fischer were approved in 1831, and in 1832 was began with the construction, which was completed in 1839. On 14 May 1839 was held the first meeting of the Council.
Provincial Court at the Landesgerichtsstraße between November 1901 and 1906
Johann Fischer fell back in his plans to Tuscan early Renaissance palaces as the Pitti Palace or Palazzo Pandolfini in Florence. The building was erected on a 21,872 m² plot with a length of 223 meters. It had two respectively three floors (upper floors), the courtyard was divided into three wings, in which the prisoner's house stood. In addition, a special department for the prison hospital (Inquisitenspital ) and a chapel were built.
The Criminal Court of Vienna was from 1839 to 1850 a city court which is why the Vice Mayor of Vienna was president of the criminal courts in civil and criminal matters at the same time. In 1850 followed the abolition of municipal courts. The state administration took over the Criminal Court on 1 Juli 1850. From now on, it had the title "K.K. Country's criminal court in Vienna".
1851, juries were introduced. Those met in the large meeting hall, then as now, was on the second floor of the office wing. The room presented a double height space (two floors). 1890/1891 followed a horizontal subdivision. Initially, the building stood all alone there. Only with the 1858 in the wake of the demolition of the city walls started urban expansion it was surrounded by other buildings.
From 1870 to 1878, the Court experienced numerous conversions. Particular attention was paid to the tract that connects directly to the Alserstraße. On previously building ground a three-storey arrest tract and the Jury Court tract were built. New supervened the "Neutrakt", which presented a real extension and was built three respectively four storied. From 1873 on, executions were not executed publicly anymore but only in the prison house. The first execution took place on 16 December 1876 in the "Galgenhof" (gallow courtyard), the accused were hanged there on the Würgegalgen (choke gallow).
By 1900 the prisoners house was extended. In courtyard II of the prison house kitchen, laundry and workshop buildings and a bathing facility for the prisoners were created. 1906/1907 the office building was enlarged. The two-storied wing tract got a third and three-storied central section a fourth floor fitted.
1918-1938
In the early years of the First Republic took place changes of the court organization. Due to the poor economy and the rapid inflation, the number of cases and the number of inmates rose sharply. Therefore, it was in Vienna on 1 October 1920 established a second Provincial Court, the Regional Court of Criminal Matters II Vienna, as well as an Expositur of the prisoner house at Garnisongasse.
One of the most important trials of the interwar period was the shadow village-process (Schattendorfprozess - nomen est omen!), in which on 14th July 1927, the three defendants were acquitted. In January 1927 front fighters had shot into a meeting of the Social Democratic Party of Austria, killing two people. The outrage over the acquittal was great. At a mass demonstration in front of the Palace of Justice on 15th July 1927, which mainly took place in peaceful manner, invaded radical elements in the Palace of Justice and set fire ( Fire of the Palace Justice), after which the overstrained police preyed upon peaceful protesters fleeing from the scene and caused many deaths.
The 1933/1934 started corporate state dictatorship had led sensational processes against their opponents: examples are the National Socialists processes 1934 and the Socialists process in 1936 against 28 "illegal" socialists and two Communists, in which among others the later leaders Bruno Kreisky and Franz Jonas sat on the dock.
Also in 1934 in the wake of the February Fights and the July Coup a series of processes were carried out by summary courts and military courts. Several ended with death sentences that were carried out by hanging in "Galgenhof" of the district court .
1938-1945
The first measures the Nazis at the Regional Criminal Court after the "Anschluss" of Austria to the German Reich in 1938 had carried out, consisted of the erection of a monument to ten Nazis, during the processes of the events in July 1934 executed, and of the creation of an execution space (then space 47 C, today consecration space where 650 names of resistance fighters are shown) with a guillotine supplied from Berlin (then called device F, F (stands for Fallbeil) like guillotine).
During the period of National Socialism were in Vienna Regional Court of 6 December 1938 to 4th April 1945 1.184 persons executed. Of those, 537 were political death sentences against civilians, 67 beheadings of soldiers, 49 war-related offenses, 31 criminal cases. Among those executed were 93 women in all age groups, including a 16-year-old girl and a 72-year-old woman who had both been executed for political reasons.
On 30 June 1942 were beheaded ten railwaymen from Styria and Carinthia, who were active in the resistance. On 31 July 1943, 31 people were beheaded in an hour, a day later, 30. The bodies were later handed over to the Institute of Anatomy at the University of Vienna and remaining body parts buried later without a stir at Vienna's Central Cemetery in shaft graves. To thein the Nazi era executed, which were called "Justifizierte" , belonged the nun Maria Restituta Kafka and the theology student Hannsgeorg Heintschel-Heinegg.
The court at that time was directly subordinated to the Ministry of Justice in Berlin.
1945-present
The A-tract (Inquisitentrakt), which was destroyed during a bombing raid in 1944 was built in the Second Republic again. This was also necessary because of the prohibition law of 8 May 1945 and the Criminal Law of 26 June 1945 courts and prisons had to fight with an overcrowding of unprecedented proportions.
On 24 March 1950, the last execution took place in the Grey House. Women murderer Johann Trnka had two women attacked in his home and brutally murdered, he had to bow before this punishment. On 1 July 1950 the death penalty was abolished in the ordinary procedure by Parliament. Overall, occured in the Regionl Court of Criminal Matters 1248 executions. In 1967, the execution site was converted into a memorial.
In the early 1980s, the building complex was revitalized and expanded. The building in the Florianigasse 8, which previously had been renovated, served during this time as an emergency shelter for some of the departments. In 1994, the last reconstruction, actually the annex of the courtroom tract, was completed. In 2003, the Vienna Juvenile Court was dissolved as an independent court, iIts agendas were integrated in the country's criminal court.
Prominent processes since 1945, for example, the Krauland process in which a ÖVP (Österreichische Volkspartei - Austrian People's Party) minister was accused of offenses against properties, the affair of the former SPÖ (Sozialistische Partei Österreichs - Austrian Socialist Party) Minister and Trade Unions president Franz Olah, whose unauthorized financial assistance resulted in a newspaper establishment led to conviction, the murder affairs Sassak and the of the Lainzer nurses (as a matter of fact, auxiliary nurses), the consumption (Konsum - consumer cooporatives) process, concerning the responsibility of the consumer Manager for the bankruptcy of the company, the Lucona proceedings against Udo Proksch, a politically and socially very well- networked man, who was involved in an attempted insurance fraud, several people losing their lives, the trial of the Nazi Holocaust denier David Irving for Wiederbetätigung (re-engagement in National Socialist activities) and the BAWAG affair in which it comes to breaches of duty by bank managers and vanished money.
Presidents of the Regional Court for Criminal Matters in Vienna since 1839 [edit ]
Josef Hollan (1839-1844)
Florian Philipp (1844-1849)
Eduard Ritter von Wittek (1850-1859)
Franz Ritter von Scharschmied (1859-1864)
Franz Ritter von Boschan (1864-1872)
Franz Josef Babitsch (1873-1874)
Joseph Ritter von Weitenhiller (1874-1881)
Franz Schwaiger (1881-1889)
Eduard Graf Lamezan -Salins (1889-1895)
Julius von Soos (1895-1903)
Paul von Vittorelli (1903-1909)
Johann Feigl (1909-1918)
Karl Heidt (1918-1919)
Ludwig Altmann (1920-1929)
Emil Tursky (1929-1936)
Philipp Charwath (1936-1938)
Otto Nahrhaft (1945-1950)
Rudolf Naumann (1951-1954)
Wilhelm Malaniu (1955-1963)
Johann Schuster (1963-1971)
Konrad Wymetal (1972-1976)
August Matouschek (1977-1989)
Günter Woratsch (1990-2004)
Ulrike Psenner (2004-2009)
Friedrich Forsthuber (since 2010)
de.wikipedia.org/wiki/Landesgericht_f%C3%BCr_Strafsachen_...
CBP officers from the Office of Field Operations and agents from the U.S. Border Patrol and Air and Marine Operations execute a planned readiness exercise at the San Ysidro Port of Entry. The exercise is designed to evaluate readiness and assess the capabilities of CBP facilities to make necessary preparations. November 22, 2018.
Photos by Mani Albrecht
U.S. Customs and Border Protection
Office of Public Affairs
Visual Communications Division
CBP officers from the Office of Field Operations and agents from the U.S. Border Patrol and Air and Marine Operations execute a planned readiness exercise at the San Ysidro Port of Entry. The exercise is designed to evaluate readiness and assess the capabilities of CBP facilities to make necessary preparations. November 22, 2018.
Photos by Mani Albrecht
U.S. Customs and Border Protection
Office of Public Affairs
Visual Communications Division
This 11-foot, 4-inch marble statue of George Washington was executed by Horatio Greenough in 1840. The piece was commissioned by Congress on July 14, 1832, to commemorate the centennial of Washington's birth. It arrived from Italy on July 31, 1841 and was installed in the Capitol Rotunda in December 1841. Due to its weight and lighting concerns of the dimly lit interior, the statue was moved outdoors to the east lawn shortly after its installation, and on May 22, 1908, a joint resolution from Congress authorized its transfer to the Smithsonian Institution. It remained at the Castle until 1964, when it was moved to the new Museum of History and Technology (now the National Museum of American History).
Greenough's sculpture depicts a seated figure of George Washington dressed in a classical robe and sandals with his right arm held up in the air and holding a sheathed sword in his left hand. He is nude from waist up. As soon as it arrived in the Capitol City, it attracted controversy and criticism. Greenough modeled his on a classical Greek statue of Zeus, but many Americans found the sight of a half-naked Washington offensive, even comical. After the statue was relocated to the east lawn, some joked that Washington was desperately reaching for his clothes, on exhibit at the Patent Office several blocks to the north.
The National Museum of American History (NMAH), administered by the Smithsonian Institute, collects, preserves and displays American heritage in the areas of social, political, cultural, scientific and military history. The museum, which first opened in 1964 as the Museum of History and Technology, is located on the National Mall in one of the last structures designed by McKim, Mead & White. It was renamed in 1980, and closed for a 2-year, $85 million renovation by Skidmore, Owings & Merrill LLP from 2006 to 2008.
The Smithsonian Institution, an educational and research institute and associated museum complex, administered and funded by the government of the United States and by funds from its endowment, contributions, and profits from its shops and its magazines, was established in 1846. Although concentrated in Washington DC, its collection of over 136 million items is spread through 19 museums, a zoo, and nine research centers from New York to Panama.