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A formation in executing the nearly extinct Gotipua Dance at our Durga Puja Cultural Festival of 2013 - of South Madras Cultural Association, Chennai, India.
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Gotipua is a traditional dance form in the state of Orissa, India, and the precursor of Odissi classical dance. It has been performed in Orissa for centuries by young boys, who dress as women to praise Jagannath and Krishna. The dance is executed by a group of boys who perform acrobatic figures inspired by the life of Radha and Krishna. The boys begin to learn the dance at an early age until adolescence, when their androgynous appearance changes. In the Oriya language Gotipua, means "single boy" (goti-pua). Raghurajpur, Orissa (near Puri) is an historic village known for its Gotipua dance troupes.
To transform into graceful feminine dancers the boys do not cut their hair, instead styling it in a knot and weaving garlands of flowers into it. They make up their faces with mixed white and red powder. Kajal (black eyeliner) is broadly applied around the eyes to give them an elongated look. The bindi usually round, is applied to the forehead, surrounded with a pattern made from sandalwood. Traditional paintings adorn the face, which are unique to each dance school.
The costume has evolved over time. The traditional dress is a Kanchula, a brightly coloured blouse with shiny decorations. An apron-like, embroidered silk cloth (nibibandha) is tied around the waist like a ruffle and worn around the legs. Some dancers still adhere to tradition by wearing a pattasari: a piece of thin fabric about 4 metres (13 ft 1 in) long, worn tightly with equal lengths of material on both sides and a knot on the navel. However, this traditional dress is often replaced by a newly designed cloth which is easier to put on.
Dancers wear specially designed, beaded jewelry: necklaces, bracelets, armbands and ear ornaments. Nose-piercing jewelry has been replaced with a painted motif. Ankle bells are worn, to accentuate the beats tapped out by the feet. The palms of the hands and soles of the feet are painted with a red liquid known as alta. The costume, jewelry and bells are considered sacred.
Long ago, the temples in Orissa had female dancers known as devadasi (or mahari), who were devoted to Jagannath, which gave rise to Mahari dance. Sculptures of dancers on bas-reliefs in temples in Orissa (and the Konark Sun and Jagannath Temples in Puri) demonstrate this ancient tradition. With the decline of mahari dancers around the 16th century during the reign of Rama Chandra Dev (who founded the Bhoi dynasty), boy dancers in Orissa continued the tradition. Gotipua dance is in the Odissi style, but their technique, costumes and presentation differ from those of the mahari; the singing is done by the dancers. Present-day Odissi dance has been influenced by Gotipua dance. Most masters of Odissi dance (such as Kelucharan Mohapatra, from Raghurajpur) were Gotipua dancers in their youth.
Odissi dance is a combination of tandava (vigorous, masculine) and lasya (graceful, feminine) dances. It has two basic postures: tribhangi (in which the body is held with bends at the head, torso and knees) and chouka (a square-like stance, symbolizing Jagannath). Fluidity in the upper torso is characteristic of Odissi dance, which is often compared to the gentle sea waves which caress the Orissa beaches.
Each year, the Guru Kelucharan Mohapatra Odissi Research Centre organizes the Gotipua Dance Festival in Bhubaneswar.
Source : en.wikipedia.org/wiki/Gotipua
An 1852 edition of The Poetical Works of John Milton, with a macabre twist - it is bound with the skin of an executed murderer !
Visit www.donotresuscitate.co.uk and click on "Archive" to see more info and images...
This morning (Tuesday 1 February 2022), we executed warrants at six properties in the Chadderton area.
A 25-year-old was arrested on suspicion of rape, sexual assault and trafficking a person within the UK for sexual exploitation.
A second 25-year-old was arrested on suspicion of sexual assault.
A 26-year-old was arrested on suspicion of sexual assault and trafficking a person within the UK for sexual exploitation.
A 27-year-old was arrested on suspicion of rape and trafficking a person within the UK for sexual exploitation.
A 28-year-old was arrested on suspicion of rape and trafficking a person within the UK for sexual exploitation.
The warrants were executed as part of Operation Gabel - an investigation into the child sexual exploitation of two teenage girls in 2012/2013.
Inspector Nick Helme, of GMP's Oldham district, said: "This morning's action at several properties in the Chadderton area was a result of just one of a number of ongoing investigations into historic child sexual exploitation in Greater Manchester.
"I can assure members of the public and warn offenders that investigating this type of crime is a top priority for the force. Regardless of time passed, dedicated teams in a specialist unit leave no stone unturned whilst gathering evidence to make arrests with the intention of bringing suspects to face justice.
"I hope these warrants build public trust and confidence that Greater Manchester Police is committed to fighting, preventing and reducing CSE to keep people safe and care for victims - giving them the faith they need in the force to come forward.
Greater Manchester is nationally recognised as a model of good practice in terms of support services available to victims.
If you or someone you know has been raped or sexually assaulted, we encourage you not to suffer in silence and report it to the police, or a support agency so you can get the help and support available.
- Saint Mary's Sexual Assault Referral Centre, Manchester provides a comprehensive and co-ordinated response to men, women and children who live or have been sexually assaulted within Greater Manchester. We offer forensic medical examinations, practical and emotional support as well as a counselling service for all ages. Services are available on a 24-hour basis and can be accessed by telephoning 0161 276 6515.
-Greater Manchester Rape Crisis is a confidential information, support and counselling service run by women for women over 18 who have been raped or sexually abused at any time in their lives. Call us on 0161 273 4500 or email us at help@manchesterrapecrisis.co.uk
- Survivors Manchester provides specialist trauma informed support to boys and men in Greater Manchester who have experienced sexual abuse, rape or sexual exploitation. Call 0161 236 2182.
Klinkicht, Gerhard, * 1915, † 14.03.2000 Bavaria, Wehrmacht Captain. A commemorative plaque on St. Stephen's Cathedral (side of the gate Singertor) recalls that in April 1945 Klinkicht refused to execute the order to bombard the cathedral.
Klinkicht, Gerhard, * 1915, † 14.03.2000 Bayern, Wehrmachtshauptmann. Eine Gedenktafel am Stephansdom (Seite des Singertors) hält in Erinnerung, dass sich Klinkicht im April 1945 geweigert hatte, den Befehl zur Beschießung des Doms auszuführen.
Fire in St. Stephen's Cathedral: eyewitnesses cried in the face of devastation.
Despite great need after the war, the landmark of Austria was rebuilt within seven years.
04th April 2015
What happened in the heart of Vienna 70 years ago brought tears to many horrified residents. On 12 April 1945, the Pummerin, the largest bell of St. Stephen's Cathedral, fell as a result of a roof fire in the tower hall and broke to pieces. The following day, a collapsing retaining wall pierced through the vault of the southern side choir, the penetrating the cathedral fire destroyed the choir stalls and choir organ, the Imperial oratory and the rood screen cross. St. Stephen's Cathedral offered a pitiful image of senseless destruction, almost at the end of that terrible time when the Viennese asked after each bombing anxiously: "Is Steffl still standing?"
100 grenades for the cathedral
Already on April 10, the cathedral was to be razed to the ground. In retaliation for hoisting a white flag on St. Stephen's Cathedral, the dome must be reduced to rubble and ash with a fiery blast of a hundred shells. Such was the insane command of the commander of an SS Artillery Division in the already lost battle for Vienna against the Red Army.
The Wehrmacht Captain Gerhard Klinkicht, from Celle near Hanover, read the written order to his soldiers and tore the note in front of them with the words: "No, this order will not be executed."
What the SS failed to do, settled looters the day after. The most important witness of the events from April 11 to 13, became Domkurat (cathedral curate) Lothar Kodeischka (1905-1994), who, as the sacristan director of St. Stephen, was practically on the spot throughout these days. When Waffen-SS and Red Army confronted each other on the Danube Canal on April 11, according to Kodeischka a report had appeared that SS units were making a counter-attack over the Augarten Bridge. Parts of the Soviet artillery were then withdrawn from Saint Stephen's square. For hours, the central area of the city center was without occupying forces. This was helped by gangs of raiders who set fire to the afflicted shops.
As a stone witness to the imperishable, the cathedral had defied all adversity for over 800 years, survived the conflagrations, siege of the Turks and the French wars, but in the last weeks of the Second World War St. Stephen was no longer spared the rage of annihilation. Contemporary witness Karl Strobl in those days observed "an old Viennese lady who wept over the burning cathedral".
The stunned spectators of destruction were joined, according to press reports, by a man in baggy trousers and a shabby hat, who incidentally remarked, "Well, we'll just have to rebuild him (the dome)." It was Cardinal Theodor Innitzer. Only a few weeks later, on May 15, 1945, the Viennese archbishop proclaimed to the faithful of his diocese: "Helping our cathedral, St. Stephen's Cathedral, to regain its original beauty is an affair of the heart of all Catholics, a duty of honor for all."
April 1945
In April 1945, not only St. Stephen's Cathedral burned. We did some research for you this month.
April 6: The tallest wooden structure of all time, the 190 meter high wooden tower (short-wave transmitter) of the transmitter Mühlacker, is blown up by the SS.
April 12: Following the death of President Franklin D. Roosevelt, Harry S. Truman is sworn in as the 33rd US President.
April 13: Vienna Operation: Soviet troops conquer Vienna.
April 25: Björn Ulvaeus, Swedish singer, member of the ABBA group, is born.
April 27: The provisional government Renner proclaims the Austrian declaration of independence.
April 30: The Red Army hoists the Soviet flag on the Reichstag building. Adolf Hitler, the dictator of the Third Reich, commits suicide with Eva Braun.
Brand im Stephansdom: Augenzeugen weinten angesichts der Verwüstung.
Trotz großer Not nach dem Krieg wurde das Wahrzeichen Österreichs binnen sieben Jahren wieder aufgebaut.
04. April 2015
Was vor 70 Jahren im Herzen Wiens passierte, trieb vielen entsetzten Bewohnern die Tränen in die Augen. Am 12. April 1945 stürzte die Pummerin, die größte Glocke des Stephansdoms, als Folge eines Dachbrandes in die Turmhalle herab und zerbrach. Tags darauf durchschlug eine einbrechende Stützmauer das Gewölbe des südlichen Seitenchors, das in den Dom eindringende Feuer zerstörte Chorgestühl und Chororgel, Kaiseroratorium und Lettnerkreuz. Der Stephansdom bot ein erbarmungswürdiges Bild sinnloser Zerstörung, und das fast am Ende jener Schreckenszeit, in der die Wiener nach jedem Bombenangriff bang fragten: "Steht der Steffl noch?"
100 Granaten für den Dom
Bereits am 10. April sollte der Dom dem Erdboden gleichgemacht werden. Als Vergeltung für das Hissen einer weißen Fahne auf dem Stephansdom ist der Dom mit einem Feuerschlag von 100 Granaten in Schutt und Asche zu legen. So lautete der wahnwitzige Befehl des Kommandanten einer SS-Artillerieabteilung im schon verlorenen Kampf um Wien gegen die Rote Armee.
Der aus Celle bei Hannover stammende Wehrmachtshauptmann Gerhard Klinkicht las die schriftlich übermittelte Anordnung seinen Soldaten vor und zerriss den Zettel vor aller Augen mit den Worten: "Nein, dieser Befehl wird nicht ausgeführt."
Was der SS nicht gelang, besorgten einen Tag später Plünderer: Zum wichtigsten Zeugen der Geschehnisse vom 11. bis 13. April wurde Domkurat Lothar Kodeischka (1905–1994), der als Sakristeidirektor von St. Stephan in diesen Tagen praktisch durchgehend an Ort und Stelle war. Als am 11. April Waffen-SS und Rote Armee einander am Donaukanal gegenüberstanden, war laut Kodeischka die Nachricht aufgetaucht, SS-Einheiten würden einen Gegenstoß über die Augartenbrücke unternehmen. Teile der sowjetischen Artillerie wurden daraufhin vom Stephansplatz abgezogen. Für Stunden sei der zentrale Bereich der Innenstadt ohne Besatzung gewesen. Dies nützten Banden von Plünderern, die Feuer in den heimgesuchten Geschäften legten.
Als steinerner Zeuge des Unvergänglichen hatte der Dom über 800 Jahre hinweg "allen Widrigkeiten getrotzt, hatte Feuersbrünste, Türkenbelagerungen und Franzosenkriege überstanden. Doch in den letzten Wochen des Zweiten Weltkrieges blieb auch St. Stephan nicht mehr verschont vor der Wut der Vernichtung. Zeitzeuge Karl Strobl beobachtete damals "eine alte Wienerin, die über den brennenden Dom weinte".
Zu den fassungslosen Betrachtern der Zerstörung gesellte sich laut Presseberichten ein Mann in ausgebeulten Hosen und mit abgeschabtem Hut, der so nebenbei bemerkte: "Na, wir werden ihn (den Dom) halt wieder aufbauen müssen." Es handelte sich um Kardinal Theodor Innitzer. Nur wenige Wochen danach, am 15. Mai 1945, ließ der Wiener Erzbischof an die Gläubigen seiner Diözese verlautbaren: "Unsere Kathedrale, den Stephansdom, wieder in seiner ursprünglichen Schönheit erstehen zu helfen, ist eine Herzenssache aller Katholiken, eine Ehrenpflicht aller."
April 1945
Im April 1945 brannte nicht nur der Stephansdom. Wir haben für Sie recherchiert wa noch in diesem Monat geschah.
6. April: Das höchste Holzbauwerk aller Zeiten, der 190 Meter hohe Holzsendeturm des Senders Mühlacker, wird von der SS gesprengt.
12. April: Nach dem Tod von Präsident Franklin D. Roosevelt wird Harry S. Truman als 33. Präsident der USA vereidigt.
13. April: Wiener Operation: Sowjetischen Truppen erobern Wien.
25. April: Björn Ulvaeus, schwedischer Sänger, Mitglied der Gruppe ABBA, kommt zur Welt.
27. April: Von der provisorischen Regierung Renner wird die österreichische Unabhängigkeitserklärung proklamiert.
30. April: Die Rote Armee hisst die sowjetische Fahne auf dem Reichstagsgebäude. Adolf Hitler, der Diktator des Dritten Reiches, begeht mit Eva Braun Selbstmord.
www.nachrichten.at/nachrichten/150jahre/ooenachrichten/Vo...
Al poblet natal de Lluís Companys es troba un jardi memorial en record de la seva figura i del seu assassinat per el regim feixista de Franco. Recordem que el paripé de consell de guerra que l'hi va fer aquest regim encara no ha estat anulat per l'estat espanyol.
Ah, i recordar també que aquest monument en record de Companys ha sofert nombrosos atacs per part de gentussa feixista, en especial a partir del avenç de Catalunya cap a la independència.
ca.wikipedia.org/wiki/Llu%C3%ADs_Companys_i_Jover
ca.wikipedia.org/wiki/El_Tarr%C3%B2s
www.ara.cat/politica/Lluis_Companys-Tornabous-Tarros-monu...
www.elpuntavui.cat/politica/article/17-politica/904679-el...
També vaig estar el 2011 a la casa on fou arrestat per la Gestapo a La Baule:
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This is the memorial to the President of Catalonia Lluís Companys i Jover, executed with a mock trial by the fascist Spanish government in 1940. He was President of the Catalan government from 1933 to 1934 and from 1936 to 1940 (but in exile from 1939). With the fascist ocupation of Catalonia, he went to the exile in France, but just a year later, in 1940, France too was invaded by Germany. The Gestapo captured him and was executed in Monjuic Castle (Barcelona) by firing squad. He was the only democratically elected president executed in Europe!
But even now this memorial in his hometown of El Tarrós has been desecrated by fascist several times in the last few years. These attacks have been fueled by the Catalan independence movement, which the fascists hate.
en.wikipedia.org/wiki/Llu%C3%ADs_Companys
I've been in the house in La Baule where he was arrested by the Gestapo in 1940:
Afghanistan's infamous Pul-e Charkhi Prison on the eastern edge of Kabul. Inmates reported being beaten and electrocuted there during in the 1980s and 90s. Others were allegedly buried alive and human rights groups suspect the grounds contain many mass graves, as yet undocumented. In 2006, just weeks after seven inmates escaped, five people were killed during a four-day riot in which inmates seized control of the prison. Today it houses a volatile mixture of criminals, insurgents and political prisoners. It is also where Afghanistan carries out its capital punishments. President Hamid Karzai rarely signs execution warrants, but 14 people were executed in November 2012 and 15 people were executed in chaotic conditions in October 2007.
OFFENSE
Peyton ManningQBKurt Warner
Thomas JonesRBAdrian Peterson
Le'Ron McClainFBMike Sellers
Andre JohnsonWRLarry Fitzgerald
Brandon MarshallWRAnquan Boldin
Tony GonzalezTEJason Witten
Jason Peters*OTJordan Gross
Joe ThomasOTWalter Jones*
Alan FanecaOGSteve Hutchinson
Kris DielmanOGChris Snee
Kevin Mawae*CAndre Gurode
DEFENSE
Mario WilliamsDEJulius Peppers
Dwight FreeneyDEJustin Tuck
Albert HaynesworthDTKevin Williams
Kris JenkinsDTJay Ratliff
James HarrisonOLBDeMarcus Ware
Joey PorterOLBLance Briggs
Ray LewisILBPatrick Willis
Nnamdi AsomughaCBCharles Woodson*
Cortland FinneganCBAntoine Winfield
Ed ReedFSNick Collins
Troy PolamaluSSAdrian Wilson
SPECIAL TEAMS
Shane LechlerPJeff Feagles
Stephen GostkowskiKJohn Carney
Leon WashingtonKRClifton Smith
Brendon AyanbadejoSTSean Morey hirty-one NFL players made their Pro Bowl debuts this year, and most of them proved on Sunday that they belong.
Jets CB Darrelle Revis made an amazing one-handed interception of Eli Manning’s pass in the end zone in the third quarter to preserve the AFC’s lead.
Besides that interception, Manning had a solid showing in his first all-star game. He finished 8-of-14 for 111 yards and threw the winning touchdown pass to game MVP Larry Fitzgerald.
Vikings CB Antoine Winfield, making his first Pro Bowl appearance after 10 years in the league, intercepted Kerry Collins‘ pass deep in NFC territory in the third quarter, preventing the AFC from building on its lead.
The star of the AFC defensive effort was Colts first-timer Robert Mathis. In the first quarter, he sacked Drew Brees, forced a fumble and then recovered the ball. He brought down Brees again in the second quarter for a 13-yard loss.
On offense, Ravens RB Le’Ron McClain ran for the AFC’s only touchdown in the fourth quarter, while Texans receiver Owen Daniels‘ 9-yard TD reception capped the AFC’s six-play, 52 yard drive just before halftime. McClain’s touchdown came on the rarely ever seen, but well-executed, fumble-rooskie play.
Executing the three point turn required at Beach Road, Perranporth is First Kernow 33421 (WA08 MVF).
It is an Alexander Dennis Enviro 400 which was new in July, 2008 and is operating the 10am departure from Newquay to St Ives on the scenic 57 route which has a journey time of 2hours 7 minutes end to end.
This morning, Thursday 2 February 2017, officers executed warrants at addresses across Miles Platting and Ancoats.
The warrants were executed as part of Operation Rudow a multi-agency operation targeting organised crime and the supply of drugs across Greater Manchester.
Chief Inspector Andy Cunliffe, of GMP’s City of Manchester team, said: "Drugs ruin lives and destroy communities. We will systematically root out and dismantle groups that seek to profit from flooding our streets with drugs.
"Today, we have made arrests after executing warrants across North Manchester.
"By sharing information with our partners, we are better equipped to tackle organised crime and make it impossible for them to profit from it.
"I'd like to thank the community who came forward with information that has proved vital in making this enforcement action a success.
“We still however, need people to come forward with information to prevent people from benefiting from the proceeds of crime at the demise of others. If you know about it, report it.
"Organised crime has no place on the streets of Greater Manchester and we will continue to work tirelessly to remove the scourge of criminal gangs."
Anyone with information should contact police on 101 or Crimestoppers, anonymously, on 0800 555 111.
Sad state of affairs, but worth a read anyway.
Quay side is one of my favourite areas of Norwich for walking, kayaking and for land, aquatic and aerial photography. However, have you ever noticed the sign on the left of the paper-shop, just as you cross over from Fye Bridge into Quay Side? If you haven't, go and have a read next time you're on your own social distancing (of course). Fye Bridge and Quay Side marks the spot where scolds, strumpets and witches were tried, most of which were executed. I noticed a report some years back in the local rag about witches and trials however, it never really went into much detail; for example. The Salem Witch Trials, one of Norwich's most unheard about medieval trials. It's worth a read if you do look the book up. Its gruesome too.
Ducking stools were normally situated a little further down from the bridge, however, history does tell us that executions did take place on the bridge; with heckling crowds, during the medieval period. Norwich wasn't a very safe place for women during the times of King Henry V; and witch hunting was taking off very fast.
The oldest known bridge site in the city – older than Bishop Bridge, albeit rebuilt in 1829 so far more modern in appearance – is a tombstone’s throw from nearby Tombland and leads to Magdalen Street. There are records of this ancient bridge from 1153, when it would have been a timber structure before it was replaced with stone in the early 15th century.
During the reign of Henry V, the bridge fell into disrepair and was destroyed by flooding in 1570, the current bridge was opened in 1933 and has two arches and a width of 50 feet between the parapets: below it flows the River Wensum, a stretch of water once used to determine whether or not an accused person was practising witchcraft.
Matthew Hopkins, who claimed to hold the office of Witchfinder General, and his colleague John Stearne, carried out terrible witch hunts in East Anglia between 1644 and 1647 and during this time was responsible for more people being hanged for witchcraft than in the previous 100 years.Matthew Hopkins was, and being blunt, a complete psychopathic lunatic that loved inflicting pain and terror.
Fye Bridge is thought to be where the city’s medieval ducking stool was situated, a chair which was formerly used for the punishment of disorderly women, scolds, “strumpets” and dishonest tradesmen in England and Scotland. But during Hopkins’ reign of terror, it took on an even more sinister purpose. It was the method used to ‘test’ women who were suspected of being witches, the theory being that if the unfortunate woman survived the ducking then she had to be a witch who would summarily be burnt, and if she drowned, she was innocent of all charges (albeit innocent and dead). Burnings normally took place on Fye Bridge. The supposed guilty witch would be tied to a stake, with wood laid at her feet and heckling crowds throwing objects at her. From there she would be literally be burned alive.
The ducking stool was a simple chair to which the accused could be tied, the similarly-named 'cucking stools' were put on wheels so the women could be dragged around their parish and humiliated while ducking stools were on poles to make immersing the woman in the water an easier process. Some argued that witches floated because they had renounced baptism when entering Satan’s service: King James VI of Scotland, later James I of England, claimed in his Daemonologie that water was so pure an element that it repelled the guilty.
If we travel back to Bishop Bridge, still one of the oldest active bridges in England, there is a connection to the poor souls who were ducked as witches. Built in 1340, the bridge once boasted a gatehouse and was crossed by Robert Kett and his rebels in 1549 and by Elizabeth I in 1578. On the far side of the bridge was Lollards Pit, where chalk was drawn to provide the foundations for Norwich Cathedral and which was owned by the Bishop of Norwich. Just outside the city walls, it was the perfect place for those who had been cast out by the church to meet their end. Lollards were anti-clerical and so-called heretics were burned at the site from the 1420s up until the reign of Mary in the 16th century. It also became the venue for witch burnings during the mid-17th century – more accused witches were hanged than burnt, but a handful met their fiery death at this site within view of Bishop Bridge.
The accused were marched from their cell at the city’s Guildhall and then towards the pit across the bridge and past the faggots of wood piled high on their pyre before they were handed over by the church to their executioner. It is said that the ghost of a woman who was burned after being accused of witchcraft can still be seen wandering up and down Bishopgate holding the faggot of wood which would be lit beneath her. Dressed in rags, she can be seen stumbling along the street and drinkers at Lollards Pit Pub, on the site of the execution ground, have reported hearing screams. On occasion, the woman has been seen to drop the firewood she is carrying and pleading for help to pick it up: but do not fall into her trap: it is said that if you ever spy the witch and help her with her bundle of sticks, then you too will die in a fire within six months.
The history of Norwich (and East Anglia as a whole) is riddled with witchcraft. And, like most places at the time, this history is quite brutal. But the legacy of witchcraft is so ingrained in the history of East Anglia that for a long time, the entire region was unable to shake the stigma and association with witches, witchcraft and witch hunting.
Matthew Hopkins, the self-appointed Witchfinder General, terrorised the country between 1644 and 1647.
Hopkins was born in Great Wenham in Suffolk sometime between 1619-1622. As the son of a Puritan vicar, he was very much raised in the church. Although the condemnation of witches wasn’t a new practice, the turn of the 15th century saw the church amp up its vigour for persecuting suspected witches.
And not just in England. Throughout Europe, people were being accused and executed at alarming rates. In Basque Spain, over 7,000 people were accused of witchcraft between 1608 and 1614. While only 11 were executed, it was part of a bigger problem sweeping Europe. Between 1626 and 1631 Germany witnessed the Würzburg witch trials. It is estimated that as many as 900 people were tried and executed for witchcraft in the city and surrounding area.
This was the world that Hopkins was growing up in. So it is somewhat understandable that as a young adult, raised in the church, he came to see it as his duty to rid England of witches.
But understandable or not, Hopkins’ reign as Witchfinder General was gruesome. It is infamously noted that in the three years he hunted witches, more people were executed for practising witchcraft in England than in the 100 years prior combined.
Between 1644 and 1647, Matthew Hopkins and his associate John Stearne (also spelled Stern) are estimated to be directly involved in sending more than 300 people to their deaths. However, in total from the 1400s to the 1700s, fewer than 500 people were hanged or burned for witchcraft in England. This means that they were responsible for approximately 60% of the deaths related to witchcraft in England.
Hopkins primarily focused his witch hunting to within East Anglia (we are including Essex in this instance). But Hopkins was a fanatic, so if his services were needed, he would travel further afield. Outside of East Anglia, he most often worked in parts of Northamptonshire and Bedfordshire.
It isn’t entirely fair to categorise Matthew Hopkins as a psychopath. After all, as we said, he was somewhat victim to his own upbringing. He was also being paid by parishes to root out witches and doing so made him rich, but it also proved that his made-up role of Witchfinder General was a necessity. In essence, once he began down the path, he kind of had to embrace it; and embrace it he did.
Hopkins developed (and *ahem* stole) several methods of detecting witches, all of which he laid out in his book (manifesto?) The Discovery of Witches.
Sleep deprivation was another unlawful practice Hopkins was a fan of in order to find a witch guilty. Nevertheless, this one was never officially ruled against and he used it regularly throughout his time as Witchfinder General. This is still a pretty shady practice that people use to extract confessions.
Hopkins also liked cutting too. This method involved Hopkins, or one of his assistants cutting the arm of a suspected witch with a blunt knife. When they didn’t bleed, they would be deemed a witch. This practice was far more common for women than men, ’cause, you know, we’re so delicate and feeble.
Fortunately Hopkins’ reign of terror was cut short when he died on 12 August 1647. While his exact age was unknown, he was estimated to be in his mid-twenties when he died – most likely of pleural tuberculosis. Within hours, he was buried at the Church of St Mary at Mistley Heath.
If you are a fan of irony, you will appreciate that shortly after his death, rumours spread that Hopkins was a victim of his own swimming test and hanged as a witch.
Duckings took place on Bishops Bridge too, though the majority were conducted on Fye Bridge. Finally go hunt out St Peter Mancroft Church. If you look closely, you will find a small remnant of the medieval era of punishment outside of St Peter Mancroft Church in Norwich city centre.
Near the bike racks and the market (which is 900 years old, by the way!) are a set of manacles. While not exclusively used for witches, shackles like this would have been used to publicly humiliate those accused of all manner of sins and crimes – including witchcraft.
So, next time you're strolling over the bridge, or supping a pint. Do keep your eyes peeled for the ghost, and remember many innocent women and men were brutally murdered in this area of our fine medieval city.
Photographer:
J.J.Williamson.
Member of the Guild of Photographers.
Freelance Reporter | Researcher.
Sources and References:
Cultura Obscura. EDP. Norwich Evening News. Urban Rambles. Medieval England Page pages 136-169. Independent. Suffolk Mag. Bury St Edmunds Witch Trials. Salem Witch Trials.
This morning (Tuesday 1 February 2022), we executed warrants at six properties in the Chadderton area.
A 25-year-old was arrested on suspicion of rape, sexual assault and trafficking a person within the UK for sexual exploitation.
A second 25-year-old was arrested on suspicion of sexual assault.
A 26-year-old was arrested on suspicion of sexual assault and trafficking a person within the UK for sexual exploitation.
A 27-year-old was arrested on suspicion of rape and trafficking a person within the UK for sexual exploitation.
A 28-year-old was arrested on suspicion of rape and trafficking a person within the UK for sexual exploitation.
The warrants were executed as part of Operation Gabel - an investigation into the child sexual exploitation of two teenage girls in 2012/2013.
Inspector Nick Helme, of GMP's Oldham district, said: "This morning's action at several properties in the Chadderton area was a result of just one of a number of ongoing investigations into historic child sexual exploitation in Greater Manchester.
"I can assure members of the public and warn offenders that investigating this type of crime is a top priority for the force. Regardless of time passed, dedicated teams in a specialist unit leave no stone unturned whilst gathering evidence to make arrests with the intention of bringing suspects to face justice.
"I hope these warrants build public trust and confidence that Greater Manchester Police is committed to fighting, preventing and reducing CSE to keep people safe and care for victims - giving them the faith they need in the force to come forward.
Greater Manchester is nationally recognised as a model of good practice in terms of support services available to victims.
If you or someone you know has been raped or sexually assaulted, we encourage you not to suffer in silence and report it to the police, or a support agency so you can get the help and support available.
- Saint Mary's Sexual Assault Referral Centre, Manchester provides a comprehensive and co-ordinated response to men, women and children who live or have been sexually assaulted within Greater Manchester. We offer forensic medical examinations, practical and emotional support as well as a counselling service for all ages. Services are available on a 24-hour basis and can be accessed by telephoning 0161 276 6515.
-Greater Manchester Rape Crisis is a confidential information, support and counselling service run by women for women over 18 who have been raped or sexually abused at any time in their lives. Call us on 0161 273 4500 or email us at help@manchesterrapecrisis.co.uk
- Survivors Manchester provides specialist trauma informed support to boys and men in Greater Manchester who have experienced sexual abuse, rape or sexual exploitation. Call 0161 236 2182.
Falguiere executed two versions of Diana, one standing and one running. This is the first of several drawings and engravings of late 19th century French statues that I found in an Internet Archive book. The page reproductions were very pale, so I've darkened and greyscaled them and removed a few spots.
Claude Monet, La Mer Vue Des Falaises, 1881
Object Number: 2016.PHX.7.1, Phoenix Art Museum
On loan from a Private Collection
Canon G5 X handheld, taken 25 May 2016
fr.wikipedia.org/wiki/Claude_Monet
en.wikipedia.org/wiki/Phoenix_Art_Museum
www.sothebys.com/en/auctions/ecatalogue/2007/impressionis...
www.npr.org/2020/01/10/794924761/what-a-way-to-go-even-as...
La Mer vue des falaises belongs to a series of views of the cliff overlooking Fécamp in Normandy, which Monet painted in 1881 (Wildenstein nos. 647-652). Monet executed the majority of his early seascapes on the coast of Normandy, a region to which he was deeply attached, and to which he returned throughout his career. In the spring of 1881 Monet spent several weeks in Fécamp, a fishing port he had visited briefly in 1868. In his depictions of this view, including the present work, Monet eliminated any signs of human presence, choosing instead to focus on the nature itself. The composition is dominated by the vast expanse of the sea, framed by the dramatic cliffs on the left, and a narrow strip of the sky above the water.
Turning to this particular landscape, Monet followed in the footsteps of Gustave Courbet, who had painted some of his best works on the coast of Normandy. Heather Lemonedes wrote that "The Fécamp pictures should be viewed against the backdrop of Courbet's seascapes, or 'landscapes of the sea,' as he preferred to call them. Courbet first journeyed to the Normandy coast when he was twenty-one and was immediately captivated by it. He made numerous return visits in the 1860s, painting the sea and the beach and establishing a reputation as a marine painter. In 1866 the Count de Choiseul lent Courbet his house at Trouville, where the artist spent time in the company of Monet and Boudin. One critic described the sea as producing 'the same emotion as love' in Courbet. Such passion [...] would have undoubtedly resonated with Monet. While Monet's depictions of the sea at Fécamp are more abstract, more insistently referential to the act of painting, they evoke a fascination with the subject that was in keeping with Courbet's reverence for the sea" (Heather Lemonedes in Monet in Normandy (exhibition catalogue), Fine Arts Museums, San Francisco, 2006-07, pp. 82-83). ... sothebys
London Churches
All Hallows by the Tower, is in Byward Street and as its name suggests it’s close by to the Tower of London. It was established in 675 by the Anglo Saxon Abbey at Barking. There was a previous Roman building on the site, evidence of this was been found in the crypt.
It had been rebuilt and expanded a number of times between the 11th and 15th centuries. With its closeness to the Tower it acquired connections, particularly Edward IV, who made one of its chapels a Royal Chantry. Another more gruesome task was the beheaded victims from the Tower generally ended there for temporary burial.
There was a terrific explosion in 1650 (caused by barrels of stored gunpowder in the house of Robert Porter, ship chandler, in Tower Street going up). This resulted in the deaths of 47 persons or more, including Robert Porter and Family, there were quite a few missing and also the destruction of many houses, shops and public houses.
Admiral William Penn, father of William Penn founder of Philadelphia assisted the rescuing the church from The Great Fire of London 1666 by cutting firebreaks by the demolition of many buildings.
The church was again restored, this time in the 19th century. It again was in severe trouble, German bombers had gutted it in the 2nd World War and it wasn’t until 1957 when it was rededicated. The outer wall are 15th century, the arch doorway is Saxon and built in the 7th century, it is the oldest surviving part of the church. There are many brasses inside also there used to be a brass rubbing centre (this is no longer in use). There are 3 wooden statues of saints and a wonderful Baptismal font designed by Grinlin Gibbons. This originally cost £12. In 1999 The AOC Archaeological Group excavated the cemetery and a Roman pavement plus many other artefacts were discovered. A museum call the Undercroft has been set up to accommodate these finds.
It is a place of history, within the church’s registers, an entry for the baptism of William Penn and the marriage of John Quincy Adams, the only marriage of a US president not on US soil. Archbishop William Laud, Archbishop of Canterbury, advisor to Charles I, was executed by beheading on 10th January 1645 on Tower Hill, was buried in All Hallows for 20 years in a vault in the chapel and was then transferred to the chapel of St. John’s College, Oxford.
Within the South Aisle lays the Mariner’s Chapel, the windows of that part of the church depict the coats of arms of various shipping companies that have association with All Hallows. The wood of the crucifix comes from the Cutty Sark and the ivory figure is reputed to come from the Captain’s cabin of the Spanish Armada’s flagship. Within a wooden case on the south wall is a Memorial Book containing the names of those that died at sea who have no known grave. The models of ships have been presented as tokens of thanksgiving.
Graffiti (plural; singular graffiti or graffito, the latter rarely used except in archeology) is art that is written, painted or drawn on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written words to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire (see also mural).
Graffiti is a controversial subject. In most countries, marking or painting property without permission is considered by property owners and civic authorities as defacement and vandalism, which is a punishable crime, citing the use of graffiti by street gangs to mark territory or to serve as an indicator of gang-related activities. Graffiti has become visualized as a growing urban "problem" for many cities in industrialized nations, spreading from the New York City subway system and Philadelphia in the early 1970s to the rest of the United States and Europe and other world regions
"Graffiti" (usually both singular and plural) and the rare singular form "graffito" are from the Italian word graffiato ("scratched"). The term "graffiti" is used in art history for works of art produced by scratching a design into a surface. A related term is "sgraffito", which involves scratching through one layer of pigment to reveal another beneath it. This technique was primarily used by potters who would glaze their wares and then scratch a design into them. In ancient times graffiti were carved on walls with a sharp object, although sometimes chalk or coal were used. The word originates from Greek γράφειν—graphein—meaning "to write".
The term graffiti originally referred to the inscriptions, figure drawings, and such, found on the walls of ancient sepulchres or ruins, as in the Catacombs of Rome or at Pompeii. Historically, these writings were not considered vanadlism, which today is considered part of the definition of graffiti.
The only known source of the Safaitic language, an ancient form of Arabic, is from graffiti: inscriptions scratched on to the surface of rocks and boulders in the predominantly basalt desert of southern Syria, eastern Jordan and northern Saudi Arabia. Safaitic dates from the first century BC to the fourth century AD.
Some of the oldest cave paintings in the world are 40,000 year old ones found in Australia. The oldest written graffiti was found in ancient Rome around 2500 years ago. Most graffiti from the time was boasts about sexual experiences Graffiti in Ancient Rome was a form of communication, and was not considered vandalism.
Ancient tourists visiting the 5th-century citadel at Sigiriya in Sri Lanka write their names and commentary over the "mirror wall", adding up to over 1800 individual graffiti produced there between the 6th and 18th centuries. Most of the graffiti refer to the frescoes of semi-nude females found there. One reads:
Wet with cool dew drops
fragrant with perfume from the flowers
came the gentle breeze
jasmine and water lily
dance in the spring sunshine
side-long glances
of the golden-hued ladies
stab into my thoughts
heaven itself cannot take my mind
as it has been captivated by one lass
among the five hundred I have seen here.
Among the ancient political graffiti examples were Arab satirist poems. Yazid al-Himyari, an Umayyad Arab and Persian poet, was most known for writing his political poetry on the walls between Sajistan and Basra, manifesting a strong hatred towards the Umayyad regime and its walis, and people used to read and circulate them very widely.
Graffiti, known as Tacherons, were frequently scratched on Romanesque Scandinavian church walls. When Renaissance artists such as Pinturicchio, Raphael, Michelangelo, Ghirlandaio, or Filippino Lippi descended into the ruins of Nero's Domus Aurea, they carved or painted their names and returned to initiate the grottesche style of decoration.
There are also examples of graffiti occurring in American history, such as Independence Rock, a national landmark along the Oregon Trail.
Later, French soldiers carved their names on monuments during the Napoleonic campaign of Egypt in the 1790s. Lord Byron's survives on one of the columns of the Temple of Poseidon at Cape Sounion in Attica, Greece.
The oldest known example of graffiti "monikers" found on traincars created by hobos and railworkers since the late 1800s. The Bozo Texino monikers were documented by filmmaker Bill Daniel in his 2005 film, Who is Bozo Texino?.
In World War II, an inscription on a wall at the fortress of Verdun was seen as an illustration of the US response twice in a generation to the wrongs of the Old World:
During World War II and for decades after, the phrase "Kilroy was here" with an accompanying illustration was widespread throughout the world, due to its use by American troops and ultimately filtering into American popular culture. Shortly after the death of Charlie Parker (nicknamed "Yardbird" or "Bird"), graffiti began appearing around New York with the words "Bird Lives".
Modern graffiti art has its origins with young people in 1960s and 70s in New York City and Philadelphia. Tags were the first form of stylised contemporary graffiti. Eventually, throw-ups and pieces evolved with the desire to create larger art. Writers used spray paint and other kind of materials to leave tags or to create images on the sides subway trains. and eventually moved into the city after the NYC metro began to buy new trains and paint over graffiti.
While the art had many advocates and appreciators—including the cultural critic Norman Mailer—others, including New York City mayor Ed Koch, considered it to be defacement of public property, and saw it as a form of public blight. The ‘taggers’ called what they did ‘writing’—though an important 1974 essay by Mailer referred to it using the term ‘graffiti.’
Contemporary graffiti style has been heavily influenced by hip hop culture and the myriad international styles derived from Philadelphia and New York City Subway graffiti; however, there are many other traditions of notable graffiti in the twentieth century. Graffiti have long appeared on building walls, in latrines, railroad boxcars, subways, and bridges.
An early graffito outside of New York or Philadelphia was the inscription in London reading "Clapton is God" in reference to the guitarist Eric Clapton. Creating the cult of the guitar hero, the phrase was spray-painted by an admirer on a wall in an Islington, north London in the autumn of 1967. The graffito was captured in a photograph, in which a dog is urinating on the wall.
Films like Style Wars in the 80s depicting famous writers such as Skeme, Dondi, MinOne, and ZEPHYR reinforced graffiti's role within New York's emerging hip-hop culture. Although many officers of the New York City Police Department found this film to be controversial, Style Wars is still recognized as the most prolific film representation of what was going on within the young hip hop culture of the early 1980s. Fab 5 Freddy and Futura 2000 took hip hop graffiti to Paris and London as part of the New York City Rap Tour in 1983
Commercialization and entrance into mainstream pop culture
Main article: Commercial graffiti
With the popularity and legitimization of graffiti has come a level of commercialization. In 2001, computer giant IBM launched an advertising campaign in Chicago and San Francisco which involved people spray painting on sidewalks a peace symbol, a heart, and a penguin (Linux mascot), to represent "Peace, Love, and Linux." IBM paid Chicago and San Francisco collectively US$120,000 for punitive damages and clean-up costs.
In 2005, a similar ad campaign was launched by Sony and executed by its advertising agency in New York, Chicago, Atlanta, Philadelphia, Los Angeles, and Miami, to market its handheld PSP gaming system. In this campaign, taking notice of the legal problems of the IBM campaign, Sony paid building owners for the rights to paint on their buildings "a collection of dizzy-eyed urban kids playing with the PSP as if it were a skateboard, a paddle, or a rocking horse".
Tristan Manco wrote that Brazil "boasts a unique and particularly rich, graffiti scene ... [earning] it an international reputation as the place to go for artistic inspiration". Graffiti "flourishes in every conceivable space in Brazil's cities". Artistic parallels "are often drawn between the energy of São Paulo today and 1970s New York". The "sprawling metropolis", of São Paulo has "become the new shrine to graffiti"; Manco alludes to "poverty and unemployment ... [and] the epic struggles and conditions of the country's marginalised peoples", and to "Brazil's chronic poverty", as the main engines that "have fuelled a vibrant graffiti culture". In world terms, Brazil has "one of the most uneven distributions of income. Laws and taxes change frequently". Such factors, Manco argues, contribute to a very fluid society, riven with those economic divisions and social tensions that underpin and feed the "folkloric vandalism and an urban sport for the disenfranchised", that is South American graffiti art.
Prominent Brazilian writers include Os Gêmeos, Boleta, Nunca, Nina, Speto, Tikka, and T.Freak. Their artistic success and involvement in commercial design ventures has highlighted divisions within the Brazilian graffiti community between adherents of the cruder transgressive form of pichação and the more conventionally artistic values of the practitioners of grafite.
Graffiti in the Middle East has emerged slowly, with taggers operating in Egypt, Lebanon, the Gulf countries like Bahrain or the United Arab Emirates, Israel, and in Iran. The major Iranian newspaper Hamshahri has published two articles on illegal writers in the city with photographic coverage of Iranian artist A1one's works on Tehran walls. Tokyo-based design magazine, PingMag, has interviewed A1one and featured photographs of his work. The Israeli West Bank barrier has become a site for graffiti, reminiscent in this sense of the Berlin Wall. Many writers in Israel come from other places around the globe, such as JUIF from Los Angeles and DEVIONE from London. The religious reference "נ נח נחמ נחמן מאומן" ("Na Nach Nachma Nachman Meuman") is commonly seen in graffiti around Israel.
Graffiti has played an important role within the street art scene in the Middle East and North Africa (MENA), especially following the events of the Arab Spring of 2011 or the Sudanese Revolution of 2018/19. Graffiti is a tool of expression in the context of conflict in the region, allowing people to raise their voices politically and socially. Famous street artist Banksy has had an important effect in the street art scene in the MENA area, especially in Palestine where some of his works are located in the West Bank barrier and Bethlehem.
There are also a large number of graffiti influences in Southeast Asian countries that mostly come from modern Western culture, such as Malaysia, where graffiti have long been a common sight in Malaysia's capital city, Kuala Lumpur. Since 2010, the country has begun hosting a street festival to encourage all generations and people from all walks of life to enjoy and encourage Malaysian street culture.
The modern-day graffitists can be found with an arsenal of various materials that allow for a successful production of a piece. This includes such techniques as scribing. However, spray paint in aerosol cans is the number one medium for graffiti. From this commodity comes different styles, technique, and abilities to form master works of graffiti. Spray paint can be found at hardware and art stores and comes in virtually every color.
Stencil graffiti is created by cutting out shapes and designs in a stiff material (such as cardboard or subject folders) to form an overall design or image. The stencil is then placed on the "canvas" gently and with quick, easy strokes of the aerosol can, the image begins to appear on the intended surface.
Some of the first examples were created in 1981 by artists Blek le Rat in Paris, in 1982 by Jef Aerosol in Tours (France); by 1985 stencils had appeared in other cities including New York City, Sydney, and Melbourne, where they were documented by American photographer Charles Gatewood and Australian photographer Rennie Ellis
Tagging is the practice of someone spray-painting "their name, initial or logo onto a public surface" in a handstyle unique to the writer. Tags were the first form of modern graffiti.
Modern graffiti art often incorporates additional arts and technologies. For example, Graffiti Research Lab has encouraged the use of projected images and magnetic light-emitting diodes (throwies) as new media for graffitists. yarnbombing is another recent form of graffiti. Yarnbombers occasionally target previous graffiti for modification, which had been avoided among the majority of graffitists.
Theories on the use of graffiti by avant-garde artists have a history dating back at least to the Asger Jorn, who in 1962 painting declared in a graffiti-like gesture "the avant-garde won't give up"
Many contemporary analysts and even art critics have begun to see artistic value in some graffiti and to recognize it as a form of public art. According to many art researchers, particularly in the Netherlands and in Los Angeles, that type of public art is, in fact an effective tool of social emancipation or, in the achievement of a political goal
In times of conflict, such murals have offered a means of communication and self-expression for members of these socially, ethnically, or racially divided communities, and have proven themselves as effective tools in establishing dialog and thus, of addressing cleavages in the long run. The Berlin Wall was also extensively covered by graffiti reflecting social pressures relating to the oppressive Soviet rule over the GDR.
Many artists involved with graffiti are also concerned with the similar activity of stenciling. Essentially, this entails stenciling a print of one or more colors using spray-paint. Recognized while exhibiting and publishing several of her coloured stencils and paintings portraying the Sri Lankan Civil War and urban Britain in the early 2000s, graffitists Mathangi Arulpragasam, aka M.I.A., has also become known for integrating her imagery of political violence into her music videos for singles "Galang" and "Bucky Done Gun", and her cover art. Stickers of her artwork also often appear around places such as London in Brick Lane, stuck to lamp posts and street signs, she having become a muse for other graffitists and painters worldwide in cities including Seville.
Graffitist believes that art should be on display for everyone in the public eye or in plain sight, not hidden away in a museum or a gallery. Art should color the streets, not the inside of some building. Graffiti is a form of art that cannot be owned or bought. It does not last forever, it is temporary, yet one of a kind. It is a form of self promotion for the artist that can be displayed anywhere form sidewalks, roofs, subways, building wall, etc. Art to them is for everyone and should be showed to everyone for free.
Graffiti is a way of communicating and a way of expressing what one feels in the moment. It is both art and a functional thing that can warn people of something or inform people of something. However, graffiti is to some people a form of art, but to some a form of vandalism. And many graffitists choose to protect their identities and remain anonymous or to hinder prosecution.
With the commercialization of graffiti (and hip hop in general), in most cases, even with legally painted "graffiti" art, graffitists tend to choose anonymity. This may be attributed to various reasons or a combination of reasons. Graffiti still remains the one of four hip hop elements that is not considered "performance art" despite the image of the "singing and dancing star" that sells hip hop culture to the mainstream. Being a graphic form of art, it might also be said that many graffitists still fall in the category of the introverted archetypal artist.
Banksy is one of the world's most notorious and popular street artists who continues to remain faceless in today's society. He is known for his political, anti-war stencil art mainly in Bristol, England, but his work may be seen anywhere from Los Angeles to Palestine. In the UK, Banksy is the most recognizable icon for this cultural artistic movement and keeps his identity a secret to avoid arrest. Much of Banksy's artwork may be seen around the streets of London and surrounding suburbs, although he has painted pictures throughout the world, including the Middle East, where he has painted on Israel's controversial West Bank barrier with satirical images of life on the other side. One depicted a hole in the wall with an idyllic beach, while another shows a mountain landscape on the other side. A number of exhibitions also have taken place since 2000, and recent works of art have fetched vast sums of money. Banksy's art is a prime example of the classic controversy: vandalism vs. art. Art supporters endorse his work distributed in urban areas as pieces of art and some councils, such as Bristol and Islington, have officially protected them, while officials of other areas have deemed his work to be vandalism and have removed it.
Pixnit is another artist who chooses to keep her identity from the general public. Her work focuses on beauty and design aspects of graffiti as opposed to Banksy's anti-government shock value. Her paintings are often of flower designs above shops and stores in her local urban area of Cambridge, Massachusetts. Some store owners endorse her work and encourage others to do similar work as well. "One of the pieces was left up above Steve's Kitchen, because it looks pretty awesome"- Erin Scott, the manager of New England Comics in Allston, Massachusetts.
Graffiti artists may become offended if photographs of their art are published in a commercial context without their permission. In March 2020, the Finnish graffiti artist Psyke expressed his displeasure at the newspaper Ilta-Sanomat publishing a photograph of a Peugeot 208 in an article about new cars, with his graffiti prominently shown on the background. The artist claims he does not want his art being used in commercial context, not even if he were to receive compensation.
Territorial graffiti marks urban neighborhoods with tags and logos to differentiate certain groups from others. These images are meant to show outsiders a stern look at whose turf is whose. The subject matter of gang-related graffiti consists of cryptic symbols and initials strictly fashioned with unique calligraphies. Gang members use graffiti to designate membership throughout the gang, to differentiate rivals and associates and, most commonly, to mark borders which are both territorial and ideological.
Graffiti has been used as a means of advertising both legally and illegally. Bronx-based TATS CRU has made a name for themselves doing legal advertising campaigns for companies such as Coca-Cola, McDonald's, Toyota, and MTV. In the UK, Covent Garden's Boxfresh used stencil images of a Zapatista revolutionary in the hopes that cross referencing would promote their store.
Smirnoff hired artists to use reverse graffiti (the use of high pressure hoses to clean dirty surfaces to leave a clean image in the surrounding dirt) to increase awareness of their product.
Graffiti often has a reputation as part of a subculture that rebels against authority, although the considerations of the practitioners often diverge and can relate to a wide range of attitudes. It can express a political practice and can form just one tool in an array of resistance techniques. One early example includes the anarcho-punk band Crass, who conducted a campaign of stenciling anti-war, anarchist, feminist, and anti-consumerist messages throughout the London Underground system during the late 1970s and early 1980s. In Amsterdam graffiti was a major part of the punk scene. The city was covered with names such as "De Zoot", "Vendex", and "Dr Rat". To document the graffiti a punk magazine was started that was called Gallery Anus. So when hip hop came to Europe in the early 1980s there was already a vibrant graffiti culture.
The student protests and general strike of May 1968 saw Paris bedecked in revolutionary, anarchistic, and situationist slogans such as L'ennui est contre-révolutionnaire ("Boredom is counterrevolutionary") and Lisez moins, vivez plus ("Read less, live more"). While not exhaustive, the graffiti gave a sense of the 'millenarian' and rebellious spirit, tempered with a good deal of verbal wit, of the strikers.
I think graffiti writing is a way of defining what our generation is like. Excuse the French, we're not a bunch of p---- artists. Traditionally artists have been considered soft and mellow people, a little bit kooky. Maybe we're a little bit more like pirates that way. We defend our territory, whatever space we steal to paint on, we defend it fiercely.
The developments of graffiti art which took place in art galleries and colleges as well as "on the street" or "underground", contributed to the resurfacing in the 1990s of a far more overtly politicized art form in the subvertising, culture jamming, or tactical media movements. These movements or styles tend to classify the artists by their relationship to their social and economic contexts, since, in most countries, graffiti art remains illegal in many forms except when using non-permanent paint. Since the 1990s with the rise of Street Art, a growing number of artists are switching to non-permanent paints and non-traditional forms of painting.
Contemporary practitioners, accordingly, have varied and often conflicting practices. Some individuals, such as Alexander Brener, have used the medium to politicize other art forms, and have used the prison sentences enforced on them as a means of further protest. The practices of anonymous groups and individuals also vary widely, and practitioners by no means always agree with each other's practices. For example, the anti-capitalist art group the Space Hijackers did a piece in 2004 about the contradiction between the capitalistic elements of Banksy and his use of political imagery.
Berlin human rights activist Irmela Mensah-Schramm has received global media attention and numerous awards for her 35-year campaign of effacing neo-Nazi and other right-wing extremist graffiti throughout Germany, often by altering hate speech in humorous ways.
In Serbian capital, Belgrade, the graffiti depicting a uniformed former general of Serb army and war criminal, convicted at ICTY for war crimes and crimes against humanity, including genocide and ethnic cleansing in Bosnian War, Ratko Mladić, appeared in a military salute alongside the words "General, thank to your mother". Aleks Eror, Berlin-based journalist, explains how "veneration of historical and wartime figures" through street art is not a new phenomenon in the region of former Yugoslavia, and that "in most cases is firmly focused on the future, rather than retelling the past". Eror is not only analyst pointing to danger of such an expressions for the region's future. In a long expose on the subject of Bosnian genocide denial, at Balkan Diskurs magazine and multimedia platform website, Kristina Gadže and Taylor Whitsell referred to these experiences as a young generations' "cultural heritage", in which young are being exposed to celebration and affirmation of war-criminals as part of their "formal education" and "inheritance".
There are numerous examples of genocide denial through celebration and affirmation of war criminals throughout the region of Western Balkans inhabited by Serbs using this form of artistic expression. Several more of these graffiti are found in Serbian capital, and many more across Serbia and Bosnian and Herzegovinian administrative entity, Republika Srpska, which is the ethnic Serbian majority enclave. Critics point that Serbia as a state, is willing to defend the mural of convicted war criminal, and have no intention to react on cases of genocide denial, noting that Interior Minister of Serbia, Aleksandar Vulin decision to ban any gathering with an intent to remove the mural, with the deployment of riot police, sends the message of "tacit endorsement". Consequently, on 9 November 2021, Serbian heavy police in riot gear, with graffiti creators and their supporters, blocked the access to the mural to prevent human rights groups and other activists to paint over it and mark the International Day Against Fascism and Antisemitism in that way, and even arrested two civic activist for throwing eggs at the graffiti.
Graffiti may also be used as an offensive expression. This form of graffiti may be difficult to identify, as it is mostly removed by the local authority (as councils which have adopted strategies of criminalization also strive to remove graffiti quickly). Therefore, existing racist graffiti is mostly more subtle and at first sight, not easily recognized as "racist". It can then be understood only if one knows the relevant "local code" (social, historical, political, temporal, and spatial), which is seen as heteroglot and thus a 'unique set of conditions' in a cultural context.
A spatial code for example, could be that there is a certain youth group in an area that is engaging heavily in racist activities. So, for residents (knowing the local code), a graffiti containing only the name or abbreviation of this gang already is a racist expression, reminding the offended people of their gang activities. Also a graffiti is in most cases, the herald of more serious criminal activity to come. A person who does not know these gang activities would not be able to recognize the meaning of this graffiti. Also if a tag of this youth group or gang is placed on a building occupied by asylum seekers, for example, its racist character is even stronger.
By making the graffiti less explicit (as adapted to social and legal constraints), these drawings are less likely to be removed, but do not lose their threatening and offensive character.
Elsewhere, activists in Russia have used painted caricatures of local officials with their mouths as potholes, to show their anger about the poor state of the roads. In Manchester, England, a graffitists painted obscene images around potholes, which often resulted in them being repaired within 48 hours.
In the early 1980s, the first art galleries to show graffitists to the public were Fashion Moda in the Bronx, Now Gallery and Fun Gallery, both in the East Village, Manhattan.
A 2006 exhibition at the Brooklyn Museum displayed graffiti as an art form that began in New York's outer boroughs and reached great heights in the early 1980s with the work of Crash, Lee, Daze, Keith Haring, and Jean-Michel Basquiat. It displayed 22 works by New York graffitists, including Crash, Daze, and Lady Pink. In an article about the exhibition in the magazine Time Out, curator Charlotta Kotik said that she hoped the exhibition would cause viewers to rethink their assumptions about graffiti.
From the 1970s onwards, Burhan Doğançay photographed urban walls all over the world; these he then archived for use as sources of inspiration for his painterly works. The project today known as "Walls of the World" grew beyond even his own expectations and comprises about 30,000 individual images. It spans a period of 40 years across five continents and 114 countries. In 1982, photographs from this project comprised a one-man exhibition titled "Les murs murmurent, ils crient, ils chantent ..." (The walls whisper, shout and sing ...) at the Centre Georges Pompidou in Paris.
In Australia, art historians have judged some local graffiti of sufficient creative merit to rank them firmly within the arts. Oxford University Press's art history text Australian Painting 1788–2000 concludes with a long discussion of graffiti's key place within contemporary visual culture, including the work of several Australian practitioners.
Between March and April 2009, 150 artists exhibited 300 pieces of graffiti at the Grand Palais in Paris.
Spray paint has many negative environmental effects. The paint contains toxic chemicals, and the can uses volatile hydrocarbon gases to spray the paint onto a surface.
Volatile organic compound (VOC) leads to ground level ozone formation and most of graffiti related emissions are VOCs. A 2010 paper estimates 4,862 tons of VOCs were released in the United States in activities related to graffiti.
In China, Mao Zedong in the 1920s used revolutionary slogans and paintings in public places to galvanize the country's communist movement.
Based on different national conditions, many people believe that China's attitude towards Graffiti is fierce, but in fact, according to Lance Crayon in his film Spray Paint Beijing: Graffiti in the Capital of China, Graffiti is generally accepted in Beijing, with artists not seeing much police interference. Political and religiously sensitive graffiti, however, is not allowed.
In Hong Kong, Tsang Tsou Choi was known as the King of Kowloon for his calligraphy graffiti over many years, in which he claimed ownership of the area. Now some of his work is preserved officially.
In Taiwan, the government has made some concessions to graffitists. Since 2005 they have been allowed to freely display their work along some sections of riverside retaining walls in designated "Graffiti Zones". From 2007, Taipei's department of cultural affairs also began permitting graffiti on fences around major public construction sites. Department head Yong-ping Lee (李永萍) stated, "We will promote graffiti starting with the public sector, and then later in the private sector too. It's our goal to beautify the city with graffiti". The government later helped organize a graffiti contest in Ximending, a popular shopping district. graffitists caught working outside of these designated areas still face fines up to NT$6,000 under a department of environmental protection regulation. However, Taiwanese authorities can be relatively lenient, one veteran police officer stating anonymously, "Unless someone complains about vandalism, we won't get involved. We don't go after it proactively."
In 1993, after several expensive cars in Singapore were spray-painted, the police arrested a student from the Singapore American School, Michael P. Fay, questioned him, and subsequently charged him with vandalism. Fay pleaded guilty to vandalizing a car in addition to stealing road signs. Under the 1966 Vandalism Act of Singapore, originally passed to curb the spread of communist graffiti in Singapore, the court sentenced him to four months in jail, a fine of S$3,500 (US$2,233), and a caning. The New York Times ran several editorials and op-eds that condemned the punishment and called on the American public to flood the Singaporean embassy with protests. Although the Singapore government received many calls for clemency, Fay's caning took place in Singapore on 5 May 1994. Fay had originally received a sentence of six strokes of the cane, but the presiding president of Singapore, Ong Teng Cheong, agreed to reduce his caning sentence to four lashes.
In South Korea, Park Jung-soo was fined two million South Korean won by the Seoul Central District Court for spray-painting a rat on posters of the G-20 Summit a few days before the event in November 2011. Park alleged that the initial in "G-20" sounds like the Korean word for "rat", but Korean government prosecutors alleged that Park was making a derogatory statement about the president of South Korea, Lee Myung-bak, the host of the summit. This case led to public outcry and debate on the lack of government tolerance and in support of freedom of expression. The court ruled that the painting, "an ominous creature like a rat" amounts to "an organized criminal activity" and upheld the fine while denying the prosecution's request for imprisonment for Park.
In Europe, community cleaning squads have responded to graffiti, in some cases with reckless abandon, as when in 1992 in France a local Scout group, attempting to remove modern graffiti, damaged two prehistoric paintings of bison in the Cave of Mayrière supérieure near the French village of Bruniquel in Tarn-et-Garonne, earning them the 1992 Ig Nobel Prize in archeology.
In September 2006, the European Parliament directed the European Commission to create urban environment policies to prevent and eliminate dirt, litter, graffiti, animal excrement, and excessive noise from domestic and vehicular music systems in European cities, along with other concerns over urban life.
In Budapest, Hungary, both a city-backed movement called I Love Budapest and a special police division tackle the problem, including the provision of approved areas.
The Anti-social Behaviour Act 2003 became Britain's latest anti-graffiti legislation. In August 2004, the Keep Britain Tidy campaign issued a press release calling for zero tolerance of graffiti and supporting proposals such as issuing "on the spot" fines to graffiti offenders and banning the sale of aerosol paint to anyone under the age of 16. The press release also condemned the use of graffiti images in advertising and in music videos, arguing that real-world experience of graffiti stood far removed from its often-portrayed "cool" or "edgy'" image.
To back the campaign, 123 Members of Parliament (MPs) (including then Prime Minister Tony Blair), signed a charter which stated: "Graffiti is not art, it's crime. On behalf of my constituents, I will do all I can to rid our community of this problem."
In the UK, city councils have the power to take action against the owner of any property that has been defaced under the Anti-social Behaviour Act 2003 (as amended by the Clean Neighbourhoods and Environment Act 2005) or, in certain cases, the Highways Act. This is often used against owners of property that are complacent in allowing protective boards to be defaced so long as the property is not damaged.
In July 2008, a conspiracy charge was used to convict graffitists for the first time. After a three-month police surveillance operation, nine members of the DPM crew were convicted of conspiracy to commit criminal damage costing at least £1 million. Five of them received prison sentences, ranging from eighteen months to two years. The unprecedented scale of the investigation and the severity of the sentences rekindled public debate over whether graffiti should be considered art or crime.
Some councils, like those of Stroud and Loerrach, provide approved areas in the town where graffitists can showcase their talents, including underpasses, car parks, and walls that might otherwise prove a target for the "spray and run".
Graffiti Tunnel, University of Sydney at Camperdown (2009)
In an effort to reduce vandalism, many cities in Australia have designated walls or areas exclusively for use by graffitists. One early example is the "Graffiti Tunnel" located at the Camperdown Campus of the University of Sydney, which is available for use by any student at the university to tag, advertise, poster, and paint. Advocates of this idea suggest that this discourages petty vandalism yet encourages artists to take their time and produce great art, without worry of being caught or arrested for vandalism or trespassing.[108][109] Others disagree with this approach, arguing that the presence of legal graffiti walls does not demonstrably reduce illegal graffiti elsewhere. Some local government areas throughout Australia have introduced "anti-graffiti squads", who clean graffiti in the area, and such crews as BCW (Buffers Can't Win) have taken steps to keep one step ahead of local graffiti cleaners.
Many state governments have banned the sale or possession of spray paint to those under the age of 18 (age of majority). However, a number of local governments in Victoria have taken steps to recognize the cultural heritage value of some examples of graffiti, such as prominent political graffiti. Tough new graffiti laws have been introduced in Australia with fines of up to A$26,000 and two years in prison.
Melbourne is a prominent graffiti city of Australia with many of its lanes being tourist attractions, such as Hosier Lane in particular, a popular destination for photographers, wedding photography, and backdrops for corporate print advertising. The Lonely Planet travel guide cites Melbourne's street as a major attraction. All forms of graffiti, including sticker art, poster, stencil art, and wheatpasting, can be found in many places throughout the city. Prominent street art precincts include; Fitzroy, Collingwood, Northcote, Brunswick, St. Kilda, and the CBD, where stencil and sticker art is prominent. As one moves farther away from the city, mostly along suburban train lines, graffiti tags become more prominent. Many international artists such as Banksy have left their work in Melbourne and in early 2008 a perspex screen was installed to prevent a Banksy stencil art piece from being destroyed, it has survived since 2003 through the respect of local street artists avoiding posting over it, although it has recently had paint tipped over it.
In February 2008 Helen Clark, the New Zealand prime minister at that time, announced a government crackdown on tagging and other forms of graffiti vandalism, describing it as a destructive crime representing an invasion of public and private property. New legislation subsequently adopted included a ban on the sale of paint spray cans to persons under 18 and increases in maximum fines for the offence from NZ$200 to NZ$2,000 or extended community service. The issue of tagging become a widely debated one following an incident in Auckland during January 2008 in which a middle-aged property owner stabbed one of two teenage taggers to death and was subsequently convicted of manslaughter.
Graffiti databases have increased in the past decade because they allow vandalism incidents to be fully documented against an offender and help the police and prosecution charge and prosecute offenders for multiple counts of vandalism. They also provide law enforcement the ability to rapidly search for an offender's moniker or tag in a simple, effective, and comprehensive way. These systems can also help track costs of damage to a city to help allocate an anti-graffiti budget. The theory is that when an offender is caught putting up graffiti, they are not just charged with one count of vandalism; they can be held accountable for all the other damage for which they are responsible. This has two main benefits for law enforcement. One, it sends a signal to the offenders that their vandalism is being tracked. Two, a city can seek restitution from offenders for all the damage that they have committed, not merely a single incident. These systems give law enforcement personnel real-time, street-level intelligence that allows them not only to focus on the worst graffiti offenders and their damage, but also to monitor potential gang violence that is associated with the graffiti.
Many restrictions of civil gang injunctions are designed to help address and protect the physical environment and limit graffiti. Provisions of gang injunctions include things such as restricting the possession of marker pens, spray paint cans, or other sharp objects capable of defacing private or public property; spray painting, or marking with marker pens, scratching, applying stickers, or otherwise applying graffiti on any public or private property, including, but not limited to the street, alley, residences, block walls, and fences, vehicles or any other real or personal property. Some injunctions contain wording that restricts damaging or vandalizing both public and private property, including but not limited to any vehicle, light fixture, door, fence, wall, gate, window, building, street sign, utility box, telephone box, tree, or power pole.
To help address many of these issues, many local jurisdictions have set up graffiti abatement hotlines, where citizens can call in and report vandalism and have it removed. San Diego's hotline receives more than 5,000 calls per year, in addition to reporting the graffiti, callers can learn more about prevention. One of the complaints about these hotlines is the response time; there is often a lag time between a property owner calling about the graffiti and its removal. The length of delay should be a consideration for any jurisdiction planning on operating a hotline. Local jurisdictions must convince the callers that their complaint of vandalism will be a priority and cleaned off right away. If the jurisdiction does not have the resources to respond to complaints in a timely manner, the value of the hotline diminishes. Crews must be able to respond to individual service calls made to the graffiti hotline as well as focus on cleanup near schools, parks, and major intersections and transit routes to have the biggest impact. Some cities offer a reward for information leading to the arrest and prosecution of suspects for tagging or graffiti related vandalism. The amount of the reward is based on the information provided, and the action taken.
When police obtain search warrants in connection with a vandalism investigation, they are often seeking judicial approval to look for items such as cans of spray paint and nozzles from other kinds of aerosol sprays; etching tools, or other sharp or pointed objects, which could be used to etch or scratch glass and other hard surfaces; permanent marking pens, markers, or paint sticks; evidence of membership or affiliation with any gang or tagging crew; paraphernalia including any reference to "(tagger's name)"; any drawings, writing, objects, or graffiti depicting taggers' names, initials, logos, monikers, slogans, or any mention of tagging crew membership; and any newspaper clippings relating to graffiti crime.
Boeing B-787-8 Dreamliner s/n 38611 (2013) British Airways G-ZBJC (Executing Go-Around on Short Final) @ Toronto Pearson IA (CYYZ), ON Canada
This morning, Thursday 2 February 2017, officers executed warrants at addresses across Miles Platting and Ancoats.
The warrants were executed as part of Operation Rudow a multi-agency operation targeting organised crime and the supply of drugs across Greater Manchester.
Chief Inspector Andy Cunliffe, of GMP’s City of Manchester team, said: "Drugs ruin lives and destroy communities. We will systematically root out and dismantle groups that seek to profit from flooding our streets with drugs.
"Today, we have made arrests after executing warrants across North Manchester.
"By sharing information with our partners, we are better equipped to tackle organised crime and make it impossible for them to profit from it.
"I'd like to thank the community who came forward with information that has proved vital in making this enforcement action a success.
“We still however, need people to come forward with information to prevent people from benefiting from the proceeds of crime at the demise of others. If you know about it, report it.
"Organised crime has no place on the streets of Greater Manchester and we will continue to work tirelessly to remove the scourge of criminal gangs."
Anyone with information should contact police on 101 or Crimestoppers, anonymously, on 0800 555 111.
Today the We're Here group are visiting the Color of Music and Poetry.
I've chosen to illustrate the following poem from John Hegley
Well executed poem
before the blast of the squad
his last request
was a bullet-proof vest
or a God
The single most disgusting thing about setting this shot up was the cigarette. I can still taste it. Bleah.
Executed by Sir NInian Comper in 1911-12, this angel forms part of the Rood above the altar in the Grosvenor Chapel, Mayfair in London.
Officers investigating the recent spate of firearms discharges in Salford have executed a series of warrants in Little Hulton and Eccles.
In the early hours of this morning, Friday 16 October 2015, officers from Greater Manchester Police’s Salford Division searched nine properties throughout the division in the hunt for firearms linked to the recent shootings in the area.
The warrants were executed as part of a Project Gulf operation designed to tackle organised crime. Gulf is part of Programme Challenger, the Greater Manchester approach to tackling organised criminality across the region.
Seven men and one woman have been arrested on suspicion of a number of offences, ranging from possession with intent to supply to handling stolen goods.
A significant amount of Class A and Class B drugs were seized as part of the operation, though no firearms were found.
Detective Inspector Alan Clitherow said: “This series of warrants are just one element of the continuing and relentless operation being orchestrated to tackle organised crime gangs in Salford.
“They came about as a result of the on-going investigation into the recent spate of firearms discharges in Salford, including the horrific attack of young Christian Hickey and his mother Jayne.
“We wanted to show our communities that we are leaving no stone unturned in the hunt for those responsible for the abhorrent attack on an innocent child and his mother, and that we will not stand for the spate of shootings taking place on our streets in recent weeks.
“But there is still more to do and, as with any fight against organised crime groups embedded in our city, we need residents to come to us with information so we can put a stop to this criminality.
“There has been much said about people breaking this wall of silence in Salford, and once again I urge people to search their consciences and please come forward.
“You could provide the information that may help prevent any further innocent lives being touched by this senseless violence, and prevent further children being injured by thugs that many people within Salford seem so intent on protecting.
“I want to stress that if you come forward with what you know, we can offer you complete anonymity and I assure you that you will have our full support. Or if you don’t feel you can talk to police but you have information, you can speak to Crimestoppers anonymously.”
A dedicated information hotline has been set up on 0161 856 9775, or people can also pass information on by calling 101, or the independent charity, Crimestoppers, anonymously on 0800 555 111.
Street art is visual art created in public locations, usually unsanctioned artwork executed outside of the context of traditional art venues. The term gained popularity during the graffiti art boom of the early 1980s and continues to be applied to subsequent incarnations. Stencil graffiti, wheatpasted poster art or sticker art, and street installation or sculpture are common forms of modern street art. Video projection, yarn bombing and Lock On sculpture became popularized at the turn of the 21st century.
The terms "urban art", "guerrilla art", "post-graffiti" and "neo-graffiti" are also sometimes used when referring to artwork created in these contexts.[1] Traditional spray-painted graffiti artwork itself is often included in this category, excluding territorial graffiti or pure vandalism.
Street art is often motivated by a preference on the part of the artist to communicate directly with the public at large, free from perceived confines of the formal art world.[2] Street artists sometimes present socially relevant content infused with esthetic value, to attract attention to a cause or as a form of "art provocation".[3]
Street artists often travel between countries to spread their designs. Some artists have gained cult-followings, media and art world attention, and have gone on to work commercially in the styles which made their work known on the streets.
Zdzisław Beksiński was a renowned Polish painter, photographer, and sculptor who is best known as a fantasy artist. Beksiński executed his paintings and drawings either in what he called a 'Baroque' or a 'Gothic' manner. The first style is dominated by representation, with the best-known examples coming from his 'fantastic realism' period when he painted disturbing images of a surrealistic, nightmarish environment. The second style is more abstract, being dominated by form, and is typified by Beksiński's later paintings. Beksiński was murdered in 2005.
Zdzislaw Beksinski was born in Poland in the town of Sanok near the Carpathians Mountains in 1929. After a childhood was spent during the Second World War, Beksinski went on to university where he studied architecture in Cracow. Subsequent to this education he spent several years as a construction site supervisor, a job he hated, frought with pressures and countless boring details. He would soon throw himself into the arts. In 1958, Beksinski began to gain critical praise for his photography, and later went on to drawing. His highly detailed drawings are often quite large, and may remind some of the works of Ernst Fuchs in their intricate, and nearly obsessive rendering.
Beksinski eventually threw himself into painting with a passion, and worked constantly, always to the strains of classical music. He soon became the leading figure in contemporary Polish art.
Beksinski and his family moved to Warsaw in 1977. The artist had many exhibitions throughout his native Poland and Europe. He rarely attended any of them. Bekinski's art hangs in the National Museums Warsaw, Sanok, Crakow, Poznan, and the Goteborgs Art Museum in Sweden. Zdzislaw Beksinski was murdered in his home during a robbery attempt in 2005.
"I have quite simply been trying, from the very beginning, to paint beautiful paintings."
Beksinki's remarkable drawings possess a strength in both mood and subject matter. Like his later paintings, they are intensely haunting and mysterious. The drawings, particularly, project a nightmarish quality reminiscent of the surrealist, Bohemian master, Alfred Kubin.
"I react strongly to images that have no obvious answer to their mysteries. If there is a key to their construction, they are simply illustration."
Beksinski began painting in oils on masonite around the year 1970. His ability to manipulate the effects of light quickly became a hallmark of his work, and can only be compared with the renown abilities of William Turner. Beksinski's paintings aremasterfully rendered, monumental enigmans. One thing they share is an aesthetic of beauty so potent that it overpowers any desperate nature of the given subject matter, as is similarly the case with Swiss artist, H.R. Giger. The paintings as a whole are wonderfully dark, and allow the viewer to interperet them as they will, as they will certainly get no help from this particular artist. As Magritte said: "The purpose of art is mystery."
"The blend of vivid colors in relation to other more subdued colors in my paintings is like a musical theme. As in a symphony, a motif occurs, is blurred, comes back in crescendo, is finally accentuated and becomes pure and complete."
Paintings from the 1980s
"Meaning is meaningless to me. I do not care for symbolism and I paint what I paint without medating on a story."
Paintings and Computer Graphics from the 1990s Beksniski's paintings have grown less representational over the years and now seem almost abstract in nature. Color and texture and now the proncipal themes in themselves. Not so odd, as the artist began his career in the abstract realm. His recent computer art, however, continues the lineage of fantastic realism, and the artist never allows the technology to get in the way of that he is attempting to convey creatively.
TWIN BRIEDGES TRAINING AREA, South Korea (March 14, 2023) - U.S. Army Soldiers assigned to 1-17th Battalion, 2nd Striker Brigade Combat Team, 2nd Infantry Division/ROK-US Combined Division, execute react-to-fire maneuvers during the Freedom Shield field exercise training at Twin Bridges Training Area, South Korea, March 14, 2023. Warrior Shield is a combined training event with the Republic of Korea Army highlighting the combined aspects of military operations. (U.S. Army photo by Sgt. Evan Cooper) 230314-A-BQ241-1145
** Interested in following U.S. Indo-Pacific Command? Engage and connect with us at www.facebook.com/indopacom | twitter.com/INDOPACOM | www.instagram.com/indopacom | www.flickr.com/photos/us-pacific-command; | www.youtube.com/user/USPacificCommand | www.pacom.mil/ **
- Ralph Waldo Emerson
Nikon D90 with Tokina 11-16mm f/2.8
@ 16mm, ISO 200, f/22.0, 25 sec
Manual focus, manual mode
Mounted on tripod (Manfrotto 322RC2 Grip Action Ball Head and 055XPROB Legs)
Triggered using Nikon ML-L3 wireless remote
Photomatix - Exposure fusion of 3 shots at 0, -2, and +2 EV, Highlights&Shadows-Adjust
Taken on the Marin Headlands side of the Golden Gate Bridge, looking toward San Francisco. I felt soooo lucky to see relatively clear skies before sunrise this morning. I've been here so many times before, only to discover a wall of fog.
Regarding the quote... Before this year, I never dreamed I would be able to be good at photography. It started as a gadgety hobby, but it's developed into something more to me. It's really become a vehicle for me to express what's in my heart and soul. I feel like I see the world through a whole new set of eyes... there's beauty in everything and everyone... you just have to picture it in your mind and heart first... then figure out how to make it happen with the camera. Sometimes it comes out the way you want, sometimes it doesn't. But when it does... it feels like nothing else.
This morning, Thursday 2 February 2017, officers executed warrants at addresses across Miles Platting and Ancoats.
The warrants were executed as part of Operation Rudow a multi-agency operation targeting organised crime and the supply of drugs across Greater Manchester.
Chief Inspector Andy Cunliffe, of GMP’s City of Manchester team, said: "Drugs ruin lives and destroy communities. We will systematically root out and dismantle groups that seek to profit from flooding our streets with drugs.
"Today, we have made arrests after executing warrants across North Manchester.
"By sharing information with our partners, we are better equipped to tackle organised crime and make it impossible for them to profit from it.
"I'd like to thank the community who came forward with information that has proved vital in making this enforcement action a success.
“We still however, need people to come forward with information to prevent people from benefiting from the proceeds of crime at the demise of others. If you know about it, report it.
"Organised crime has no place on the streets of Greater Manchester and we will continue to work tirelessly to remove the scourge of criminal gangs."
Anyone with information should contact police on 101 or Crimestoppers, anonymously, on 0800 555 111.
History of the tower
The Altpörtel was built in the first half of the 13th century and replaced a former gate. The lower part of the tower was built between 1230 and 1250; the top tower floor was added between 1512 and 1514.
In 1511, under the official duties of the mayors are also listed: "Item the old porthor to buwen (among other things to built the doorway)". The year 1514 at Altpörtel proves that this order has been executed.
The tower survived the city destruction in 1689 during the Palatine Succession War and is one of the few remains of the medieval city fortification. The blast of the tower had already been prepared, and the Prior and Convent of the nearby Carmelite convent, in which the French Marshal Duras and his companions lived, drew attention to the fact that, when the tower was blown, there was a danger for his staff quarters. The Prior said to Marschall Duras: "quite easily the monastery could be smashed, for whose preservation the Marshal had given his word." Duras said, however, that his people knew how to throw the tower where he wanted. When the engineers were waiting for the signal of the marshal, the whole Carmelite convent fell at the feet of the Marshal. The priest said, "Our monastery is old and dilapidated, even though the tower's fall does not bury our house, yet these rotten walls and loose vaults will tremble and break under the mighty thrust of the imminent tumbling mass of stones. Lord, have pity and spare the tower. " The marshal looked at himself and finally cried, "Stand on children, the tower shall stand!" Then the Altpörtel was spared, while the town of Speyer and the cathedral became a debris field.
The steep, 20-meter-high roof was not put on until 1708.
The Altpörtel was the most important gate tower. Originally erected as an exterior gate, it later represented the connection between the old town and the St. Gilgenvorstadt (suburb).
Two rows of gunpits were the only openings on the west side. They were for defense purposes. The eastern side is richer structured. Above the arch, the walkway led around the tower, from which the one-meter-protruding ten stone columns are still preserved. They once formed the link between the north and south wall walls.
In 1773 stood beside the old mortar, directly at Speyerbach (brook) a bark mill. The stream turns north here and flows under houses of the Korngasse (Grain alley).
Geschichte des Turms
Das Altpörtel wurde in der ersten Hälfte des 13. Jahrhunderts errichtet und trat an die Stelle eines schon früher vorhandenen Tores. Der untere Teil des Turms wurde zwischen 1230 und 1250 erbaut; das oberste Turmgeschoss wurde in dem Zeitraum von 1512 bis 1514 hinzugefügt.
Im Jahr 1511 wird unter den Amtspflichten der Bürgermeister auch aufgeführt: „Item das altporthor zu buwen“. Die Jahreszahl 1514 am Altpörtel beweist, dass dieser Auftrag ausgeführt wurde.
Der Turm überstand die Stadtzerstörung im Jahr 1689 während des Pfälzischen Erbfolgekriegs und ist einer der wenigen Überreste der mittelalterlichen Stadtbefestigung. Die Sprengung des Turmes war schon vorbereitet, da machten Prior und Konvent des nahen Karmeliterklosters, in dem der französische Marschall Duras mit seiner Begleitung wohnte, darauf aufmerksam, dass bei Sprengung dieses Turms Gefahr für sein Stabsquartier bestehe. Der Prior sagte zu Marschall Duras: „Gar leicht könne das Kloster zerschmettern, für dessen Erhaltung der Marschall ja sein Wort gegeben habe“. Duras meinte aber, seine Leute verstünden es wohl, den Turm dorthin zu werfen, wo er wolle. Als die Ingenieure mit brennenden Lunten auf das Signal des Marschalls warteten, fiel der ganze Karmeliterkonvent dem Marschall zu Füßen. Der Prior sprach: „Unser Kloster ist alt und baufällig, wenn auch des Turmes Sturz unsere Wohnung nicht begräbt, so werden doch diese morschen Mauern und lockeren Gewölbe unter dem gewaltigen Stoße der ungeheueren stürzenden Steinmasse erbeben und einbrechen. Drum Herr, habt Erbarmen und schont des Turmes“. Der Marschall schaute vor sich hin und rief endlich: „Steht auf Kinder, der Turm soll stehen bleiben!“ Daraufhin wurde das Altpörtel geschont, während die Stadt Speyer und der Dom zu einem Trümmerfeld wurden.
Das steile, 20 Meter hohe Dach wurde erst im Jahr 1708 aufgesetzt.
Das Altpörtel war der wichtigste Torturm. Ursprünglich als Außentor errichtet, stellte es später die Verbindung zwischen Altstadt und der St. Gilgenvorstadt dar.
Zwei Reihen von Schießscharten waren die einzigen Öffnungen an der Westseite. Sie waren zu Verteidigungszwecken angebracht. Die östliche Seite ist reicher gegliedert. Über dem Torbogen führte der Wehrgang um den Turm herum, von dem noch die einen Meter vorspringenden zehn Steinkonsolen erhalten sind. Sie bildeten einst die Verbindung zwischen den sich nördlich und südlich anschließenden Wehrmauern.
Im Jahr 1773 stand neben dem Altpörtel, unmittelbar am Speyerbach eine Lohmühle. Der Bach biegt hier nach Norden ab und fließt unter Häusern der Korngasse hindurch.
Lady Justice, executed by the British sculptor F. W. Pomeroy. She holds a sword in her right hand and the scales of justice in her left. The statue is popularly supposed to show blind Justice, however, the figure is not blindfolded: the courthouse brochures explain that this is because Lady Justice was originally not blindfolded, and because her “maidenly form” is supposed to guarantee her impartiality which renders the blindfold redundant.
Officers investigating the recent spate of firearms discharges in Salford have executed a series of warrants in Little Hulton and Eccles.
In the early hours of this morning, Friday 16 October 2015, officers from Greater Manchester Police’s Salford Division searched nine properties throughout the division in the hunt for firearms linked to the recent shootings in the area.
The warrants were executed as part of a Project Gulf operation designed to tackle organised crime. Gulf is part of Programme Challenger, the Greater Manchester approach to tackling organised criminality across the region.
Seven men and one woman have been arrested on suspicion of a number of offences, ranging from possession with intent to supply to handling stolen goods.
A significant amount of Class A and Class B drugs were seized as part of the operation, though no firearms were found.
Detective Inspector Alan Clitherow said: “This series of warrants are just one element of the continuing and relentless operation being orchestrated to tackle organised crime gangs in Salford.
“They came about as a result of the on-going investigation into the recent spate of firearms discharges in Salford, including the horrific attack of young Christian Hickey and his mother Jayne.
“We wanted to show our communities that we are leaving no stone unturned in the hunt for those responsible for the abhorrent attack on an innocent child and his mother, and that we will not stand for the spate of shootings taking place on our streets in recent weeks.
“But there is still more to do and, as with any fight against organised crime groups embedded in our city, we need residents to come to us with information so we can put a stop to this criminality.
“There has been much said about people breaking this wall of silence in Salford, and once again I urge people to search their consciences and please come forward.
“You could provide the information that may help prevent any further innocent lives being touched by this senseless violence, and prevent further children being injured by thugs that many people within Salford seem so intent on protecting.
“I want to stress that if you come forward with what you know, we can offer you complete anonymity and I assure you that you will have our full support. Or if you don’t feel you can talk to police but you have information, you can speak to Crimestoppers anonymously.”
A dedicated information hotline has been set up on 0161 856 9775, or people can also pass information on by calling 101, or the independent charity, Crimestoppers, anonymously on 0800 555 111.
This is part of a well-executed anti-drone campaign in Brooklyn. As of a few weeks ago, the street signs are still hanging and the stencils still up as well. It's a bold move labeling them with "NYPD" at the bottom.
The following is an email I was forwarded January of last year:
Subject: Operation Drone Freedom - Anonymity Extremely Important
Hi Everyone,
I am writing to you for a couple of reasons, first and foremost I am working on a project that I think you will appreciate and wanted to share with you.
As you may or may not know the United States has begun using unmanned arial drone technology over US skies, the same drones they use to bomb innocent civilians in pakistan and US citizens deemed terrorists such as Anwar Al-Awlaki in Yemen.
A notice to airmen was released advising pilots to look out for drones in the New York area from Dec. 1-Feb. 7
A common question is, what are they doing? Because of our co-opted media establishment, no information regarding domestic drone activity is released. We can only assume this is a further debasement of our constitutional liberties through unwarranted survaleance of the general public.
What I have done in response is to create the authoritarian message through street signs being posted throughout the city, Also created is the grass roots "street art" response through quotes of the founding fathers on subjects of liberty, justice and freedom. (Photos are included)
Now for my second reason for contacting you... Your generous assistance. My request is simple and I will forever be indebted to those that choose to participate.
In order for real public awareness to spread throughout the city and the country I am asking you to use the photos I have supplied to spread the word on this drone activity. Weather that be via email, Facebook, blog or PR contacts you may have, all avenues are acceptable and appreciated, in fact the more the merrier!
The attached photos are simple iPhone photos of the 6 current locations (many more are currently in the works), I have also included maps of the locations so if you would like to take your own photos you may. It is very important to me that my anonymity be maintained due to the legal ramifications of the actions taken. I have sent this to you because I trust you and feel that you too may consider this government activity suspect. If you choose to participate I ask that you pose as an observer of these signs inquiring on the legality of their message, Example; "NYPD using Drones in New York! That cant be legal! Please spread the word!"
If you have any questions feel free to ask.
I thank you from the bottom of my heart and hope that together we can bring this conversation to the forefront.
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Here's a recent times article about drones and the inherent privacy issues: www.nytimes.com/2013/02/16/technology/rise-of-drones-in-u...;
After years of waiting, I finally executed the shot I envisioned while in the cemetery one warm July night in 2007. At that time I had only my 28mm, and really was truly still very much an amature photographer not sure how to execute the shot. Driving into the cemetery on a dark foggy night, was a daunting task: with all sorts of creatures stirring in the night. I managed to not be eaten alive by mosquitos (which should start to come out again after a day full of hot humid weather with heavy rain). The framing isn't perfect but the shot is just how I saw it! (even tho it was pitch black)
18mm 3.5 AI-S
f3.5 30"
ISO800
Hauntingly dark is the only way to describe Bodmin Jail, so many people were executed here and you get a real sense of something dark and menacing within the bare bones of the building.
This is the stone suspension where Portuguese and Dutch publicly hanged and executed the prisoners in Jaffna Fort.
Jaffna Fort (Sinhalese: යාපනය බලකොටුව; Tamil: யாழ்ப்பாணக் கோட்டை) is a fort built by the Portuguese at Jaffna, Sri Lanka in 1618 under Philip De Olivera following the Portuguese invasion of Jaffna. Due to numerous miracles attributed to the statue of Virgin Mary in the church inside the fort, Jaffna Fort was named as Fortress of Our Lady of Miracles of Jafanapatão (Fortaleza de Nossa Senhora dos Milagres de Jafanapatão). It was captured by the Dutch under Raiclop Van Goins in 1658 who expanded it. In 1795, it was taken over by the British, and remained under the control of a British garrison till 1948. - Wiki
Executing a low pass over Stockholm-Bromma on her way home to Västerås after a sightseeing flight over Stockholm city.
The Bible of Borso d'Este is a two volume manuscript. The illuminated miniatures, work of Taddeo Crivelli and others, were executed between 1455 and 1461. The work is held in the Biblioteca Estense di Modena (Ms. Lat. 422-423.)
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The Bible of Borso d'Este is one of the most notable illuminated manuscripts of the Renaissance. It was executed over a six-year period by a team of artists directed by Taddeo Crivelli and Franco dei Russi.
Every page of the Bible is decorated with an elegant frame of scrolls and other ornaments, surrounding two columns of texts. The margins contain various scenes, especially in the lower parts, where one often finds scenes drawn in perspective, borrowing from advances in painting of the time. Scenes are also depicted between the columns of text, usually next to the capital or illuminated letters. In the volutes in the corners, there are often animals, depicted with lively imagination that is part of the courtly style of the time, and often tied to heraldic symbols of Borso and his family.
en.wikipedia.org/wiki/Borso_d%27Este_Bible
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A digital version of the original manuscript in high resolution and free of charge is avaiilable in the Library of Congress in Washington
77 years later, in 1898, Spain is again defeated, this time in Cuba, surrendering on this day in Santiago, Cuba.
In 180 - Christenen Cittinus/Donatus/Natzalus/Secunda/Speratus/Vestia sentenced to death in Carthago
180 - Twelve inhabitants of Scillium in North Africa are executed for being Christians. This is the earliest record of Christianity in that part of the world.
561 - John III begins his reign as Catholic Pope succeeding Pelagius I
855 - St Leo IV ends his reign as Catholic Pope
1054 - Emperor Henry III crowns his son Henry IV king
1070 - Arnulf III the Hapless becomes earl of Flanders
1203 - Venetianen conquer Constantinople, emperor Alexius III flees
1245 - Pope bans emperor Frederik II Hohenstaufen for 3rd time
1393 - Osmanen occupy Turnovo, Bulgaria
1429 - Dauphin crowned king of France
1453 - 1st battle at Castillon: French beat English troops
1473 - Charles the Stout conquerors Nijmegen
1509 - Venice recaptures Padua
1549 - Jews are expelled from Ghent Belgium
1552 - Siena drives Spanish troops out of Verdun
1583 - Spanish & Walloon troops conquer Dunkerk
1585 - English secret service discovers Anthony Babingtons murder plot against queen Elizabeth I
1596 - At 10:30AM Dutch explorer Willem Barents arrives at Novaya Zemlya
1603 - Sir Walter Ralegh arrested
1686 - A meeting takes place at Lüneburg between several Protestant powers in order to discuss the formation of an 'evangelical' league of defence, called the 'Confederatio Militiae Evangelicae', against the Catholic League.
1712 - England, Portugal & France sign ceasefire [or 19th]
1727 - Simon van Slingelandt appointed Dutch pension advisor
1740 - Prospero Lambertini chosen Pope Benedictus XIV
1762 - Catherine II becomes tsar of Russia upon the murder of Peter III of Russia.
1774 - Capt Cook arrives at New Hebrides (Vanuata)
1775 - 1st military hospital approved
1788 - Russian fleet destroys Swedish
1791 - Members of the French National Guard under the command of General Lafayette open fire on a crowd of radical Jacobins at the Champ de Mars, Paris, during the French Revolution, killing as many as 50 people.
1794 - African Church of St Thomas in Philadelphia, dedicated
1794 - Richard Allen organizes Phila's Bethel African Meth Episcopal Church
1815 - Napoleonic Wars: In France, Napoleon surrenders at Rochefort, Charente-Maritime to British forces.
1821 - Spain cedes Florida to US
1841 - British humor magazine "Punch" 1st published
1850 - Harvard Observatory takes 1st photograph of a star (Vega)
1856 - Sunday school excursion train collides killing 46 children (Phila)
1856 - The Great Train Wreck of 1856 occurs in Fort Washington, Pennsylvania killing over 60 people.
1861 - Congress authorizes paper money
1861 - Manassas, VA Gen Beauregard requests reinforcements for his 22,000 men, Gen Johnston is ordered to Manassas
1862 - Naval Engagement at Pascagoula River MS: USS Potomac Expedition
1862 - US army authorized to accept blacks as laborers
1862 - United army officially divides corps
1862 - R John Hunt Morgan:Cynthiana, KY CS24 US17 Skirmish at Columbia, TN
1863 - Battle of Honey Springs - largest battle in Indian Territory
1864 - CSA President Davis replaces Gen Joe Johnston with John Bell Hood
1866 - Italian fleet under adm Persano capture Austrian Fort Lissa
1867 - 1st US dental school, Harvard School of Dental Medicine, established
1879 - 1st railroad opens in Hawaii
1890 - Cecil Rhodes becomes premier of Cape colony
1893 - Arthur Shrewsbury is 1st to score 1,000 runs in Test Cricket
1897 - 1st ship arrives in Seattle carrying gold from Yukon
1898 - Spanish American War-Spaniards surrender to US at Santiago Cuba
1900 - NY Giant Christy Mathewson begins career losing to Bkln Superbas
1902 - Orioles forfeit to St Louis having only 5 players available to play they then forfeit their franchise back to the AL
1911 - Overthrown shah of Persia Mohammed Ali lands on Astrabad with army
1912 - IAF (Intl Amateur Athletic Federation) forms in Sweden
1914 - Giants outfielder Red Murray is knocked unconscious by lightning after catching a flyball, ending 21 inning game, Giants win 3-1
1915 - Italian offensive at Isonzo
1917 - British Royal family changes its name from Hanover to Windsor
1918 - Longest errorless game, Cubs beat Phillies 2-1 in 21 innings
1919 - Finland adopts constitution
1919 - Yanks 21 hits, Browns 17 hits Browns win 7-6 in 17, on squeeze play
1922 - Curacao harbor workers begin strike under Felix Chacuto
1922 - Ty Cobb gets 5 hits in a game for record 4th time in a year
1923 - Carl Mays gave up 13 runs & 20 hits in 13-0 lose to Indians
1924 - St Louis Card Jesse Haines no-hits Boston Braves, 5-0
1925 - Tris Speaker, is 5th to get 3,000 hits
1926 - Paavo Nurmi walks world record 4x1500m (16:11.4)
1929 - USSR drops diplomatic relations with China
1933 - After successfully crossing the Atlantic Ocean, the Lithuanian research aircraft Lituanica crashes in Europe under mysterious circumstances.
1934 - Babe Ruth draws his 2,000th base on balls at Cleveland
1935 - Variety's famous headline "Sticks Nix Hick Pix"
1936 - Carl Hubbell begins winning streak, beating Pittsburgh 6-0
1936 - Military uprising under Gen Franco/begins Spanish civil war
1938 - Douglas (Wrong Way) Corrigan leaves NY for LA, wound up in Ireland
1939 - 22nd PGA Championship: Henry Picard at Pomonok CC Flushing NY
1941 - NY Yankee Joe DiMaggio's 56-game hitting streak ends in Cleveland
1942 - 3' of rain falls on Pennsylvania, flooding kills 15
1942 - Estimated 34.5" (87.5 cm) of rainfall, Smethport, Pa (state record)
1942 - Transport nr 6 departs with French Jews to nazi-Germany
1943 - RAF bombs Germany rocket base Peenemunde
1944 - 2 ammunition ships explodes at Port Chicago, California kills 322
1944 - Russian troops cross river Bug/march into Poland
1945 - Potsdam Conference (FDR, Stalin, Churchill) holds 1st meeting
1948 - Israeli army captures Nazareth
1948 - Proclamation of constitution of Republic of (South) Korea
1950 - Indonesian troops land on Buru, South-Molukka
1951 - King Leopold II of Belgium gives up throne to son Boudouin I
1951 - Western New England College in Springfield, Massachusetts is chartered.
1952 - Shah of Persia named Ghavam Sultaneh premier
1954 - 1st major league game where majority of team is black (Dodgers)
1954 - Construction begins on Disneyland. . .
1954 - Theodor Heuss re-elected president of West Germany
1955 - Disneyland opens its doors in rural Orange County
1955 - Arco Idaho becomes 1st US city lit by nuclear power
1955 - Disneyland televises its grand opening in Anaheim, California.
1958 - King Hussein declares himself head of Jordan/Iraqi federation
1958 - Peter Shaffer's "Five Finger Exercise," premieres in London
1958 - US performs atmospheric nuclear Test at Enwetak
1959 - 2,000 ft long by 1,300 foot wide section of ridge falls into Madis
1959 - Dr Leakey discovers oldest human skull (600,000 years old)
1959 - Tibet abolishes serfdom
1959 - River Canyon extending man-made Lake Hebgen by 5 miles. (Montana)
1961 - John Chancellor becomes news anchor of Today Show
1961 - Roger Maris loses a HR (of his 61) due to a rain-out in 5th
1961 - Ford Frick rules that if anyone breaks Babe Ruth 60 HR record, it must be done in 1st 154 games
1962 - East Berliner Peter Fechter flees over Berlin Wall
1962 - Robert White in X-15 sets altitude record of 108 km (354,300 ft)
1962 - Senate rejects medicare for aged
1962 - US performs nuclear Test at Nevada Test Site
1963 - Telstar soccer team forms in Ijmuiden
1964 - Don Campbell sets record for turbine vehicle, 690.91 kph (429.31 mph)
1964 - Great Britain performs nuclear Test at Nevada Test Site
1965 - WLCY (now WTSP) TV channel 10 in St Petersburg-Tampa, FL (ABC) begins
1966 - "It's a Bird... It's Superman" closes at Alvin NYC after 129 perfs
1966 - Clifford Ann Creed wins LPGA Lady Carling Golf Open
1966 - Indians set club record by hitting 7 HR in 15-2 win over Detroit
1966 - Jim Ryun sets mile record (3m51s3)
1966 - Pioneer 7 launched
1967 - Monkees perform at Forest Hills NY, Jimi Hendrix is opening act
1967 - Race riots in Cairo Illinois
1968 - Beatle's animated film "Yellow Submarine" premieres in London
1968 - Revolt in Iraq
1970 - 30,000 attend Randall's Island Rock Festival, NYC
1971 - Kathy Whitworth/Judy Kimball wins LPGA Four-Ball Golf Championship
1972 - 1st 2 women begin training as FBI agents at Quantico
1973 - Military coup in Afghanistan; King Mohammad Zahir Shah flees
1974 - 1st quadrophonic studio in UK is open by Moody Blues
1974 - Bob Gibson becomes 2nd pitcher to strike-out 3,000 (Cesar Geronimo)
1974 - France performs nuclear Test at Muruora Island
1974 - John Lennon is ordered to leave US in 60 days
1975 - Apollo 18 & Soyuz 19 make 1st US/USSR linkup in space
1975 - Ringo Starr & Maureen Cox divorce
1976 - 21st modern Olympic games opens in Montreal
1976 - Indonesian president Suharto annexes East Timor
1976 - The opening of the Summer Olympics is marred by 25 African teams boycotting the New Zealand team.
1977 - Joanne Carner wins LPGA Borden Golf Classic
1978 - NY Yank manager Billy Martin & Reggie Jackson fight in dug out
1978 - Reggie Jackson refusal to bunt causes mgr Billy Martin to suspend him
1979 - 50th All Star Baseball Game: NL wins 7-6 at Kingdome, Seattle
1979 - All star MVP: Dave Parker (Pitts Pirates)
1979 - David Gower 200* in England score of 5-633 v India at Edgbaston
1979 - Nicaraguan dictator Anastasio Somoza flees to Miami
1979 - Sebastian Coe runs world record 3:49 mile in Oslo
1979 - Simone Veil becomes chairman of European Parliament
1980 - Bolivian military coup; general Garcia Meza becomes president
1980 - Ronald Reagan formally accepts Republican nomination for president
1980 - Zenko Suzuki becomes premier of Japan
1981 - "This is Burlesque" closes at Princess Theater NYC after 28 perfs
1981 - Humbar Estuary Bridge, UK, world's longest span (1.4 km), opens
1981 - Israeli bombers destroy PLO/al-Fatah headquarters in Beirut
1981 - Lobby Walkways at KC's Hyatt Regency collapse 114 die, 200 injured
1981 - USSR performs nuclear Test at Eastern Kazakh/Semipalitinsk USSR
1981 - Fulton County (Atlanta) grand jury indicts Wayne B William 23 year old photographers, for murder of 2 of 28 blacks killed in Atlanta
1983 - 112th British Golf Open: Tom Watson shoots a 275 at Royal Birkdale
1983 - 1st USFL championship (Mich Panthers beats Phila Stars 24-22)
1983 - Beth Daniel wins LPGA McDonald's Kids Golf Classic
1984 - Pierre Mauroy resigns as premier of France
1984 - Soyuz T-12 carries 3 cosmonauts to space station Salyut 7
1986 - Emmy 13th Daytime Award presentation - Susan Lucci loses for 7th time
1987 - "Les Miserables," opens at Imperial Theatre, Tokyo
1987 - 10 teens die in Guadalupe River flood (Comfort, Tx)
1987 - Don Mattingly is 2nd to hit HRs in 7 straight AL games (en route to 8)
1987 - Dow Jones closes above 2,500 (2,510.04) for 1st time
1987 - Iran & France breaks diplomatic relations
1988 - 117th British Golf Open: Seve Ballesteros shoots 273 at Royal Lytham
1988 - 4 Billion tv-viewers watch Mandela's 70th Birthday Tribute
1988 - Colleen Walker wins LPGA Boston Five Golf Classic
1988 - Florence Griffith Joyner of USA sets 100m woman's record (10.49)
1988 - Highest temperature ever recorded in San Francisco, 103°F (39°C)
1989 - 1st Test flight of US stealth-bomber
1989 - Paul McCartney releases "This One"
1989 - Reds reliever Kent Tekulve retires after 1,070 appearances
1990 - Hussein's Revolutionary Day speech claims Kuwait stole oil from Iraq
1990 - NY Yankee Deion Sanders hits an inside park homer
1990 - PLO-leader Jasser Arrafat marries Soha Tawil in Tunis
1990 - Minn Twins become 1st team to turn 2 triple plays in a game but lose to Boston Red Sox 1-0
1992 - Slovak parliament asks for self rule
1993 - Graeme Obree bicycles world record time, 51,596 km
1994 - 123rd British Golf Open: Nick Price shoots a 268 at Turnberry Scotland
1994 - Beth Daniel wins LPGA JAL Big Apple Golf Classic
1994 - Brazil beats Italy in a shoot out, for their 4th soccer world cup
1994 - French youngster (4) becomes Buddhist Lama Tulkou Kalou Rinpoche
1994 - Hulk Hogan beats Ric Flair to win WCW wrestling championship
1995 - Forbes Mag announces Bill Gates is the richest man in world ($12.9B)
1996 - 230 people die when TWA 800 crashes outside of NYC
1996 - Yank John Weteland blows save after record 24 consecutive saves
1996 - TWA Flight 800: Off the coast of Long Island, New York, a Paris-bound TWA Boeing 747 explodes, killing all 230 on board.
1997 - STS 94 (Columbia 23), lands
1998 - Russia buries tsar Nicholas II & family, 80 years after they died
2005 - Tiger Woods wins his 10th major winning The British Open Championship by 5 strokes. Woods becomes only the second golfer, after Jack Nicklaus, to win each major more than once
2007 - TAM Airlines (TAM Linhas Aéreas) Flight 3054 crashes upon landing during rain in São Paulo. This is Brazil's deadliest aviation accident to date with an estimated 199 deaths.
2009 - Jakarta double bombings at the JW Marriott and Ritz-Carlton Hotels killed 9 people including 4 foreigners.
Officers execute daybreak raids as part of a firearms investigation in Cheetham Hill.
This morning, Thursday 21 May, officers from the North Manchester division carried out raids at two addresses in Cheetham Hill as part of an ongoing investigation into a firearms discharge, which took place last week on Monday 11 May 2020.
In the early hours of that morning, at around 1.15am, police were called to reports of between two and four gunshot sounds on Galsworthy Avenue.
No injuries were reported but some damage was caused to a vehicle on the street.
During today's raids officers seized a quantity of cash as part of the direct action. One man was arrested.
Speaking after the raids, Superintendent Rebecca Boyce, of GMPs North Manchester district, said: “First and foremost I sincerely hope that this morning’s activity shows to the people of Cheetham Hill just how seriously we continue to take incidents of this nature. We will explore every line of enquiry available to us and leave no stone unturned in our pursuit of justice.
“Guns and violence have no place on our streets; and anyone who is harbouring weapons of this nature or taking part in this kind of criminal activity should know that we do not take these incidents lightly. Anyone who brandishes a weapon within our communities and ultimately puts the lives of others at risk can expect to be investigated by us.
“As part of our ongoing commitment to protecting people and making the streets of Cheetham Hill a safer place, we have been working closely with partners, including Manchester City Council –both Adult and Children’s Services and housing providers. This prevention work is absolutely vital if we are to support those most vulnerable in our society and put a stop to this type of offending. A huge priority for us is discouraging people from taking this path and turning to this kind of criminality and I would like to take this opportunity to thank all of our partners who have continued to support us in this.
“We have been always very clear that we cannot do this alone and would like to continue to appeal to the public to help us. Often, answers lie within communities and this type of criminal activity can only be halted completely with the support of those with information. If people would prefer to speak anonymously, they can do so by contacting the independent charity Crimestoppers.”
Anyone with any information should contact police on 0161 856 3924 quoting incident number 124 of 11/05/2020. Details can also be anonymously passed to the independent charity Crimestoppers on 0800 555 111
Executing a low pass over Stockholm-Bromma on her way home to Västerås after a sightseeing flight over Stockholm city.
James Connolly 5 June 1868 – 12 May 1916) was an Irish republican and socialist leader, aligned to syndicalism and the Industrial Workers of the World. He was born in the Cowgate area of Edinburgh, Scotland, to Irish immigrant parents. He left school at the age of 11, but became one of the leading Marxist theorists of his day. He also took a role in Scottish and American politics. He was executed by a British firing squad because of his leadership role in the Easter Rising of 1916.
Connolly was not actually held in gaol, but in a room (now called the "Connolly Room") at the State Apartments in Dublin Castle, which had been converted to a first-aid station for troops recovering from the war.
Connolly was sentenced to death by firing squad for his part in the rising. On 12 May 1916 he was taken by military ambulance to Royal Hospital Kilmainham, across the road from Kilmainham Gaol, and from there taken to the gaol, where he was to be executed. Visited by his wife, and asking about public opinion, he commented, "They will all forget that I am an Irishman."
Connolly had been so badly injured from the fighting (a doctor had already said he had no more than a day or two to live, but the execution order was still given) that he was unable to stand before the firing squad; he was carried to a prison courtyard on a stretcher. His absolution and last rites were administered by a Capuchin, Father Aloysius Travers. Asked to pray for the soldiers about to shoot him, he said: "I will say a prayer for all men who do their duty according to their lights." Instead of being marched to the same spot where the others had been executed, at the far end of the execution yard, he was tied to a chair and then shot.
His body (along with those of the other rebels) was put in a mass grave without a coffin. The executions of the rebels deeply angered the majority of the Irish population, most of whom had shown no support during the rebellion. It was Connolly's execution, however, that caused the most controversy. Historians have pointed to the manner of execution of Connolly and similar rebels, along with their actions, as being factors that caused public awareness of their desires and goals and gathered support for the movements that they had died fighting for.
The executions were not well received, even throughout Britain, and drew unwanted attention from the United States, which the British Government was seeking to bring into the war in Europe. H. H. Asquith, the Prime Minister, ordered that no more executions were to take place; an exception being that of Roger Casement as he had not yet been tried.
They sat in judgement. A memorial at the National Memorial Arboretum to those tied to a wooden stake and executed by firing squad for showing cowardice in the face of the enemy.
They were sick, cold, hungry, tired and terrified. They saw their friends bombed, gassed and cut to pieces in spectacular numbers and they were reduced to trembling wrecks by relentless shellfire and the imminence of their own demise.
Many had lied about their age to fight for King and Country. But 307 of them were executed by their comrades, often for little more than being frightened, confused young men.
Between 1914 and 1920, more than 3,000 British soldiers were sentenced to death by courts martial for desertion, cowardice, striking an officer, disobedience, falling asleep on duty or casting away arms. Although only 11 per cent of the sentences were carried out, those who were shot at dawn were denied legal representation and the right of appeal. Medical evidence which showed that many were suffering from shell-shock - or post traumatic stress disorder - was either not submitted to the courts or was ignored. Most hearings lasted no more than 20 minutes.
Transcripts made public 75 years after the events suggest that some of the men were underage. Others appeared to have wandered away from the battlefield in states of extreme distress and confusion, yet they were charged with desertion.
One 19-year-old, Pte George Roe of the King's Own Yorkshire Light Infantry, was executed for desertion, even though one witness told his court martial: "[Roe] came up to me and asked if I was a policeman. He told me that he had lost his way and had been wandering about for two days."
Another 19-year-old, Pte James Archibald of the 17th Royal Scots, told his comrades he "felt queer" while en route to the trenches at 6.30pm on 14 May 1916. At 3pm the next day, he was found asleep in a barn. He was shot by firing squad three weeks later.
Sgt Joe Stones of the Durham Light Infantry was arrested in January 1917 after an ambush in which his commanding officer was killed. Stones, whose previous bravery had been acknowledged by officers, had wedged his non- functioning rifle across a narrow trench to slow down Germans who were pursuing him. He was deemed to have "cast away his arms" and was executed.
Pte Joseph Byers was underage when he enlisted in 1914. By January 1915, the war had ground the young man down and he went absent without leave. After being caught, he admitted attempting to desert in the naive belief that his honesty and contrition would earn him a prison sentence. He was shot at dawn two weeks later.
Andrew Mackinlay, the Labour MP for Thurrock who has been campaigning for pardons for the men for five years, said: "When the suppressed documents relating to these courts martial were released, they showed that these men were demonstrably shell-shocked."
"Even where we can't prove the men were ill, we can say that there was one common denominator - they were all denied natural justice. None was given access to legal representation or the right of appeal. Most of them were not given proper medical examinations and so their conditions were ignored."
Mr Mackinlay would like to see either a blanket pardon by royal prerogative - which would not require legislation - or each case to be examined on its merits by High Court judges. None of the cases he is concerned with involves treason or mutiny.
Julian Putkowski, co-author of Shot at Dawn (Pen & Sword), said: "The function of these executions was to intimidate and frighten soldiers in the battlefield to get them to take part in pointless exercises in which thousands were slaughtered."
"The composite soldier in the trenches would be suffering from chronic insomnia and anxiety attacks. He would be wet and cold in wind-chill factors that dragged temperatures as low as minus-18.
"It was enough to drive anyone crazy. To say that all these men who were shot were bad and deserved their punishment is to ignore all these factors. Most just couldn't take any more."
By 1930, Parliament had introduced legislation banning the death sentence for the offences for which the 307 were shot.
Sgt Joe Stones stood at just 5ft 2ins tall, but he was promoted over the heads of stronger men because of his acknowledged bravery and leadership qualities.
Time and again he led barbed-wire parties out into No Man's Land, risking his life while caring for the men in his charge. But he was executed for "casting away his arms" in one of the most bizarre tragedies of the war.
Stones, 25, of the 19th Durham Light Infantry, had been in the trenches of northern France for a year when, one cold morning in January 1917, he went on patrol with his commanding officer. The men were ambushed by Germans and the officer was killed, but Stones couldn't to return fire because he had not removed a protective cover from the breach of his rifle.
The young sergeant turned and ran but had the presence of mind to wedge his rifle across a narrow trench to slow the Germans. He reached his comrades in the rear, shouting: "The Hun are upon us," and gave them enough time to escape.
However, he was charged with casting away his arms and two corporals, John McDonald and Peter Goggins, were charged with quitting their posts as they made their escape.
At Stones's court martial, one officer, Lt J.Rider, wrote: "I have personally been out with him in No Man's Land and always found him keen and bold. In the trenches, he never showed the least sign of funk. ...I have had countless opportunities of seeing him under bad circumstances. I can safely say that he was the last man I would have thought capable of any cowardly action."
But Stones, along with the corporals, was executed anyway.
Like many families whose sons were shot at dawn, Stones's never spoke of him again. His great nephew, Tom Stones, 56, found out about him only last year.
"My grandfather was a lay preacher and he kept a bible with details of family members, the war and battles written inside - but there was no mention of my great uncle Joe," he said.
"What they did to him makes me very angry. They shot him like a rat. It's clear that the poor bugger was no coward. I don't want a medal for him, but I do think he should get a pardon and an apology."
Pte Harry Farr of the West Yorkshire Regiment had been in hospital for five months recovering from shell shock before they sent him back to the trenches.
For two years, the 26-year-old married man from Kensington, west London, had been through some of the worst action of the war before he cracked up in 1916. And, four months after sending him back into the fray, he cracked up again.
The transcript of his court martial at Ville-sur-Ancre records that Farr failed to report for duty on 17 September. He fell out without permission, intending to find an officer to report sick to. However, his pleas fell on deaf ears and he was dragged, kicking and screaming, towards the front before being charged with cowardice.
He told the court martial: "I returned to the 1st Line Transport hoping to report sick to some medical officer there. On the sergeant major's return I reported to him and said I was sick and I could not stand it.
"He then said: `You are a fucking coward and you will go to the trenches. I give fuck all for my life and I give fuck all for yours and I'll get you fucking well shot.'" He was shot at dawn on 18 October.
While he was in the hospital suffering from shell shock, a nurse wrote a letter home for him to his wife, Gertrude, because his hands were shaking too much to hold a pen. It was the last she heard from him.
Gertrude kept her husband's fate a secret for more than 70 years. She was 99 when the papers relating to his case were released and her granddaughter, Janet Booth, was able to explain that he had not been a coward, but was simply a sick young man unable to take any more killing.
"After all those years not mentioning him, she spent the last days of her life talking about Harry Farr," said Mrs Booth. "It meant an awful lot to her to have the stigma removed. Now I'd like to see my grandfather pardoned."
The Corvette C3 was patterned after the Mako Shark II designed by Larry Shinoda. Executed under Bill Mitchell's direction, the Mako II had been initiated in early 1964. Once the mid-engined format was abandoned, the Shinoda/Mitchell car was sent to Chevrolet Styling under David Holls, where Harry Haga's studio adapted it for production on the existing Stingray chassis. The resulting lower half of the car was much like the Mako II, except for the softer contours. The concept car's name was later changed to Manta Ray. The C3 also adopted the "sugar scoop" roof treatment with vertical back window from the mid-engined concept models designed by the Duntov group. It was intended from the beginning that the rear window and that portion of the roof above the seats to be removable.
For 1968, both the Corvette body and interior were completely redesigned. As before, the car was available in either coupe or convertible models, but coupe was now a notchback fitted with a near-vertical removable rear window and removable roof panels (T-tops). A soft folding top was included with convertibles, while an auxiliary hardtop with a glass rear window was offered at additional cost. Included with coupes were hold down straps and a pair of vinyl bags to store the roof panels, and above the luggage area was a rear window stowage tray.
The chassis was carried over from the second generation models, retaining the fully independent suspension (with minor revisions) and the four-wheel disc brake system. The engine line-up and horsepower ratings were also carried over from the previous year.
The engine line-up included the L79, a 350 hp (261 kW) high performance version of the 327 cu in (5.4 L) small-block. Also available were several variants of the big-block 427 cu in (7.0 L) V8 engine, that taken together made up nearly half the cars. There was the L36, a 390 hp (291 kW) version with a Rochester 4-barrel carburetor; The L68, a 400 hp (298 kW) motor with a Holley triple 2-barrel carb set up (3 X 2 tri-power); The L71, generating 435 bhp (441 PS; 324 kW) at 5,800 rpm and 460 lb⋅ft (624 N⋅m) at 4,000 rpm of torque also with a tri-power; The L89 option was the L71 engine but with much lighter aluminum cylinder heads rather than the standard cast iron. Then there was the L88 engine that Chevrolet designed strictly for off-road use (racing), with a published rating of 430 hp (321 kW), but featured a high-capacity 4-barrel carb, aluminum heads, a unique air induction system, and an ultra-high compression ratio (12.5:1). All small block cars had low-profile hoods. All big block cars had domed hoods for additional engine clearance with twin simulated vents and “427” emblems on either side of the dome.
The Greek offensive under King Constantine as Supreme Commander of the Greek Forces in Asia was committed on July 16. 1921, and was skilfully executed. A feint towards the Turkish right flank at Eskişehir distracted Ismet Pasha just as the major assault fell on the left at Kara Hisar. The Greeks then wheeled their axis to the north and swept towards Eskişehir, rolling up the Turkish defence in a series of frontal assaults combined with flanking movements.[21]
Eskişehir fell on July 17, despite a vigorous counter-attack by Ismet Pasha who was determined to fight to the finish. The saner counsels of Mustafa Kemal prevailed, however, and Ismet disengaged with great losses to reach the comparative safety of the Sakarya River, some 30 miles (48 km) to the north and only 50 miles (80 km) from Ankara.[22]
The battle took place along the Sakarya River around the vicinity of Polatlı, stretching a 62 miles long battle line.
The determining feature of the terrain was the river itself, which flows eastward across the plateau, suddenly curves north and then turns back westwards describing a great loop that forms a natural barrier. The river banks are awkward and steep, and bridges were few, there being only two on the frontal section of the loop. East of the loop, the landscape rises before an invader in rocky, barren ridges and hills towards Ankara. It was here in these hills, east of the river that the Turks dug in their defensive positions. The front followed the hills east of the Sakarya River from a point near Polatlı southwards to where the Gök River joins the Sakarya, and then swung at rightangles eastwards following the line of the Gök River. It was an excellent defensive ground.[23]
For the Greeks, the question on whether to dig in and rest on their previous gains, or to advance towards Ankara in great effort and destroy the Army of the Grand National Assembly was difficult to resolve, posing the eternal problems that the Greek Staff had to deal since the beginning of the War. The dangers of extending the lines of communications still further in such an inhospitable terrain that killed horses, caused vehicles to break down and prevented the movement of heavy artillery were obvious. The present front that gave the Greeks the control of the essential strategic railway was tactically most favourable. But because the Army of the Grand National Assembly had escaped encirclement at Kütahya, nothing had been settled; therefore the temptation of achieving a “knock-out-blow” became irresistible.[24]
Battle[edit]
The Greek 9th infantry division marches through the steppe
Turkish prisoners of war during the battle of Sakarya
On August 10, Constantine finally committed his forces to an assault against the Sakarya Line. The Greeks marched hard for nine days before making contact with the enemy. This march included an outflanking manoeuvre through the northern part of Anatolia through the Salt Desert where food and water scarcely existed, so the advancing infantry had to rifle the poor Turkish villages for maize and water or obtain meat from the flocks which were pastured on the fringe of the desert.[25]
On August 23, battle was finally joined when Greeks made contact with advanced Turkish positions south of the Gök River. The Turkish Staff had made their headquarters at Polatlı on the railway a few miles east of the coast of the Sakarya River and the troops were prepared to resist.
On August 26, the Greeks attacked all along the line. Crossing the shallow Gök, the infantry fought its way step up onto the heights where every ridge and hill top had to be stormed against strong entrenchments and withering fire.
By September 2 the commanding heights of the key Mount Chal were in Greek hands and once a Greek enveloping movement against the Turkish left flank had failed, the Battle of the Sakarya River descended to a typical head-on confrontation of infantry, machine-guns and artillery.[21] The Greeks launched their main effort in the centre, pushing forward some 10 miles (16 km) in 10 days, through the Turkish Second Line of defense. Some Greek units came as close as 31 miles (50 km) to the city of Ankara.[26] This was the summit of their achievement in the Asia Minor Campaign.[25]
For days during the battle neither ammunition nor food had reached the front, owing to successful harassment of the Greek lines of communications and raids behind the Greek lines by Turkish cavalry. All the Greek troops were committed to the battle, while fresh Turkish drafts were still arriving throughout the campaign in response to the Nationals mobilization. For all these reasons the impetus of the Greek attack was gone. For a few days there was a lull in the fighting in which neither exhausted army could press an attack.[27] The Greek king Constantine I, who commanded the battle personally, was almost taken prisoner by a Turkish patrol.[28]
Astute as ever at the decisive moment, Mustafa Kemal assumed personal command and led a small counter-attack against the Greek left and around the Mount Chal on September 8. The Greek line held and the attack itself achieved a limited military success,[27] but in fear that this presaged a major Turkish effort to outflank their forces as the severity of winter was approaching, Constantine broke off the Greek assault on September 14. 1921.[29]
Consequently, Anastasios Papoulas ordered a general retreat towards Eskişehir and Kara Hisar. The Greek troops evacuated the Mount Chal which had been taken at such cost and retired unmolested across the Sakarya River to the positions they have left a month before, taking with them their guns and equipment. In the line of the retreating army nothing was left that could benefit the Turks. Railways and bridges were blown up, the same way villages were burnt.[30]
Aftermath[edit]
Map of Greek and Turkish offensives.
The retreat from Sakarya marked the end of the Greek hopes of imposing settlement on Turkey by force of arms. In May 1922 General Papoulas and his complete staff resigned and was replaced by General Georgios Hatzianestis, who proved much more inept than his predecessor.[29]
On the other hand, Mustafa Kemal returned in triumph to Ankara where the Grand National Assembly awarded him the rank of Field Marshal of the Army, as well as the title of Gazi rendering honours as the saviour of the Turkish nation.[31]
According to the speech that was delivered years later before the same National Assembly at the Second General Conference of the Republican People's Party which took part from October 15 to October 20, 1927; Kemal said to have ordered that " ... not an inch of the country should be abandoned until it was drenched with the blood of the citizens...," upon realizing that the Turkish army was losing ground rapidly, with virtually no natural defenses left between the battle line and Ankara.[32][33]
Lord Curzon argued that the military situation became a stalemate with time tending in favour of the Turks. The Turkish position within the British views was improving. In his opinion, the Turkish Nationalists were at that point more ready to treat.[34]
After this, the Ankara government signed the Treaty of Kars with the Russians, and the most important Treaty of Ankara with the French, thus reducing the enemy's front notably in the Cilician theatre and concentrating against the Greeks on the West.[35]
For the Turkish troops it was the turning point of the war, which would develop in a series of victorious clashes against the Greeks, driving out the invaders from the whole Asia Minor in the Turkish War of Independence.[36] The Greeks could do nothing but retreat and this would almost inevitably decline into a rout characterized by the most appalling atrocities: rape, pillage and arson rendering up to one million Turks homeless.[29]
As by August 26. 1922 Turkish offensive started with Battle of Dumlupınar. Kemal dispatched his army on a drive to the coast of the Aegean Sea pursuing the shattered Greek army, which would culminate in the direct assault of Smyrna between September 9 and 11th 1922.
The war would be over and sealed with the defeat of the Greeks, formalized by the Treaty of Lausanne on July 24. 1
Day 23 was simple in concept but a little more complex to execute.
I was never satisfied with 2009's Day 23, because I didn't treat the tree as a light source; as a result, the shadows of the minifigs are cast inwards towards the tree rather than outwards. I compenstated for this with some clever editing, but it's still readily visible.
This year, I vowed not to make the same mistake. This complicated the process, and final picture is actually a blending of three images. (1, 2 and 4). Here's how it breaks down:
1) The base image. I held a set of tree lights in between the minifigs, which functioned as a proper, central light source. Their shadows are cast outwards, and soft, varied lighting can be seen across the floor.
2) A second image was taken of just the background, with much less focused lighting.
3) This second image was used to remove the tree lights from the background of the first image. It took a lot of tweaking to get the subtle gradation on the wall to look just right.
4) A third image introduces the Lego tree into the scene. Using the same tree lights and a long exposure, I painted around the tree to light it somewhat evenly.
5) The tree was then masked and added to the original scene. Color and luminosity tweaks were made to make it blend seamlessly with its surroundings.
6) Lighting effects were then applied to give the tree (and its lights) more of a glow.
And that's it!
Salvo D'Acquisto (15 or 17 October 1920 in Naples – 23 September 1943 in Fiumicino was a member of the Italian Carabinieri during the Second World War. He was posthumously awarded the Gold Medal of Military Valor and is being considered for beatification for sacrificing himself to save 22 civilians from being executed by German soldiers.
Salvo D'Acquisto (born October 15, 1920 in Naples, † September 23, 1943 in Torre di Palidoro) was a corporal of the Italian Carabinieri.
He sacrificed his life for 22 civilians, who were to be shot by the German SS as a repressive measure against resistance fighters.
Life
D'Acquisto joined the Carabinieri force as a volunteer in 1939 and participated in the war in North Africa, where he was also wounded. After recovering, he completed a NCO course and then served in the Carabinieri station of Torre in Pietra near Rome (Via Aurelia).
When fascist Italy left the war on September 8, 1943, German troops occupied the country, against which Italian partisans and resistance groups (Resistenza) took up the fight. On 22 September 1943, German soldiers searched some (probably left by the Guardia di Finanza) ammunition boxes near the village of Torre di Palidoro, which fell within the jurisdiction of the Carabinieri station of Torre in Pietra. During the search of an ammunition box, a hand grenade exploded, killing one German soldier and injuring several others.
The commander of the German SS unit then made unspecified local insurgents responsible for this "attack" and requested Carabinieri. Since the station chief of Torre was prevented in Pietra, D'Acquisto as his deputy led the investigation and came to the conclusion that the cause of the explosion was an accident. The German commander, however, insisted on his attack theory and ordered according to a few days old command of Kesselring (Albert Kesselring (30 November 1885 – 16 July 1960) was a German Luftwaffe Generalfeldmarschall during World War II) reprisals against the civilian population.
After a brief raid, they drove together 22 randomly selected people from the surrounding farms, who had to briefly question D'Acquisto on German orders. After all 22 had declared innocent, they demanded the disclosure of the backers. When they came here after insults and fisticuffs against D'Acquisto to no result, it was decided the shooting of the prisoners, who had to dig together with D'Acquisto immediately a mass grave.
To save the 22 people from dying, D'Acquisto charged himself with the alleged attack. He emphasized that he alone was responsible for the attack and had prepared it without outside help. He demanded the immediate release of all 22 prisoners. The German commander agreed.
D'Acquisto died at the age of 22. He is resting today in the church of Santa Chiara in Naples.
Honors
For his deed he received posthumously the highest Italian military order (gold medal for military bravery). The Vatican has been testing his beatification for several years. After Acquisto now a barracks in Rome (Tor di Quinto) and a military school in Velletri were named. The selfless act of the Carabiniere was publicly propagated in a film (1974), in an opera passage (2002) and in a TV series (2003). In Naples, in the 21st century, a modern-style monument was erected to him: a perforated steel plate symbolizes the people being rounded up, in front of them a human being larger than life and protecting the rest with his body. In Bozens Peter Rosegger park, since 1990, a statue designed by David Moroder commemorates Salvo D'Acquisto.
Salvo D’Acquisto (* 15. Oktober 1920 in Neapel; † 23. September 1943 in Torre di Palidoro) war ein Unteroffizier der italienischen Carabinieri.
Er opferte sein Leben für 22 Zivilisten, die von der deutschen SS als Repressionsmaßnahme gegen Widerstandskämpfer erschossen werden sollten.
Leben
D’Acquisto trat 1939 als Freiwilliger in die Carabinieri-Truppe ein und nahm am Krieg in Nordafrika teil, wo er auch verwundet wurde. Nach seiner Genesung absolvierte er einen Unteroffizierslehrgang und diente dann in der Carabinieri-Station von Torre in Pietra bei Rom (Via Aurelia).
Als das faschistische Italien am 8. September 1943 aus dem Krieg ausschied, besetzten deutsche Truppen das Land, gegen die italienische Partisanen und Widerstandsgruppen (Resistenza) den Kampf aufnahmen. Am 22. September 1943 durchsuchten deutsche Soldaten einige (wahrscheinlich von der Guardia di Finanza zurückgelassene) Munitionskisten in der Nähe des Ortes Torre di Palidoro, der in den Zuständigkeitsbereich der Carabinieri-Station von Torre in Pietra fiel. Während der Durchsuchung einer Munitionskiste explodierte eine Handgranate, wodurch ein deutscher Soldat getötet und mehrere andere verletzt wurden.
Der Kommandant der deutschen SS-Einheit machte daraufhin nicht näher bekannte ortsansässige Aufständische für diesen „Anschlag“ verantwortlich und forderte Carabinieri an. Da der Stationschef von Torre in Pietra verhindert war, leitete D'Acquisto als sein Stellvertreter die Ermittlungen und kam zu dem Schluss, dass es sich bei der Explosion um einen Unfall gehandelt haben musste. Der deutsche Kommandant beharrte jedoch auf seiner Anschlagstheorie und ordnete gemäß einem wenige Tage alten Befehl Kesselrings Repressalien gegen die Zivilbevölkerung an.
Nach einer kurzen Razzia trieb man 22 willkürlich ausgewählte Personen der umliegenden Bauernhöfe zusammen, die D'Acquisto auf deutschen Befehl hin kurz befragen musste. Nachdem sich alle 22 für unschuldig erklärt hatten, verlangte man die Preisgabe der Hintermänner. Als man auch hier nach Beschimpfungen und Handgreiflichkeiten gegen D'Acquisto zu keinem Ergebnis kam, beschloss man die Erschießung der Gefangenen, die zusammen mit D'Acquisto umgehend ein Massengrab ausheben mussten.
Um die 22 Menschen vor dem Tod zu bewahren, bezichtigte sich D'Acquisto des vermeintlichen Anschlags. Er hob hervor, dass er allein die Verantwortung für den Anschlag trug und diesen auch ohne fremde Hilfe vorbereitet hatte. Er forderte die sofortige Freilassung aller 22 Gefangenen. Dem stimmte der deutsche Kommandant zu.
D'Acquisto starb mit 22 Jahren. Er ruht heute in der Kirche Santa Chiara in Neapel.
Ehrungen
Für seine Tat erhielt er postum den höchsten italienischen Militärorden (Goldmedaille für militärische Tapferkeit). Der Vatikan prüft seit einigen Jahren seine Seligsprechung. Nach Acquisto wurden inzwischen eine Kaserne in Rom (Tor di Quinto) sowie eine Militärschule in Velletri benannt. Die selbstlose Tat des Carabiniere wurde in einem Film (1974), in einer Opernpassage (2002) sowie in einer TV-Serie (2003) öffentlich propagiert. In Neapel wurde ihm im 21. Jahrhundert ein modern gestaltetes Denkmal gesetzt: eine durchbrochene Stahlplatte symbolisiert die zusammengetriebenen Personen, davor steht überlebensgroß ein Mensch und schützt mit seinem Körper die übrigen. In Bozens Roseggerpark erinnert seit 1990 eine von David Moroder entworfene Statue an Salvo D'Acquisto.
PHILIPPINE SEA (Aug. 11, 2021) U.S. Marines with Light Armored Reconnaissance (LAR), Battalion Landing Team 3/5, 31st Marine Expeditionary Unit (MEU) prepare to execute a course of fire during a deck shoot drill aboard USS New Orleans (LPD 18). The training consisted of Marines practicing a series of drills to maintain weapons proficiency. The 31st MEU is operating aboard ships of the America Expeditionary Strike Group in the 7th fleet area of operations to enhance interoperability with allies and partners, and serve as a ready response force to defend peace and stability in the Indo-Pacific region. (U.S. Marine Corps photo by Sgt. Daisha R. Ramirez)
Jews being executed on the streets of Lodz, Poland.
In 1940 two million Jews were taken out of there homes and pushed into the ghettos. The Nazis built 1,000 Jewish quarters and/or ghettos.
Hey Guys! I just thought I'd make a small WWII scene. It took me a couple hours to find the perfect bricks and build.
Favorites & Comments are greatly appreciated! :-)
Credit to bent knees: [http://www.flickr.com/photos/59717297@N02/]
Remember, if you fave, please comment.
-Nicco
"Date: 1650. Artist: Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599–1660 Madrid). Medium: Oil on canvas.
Velázquez most likely executed this portrait of his enslaved assistant in Rome during the early months of 1650. According to one of the artist's biographers, when this landmark of western portraiture was first put on display it "received such universal acclaim that in the opinion of all the painters of different nations everything else seemed like painting but this alone like truth." Months after depicting his sitter in such a proud and confident way, Velázquez signed a contract of manumission that would liberate him from bondage in 1654. From that point forward, Juan de Pareja worked as an independent painter in Madrid, producing portraits and large-scale religious subjects." - info from the Met.
"The Portrait of Juan de Pareja is a painting by Spanish artist Diego Velázquez of the enslaved Juan de Pareja, a notable painter in his own right, who was owned by Velázquez at the time the painting was completed. Velázquez painted the portrait in Rome, while traveling in Italy, in 1650. It is the earliest known portrait of a Spanish man of African descent.
It was the first painting to sell for more than £1,000,000. At the time of the painting's purchase by the Metropolitan Museum of Art in 1970 they considered it "among the most important acquisitions in the Museum's history". The painting is on display at the Metropolitan Museum of Art in New York City.
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe.
The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The museum's permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of American and modern art. The Met maintains extensive holdings of African, Asian, Oceanian, Byzantine, and Islamic art. The museum is home to encyclopedic collections of musical instruments, costumes, and accessories, as well as antique weapons and armor from around the world. Several notable interiors, ranging from 1st-century Rome through modern American design, are installed in its galleries.
The Fifth Avenue building opened on March 30, 1880. In 2021, despite the COVID-19 pandemic in New York City, the museum attracted 1,958,000 visitors, ranking fourth on the list of most-visited art museums in the world.
New York, often called New York City or NYC, is the most populous city in the United States. With a 2020 population of 8,804,190 distributed over 300.46 square miles (778.2 km2), New York City is also the most densely populated major city in the United States. The city is within the southern tip of New York State, and constitutes the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area – the largest metropolitan area in the world by urban landmass. With over 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York is one of the world's most populous megacities, and over 58 million people live within 250 mi (400 km) of the city. New York City is a global cultural, financial, and media center with a significant influence on commerce, health care and life sciences, entertainment, research, technology, education, politics, tourism, dining, art, fashion, and sports. New York is the most photographed city in the world. Home to the headquarters of the United Nations, New York is an important center for international diplomacy, an established safe haven for global investors, and is sometimes described as the capital of the world." - info from Wikipedia.
The fall of 2022 I did my 3rd major cycling tour. I began my adventure in Montreal, Canada and finished in Savannah, GA. This tour took me through the oldest parts of Quebec and the 13 original US states. During this adventure I cycled 7,126 km over the course of 2.5 months and took more than 68,000 photos. As with my previous tours, a major focus was to photograph historic architecture.
Now on Instagram.
During WWII Poland, brave young women from the Home Army pretended to be courtisanes, to get to German's officer homes and execute them.
What craziness is this, a day in that London on a weekday? Well, working one day last weekend, and another next weekend, meant I took a day in Lieu.
So there.
And top of my list of places to visit was St Magnus. This would be the fifth time I have tried to get inside, and the first since I wrote to the church asking whether they would be open a particular Saturday, and then any Saturday. Letters which were ignored
So, I walked out of Monument Station, down the hill there was St Magnus: would it be open?
It was, and inside it was a box, nay a treasure chest of delights.
--------------------------------------------------------------
St Magnus the Martyr, London Bridge is a Church of England church and parish within the City of London. The church, which is located in Lower Thames Street near The Monument to the Great Fire of London,[1] is part of the Diocese of London and under the pastoral care of the Bishop of London and the Bishop of Fulham.[2] It is a Grade I listed building.[3] The rector uses the title "Cardinal Rector". [4]
St Magnus lies on the original alignment of London Bridge between the City and Southwark. The ancient parish was united with that of St Margaret, New Fish Street, in 1670 and with that of St Michael, Crooked Lane, in 1831.[5] The three united parishes retained separate vestries and churchwardens.[6] Parish clerks continue to be appointed for each of the three parishes.[7]
St Magnus is the guild church of the Worshipful Company of Fishmongers and the Worshipful Company of Plumbers, and the ward church of the Ward of Bridge and Bridge Without. It is also twinned with the Church of the Resurrection in New York City.[8]
Its prominent location and beauty has prompted many mentions in literature.[9] In Oliver Twist Charles Dickens notes how, as Nancy heads for her secret meeting with Mr. Brownlow and Rose Maylie on London Bridge, "the tower of old Saint Saviour's Church, and the spire of Saint Magnus, so long the giant-warders of the ancient bridge, were visible in the gloom". The church's spiritual and architectural importance is celebrated in the poem The Waste Land by T. S. Eliot, who adds in a footnote that "the interior of St. Magnus Martyr is to my mind one of the finest among Wren's interiors".[10] One biographer of Eliot notes that at first he enjoyed St Magnus aesthetically for its "splendour"; later he appreciated its "utility" when he came there as a sinner.
The church is dedicated to St Magnus the Martyr, earl of Orkney, who died on 16 April in or around 1116 (the precise year is unknown).[12] He was executed on the island of Egilsay having been captured during a power struggle with his cousin, a political rival.[13] Magnus had a reputation for piety and gentleness and was canonised in 1135. St. Ronald, the son of Magnus's sister Gunhild Erlendsdotter, became Earl of Orkney in 1136 and in 1137 initiated the construction of St. Magnus Cathedral in Kirkwall.[14] The story of St. Magnus has been retold in the 20th century in the chamber opera The Martyrdom of St Magnus (1976)[15] by Sir Peter Maxwell Davies, based on George Mackay Brown's novel Magnus (1973).
he identity of the St Magnus referred to in the church's dedication was only confirmed by the Bishop of London in 1926.[16] Following this decision a patronal festival service was held on 16 April 1926.[17] In the 13th century the patronage was attributed to one of the several saints by the name of Magnus who share a feast day on 19 August, probably St Magnus of Anagni (bishop and martyr, who was slain in the persecution of the Emperor Decius in the middle of the 3rd century).[18] However, by the early 18th century it was suggested that the church was either "dedicated to the memory of St Magnus or Magnes, who suffer'd under the Emperor Aurelian in 276 [see St Mammes of Caesarea, feast day 17 August], or else to a person of that name, who was the famous Apostle or Bishop of the Orcades."[19] For the next century historians followed the suggestion that the church was dedicated to the Roman saint of Cæsarea.[20] The famous Danish archaeologist Professor Jens Jacob Asmussen Worsaae (1821–85) promoted the attribution to St Magnus of Orkney during his visit to the British Isles in 1846-7, when he was formulating the concept of the 'Viking Age',[21] and a history of London written in 1901 concluded that "the Danes, on their second invasion ... added at least two churches with Danish names, Olaf and Magnus".[22] A guide to the City Churches published in 1917 reverted to the view that St Magnus was dedicated to a martyr of the third century,[23] but the discovery of St Magnus of Orkney's relics in 1919 renewed interest in a Scandinavian patron and this connection was encouraged by the Rector who arrived in 1921
A metropolitan bishop of London attended the Council of Arles in 314, which indicates that there must have been a Christian community in Londinium by this date, and it has been suggested that a large aisled building excavated in 1993 near Tower Hill can be compared with the 4th-century Cathedral of St Tecla in Milan.[25] However, there is no archaeological evidence to suggest that any of the mediaeval churches in the City of London had a Roman foundation.[26] A grant from William I in 1067 to Westminster Abbey, which refers to the stone church of St Magnus near the bridge ("lapidee eccle sci magni prope pontem"), is generally accepted to be 12th century forgery,[27] and it is possible that a charter of confirmation in 1108-16 might also be a later fabrication.[28] Nonetheless, these manuscripts may preserve valid evidence of a date of foundation in the 11th century.
Archaeological evidence suggests that the area of the bridgehead was not occupied from the early 5th century until the early 10th century. Environmental evidence indicates that the area was waste ground during this period, colonised by elder and nettles. Following Alfred's decision to reoccupy the walled area of London in 886, new harbours were established at Queenhithe and Billingsgate. A bridge was in place by the early 11th century, a factor which would have encouraged the occupation of the bridgehead by craftsmen and traders.[30] A lane connecting Botolph's Wharf and Billingsgate to the rebuilt bridge may have developed by the mid-11th century. The waterfront at this time was a hive of activity, with the construction of embankments sloping down from the riverside wall to the river. Thames Street appeared in the second half of the 11th century immediately behind (north of) the old Roman riverside wall and in 1931 a piling from this was discovered during the excavation of the foundations of a nearby building. It now stands at the base of the church tower.[31] St Magnus was built to the south of Thames Street to serve the growing population of the bridgehead area[32] and was certainly in existence by 1128-33.[33]
The small ancient parish[34] extended about 110 yards along the waterfront either side of the old bridge, from 'Stepheneslane' (later Churchehawlane or Church Yard Alley) and 'Oystergate' (later called Water Lane or Gully Hole) on the West side to 'Retheresgate' (a southern extension of Pudding Lane) on the East side, and was centred on the crossroads formed by Fish Street Hill (originally Bridge Street, then New Fish Street) and Thames Street.[35] The mediaeval parish also included Drinkwater's Wharf (named after the owner, Thomas Drinkwater), which was located immediately West of the bridge, and Fish Wharf, which was to the South of the church. The latter was of considerable importance as the fishmongers had their shops on the wharf. The tenement was devised by Andrew Hunte to the Rector and Churchwardens in 1446.[36] The ancient parish was situated in the South East part of Bridge Ward, which had evolved in the 11th century between the embankments to either side of the bridge.[37]
In 1182 the Abbot of Westminster and the Prior of Bermondsey agreed that the advowson of St Magnus should be divided equally between them. Later in the 1180s, on their presentation, the Archdeacon of London inducted his nephew as parson.
Between the late Saxon period and 1209 there was a series of wooden bridges across the Thames, but in that year a stone bridge was completed.[39] The work was overseen by Peter de Colechurch, a priest and head of the Fraternity of the Brethren of London Bridge. The Church had from early times encouraged the building of bridges and this activity was so important it was perceived to be an act of piety - a commitment to God which should be supported by the giving of alms. London’s citizens made gifts of land and money "to God and the Bridge".[40] The Bridge House Estates became part of the City's jurisdiction in 1282.
Until 1831 the bridge was aligned with Fish Street Hill, so the main entrance into the City from the south passed the West door of St Magnus on the north bank of the river.[41] The bridge included a chapel dedicated to St Thomas Becket[42] for the use of pilgrims journeying to Canterbury Cathedral to visit his tomb.[43] The chapel and about two thirds of the bridge were in the parish of St Magnus. After some years of rivalry a dispute arose between the church and the chapel over the offerings given to the chapel by the pilgrims. The matter was resolved by the brethren of the chapel making an annual contribution to St Magnus.[44] At the Reformation the chapel was turned into a house and later a warehouse, the latter being demolished in 1757-58.
The church grew in importance. On 21 November 1234 a grant of land was made to the parson of St Magnus for the enlargement of the church.[45] The London eyre of 1244 recorded that in 1238 "A thief named William of Ewelme of the county of Buckingham fled to the church of St. Magnus the Martyr, London, and there acknowledged the theft and abjured the realm. He had no chattels."[46] Another entry recorded that "The City answers saying that the church of ... St. Magnus the Martyr ... which [is] situated on the king's highway ... ought to belong to the king and be in his gift".[47] The church presumably jutted into the road running to the bridge, as it did in later times.[48] In 1276 it was recorded that "the church of St. Magnus the Martyr is worth £15 yearly and Master Geoffrey de la Wade now holds it by the grant of the prior of Bermundeseie and the abbot of Westminster to whom King Henry conferred the advowson by his charter.
In 1274 "came King Edward and his wife [Eleanor] from the Holy Land and were crowned at Westminster on the Sunday next after the Feast of the Assumption of Our Lady [15 August], being the Feast of Saint Magnus [19 August]; and the Conduit in Chepe ran all the day with red wine and white wine to drink, for all such as wished."[50] Stow records that "in the year 1293, for victory obtained by Edward I against the Scots, every citizen, according to their several trade, made their several show, but especially the fishmongers" whose solemn procession including a knight "representing St Magnus, because it was upon St Magnus' day".
An important religious guild, the Confraternity de Salve Regina, was in existence by 1343, having been founded by the "better sort of the Parish of St Magnus" to sing the anthem 'Salve Regina' every evening.[51] The Guild certificates of 1389 record that the Confraternity of Salve Regina and the guild of St Thomas the Martyr in the chapel on the bridge, whose members belonged to St Magnus parish, had determined to become one, to have the anthem of St Thomas after the Salve Regina and to devote their united resources to restoring and enlarging the church of St Magnus.[52] An Act of Parliament of 1437[53] provided that all incorporated fraternities and companies should register their charters and have their ordinances approved by the civic authorities.[54] Fear of enquiry into their privileges may have led established fraternities to seek a firm foundation for their rights. The letters patent of the fraternity of St Mary and St Thomas the Martyr of Salve Regina in St Magnus dated 26 May 1448 mention that the fraternity had petitioned for a charter on the grounds that the society was not duly founded.
In the mid-14th century the Pope was the Patron of the living and appointed five rectors to the benefice.[56]
Henry Yevele, the master mason whose work included the rebuilding of Westminster Hall and the naves of Westminster Abbey and Canterbury Cathedral, was a parishioner and rebuilt the chapel on London Bridge between 1384 and 1397. He served as a warden of London Bridge and was buried at St Magnus on his death in 1400. His monument was extant in John Stow's time, but was probably destroyed by the fire of 1666.[57]
Yevele, as the King’s Mason, was overseen by Geoffrey Chaucer in his capacity as the Clerk of the King's Works. In The General Prologue of Chaucer's The Canterbury Tales the five guildsmen "were clothed alle in o lyveree Of a solempne and a greet fraternitee"[58] and may be thought of as belonging to the guild in the parish of St Magnus, or one like it.[59] Chaucer's family home was near to the bridge in Thames Street.
n 1417 a dispute arose concerning who should take the place of honour amongst the rectors in the City churches at the Whit Monday procession, a place that had been claimed from time to time by the rectors of St Peter Cornhill, St Magnus the Martyr and St Nicholas Cole Abbey. The Mayor and Aldermen decided that the Rector of St Peter Cornhill should take precedence.[61]
St Magnus Corner at the north end of London Bridge was an important meeting place in mediaeval London, where notices were exhibited, proclamations read out and wrongdoers punished.[62] As it was conveniently close to the River Thames, the church was chosen by the Bishop between the 15th and 17th centuries as a convenient venue for general meetings of the clergy in his diocese.[63] Dr John Young, Bishop of Callipolis (rector of St Magnus 1514-15) pronounced judgement on 16 December 1514 (with the Bishop of London and in the presence of Thomas More, then under-sheriff of London) in the heresy case concerning Richard Hunne.[64]
In pictures from the mid-16th century the old church looks very similar to the present-day St Giles without Cripplegate in the Barbican.[65] According to the martyrologist John Foxe, a woman was imprisoned in the 'cage' on London Bridge in April 1555 and told to "cool herself there" for refusing to pray at St Magnus for the recently deceased Pope Julius III.[66]
Simon Lowe, a Member of Parliament and Master of the Merchant Taylors' Company during the reign of Queen Mary and one of the jurors who acquitted Sir Nicholas Throckmorton in 1554, was a parishioner.[67] He was a mourner at the funeral of Maurice Griffith, Bishop of Rochester from 1554 to 1558 and Rector of St Magnus from 1537 to 1558, who was interred in the church on 30 November 1558 with much solemnity. In accordance with the Catholic church's desire to restore ecclesiastical pageantry in England, the funeral was a splendid affair, ending in a magnificent dinner.
Lowe was included in a return of recusants in the Diocese of Rochester in 1577,[69] but was buried at St Magnus on 6 February 1578.[70] Stow refers to his monument in the church. His eldest son, Timothy (died 1617), was knighted in 1603. His second son, Alderman Sir Thomas Lowe (1550–1623), was Master of the Haberdashers' Company on several occasions, Sheriff of London in 1595/96, Lord Mayor in 1604/05 and a Member of Parliament for London.[71] His youngest son, Blessed John Lowe (1553–1586), having originally been a Protestant minister, converted to Roman Catholicism, studied for the priesthood at Douay and Rome and returned to London as a missionary priest.[72] His absence had already been noted; a list of 1581 of "such persons of the Diocese of London as have any children ... beyond the seas" records "John Low son to Margaret Low of the Bridge, absent without licence four years". Having gained 500 converts to Catholicism between 1583 and 1586, he was arrested whilst walking with his mother near London Bridge, committed to The Clink and executed at Tyburn on 8 October 1586.[73] He was beatified in 1987 as one of the eighty-five martyrs of England and Wales.
Sir William Garrard, Master of the Haberdashers' Company, Alderman, Sheriff of London in 1553/53, Lord Mayor in 1555/56 and a Member of Parliament was born in the parish and buried at St Magnus in 1571.[74] Sir William Romney, merchant, philanthropist, Master of the Haberdashers' Company, Alderman for Bridge Within and Sheriff of London in 1603/04[75] was married at St Magnus in 1582. Ben Jonson is believed to have been married at St Magnus in 1594.[76]
The patronage of St Magnus, having previously been in the Abbots and Convents of Westminster and Bermondsey (who presented alternatively), fell to the Crown on the suppression of the monasteries. In 1553, Queen Mary, by letters patent, granted it to the Bishop of London and his successors.[77]
The church had a series of distinguished rectors in the second half of the 16th and first half of the 17th century, including Myles Coverdale (Rector 1564-66), John Young (Rector 1566-92), Theophilus Aylmer (Rector 1592-1625), (Archdeacon of London and son of John Aylmer), and Cornelius Burges (Rector 1626-41). Coverdale was buried in the chancel of St Bartholomew-by-the-Exchange, but when that church was pulled down in 1840 his remains were removed to St Magnus.[78]
On 5 November 1562 the churchwardens were ordered to break, or cause to be broken, in two parts all the altar stones in the church.[79] Coverdale, an anti-vestiarian, was Rector at the peak of the vestments controversy. In March 1566 Archbishop Parker caused great consternation among many clergy by his edicts prescribing what was to be worn and by his summoning the London clergy to Lambeth to require their compliance. Coverdale excused himself from attending.[80] Stow records that a non-conforming Scot who normally preached at St Magnus twice a day precipitated a fight on Palm Sunday 1566 at Little All Hallows in Thames Street with his preaching against vestments.[81] Coverdale's resignation from St Magnus in summer 1566 may have been associated with these events. Separatist congregations started to emerge after 1566 and the first such, who called themselves 'Puritans' or 'Unspottyd Lambs of the Lord', was discovered close to St Magnus at Plumbers' Hall in Thames Street on 19 June 1567.
St Magnus narrowly escaped destruction in 1633. A later edition of Stow's Survey records that "On the 13th day of February, between eleven and twelve at night, there happened in the house of one Briggs, a Needle-maker near St Magnus Church, at the North end of the Bridge, by the carelessness of a Maid-Servant setting a tub of hot sea-coal ashes under a pair of stairs, a sad and lamentable fire, which consumed all the buildings before eight of the clock the next morning, from the North end of the Bridge to the first vacancy on both sides, containing forty-two houses; water then being very scarce, the Thames being almost frozen over."[83] Susannah Chambers "by her last will & testament bearing date 28th December 1640 gave the sum of Twenty-two shillings and Sixpence Yearly for a Sermon to be preached on the 12th day of February in every Year within the Church of Saint Magnus in commemoration of God's merciful preservation of the said Church of Saint Magnus from Ruin, by the late and terrible Fire on London Bridge. Likewise Annually to the Poor the sum of 17/6."[84] The tradition of a "Fire Sermon" was revived on 12 February 2004, when the first preacher was the Rt Revd and Rt Hon Richard Chartres, Bishop of London.
Parliamentarian rule and the more Protestant ethos of the 1640s led to the removal or destruction of "superstitious" and "idolatrous" images and fittings. Glass painters such as Baptista Sutton, who had previously installed "Laudian innovations", found new employment by repairing and replacing these to meet increasingly strict Protestant standards. In January 1642 Sutton replaced 93 feet of glass at St Magnus and in June 1644 he was called back to take down the "painted imagery glass" and replace it.[86] In June 1641 "rail riots" broke out at a number of churches. This was a time of high tension following the trial and execution of the Earl of Strafford and rumours of army and popish plots were rife. The Protestation Oath, with its pledge to defend the true religion "against all Popery and popish innovation", triggered demands from parishioners for the removal of the rails as popish innovations which the Protestation had bound them to reform. The minister arranged a meeting between those for and against the pulling down of the rails, but was unsuccessful in reaching a compromise and it was feared that they would be demolished by force.[87] However, in 1663 the parish resumed Laudian practice and re-erected rails around its communion table.[88]
Joseph Caryl was incumbent from 1645 until his ejection in 1662. In 1663 he was reportedly living near London Bridge and preaching to an Independent congregation that met at various places in the City.[89]
During the Great Plague of 1665, the City authorities ordered fires to be kept burning night and day, in the hope that the air would be cleansed. Daniel Defoe's semi-fictictional, but highly realistic, work A Journal of the Plague Year records that one of these was "just by St Magnus Church"
Despite its escape in 1633, the church was one of the first buildings to be destroyed in the Great Fire of London in 1666.[91] St Magnus stood less than 300 yards from the bakehouse of Thomas Farriner in Pudding Lane where the fire started. Farriner, a former churchwarden of St Magnus, was buried in the middle aisle of the church on 11 December 1670, perhaps within a temporary structure erected for holding services.[92]
The parish engaged the master mason George Dowdeswell to start the work of rebuilding in 1668. The work was carried forward between 1671 and 1687 under the direction of Sir Christopher Wren, the body of the church being substantially complete by 1676.[93] At a cost of £9,579 19s 10d St Magnus was one of Wren's most expensive churches.[94] The church of St Margaret New Fish Street was not rebuilt after the fire and its parish was united to that of St Magnus.
The chancels of many of Wren’s city churches had chequered marble floors and the chancel of St Magnus is an example,[95] the parish agreeing after some debate to place the communion table on a marble ascent with steps[96] and to commission altar rails of Sussex wrought iron. The nave and aisles are paved with freestone flags. A steeple, closely modelled on one built between 1614 and 1624 by François d'Aguilon and Pieter Huyssens for the church of St Carolus Borromeus in Antwerp, was added between 1703 and 1706.[97] London's skyline was transformed by Wren's tall steeples and that of St Magnus is considered to be one his finest.[98]
The large clock projecting from the tower was a well-known landmark in the city as it hung over the roadway of Old London Bridge.[99] It was presented to the church in 1709 by Sir Charles Duncombe[100] (Alderman for the Ward of Bridge Within and, in 1708/09, Lord Mayor of London). Tradition says "that it was erected in consequence of a vow made by the donor, who, in the earlier part of his life, had once to wait a considerable time in a cart upon London Bridge, without being able to learn the hour, when he made a promise, that if he ever became successful in the world, he would give to that Church a public clock ... that all passengers might see the time of day."[101] The maker was Langley Bradley, a clockmaker in Fenchurch Street, who had worked for Wren on many other projects, including the clock for the new St Paul's Cathedral. The sword rest in the church, designed to hold the Lord Mayor's sword and mace when he attended divine service "in state", dates from 1708.
Duncombe and his benefactions to St Magnus feature prominently in Daniel Defoe's The True-Born Englishman, a biting satire on critics of William III that went through several editions from 1700 (the year in which Duncombe was elected Sheriff).
Shortly before his death in 1711, Duncombe commissioned an organ for the church, the first to have a swell-box, by Abraham Jordan (father and son).[103] The Spectator announced that "Whereas Mr Abraham Jordan, senior and junior, have, with their own hands, joinery excepted, made and erected a very large organ in St Magnus' Church, at the foot of London Bridge, consisting of four sets of keys, one of which is adapted to the art of emitting sounds by swelling notes, which never was in any organ before; this instrument will be publicly opened on Sunday next [14 February 1712], the performance by Mr John Robinson. The above-said Abraham Jordan gives notice to all masters and performers, that he will attend every day next week at the said Church, to accommodate all those gentlemen who shall have a curiosity to hear it".[104]
The organ case, which remains in its original state, is looked upon as one of the finest existing examples of the Grinling Gibbons's school of wood carving.[105] The first organist of St Magnus was John Robinson (1682–1762), who served in that role for fifty years and in addition as organist of Westminster Abbey from 1727. Other organists have included the blind organist George Warne (1792–1868, organist 1820-26 until his appointment to the Temple Church), James Coward (1824–80, organist 1868-80 who was also organist to the Crystal Palace and renowned for his powers of improvisation) and George Frederick Smith FRCO (1856–1918, organist 1880-1918 and Professor of Music at the Guildhall School of Music).[106] The organ has been restored several times - in 1760, 1782, 1804, 1855, 1861, 1879, 1891, 1924, 1949 after wartime damage and 1997 - since it was first built.[107] Sir Peter Maxwell Davies was one of several patrons of the organ appeal in the mid-1990s[108] and John Scott gave an inaugural recital on 20 May 1998 following the completion of that restoration.[109] The instrument has an Historic Organ Certificate and full details are recorded in the National Pipe Organ Register.[110]
The hymn tune "St Magnus", usually sung at Ascensiontide to the text "The head that once was crowned with thorns", was written by Jeremiah Clarke in 1701 and named for the church.
Canaletto drew St Magnus and old London Bridge as they appeared in the late 1740s.[112] Between 1756 and 1762, under the London Bridge Improvement Act of 1756 (c. 40), the Corporation of London demolished the buildings on London Bridge to widen the roadway, ease traffic congestion and improve safety for pedestrians.[113] The churchwardens’ accounts of St Magnus list many payments to those injured on the Bridge and record that in 1752 a man was crushed to death between two carts.[114] After the House of Commons had resolved upon the alteration of London Bridge, the Rev Robert Gibson, Rector of St Magnus, applied to the House for relief; stating that 48l. 6s. 2d. per annum, part of his salary of 170l. per annum, was assessed upon houses on London Bridge; which he should utterly lose by their removal unless a clause in the bill about to be passed should provide a remedy.[115] Accordingly, Sections 18 and 19 of 1756 Act provided that the relevant amounts of tithe and poor rate should be a charge on the Bridge House Estates.[116]
A serious fire broke out on 18 April 1760 in an oil shop at the south east corner of the church, which consumed most of the church roof and did considerable damage to the fabric. The fire burnt warehouses to the south of the church and a number of houses on the northern end of London Bridge.
As part of the bridge improvements, overseen by the architect Sir Robert Taylor, a new pedestrian walkway was built along the eastern side of the bridge. With the other buildings gone St Magnus blocked the new walkway.[117] As a consequence it was necessary in 1762 to 1763 to remove the vestry rooms at the West end of the church and open up the side arches of the tower so that people could pass underneath the tower.[118] The tower’s lower storey thus became an external porch. Internally a lobby was created at the West end under the organ gallery and a screen with fine octagonal glazing inserted. A new Vestry was built to the South of the church.[119] The Act also provided that the land taken from the church for the widening was "to be considered ... as part of the cemetery of the said church ... but if the pavement thereof be broken up on account of the burying of any persons, the same shall be ... made good ... by the churchwardens"
Soldiers were stationed in the Vestry House of St Magnus during the Gordon Riots in June 1780.[121]
By 1782 the noise level from the activities of Billingsgate Fish Market had become unbearable and the large windows on the north side of the church were blocked up leaving only circular windows high up in the wall.[122] At some point between the 1760s and 1814 the present clerestory was constructed with its oval windows and fluted and coffered plasterwork.[123] J. M. W. Turner painted the church in the mid-1790s.[124]
The rector of St Magnus between 1792 and 1808, following the death of Robert Gibson on 28 July 1791,[125] was Thomas Rennell FRS. Rennell was President of Sion College in 1806/07. There is a monument to Thomas Leigh (Rector 1808-48 and President of Sion College 1829/30,[126] at St Peter's Church, Goldhanger in Essex.[127] Richard Hazard (1761–1837) was connected with the church as sexton, parish clerk and ward beadle for nearly 50 years[128] and served as Master of the Parish Clerks' Company in 1831/32.[129]
In 1825 the church was "repaired and beautified at a very considerable expense. During the reparation the east window, which had been closed, was restored, and the interior of the fabric conformed to the state in which it was left by its great architect, Sir Christopher Wren. The magnificent organ ... was taken down and rebuilt by Mr Parsons, and re-opened, with the church, on the 12th February, 1826".[130] Unfortunately, as a contemporary writer records, "On the night of the 31st of July, 1827, [the church's] safety was threatened by the great fire which consumed the adjacent warehouses, and it is perhaps owing to the strenuous and praiseworthy exertions of the firemen, that the structure exists at present. ... divine service was suspended and not resumed until the 20th January 1828. In the interval the church received such tasteful and elegant decorations, that it may now compete with any church in the metropolis.
In 1823 royal assent was given to ‘An Act for the Rebuilding of London Bridge’ and in 1825 John Garratt, Lord Mayor and Alderman of the Ward of Bridge Within, laid the first stone of the new London Bridge.[132] In 1831 Sir John Rennie’s new bridge was opened further upstream and the old bridge demolished. St Magnus ceased to be the gateway to London as it had been for over 600 years. Peter de Colechurch[133] had been buried in the crypt of the chapel on the bridge and his bones were unceremoniously dumped in the River Thames.[134] In 1921 two stones from Old London Bridge were discovered across the road from the church. They now stand in the churchyard.
Wren's church of St Michael Crooked Lane was demolished, the final service on Sunday 20 March 1831 having to be abandoned due to the effects of the building work. The Rector of St Michael preached a sermon the following Sunday at St Magnus lamenting the demolition of his church with its monuments and "the disturbance of the worship of his parishioners on the preceeding Sabbath".[135] The parish of St Michael Crooked Lane was united to that of St Magnus, which itself lost a burial ground in Church Yard Alley to the approach road for the new bridge.[136] However, in substitution it had restored to it the land taken for the widening of the old bridge in 1762 and was also given part of the approach lands to the east of the old bridge.[137] In 1838 the Committee for the London Bridge Approaches reported to Common Council that new burial grounds had been provided for the parishes of St Michael, Crooked Lane and St Magnus, London Bridge.
Depictions of St Magnus after the building of the new bridge, seen behind Fresh Wharf and the new London Bridge Wharf, include paintings by W. Fenoulhet in 1841 and by Charles Ginner in 1913.[139] This prospect was affected in 1924 by the building of Adelaide House to a design by John James Burnet,[140] The Times commenting that "the new ‘architectural Matterhorn’ ... conceals all but the tip of the church spire".[141] There was, however, an excellent view of the church for a few years between the demolition of Adelaide Buildings and the erection of its replacement.[142] Adelaide House is now listed.[143] Regis House, on the site of the abandoned King William Street terminus of the City & South London Railway (subsequently the Northern Line),[144] and the Steam Packet Inn, on the corner of Lower Thames Street and Fish Street Hill,[145] were developed in 1931.
By the early 1960s traffic congestion had become a problem[147] and Lower Thames Street was widened over the next decade[148] to form part of a significant new east-west transport artery (the A3211).[149] The setting of the church was further affected by the construction of a new London Bridge between 1967 and 1973.[150] The New Fresh Wharf warehouse to the east of the church, built in 1939, was demolished in 1973-4 following the collapse of commercial traffic in the Pool of London[151] and, after an archaeological excavation,[152] St Magnus House was constructed on the site in 1978 to a design by R. Seifert & Partners.[153] This development now allows a clear view of the church from the east side.[154] The site to the south east of The Monument (between Fish Street Hill and Pudding Lane), formerly predominantly occupied by fish merchants,[155] was redeveloped as Centurion House and Gartmore (now Providian) House at the time of the closure of old Billingsgate Market in January 1982.[156] A comprehensive redevelopment of Centurion House began in October 2011 with completion planned in 2013.[157] Regis House, to the south west of The Monument, was redeveloped by Land Securities PLC in 1998.[158]
The vista from The Monument south to the River Thames, over the roof of St Magnus, is protected under the City of London Unitary Development Plan,[159] although the South bank of the river is now dominated by The Shard. Since 2004 the City of London Corporation has been exploring ways of enhancing the Riverside Walk to the south of St Magnus.[160] Work on a new staircase to connect London Bridge to the Riverside Walk is due to commence in March 2013.[161] The story of St Magnus's relationship with London Bridge and an interview with the rector featured in the television programme The Bridges That Built London with Dan Cruickshank, first broadcast on BBC Four on 14 June 2012.[162] The City Corporation's 'Fenchurch and Monument Area Enhancement Strategy' of August 2012 recommended ways of reconnecting St Magnus and the riverside to the area north of Lower Thames Street.
A lectureship at St Michael Crooked Lane, which was transferred to St Magnus in 1831, was endowed by the wills of Thomas and Susannah Townsend in 1789 and 1812 respectively.[164] The Revd Henry Robert Huckin, Headmaster of Repton School from 1874 to 1882, was appointed Townsend Lecturer at St Magnus in 1871.[165]
St Magnus narrowly escaped damage from a major fire in Lower Thames Street in October 1849.
During the second half of the 19th century the rectors were Alexander McCaul, DD (1799–1863, Rector 1850-63), who coined the term 'Judaeo Christian' in a letter dated 17 October 1821,[167] and his son Alexander Israel McCaul (1835–1899, curate 1859-63, rector 1863-99). The Revd Alexander McCaul Sr[168] was a Christian missionary to the Polish Jews, who (having declined an offer to become the first Anglican Bishop in Jerusalem)[169] was appointed professor of Hebrew and rabbinical literature at King's College, London in 1841. His daughter, Elizabeth Finn (1825–1921), a noted linguist, founded the Distressed Gentlefolk Aid Association (now known as Elizabeth Finn Care).[170]
In 1890 it was reported that the Bishop of London was to hold an inquiry as to the desirability of uniting the benefices of St George Botolph Lane and St Magnus. The expectation was a fusion of the two livings, the demolition of St George’s and the pensioning of "William Gladstone’s favourite Canon", Malcolm MacColl. Although services ceased there, St George’s was not demolished until 1904. The parish was then merged with St Mary at Hill rather than St Magnus.[171]
The patronage of the living was acquired in the late 19th century by Sir Henry Peek Bt. DL MP, Senior Partner of Peek Brothers & Co of 20 Eastcheap, the country's largest firm of wholesale tea brokers and dealers, and Chairman of the Commercial Union Assurance Co. Peek was a generous philanthropist who was instrumental in saving both Wimbledon Common and Burnham Beeches from development. His grandson, Sir Wilfred Peek Bt. DSO JP, presented a cousin, Richard Peek, as rector in 1904. Peek, an ardent Freemason, held the office of Grand Chaplain of England. The Times recorded that his memorial service in July 1920 "was of a semi-Masonic character, Mr Peek having been a prominent Freemason".[172] In June 1895 Peek had saved the life of a young French girl who jumped overboard from a ferry midway between Dinard and St Malo in Brittany and was awarded the bronze medal of the Royal Humane Society and the Gold Medal 1st Class of the Sociâetâe Nationale de Sauvetage de France.[173]
In November 1898 a memorial service was held at St Magnus for Sir Stuart Knill Bt. (1824–1898), head of the firm of John Knill and Co, wharfingers, and formerly Lord Mayor and Master of the Plumbers' Company.[174] This was the first such service for a Roman Catholic taken in an Anglican church.[175] Sir Stuart's son, Sir John Knill Bt. (1856-1934), also served as Alderman for the Ward of Bridge Within, Lord Mayor and Master of the Plumbers' Company.
Until 1922 the annual Fish Harvest Festival was celebrated at St Magnus.[176] The service moved in 1923 to St Dunstan in the East[177] and then to St Mary at Hill, but St Magnus retained close links with the local fish merchants until the closure of old Billingsgate Market. St Magnus, in the 1950s, was "buried in the stink of Billingsgate fish-market, against which incense was a welcome antidote".
A report in 1920 proposed the demolition of nineteen City churches, including St Magnus.[179] A general outcry from members of the public and parishioners alike prevented the execution of this plan.[180] The members of the City Livery Club passed a resolution that they regarded "with horror and indignation the proposed demolition of 19 City churches" and pledged the Club to do everything in its power to prevent such a catastrophe.[181] T. S. Eliot wrote that the threatened churches gave "to the business quarter of London a beauty which its hideous banks and commercial houses have not quite defaced. ... the least precious redeems some vulgar street ... The loss of these towers, to meet the eye down a grimy lane, and of these empty naves, to receive the solitary visitor at noon from the dust and tumult of Lombard Street, will be irreparable and unforgotten."[182] The London County Council published a report concluding that St Magnus was "one of the most beautiful of all Wren's works" and "certainly one of the churches which should not be demolished without specially good reasons and after very full consideration."[183] Due to the uncertainty about the church's future, the patron decided to defer action to fill the vacancy in the benefice and a curate-in-charge temporarily took responsibility for the parish.[184] However, on 23 April 1921 it was announced that the Revd Henry Joy Fynes-Clinton would be the new Rector. The Times concluded that the appointment, with the Bishop’s approval, meant that the proposed demolition would not be carried out.[185] Fr Fynes-Clinton was inducted on 31 May 1921.[186]
The rectory, built by Robert Smirke in 1833-5, was at 39 King William Street.[187] A decision was taken in 1909 to sell the property, the intention being to purchase a new rectory in the suburbs, but the sale fell through and at the time of the 1910 Land Tax Valuations the building was being let out to a number of tenants. The rectory was sold by the diocese on 30 May 1921 for £8,000 to Ridgways Limited, which owned the adjoining premises.[188] The Vestry House adjoining the south west of the church, replacing the one built in the 1760s, may also have been by Smirke. Part of the burial ground of St Michael Crooked Lane, located between Fish Street Hill and King William Street, survived as an open space until 1987 when it was compulsorily purchased to facilitate the extension of the Docklands Light Railway into the City.[189] The bodies were reburied at Brookwood Cemetery.
The interior of the church was restored by Martin Travers in 1924, in a neo-baroque style,[191] reflecting the Anglo-Catholic character of the congregation[192] following the appointment of Henry Joy Fynes-Clinton as Rector.[193] Fr Fynes, as he was often known, served as Rector of St Magnus from 31 May 1921 until his death on 4 December 1959 and substantially beautified the interior of the church.[194]
Fynes-Clinton held very strong Anglo-Catholic views, and proceeded to make St Magnus as much like a baroque Roman Catholic church as possible. However, "he was such a loveable character with an old-world courtesy which was irresistible, that it was difficult for anyone to be unpleasant to him, however much they might disapprove of his views".[195] He generally said the Roman Mass in Latin; and in personality was "grave, grand, well-connected and holy, with a laconic sense of humour".[196] To a Protestant who had come to see Coverdale's monument he is reported to have said "We have just had a service in the language out of which he translated the Bible".[197] The use of Latin in services was not, however, without grammatical danger. A response from his parishioners of "Ora pro nobis" after "Omnes sancti Angeli et Archangeli" in the Litany of the Saints would elicit a pause and the correction "No, Orate pro nobis."
In 1922 Fynes-Clinton refounded the Fraternity of Our Lady de Salve Regina.[198] The Fraternity's badge[199] is shown in the stained glass window at the east end of the north wall of the church above the reredos of the Lady Chapel altar. He also erected a statue of Our Lady of Walsingham and arranged pilgrimages to the Norfolk shrine, where he was one of the founding Guardians.[200] In 1928 the journal of the Catholic League reported that St Magnus had presented a votive candle to the Shrine at Walsingham "in token of our common Devotion and the mutual sympathy and prayers that are we hope a growing bond between the peaceful country shrine and the church in the heart of the hurrying City, from the Altar of which the Pilgrimages regularly start".[201]
Fynes-Clinton was General Secretary of the Anglican and Eastern Orthodox Churches Union and its successor, the Anglican and Eastern Churches Association, from 1906 to 1920 and served as Secretary to the Archbishop of Canterbury's Eastern Churches Committee from 1920 to around 1924. A Solemn Requiem was celebrated at St Magnus in September 1921 for the late King Peter of the Serbs, Croats and Slovenes.
At the midday service on 1 March 1922, J.A. Kensit, leader of the Protestant Truth Society, got up and protested against the form of worship.[202] The proposed changes to the church in 1924 led to a hearing in the Consistory Court of the Chancellor of the Diocese of London and an appeal to the Court of Arches.[203] Judgement was given by the latter Court in October 1924. The advowson was purchased in 1931, without the knowledge of the Rector and Parochial Church Council, by the evangelical Sir Charles King-Harman.[204] A number of such cases, including the purchase of the advowsons of Clapham and Hampstead Parish Churches by Sir Charles, led to the passage of the Benefices (Purchase of Rights of Patronage) Measure 1933.[205] This allowed the parishioners of St Magnus to purchase the advowson from Sir Charles King-Harman for £1,300 in 1934 and transfer it to the Patronage Board.
St Magnus was one of the churches that held special services before the opening of the second Anglo-Catholic Congress in 1923.[207] Fynes-Clinton[208] was the first incumbent to hold lunchtime services for City workers.[209] Pathé News filmed the Palm Sunday procession at St Magnus in 1935.[210] In The Towers of Trebizond, the novel by Rose Macauley published in 1956, Fr Chantry-Pigg's church is described as being several feet higher than St Mary’s Bourne Street and some inches above even St Magnus the Martyr.[211]
In July 1937 Fr Fynes-Clinton, with two members of his congregation, travelled to Kirkwall to be present at the 800th anniversary celebrations of St Magnus Cathedral, Kirkwall. During their stay they visited Egilsay and were shown the spot where St Magnus had been slain. Later Fr Fynes-Clinton was present at a service held at the roofless church of St Magnus on Egilsay, where he suggested to his host Mr Fryer, the minister of the Cathedral, that the congregations of Kirkwall and London should unite to erect a permanent stone memorial on the traditional site where Earl Magnus had been murdered. In 1938 a cairn was built of local stone on Egilsay. It stands 12 feet high and is 6 feet broad at its base. The memorial was dedicated on 7 September 1938 and a bronze inscription on the monument reads "erected by the Rector and Congregation of St Magnus the Martyr by London Bridge and the Minister and Congregation of St Magnus Cathedral, Kirkwall to commemorate the traditional spot where Earl Magnus was slain, AD circa 1116 and to commemorate the Octocentenary of St Magnus Cathedral 1937"
A bomb which fell on London Bridge in 1940 during the Blitz of World War II blew out all the windows and damaged the plasterwork and the roof of the north aisle.[213] However, the church was designated a Grade I listed building on 4 January 1950[214] and repaired in 1951, being re-opened for worship in June of that year by the Bishop of London, William Wand.[215] The architect was Laurence King.[216] Restoration and redecoration work has subsequently been carried out several times, including after a fire in the early hours of 4 November 1995.[217] Cleaning of the exterior stonework was completed in 2010.
Some minor changes were made to the parish boundary in 1954, including the transfer to St Magnus of an area between Fish Street Hill and Pudding Lane. The site of St Leonard Eastcheap, a church that was not rebuilt after the Great Fire, is therefore now in the parish of St Magnus despite being united to St Edmund the King.
Fr Fynes-Clinton marked the 50th anniversary of his priesthood in May 1952 with High Mass at St Magnus and lunch at Fishmongers' Hall.[218] On 20 September 1956 a solemn Mass was sung in St Magnus to commence the celebration of the 25th anniversary of the restoration of the Holy House at Walsingham in 1931. In the evening of that day a reception was held in the large chamber of Caxton Hall, when between three and four hundred guests assembled.[219]
Fr Fynes-Clinton was succeeded as rector in 1960 by Fr Colin Gill,[220] who remained as incumbent until his death in 1983.[221] Fr Gill was also closely connected with Walsingham and served as a Guardian between 1953 and 1983, including nine years as Master of the College of Guardians.[222] He celebrated the Mass at the first National Pilgrimage in 1959[223] and presided over the Jubilee celebrations to mark the 50th anniversary of the Shrine in 1981, having been present at the Holy House's opening.[224] A number of the congregation of St Stephen's Lewisham moved to St Magnus around 1960, following temporary changes in the form of worship there.
In 1994 the Templeman Commission proposed a radical restructuring of the churches in the City Deanery. St Magnus was identified as one of the 12 churches that would remain as either a parish or an 'active' church.[226] However, the proposals were dropped following a public outcry and the consecration of a new Bishop of London.
The parish priest since 2003 has been Fr Philip Warner, who was previously priest-in-charge of St Mary's Church, Belgrade (Diocese in Europe) and Apokrisiarios for the Archbishop of Canterbury to the Serbian Orthodox Church. Since January 2004 there has been an annual Blessing of the Thames, with the congregations of St Magnus and Southwark Cathedral meeting in the middle of London Bridge.[227] On Sunday 3 July 2011, in anticipation of the feast of the translation of St Thomas Becket (7 July), a procession from St Magnus brought a relic of the saint to the middle of the bridge.[228]
David Pearson specially composed two new pieces, a communion anthem A Mhànais mo rùin (O Magnus of my love) and a hymn to St Magnus Nobilis, humilis, for performance at the church on the feast of St Magnus the Martyr, 16 April 2012.[229] St Magnus's organist, John Eady, has won composition competitions for new choral works at St Paul's Cathedral (a setting of Veni Sancte Spiritus first performed on 27 May 2012) and at Lincoln Cathedral (a setting of the Matin responsory for Advent first performed on 30 November 2013).[230]
In addition to liturgical music of a high standard, St Magnus is the venue for a wide range of musical events. The Clemens non Papa Consort, founded in 2005, performs in collaboration with the production team Concert Bites as the church's resident ensemble.[231] The church is used by The Esterhazy Singers for rehearsals and some concerts.[232] The band Mishaped Pearls performed at the church on 17 December 2011.[233] St Magnus featured in the television programme Jools Holland: London Calling, first broadcast on BBC2 on 9 June 2012.[234] The Platinum Consort made a promotional film at St Magnus for the release of their debut album In the Dark on 2 July 2012.[235]
The Friends of the City Churches had their office in the Vestry House of St Magnus until 2013.
Martin Travers modified the high altar reredos, adding paintings of Moses and Aaron and the Ten Commandments between the existing Corinthian columns and reconstructing the upper storey. Above the reredos Travers added a painted and gilded rood.[237] In the centre of the reredos there is a carved gilded pelican (an early Christian symbol of self-sacrifice) and a roundel with Baroque-style angels. The glazed east window, which can be seen in an early photograph of the church, appears to have been filled in at this time. A new altar with console tables was installed and the communion rails moved outwards to extend the size of the sanctuary. Two old door frames were used to construct side chapels and placed at an angle across the north-east and south-east corners of the church. One, the Lady Chapel, was dedicated to the Rector's parents in 1925 and the other was dedicated to Christ the King. Originally, a baroque aumbry was used for Reservation of the Blessed Sacrament, but later a tabernacle was installed on the Lady Chapel altar and the aumbry was used to house a relic of the True Cross.
The interior was made to look more European by the removal of the old box pews and the installation of new pews with cut-down ends. Two new columns were inserted in the nave to make the lines regular. The Wren-period pulpit by the joiner William Grey[238] was opened up and provided with a soundboard and crucifix. Travers also designed the statue of St Magnus of Orkney, which stands in the south aisle, and the statue of Our Lady of Walsingham.[239]
On the north wall there is a Russian Orthodox icon, painted in 1908. The modern stations of the cross in honey-coloured Japanese oak are the work of Robert Randall and Ashley Sands.[240] One of the windows in the north wall dates from 1671 and came from Plumbers' Hall in Chequer Yard, Bush Lane, which was demolished in 1863 to make way for Cannon Street Railway Station.[241] A fireplace from the Hall was re-erected in the Vestry House. The other windows on the north side are by Alfred Wilkinson and date from 1952 to 1960. These show the arms of the Plumbers’, Fishmongers’ and Coopers’ Companies together with those of William Wand when Bishop of London and Geoffrey Fisher when Archbishop of Canterbury and (as noted above) the badge of the Fraternity of Our Lady de Salve Regina.
The stained glass windows in the south wall, which are by Lawrence Lee and date from 1949 to 1955, represent lost churches associated with the parish: St Magnus and his ruined church of Egilsay, St Margaret of Antioch with her lost church in New Fish Street (where the Monument to the Great Fire now stands), St Michael with his lost church of Crooked Lane (demolished to make way for the present King William Street) and St Thomas Becket with his chapel on Old London Bridge.[242]
The church possesses a fine model of Old London Bridge. One of the tiny figures on the bridge appears out of place in the mediaeval setting, wearing a policeman's uniform. This is a representation of the model-maker, David T. Aggett, who is a Liveryman of the Worshipful Company of Plumbers and was formerly in the police service.[243]
The Mischiefs by Fire Act 1708 and the Fires Prevention (Metropolis) Act 1774 placed a requirement on every parish to keep equipment to fight fires. The church owns two historic fire engines that belonged to the parish of St Michael, Crooked Lane.[244] One of these is in storage at the Museum of London. The whereabouts of the other, which was misappropriated and sold at auction in 2003, is currently unknown.
In 1896 many bodies were disinterred from the crypt and reburied at the St Magnus's plot at Brookwood Cemetery, which remains the church's burial ground.
Prior to the Great Fire of 1666 the old tower had a ring of five bells, a small saints bell and a clock bell.[246] 47 cwt of bell metal was recovered[247] which suggests that the tenor was 13 or 14 cwt. The metal was used to cast three new bells, by William Eldridge of Chertsey in 1672,[248] with a further saints bell cast that year by Hodson.[249] In the absence of a tower, the tenor and saints bell were hung in a free standing timber structure, whilst the others remained unhung.[250]
A new tower was completed in 1704 and it is likely that these bells were transferred to it. However, the tenor became cracked in 1713 and it was decided to replace the bells with a new ring of eight.[251] The new bells, with a tenor of 21 cwt, were cast by Richard Phelps of the Whitechapel Bell Foundry. Between 1714 and 1718 (the exact date of which is unknown), the ring was increased to ten with the addition of two trebles given by two former ringing Societies, the Eastern Youths and the British Scholars.[252] The first peal was rung on 15 February 1724 of Grandsire Caters by the Society of College Youths. The second bell had to be recast in 1748 by Robert Catlin, and the tenor was recast in 1831 by Thomas Mears of Whitechapel,[253] just in time to ring for the opening of the new London Bridge. In 1843, the treble was said to be "worn out" and so was scrapped, together with the saints bell, while a new treble was cast by Thomas Mears.[254] A new clock bell was erected in the spire in 1846, provided by B R & J Moore, who had earlier purchased it from Thomas Mears.[255] This bell can still be seen in the tower from the street.
The 10 bells were removed for safe keeping in 1940 and stored in the churchyard. They were taken to Whitechapel Bell Foundry in 1951 whereupon it was discovered that four of them were cracked. After a long period of indecision, fuelled by lack of funds and interest, the bells were finally sold for scrap in 1976. The metal was used to cast many of the Bells of Congress that were then hung in the Old Post Office Tower in Washington, D.C.
A fund was set up on 19 September 2005, led by Dickon Love, a member of the Ancient Society of College Youths, with a view to installing a new ring of 12 bells in the tower in a new frame. This was the first of three new rings of bells he has installed in the City of London (the others being at St Dunstan-in-the-West and St James Garlickhythe). The money was raised and the bells were cast during 2008/9 by the Whitechapel Bell Foundry. The tenor weighed 26cwt 3qtr 9 lbs (1360 kg) and the new bells were designed to be in the same key as the former ring of ten. They were consecrated by the Bishop of London on 3 March 2009 in the presence of the Lord Mayor[256] and the ringing dedicated on 26 October 2009 by the Archdeacon of London.[257] The bells are named (in order smallest to largest) Michael, Margaret, Thomas of Canterbury, Mary, Cedd, Edward the Confessor, Dunstan, John the Baptist, Erkenwald, Paul, Mellitus and Magnus.[258] The bells project is recorded by an inscription in the vestibule of the church.
The first peal on the twelve was rung on 29 November 2009 of Cambridge Surprise Maximus.[260] Notable other recent peals include a peal of Stedman Cinques on 16 April 2011 to mark the 400th anniversary of the granting of a Royal Charter to the Plumbers' Company,[261] a peal of Cambridge Surprise Royal on 28 June 2011 when the Fishmongers' Company gave a dinner for Prince Philip, Duke of Edinburgh at their hall on the occasion of his 90th birthday[262] and a peal of Avon Delight Maximus on 24 July 2011 in solidarity with the people of Norway following the tragic massacre on Utoeya Island and in Oslo.[263] On the latter occasion the flag of the Orkney Islands was flown at half mast. In 2012 peals were rung during the Thames Diamond Jubilee Pageant on 3 June and during each of the three Olympic/Paralympic marathons, on 5 and 12 August and 9 September.
The BBC television programme, Still Ringing After All These Years: A Short History of Bells, broadcast on 14 December 2011, included an interview at St Magnus with the Tower Keeper, Dickon Love,[264] who was captain of the band that rang the "Royal Jubilee Bells" during the Thames Diamond Jubilee Pageant on 3 June 2012 to celebrate the Diamond Jubilee of Queen Elizabeth II.[265] Prior to this, he taught John Barrowman to handle a bell at St Magnus for the BBC coverage.
The bells are currently rung every Sunday around 12:15 (following the service) by the Guild of St Magnus.
Every other June, newly elected wardens of the Fishmongers' Company, accompanied by the Court, proceed on foot from Fishmongers' Hall[267] to St Magnus for an election service.[268] St Magnus is also the Guild Church of The Plumbers' Company. Two former rectors have served as master of the company,[269] which holds all its services at the church.[270] On 12 April 2011 a service was held to commemorate the 400th anniversary of the granting of the company's Royal Charter at which the Bishop of London, the Rt Revd and Rt Hon Richard Chartres KCVO, gave the sermon and blessed the original Royal Charter. For many years the Cloker Service was held at St Magnus, attended by the Coopers' Company and Grocers' Company, at which the clerk of the Coopers' Company read the will of Henry Cloker dated 10 March 1573.[271]
St Magnus is also the ward church for the Ward of Bridge and Bridge Without, which elects one of the city's aldermen. Between 1550 and 1978 there were separate aldermen for Bridge Within and Bridge Without, the former ward being north of the river and the latter representing the City's area of control in Southwark. The Bridge Ward Club was founded in 1930 to "promote social activities and discussion of topics of local and general interest and also to exchange Ward and parochial information" and holds its annual carol service at St Magnus.