Outstanding example of relatively rare 107".

 

Exceptionally capable on and off road. Very rugged performance and styling. Period masterpiece.

 

Owned and operated by Border Rovers.

 

Border Rovers can be contacted on:

 

07515899390

This could be topped by a simple top unit to finish off the wall. Or I could put it undergound, with MLS landscape on top. So a structure like could be anything from a military base, a mecha bay, a bunker complex, a prison, etc.

Example of the rocky, steep, and narrow roads the park vehicles must navigate through Ranthambore National Park and Tiger Reserve. This is Zone 7

Craters of the Moon National Monument and Preserve is a U.S. national monument and national preserve in the Snake River Plain in central Idaho. It is along US 20 (concurrent with US 93 and US 26), between the small towns of Arco and Carey, at an average elevation of 5,900 feet (1,800 m) above sea level.

 

The Monument was established on May 2, 1924. In November 2000, a presidential proclamation by President Clinton greatly expanded the Monument area. The 410,000-acre National Park Service portions of the expanded Monument were designated as Craters of the Moon National Preserve in August 2002. It spreads across Blaine, Butte, Lincoln, Minidoka, and Power counties. The area is managed cooperatively by the National Park Service and the Bureau of Land Management (BLM).

 

The Monument and Preserve encompass three major lava fields and about 400 square miles (1,000 km2) of sagebrush steppe grasslands to cover a total area of 1,117 square miles (2,893 km2). The Monument alone covers 343,000 acres (139,000 ha). All three lava fields lie along the Great Rift of Idaho, with some of the best examples of open rift cracks in the world, including the deepest known on Earth at 800 feet (240 m). There are excellent examples of almost every variety of basaltic lava, as well as tree molds (cavities left by lava-incinerated trees), lava tubes (a type of cave), and many other volcanic features.

 

Craters of the Moon is in south-central Idaho, midway between Boise and Yellowstone National Park. The lava field reaches southeastward from the Pioneer Mountains. Combined U.S. Highway 20–26–93 cuts through the northwestern part of the monument and provides access to it. However, the rugged landscape of the monument itself remains remote and undeveloped, with only one paved road across the northern end.

 

The Craters of the Moon Lava Field spreads across 618 square miles (1,601 km2) and is the largest mostly Holocene-aged basaltic lava field in the contiguous United States. The Monument and Preserve contain more than 25 volcanic cones, including outstanding examples of spatter cones. The 60 distinct solidified lava flows that form the Craters of the Moon Lava Field range in age from 15,000 to just 2,000 years. The Kings Bowl and Wapi lava fields, both about 2,200 years old, are part of the National Preserve.

 

This lava field is the largest of several large beds of lava that erupted from the 53-mile (85 km) south-east to north-west trending Great Rift volcanic zone, a line of weakness in the Earth's crust. Together with fields from other fissures they make up the Lava Beds of Idaho, which in turn are in the much larger Snake River Plain volcanic province. The Great Rift extends across almost the entire Snake River Plain.

 

Elevation at the visitor center is 5,900 feet (1,800 m) above sea level.

 

Total average precipitation in the Craters of the Moon area is between 15–20 inches (380–510 mm) per year. Most of this is lost in cracks in the basalt, only to emerge later in springs and seeps in the walls of the Snake River Canyon. Older lava fields on the plain have been invaded by drought-resistant plants such as sagebrush, while younger fields, such as Craters of the Moon, only have a seasonal and very sparse cover of vegetation. From a distance this cover disappears almost entirely, giving an impression of utter black desolation. Repeated lava flows over the last 15,000 years have raised the land surface enough to expose it to the prevailing southwesterly winds, which help to keep the area dry. Together these conditions make life on the lava field difficult.

 

Paleo-Indians visited the area about 12,000 years ago but did not leave much archaeological evidence. Northern Shoshone created trails through the Craters of the Moon Lava Field during their summer migrations from the Snake River to the camas prairie, west of the lava field. Stone windbreaks at Indian Tunnel were used to protect campsites from the dry summer wind. No evidence exists for permanent habitation by any Native American group. A hunting and gathering culture, the Northern Shoshone pursued elk, bears, American bison, cougars, and bighorn sheep — all large game who no longer range the area. The most recent volcanic eruptions ended about 2,100 years ago and were likely witnessed by the Shoshone people. Ella E. Clark has recorded a Shoshone legend which speaks of a serpent on a mountain who, angered by lightning, coiled around and squeezed the mountain until liquid rock flowed, fire shot from cracks, and the mountain exploded.

 

In 1879, two Arco cattlemen named Arthur Ferris and J.W. Powell became the first known European-Americans to explore the lava fields. They were investigating its possible use for grazing and watering cattle but found the area to be unsuitable and left.

 

U.S. Army Captain and western explorer B.L.E. Bonneville visited the lava fields and other places in the West in the 19th century and wrote about his experiences in his diaries. Washington Irving later used Bonneville's diaries to write the Adventures of Captain Bonneville, saying this unnamed lava field is a place "where nothing meets the eye but a desolate and awful waste, where no grass grows nor water runs, and where nothing is to be seen but lava."

 

In 1901 and 1903, Israel Russell became the first geologist to study this area while surveying it for the United States Geological Survey (USGS). In 1910, Samuel Paisley continued Russell's work and later became the monument's first custodian. Others followed and in time much of the mystery surrounding this and the other Lava Beds of Idaho was lifted.

 

The few European settlers who visited the area in the 19th century created local legends that it looked like the surface of the Moon. Geologist Harold T. Stearns coined the name "Craters of the Moon" in 1923 while trying to convince the National Park Service to recommend protection of the area in a national monument.

 

The Snake River Plain is a volcanic province that was created by a series of cataclysmic caldera-forming eruptions which started about 15 million years ago. A migrating hotspot thought to now exist under Yellowstone Caldera in Yellowstone National Park has been implicated. This hot spot was under the Craters of the Moon area some 10 to 11 million years ago but 'moved' as the North American Plate migrated northwestward. Pressure from the hot spot heaves the land surface up, creating fault-block mountains. After the hot spot passes the pressure is released and the land subsides.

 

Leftover heat from this hot spot was later liberated by Basin and Range-associated rifting and created the many overlapping lava flows that make up the Lava Beds of Idaho. The largest rift zone is the Great Rift; it is from this 'Great Rift fissure system' that Craters of the Moon, Kings Bowl, and Wapi lava fields were created. The Great Rift is a National Natural Landmark.

 

In spite of their fresh appearance, the oldest flows in the Craters of the Moon Lava Field are 15,000 years old and the youngest erupted about 2000 years ago, according to Mel Kuntz and other USGS geologists. Nevertheless, the volcanic fissures at Craters of the Moon are considered to be dormant, not extinct, and are expected to erupt again in less than a thousand years. There are eight major eruptive periods recognized in the Craters of the Moon Lava Field. Each period lasted about 1000 years or less and were separated by relatively quiet periods that lasted between 500 and as long as 3000 years. Individual lava flows were up to 30 miles (50 km) long with the Blue Dragon Flow being the longest.

 

Kings Bowl Lava Field erupted during a single fissure eruption on the southern part of the Great Rift about 2,250 years ago. This eruption probably lasted only a few hours to a few days. The field preserves explosion pits, lava lakes, squeeze-ups, basalt mounds, and an ash blanket. The Wapi Lava Field probably formed from a fissure eruption at the same time as the Kings Bowl eruption. More prolonged activity over a period of months to a few years led to the formation of low shield volcanoes in the Wapi field. The Bear Trap lava tube, between the Craters of the Moon and the Wapi lava fields, is a cave system more than 15 miles (24 km) long. The lava tube is remarkable for its length and for the number of well-preserved lava cave features, such as lava stalactites and curbs, the latter marking high stands of the flowing lava frozen on the lava tube walls. The lava tubes and pit craters of the monument are known for their unusual preservation of winter ice and snow into the hot summer months, due to shielding from the sun and the insulating properties of basalt.

 

A typical eruption along the Great Rift and similar basaltic rift systems starts with a curtain of very fluid lava shooting up to 1,000 feet (300 m) high along a segment of the rift up to 1 mile (1.6 km) long. As the eruption continues, pressure and heat decrease and the chemistry of the lava becomes slightly more silica rich. The curtain of lava responds by breaking apart into separate vents. Various types of volcanoes may form at these vents: gas-rich pulverized lava creates cinder cones (such as Inferno Cone – stop 4), and pasty lava blobs form spatter cones (such as Spatter Cones – stop 5). Later stages of an eruption push lava streams out through the side or base of cinder cones, which usually ends the life of the cinder cone (North Crater, Watchmen, and Sheep Trail Butte are notable exceptions). This will sometimes breach part of the cone and carry it away as large and craggy blocks of cinder (as seen at North Crater Flow – stop 2 – and Devils Orchard – stop 3). Solid crust forms over lava streams, and lava tubes (a type of cave) are created when lava vacates its course (examples can be seen at the Cave Area – stop 7).

 

Geologists feared that a large earthquake that shook Borah Peak, Idaho's tallest mountain, in 1983 would restart volcanic activity at Craters of the Moon, though this proved not to be the case. Geologists predict that the area will experience its next eruption some time in the next 900 years with the most likely period in the next 100 years.

 

All plants and animals that live in and around Craters of the Moon are under great environmental stress due to constant dry winds and heat-absorbing black lavas that tend to quickly sap water from living things. Summer soil temperatures often exceed 150 °F (66 °C) and plant cover is generally less than 5% on cinder cones and about 15% over the entire monument. Adaptation is therefore necessary for survival in this semi-arid harsh climate.

 

Water is usually only found deep inside holes at the bottom of blow-out craters. Animals therefore get the moisture they need directly from their food. The black soil on and around cinder cones does not hold moisture for long, making it difficult for plants to establish themselves. Soil particles first develop from direct rock decomposition by lichens and typically collect in crevices in lava flows. Successively more complex plants then colonize the microhabitat created by the increasingly productive soil.

 

The shaded north slopes of cinder cones provide more protection from direct sunlight and prevailing southwesterly winds and have a more persistent snow cover (an important water source in early spring). These parts of cinder cones are therefore colonized by plants first.

 

Gaps between lava flows were sometimes cut off from surrounding vegetation. These literal islands of habitat are called kīpukas, a Hawaiian name used for older land surrounded by younger lava. Carey Kīpuka is one such area in the southernmost part of the monument and is used as a benchmark to measure how plant cover has changed in less pristine parts of southern Idaho.

 

Idaho is a landlocked state in the Mountain West subregion of the United States. It shares a small portion of the Canada–United States border to the north, with the province of British Columbia. It borders Montana and Wyoming to the east, Nevada and Utah to the south, and Washington and Oregon to the west. The state's capital and largest city is Boise. With an area of 83,570 square miles (216,400 km2), Idaho is the 14th largest state by land area. With a population of approximately 1.8 million, it ranks as the 13th least populous and the 6th least densely populated of the 50 U.S. states.

 

For thousands of years, and prior to European colonization, Idaho has been inhabited by native peoples. In the early 19th century, Idaho was considered part of the Oregon Country, an area of dispute between the U.S. and the British Empire. It officially became a U.S. territory with the signing of the Oregon Treaty of 1846, but a separate Idaho Territory was not organized until 1863, instead being included for periods in Oregon Territory and Washington Territory. Idaho was eventually admitted to the Union on July 3, 1890, becoming the 43rd state.

 

Forming part of the Pacific Northwest (and the associated Cascadia bioregion), Idaho is divided into several distinct geographic and climatic regions. The state's north, the relatively isolated Idaho Panhandle, is closely linked with Eastern Washington, with which it shares the Pacific Time Zone—the rest of the state uses the Mountain Time Zone. The state's south includes the Snake River Plain (which has most of the population and agricultural land), and the southeast incorporates part of the Great Basin. Idaho is quite mountainous and contains several stretches of the Rocky Mountains. The United States Forest Service holds about 38% of Idaho's land, the highest proportion of any state.

 

Industries significant for the state economy include manufacturing, agriculture, mining, forestry, and tourism. Several science and technology firms are either headquartered in Idaho or have factories there, and the state also contains the Idaho National Laboratory, which is the country's largest Department of Energy facility. Idaho's agricultural sector supplies many products, but the state is best known for its potato crop, which comprises around one-third of the nationwide yield. The official state nickname is the "Gem State."

 

The history of Idaho is an examination of the human history and social activity within the state of Idaho, one of the United States of America located in the Pacific Northwest area near the west coast of the United States and Canada. Other associated areas include southern Alaska, all of British Columbia, Washington, Oregon, western Montana and northern California and Nevada.

 

Humans may have been present in Idaho for 16,600 years. Recent findings in Cooper's Ferry along the Salmon River in western Idaho near the town of Cottonwood have unearthed stone tools and animal bone fragments in what may be the oldest evidence of humans in North America. Earlier excavations in 1959 at Wilson Butte Cave near Twin Falls revealed evidence of human activity, including arrowheads, that rank among the oldest dated artifacts in North America. Native American tribes predominant in the area in historic times included the Nez Perce and the Coeur d'Alene in the north; and the Northern and Western Shoshone and Bannock peoples in the south.

 

Idaho was one of the last areas in the lower 48 states of the US to be explored by people of European descent. The Lewis and Clark expedition entered present-day Idaho on August 12, 1805, at Lemhi Pass. It is believed that the first "European descent" expedition to enter southern Idaho was by a group led in 1811 and 1812 by Wilson Price Hunt, which navigated the Snake River while attempting to blaze an all-water trail westward from St. Louis, Missouri, to Astoria, Oregon. At that time, approximately 8,000 Native Americans lived in the region.

 

Fur trading led to the first significant incursion of Europeans in the region. Andrew Henry of the Missouri Fur Company first entered the Snake River plateau in 1810. He built Fort Henry on Henry's Fork on the upper Snake River, near modern St. Anthony, Idaho. However, this first American fur post west of the Rocky Mountains was abandoned the following spring.

 

The British-owned Hudson's Bay Company next entered Idaho and controlled the trade in the Snake River area by the 1820s. The North West Company's interior department of the Columbia was created in June 1816, and Donald Mackenzie was assigned as its head. Mackenzie had previously been employed by Hudson's Bay and had been a partner in the Pacific Fur Company, financed principally by John Jacob Astor. During these early years, he traveled west with a Pacific Fur Company's party and was involved in the initial exploration of the Salmon River and Clearwater River. The company proceeded down the lower Snake River and Columbia River by canoe, and were the first of the Overland Astorians to reach Fort Astoria, on January 18, 1812.

 

Under Mackenzie, the North West Company was a dominant force in the fur trade in the Snake River country. Out of Fort George in Astoria, Mackenzie led fur brigades up the Snake River in 1816-1817 and up the lower Snake in 1817-1818. Fort Nez Perce, established in July, 1818, became the staging point for Mackenzies' Snake brigades. The expedition of 1818-1819 explored the Blue Mountains, and traveled down the Snake River to the Bear River and approached the headwaters of the Snake. Mackenzie sought to establish a navigable route up the Snake River from Fort Nez Perce to the Boise area in 1819. While he did succeed in traveling by boat from the Columbia River through the Grand Canyon of the Snake past Hells Canyon, he concluded that water transport was generally impractical. Mackenzie held the first rendezvous in the region on the Boise River in 1819.

 

Despite their best efforts, early American fur companies in this region had difficulty maintaining the long-distance supply lines from the Missouri River system into the Intermountain West. However, Americans William H. Ashley and Jedediah Smith expanded the Saint Louis fur trade into Idaho in 1824. The 1832 trapper's rendezvous at Pierre's Hole, held at the foot of the Three Tetons in modern Teton County, was followed by an intense battle between the Gros Ventre and a large party of American trappers aided by their Nez Perce and Flathead allies.

 

The prospect of missionary work among the Native Americans also attracted early settlers to the region. In 1809, Kullyspell House, the first white-owned establishment and first trading post in Idaho, was constructed. In 1836, the Reverend Henry H. Spalding established a Protestant mission near Lapwai, where he printed the Northwest's first book, established Idaho's first school, developed its first irrigation system, and grew the state's first potatoes. Narcissa Whitman and Eliza Hart Spalding were the first non-native women to enter present-day Idaho.

 

Cataldo Mission, the oldest standing building in Idaho, was constructed at Cataldo by the Coeur d'Alene and Catholic missionaries. In 1842, Father Pierre-Jean De Smet, with Fr. Nicholas Point and Br. Charles Duet, selected a mission location along the St. Joe River. The mission was moved a short distance away in 1846, as the original location was subject to flooding. In 1850, Antonio Ravalli designed a new mission building and Indians affiliated with the church effort built the mission, without nails, using the wattle and daub method. In time, the Cataldo mission became an important stop for traders, settlers, and miners. It served as a place for rest from the trail, offered needed supplies, and was a working port for boats heading up the Coeur d'Alene River.

 

During this time, the region which became Idaho was part of an unorganized territory known as Oregon Country, claimed by both the United States and Great Britain. The United States gained undisputed jurisdiction over the region in the Oregon Treaty of 1846, although the area was under the de facto jurisdiction of the Provisional Government of Oregon from 1843 to 1849. The original boundaries of Oregon Territory in 1848 included all three of the present-day Pacific Northwest states and extended eastward to the Continental Divide. In 1853, areas north of the 46th Parallel became Washington Territory, splitting what is now Idaho in two. The future state was reunited in 1859 after Oregon became a state and the boundaries of Washington Territory were redrawn.

 

While thousands passed through Idaho on the Oregon Trail or during the California gold rush of 1849, few people settled there. In 1860, the first of several gold rushes in Idaho began at Pierce in present-day Clearwater County. By 1862, settlements in both the north and south had formed around the mining boom.

 

The Church of Jesus Christ of Latter-Day Saints missionaries founded Fort Lemhi in 1855, but the settlement did not last. The first organized town in Idaho was Franklin, settled in April 1860 by Mormon pioneers who believed they were in Utah Territory; although a later survey determined they had crossed the border. Mormon pioneers reached areas near the current-day Grand Teton National Park in Wyoming and established most of the historic and modern communities in Southeastern Idaho. These settlements include Ammon, Blackfoot, Chubbuck, Firth, Idaho Falls, Iona, Pocatello, Rexburg, Rigby, Shelley, and Ucon.

 

Large numbers of English immigrants settled in what is now the state of Idaho in the late 19th and early 20th century, many before statehood. The English found they had more property rights and paid less taxes than they did back in England. They were considered some of the most desirable immigrants at the time. Many came from humble beginnings and would rise to prominence in Idaho. Frank R. Gooding was raised in a rural working-class background in England, but was eventually elected as the seventh governor of the state. Today people of English descent make up one fifth of the entire state of Idaho and form a plurality in the southern portion of the state.

 

Many German farmers also settled in what is now Idaho. German settlers were primarily Lutheran across all of the midwest and west, including Idaho, however there were small numbers of Catholics amongst them as well. In parts of Northern Idaho, German remained the dominant language until World War I, when German-Americans were pressured to convert entirely to English. Today, Idahoans of German ancestry make up nearly one fifth of all Idahoans and make up the second largest ethnic group after Idahoans of English descent with people of German ancestry being 18.1% of the state and people of English ancestry being 20.1% of the state.

 

Irish Catholics worked in railroad centers such as Boise. Today, 10% of Idahoans self-identify as having Irish ancestry.

 

York, a slave owned by William Clark but considered a full member of Corps of Discovery during expedition to the Pacific, was the first recorded African American in Idaho. There is a significant African American population made up of those who came west after the abolition of slavery. Many settled near Pocatello and were ranchers, entertainers, and farmers. Although free, many blacks suffered discrimination in the early-to-mid-late 20th century. The black population of the state continues to grow as many come to the state because of educational opportunities, to serve in the military, and for other employment opportunities. There is a Black History Museum in Boise, Idaho, with an exhibit known as the "Invisible Idahoan", which chronicles the first African-Americans in the state. Blacks are the fourth largest ethnic group in Idaho according to the 2000 census. Mountain Home, Boise, and Garden City have significant African-American populations.

 

The Basque people from the Iberian peninsula in Spain and southern France were traditionally shepherds in Europe. They came to Idaho, offering hard work and perseverance in exchange for opportunity. One of the largest Basque communities in the US is in Boise, with a Basque museum and festival held annually in the city.

 

Chinese in the mid-19th century came to America through San Francisco to work on the railroad and open businesses. By 1870, there were over 4000 Chinese and they comprised almost 30% of the population. They suffered discrimination due to the Anti-Chinese League in the 19th century which sought to limit the rights and opportunities of Chinese emigrants. Today Asians are third in population demographically after Whites and Hispanics at less than 2%.

 

Main articles: Oregon boundary dispute, Provisional Government of Oregon, Oregon Treaty, Oregon Territory, Washington Territory, Dakota Territory, Organic act § List of organic acts, and Idaho Territory

 

On March 4, 1863, President Abraham Lincoln signed an act creating Idaho Territory from portions of Washington Territory and Dakota Territory with its capital at Lewiston. The original Idaho Territory included most of the areas that later became the states of Idaho, Montana and Wyoming, and had a population of under 17,000. Idaho Territory assumed the boundaries of the modern state in 1868 and was admitted as a state in 1890.

 

After Idaho became a territory, legislation was held in Lewiston, the capital of Idaho Territory at the time. There were many territories acts put into place, and then taken away during these early sessions, one act being the move of the capital city from Lewiston to Boise City. Boise was becoming a growing area after gold was found, so on December 24, 1864, Boise City was made the final destination of the capital for the Territory of Idaho.

 

However, moving the capital to Boise City created a lot of issues between the territory. This was especially true between the north and south areas in the territory, due to how far south Boise City was. Problems with communicating between the north and south contributed to some land in Idaho Territory being transferred to other territories and areas at the time. Idaho’s early boundary changes helped create the current boundaries of Washington, Wyoming, and Montana States as currently exist.

 

In a bid for statehood, Governor Edward A. Stevenson called for a constitutional convention in 1889. The convention approved a constitution on August 6, 1889, and voters approved the constitution on November 5, 1889.

 

When President Benjamin Harrison signed the law admitting Idaho as a U.S. state on July 3, 1890, the population was 88,548. George L. Shoup became the state's first governor, but resigned after only a few weeks in office to take a seat in the United States Senate. Willis Sweet, a Republican, was the first congressman, 1890 to 1895, representing the state at-large. He vigorously demanded "Free Silver" or the unrestricted coinage of silver into legal tender, in order to pour money into the large silver mining industry in the Mountain West, but he was defeated by supporters of the gold standard. In 1896 he, like many Republicans from silver mining districts, supported the Silver Republican Party instead of the regular Republican nominee William McKinley.

 

During its first years of statehood, Idaho was plagued by labor unrest in the mining district of Coeur d'Alene. In 1892, miners called a strike which developed into a shooting war between union miners and company guards. Each side accused the other of starting the fight. The first shots were exchanged at the Frisco mine in Frisco, in the Burke-Canyon north and east of Wallace. The Frisco mine was blown up, and company guards were taken prisoner. The violence soon spilled over into the nearby community of Gem, where union miners attempted to locate a Pinkerton spy who had infiltrated their union and was passing information to the mine operators. But agent Charlie Siringo escaped by cutting a hole in the floor of his room. Strikers forced the Gem mine to close, then traveled west to the Bunker Hill mining complex near Wardner, and closed down that facility as well. Several had been killed in the Burke-Canyon fighting. The Idaho National Guard and federal troops were dispatched to the area, and union miners and sympathizers were thrown into bullpens.

 

Hostilities would again erupt at the Bunker Hill facility in 1899, when seventeen union miners were fired for having joined the union. Other union miners were likewise ordered to draw their pay and leave. Angry members of the union converged on the area and blew up the Bunker Hill Mill, killing two company men.

 

In both disputes, the union's complaints included pay, hours of work, the right of miners to belong to the union, and the mine owners' use of informants and undercover agents. The violence committed by union miners was answered with a brutal response in 1892 and in 1899.

 

Through the Western Federation of Miners (WFM) union, the battles in the mining district became closely tied to a major miners' strike in Colorado. The struggle culminated in the December 1905 assassination of former Governor Frank Steunenberg by Harry Orchard (also known as Albert Horsley), a member of the WFM. Orchard was allegedly incensed by Steunenberg's efforts as governor to put down the 1899 miner uprising after being elected on a pro-labor platform.

 

Pinkerton detective James McParland conducted the investigation into the assassination. In 1907, WFM Secretary Treasurer "Big Bill" Haywood and two other WFM leaders were tried on a charge of conspiracy to murder Steunenberg, with Orchard testifying against them as part of a deal made with McParland. The nationally publicized trial featured Senator William E. Borah as prosecuting attorney and Clarence Darrow representing the defendants. The defense team presented evidence that Orchard had been a Pinkerton agent and had acted as a paid informant for the Cripple Creek Mine Owners' Association. Darrow argued that Orchard's real motive in the assassination had been revenge for a declaration of martial law by Steunenberg, which prompted Orchard to gamble away a share in the Hercules silver mine that would otherwise have made him wealthy.

 

Two of the WFM leaders were acquitted in two separate trials, and the third was released. Orchard was convicted and sentenced to death. His sentence was commuted, and he spent the rest of his life in an Idaho prison.

 

Mining in Idaho was a major commercial venture, bringing a great deal of attention to the state. From 1860-1866 Idaho produced 19% of all gold in the United States, or 2.5 million ounces.

 

Most of Idaho's mining production, 1860–1969, has come from metals equating to $2.88 billion out of $3.42 billion, according to the best estimates. Of the metallic mining areas of Idaho, the Coeur d'Alene region has produced the most by far, and accounts for about 80% of the total Idaho yield.

 

Several others—Boise Basin, Wood River Valley, Stibnite, Blackbirg, and Owyhee—range considerably above the other big producers. Atlanta, Bear Valley, Bay Horse, Florence, Gilmore, Mackay, Patterson, and Yankee Fork all ran on the order of ten to twenty million dollars, and Elk City, Leesburg, Pierce, Rocky Bar, and Warren's make up the rest of the major Idaho mining areas that stand out in the sixty or so regions of production worthy of mention.

 

A number of small operations do not appear in this list of Idaho metallic mining areas: a small amount of gold was recovered from Goose Creek on Salmon Meadows; a mine near Cleveland was prospected in 1922 and produced a little manganese in 1926; a few tons of copper came from Fort Hall, and a few more tons of copper came from a mine near Montpelier. Similarly, a few tons of lead came from a property near Bear Lake, and lead-silver is known on Cassia Creek near Elba. Some gold quartz and lead-silver workings are on Ruby Creek west of Elk River, and there is a slightly developed copper operation on Deer Creek near Winchester. Molybdenum is known on Roaring River and on the east fork of the Salmon. Some scattered mining enterprises have been undertaken around Soldier Mountain and on Chief Eagle Eye Creek north of Montour.

 

Idaho proved to be one of the more receptive states to the progressive agenda of the late 19th century and early 20th century. The state embraced progressive policies such as women's suffrage (1896) and prohibition (1916) before they became federal law. Idahoans were also strongly supportive of Free Silver. The pro-bimetallism Populist and Silver Republican parties of the late 1890s were particularly successful in the state.

 

Eugenics was also a major part of the Progressive movement. In 1919, the Idaho legislature passed an Act legalizing the forced sterilization of some persons institutionalized in the state. The act was vetoed by governor D.W. Davis, who doubted its scientific merits and believed it likely violated the Equal Protection clause of the US Constitution. In 1925, the Idaho legislature passed a revised eugenics act, now tailored to avoid Davis's earlier objections. The new law created a state board of eugenics, charged with: the sterilization of all feebleminded, insane, epileptics, habitual criminals, moral degenerates and sexual perverts who are a menace to society, and providing the means for ascertaining who are such persons.

The Eugenics board was eventually folded into the state's health commission; between 1932 and 1964, a total of 30 women and eight men in Idaho were sterilized under this law. The sterilization law was formally repealed in 1972.

 

After statehood, Idaho's economy began a gradual shift away from mining toward agriculture, particularly in the south. Older mining communities such as Silver City and Rocky Bar gave way to agricultural communities incorporated after statehood, such as Nampa and Twin Falls. Milner Dam on the Snake River, completed in 1905, allowed for the formation of many agricultural communities in the Magic Valley region which had previously been nearly unpopulated.

 

Meanwhile, some of the mining towns were able to reinvent themselves as resort communities, most notably in Blaine County, where the Sun Valley ski resort opened in 1936. Others, such as Silver City and Rocky Bar, became ghost towns.

 

In the north, mining continued to be an important industry for several more decades. The closure of the Bunker Hill Mine complex in Shoshone County in the early 1980s sent the region's economy into a tailspin. Since that time, a substantial increase in tourism in north Idaho has helped the region to recover. Coeur d'Alene, a lake-side resort town, is a destination for visitors in the area.

 

Beginning in the 1980s, there was a rise in North Idaho of a few right-wing extremist and "survivalist" political groups, most notably one holding Neo-Nazi views, the Aryan Nations. These groups were most heavily concentrated in the Panhandle region of the state, particularly in the vicinity of Coeur d'Alene.

 

In 1992 a stand-off occurred between U.S. Marshals, the F.B.I., and white separatist Randy Weaver and his family at their compound at Ruby Ridge, located near the small, northern Idaho town of Naples. The ensuing fire-fight and deaths of a U.S. Marshal, and Weaver's son and wife gained national attention, and raised a considerable amount of controversy regarding the nature of acceptable force by the federal government in such situations.

 

In 2001, the Aryan Nations compound, which had been located in Hayden Lake, Idaho, was confiscated as a result of a court case, and the organization moved out of state. About the same time Boise installed an impressive stone Human Rights Memorial featuring a bronze statue of Anne Frank and quotations from her and many other writers extolling human freedom and equality.

 

The demographics of the state have changed. Due to this growth in different groups, especially in Boise, the economic expansion surged wrong-economic growth followed the high standard of living and resulted in the "growth of different groups". The population of Idaho in the 21st Century has been described as sharply divided along geographic and cultural lines due to the center of the state being dominated by sparsely-populated national forests, mountain ranges and recreation sites: "unless you're willing to navigate a treacherous mountain pass, you can't even drive from the north to the south without leaving the state." The northern population gravitates towards Spokane, Washington, the heavily Mormon south-east population towards Utah, with an isolated Boise "[being] the closest thing to a city-state that you'll find in America."

 

On March 13, 2020, officials from the Idaho Department of Health and Welfare announced the first confirmed case of the novel coronavirus COVID-19 within the state of Idaho. A woman over the age of 50 from the southwestern part of the state was confirmed to have the coronavirus infection. She contracted the infection while attending a conference in New York City. Conference coordinators notified attendees that three individuals previously tested positive for the coronavirus. The Idahoan did not require hospitalization and was recovering from mild symptoms from her home. At the time of the announcement, there were 1,629 total cases and 41 deaths in the United States. Five days beforehand, on March 8, a man of age 54 had died of an unknown respiratory illness which his doctor had believed to be pneumonia. The disease was later suspected to be – but never confirmed as – COVID-19.

 

On March 14, state officials announced the second confirmed case within the state. The South Central Public Health District, announced that a woman over the age of 50 that resides in Blaine County had contracted the infection.[44] Like the first case, she did not require hospitalization and she was recovering from mild symptoms from home. Later on in the day, three additional confirmed cases of COVID-19 were reported in the state by three of the seven health districts in the state, which brought the confirmed total cases of coronavirus to five in Idaho. Officials from Central District Health announced their second confirmed case, which was a male from Ada County in his 50s. He was not hospitalized and was recovering at home. South Central Public Health reported their second confirmed case in a female that is over the age of 70 who was hospitalized. Eastern Idaho Public Health reported a confirmed positive case in a woman under the age of 60 in Teton County. She had contracted the coronavirus from contact with a confirmed case in a neighboring state; she was not hospitalized. The South Central Public Health District announced that a woman over the age of 50 that resides in Blaine County had contracted the infection. Like the first case, she did not require hospitalization and she was recovering from mild symptoms from home.

 

On March 17, two more confirmed cases of the infection were reported, bringing the total to seven. The first case on this date was by officials from Central District Health reported that a female under the age of 50 in Ada County was recovering at home and was not hospitalized. The second confirmed case was a female over the age of 50 as reported by South Central Public Health officials.

 

On March 18, two additional confirmed cases were announced by South Central Public Health District officials. One is a male from Blaine County in his 40s and the other a male in his 80s from Twin Falls County. These cases were the first known community spread transmission of the coronavirus in South Central Idaho.

Two examples of one of the most extravagant car manufacturers out there, Pagani, shown here with a Zonda C12S and a later Zonda F.

 

Taken at Broughtons in Pangbourne, Berkshire.

Manufactured after WWII in Japan by various companies. This is an example of this very popular novelty subminiature camera. It uses a 17.5mm, paper-backed film. The “HIT” was possibly the first, but definitely the most popular and gave it’s name for this group of cameras. The “Satellite” is a fine example of this type of camera. Despite their overall similarity, there are many subtle differences from camera to camera in this class that make the very collectable—including some collectors who only collect this type.

 

See also: www.subclub.org/shop/175mm.htm

  

Expert Retouching Example

 

Photo by Adrian Adel

Built in 1935-1939, this Modern house, an example of Organic Architecture, was designed by Frank Lloyd Wright for the family of department store owner Edgar J. Kaufmann, Sr. to serve as a weekend retreat. The house was a catalyst for the revitalization of Frank Lloyd Wright’s career, who was in his mid-60s at the time, along with two other commissions around the same time, the Johnson Wax Headquarters and the Jacobs House I, which were critically acclaimed and explored a bold new direction of organic architecture that was heavily inspired from their natural surroundings, and were streamlined, dropping most of the ornamental pretenses of his earlier work. The house was built for department store owner Edgar J. Kaufmann, Sr., his wife, Liliane Kaufmann, and their only son, Edgar Kaufmann, Jr., to serve as the family’s weekend retreat, with room to accommodate a small staff and guests alongside the family. The Kaufmann family became acquainted with the work of Wright through Edgar Kaufmann, Jr., who read Frank Lloyd Wright’s autobiography in 1934, and was so impressed that he decided to intern at the Taliesin Fellowship, where Edgar, Sr. and Liliane first met Wright while visiting Edgar, Jr. The family, at the time, resided in a traditional-style mansion in Fox Chapel, near Pittsburgh, and had a small rustic cabin overlooking the waterfall at the Fallingwater site. The cabins were falling into disrepair in the mid-1930s, which prompted the Kaufmann family to contact Wright to design a replacement structure. Wright visited and surveyed the area around Bear Run in 1934, but shelved the project while pursuing other work for the next few months, thinking through the design, before being surprised by a visit from Edgar J. Kaufmann, Sr. in September 1935, which prompted Wright to quickly draw a concept for a house at Bear Run, producing the initial design drawings in two hours. Edgar, Sr., upon seeing the plans, was surprised to see the house soaring above the waterfall, as he had expected it to sit below the falls in order to view them from a distance, but Wright’s charisma convinced a skeptical Kaufmann to buy into the concept.

 

The house was designed by Wright with input from structural engineers Mendel Glickman and William Wesley Peters to feature large cantilevers, which allowed it to embrace the waterfall and topography below, while providing ample outdoor space and the desired number of bedrooms and living spaces within. A second wing was constructed above the main house, linked to it via a covered breezeway, which houses a carport, servants quarters, and a guest suite. The stone utilized in the house’s construction was quarried on the site, and it utilized reinforced concrete in its construction, a building technique with which Wright was inexperienced, but which the design would be impossible to implement without utilizing. Kaufmann was skeptical of Wright’s experience with the technique, as well as the cantilevered forms of the structure, and commissioned an engineering report, compiled by an engineering firm, which caused Wright to threaten to walk away from the incomplete project. Kaufmann relented in the face of Wright’s ultimatum, and had the documents buried. However, the contractor, feeling uneasy about the strength of Wright’s design, added extra reinforcement in secret, which was revealed during the building’s restoration. Other changes were made due to skepticism of the cantilevered design, but many of these were reversed, which proved the resiliency and strength of the design. The house came in far over budget, but despite these cost overruns and complications with the design, the Kaufmann family enjoyed it as a weekend retreat between 1937 and 1963. Liliane Kaufmann died in 1952, and Edgar Kaufmann, Sr. died in 1955, leaving the house to their son, Edgar Kaufmann, Jr., who continued to utilize the house as a weekend retreat, with his life partner, Paul Mayén, becoming a regular visitor to the house as well. In 1963, Edgar, Jr. donated the property to the Western Pennsylvania Conservancy, along with the surrounding property, which was converted into a nature reserve, and the house was opened for public tours.

 

The house features multiple reinforced concrete cantilevers, wrap-around windows facing the falls and Bear Run, open, transparent corners on the side of the building facing the creek, stone cladding on the more opaque portions of the facade, large terraces on the cantilevered portions of the building, open tread staircases inside and outside the building, red metal trim, a suspended concrete canopy over the breezeway connecting the guest wing and carport with the main house, a swimming pool on the terrace outside the guest wing, rocks embedded into the floors of the interior of the house, a staircase from the living room down to Bear Run below, and red concrete floors inside. A driveway, following Bear Run, crosses a bridge next to the main wing of the house before following a narrow corridor between the main wing and an adjacent stone outcropping, before turning and arriving at the upper wing, which originally housed a four-bay carport on the lower floor. The interior of the house is very open to the exterior, with low furnishings that allow for maximization of the views out of the windows, and is home to art that was collected by Liliane, books collected by Edgar, Jr. and Paul, and furnishings collected by Edgar, Sr. The house’s kitchen features yellow-painted metal cabinets and appliances, and chrome handles, the living room features a fireplace with a spherical beverage warmer that is designed to swing over to the fireplace from its storage location next to the fireplace and coffered ceilings, and horizontal bands of trim, and various portions of the house feature built-in desks, cabinets, wooden slat screens, and bookshelves, simple beds featuring wooden headboards and nightstands in the bedrooms, and bathrooms with cork tiles, sunken bathtubs, ceiling-mounted shower heads, and toilets with wall-embedded tanks. The upper wing of the house has a carport and guest suite on the lower floor, with servants quarters above, and the main house features a living room, dining room, kitchen, terraces and lounge on the first floor, a primary suite and secondary bedroom and bathroom with large terraces on the second floor, and a suite intended for Edgar, Jr. on the third floor, which was later partially converted into an office. The house is very broad in the direction parallel to Bear Run and has a living room that cantilevers over the creek, but it is very thin, being rather thin, with primary interior spaces featuring windows that look out onto Bear Run below. The house, despite its size appearing massive due to its spatial arrangement, has only a small interior square footage, but the space is efficiently designed to offer maximum utility to the occupants, and allow a close connection with nature.

 

The house was designated a National Historic Landmark in 1966, and was listed on the National Register of Historic Places in 1974. It was designated as part of a UNESCO World Heritage Site, The 20th-Century Architecture of Frank Lloyd Wright, in 2019. A visitor center was constructed on the property in 1977-1979, designed by Paul Mayen. The most visible modification to the house since it was opened to the public were the enclosure of three carport bays to house a museum and presentation space for visitors. The house underwent major alterations to its structural systems in 1995-2002, involving analyzing the performance of the cantilevers over time since the house’s construction, as the bold cantilevered forms had insufficient reinforcement and had deflected substantially, nearing their failure points. Additional steel supports and post-tensioning in the form of steel cables were added to the building to support the cantilevers, which has halted the progression of the deflection of the structure, though it is monitored by the Western Pennsylvania Conservancy in order to detect any further movement of the structure. The house today sees over one-hundred thousand visitors annually, and is one of the most well-known works of Wright, as well as being one of the best-known houses in the United States.

Set example.

New for On9 - details

Examples of Chinese ornament selected from objects in the South Kensington Museum and other collections (1867)

Edit example by our new post production expert. Yes, I've finally found that guy and he's doing great things.

Example @ Magazzini Generali, Milano. Pics by Davide Merli for www.rockon.it

Art movements timeline at Tate Modern

Lens : smc Pentax-A 50mmf1.2

Camera : Sony ILCE-7R

 

ƒ/1.2

50 mm

SS 1/320

ISO 1600

Flash (off, did not fire)

Distance 0.45m

 

DSC03399

For swoofty. This should provide a solid platform for rear vent assembly in any locomotives that has offset widen rear vents (such as EMD SD9). It is one of the sturdy that I can ask for. A simple 3ft drop only knocked off one set of grill brick assembly. Easy to put back together and move on. Not very finicky as well.

 

To attach any fan/exhaust above it, anything can work really well. I use Technic dish 3x3 which can be attached to a Technic brick 1x1 with a hole in it. The placement of the Technic brick depends on the spacing with Technic dish. Of course Ive seen other different uses such as Swoofty's Technic wedge belt wheel.

 

Next step is to attach it to locomotive. It depends on your locomotive body. You can attach it in many ways. You can have 1x4 plate that sticks through the bottom and it could hold on to something else or whatever. I have not come up with something at this moment but the way I see it in my hand, there are endless opportunity to attach this unit.

BayArea Modern Quilt Guild gift exchange

Investment example

Another example of the horrid 1000asa film manufactured by Kodak.

I've included it because it portrays the buffet at Victoria station that served the most delicious sausage rolls. Note also the Nestles chocolate machines on the wall.

This was a flying visit to Manchester during our All Region Railrover, and 25 189 was acting as station pilot/banker.

Duran Duran had "The Reflex" proudly perched at No.1 on this particular day.

 

This 'Rat' was withdrawn in July 1985 and cut-up in May 1986. RIP.

Basic one light setup.

 

Found a great location behind PC Connection in Merrimack NH the other night as the sun was setting.

 

580ex at 1/4th power in 28" Westcott Softbox.

Quick masking and blending example for a class on computational photography (this one is a bit rough round the edges).

A lovely little Austin 1100 is seen attending the Bedfordshire Classic Car Show in the late 1990's, on the Shuttleworth College Estate. This example dates from 1967-8.

Following the example of other cities green activist organised a naked bike ride to highlight the problems caused by excessive car use in Thessaloniki. However, the public prosecutor threatened to arrest anyone who demonstrated naked.

 

The riders complied with his request but that didn't stop the riot police turning up in force and arresting a English Cypriot protester for allegedly being naked.

 

www.nowpublic.com/world/naked-bike-ride-runs-foul-police

  

© I m a g e D a v e F o r b e s

 

Engagement 2,000+

 

Service Courtesy Visit to Greenock

  

Two Royal Navy P2000 Archer Class Patrol Craft.

P164 > HMS Explorer ( launched in 1986 )

P165 > HMS Example ( launched in 1985 )

Both on a tandem visit to Greenock

 

Sixteen of these craft were built by three yards , Vorper Thornycroft , Watercraft & Ailsa Shipyard at Troon. They are mostly all affiliated with British Universities as the Royal Navy Reserve Units. They are often utilised for the training of would-be Midshipmen whilst giving some students the experience of life and discipline onboard a ship at sea and hoping to be recruited into the Royal Navy Officer ranks.

 

Two of these craft are armed permanently with GPMG's as part of the Faslane Patrol Boat Squadron , HMS Tracker & HMS Raider

 

On display at a Disneyland face painting booth.

Here is an example on an HDR Pano that I have done, a few people have inquired. For the most part it's straight forward an used default settings. I don't have the time to get too carried away on the computer processing the photo's. My standard mode of operation is to always use a tripod and always autobracket each shot. My Fuji S9000 limits autobracketing to 1 stop, the recommended for HDR is 2 stops, but it works pretty well regardless. If the scene I'm shooting can be added to by stitching then I'll also take overlapping shots to include all items of interest. In this cases the colorful clouds.

I then batch process the HDR photo's in the default settings depending on the Photomatix version "Contrast or details enhancer" and "Smooth or Tone Compressor". When that's completed I pick out the ones I overlapped and use Panoramic Factory or Autostitch to "stitch" them together. Again I usually don't spend to much time so If it doesn't work in the auto setting I don't usually worry about it.

I should use the same "Manual" camera settings to make sure the exposures are the same but I don't. I think the HDR process helps even things out.

Panorama Factory - I use it mainly for sunsets/clouds as seems to blend the exposures of the photos better. And there isn't the details to worry about. It also seems to saturate the colors just a bit. www.panoramafactory.com/index.html

AutoStitch - It's main advantage is that is more accurate on the stitching process and placement of objects. Although it doesn't blend the exposures as well. FREE program www.cs.ubc.ca/~mbrown/autostitch/autostitch.html

There is some info out there about how to correctly complete panoramic photo's, but I'm not there yet. I need a panoramic tripod head for one, to eliminate lens parallax, it has to do with moving the camera around a specific point.

Photomatix - www.hdrsoft.com/ You can find guides around that get pretty technical but I found that the default settings work pretty well. If I like the photo but feel it could be better I will sometimes play around with the settings and It isn't that difficult. For the most part I should be more aware of the photo's I'm taking, In the above example I should have taken some more overexposed photo's to bring out the grass better, but the software is forgiving. To do it correctly you should take photo's to cover the complete range of exposure levels present.

The biggest problem I have is sometimes the software has trouble lining things up and light/exposure levels don't blend well enough not to be visible.

Hope it helps whoever want's to try this. I found this combination seems to work for me.

I got my hair combed! The light just needs a little more softness.

 

The Chrysler Building is a classic example of Art Deco architecture and considered by many contemporary architects to be one of the finest buildings in New York City.

The Ajanta Caves (Ajiṇṭhā leni; Marathi: अजिंठा लेणी) in Aurangabad district of Maharashtra, India are about 30 rock-cut Buddhist cave monuments which date from the 2nd century BCE to about 480 or 650 CE. The caves include paintings and sculptures described by the government Archaeological Survey of India as "the finest surviving examples of Indian art, particularly painting", which are masterpieces of Buddhist religious art, with figures of the Buddha and depictions of the Jataka tales. The caves were built in two phases starting around the 2nd century BCE, with the second group of caves built around 400–650 CE according to older accounts, or all in a brief period of 460 to 480 according to the recent proposals of Walter M. Spink. The site is a protected monument in the care of the Archaeological Survey of India, and since 1983, the Ajanta Caves have been a UNESCO World Heritage Site.

 

The caves are located in the Indian state of Maharashtra, near Jalgaon and just outside the village of Ajinṭhā 20°31′56″N 75°44′44″E), about 59 kilometres from Jalgaon railway station on the Delhi – Mumbai line and Howrah-Nagpur-Mumbai line of the Central Railway zone, and 104 kilometres from the city of Aurangabad. They are 100 kilometres from the Ellora Caves, which contain Hindu and Jain temples as well as Buddhist caves, the last dating from a period similar to Ajanta. The Ajanta caves are cut into the side of a cliff that is on the south side of a U-shaped gorge on the small river Waghur, and although they are now along and above a modern pathway running across the cliff they were originally reached by individual stairs or ladders from the side of the river 35 to 110 feet below.

 

The area was previously heavily forested, and after the site ceased to be used the caves were covered by jungle until accidentally rediscovered in 1819 by a British officer on a hunting party. They are Buddhist monastic buildings, apparently representing a number of distinct "monasteries" or colleges. The caves are numbered 1 to 28 according to their place along the path, beginning at the entrance. Several are unfinished and some barely begun and others are small shrines, included in the traditional numbering as e.g. "9A"; "Cave 15A" was still hidden under rubble when the numbering was done. Further round the gorge are a number of waterfalls, which when the river is high are audible from outside the caves.

 

The caves form the largest corpus of early Indian wall-painting; other survivals from the area of modern India are very few, though they are related to 5th-century paintings at Sigiriya in Sri Lanka. The elaborate architectural carving in many caves is also very rare, and the style of the many figure sculptures is highly local, found only at a few nearby contemporary sites, although the Ajanta tradition can be related to the later Hindu Ellora Caves and other sites.

 

HISTORY

Like the other ancient Buddhist monasteries, Ajanta had a large emphasis on teaching, and was divided into several different caves for living, education and worship, under a central direction. Monks were probably assigned to specific caves for living. The layout reflects this organizational structure, with most of the caves only connected through the exterior. The 7th-century travelling Chinese scholar Xuanzang informs us that Dignaga, a celebrated Buddhist philosopher and controversialist, author of well-known books on logic, lived at Ajanta in the 5th century. In its prime the settlement would have accommodated several hundred teachers and pupils. Many monks who had finished their first training may have returned to Ajanta during the monsoon season from an itinerant lifestyle.

 

The caves are generally agreed to have been made in two distinct periods, separated by several centuries.

 

CAVES OF THE FIRST (SATAVAHANA) PERIOD

The earliest group of caves consists of caves 9, 10, 12, 13 and 15A. According to Walter Spink, they were made during the period 100 BCE to 100 CE, probably under the patronage of the Satavahana dynasty (230 BCE – c. 220 CE) who ruled the region. Other datings prefer the period 300 BCE to 100 BCE, though the grouping of the earlier caves is generally agreed. More early caves may have vanished through later excavations. Of these, caves 9 and 10 are stupa halls of chaitya-griha form, and caves 12, 13, and 15A are vihāras (see the architecture section below for descriptions of these types). The first phase is still often called the Hinayāna phase, as it originated when, using traditional terminology, the Hinayāna or Lesser Vehicle tradition of Buddhism was dominant, when the Buddha was revered symbolically. However the use of the term Hinayana for this period of Buddhism is now deprecated by historians; equally the caves of the second period are now mostly dated too early to be properly called Mahayana, and do not yet show the full expanded cast of supernatural beings characteristic of that phase of Buddhist art. The first Satavahana period caves lacked figurative sculpture, emphasizing the stupa instead, and in the caves of the second period the overwhelming majority of images represent the Buddha alone, or narrative scenes of his lives.

 

Spink believes that some time after the Satavahana period caves were made the site was abandoned for a considerable period until the mid-5th century, probably because the region had turned mainly Hindu

 

CAVES OF THE LATER OR VAKATAKA PERIOD

The second phase began in the 5th century. For a long time it was thought that the later caves were made over a long period from the 4th to the 7th centuries CE, but in recent decades a series of studies by the leading expert on the caves, Walter M. Spink, have argued that most of the work took place over the very brief period from 460 to 480 CE, during the reign of Emperor Harishena of the Vakataka dynasty. This view has been criticized by some scholars, but is now broadly accepted by most authors of general books on Indian art, for example Huntington and Harle.

 

The second phase is still often called the Mahāyāna or Greater Vehicle phase, but scholars now tend to avoid this nomenclature because of the problems that have surfaced regarding our understanding of Mahāyāna.

 

Some 20 cave temples were simultaneously created, for the most part viharas with a sanctuary at the back. The most elaborate caves were produced in this period, which included some "modernization" of earlier caves. Spink claims that it is possible to establish dating for this period with a very high level of precision; a fuller account of his chronology is given below. Although debate continues, Spink's ideas are increasingly widely accepted, at least in their broad conclusions. The Archaeological Survey of India website still presents the traditional dating: "The second phase of paintings started around 5th – 6th centuries A.D. and continued for the next two centuries". Caves of the second period are 1–8, 11, 14–29, some possibly extensions of earlier caves. Caves 19, 26, and 29 are chaitya-grihas, the rest viharas.

 

According to Spink, the Ajanta Caves appear to have been abandoned by wealthy patrons shortly after the fall of Harishena, in about 480 CE. They were then gradually abandoned and forgotten. During the intervening centuries, the jungle grew back and the caves were hidden, unvisited and undisturbed, although the local population were aware of at least some of them.

 

REDISCOVERY

On 28 April 1819, a British officer for the Madras Presidency, John Smith, of the 28th Cavalry, while hunting tiger, accidentally discovered the entrance to Cave No. 10 deep within the tangled undergrowth. There were local people already using the caves for prayers with a small fire, when he arrived. Exploring that first cave, long since a home to nothing more than birds and bats and a lair for other larger animals, Captain Smith vandalized the wall by scratching his name and the date, April 1819. Since he stood on a five-foot high pile of rubble collected over the years, the inscription is well above the eye-level gaze of an adult today. A paper on the caves by William Erskine was read to the Bombay Literary Society in 1822. Within a few decades, the caves became famous for their exotic setting, impressive architecture, and above all their exceptional, all but unique paintings. A number of large projects to copy the paintings were made in the century after rediscovery, covered below. In 1848 the Royal Asiatic Society established the "Bombay Cave Temple Commission" to clear, tidy and record the most important rock-cut sites in the Bombay Presidency, with John Wilson, as president. In 1861 this became the nucleus of the new Archaeological Survey of India. Until the Nizam of Hyderabad built the modern path between the caves, among other efforts to make the site easy to visit, a trip to Ajanta was a considerable adventure, and contemporary accounts dwell with relish on the dangers from falls off narrow ledges, animals and the Bhil people, who were armed with bows and arrows and had a fearsome reputation.

 

Today, fairly easily combined with Ellora in a single trip, the caves are the most popular tourist destination in Mahrashtra, and are often crowded at holiday times, increasing the threat to the caves, especially the paintings. In 2012, the Maharashtra Tourism Development Corporation announced plans to add to the ASI visitor centre at the entrance complete replicas of caves 1, 2, 16 & 17 to reduce crowding in the originals, and enable visitors to receive a better visual idea of the paintings, which are dimly-lit and hard to read in the caves. Figures for the year to March 2010 showed a total of 390,000 visitors to the site, divided into 362,000 domestic and 27,000 foreign. The trends over the previous few years show a considerable growth in domestic visitors, but a decline in foreign ones; the year to 2010 was the first in which foreign visitors to Ellora exceeded those to Ajanta.

 

PAINTINGS

Mural paintings survive from both the earlier and later groups of caves. Several fragments of murals preserved from the earlier caves (Caves 9 and 11) are effectively unique survivals of court-led painting in India from this period, and "show that by Sātavāhana times, if not earlier, the Indian painter had mastered an easy and fluent naturalistic style, dealing with large groups of people in a manner comparable to the reliefs of the Sāñcī toraņa crossbars".

 

Four of the later caves have large and relatively well-preserved mural paintings which "have come to represent Indian mural painting to the non-specialist", and fall into two stylistic groups, with the most famous in Caves 16 and 17, and apparently later paintings in Caves 1 and 2. The latter group were thought to be a century or more later than the others, but the revised chronology proposed by Spink would place them much closer to the earlier group, perhaps contemporary with it in a more progressive style, or one reflecting a team from a different region. The paintings are in "dry fresco", painted on top of a dry plaster surface rather than into wet plaster.

 

All the paintings appear to be the work of painters at least as used to decorating palaces as temples, and show a familiarity with and interest in details of the life of a wealthy court. We know from literary sources that painting was widely practised and appreciated in the courts of the Gupta period. Unlike much Indian painting, compositions are not laid out in horizontal compartments like a frieze, but show large scenes spreading in all directions from a single figure or group at the centre. The ceilings are also painted with sophisticated and elaborate decorative motifs, many derived from sculpture. The paintings in cave 1, which according to Spink was commissioned by Harisena himself, concentrate on those Jataka tales which show previous lives of the Buddha as a king, rather than as an animal or human commoner, and so show settings from contemporary palace life.

 

In general the later caves seem to have been painted on finished areas as excavating work continued elsewhere in the cave, as shown in caves 2 and 16 in particular. According to Spink's account of the chronology of the caves, the abandonment of work in 478 after a brief busy period accounts for the absence of painting in caves such as 4 and 17, the later being plastered in preparation for paintings that were never done.

 

COPIES

The paintings have deteriorated significantly since they were rediscovered, and a number of 19th-century copies and drawings are important for a complete understanding of the works. However, the earliest projects to copy the paintings were plagued by bad fortune. In 1846, Major Robert Gill, an Army officer from Madras presidency and a painter, was appointed by the Royal Asiatic Society to replicate the frescoes on the cave walls to exhibit these paintings in England. Gill worked on his painting at the site from 1844 to 1863 (though he continued to be based there until his death in 1875, writing books and photographing) and made 27 copies of large sections of murals, but all but four were destroyed in a fire at the Crystal Palace in London in 1866, where they were on display.

 

Another attempt was made in 1872 when the Bombay Presidency commissioned John Griffiths, then principal of the Bombay School of Art, to work with his students to make new copies, again for shipping to England. They worked on this for thirteen years and some 300 canvases were produced, many of which were displayed at the Imperial Institute on Exhibition Road in London, one of the forerunners of the Victoria and Albert Museum. But in 1885 another fire destroyed over a hundred paintings that were in storage. The V&A still has 166 paintings surviving from both sets, though none have been on permanent display since 1955. The largest are some 3 × 6 metres. A conservation project was undertaken on about half of them in 2006, also involving the University of Northumbria. Griffith and his students had unfortunately painted many of the paintings with "cheap varnish" in order to make them easier to see, which has added to the deterioration of the originals, as has, according to Spink and others, recent cleaning by the ASI.

 

A further set of copies were made between 1909 and 1911 by Christiana Herringham (Lady Herringham) and a group of students from the Calcutta School of Art that included the future Indian Modernist painter Nandalal Bose. The copies were published in full colour as the first publication of London's fledgling India Society. More than the earlier copies, these aimed to fill in holes and damage to recreate the original condition rather than record the state of the paintings as she was seeing them. According to one writer, unlike the paintings created by her predecessors Griffiths and Gill, whose copies were influenced by British Victorian styles of painting, those of the Herringham expedition preferred an 'Indian Renascence' aesthetic of the type pioneered by Abanindranath Tagore.

 

Early photographic surveys were made by Robert Gill, who learnt to use a camera from about 1856, and whose photos, including some using stereoscopy, were used in books by him and Fergusson (many are available online from the British Library), then Victor Goloubew in 1911 and E.L. Vassey, who took the photos in the four volume study of the caves by Ghulam Yazdani (published 1930–1955).

 

ARCHITECTURE

The monasteries mostly consist of vihara halls for prayer and living, which are typically rectangular with small square dormitory cells cut into the walls, and by the second period a shrine or sanctuary at the rear centred on a large statue of the Buddha, also carved from the living rock. This change reflects the movement from Hinayana to Mahāyāna Buddhism. The other type of main hall is the narrower and higher chaitya hall with a stupa as the focus at the far end, and a narrow aisle around the walls, behind a range of pillars placed close together. Other plainer rooms were for sleeping and other activities. Some of the caves have elaborate carved entrances, some with large windows over the door to admit light. There is often a colonnaded porch or verandah, with another space inside the doors running the width of the cave.

 

The central square space of the interior of the viharas is defined by square columns forming a more or less square open area. Outside this are long rectangular aisles on each side, forming a kind of cloister. Along the side and rear walls are a number of small cells entered by a narrow doorway; these are roughly square, and have small niches on their back walls. Originally they had wooden doors. The centre of the rear wall has a larger shrine-room behind, containing a large Buddha statue. The viharas of the earlier period are much simpler, and lack shrines. Spink in fact places the change to a design with a shrine to the middle of the second period, with many caves being adapted to add a shrine in mid-excavation, or after the original phase.

 

The plan of Cave 1 shows one of the largest viharas, but is fairly typical of the later group. Many others, such as Cave 16, lack the vestibule to the shrine, which leads straight off the main hall. Cave 6 is two viharas, one above the other, connected by internal stairs, with sanctuaries on both levels.

 

The four completed chaitya halls are caves 9 and 10 from the early period, and caves 19 and 26 from the later period of construction. All follow the typical form found elsewhere, with high ceilings and a central "nave" leading to the stupa, which is near the back, but allows walking behind it, as walking around stupas was (and remains) a common element of Buddhist worship (pradakshina). The later two have high ribbed roofs, which reflect timber forms, and the earlier two are thought to have used actual timber ribs, which have now perished. The two later halls have a rather unusual arrangement (also found in Cave 10 at Ellora) where the stupa is fronted by a large relief sculpture of the Buddha, standing in Cave 19 and seated in Cave 26. Cave 29 is a late and very incomplete chaitya hall.

 

The form of columns in the work of the first period is very plain and un-embellished, with both chaitya halls using simple octagonal columns, which were painted with figures. In the second period columns were far more varied and inventive, often changing profile over their height, and with elaborate carved capitals, often spreading wide. Many columns are carved over all their surface, some fluted and others carved with decoration all over, as in cave 1.

 

The flood basalt rock of the cliff, part of the Deccan Traps formed by successive volcanic eruptions at the end of the Cretaceous, is layered horizontally, and somewhat variable in quality, so the excavators had to amend their plans in places, and in places there have been collapses in the intervening centuries, as with the lost portico to cave 1. Excavation began by cutting a narrow tunnel at roof level, which was expanded downwards and outwards; the half-built vihara cave 24 shows the method. Spink believes that for the first caves of the second period the excavators had to relearn skills and techniques that had been lost in the centuries since the first period, which were then transmitted to be used at later rock-cut sites in the region, such as Ellora, and the Elephanta, Bagh, Badami and Aurangabad Caves.

 

The caves from the first period seem to have been paid for by a number of different patrons, with several inscriptions recording the donation of particular portions of a single cave, but according to Spink the later caves were each commissioned as a complete unit by a single patron from the local rulers or their court elites. After the death of Harisena smaller donors got their chance to add small "shrinelets" between the caves or add statues to existing caves, and some two hundred of these "intrusive" additions were made in sculpture, with a further number of intrusive paintings, up to three hundred in cave 10 alone.

 

A grand gateway to the site, at the apex of the gorge's horsehoe between caves 15 and 16, was approached from the river, and is decorated with elephants on either side and a nāga, or protective snake deity.

 

ICONOGRAPHY OF THE CAVES

In the pre-Christian era, the Buddha was represented symbolically, in the form of the stupa. Thus, halls were made with stupas to venerate the Buddha. In later periods the images of the Buddha started to be made in coins, relic caskets, relief or loose sculptural forms, etc. However, it took a while for the human representation of the Buddha to appear in Buddhist art. One of the earliest evidences of the Buddha's human representations are found at Buddhist archaeological sites, such as Goli, Nagarjunakonda, and Amaravati. The monasteries of those sites were built in less durable media, such as wood, brick, and stone. As far as the genre of rock-cut architecture is concerned it took many centuries for the Buddha image to be depicted. Nobody knows for sure at which rock-cut cave site the first image of the Buddha was depicted. Current research indicates that Buddha images in a portable form, made of wood or stone, were introduced, for the first time, at Kanheri, to be followed soon at Ajanta Cave 8 (Dhavalikar, Jadhav, Spink, Singh). While the Kanheri example dates to 4th or 5th century CE, the Ajanta example has been dated to c. 462–478 CE (Spink). None of the rock-cut monasteries prior to these dates, and other than these examples, show any Buddha image although hundreds of rock-cut caves were made throughout India during the first few centuries CE. And, in those caves, it is the stupa that is the object of veneration, not the image. Images of the Buddha are not found in Buddhist sailagrhas (rock-cut complexes) until the times of the Kanheri (4th–5th century CE) and Ajanta examples (c. 462–478 CE).

 

The caves of the second period, now all dated to the 5th century, were typically described as "Mahayana", but do not show the features associated with later Mahayana Buddhism. Although the beginnings of Mahāyāna teachings go back to the 1st century there is little art and archaeological evidence to suggest that it became a mainstream cult for several centuries. In Mahayana it is not Gautama Buddha but the Bodhisattva who is important, including "deity" Bodhisattva like Manjushri and Tara, as well as aspects of the Buddha such as Aksobhya, and Amitabha. Except for a few Bodhisattva, these are not depicted at Ajanta, where the Buddha remains the dominant figure. Even the Bodhisattva images of Ajanta are never central objects of worship, but are always shown as attendants of the Buddha in the shrine. If a Bodhisattva is shown in isolation, as in the Astabhaya scenes, these were done in the very last years of activities at Ajanta, and are mostly 'intrusive' in nature, meaning that they were not planned by the original patrons, and were added by new donors after the original patrons had suddenly abandoned the region in the wake of Emperor Harisena's death.

 

The contrast between iconic and aniconic representations, that is, the stupa on one hand and the image of the Buddha on the other, is now being seen as a construct of the modern scholar rather than a reality of the past. The second phase of Ajanta shows that the stupa and image coincided together. If the entire corpus of the art of Ajanta including sculpture, iconography, architecture, epigraphy, and painting are analysed afresh it will become clear that there was no duality between the symbolic and human forms of the Buddha, as far as the 5th-century phase of Ajanta is concerned. That is why most current scholars tend to avoid the terms 'Hinayana' and 'Mahayana' in the context of Ajanta. They now prefer to call the second phase by the ruling dynasty, as the Vākāţaka phase.

 

CAVES

CAVE 1

Cave 1 was built on the eastern end of the horse-shoe shaped scarp, and is now the first cave the visitor encounters. This would when first made have been a less prominent position, right at the end of the row. According to Spink, it is one of the latest caves to have been excavated, when the best sites had been taken, and was never fully inaugurated for worship by the dedication of the Buddha image in the central shrine. This is shown by the absence of sooty deposits from butter lamps on the base of the shrine image, and the lack of damage to the paintings that would have been happened if the garland-hooks around the shrine had been in use for any period of time. Although there is no epigraphic evidence, Spink believes that the Vākāţaka Emperor Harishena was the benefactor of the work, and this is reflected in the emphasis on imagery of royalty in the cave, with those Jakata tales being selected that tell of those previous lives of the Buddha in which he was royal.

 

The cliff has a more steep slope here than at other caves, so to achieve a tall grand facade it was necessary to cut far back into the slope, giving a large courtyard in front of the facade. There was originally a columned portico in front of the present facade, which can be seen "half-intact in the 1880s" in pictures of the site, but this fell down completely and the remains, despite containing fine carving, were carelessly thrown down the slope into the river, from where they have been lost, presumably carried away in monsoon torrents.

 

This cave has one of the most elaborate carved façades, with relief sculptures on entablature and ridges, and most surfaces embellished with decorative carving. There are scenes carved from the life of the Buddha as well as a number of decorative motifs. A two pillared portico, visible in the 19th-century photographs, has since perished. The cave has a front-court with cells fronted by pillared vestibules on either side. These have a high plinth level. The cave has a porch with simple cells on both ends. The absence of pillared vestibules on the ends suggest that the porch was not excavated in the latest phase of Ajanta when pillared vestibules had become a necessity and norm. Most areas of the porch were once covered with murals, of which many fragments remain, especially on the ceiling. There are three doorways: a central doorway and two side doorways. Two square windows were carved between the doorways to brighten the interiors.

 

Each wall of the hall inside is nearly 12 m long and 6.1 m high. Twelve pillars make a square colonnade inside supporting the ceiling, and creating spacious aisles along the walls. There is a shrine carved on the rear wall to house an impressive seated image of the Buddha, his hands being in the dharmachakrapravartana mudra. There are four cells on each of the left, rear, and the right walls, though due to rock fault there are none at the ends of the rear aisle. The walls are covered with paintings in a fair state of preservation, though the full scheme was never completed. The scenes depicted are mostly didactic, devotional, and ornamental, with scenes from the Jataka stories of the Buddha's former existences as a bodhisattva), the life of the Gautama Buddha, and those of his veneration. The two most famous individual painted images at Ajanta are the two over-life size figures of the protective bodhisattvas Padmapani and Vajrapani on either side of the entrance to the Buddha shrine on the wall of the rear aisle (see illustrations above). According to Spink, the original dating of the paintings to about 625 arose largely or entirely because James Fegusson, a 19th-century architectural historian, had decided that a scene showing an ambassador being received, with figures in Persian dress, represented a recorded embassy to Persia (from a Hindu monarch at that) around that date.

 

CAVE 2

Cave 2, adjacent to Cave 1, is known for the paintings that have been preserved on its walls, ceilings, and pillars. It looks similar to Cave 1 and is in a better state of preservation.

 

Cave 2 has a porch quite different from Cave one. Even the façade carvings seem to be different. The cave is supported by robust pillars, ornamented with designs. The front porch consists of cells supported by pillared vestibules on both ends. The cells on the previously "wasted areas" were needed to meet the greater housing requirements in later years. Porch-end cells became a trend in all later Vakataka excavations. The simple single cells on porch-ends were converted into CPVs or were planned to provide more room, symmetry, and beauty.

 

The paintings on the ceilings and walls of this porch have been widely published. They depict the Jataka tales that are stories of the Buddha's life in former existences as Bodhisattva. Just as the stories illustrated in cave 1 emphasize kingship, those in cave 2 show many "noble and powerful" women in prominent roles, leading to suggestions that the patron was an unknown woman. The porch's rear wall has a doorway in the center, which allows entrance to the hall. On either side of the door is a square-shaped window to brighten the interior.

 

The hall has four colonnades which are supporting the ceiling and surrounding a square in the center of the hall. Each arm or colonnade of the square is parallel to the respective walls of the hall, making an aisle in between. The colonnades have rock-beams above and below them. The capitals are carved and painted with various decorative themes that include ornamental, human, animal, vegetative, and semi-divine forms.

 

Paintings appear on almost every surface of the cave except for the floor. At various places the art work has become eroded due to decay and human interference. Therefore, many areas of the painted walls, ceilings, and pillars are fragmentary. The painted narratives of the Jataka tales are depicted only on the walls, which demanded the special attention of the devotee. They are didactic in nature, meant to inform the community about the Buddha's teachings and life through successive rebirths. Their placement on the walls required the devotee to walk through the aisles and 'read' the narratives depicted in various episodes. The narrative episodes are depicted one after another although not in a linear order. Their identification has been a core area of research since the site's rediscovery in 1819. Dieter Schlingloff's identifications have updated our knowledge on the subject.

 

CAVE 4

The Archeological Survey of India board outside the caves gives the following detail about cave 4: "This is the largest monastery planned on a grandiose scale but was never finished. An inscription on the pedestal of the buddha's image mentions that it was a gift from a person named Mathura and paleographically belongs to 6th century A.D. It consists of a verandah, a hypostylar hall, sanctum with an antechamber and a series of unfinished cells. The rear wall of the verandah contains the panel of Litany of Avalokiteśvara".

 

The sanctuary houses a colossal image of the Buddha in preaching pose flanked by bodhisattvas and celestial nymphs hovering above.

 

CAVES 9-10

Caves 9 and 10 are the two chaitya halls from the first period of construction, though both were also undergoing an uncompleted reworking at the end of the second period. Cave 10 was perhaps originally of the 1st century BCE, and cave 9 about a hundred years later. The small "shrinelets" called caves 9A to 9D and 10A also date from the second period, and were commissioned by individuals.

 

The paintings in cave 10 include some surviving from the early period, many from an incomplete programme of modernization in the second period, and a very large number of smaller late intrusive images, nearly all Buddhas and many with donor inscriptions from individuals. These mostly avoided over-painting the "official" programme and after the best positions were used up are tucked away in less prominent positions not yet painted; the total of these (including those now lost) was probably over 300, and the hands of many different artists are visible.

 

OTHER CAVES

Cave 3 is merely a start of an excavation; according to Spink it was begun right at the end of the final period of work and soon abandoned. Caves 5 and 6 are viharas, the latter on two floors, that were late works of which only the lower floor of cave 6 was ever finished. The upper floor of cave 6 has many private votive sculptures, and a shrine Buddha, but is otherwise unfinished. Cave 7 has a grand facade with two porticos but, perhaps because of faults in the rock, which posed problems in many caves, was never taken very deep into the cliff, and consists only of the two porticos and a shrine room with antechamber, with no central hall. Some cells were fitted in.

 

Cave 8 was long thought to date to the first period of construction, but Spink sees it as perhaps the earliest cave from the second period, its shrine an "afterthought". The statue may have been loose rather than carved from the living rock, as it has now vanished. The cave was painted, but only traces remain.

 

SPINK´S DETAILED CHRONOLOGY

Walter M. Spink has over recent decades developed a very precise and circumstantial chronology for the second period of work on the site, which unlike earlier scholars, he places entirely in the 5th century. This is based on evidence such as the inscriptions and artistic style, combined with the many uncompleted elements of the caves. He believes the earlier group of caves, which like other scholars he dates only approximately, to the period "between 100 BCE – 100 CE", were at some later point completely abandoned and remained so "for over three centuries", as the local population had turned mainly Hindu. This changed with the accession of the Emperor Harishena of the Vakataka Dynasty, who reigned from 460 to his death in 477. Harisena extended the Central Indian Vakataka Empire to include a stretch of the east coast of India; the Gupta Empire ruled northern India at the same period, and the Pallava dynasty much of the south.

 

According to Spink, Harisena encouraged a group of associates, including his prime minister Varahadeva and Upendragupta, the sub-king in whose territory Ajanta was, to dig out new caves, which were individually commissioned, some containing inscriptions recording the donation. This activity began in 462 but was mostly suspended in 468 because of threats from the neighbouring Asmaka kings. Work continued on only caves 1, Harisena's own commission, and 17–20, commissioned by Upendragupta. In 472 the situation was such that work was suspended completely, in a period that Spink calls "the Hiatus", which lasted until about 475, by which time the Asmakas had replaced Upendragupta as the local rulers.

 

Work was then resumed, but again disrupted by Harisena's death in 477, soon after which major excavation ceased, except at cave 26, which the Asmakas were sponsoring themselves. The Asmakas launched a revolt against Harisena's son, which brought about the end of the Vakataka Dynasty. In the years 478–480 major excavation by important patrons was replaced by a rash of "intrusions" – statues added to existing caves, and small shrines dotted about where there was space between them. These were commissioned by less powerful individuals, some monks, who had not previously been able to make additions to the large excavations of the rulers and courtiers. They were added to the facades, the return sides of the entrances, and to walls inside the caves. According to Spink, "After 480, not a single image was ever made again at the site", and as Hinduism again dominated the region, the site was again abandoned, this time for over a millennium.

 

Spink does not use "circa" in his dates, but says that "one should allow a margin of error of one year or perhaps even two in all cases".

 

IMPACT ON MODERN INDIAN PAINTINGS

The Ajanta paintings, or more likely the general style they come from, influenced painting in Tibet and Sri Lanka.

 

The rediscovery of ancient Indian paintings at Ajanta provided Indian artists examples from ancient India to follow. Nandlal Bose experimented with techniques to follow the ancient style which allowed him to develop his unique style. Abanindranath Tagore also used the Ajanta paintings for inspiration.

 

WIKIPEDIA

Some of the smaller open access freight operators have Czech 383 class Vectrons, such as this example passing Draghotuse.

Showing the pixels that are actually being drawn in the skipped-pixels example.

Leica M monochrom + summilux-M 1.4/50mm ASPH

L1014856

I don't do RAW development.

See the full story at www.brothers-brick.com

An example of meals available within our catered halls at the University of Exeter

Please ignore the crappy photo and the baseplate, just built fast to show Mя. Soop an idea, fig for size comparison.

Yellowstone Lake State Parksouthwest Wisconsin fall 2015

Example

An example of meals available within our catered halls at the University of Exeter

(further pictures and enormous amounts of information you can get by clicking on the link at the end of page!)

St. Stephen's Cathedral

Seat of the Archbishop (Cardinal) of Vienna, one of the most important buildings of the Central European High and Late Gothic, monumental example of the South-German-Austrian multi-naved church, landmark of Vienna. Characteristic is the independent lateral position of the towers, the inclusion of the romanesque western facade, the high Gothic hall choir and the mighty steep roof with colorful brick patterning.

History

1147

The first Romanesque church - from Passau founded (hence patron saint: saint Stephen Protomartyr) - is consecrated. It is located in a quarter of new settlements of merchants, which in the second half of the 12th Century was included in the city's fortifications (which is the part between Singerstraße and wool line (Wollzeile), the road to Hungary). It is located outside, to the southeast, of the oldest city area of the Roman fort, Vindobona. This building was in its dimensions already a large basilical complex, at its completion already including the floor plan of the Heath towers in the West.

1263

Re-consecration after the fire. The impacts on the Romanesque church are not precisely known. The huge gate was already previously rebuilt, when Vienna was for a short time residence of the emperor of the Holy Roman Empire. In succession, the reconstruction of the west gallery and the expansion of the western towers (Heath towers) took place. From this period stem also most of the sculptures of the giant gate, the vaults, capitals and rose windows at the west gallery.

Stephansdom64.jpg (35605 bytes)

1304 -1340

Construction of the Gothic hall choir, Albertinian choir, named after the Habsburg Albert II (1330-1358).

The citizenship of Vienna initially purchased the required properties and "as the owner of the Gothic choir in the Zwettler (city in Lower Austria) documents of 1303 and 1304 Viennese citizens are testified".

This civic foundation was then converted by a princely.

The following indulgence certificate - in the original written on parchment and provided with a hanging seal - is in a sense the main historical document of the choir consecration and thus also to the architectural history of St. Stephen of great importance.

1340

Bishop Peter of Marchapolis gives, at the request of the parishioners, all who attend at the anniversary of the consecration of the choir of St. Stephen's Church, which was accomplished on the above day in his presence by Bishop Albert of Passau, or at the feasts of the altar patrons of the church, an indulgence of 40 days.

1359

Laying of the foundation stone for further Gothic reconstruction of the nave (south and north wall), the Singertor and the Bischofstor (gate) and the two double chapels laterally to the Romanesque western building. Furthermore, the construction of overall four towers was planned. In fact, only the southern transept tower (the "saint Stephen's Tower") was first started.

1365

Those conversion measures are associated with the efforts of Duke Rudolf IV to raise Vienna to the status of a diocese, and with the founding of the University of Vienna.

1395

Consecration of the chapel of Saint Catherine ("baptistery") on the east side of the south tower.

1404

Peter of Prachatitz is Dombaumeister (cathedral builder). The citizenship by providing financial support pushes ahead the expansion of the tower.

1417 - 1430

Establishment of the lower sacristy

1433

Completion of the south tower under Hans von Prachatitz

1440 - 1459

Completion of the High Gothic nave

1450

Planning and construction of the North Tower by Hans Puchsbaum

1459

At Hüttentag of Regensburg the mason's lodge of St. Stephen's in Vienna is designated the leading main lodge in Central Europe.

1466

Extension of the upper sacristy

1469

Under Frederick III. the Diocese of Vienna is built.

1474

The Chapel of St. Barbara in the north tower is completed according to the plans of Puchsbaum. Formerly this building extension in the North Tower was called: Urbanuskapelle (chapel).

1511

Suspension of the building at the north tower. It is higher than the nave walls, but lower than the ridge height of the choir roof. As a crowning feature of the tower stump an octagonal structure was set up, which was closed with a so-called "Welsh hood" of Kaspar and Hans Saphoy 1578. The Welsh hood is a into the Gothic transmitted dome shape".

The back of the St. Stephen's Cathedral with the North Tower

1514/1519

1514/1519 at the top of saint Stephen's tower an eight-rayed sun ("Star") was fitted with a crescent moon as a symbol of spiritual and temporal power. When the Viennese in the Turkish siege (1529) throughout in the camp of their enemies saw similar symbols, they raised first objections against the "haidnisch Zaichen (heathen signs)", yet remained the "Moonlight" on the tower. Only on the occasion of the second siege (1683 ) vowed Leopold I to replace the "ungodly and unworthy Turks coat of arms" by the sign of the cross, when the city was liberated by God's assistance.

The from saint Stephen removed moon. Book illustration, 18th century

The new, of copper wrought double cross ("Spanish Cross") was made by coppersmith Hans Adam Bosch. It was one and a half meters high and had a weight of 45.5 kg. On September 14th, the Kreuzerhöhungstag (day of the elevation of the Cross) (in the same time the anniversary of the moving in of Leopold into the liberated city), it was placed under great spectacle. However, it was not flexible enough and already on 14th December it fell down due to a violent storm. On 31st October 1687 followed the setting up of a new crowning. To the Spanish Cross now the imperial double-headed eagle and the initials of Leopold I had been added. Cross and eagle had a height of 2.45 m and a weight of 67 kg.

St. Stephen's Cathedral around 1530

1640

Bishop Friedrich Count Breuner the Baroquisation of the equipment of the St. Stephen's Cathedral as a manifestation of the Counter-Reformation had started. He commissioned the brothers Jacob and Tobias Pock from Konstanz with the construction of a new high altar.

1683

Damages caused by numerous cannonballs at the second Turkish siege.

1700

Second wave of Baroquisation: Gothic winged altars and also their early Baroque successors are replaced by baroque marble altars.

1711

July 21st, 1711. In front of a large audience the k.k. Stückgießer (specialized iron caster) Johann Achamer carries out the casting of the great bell of saint Stephen. The for this purpose required metal comes from stocks of the Imperial arsenal of captured Turkish cannons. After Pölzung (supporting) of the underground vaults under the streets that touches the train, the bell weighing more than 17 tons on a special car or a loop of 100 people is brought from the Leopoldstadt on 29th October to the cathedral. On December 15th, Bishop Rummel undertakes the consecration of the bell, then it is pulled up to the south tower. There it rests on two oak beams, which for ringing can be screwed off. When Charles VI. solemnly moved into Vienna after his imperial coronation on 26th January 1712, the Pummerin was rung for the first time, in the process only the 813 kg in weight clapper was moved.

1720

The so-called catacombs are set up as a burial site.

1735

The cemetery around the church is closed down and in 1783 completely removed

Stock-im-Eisen-Platz and St. Stephen's Square before the demolition of the houses

Coloured engraving of V.C. Schütz. 1779

1803

The Steffl gets air: Demolition of houses on Stephansplatz

October. The strong increase in population leads to an increased volume of traffic. As part of "traffic-appropriate" measures streets are widened, squares enlarged, arcades created and traffic regulations introduced such as, e.g., the first one-way at the Carinthian gates (1802). With the demolition of the last still in front of the cathedral facade standing houses yet another basic expansion and redesign of the Stephansplatz can be completed.

1809

Also in the French wars the Cathedral is damaged by artillery fire.

1810

Repair work on the South Tower

1831

Renovation of the roof at the Albertinian choir

1842

On the occasion of the two renewals of the tower helmet in the 19th century respectively in 1842 and 1864, again a new double-headed eagle with a double cross was set on the spire. This last crowning of 1864 still today adorns the top of saint Stephen's tower.

1853 - 1854

Expansion of the remaining Wimperge (gables) in the roof area of which Puchsbaum under Frederick III. only one had realized.

1863 - 1864

Cathedral architect Friedrich Schmidt heads the restoration of the tower helmet.

1945

St. Stephen's Cathedral, April 1945 © Press Agency Votava St. Stephen's Cathedral, April 1945

The roof of St Stephen's Cathedral

is on fire 8th April 1945

Friday 13 April: Dombrand (cathedral's fire) in the last days of World War II. The roof burns down, the vaults of the middle choir and the southern side choir collapse. The Pummerin plunges down and breaks. The cathedral is badly damaged.

1945 - 1952

Reconstruction of the roof and choir

Triumphant entry of the new Pummerin in Vienna. The in St. Florian/Oberösterreich (Upper Austria) cast bell to Vienna had a true triumphal procession behind herself.

From the ruins of the Pummerin 1952 in St. Florian, Upper Austria, a new bell was cast and consecrated on 26th April 1952 in Vienna. The other bells of St. Stephen's Cathedral also consistently bore names as Halbpummerin, Viertelpummerin, Councillor Bell, Mentioned bell (Genanntenglocke), Zwölferin, beer bell (Bierglocke) etc. Very few of them survived the year 1945.

1953

Construction of the Bishop tomb in the catacombs under the Apostle Choir

1954 - 1965

Restoration of the South Tower

1956

Renovation of the Ducal Crypt, construction of the lower church and the lapidary (collection of stone monuments)

Completion of the tower helmet at the north tower (Saphoy'sche hood) with housing of the Pummerin

1961

In 1961 the cathedral received a new peal of eleven bells.

1973

Consecration of the People's altar (makeshift solution)

1977 - 1998

Restoration of the North Tower

1989

Remodeling of the sanctuary and the consecration of the new People's altar (September 14)

1991

Consecration of the new cathedral organ (Servants - Madonna gets here her new stand)

Overall length: 107.2 m outside inside 91.8 m

Width of the nave: 38.9 m

Height of the South tower: (High Tower) 136.7 m

Height of the North tower: 60.6 m

Height of the Heathen towers 65.6 m

www.wien-vienna.at/blickpunkte.php?ID=679

An example of meals available within our catered halls at the University of Exeter

An example of meals available within our catered halls at the University of Exeter