View allAll Photos Tagged Examples
I'm slowing adding examples and revamping my etsy listings. I do this a little each month but the photo examples are really in need of completely new samples. Those original photos were made several years ago...
But actually, here, it is not justified.
I may add that one of the consensuses in the Israeli society is the bad relation to the Ultra-Orthodox Jew.
Some may say that they earned in by themselves,
but there are beautiful aspects in this community, we can appreciate, and learn from.
One of them is the mutual help for those in need.
Here, you see an example of it:
Towards Passover people clean their houses very, very thoroughly
("and there shall no leavened bread be seen with thee, neither shall there be leaven seen with thee, in all thy borders", Exodus, 13:9).
As the feast approached it becomes challenging to prepare food for the (many, many) children, alongside the other duties.
Therefore, one of the members of the community, from his own initiative, arranges lunch to tens of children, in the main square of the neighborhood.
You can buy prints here : art.icanvas.com/search?w=sebastien%20del%20grosso
Follow me and discover my series on Behance : www.behance.net/s-d-g
And can follow me with my Facebook page : www.facebook.com/SdgPhotographie/
Depuis mon enfance, le dessin a toujours été une passion, mais lorsque j'ai découvert la photographie, j'ai pensé que l'association de ces deux passions pourrait me permettre de laisser libre court à mon imagination.
Dans cette serie "L'esquisse d'une vie", j'ai voulu illustrer ma vie, comme si mes croquis avaient donné naissance à chacun de ses actes; soit par l'intervention de personne qui me sont proches (comme par exemple dans "sketch your mentor" avec l'intervention de ma grand mère qui m'a appris le dessin), ou encore des événements qui on été importants pour moi (comme dans "sketch the life" avec la naissance de ma fille "Cataleya"), mais également avec des choses un peu plus humoristique (dans "Catch & Sketch" par exemple avec l'intervention de mon ami Cal Redback, mais aussi "sketch and fight" avec un combat de deux artistes avec chacun sa technique)
Since my childhood, drawing has always been a passion, but when I discovered photography, I thought that the combination of these two passions would allow me to give free rein to my imagination.
In this series "The sketch of a life", I wanted to illustrate my life, like my sketches gave birth to each of his actions or by the intervention of someone I are close (for exemple in "sketch your mentor" with the intervention of my grandmother who taught me in the drawing), or events that have been important to me (like in "sketch the life" with the birth my daughter "Cataleya"), but also with something a little more humorous (in "Catch & Sketch" for example with the intervention of my friend Cal Redback, or in "sketch and fight" with a battle of two artists with each his technique)
Tutorial :
iso.500px.com/selfportrait-sketch-photo-tutorial/
Publications :
www.dailymail.co.uk/news/article-2730016/How-draw-attenti...
petapixel.com/2014/06/30/talented-artist-combines-photogr...
fluctuat.premiere.fr/Diaporamas/L-esquisse-d-une-vie-deco...
mashable.com/2014/07/02/illustration-photo-self-portrait/
www.citizenbrooklyn.com/topics/art/illustrate-your-life-s...
www.huffingtonpost.com/2013/04/04/sebastien-del-grosso-sk...
www.dailymail.co.uk/news/article-2300695/Sebastien-Del-Gr...
Awards :
- Second place at the 2014 International Photography Awards (IPA 2014) under Professional People - Self portrait.
- Second place at the 2014 Prix de la photographie Paris (PX3 2014) under Non-Professional Fine art.
- First place at the 2013 International Photography Awards (IPA 2013) under Non-Professional Fine art - Portrait.
1x.com/member/sebastiendelgrosso
www.facebook.com/SdgPhotographie
Copyright Sébastien Del Grosso
Last weekend I did a very quick photoshoot at a family celebrating a 60th wedding anniversary.
The happy couple were a perfect example of what we should all be striving for in our personal life..... still together after 60 years, and at a celebration with 3 generations of their family around.
Tried to get this done as quickly as possible as I didn't want to intrude on their family time, so took less shots than normal, but I think I captured some good ones regardless.
This one was my favourite.... clearly showing their happy and alert characters.
So here is an example of collages showing our first 3 weeks (remember I'm doing this in 5 day increments so they are not true weeks)
You can see in week 1 choose your color pallet first, then each day you take a picture of your Blythe doll and on the 5th day you create the college.
Week 2 - choose your color pallet, each day take 2 pictures, 1 of your Blythe and 1 Random picture + 1 extra picture to create your 9 picture collage.
Post only your Blythe doll pictures to group and save the random for your collage to share
Week 3 - choose your color pallet, each day take a picture of your Blythe doll and on the 15th create and post your collage
(Page 1 of 3)
The San José de Gracia Church is a historic church on the main plaza of Las Trampas, New Mexico. Located on the high road to Taos, it opened its doors in 1760. The church is a wonderful example of Spanish Colonial architecture.
The spirit of the community extends from centuries passed to the present as seen by the age of markers in the cemetery.
This second example of Go North East’s X-Lines liveries depicts the X21 service between Newcastle and Bishop Auckland. This route has its origins in competing services operated by Northern General and OK Motor Services that were combined as the 724 after Northern acquired OK. The present number X21 had traditionally been used by Weardale Motor Services on its service between Crook and Newcastle, which was subsequently renumbered X6. Of note in the skyline graphics on this livery are the Tyne Bridge, Durham Cathedral and Auckland Castle. Thanks again to Keith McGillivray for the base image (21-Aug-21).
All rights reserved. For the avoidance of doubt, this means that it would be a criminal offence to post this image on Facebook or elsewhere (please post a link instead). Please follow the link below for further information about my Flickr collection:
www.flickr.com/photos/northernblue109/6046035749/in/set-7..href="http://www.flickr.com/photos/northernblue109/6046035749/in/set-7..">www.flickr.com/photos/northernblue109/6046035749/in/set-7...
Examples of Nottingham Silk Lace that were on display at Beckford Silk.
1. Black & White in 52 in 2018 Challenge
Love the shine on the wet sand, the contest between the golden sand and the darkness of the sea.
Copyright ©2012 - ArlsPHOTO
All Rights Reserved. Please do not use my images without prior consent.
Monreale Cathedral is a Roman Catholic church in Monreale, Metropolitan City of Palermo, Sicily, southern Italy. One of the greatest existent examples of Norman architecture, it was begun in 1174 by William II of Sicily. In 1182 the church, dedicated to the Nativity of the Virgin Mary, was, by a bull of Pope Lucius III, elevated to the rank of a metropolitan cathedral as the seat of the diocese of Monreale, which was elevated to the Archdiocese of Monreale in 1183. Since 2015 it has been part of the Arab-Norman Palermo and the Cathedral Churches of Cefalù and Monreale UNESCO World Heritage site.
The church is a national monument of Italy and one of the most important attractions of Sicily. Its size is 102 meters long and 40 meters wide.
According to a legend, William II of Sicily fell asleep under a carob tree while hunting in the woods near Monreale. The Holy Virgin appeared to him in dream, suggesting him to build a church here. After removing the tree, a treasure was found in its roots, whose golden coins were used to finance the construction. It is more likely that the church was part of a plan of large constructions in competition with the then bishop of Palermo, Walter Ophamil, who had ordered the large Cathedral of Palermo. The construction of Monreale, started in 1172, was approved by Pope Alexander III with a bull on 30 December 1174. Works, including an annexed abbey, were completed only in 1267 and the church consecrated at the presence of Pope Clement IV. In 1178 Pope Lucius III established the archdiocese of Monreale and the abbey church was elevated to the rank of cathedral. The archbishops obtained by the kings of Sicily a wide array of privileges and lands in the whole Italian peninsula.
In 1270 Louis IX, King of France, brother of King Charles I of Naples, was buried here.
In 1547-1569 a portico was added to the northern side, designed by Giovanni Domenico Gagini and Fazio Gagini, in Renaissance style, covered by a cross vault and featuring eleven round arches supported by Corinthian columns. In 1559 most of the internal pavement was added.
The archiepiscopal palace and monastic buildings on the south side were of great size and magnificence, and were surrounded by a massive precinct wall, crowned at intervals by twelve towers. This has been mostly rebuilt, and but little now remains except ruins of some of the towers, a great part of the monks' dormitory and frater, and the splendid cloister, completed about 1200.
The latter is well preserved, and is one of the finest Italian cloisters now extant both for size and beauty of detail. It is about 2,200 m2, with pointed arches decorated with diaper work, supported on pairs of columns in white marble, 216 in all, which were alternately plain and decorated by bands of patterns in gold and colors, made of glass tesserae, arranged either spirally or vertically from end to end of each shaft. The marble capitals are each carved with foliage, biblical scenes and allegories, no two being alike. At one angle, a square pillared projection contains the marble fountain or monks' lavatorium, evidently the work of Muslim sculptors.
The church's plan is a mixture of Eastern Rite and Roman Catholic arrangement. The nave is like an Italian basilica, while the large triple-apsed choir is similar to one of the early three-apsed churches, of which so many examples still exist in Syria and elsewhere in the Middle East. It is like two quite different churches put together endwise.
The basilican nave is wide, with narrow aisles. On each side, monolithic columns of grey oriental granite (except one, which is of cipolin marble) support eight pointed arches much stilted. The capitals of these (mainly Corinthian) are also of the classical period. There is no triforium, but a high clerestory with wide two-light windows, with simple tracery like those in the nave-aisles and throughout the church, which give sufficient light.
The other half, eastern in two senses, is both wider and higher than the nave. It also is divided into a central space with two aisles, each of the divisions ending at the east with an apse. The roofs throughout are of open woodwork very low in pitch, constructionally plain, but richly decorated with colour, now mostly restored. At the west end of the nave are two projecting towers, with a narthex (entrance) between them. A large open atrium, which once existed at the west, is now completely destroyed, having been replaced by a Renaissance portico by Giovanni Domenico and Fazio Gagini (1547–1569).
The main internal features are the vast (6,500 m2) glass mosaics, executed in Byzantine style between the late 12th and the mid-13th centuries by both local and Venetians masters. The tomb of William I of Sicily (the founder's father), a porphyry sarcophagus contemporary with the church, under a marble pillared canopy, and the founder William II's tomb, erected in 1575, were both shattered by a fire, which in 1811 broke out in the choir, injuring some of the mosaics and destroying all the fine walnut choir-fittings, the organs and most of the choir roof. The tombs were rebuilt, and the whole of the injured part of the church restored a few years after the fire. The present organ, revised in 1967 by Ruffatti, has six manuals and 102 stops.
On the north of the choir are the tombs of Margaret of Navarre, wife of William I, and her two sons Roger and Henry, together with an urn containing the viscera of Saint Louis of France, who died in 1270. The pavement of the triple choir, though much restored, is a specimen of marble and porphyry mosaic in opus alexandrinum, with signs of Arab influence in its main lines. The mosaic pavement of the nave was completed in the 16th century, and has disks of porphyry and granite with marble bands intermingled with irregular lines.
Two Baroque chapels were added in the 17th and 18th centuries, which are shut off from the rest of the church. The bronze doors of the mosaic-decorated portal on the left side was executed by Barisano da Trani in 1179.
Let's ignore the fact this shot is out of focus by the fact that I somehow got both types in one picture.
Both of these Optare buses on the H2 haven't been purchased outright by Metroline, with the one on the right being a temporary demonstrator hired from Ellenvale Coaches being used to supplement the H-routes due to the unreliability of the ex-Arriva Solos on the left, like the example in the picture showing one broken down in the middle of Golders Green.
Italien / Toskana - San Gimignano
Piazza Duomo
San Gimignano (Italian pronunciation: [san dʒimiɲˈɲaːno]) is a small walled medieval hill town in the province of Siena, Tuscany, north-central Italy. Known as the Town of Fine Towers, San Gimignano is famous for its medieval architecture, unique in the preservation of about a dozen of its tower houses, which, with its hilltop setting and encircling walls, form "an unforgettable skyline". Within the walls, the well-preserved buildings include notable examples of both Romanesque and Gothic architecture, with outstanding examples of secular buildings as well as churches. The Palazzo Comunale, the Collegiate Church and Church of Sant' Agostino contain frescos, including cycles dating from the 14th and 15th centuries. The "Historic Centre of San Gimignano" is a UNESCO World Heritage Site. The town also is known for saffron, the Golden Ham, pecorino cheese and its white wine, Vernaccia di San Gimignano, produced from the ancient variety of Vernaccia grape which is grown on the sandstone hillsides of the area.
Territory
The municipality of San Gimignano extends for 138 km² and is located on a hill in Val d'Elsa. The altitude difference is between a minimum of 64 meters a.s.l. in the plain of the river Elsa near Certaldo at a maximum of 631 meters in the area of Cornocchio.
History
In the 3rd century BC a small Etruscan village stood on the site of San Gimignano. Chroniclers Lupi, Coppi and Pecori relate that during the Catiline conspiracy against the Roman Republic in the 1st century, two patrician brothers, Muzio and Silvio, fled Rome for Valdelsa and built two castles, Mucchio and Silvia (now San Gimignano). The name of Silvia was changed to San Gimignano in 450 AD after Bishop Geminianus, the Saint of Modena, intervened to spare the castle from destruction by the followers of Attila the Hun. As a result, a church was dedicated to the saint, and in the 6th and 7th centuries a walled village grew up around it, subsequently called the "Castle of San Gimignano" or Castle of the Forest because of the extensive woodland surrounding it. From 929 the town was ruled by the bishops of Volterra.
In the Middle Ages and the Renaissance era, it was a stopping point for Catholic pilgrims on their way to Rome and the Vatican, as it sits on the medieval Via Francigena. The city's development was also improved by the trade of agricultural products from the fertile neighbouring hills, in particular saffron, used in both cooking and dyeing cloth and Vernaccia wine, said to inspire popes and poets.
In 1199, the city made itself independent of the bishops of Volterra and established a podestà, and set about enriching the commune with churches and public buildings. However, the peace of the town was disturbed for the next two centuries by conflict between the Guelphs and the Ghibellines, and family rivalries within San Gimignano. This resulted in competing families building tower houses of increasingly greater heights. Towards the end of the Medieval period, there were 72 tower houses in number, up to 70 metres (230 feet) tall. The rivalry was finally restrained when the local council ordained that no tower was to be taller than that adjacent to the Palazzo Comunale.
While the official patron is Saint Geminianus, the town also honours Saint Fina, known also as Seraphina and Serafina, who was born in San Gimignano 1238 and whose feast day is 12 March. The Chapel of Santa Fina in the Collegiate Church houses her shrine and frescos by Ghirlandaio. The house said to be her home still stands in the town.
On 8 May 1300, San Gimignano hosted Dante Alighieri in his role as ambassador of the Guelph League in Tuscany.
The city flourished until 1348, when it was struck by the Black Death that affected all of Europe, and about half the townsfolk died. The town submitted to the rule of Florence. Initially, some Gothic palazzi were built in the Florentine style, and many of the towers were reduced to the height of the houses. There was little subsequent development, and San Gimignano remained preserved in its medieval state until the 19th century, when its status as a touristic and artistic resort began to be recognised.
Description
The city is on the ridge of a hill with its main axis being north/south. It is encircled by three walls and has at its highest point, to the west, the ruins of a fortress dismantled in the 16th century. There are eight entrances into the city, set into the second wall, which dates from the 12th and 13th centuries. The main gates are Porta San Giovanni on the ridge extending south, Porta San Matteo to the north west and Porta S. Jacopo to the north east. The main streets are Via San Matteo and Via San Giovanni, which cross the city from north to south. At the heart of the town are four squares: the Piazza Duomo, on which stands the Collegiate Church; the Piazza della Cisterna, the Piazza Pecori and the Piazza delle Erbe. To the north of the town is another significant square, Piazza Agostino, on which stands the Church of Sant' Agostino. The locations of the Collegiate Church and Sant' Agostino's and their piazzas effectively divide the town into two regions.
Main sights
The town of San Gimignano has many examples of Romanesque and Gothic architecture. As well as churches and medieval fortifications, there are examples of Romanesque secular and domestic architecture which may be distinguished from each other by their round and pointed arches, respectively. A particular feature which is typical of the region of Siena is that the arches of openings are depressed, with doorways often having a second low arch set beneath a semi-circular or pointed arch. Both Romanesque and Gothic windows sometimes have a bifurcate form, with two openings divided by a stone mullion under a single arch.
Culture
San Gimignano is the birthplace of the poet Folgore da San Gimignano (1270–1332).
A fictionalised version of San Gimignano is featured in E. M. Forster's 1905 novel, Where Angels Fear to Tread as Monteriano.
M. C. Escher's 1923 woodcut San Gimignano depicts the celebrated towers.
Franco Zeffirelli used San Gimignano as a stand-in for the town of Assisi in his 1972 Saint Francis of Assisi biopic Brother Sun, Sister Moon. Most of the "Assisi" scenes were filmed here
Tea with Mussolini, a 1999 drama about the plight of English and American expatriate women in Italy during World War II, was filmed in part in San Gimignano. The frescoes that the women save from being destroyed during the German Army's withdrawal are inside the Duomo, the town's main church. The account of this episode is, to a large extent, fictional, because, although there are reports of intended retribution against the town, there is no evidence of a plan to destroy the churches. However, the reference to risk of cultural destruction is historic, as the Allies bombed the area for ten days.
In the 2005 novel The Broker by John Grisham, Joel Backman takes his second of three wives on vacation in Italy to keep her from divorcing him. They rent a 14th-century monastery near San Gimignano for a month.
A 15th-century version of the town is featured in the 2009 video game Assassin's Creed II.
(Wikpedia)
Piazza della Cisterna is a piazza in San Gimignano, Italy. It has a triangular shape with a slight natural slope and is connected to the nearby Piazza del Duomo by an open passage. The pavement is brick and the piazza is surrounded by houses and medieval towers. There are presently 5 towers onto the square or very near it and the bases of other five are visible on the facade of the various palaces, plus one, the Ridolfi tower, which is no longer in existence having collapsed in 1646 onto the family palace, thus making this relatively small area a concentrate of medieval architecture. In the south-west corner, the piazza meets the Arc of Becci, (l'arco dei Becci), an ancient city gate. The arc is flanked by the massive rectangular towers of Becci (torri dei Becci) on the left and Cugnanesi (torri dei Cugnanesi) on the right.
Past the access to via di Castello, which led down to the original Bishop’s castle, the northern side is characterized by the renaissance Cortesi Palace, which includes la torre del Diavolo, and extends along the north side of the square including the old houses of the Cattani family. There remains of two pre-existing towers are clearly visible onto the facade of the Cortesi Palace.
The west side is adorned with various towers, like the twin towers of Ardinghelli and the tower of palazzo Pellari visible over the roofs.
History
The piazza is located at the intersection of two main streets of the village of San Gimignano: la via Francigena that run north to south and la via Pisa - [[Siena]that runs east to west]. The piazza was used as a market and a stage for festivals and tournaments. Originally the area was divided in two squares by the palace and tall tower of the Ridolfi family, the Piazza dell’ Olmo in the inferior and western part and the Piazza delle Taverne in the eastern side and with the cisterna in the middle. In 1646 the tall Ridolfi tower suddenly collapsed, destroying the palace and thus the two squares were merged into one, the Piazza della Cisterna.
The piazza is named after the underground cistern (Cisterna) built in 1287. The cistern is capped by a travertine octagonal pedestal, which was built in 1346 under the mayor Guccio Malavolti whose coat of arms with the ladder is carved onto the stones, and is close to the center of the square.
(Wikipedia)
San Gimignano ist eine italienische Kleinstadt in der Toskana mit einem mittelalterlichen Stadtkern. San Gimignano wird auch „Mittelalterliches Manhattan“ oder die „Stadt der Türme“ genannt. Die Stadt liegt in der Provinz Siena und hat 7717 Einwohner (Stand 31. Dezember 2019). Sie gehört neben Florenz, Siena und Pisa zu den von Touristen meistbesuchten Zielen in der Toskana.
Allgemeines
Der historische Stadtkern ist seit dem Jahr 1990 Teil des Weltkulturerbes der UNESCO. San Gimignano besitzt noch einige der mittelalterlichen Geschlechtertürme, die in anderen Städten nur als Stümpfe erhalten blieben. Im Mittelalter versuchten die Patrizierfamilien, sich in der Höhe ihres Geschlechterturmes zu übertreffen, obwohl ein luxuriöses Leben darin nicht möglich war. Von den einst 72 Geschlechtertürmen existieren in San Gimignano heute noch 15. Die beiden höchsten, der Torre Grossa aus dem Jahr 1311 und der Torre della Rognosa, weisen eine Höhe von 54 bzw. 51 Metern auf. Die Zisterne auf der Piazza della Cisterna entstand 1287 und wurde 1346 durch den Podestà Guccio Malavolti erweitert.
Geografie
Die Stadt liegt ca. 40 km südwestlich der Regionalhauptstadt Florenz und ca. 28 km nordwestlich der Provinzhauptstadt Siena an der Via Francigena und im Elsatal. San Gimignano liegt in der klimatischen Einordnung italienischer Gemeinden in der Zone D, 2 085 GR/G.
Zu den Ortsteilen gehören Badia a Elmi (94 m, gehört teilweise zu Certaldo), Castel San Gimignano (377 m, gehört teilweise zu Colle di Val d’Elsa), Pancole (272 m), Santa Lucia (268 m) und Ulignano. Weitere wichtige Orte im Gemeindegebiet sind Montauto (277 m), Monteoliveto (275 m) Ranza und San Donato (357 m). Größter Ortsteil ist Ulignano mit ca. 690 Einwohnern.
Die wichtigsten Flüsse im Gemeindegebiet sind der Elsa (4 von 81 km im Gemeindegebiet) sowie die Torrenti Foci (4 von 15 km im Gemeindegebiet) und Riguardi (7 von 7 km im Gemeindegebiet).
Die Nachbargemeinden sind Barberino Tavarnelle (FI), Certaldo (FI), Colle di Val d’Elsa, Gambassi Terme (FI), Poggibonsi und Volterra (PI).
Geschichte
San Gimignano soll bereits um 300 bis 200 v. Chr. von den Etruskern besiedelt worden sein. Erstmals dokumentiert wurde der Ort 929. Den Namen erhielt die Stadt von dem heiligen Bischof von Modena, San Gimignano. Es heißt, er habe das Dorf vor den barbarischen Horden des Totila geschützt.
Diese Stadt verdankt ihre Existenz der Via Francigena (Frankenstraße). Auf diesem Hauptverkehrsweg des mittelalterlichen Italiens zogen Händler und Pilger vom Norden nach Rom. Der Ort bildete sich als Marktstätte zwischen dem frühmittelalterlichen Castello und der Pieve, dem Vorgängerbau der Collegiata. Ein erster Stadtmauerring wurde im 10. Jahrhundert angelegt. Dessen Verlauf markieren zwei noch erhaltene Stadttore, im Norden der Arco della Cancelleria und im Süden der Arco dei Becci.
Vom 11. Jahrhundert an dehnte sich das Stadtgebiet entlang der Frankenstraße in nördlicher und südlicher Richtung aus. An die Existenz des früheren Castello erinnern die Via di Castello, eine der ältesten Straßen, und die Kirche von San Lorenzo, die bei der Zugbrücke lag. Mindestens seit dem Jahr 929 gehörte das Kastell den Bischöfen von Volterra. Diese Bischöfe waren es auch, die die Herrschaft über die sich ausdehnende Stadt ausübten. Erst 1199 gelang es den von den Bürgern gewählten Konsuln, Verträge ohne die Zustimmung des Bischofs zu unterzeichnen. San Gimignano war nie Bischofssitz, sondern gehörte zum kirchlichen Verwaltungsbezirk (Diözese) Volterra und erlangte somit auch keine Stadtrechte. Trotzdem verlief die politische Entwicklung der Landkommune in ähnlichen Schritten wie die der großen Städte. Die Regierung der Konsuln wurde durch den Podestà (einem gewählten Administrator) abgelöst. Diesem standen ein kleiner und ein großer Rat zur Seite. Dem großen Rat gehörte eine bemerkenswert hohe Zahl von 1200 Mitgliedern an, obwohl San Gimignano nur 6000 Einwohner hatte.
Die freie Kommune stritt bis ins 14. Jahrhundert mit den Bischöfen von Volterra in langjährigen Kriegen um Besitzrechte. Sie musste gegen die Nachbarorte Castelfiorentino, gegen Colle und Poggibonsi zu Felde ziehen und nahm auf der Seite des guelfischen Florenz an den großen Machtkämpfen des 13. Jahrhunderts teil. Auch innerhalb der Stadtmauern setzten sich die Kämpfe zwischen Guelfen (Welfen) und Ghibellinen (Waiblinger) fort. Es kam zu blutigen Familienfehden zwischen den Familien der Salvucci (Ghibellinen) und der Ardinghelli (Guelfen).
Ab Mai 1300 hielt sich Dante Alighieri in diplomatischer Mission in San Gimignano auf. Vom 15. Juni bis 15. August 1300 amtierte er als eines von sechs Mitgliedern des Priorats, des höchsten Gremiums der Stadt. Im Jahre 1319 versuchte er in seiner Funktion als führender Florentiner Politiker vergeblich, die verfeindeten Parteien zu versöhnen. Eine Kommune wie San Gimignano konnte sich im 14. Jahrhundert nicht mehr neben den Großmächten behaupten. Im Jahre 1348 wurde die Stadt neben Kriegsverlusten und Familienfehden durch die Pest stark geschwächt. Vier Jahre später, im Jahre 1352, begab sich die Stadt unter den Schutz von Florenz.
Die Blütezeit der Stadt dauerte 160 Jahre an, ihr Wohlstand beruhte auf Handel und dem Anbau von Safran, mit dem man Seidenstoffe färbte. Die Frankenstraße verlor im Spätmittelalter allmählich an Bedeutung, weil der Handel die bequemeren Wege durch die weitgehend trockengelegten Sümpfe der Ebenen vorzog. Die Stadt, die einst Gesetze gegen übertriebenen Luxus erlassen hatte, verarmte.
Hochrenaissance (ca. 1500 bis 1530) und Barock (1575 bis 1770) hinterließen in San Gimignano so gut wie keine Spuren. Die Stadt war niemals ein eigenständiges Kunstzentrum. Künstler aus Siena und Florenz malten die Fresken und Altartafeln. Die Paläste und Kirchen zeigen pisanische, sienesische, lucchesische und florentinische Stilmerkmale. In San Gimignano ist die Zeit scheinbar im Jahr 1563 stehengeblieben. Der erste der toskanischen Großherzöge, Cosimo I. de’ Medici, entschied, es dürfen „auch keine geringen Summen“ mehr in diese Stadt investiert werden. Das musste akzeptiert werden, und so ist San Gimignano geblieben, wie es damals war.
(Wikipedia)
Over the next few days I will present some background to the artistic work of the Evandale district's most famous citizen. In the next photograph I'll provide more biographical information, but this painting exhibited in the collection at the Queen Victoria Art Gallery in Launceston, will introduce you to the Glover landscape style.
John Glover arrived in Van Diemen's land on his 64th birthday in 1831. "Glover is best known now for his paintings of the Tasmanian landscape. He gave a fresh treatment to the effects of the Australian sunlight on the native bushland by depicting it bright and clear, a definite departure from the darker 'English country garden' paradigm. Note this example Patterdale Farm (circa 1840). www.artgallery.nsw.gov.au/collection/works/77.1974/
His treatment of the local flora was also new because it was a more accurate depiction of the Australian trees and scrubland. Glover noted the 'remarkable peculiarity of the trees' in Australia and observed that 'however numerous, they rarely prevent your tracing through them the whole distant country'."
en.wikipedia.org/wiki/John_Glover_(artist)
The painting captured in this photograph was made by Glover sometime in the period 1835-1840. He brought with him his European sketchbooks and this was obviously developed from those and his memory. What I think is significant is how much it is already influenced by what would become his well known colonial style. Apart from the ruins, the trees and the landscape are starting to resemble those included in his colonial works. We'll see some of these in the days ahead.
Sometimes I´m just happy about photography with this analog stuff. Just to show the reason why.
6x17 back on Chamonix 045N-2, Provia 100F 120, 150mm Sironar W, Tango drumscanner
This shows you all my pictures from the previous 2 pictures combined all together so if you want to since we've put in so much work all month on the last day you can combine your collages to create 1 big collage!!
I hope these pictures help you to understand and I'm looking forward to seeing all your collages this month in November
(3 of 3)
HMS Example, one of a number of Archer class patrol boats doing a Scottish tour. These vessels are assigned to universities around the country and used as training ships for those interested in a career at sea.
Yeah, I'm taking myself for a little too wise 'n' awesome once more. However, here's a more or less full shot of the current Batcave! Please COMMENT!
A tree on Coochiemudlo Island in Moreton Bay, QLD, Australia.
Canon 5D Mk III with Canon EF 200mm F2.8L Mk II lens. 1/200th sec at F4, ISO 1600. Processed with Photoshop Elements 12.
A great example!
Mileage in between MOTs - 3,748 Miles
Mileage at last MOT - 45,161 Miles
Last Ownership Change - 3rd February 2015
J566 RPG
✔ Taxed
Tax due: 01 August 2016
✔ MOT
Expires: 18 June 2016
Constructed between 1847 and 1849 by the Manchester, Sheffield and Lincolnshire Railway, (MS&LR - later became the Great Central), this is Torksey railway Viaduct, which crosses the River Trent between Lincolnshire & Nottinghamshire, roughly half way between Lincoln and Gainsborough. Designed by John Fowler (1817-1898), who later was one of the two engineers for the Forth Rail Bridge, Torksey Viaduct is a rare, and early surviving example of a tubular girder bridge.
There are two 130-foot spans over the River Trent, each consisting of two massive wrought iron girders - as seen here.
These are supported on stone piers - one in the centre and one at each side. On the Lincolnshire side is a 570-foot approach viaduct of 20 spans, and the bridge proper starts over a small natural island in the river. The position of the Bridge was chosen to use this island to simplify the task.
Captain Lintorn Simmons, the Board of Trade’s inspector, refused to grant permission for the viaduct to be opened, having “entertained doubts as to the ultimate security” of the bridge. After much argument, Fowler, supported by the Engineering profession, won the day, and the first train passed over in April 1850.
The bridge was twice strengthened - in 1877 & 1897, because increasing traffic and train loads. A conventional steel lattice girder (again, seen in this photograph) was inserted centrally into both main spans in the 1897 works, whilst the northern girders were moved out to maintain track clearances.
The "Leverton Branch", as this line (which ran between Sykes Junction near Lincoln and Clarborough, just West of Gainsborough), was known, was closed on November 3rd 1959, with Lincoln-Sheffield trains taking the only slightly less direct route through Gainsborough Lea Road. However, the line to the West of the Trent was reinstated in 1969 to serve the new power station at Cottam's need for coal, whilst on the Lincolnshire side, the line was run from Sykes Junction to the Shell petrol depot at Torksey. Only the viaduct itself remained closed.
The Oil traffic ceased in the late 1980s, and the track is now all lifted (and the road bridge on the Gainsborough-Lincoln road was removed).
Until the early 1990s it was possible the walk across the viaduct - this was no longer possible by the 1990s as the track bed had been removed on the bridge itself, and that part was fenced off. Happily, this was resolved during the las 12 months. The cycling and footpath charity Sustrans have installed the required safety fencing and reinstated the bridge bed on the North side. There is now a fine footpath over the impressive bridge to the riverbank on the Western (Nottinghamshire) side of the river. This shot shows the (still without a track bed) South side of the bridge.
The viaduct is rightly covered by a Grade II* listing but worryingly, also features on English Heritage's Buildings at Risk register.
Camera: Nikon F5
Lens: Nikkor 28-80mm zoom
Film: Kodak Ektar 100
Cool rocks that feel soapy smooth. Ref: en.wikipedia.org/wiki/Chert
The stone to the right is probably:
Cloverly and Morrison Formations (N,S) or Cloverly Formation, Inyan Kara Group, and Morrison Formation (Phanerozoic | Mesozoic | Jurassic-Late Cretaceous-Early) at surface, covers < 0.1 % of this area
CLOVERLY FORMATION and MORRISON FORMATION. CLOVERLY FORMATION--Rusty sandstone at top, underlain by brightly variegated bentonitic claystone; chert-pebble conglomerate locally at base. MORRISON FORMATION--Dully variegated claystone, nodular limestone, and gray silty sandstone. In southern Yellowstone and Jackson Hole areas the presence of Morrison is questionable; CLOVERLY FORMATION (Hartville uplift) or INYAN KARA GROUP (Black Hills) and MORRISON FORMATION. CLOVERLY FORMATION--Rusty to light-gray sandstone containing lenticular chert-pebble conglomerate interbedded with variegated bentonitic claystone. INYAN KARA GROUP--Rusty to light-gray sandstone containing lenticular chert-pebble conglomerate interbedded with variegated bentonitic claystone. Includes Fall River and Lakota Formations. MORRISON FORMATION, in northeast Wyoming, dully variegated siliceous claystone, nodular white limestone, and gray silty sandstone.
Lithology: sandstone; claystone; conglomerate; limestone
For all those swamp enthusiasts out there <3 - Small update to verdant is up! www.nexusmods.com/skyrim/mods/60220/?
1986 Opel Manta GT/E coupe converted to i200 specification.
Last MoT test expired in May 2016.
Anglia Car Auctions, King's Lynn -
"Confirmed by the Irmscher register as one of the UK dealer converted examples. The sale of the car includes a private registration plate, C12 00B, that is on retention. Last MoT'd in 2015, it is offered in need of straightforward restoration. The history file includes the original service book with some early stamps, MoTs dating from 1997 to 2003 and from 2008 to 2015 and a file of various invoices. Mileage recorded at 65,128. Chassis number W0L000058G6056032.
V5 Present
Estimate: £5000 - £7000."
Unsold.
A fine example of Brutalist architecture in Southampton. A well timed passenger jet made an appearance also.
The Valley Inn is a fine example an old Milwaukee tavern. It has many charms...the ambiance created by the faded wood that surrounds you in a venerable building, the simple and unpretentious food, the honest ales and the honest host who serves them come easily to mind. With a little more delving another, more subtle advantage appears: it's inaccessability. The place is tucked and hidden away in "Piggsville". This quaint area, though in the very center of Milwaukee, is stubbornly difficult to find. Although I have lived no more than seven miles away from this enclave for the past 25 years, I came across it for the first time by accident a few weeks ago. Entranced, I vowed to return to sample what it offered.
The southern border of this neighborhood is a major highway. Those who use this elevated road to get home to the dreary western suburbs can have no knowledge of the rich and varied streets that lie below to the north. The patrons of The Valley Inn, I suspect, prefer it that way. They are mostly working folk who, after a shift at the gigantic brewery that forms the northern border of the area, come in to drink a few pours of what they spend their days making. This place is not for people who work downtown on Kilbourn Street and drive home to Brookfield.
Workers, cops on their lunch break, and people who are fortunate enough to live within walking distance of the Valley Inn are its customers. Today I sat at the bar valiantly struggling to disguise myself as a "local" and enjoyed the five dollar nachos and the Riverwest Stein that you see in the picture above. To my right was gentleman who, he told me matter-of-factly, has been a customer of the place for 30 years. Unlike the geographic location of this pub, he was not the least bit inaccessible. We both celebrated together as we watched on the "big screen" the Milwaukee Brewers absolutely decimate the Miami Marlins 12-3.
The Valley Inn ornaments Milwaukee with conviviality and damned good nachos.
www.flickr.com/photos/shankargallery/sets/72157603265917514
Dec 26, 2006 Calligraphy by Richard Lazzara
The Grade I Listed Bishop's Palace, Wells, Somerset.
Construction began around 1210 by Bishop Jocelin of Wells but principally dates from 1230. Bishop Jocelin continued the cathedral building campaign begun by Bishop Reginald Fitz Jocelin, and was responsible for building the Bishop's Palace, as well as the choristers' school, a grammar school, a hospital for travellers and a chapel within the liberty of the cathedral. The chapel and great hall were built between 1275 and 1292 for Bishop Robert Burnell. The windows had stone tracery. Stone bosses where the supporting ribs meet on the ceiling are covered with representations of oak leaves and the Green Man. The building is seen as a fine example of the Early English architectural style.
In the 14th century, Bishop Ralph of Shrewsbury continued the building. He had an uneasy relationship with the citizens of Wells, partly because of his imposition of taxes, and surrounded his palace with crenellated walls, a moat and a drawbridge. The 5 metres (16 ft) high three-storey gatehouse, which dates from 1341, has a bridge over the moat. The entrance was protected by a heavy gate, portcullis and drawbridge, operated by machinery above the entrance, and spouts through which defenders could pour scalding liquids onto any attacker. The drawbridge was still operational in 1831 when it was closed after word was received that the Palace of the Bishop of Bristol was subject to an arson attack during the Bristol riots. These took place after the House of Lords rejected the second Reform Bill. The proposal had aimed to get rid of some of the rotten boroughs and give Britain's fast growing industrial towns such as Bristol, Manchester, Birmingham, Bradford and Leeds greater representation in the House of Commons; however there was no rioting in Wells. The water which filled the moat flowed from the springs in the grounds which had previously chosen its own course as a small stream separating the cathedral and the palace and causing marshy ground around the site. The moat acted as a reservoir, controlled by sluice gates, which powered watermills in the town.
The north wing (now the Bishop's House) was added in the 15th century by Bishop Beckington, with further modifications in the 18th century, and in 1810 by Bishop Beadon. It was restored, divided, and the upper storey added by Benjamin Ferrey between 1846 and 1854. Following the Dissolution of the Monasteries in 1548, Bishop Barlow sold Edward Seymour, 1st Duke of Somerset the palace and grounds. These were recovered after the Duke's execution in 1552.
In the 1550s, Bishop Barlow sold the lead from the roofs of the great hall. This resulted in it falling into a ruined state. It can be seen in an engraving of 1733 but was largely demolished around 1830 by Bishop Law. He created a "more picturesque ruin" by removing the south and east walls and laying out and planting the area previously occupied by the great hall. The palace was used as a garrison for troops in both the English Civil War and Monmouth Rebellion after which it was used as a prison for rebels after the Battle of Sedgemoor.
Bishop Kidder was killed during the Great Storm of 1703, when two chimney stacks in the palace fell on him and his wife, while they were asleep in bed. A central porch was added around 1824 and, in the 1840s and 1850s, Benjamin Ferrey restored the palace and added an upper storey. He also restored the chapel using stained glass from ruined French churches.
The palace now belongs to the Church Commissioners and is managed and run by The Palace Trust. The main palace is open to the public, including the medieval vaulted undercroft, chapel and a long gallery, although the Bishops House is still used as a residence and offices. There is a cafe overlooking the Croquet Lawn. The palace is licensed for weddings and used for conferences and meetings. The croquet lawn in front of the palace is used on a regular basis. The palace was used as a location for some of the scenes in the 2007 British comedy Hot Fuzz, and more recently in the 2016 film The Huntsman.