The Pulverantilists
View allAll Photos Tagged Everpresent
After humans had enough of machines seizing all the power and controls, they incorporated themselves into their designs and created Hybrid computer systems, half organic matter half nanotechnic. The result is Hal15K ... look out for his everpresent watchful eye!!
A Southern Lapwing, widespread and everpresent in the Colombian countryside. Photographed this time in a wetland during the dry season.
One of the many alleys in Mykonos. Such a beautiful place. Around the corner, the doors and shutters are painted red and after another turn, everything is green. Everything against the everpresent white backdrop of the buildings.
A typical springtime Tuscany landscape.
The everpresent green of the fields blends beautifully with the ocre of the farmhouses in Tuscany, creating wonderful color images.
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San Quirico d'Orcia, Tuscany, Italy
© All rights reserved Rui Baptista. Please do not use this image on websites, blogs or any other media without my explicit written permission.
Cumulonimbus storm clouds dump rain in the near background behind the speedy eastbound BNSF Z train approaching the Canyon Diablo gorge. The clouds remained everpresent during my three hour photo session, though not a drop fell on my location near the bridge.
Evening sun angles in the late winter and early spring are very favorable for this location. For westbound trains, you would have near ideal low angle sunlight on the nose and side of the power. For eastbounds there are numerous opportunities for distant glint angles, either on the tangent track near Angell, or after the trains have turned towards the bridge as the one above has.
MP 312.3
BNSF Seligman Subdivision
She's well aware of when we're prepping meals, as she parks herself nearby, and under foot.
Once we start eating, she puts herself into her crate and therefore is respectfully out of sight. Good girl!
Press L for a better viewing experience
#8 on explore (www.flickr.com/explore/2022/08/16)
A beautiful farmhouse in Tuscany, with the everpresent cypress, trees that are so typical of this region.
Having been taken in Spring, the fields are beautiful, with green being complemented wiith some blotches of red (poppies) and yellow (wild flowers).
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Tuscany, Italy
© All rights reserved Rui Baptista. Please do not use this image on websites, blogs or any other media without my explicit written permission.
- Henry Morton Stanley.
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When I was about to move to Los Angeles 6 years ago, like anyone else undertaking a cross country move to a city you have only visited once as a child, I googled Los Angeles. The Wikipedia entry for the city had an absolutely stunning image of the Los Angeles skyline with the snowcapped mountains in the background. It took me a year to finally figure out the location from where you can take the photo.
The first time I visited this location, I was introduced to the bane of photography in Socal, the everpresent smog. I couldn’t even see the mountain and the smog also robbed the skyline image of their sharpness. I later learned that rain would take care of the smog for a short period of time and just after a rainstorm is when you take that beautiful image of LA. Now that sounded straightforward to me until we realized that it didn’t rain for the first two years, we were in LA. Another aspect was the traffic, this park is in the busy Culver City area which seems to be always under construction.
Eventually, this image went away from my mind until last week when I was coming home and suddenly remembered about this spot. Traffic was still nasty, but I was on my motorcycle so decided to quickly see if rainy winter of 2019 has any effect on the view. The recent rains we are having meant the mountains were finally visible and they had a decent bit of snow on them, there was very little smog and I was excited to get the image finally. So I returned in the evening for my sunset shot of the beautiful skyline of Los Angeles.
Unfortunately, by the end of the day, the cloud cover became thick and robbed the sky of any color during sunset and a bit of sharpness during the blue hour. I am now thinking of returning on a morning after a rain to see if I’d have any better luck.
"... to spend some quality time with your breath. Let it be long and everpresent."
(Yoga with Adriene, Relax and Flow www.youtube.com/watch?v=FXPGuNU-BYA )
Yosemite Valley's El Capitan basks in the last warm rays of the setting sun as a window opens in clearing storm clouds along the Merced River. Winter is my favorite time in Yosemite Valley with crowds non existent, lodging plentiful and the possibility of fresh snow everpresent. Temperatures, however, remain relatively mild and snow melts quickly; thus, scenes like this where trees are laden with snow do not last long.This photo was taken along the banks of the beautiful Merced River, which runs thru the entire valley. The light on El Cap was fleeting and lasted only a few precious minutes; constantly repositioning my tripod was a bit difficult in the knee deep snow...next time I'll carry my snow shoes!
View on black or gray / B l a c k M a g i c
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One of the Mediterranean's undiscovered jewels. The epitome of picturesque grandeur, captivating seaside town in the shadow of a steep mountain. Cefalu has a beach, winding, narrow, medieval streets, and delightful restaurants overlooking a rocky coast. All under the everpresent gaze of the Norman-Arab-Byzantine cathedral, one of the greatest churches of southern Europe. Nestled between the Madonie Mountains and the sea, Cefalù's mountain boasts the ruins of a large fortress and an ancient Sicanian-Greek temple. On the northern coast, 75 kilometers east of Palermo, from which it is about forty-five minutes by car, Cefalù (with the accent on the last syllable) is a medieval town built on the site of an ancient Sicanian and Greek settlement. In fact, its name derives from the Greek word for a cape; the ancient city was called Cephaloedion.
Camera Model: Canon EOS 5D Mark II; Lens: EF24-105mm f/4L IS USM; Focal length: 47.00 mm; Aperture: 9.0; Exposure time: 30 s; ISO: 100
All rights reserved - Copyright © Lucie Debelkova - www.luciedebelkova.com
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.
The lighs around the city centre of Xian, the home of the terracotta army. The walled city is surrounded by a moat, with access roads from the north, south, east and west. Nicely lit and landscaped for recreational use, with public spaces, parks and paths. The air pollution was everpresent.
The Southern Railway of British Columbia's westbound Abbotsford switcher climbs one of the many small grades in the Mount Lehman area of Abbotsford, BC. This line's roller coaster grade profile, and everpresent parallel pole lines are a not so subtle clue to it's origin as an interurban railway.
The British Columbia Electric Railway was already a thriving interurban operation in the Vancouver suburbs on the north side of the Fraser River when construction of the new 'Fraser Valley Branch' began in 1909. Enabled by the 1904 construction of the Fraser River Bridge by the Federal Government, the Fraser Valley Branch stretched from New Westminster, through the then rural farming communities of Surrey, Langley, Abbotsford, and finally Chilliwack. Once opened in 1910, the Fraser Valley Branch boasted a healthy ridership in addition to significant business in transporting milk and other farm products into Vancouver for sale. The last interurban trolley ran in 1958, after which the ownership and control was passed on to the crown electric power corporation 'BC Hydro' who continued freight operations as a short line. BC Hydro leased the freight rights, rolling stock, and track to the American shortline operator Itel in 1988, who in turn sold to the current owner, the Washington Group in 1994.
The two MP15DC powering the train wear the same paint scheme that until recently the other Washington Group rail property, Montana Rail Link also used. Of the 14 cars that the train departed Abbotsford with, 10 were dropped at Gifford, and only 4 covered hoppers remain. These would be left at Sperling for their eastbound counterpart from New Westminster to spot.
While 10,781 foot high Mount Baker soaks up the last sunlight of the day in the background, the dense forest on Mount Lehman has been shading these rails from the sun for hours already.
I have to assume that they are the common house lizard in Northeast Madagascar as they were all over the place in Vohemar. That the gecko blended oh-so well with the pink walls of the beach cabin we were staying may even show that it may be one of the everpresent chameleons in the country. I only had one shot so you can actually detect its hurried movement as it scampered away when I took out my camera.
the gold dust day gecko or Phelsuma laticauda
(ID thanks to Ian or reservoir frog)
Vohemar, Northeast Madagascar, East Africa
more pics and journeys in colloidfarl.blogspot.com/
one of the many amanzing natural features on the Azores island of Faial: ginormous fern trees a grown man could easily stand and walk underneath. Combined with the almost everpresent fog due to the high moisture they made for a fab scenario to photograph.
Oh, YESS!!!! SUCH a blessing to meet a human Angel at a Heavenly Mosque!!!
I met her at the courtyard of the Mosque of ancient Cordoba, at its huge patio, full of Orange Trees, and works of cultural treasures! The Universal God is everpresent in this sacred place!! People in there are naturally serene, happy, and speak calmly and politely, being touched by THIS Presence! She was sleeping like you see her, comfortably, on the back of her young mother. Her young , gentle Mama gave me her kind permission for this unforgettable capture! I need to see this face sometimes, before going to bed at night....
**** Wishing you ALL an....Angelic weekend!!!!
Although you wouldn't be able to tell it from the everpresent lack of headlights, LNAX 4023 is leading back west at Willett Hollow, seen here just having come out of the tunnel.
Posted on Father's Day, 2021 for "All Things Dad' Our Daily Challenge topic.
Dad & me holding hands. Summer 1948, Naggs Head, N. Carolina. We probably just watched a sand castle be erased by the tiny wave action. Dad was a very joyous person and never more relaxed or happy than on, in or beside water. I'll add a few more pix from our vacation place in Naggs Head below. Dad was killed by a drunk driver in 1972 when he was 59 but often through all the years between then and now I feel his presence. Its wonderful today to find this photo of holding hands with him. His joys, curiosity & steady, everpresent, kind strength still guide me. Still love you Daddy, Still holding your hand.
something like quintesential slovakia. mountains, wide stretched crop fields, castle ruins and everpresent churches or chapels. seasoned with a lot of sun and some rain
This exquisite creation of the Human Heritage , which dates back to the 10th century, is impossible to be described by simple human words! While strolling in it, enchanted by what I was seeing and feeling, it constantly reminded me of another exquisite Human Heritage in the East : The Christian Greek Byzantine wonder of Agia Sofia//St Sophiea ( = “Holy Wisdom" in Greek) .This magnificent huge Christian Cathedral, found in Constantinoupolis (meaning “ The City of Constantinos” in Greek), has been turned into a Mosque nowdays !!! But, even so, BOTH in Agia Sofia, AND in Cordoba’s Mosque (Mezquita ) -- which now houses a Christian Church inside it -- the blessed UNIVERSAL God is everpresent, independently of human religions, fanatism , or atrocities…!!!! And THAT is the common Divine Beauty AND Truth that unite these two different Human Cultural Wonders of prayer, at least in my heart!……..
*** Please, enjoy here an excellent VIDEO concerning the Cordoba’s Sublime Mosque :
www.andalucia.com/cities/cordoba/mezquita-video.htm
*** In LARGE!!!
Eastbound 122 passes a horse farm in Sangamon under the everpresent shadow in Decatur of ADM in the background. Mr. Ed don't care....
Rockfalls are an everpresent danger in the roads of Sangla and cause frequent road stoppages.These must be patiently borne because help does usually arrive,though sometimes tardily.
A723-22 crosses over what was once Central of Georgia track from Columbus, GA to Andalusia, AL. They everpresent Kudzu vines have pretty much taken over the track bed.
November
Hope everyone is enjoying the last day of the year! Stay safe out there! Don't know if I will get my year-end pic processed before the night is through, still catching up with so many to process, jumping back and forth...keep pushing on...
Today will be the last of year 3...consistently taking an sp every day, even though this last year the processing of them has piled up... =( though the goal is to finish each and every one of them...I anticipate a new year filled with new ideas, new beginnings...and year 4 of sp's is here to unfold as it may...
Thank you all for your friendship, comments and visits throughout the year and past...I truly appreciate it...thank you for sharing your world and photos!! Such a gift!!! Many blessings to you all as this year ends and a new one begins! May the light shine in your path and be an everpresent glow in your lives! <3
This photo of our Back Garden, like all the secondary photos, is taken during the last 10 days.. The Cherry Trees have no blooms any more , and they are full of new tender leaves... The Lilacs and the Big Pink Rhodo , together with the Azaleas, give the basic Spring colours to our Garden right now... All my borders are -- again!!--- full of weeds, so a lot of new gardening work for me ahead!! The Delphiniums are quite tall already and they need staking , while the Clematis need me to give them more support for their fresh, curly stems...SO!! This is what I mean talking.... about "my garden babies"!! They always need me everpresent in the garden !!!
Chitkul, the last inhabited village on the Indian side of Indo-tibetan border, is accessible from Sangla which itself is approached from Karchham on NH22 after crossing the Karchham dam on river Sutlej. Sangla is about 22km from Karchham via a highly treacherous and narrow, slideprone road which climbs steeply from 4500ft to nearly 9000 ft. Sangla to Chitkul trip (about 28km) by a semblance of a pitch road, more broken than intact, can be made on a day basis or one can stay in various hotels in Chitkul for a day or two. The former is usually undertaken as Chitkul's weather is very fickle and sudden rain, snowfall or landslides may make plans go awry. The chitkul hotels are also costlier,no medical facilities available and chances of being stranded high. One party of tourists were stranded by sudden landslides and had to be evacuated by 'copter after being stuck for a fortnight in 2010.On the other hand stay in Chitkul would reward one with sunrise and sunset views which are nothing short of magical. Also a detailed viewing of local sights like the buddhist temple, Baspa river, potato farms, army camps, further forays upstream of Baspa towards border by trekking (border is 90 km away) is only possible if one stays for 2 to 3 days. Nights are bitterly cold so anyone with cardio respiratory problems should undertake the daily trip from Sangla (8hrs approx.return trip).All supplies, including fuel and drinking water, must be bought at Sangla which is considerably cheaper. Always take local drivers not only because they know the road well but they are more alert and aware of unpredictable rockfalls which are an everpresent threat..
choices, paths, turns we can choose...all opportunities are everpresent. Acknowledge the missed ones and prepare for the next one! Regardless of one's individual perspective, we are all heading, ultimately, in the exact same direction....
Orange and yellow are two of my favourite colours, and I have lots in the garden !! In the Keukenhof Gardens of Holland (www.keukenhof.nl/en/ ) they are everpresent, together with all the rainbow colours! Unfortunately, last Spring was very ….rainy, like this one…Let’s hope, that until the end of April, when we are visiting Keukenhof, things will get better….
Reposting this photo...one of the first photos I uploaded to Flickr, many years ago. Thanks for all your visits! I'll look forward to responding by visiting your photostreams!
Reflections, boats, water, colors. This is Venice! Off season it is a delight to walk everywhere among all the boats and canals, in the little streets and squares. I spent an excellent ten days there, enjoying so much the everpresent calm and beauty of water. This particular day it had been raining but a break in the clouds gave us this brilliant reflection. Moments later, as the sun disappeared behind the mist, it was gone! There is a series of these gondola images at the Orseolo Basin, all taken during that magical few minutes when the sunshine poured through and painted a dazzling scene.
Orseolo Basin behind Piazza San Marco is a 'gondola station' .... a place where a lot of gondolas are moored and from where they continually glide in and out on their daily journeys. It's a great spot from which to enjoy these ancient boats with all their detail, as well as all the friendly banter among the gondolieres as they help guests in and out of these elegant crafts.
A celebration of Aboriginal and Torres Straits Islanders art, life and culture at the National Gallery Singapore during Ever - Present : First Peoples Art of Australia exhibition.
After a three hour drive from Inverness, we set sail across the Pentland Firth crossing to Orkney..
The marine haze was everpresent as we viewed distant headlands.
Some places are hard to photograph, at least to get the composition and mood I want to express. Everything seems to be there: the charming location, the pleasing light, cooperative weather. There might even be a spot to place the tripod with a moderately low risk of knocking it down to the water. But I struggle. First, to find the exact placement of the camera. Moving it up and down, left and right, inch-by-inch, I'm looking for the right relationship between foreground and background objects. Then I find that falling water creates air turbulence that moves leaves and branches, and I'm patiently waiting for a short break in this everpresent movement. And then random hikers enter into my composition, taking their pictures or just standing and enjoying the sights. And I have to wait for them to leave. Making one picture could take twenty minutes or more than an hour. Or it might not happen at all. But I never consider that time wasted.
A celebration of Aboriginal and Torres Straits Islanders art, life and culture at the National Gallery Singapore during Ever - Present : First Peoples Art of Australia exhibition
Not my usual subject but when the opportunity presents itself...
I had turned around to see what the sky looked like to the east on this particularly nice sunset evening to see one of our cats at the edge of the everpresent end-of-the-driveway puddle. He was moving around so I set up the camera and made some screeching noises which froze him in his tracks long enough to capture three bracketed images. There is a 12x18 print of this hanging in my wife's office and she tells me it gets more comments than any of my 20 photos hanging there. :)
Since I have had little time to get out and shoot new images I've gone into the archives to search out shots that might benefit from processing skills developed over the past year. This is one of those.
Happy New Year to all!! :)
Please take a moment and click on the image to see it large on a black background. Or open the "Original" size for a good look at "Fluffy"(he's cool with the name I think). Thank you in advance for looking at my work and for any comments, critiques and favorites. :)
And please, please don't use my images without my consent.
Yiscor, The Prayer Service for the Dead, on Yom Kippur by Moshe (aka Maurycy) Gottlieb
The artist's self portrait is standing to the right of the seated rabbi, looking outwards. The inscription on the Torah scroll says "Donated in memory of our late honored teacher and rabbi Moshe Gottlieb of blessed memory 1878"; it is an epitaph for the artist.
All figures depict people from Gottlieb's early life in Drohobycz. The artist himself appears three times: as an adult wearing a pendant standing to the right of the Torah, as a child at lower left wearing the same pendant, and as a boy at the far right. The woman he courted, Laura Rosenfeld, appears twice: at the top left, standing and holding a closed prayer book, and second from the right on the top row, next to her mother.
(Summarized from notes by the Tel Aviv Museum.)
(Also see: www.yu.edu/straus/machzor for two fascinating videos on Yom Kippur.)
Jews praying in the Synagogue on Yom Kippur. (1878 painting by Maurycy Gottlieb aka Moshe Gottlieb)
From Wikipedia, the free encyclopedia:
Artist: Maurycy Gottlieb
Year: 1878
Medium: Oil on canvas
Location: Tel Aviv Museum of Art, Tel Aviv
Jews Praying in the Synagogue on Yom Kippur was painted by Polish Jewish artist Maurycy Gottlieb in 1878. It depicts Jews in the midst of the Yom Kippur service, on one of the holiest days of the Jewish calendar.
Yom Kippur is the Jewish holiday of repentance, a time for Jews to repent for their sins and reflect on their behavior in the past and coming year. As Soussloff writes in Jewish Identity in Modern Art History, "Yom Kippur is also the occasion in the Jewish year when the dead are solemnly commemorated (in the service called Yizkor), and Gottlieb has injected into this picture several prominent self-memorials." In his book Painting a People, Ezra Mendelsohn confirms that Gottlieb’s subject in this painting is the Days of Atonement: "Nathan Samuely, who discussed the work with Gottlieb in 1878, does specifically connect it, in his German essay on the artist published in 1885, with Yom Kippur, and informs us that the artist himself had the idea of painting it during the days of repentance preceding this holiday."
The painting is composed of glazed (semi-transparent) oil paint. Gottlieb used the technique of impasto (wide, three-dimensional brushstrokes), and physically created patterns from the paint. This contributes to the painting's richness and depth.
Contents
1 Content
2 Themes and motifs
3 Notes
4 References
Content[edit]
The figures in the painting appear solemn, and some appear to be in anguish, particularly the central figure (the artist himself), leaning his head on his hand. The adult men are wearing tallitot (ritual garments often referred to in English as prayer shawls) and kippot (head coverings). There is a Torah scroll in the center of the composition, stained glass windows in the back, and candles on the top left. Women look on from the women's balcony; it has been suggested that one of the women is a depiction of Laura, the artist's fiancée.[1]
The artist Maurycy Gottlieb appears in the painting three different times, depicted in different stages of his life. In one self-portrait he is an adult, in another, he is a young child, and in the third self-portrait, he is depicted as an adolescent. Ezra Mendelsohn writes, "Maurycy himself stands, in a colorful, exotic-looking talith, with head in hand. On the left we have the artist as a small boy, wearing a medallion with his initials written in Hebrew. On the extreme right is a young male figure, perhaps again Maurycy, reading from the prayer book alongside a man who might well be his father. Malinowski assumes that this is the case when he says that the painting presents 'an account of [the artist's] whole life'."
It has been suggested that the artist placed his fiancée Laura among the female worshippers, at the right of the column whispering to another woman (perhaps her mother), and to the left of the column, holding a prayerbook in hand. In the painting, many of the figures are people that are close to Gottlieb or people he knew at the time. As said by the Tel Aviv Museum of Art, Maurycy Gottlieb created this work of art at the young age of 22 years old; a year later, Gottlieb was dead.
Themes and motifs
There are many characteristics that create a somber tone within this painting. Author Jonathan Boyarin described motifs present in the image as “sadness, nostalgia, and beautification. There is no religious ecstasy, no intensity of emotion, only a pervasive melancholy.” The holiday of Yom Kippur is a solemn holiday when it is said that the Book of Life is sealed, and the fates of all those living are decided for the coming year. Certainly, this aspect of the occasion would contribute to the sobriety of its depiction.
The somber character of the painting may also reflect the time in which it was painted. During the late 19th century, Jews in what is now Ukraine were living under the auspices of the Russian Empire, in the Pale of Settlement. Antisemitic discrimination was systemic and everpresent, and pogroms and expulsions occurred. Living under this regime in a time of deep antisemitic discrimination and political instability may have had a major impact on Gottlieb's work.
However, the painting may also evoke the anguish Gottlieb experienced in his personal life. Gottlieb may have suffered from depression, and, in fact, referenced his own suicide in the painting. The mantle of the Torah scroll is inscribed with a Hebrew dedication: "... donated in memory of ... R. Moshe [Maurycy’s Hebrew name] Gottlieb, the righteous of blessed memory."[2] A year after the painting's completion, the aforementioned Laura married another man, breaking her engagement with Gottlieb. He became ill and died shortly thereafter; some believe, as a result of physical ailment, but others suspect it was death by suicide due to deep depression.
Notes[edit]
^ "Jews Praying in the Synagogue on Yom Kippur". Tel Aviv Museum of Art. Retrieved 31 May 2018.
^ "Jews Praying in the Synagogue on Yom Kippur". Tel Aviv Museum of Art. Retrieved 31 May 2018.
References[edit]
Maurycy Gottlieb, Jews Praying in the Synagogue on Yom Kippur. Tel Aviv Museum of Art, accessed January 31, 2017, www.tamuseum.org.il/collection-work/8224.
Boyarin, Jonathan. "Painting a People: Maurycy Gottlieb and Jewish Art." Slavic Review 2004.
Gilya and Schmidt. The Art and Artists of the Fifth Zionist Congress, 1901: Heralds of a New Age. Syracuse University Press, 2003.
Małaszewska, Wanda. "Gottlieb, Maurycy." Grove Art Online, accessed March 19, 2017, oxfordindex.oup.com/view/10.1093/gao/9781884446054.articl...
Mendelsohn, Ezra. Painting a People: Maurycy Gottlieb and Jewish Art. Hanover: University Press of New England [for] Brandeis University Press, 2002.
Rishon, Mekor. "Jews Praying in the Synagogue on Yom Kippur by Maurycy Gottlieb." Accessed January 31, 2017, yaelmaly.blogspot.com/2016/10/jews-p praying-in-synagogue-on-yom-kippur.html.
Soussloff, Catherine M. Jewish Identity in Modern Art History. Berkeley [u.a.]: Univ. of California Press, 1999.
Categories: 1878 paintingsNeoclassical paintingsJews and Judaism in artReligious paintings
You can find the "chilli-lime contraption" all over India. It is used to ward off evil spirits, much like the "blue evil-eye device" in Turkey.
Jaisalmer, India
2007
| Arjun Purkayastha • travel & fine art photography • | Facebook page |
Its just warm love
Its just warm love
And its everpresent everywhere
And its everpresent everywhere
That warm love
lyrics by Van Morrison
Epic is a word whose overusage might cause it to throw up when used to describe the sheer beauty of the vistas on this trail in Grand Teton National Park. Existing superlatives aren't sufficient to portray the jaw-dropping landscapes one experiences on this trail. Mind-blowing scenery and mind-numbing effort come together as conjoined twins through every mile of the 36-mile long journey through the heart of the Tetons. This IS the Teton Crest Trail.
Lake Solitude: its very name conjures up images of peaceful serenity and tranquil wilderness. And its satellite view reflected upon towering granite peaks surrounding this beauty all around! And so, on the third day of the epic hike, after dragging 40lb of backpacking and photography gear through the heart of the park in temperatures that would make one wish he had dragged along and AC, I had my mind set on getting a decent sunset shot on this lake.
Unfortunately, the conditions were less than stellar. The mysterious clouds, which were so everpresent the last two days, had decided to take a rain-check today and the haze from a fire two states away realized it was the right time to come and play spoilsport. So I had to make do with camera tricks, including retrieving my trusty Blue-n-Gold Polarizer to extract some colors from a dull and colorless sky! A wide angle lens with an attached GND filter was utilized in this 2s exposure at ISO 100 and F14
Grand Teton National Park
WY USA