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Burrowing Owl - Young - Testing it's wings. From my archieves.
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I can hear little clicks inside my dream.
Night drips its silver tap
down the back.
At 4 A.M. I wake. Thinking
- Anne Carson, The Glass Essay
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NS 1700 leads Conrail OI-16 off NJ Transit's North Jersey Coast Line and onto the Amboy Secondary at ESSAY in South Amboy. ESSAY Tower may soon be torn down with the construction of the new Raritan Bay Draw Bridge.
È vegetariana o vegana solo una percentuale bassa della popolazione italiana (circa l’8%), ma l’ultimo rapporto dell’IPCC (Intergovernamental Panel on Climate Change) è molto chiaro nel sollecitare la popolazione mondiale “a favore di diete che implicano un minor uso di risorse.” Secondo il rapporto, un deciso cambiamento delle nostre diete in senso vegetariano potrebbe liberare milioni di chilometri quadrati dallo sfruttamento intensivo, riducendo le emissioni di CO2 fino a sei miliardi di tonnellate l’anno rispetto ai livelli attuali.
Ma chi sceglie di diventare vegetariano o vegano non lo fa per un astratto amore verso l’ambiente o per il futuro dell’umanità, quanto piuttosto per la raggiunta consapevolezza della simile sensibilità delle altre specie con la nostra, e del pari diritto alla vita. E’ del 1975 il saggio del filosofo Peter Singer “Liberazione animale”, un testo fondamentale dell’animalismo e dell’anti-specismo.
Ho fotografato alcuni miei amici vegetariani o vegani.
Only a low percentage of the Italian population is vegetarian or vegan (about 8%), but the latest report by the IPCC (Intergovernmental Panel on Climate Change) is very clear in urging the world population" in favor of diets that involve less use of resources. " According to the report, a decisive change in our diets in the vegetarian sense could free millions of square kilometers from intensive exploitation, reducing CO2 emissions by up to six billion tons per year compared to current levels.
But those who choose to become vegetarian or vegan do not do so for an abstract love for the environment or for the future of humanity, but rather for the awareness of the similar sensitivity of the other species to ours, and of the equal right to life. 1975 was the essay by the philosopher Peter Singer "Animal Liberation", a fundamental text of animalism and anti-speciesism.
I photographed some of my vegetarian or vegan friends.
15 photos
Sublime Essay.
Modo dicitur infinitum dissimilium partium aquae demonstrationes immobilem intermedia absurdas rationes animadverti mutationes,
попередні аргументи вниз напрямки труднощі регіони необхідні пересування довільні місця розумні позиції особливих величин чіткі лінії,
le divisioni percepiscono modi diversi di ostacolare le distinzioni che possiedono conseguenze che ruotano i sistemi all'interno delle parti simultanee del confine,
la légèreté infinie suppose que les masses tiennent grandes les grands poids proportionnels du raisonnement proportions inverses temps égal temps continuellement décroissant,
vernietigbare referenties toegepaste woorden predikeren moeilijkheden evenredige afmetingen maximale toepassingen mogelijke kwantiteit overwegingen,
発言位置の確認は世界の高度な制限障害アカウントセンターは自然な場所で異議を唱えます無関心な四肢は作家の重い事実を想定重い事実.
Steve.D.Hammond.
I'm still making my images using an old and simple 2009 version of photo manager software produced by ACDSee. And during the last two decades I've used it to produce 37,538 original image variations, only 4589 of which appear on Flickr - the rest sit on my hard-drive and now serve as an almost endless source of raw material for new abstracts. Not sure what to do about using AI to produce artwork. This old guy may just continue to use his 2009 copy of ACDSee. Cheers. H
www.youtube.com/watch?v=LOZuxwVk7TU
...Do you feel me now?
With a taste of your lips, I'm on a ride
You're toxic, I'm slippin' under
With a taste of a poison paradise
I'm addicted to you
Don't you know that you're toxic?
And I love what you do
Don't you know that you're toxic?
338/365/2023, 4721 days in a row
it has been over 30 years since I had to write an academic essay, to say it's not going well might be an understatement.
Raw + ACR + texture
Thanks to my friend Kerstin Frank for the beautiful texture:
www.flickr.com/photos/kerstinfrank-design/
I love shooting still lifes incomplete ... simple, for catch your eye and then your thinking ..... leave space so you can create your dreams ...
Hasselblad 500 c/m
80mm Planar lens f/2.8
Kodak Portra 400VC
I think I found my next photo essay. Interesting cars with my hasselblad. A very easy target though. This will be a work in progress.
At the start of this year when Graham’s 318 Coffee House in Geneva reopened after major renovations I popped in to tell the owner Bob how much I admired the new look. I mentioned that I especially enjoyed the meandering path that leads to the front door. I wondered aloud if it was deliberately made with such tight curves in order to slow folks down, as in some Japanese garden designs where paths can sometimes take an unexpected or abrupt turn in an effort to slow down the walker and make them more conscious of their surroundings. Bob replied that while that’s a beautiful principle that he was unfamiliar with, the real reason for the tight meander here is more functional: should the path from the sidewalk to the front door be a straight line, it would be too steep a grade for wheelchairs to make. I found this an interesting example of how our manufactured surroundings are a vibrant mix of both the aesthetic and the practical.
Sitting in the Engineer's seat on a GG1 headed to New York, we pass ESSAY Tower in South Amboy. Actually I'm riding backwards in the trailing cab of G 4873 as we head for the engine terminal at South Amboy. May 1982.
Ensaio...
Vale do Sorraia - Coruche - Portugal
Pentax K-1 Marck II + Sigma EX DG 28mm f1:1.8 Aspherical
A short essay on historical archeology.
A 3 bracketed exposures hdr processed through Photomatix. The color version looks natural and realist, but personally I believe that with some exceptions bw fits better this specific genre. Not exactly my comfort zone, and probably it will not be my most popular image, but I can very well live with that.
Tech: ISO 200, f/9, 12mm.
1. lichen in hand, 2. yellow lichen on tree, 3. lichen in the snow, 4. lichen on hummingbird nest, 5. lichen on fence post, 6. lichen on old water tower, 7. lichen at green lane, 8. lichen on rock, 9. wet lichen
Flowers or Fruit on The Photographic Journal
Ever since I first picked up a camera, it’s always been about connection. The more personal my work gets, the more I dig deeper for meaningful connections.
I’ve always loved creating themes, searching for big ideas. Sometimes they’re easy to find, other times it’s a process. But experimentation is always a part of it. That’s how I keep everything fresh, exciting, and unknown.
This shoot—which happened in three parts—is an extension of my last two photo essays, which focused on utilizing my surroundings. I love creating a range with my subjects, and this was no exception. Abigail brought a playful enthusiasm everywhere we went.
I’m honored to be The Photographic Journal’s photographer-in-residence for 2020. Here’s to the journey ahead.
Model: Abigail VanSteenberghe
Style Teammate: Bliss Katherine
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National Library of France ~ Paris ~ MjYj
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