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oder wer sich hinten anstellt, bleibt ungefressen.
Leider habe ich den vorderen Gecko nicht noch mit drauf bekommen, dann wäre die Nahrungskette anschaulicher.
So gesehen unter dem Dach der Dschungelunterkunft im Regenwald am Kinabatanganriver in Malaysia/Borneo.
Finding the postcode, state, & suburb is often tricky. We use an autocomplete field to query our Really Big list of postcodes and suburbs and such - reduces the amount of input error markedly.
Why don't all of my images load in IE or Firefox? Do I have some settings that I can correct? I was told that it might be Norton; do any of you know why I can't view all images at once on dpchallenge?
Más curioso aún porque el parquecito pertenece a la iglesia de la Plaza de la Encarnación, Madrid 2008 © Sonia de Viana
Errors on Google Groups. The topic title is missing, and the captcha image displays this error:
"Sorry, we are unable to handle your request at this time,
please try again later."
Bad enough that there's a (persistent) error, but it's not even properly formatted -- it's barely legible.
(Purely a matter of preference, but that should be "e-mail", not "email".)
"The result of a failure, genetic error. A system out of control, creative energy. Transformed into hatred, a twisted perception of truth."
November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography
Sometimes you just despair looking at error messages on computer programs. Prime candidate today - Outlook 2010. Unless I've been to hospital, this isn't really helpful at all.
November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography
Encuentra el error ortográfico ...
Encontrado en el portal de noticias de El Economista, pueden ver la nota en:
eleconomista.com.mx/notas-online/finanzas/2008/12/29/expr...
must be me - i like dell and use to work there, yet i managed to produce this non-graceful error page :)
hopefully the online group is working to fix this right now...
En la vida puedes cometer un millón de errores y arrepentirte de haberlos cometido y en cambio hay otros, o más bien unos pocos o puede que quizás uno, que cometerÃas un millón de veces si hiciera falta! Porque es por ese error que sonrÃes todas las mañanas, por ese error sonrÃes estando sola... Si esa es la clase de errores que solo cometes una vez en la vida... pensándolo bien... no es un error, es un regalo, un deseo cumplido, quizás un destello del destino o quizás tú destino. Esas son las cosas que nunca planeas y al final pasan, son las cosas de las que te sientes orgullosa, son las cosas que te hacen feliz... no me equivoco otra vez! no es una cosa, es una persona, es esa persona que te hace feliz, que te complemente y que la mayorÃa de las veces te completa del todo. y no lo entiendes, apareció sin más, no lo estabas buscando o más bien no buscabas nada, te dejabas llevar por el aire, abriste tus alas al viento y ellas te guiaron, decidieron llevarte hasta a él y tu sin oponer resistencia. Es que oponer resistencia al destino es como esperar que el mar deje de moverse, es como intentar contar las estrellas sin perderse... asà que mejor dejarse llevar, dejarse guiar.
Y aquà estoy feliz de haber cometido errores, de dejarme llevar, de ser yo!
Simplemente soy feliz de estar donde estoy, con la persona que quiero, con la gente sin la que no podrÃa seguir adelante, sin mis sueños guardados en cajas, con las esperanzas de un mañana… errores… me encantan los errores ;)
Error in The New York Times. As you can see from the screenshot, the article says: "Lee Edward Evans was born on Feb. 25, 1947, in Madera, Calif., the oldest of seven children of Dayton and Pearlie Mae Evans." (www.nytimes.com/2021/05/19/sports/olympics/lee-evans-olym...; archive archive.ph/e0i7n).
However, in an interview conducted with Counter Punch in 2004 (www.counterpunch.org/2004/04/09/bringing-the-black-freedo...), Evans said he was a middle child: "I was the middle child. It was seven of us total. I had two older brothers and an older sister and two younger brothers and a younger sister, so I was right in the middle."