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"The result of a failure, genetic error. A system out of control, creative energy. Transformed into hatred, a twisted perception of truth."
November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography
Sometimes you just despair looking at error messages on computer programs. Prime candidate today - Outlook 2010. Unless I've been to hospital, this isn't really helpful at all.
He cometido muchos errores. He llorado por quien no debÃa y he reÃdo con falsas amistades. He tropezado dos veces con la misma piedra y cuando pensaba que ya no lo harÃa más me empujaron y caà estampada con la tercera. He perdonado mucho, hasta que me tomaron por tonta. He callado te quieros que por miedo o por inseguridad se quedaron en el aire y he regalado te quieros simplemente por cumplir. Ha habido veces que me he despertado con ganas de comerme el mundo y otras que parece que el mundo me comÃa a mÃ. He gritado con fuerza pero mi voz nunca salÃa. He callado verdades por no hacer daño. He salido sin ganas de fiesta y he vuelto con los tacones rotos de tanto bailar. Hay dÃas que dormÃa solo para poder verte en mis sueños y dÃas en los que no podÃa dormir pensando que a la mañana siguiente te tendrÃa a mi lado. He pasado por fases. He sido una niñata inmadura e insensible y he madurado a base de palos. He creÃdo en lo imposible hasta que se destrozaron mis metas.
He disfrutado de pequeños detalles…y he aprendido poco a poco en qué consiste la vida. El secreto de la vida está en no arrepentirse de nada y afrontar todo con una sonrisa. El secreto de la vida está en vivirla.
November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography
This bug's a mystery: when attempting to copy a file from one hard drive location to another, Vista complains it can't read the hard disk because of a network error.
Uh... OK.
I think it's time for me to start getting a little more Photoshoppy. Up to this point I've totally focused on making my photography better but I intended all along to mix more editing back in once I started improving. I've never really shown off what I can do Photoshop-wise on Flickr yet, I hope you all like it when I do.
must be me - i like dell and use to work there, yet i managed to produce this non-graceful error page :)
hopefully the online group is working to fix this right now...
Error message when running out of memory during a PeopleCode dump. "Unrecoverable error: out of available memory. Requested 659272 bytes. Memory status (MB available/MB total): Physical 62/1023; PageFile 10/4006; Virtual 759/2047"
View psst0101.wordpress.com/2008/03/25/peopletools-tip-peoplec...
November 10, 2018 at 2:00pm- 3:30pm at Centrespace Gallery, VRC
Taking this idea as a starting point, we would like you to interpret this principle
Sustain your errors, is a series of workshops and events re-interpreting a set of ideas by artist and musician David Cunningham first used for his 1976 album Grey Scale.
In an introduction to the project taking place during NEoN, writer Cicely Farrer invites artist Katie Hare to together explore the ‘error system’ in the algorithmic age, through dialogue, sound, projection and human movement, extending Cunningham’s album in a new performative encounter.
Katie Hare is an artist whose work examines the effects of the increasing rapidity of technological progress, particularly with regards to memory and obsolescence and the way narrative and storytelling is shifting as a result of this development.
Introduction to David Cunningham’s Error System
David Cunningham’s art work evades visual description as it is mostly real-time sound based and site specific. His installations and performances are experienced across sound, music, light, movement and the architectures of space. He frequently uses a systems approach. This systems approach could be through a sound loop, overlapping cycles, a set of instructions, collaborative conditions or the space the work inhabits.
Sustain your errors draws on an early work of David’s, Grey Scale, for which he set up scores/instructions in the production of his sound work in the late 70s. In its original form, Grey Scale is an album that was originally released as a vinyl record in a grey card sleeve in 1976. The album features tracks which are played across a range of instruments, percussion, tape recorders, synthesisers and water.
The project is based on conversations between Cicely Farrer and David Cunningham around ways of interpreting the scores and their guiding principles. Cicely has received mentorship from artist Pernille Spence.
Supported by the National Lottery through Creative Scotland.
Image Credit: Kathryn Rattray Photography
I installed the new Zune Software, but every time I start the software, I get an error....
The Zune software is still working, except it does not recognize the Zune (HW v1, new FW 2.1) device (drivers install successfully).
I removed and reinstalled everything, but that didn't change anything. On my home computer this works fine.
Any ideas?
Intervention, land– art_ Besançon / 2018
Chalkspray on dead tree trunk. 4th piece of my Error series. I am looking for pieces of nature inside cities that are left there by the city workers who didn't remove them yet. These are kind of error's for nowaday's cities which try to be clean artifficial and civilized theme parks for consumers. www.sgnlr.com