View allAll Photos Tagged Encapsulates,

Encapsulating the Christmas idyll, nativity scene in Mogiła Cistercian Abbey, Krakow, Poland

This moment encapsulated Piers' character pretty well to me, so I'm really happy with this shot :)

 

At Unsensored 2010. Tri-X rated at 200 developed in XTol stock

Microscopic photo showing encapsulated lobulated lipomatous lesion with vascular congestion. The capsule is lined by benign mesothelial cells indicated by yellow arrows. H&E stain. Original magnification 10X. Jian-Hua Qiao, MD, FCAP, Los Angeles, CA, USA

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The U.S. Air Force’s Global Positioning System (GPS) IIF-6 satellite is encapsulated inside a 4-meter-diameter payload fairing in preparation for launch atop a United Launch Alliance Delta IV rocket. Photo credit: United Launch Alliance

The Wideband Global SATCOM-9 (WGS-9) spacecraft for the U.S. Air Force is encapsulated inside a 5-meter-diameter payload fairing in preparation for launch aboard a United Launch Alliance Delta IV rocket. Photo credit: United Launch Alliance

The U.S. Air Force’s Global Positioning System (GPS) IIF-6 satellite is encapsulated inside a 4-meter-diameter payload fairing in preparation for launch atop a United Launch Alliance Delta IV rocket. Photo credit: United Launch Alliance

This shows the encapsulated underguide. The cover guide can be encapsulated in the side wall of the pool under the deck edge. The deck edge can formed by using a deck forming system or brick or stone can be installed over the encapsulation. Encapsulating the cover guide is the preferred method by many pool builders because it's ease of installation and service.

 

www.coverstar.com

In this contemplative series, still life meets the threshold of a new year, weaving together the quiet minimalism of Vilhelm Hammershøi, the haunting intimacy of Sally Mann, and the ethereal charm of anime. These images encapsulate the delicate, unspoken moment when one stands at the edge of time—between what has been and what is yet to come. Through subdued palettes and poised compositions, the series explores the fragile beauty of beginnings: untouched, pristine, and full of possibility. Here, the silence whispers questions of hope and trepidation, inviting viewers to reflect on their own passage into the uncharted days ahead.

  

Upon the cusp of time's embrace,

A canvas stretched in empty space,

Where shadows rest and light takes form,

A whispered calm before the storm.

 

Eyes cast outward, hearts within,

Await the year about to begin.

Fragile threads of hope entwine,

Moments poised, both yours and mine.

 

A porcelain dawn, untouched by pain,

Promises made, though none are plain.

In stillness, truth and dreams reside,

A world reborn as days collide.

 

What will the turning hours bestow?

A gentle tide or undertow?

The answer lies beyond our gaze,

In time's unfolding, endless maze.

 

So stand you now on year's threshold,

A tale unwritten, yet to be told.

Breathe in the quiet, step with care,

For the future waits, unmarked, laid bare.

  

New year's tender edge—

Shadows linger, light begins,

Time unveils its face.

 

Whispering stillness,

Unseen paths before us bloom,

Hope bends with the light.

 

Porcelain moments,

Fragile threads in quiet hands,

Year of dreams unfolds.

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August 31, 2011 - Product Recall - Pure Encapsulations, Inc. Issues Allergy Alert On Undeclared Egg Allergen In Prenatal Nutrients. For additional information, please refer to the company issued press release available on FDA’s web site at www.fda.gov/Safety/Recalls/UCM270430.

The museum contains an interactive environment rich in history, while encapsulating the architecture and social history through its town centre location. The building is prominently located within the historic walled town of Ludlow, forming a key focal point at the head of Broad Street. The Buttercross occupies the main approach to the town centre from the south, forming a pivotal point on the dramatic spatial progression that leads from Ludford Bridge via Broadgate to the Ludlow Castle gates.

 

Ludlow is a market town in Shropshire. It sits near the confluence of the rivers Corve and Teme. The oldest part is the medieval walled town, founded in the late 11th century after the Norman conquest of England. It is centred on a small hill which lies on the eastern bank of a bend of the River Teme. Situated on this hill are Ludlow Castle and the parish church, St Laurence's, the largest in the county. From there the streets slope downward to the River Teme, and northward toward the River Corve. The town is in a sheltered spot beneath Mortimer Forest and the Clee Hills, which are clearly visible from the town.

 

Ludlow has nearly 500 listed buildings, including examples of medieval and Tudor-style half-timbered buildings. The town was described by Sir John Betjeman as "probably the loveliest town in England".

 

Shropshire (/ˈʃrɒpʃər, -ʃɪər/; alternatively Salop; abbreviated, in print only, Shrops; demonym Salopian /səˈloʊpiən/ sə-LOH-pee-ən, Welsh: Swydd Amwythig) is a county in England, bordering Wales to the west, Cheshire to the north, Staffordshire to the east, and Worcestershire and Herefordshire to the south. Shropshire Council was created in 2009, a unitary authority taking over from the previous county council and five district councils. The borough of Telford and Wrekin has been a separate unitary authority since 1998 but continues to be included in the ceremonial county.

 

The county's population and economy is centred on five towns: the county town of Shrewsbury, which is culturally and historically important and close to the centre of the county; Telford, a new town in the east which was constructed around a number of older towns, most notably Wellington, Dawley and Madeley, which is today the most populous; and Oswestry in the northwest, Bridgnorth just to the south of Telford, and Ludlow in the south. The county has many market towns, including Whitchurch in the north, Newport northeast of Telford and Market Drayton in the northeast of the county. Wikipedia

Lobster "Encapsulated" Chevre Gnocchi

 

Paired with Alfred Gratien, Rosé Classique, Epernay Champagne, France, NV.

 

The Crystal Room

The Greenbrier

White Sulphur Springs, West Virginia

(September 4, 2012)

 

the ulterior epicure | Twitter | Facebook | Bonjwing Photography

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Sequence showing lowering of fairing over ATV-3 in Kourou, 27 Feb 2012

Microscopic photo showing encapsulated lobulated lipomatous lesion with vascular congestion. The capsule is lined by benign mesothelial cells indicated by yellow arrows. H&E stain. Original magnification 10X. Jian-Hua Qiao, MD, FCAP, Los Angeles, CA, USA

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Encapsulation of ATV-4 on 24 May 2013 in Kourou. Credit: ESA/D. Guyomard

Partially Encapsulated - 85mm F1.4 DOF - I love the focus here

 

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DigitalGlobe’s WorldView-3 satellite is encapsulated inside a 4-meter-diameter payload fairing in preparation for launch atop a United Launch Alliance Atlas V rocket. Photo credit: United Launch Alliance

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The U.S. Air Force’s Global Positioning System (GPS) IIF-7 is encapsulated inside a 4-meter-diameter payload fairing in preparation for launch on a United Launch Alliance Atlas V rocket. Photo credit: United Launch Alliance

The Cuban National Schools of Arts, originally imagined by Fidel Castro and Che Guevara in 1961, are perhaps the largest architectural achievements of the Cuban Revolution. The innovative design of the schools, which aimed to bring cultural literacy to the nation, encapsulated the radical, utopian vision of the Revolution. Unfortunately, the nation’s idealistic enthusiasm lasted for a fleeting moment in time and the Schools quickly fell out of favor; they were left to decay before even being completed. Today, following nearly four decades of neglect, the architects have returned to try and bring these derelict schools to back to their intended glory.

 

The National Schools of Art were built on the grounds of a famed country club in Havana, thus transforming an emblem of wealth and capital into a tuition-free, educational institute. Castro commissioned Cuban architect Ricardo Porro, a Latin American modernist, who was then joined by two Italian architects, Vittorio Garatti and Roberto Gottardi; the three were given a mere two months to devise a plan for the Schools.

 

The architects were guided by three major principles: first, to integrate the schools into the varied, wild character of the site’s landscape; second, to use locally-produced bricks and terracotta tiles, which, following the US embargo on Cuba, were cheaper than imported materials such as steel and cement; and, thirdly, to use the Catalan Vault as the dominant architectural element, as its unique spatial formation would stand in bold contradiction to the geometrical, “capitalistic” architecture of the International Style.

 

A total of five schools were constructed: Modern Dance, Plastic Arts, Dramatic Arts, Music, and Ballet. All shared a similar approach to material and structure; however, each presented a different interpretation of the site and reflected its specific program. Garatti’s School of Music was a 330-meter serpentine structure, which followed the contour of the river, and was complemented by the Catalan Vaulted spaces and two vast concert and practice halls. Another design of Garatti’s was the School of Ballet, which consisted of a cluster of terracotta-covered, domed pavilions, between which wound intertwining paths that encouraged chance encounters within the complex.

 

Porro’s School of Dance presents a dynamic composition of non-rectilinear streets and courtyards that sprout from a central entry plaza, covered by fragmented glass sheets that are symbolic of the dramatic shatter of the previous regime. Porro took a different approach with the design of the School of Plastic Arts, which was inspired by the nation’s Cuban-African heritage and assumes an archetypical village structure made up of a series of oval-shaped pavilions of various sizes, connected with curved, shaded colonnades.

 

The school of Dramatic Arts, the only school designed by Roberto Gottard, contains a dominant, central amphitheatre. Cellular, inward-facing classrooms create a unique, intimate environment; in contrast, the exterior, punctured only by small, unshaded alley-like paths, gives the school a fortress-like appearance.

 

The enthusiasm that accompanied the schools' inception began to deteriorate with the Cuban Missile Crisis of 1962. The schools seemed out of scale with the Revolution: an extravagant, unnecessary use of resources. Furthermore, Cuba’s new ally, the communist Soviet Union, preferred anonymously pragmatic, functional architecture, which stood in striking contrast to the organically-inspired, craft-oriented, site-specific designs of Porro, Gottard and Garatti. The three architects were accused of promoting ideals of individual expression, branded as “bourgeois,” cultural elitists, and compelled to leave the country.

 

In July 1965, and despite the schools’ various stages of completion, construction came to a complete halt. In the years that followed, the schools became a haven for squatters and vandalizers; cattle and wild jungle vegetation soon took over the site. In addition, by the 1970s, people began to adapt the site, constructing prefabricated concrete dormitories as well as roads and paths, which answered pragmatic needs but disrupted the original design.

 

Changes began to unfold in 1999, when the American architect and historian John Loomis published a book titled Revolution of Forms, which brought the story of Cuba’s forgotten schools into international awareness. That same year in Cuba, José Villa, the chair of the National Council of the National Union of Cuban Writers and Artists, declared the Schools the most important architectural work of the Cuban Revolution.

 

At last, Castro’s personal attention was piqued and he declared that the time had come to restore the beloved project of his youth. The completion of the schools became a national mission, led by the Minister of Culture himself. Porro and Garatti were invited back to Havana, where they joined Gottard for a historical meeting in which they discussed the challenge of restoring their derelict masterpieces. As part of the plan,the world renowned architect Norman Foster was invited to redesign the school of Ballet; however, as of now, the Cuban government has paused the restoration due to the global financial crisis.

 

Mario Coyula, the architect in charge of preservation in Havana, aptly stated of the project: “In most cases, architecture must adapt itself to human need, but in cases of exceptional works of architecture, human need should adapt itself to architecture.”

 

From "arch daily" article of September 12, 2013 by Gili Merin

 

See: www.archdaily.com/427268/ad-classics-the-national-art-sch...

  

Detail from MARTYRS OF THE CITIES OF THE PLAIN, the Masculine Gestalt. Center panel of the triptych with the song of Procrustes "Religion is the embrace of Procrustes," the words transcribed below:

 

Religion is the embrace of Procrustes. Encompassing belief resisting all compromise. Wrapping, binding, encapsulating, belief bred and succored on the beds of Procrustes. I am the embrace of Procrustes. Within me heats the heat of passion. Within me beats the heart of cults and cultures—nationalities & creeds. From me juts the phallic imperium. From me breathes the breath of fire. Burning consuming denying all that lies between. I am the embrace of Procrustes. The binding blinding embrace of Procrustes. Do not offend me.... All who lie within the embrace of Procrustes are warmed by his warmth. Radiating, penetrating, absolving heat of Procrustes. Would you deny yourself comfort? Absolution? Would you stand outside when you could be inside? Why? Do you enjoy pain? Loneliness? Confusion? To what end? Why do you search for what has been found? Come! That which you seek lies here—here within the embrace of Procrustes. Deep within the breast of Procrustes. Within his heart. Do not play the fool. Do not toy with Procrustes! By his embrace are all men known. He is a stern and jealous lover. What do you believe? What do you profess? To what do you adhere? What covenant defines you? Where is your allegiance? What binds you to Procrustes—to his embrace—to his beds...? What qualifies you, makes you worthy? Makes you worthy of the embrace of Procrustes—worthy of his bed? What gives you worth? What would you give for the embrace of Procrustes, his warmth...his breast...his breath? Would you deliver unto him the deaths of children not your children? Would you kill for his embrace? Would you kill those who do not conform to the contours of his embrace—your embrace—the embrace of Procrustes? And their children...and their children’s children? Would you destroy those who do not fit your embrace? Would you kill for the embrace of Procrustes? As you lie within my embrace, the embrace of Procrustes, can you feel my heat? My penetration? My passion? Lie close! Breathe the breath of my breath. Live the life of my life. Dream the dreams of my dream. Can you feel the heat? Lie still! Lie still! Lie close within the embracing heat of Procrustes. All that lies outside—outside the embracing heat—the embracing heat of Procrustes is your enemy. You must fear it as it fears you. Hate it as it hates you. Destroy it as it would destroy you. All that lies without the embracing heat of Procrustes is your enemy. Do not compromise! Do not compromise your embrace! Do not compromise the embrace of Procrustes! As you engage him so, too, does he engage you. With force, with purity. With fire. Believe! Do you love me? Do you love me? Would you kill for me? Would you die for me? Do you love me? Embrace me! Embrace the embrace of Procrustes! My passion is your virtue. My rage is your honor. My resolve is your redemption. Do you love me? Do you love me? Do you love? Do you fear me? Do you fear the wrath of the embrace of Procrustes? The strength of me...the heat of me.... As I embrace, so would I engulf. Do not provoke me. Do not tempt the wrath of Procrustes! Do not resist my embrace. Do you shun me? Would you shun me? Do you avoid the bed of Procrustes? Come! Let me inform you. Let me catalogue your desire. Come to the bed of Procrustes. Enjoin my embrace.... Confide in me. Confess to me. Come, let us conspire. Let us conspire on the bed of Procrustes. Come, let me inform you—conform and reform you, adjust and prepare you for my promises. To make you ready for my promises. Would you wear rags to a wedding? Come, let me prepare you for my promises. Do not shun me. Do not shun the embrace of Procrustes. Do not tempt the wrath of Procrustes. Come, let me prepare you. Let me cleanse you. Purify you. Wash away all question and doubt. Let me embrace you in the nakedness of your fear...of your weakness. Let me cleanse you. Let me adorn you. Let me tattoo the rhetoric of persuasion, indelible, unassailable rhetoric of persuasion. Let me adorn you. Let me clothe you in the armored plates of bigotry. Let me clothe you. Let me rivet your frailty with plates of burnished arrogance. Blinding, deflecting. Let me burnish your plates with arrogance. Let me clothe you in the armored plates of bigotry. Embrace me! Embrace the embrace of Procrustes.... Embrace me! I will create you in my image. In my image I will create you. Trimmed, stretched, and formed on the beds of Procrustes, you are my army. Created and creating army of Procrustes. As I create so, too, am I re-created re-creating embrace of Procrustes. Creating and re-creating embrace of Procrustes. As I live, so will you live. As I embrace you, so, too, am I embraced. Protected and protecting embrace of Procrustes—cloned and cloning embrace of Procrustes. By you through me will redress come. Through me, the final victory. Come! Join the army of Procrustes. Lie on his beds. Embrace his embrace. Would you be victorious? Let him clothe you. Let him uniform you. Let him make you uniform. Come, lie on the beds of Procrustes. Embrace his embrace. Let him razor your edges. Trim and razor your edges. Sharp. Sharp with hate. Let him make the edges—your edges—sharp with hate. Would you be victorious? Would you make uniform your edges with other edges? Would you join and enjoin the army of Procrustes? Joining your edges with other edges your hate with equal hate? Would you reshape them with your hate? Would you kill for the love of Procrustes? For his embrace? Would you create enemies? Would you create enemies on which to hone and preen your hate? Would you reshape them with your hate? Would you hate your enemy with the love of Procrustes? For the embrace of Procrustes—for his embrace...all serving, self-serving embrace...Come! Sing the songs of Procrustes. The creeds and cantos of Procrustes. Come, sing his song. Sing the songs of Procrustes. Hear my screed. Listen to the lyrics of Procrustes. The screed of Procrustes. Listen to my words. March to the songs of Procrustes. March to the beat. The heat of the songs of Procrustes. March to his heat. The beat of the heart of Procrustes. The embrace of Procrustes. The beating heat of Procrustes. March to his beat. Come, soldiers of light—soldiers of heat. Let the songs of Procrustes burn and sear. Those who would not share our beds, share the bed of Procrustes, will burn and sear. Let the songs of Procrustes burn and sear. Sing the song of Procrustes. Sing his songs. Crush the foes of Procrustes! Crush those who would not embrace his embrace. Who would not sing his songs or join the beat of his heart. Crush the foes of Procrustes! Crush his foes.... Honor him. Honor the embrace of Procrustes. Conform to his beds. Let him conform you to his beds. Lie. Lie on the bed of Procrustes. Embrace his embrace. Enjoin his laughter and his hunger. Lie. Lie on the bed of Procrustes. Lie on his bed.... Honor him! Lie on his bed. On his Bed. On his bed.

  

"MARTYRS OF THE CITIES OF THE PLAIN examines the First Holocaust. Based on the blue triangle that descends the back panel of PROCRUSTES IN SITU, the third section of the Trilogy concerns itself with the destruction of the cities Admah, Gomorrah, Sodom, and Zeboiim which the Old Testament attributes to the wrath of God. It examines the procrustean constrictions of patriarchy and the liberating challenge of feminine entelechy through the songs of Procrustes and the opposing chants of Chance, Being, and Desire. Masculine gestalt versus feminine insurrection." Robert Cremean

 

Collection:

Fresno Art Museum

Fresno, California

A set of these antique Art Nouveau stained glass windows were prepared for and encapsulated within new double glazed units .

Holme Valley Stained Glass is based in Holmfirth , near Huddersfield , West Yorkshire .

In the Spacecraft Assembly and Encapsulation Facility-2 (SAEF-2), the petals on the Mars Pathfinder lander are being closed for flight and won't open again until the lander has touched down on the Martian surface in July 1997. Tucked inside the compact lander are the Surveyor small rover, which will become the first vehicle to traverse the Martian surface, and the lander's Mars Pathfinder Imager, a stereo-imaging system camera that will capture images of both the surrounding terrain as well as the rover's excursions, and other instrumentation and equipment. The outside of the tetrahedral- shaped lander is padded with airbags that will help cushion the lander from the impact of landing. Once assembly of the entry vehicle is complete, it will be mated to the cruise stage that will carry Pathfinder on its direct trajectory to Mars, and then to an upper stage booster. The Mars Pathfinder is slated for launch aboard a Delta II expendable launch vehicle on Dec. 2 at the beginning of a 24-day launch period.

 

Image from NASA, originally appeared on this site: science.ksc.nasa.gov/gallery/photos/

 

Reposted by San Diego Air and Space Museum

 

Algae encapsulated with pH indicator solution. The pink halo indicates that photosynthesis has just started to take place

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The U.S. Air Force’s Global Positioning System (GPS) IIF-6 satellite is encapsulated inside a 4-meter-diameter payload fairing in preparation for launch atop a United Launch Alliance Delta IV rocket. Photo credit: United Launch Alliance

Ramses' absolute power and religious devotion are encapsulated in this half-lion, half-human sphinx. Here Ramses offers a vessel of holy water to Amun Re, king of the gods. This sphinx stood in Amun Re's great temple at Karnak.

 

I'm wondering if the engravings on his shoulders could represent tattoos. Tattoos have been recorded on mummies from 4,000 years ago.

 

"Egyptians are known for the highly symbolic and stylised artwork found on the walls of their monuments and tombs, but they are also the source of some of the earliest recorded appearance of tattoos, as well as the longest consecutive history of the art of tattooing. Ancient Egyptians tattooed images of their gods, music, dance, fertility rituals, and geometric patterns on their bodies for over 4,000 years." www.cloakanddaggerlondon.co.uk/tattoos-in-ancient-egypt/#....

 

The sculptor has dealt with the lion's tale in a satisfying way that is naturalistic as it curves around the haunch and also solves the creative problem of what to do with it.

 

Ramses & the Gold of the Pharaohs at the Australian Museum

australian.museum/exhibition/ramses/

A set of these antique Art Nouveau leaded panels were prepared for and encapsulated within new double glazed units .

Holme Valley Stained Glass is based in Holmfirth , near Huddersfield , West Yorkshire .

For the repair of leaking lead or rubber gasket socket or flanged joints on water pipes while under pressure as, the encapsulation collar / muff can

be installed without turning off or

reducing the water pressure.

For use on ductile iron, cast iron,

cement, asbestos cement and steel

pipes see: www.cascadeclamps.co.uk/pipe-repair-clamps.htm

8 ft high, over 1 tonne in weight. 16 bottles of Stoli encapsulated in each. 5 blocks in total around Belfast.

The phrase “What we know is a drop, … what we ignore is an ocean”, expresses a powerful metaphor that reflects on the immensity of the unknown in comparison to the little we know.

This idea resonates through the ages, reminding us of the humility necessary in the pursuit of knowledge and understanding of the world around us.

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Although the exact authorship of this phrase is often attributed to Isaac Newton, there are no concrete records that confirm this attribution.

However, the essence of the phrase encapsulates the spirit of the Enlightenment era, where knowledge and reason began to be seen as the keys to understanding the universe and our own existence.

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The “drop” symbolizes the knowledge accumulated by humanity, while the “ocean” represents the vast universe of undiscovered mysteries.

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The drop is something tangible and measurable, while the ocean is immense and often unfathomable, suggesting that no matter how much we learn, there will always be more to discover.

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Philosophically, the phrase can be interpreted as a comment on the human condition and our incessant search for knowledge.

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She reminds us that no matter how advanced we become, there will always be questions beyond our current understanding, encouraging us to continue exploring and learning.

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In the modern world, this phrase can be applied to different fields, from science to personal life.

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In science, it motivates us to pursue research and discoveries.

In personal life, it teaches us to keep an open mind and recognize that there is always room for new perspectives and knowledge.

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In short, the phrase “What we know is a drop, what we ignore is an ocean” is a poetic and humble reminder that our knowledge is limited, but the potential for discovery is unlimited.

She challenges us to accept the unknown and embrace the ongoing journey of learning.

 

"What we know is a drop, what we ignore is an ocean."

 

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Text & Painting (AI): ©MárioSilva

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No single image can encapsulate Macau's mystique, but the ruined facade of St Paul's Cathedral comes pretty close. The Italian-designed hilltop cathedral was built by Japanese Christian exiles in the early 17th century, and even in ruins its grandiose scale is a stunning reminder of Macau's glorious past. The cathedral was all but destroyed by fire during a disastrous typhoon in 1835, which spared only the screen-like facade, mosaic floor and 66-step approach [www.istc.org]

Nike Air Force 1 Low '07 QS, Men’s Size 11, City Pride Toronto, Game Royal, Blue, Sail, Football Grey, Mystic Green, AH8462- 401, UPC 00193147634884, 2019 City Pride pack, 2019, MLB’s Toronto Blue Jays, baseball theme, baseball-esque stitching on the tongue, classic leather upper, Green sock liner, Nike Swoosh on the sides, special-edition Air Force 1 colorway, bright blue on nylon ankle heel area, green insole, tongue features red baseball stitching, Polyester textile tongue, encapsulated Air Sole unit, Perforated toe box for ventilation, Padded collar, Foam midsole, Nike Air unit for lightweight cushioning, Pivot points in the forefoot, Non-marking rubber outsole for durable traction, iconic AF-1 silhouette

GPS III SV07 is encapsulated at Astrotech Space operations in Florida, a wholly owned subsidiary of spacecraft builder Lockheed Martin.

Nike Air Force 1 Low '07 QS, Men’s Size 11, City Pride Toronto, Game Royal, Blue, Sail, Football Grey, Mystic Green, AH8462- 401, UPC 00193147634884, 2019 City Pride pack, 2019, MLB’s Toronto Blue Jays, baseball theme, baseball-esque stitching on the tongue, classic leather upper, Green sock liner, Nike Swoosh on the sides, special-edition Air Force 1 colorway, bright blue on nylon ankle heel area, green insole, tongue features red baseball stitching, Polyester textile tongue, encapsulated Air Sole unit, Perforated toe box for ventilation, Padded collar, Foam midsole, Nike Air unit for lightweight cushioning, Pivot points in the forefoot, Non-marking rubber outsole for durable traction, iconic AF-1 silhouette

Microscopic photo showing encapsulated lobulated lipomatous lesion with vascular congestion. The capsule is lined by benign mesothelial cells indicated by yellow arrows. H&E stain. Original magnification 10X. Jian-Hua Qiao, MD, FCAP, Los Angeles, CA, USA

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s07.flagcounter.com/count/9tt/bg=FFFFFF/txt=000000/border...

NIPlacenta.com Hazel Mayger placenta encapsulation services in Northern Ireland and Ireland

NIPlacenta.com Hazel Mayger placenta encapsulation services in Northern Ireland and Ireland

Nike Air Force 1 Low '07 QS, Men’s Size 11, City Pride Toronto, Game Royal, Blue, Sail, Football Grey, Mystic Green, AH8462- 401, UPC 00193147634884, 2019 City Pride pack, 2019, MLB’s Toronto Blue Jays, baseball theme, baseball-esque stitching on the tongue, classic leather upper, Green sock liner, Nike Swoosh on the sides, special-edition Air Force 1 colorway, bright blue on nylon ankle heel area, green insole, tongue features red baseball stitching, Polyester textile tongue, encapsulated Air Sole unit, Perforated toe box for ventilation, Padded collar, Foam midsole, Nike Air unit for lightweight cushioning, Pivot points in the forefoot, Non-marking rubber outsole for durable traction, iconic AF-1 silhouette

DigitalGlobe’s WorldView-3 satellite is encapsulated inside a 4-meter-diameter payload fairing in preparation for launch atop a United Launch Alliance Atlas V rocket. Photo credit: United Launch Alliance

What encapsulates American ideals better than Playboy? Entrepreneurial successes and the pursuit of pleasure built America and Playboy. Show off your pride in the Playboy Sportiqe USA Bunny T-Shirt. The classic patriotic bunny is printed on a soft blue T-shirt from Sportiqe, one of the highest quality, most fashionable, and celebrity adored T-shirts.

In Spacecraft Assembly and Encapsulation Facility-2 (SAEF-2), Jet Propulsion Laboratory workers are fastening the thermal blanket to the heat shield for the Mars Pathfinder lander. The Viking- derived heat shield will protect the lander when it enters the Martian atmosphere in July 1997. The Mars Pathfinder is scheduled for launch aboard a Delta II expendable launch vehicle on Dec. 2 at the beginning of a 24-day launch period.

 

Image from NASA, originally appeared on this site: science.ksc.nasa.gov/gallery/photos/

 

Reposted by San Diego Air and Space Museum

 

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