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Azeglio ( TO )
Piedmont - North Italy
22 December 2024
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The original shopping queen. yes that's what i am. My mom is being
really funny these days, since my new shelves came in. while...i've
been packing. She has stated no more bags, and to focus on the
purchase of a car instead. Has the room been cleaner after all these
packing? No... i still feel it's a mess. I got more clothes, more
shoes ... & more bags than i did when i first came back from US.
Life in US was so simple. I could make do with like t-shirts and
jeans, and look good-2-go for a night out, togging that little
handbag of mine that was a great steal from one of those thrift
stores. Yes that t-shirt may be from Abercrombie, and those jeans may
be a pair of Calvin Kleins. But my point is .... oh well, how do i
put it...read on...
So i returned home after graduation in '01. I lost weight, got in
between jobs. Wardrobe went through massive changes. I still got that
101 white tank tops, that i hardly ever wear. Each of them unique in
its own flavor : V-neck, Round-neck, Double Strap, Single Strap, Pink
Strap, Blue Straps, Polka Dots, etc etc. I probably have just about
any white tops that any girl would need. For work, i wear pants for
convenience's sake, as well as functionality. So i have about 10-12
pairs of black pants by now. I lost track of the # of pairs of pants
i own in every color. Hmmm... and being a chick, i still love & adore
frilly lil' dresses, and those flirty lil' skirts. But i hate wearing
them, and you often see me in flirty frilly lil' numbers. let's not
even go to shoes. Mr. E claimed i am training to become the next
Imelda Marcos. Imelda who? Just the women who has possibly thousands
of shoes.
My bags are a different story. Yup, the picture you're looking at is
my snooty collection. Each tells a different tale. I cherish every
lil' bag that i own and have. Especially those that are expensive &
with their snooty italian labels. My love affair with the snooty
italian labels started when i was 17. And i have my first bag from
then, till today. So you can tell by the wardrobe. I have 7 shelves
full of my own mix of italian & local labels. The cheapest being just
7 bucks. i've been told to blog about my infamous collection. it's
really not a lot. most of my labels are collected during my working
days.
I can proudly sing...
"The shoes on my feet
I've bought it
The clothes I'm wearing
I've bought it
The rock I'm rockin'
I've bought it
'Cause I depend on me
If I wanted the watch you're wearin'
I'll buy it
The house I live in
I've bought it
The car I'm driving
I've bought it
I depend on me
(I depend on me)
All the women who are independent
Throw your hands up at me
All the honeys who makin' money
Throw your hands up at me
All the mommas who profit dollas
Throw your hands up at me
All the ladies who truly feel me
Throw your hands up at me"
Snippets from Destiny's Child "Independent Women"
Think about it first, what is your guess? Likely you already had a gender
in mind....Well if you expected we're having a *BOY*, you're wrong!! We're
having a girl! :) We had the long ultrasound appointment yesterday, and we
visited with my doctor today so she could explain everything to us. At
first the technician could not determine the gender because the baby was
sitting down sort of indian-style, so she had me get up and touch my toes 3
times. After that both she and the doctor were certain that it's a girl.
The ultrasound was the coolest experience ever! I feel so blessed that we
have moving pictures now to actually see the baby moving around. The tech
who performed our ultrasound, Joy, was an expert, she's been doing it for
30+ years. She said when she started they didn't even have moving pictures!
We got to see the baby moving her mouth in the drinking motion, so cute! We
saw all the bones of the arms, legs, fingers & toes. Everything appears to
be perfectly healthy with the spine, kidneys, heart, head & stomach. They
gave us a perfect report! Also, this confirmed that we have the lowest
chance of all that our baby has Down's syndrome.
The only thing that they said they're going to monitor, is a very slight
risk of growth depression due to the odd placement of the umbilical cord on
the placenta. My doctor assured me that it's not statistically proven at
all because she's seen plenty of baby's with this issue that are enormous.
But since our baby's umbilical cord connects to the edge of the placenta
(rather than somewhere toward the middle), theoretically she could have
trouble getting all the nutrients and growing. However, she said so far our
baby's even a little bit ahead so the ultrasound showed us having a due
date of Dec 27th, rather than the 30th, so we'll see! It's actually kind of
cool though because this means we get to do another ultrasound in 9 weeks,
when normally we wouldn't! I'm really excited to see the baby when she's
that big.
I attached a picture that has our 2 favorite pictures from the ultrasound.
You can see her cute profile with nose & lips (whose do they look like?!),
and the other one is looking directly at her face and she's smiling! I also
attached pictures of me in our new apartment! We moved last month to an
apartment in Chinatown and we're really enjoying it. Who wants to come
visit?!
With love,
Giulian, Christy & baby girl
PS: We're still mulling around with names, but we're not telling anyone
till she's born! :D
On Sat, Jun 16, 2012 at 12:44 PM, Christy Giusti wrote:
> Hi family,
>
> Giulian and I were thinking that it'd be nice to send a quick update to
> our family after our every-four-week doctor's appointments to keep you all
> in the loop. They'll be brief for the most part, but you can just skim
> through it if you want! Is this the preferred email address for everyone?
>
> I'm almost to Week 12, so I'm only about 2 weeks away from the 2nd
> trimester. I had a short doctor's appointment last week and everything went
> well! Nothing new, got to know my doctor better who I really like, and to
> hear the baby's heartbeat with the fetal doppler instrument which was
> awesome. My first experience with the gel on my stomach, very interesting.
> Afterward I scheduled our 18 week super long appointment where we have the
> detailed ultrasound that tells us gender and such. Really excited for that!
>
> Even though these past couple of weeks have been better for me
> health-wise, I'm still struggling a bit with nausea/vomiting which accounts
> for the 2 pounds I lost during the 1st 10 weeks. So I'm really looking
> forward to the 2nd trimester when that is supposed to lay off and my energy
> to return. We went camping last weekend and I felt great, we even went
> white water rafting! Call me crazy. It's good for the baby to get a taste
> of our life you know? :) Also, my stomach is definitely starting to fill
> out, I have to unbutton my pants sometimes when I sit down. Oh joy!
>
> Pretty soon here we're going to announce the news via facebook after we
> finish telling the rest of our key friends & extended family. So once you
> see that you can talk more openly about it. Thanks for letting us tell
> everyone ourselves, it's a joy!
>
> Love you all a ton! Talk to you again in 3 weeks. :)
>
> PS: Let me know if there's any other information you'd like to hear.
>
> --
> *Christy Giusti*
>
>
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Apple designs Macs, the best personal computers in the world, along with OS X, iLife, iWork and professional software. Apple leads the digital music revolution with its iPods and iTunes online store. Apple has reinvented the mobile phone with its revolutionary iPhone and App Store, and is defining the future of mobile media and computing devices with iPad.
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Photograph © by Regan Photography (2014). All Rights Reserved. This photograph should not be used on websites, blogs or anywhere for that matter without my explicit written permission.
Gianna Nannini
Mediolanum Forum - Assago (MI)
27 Aprile 2013
© Mairo Cinquetti
© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com
Immagine protetta da copyright © Mairo Cinquetti.
Tutti i diritti sono riservati. L'immagine non può essere usata in nessun caso senza autorizzazione scritta dell'autore.
Per contatti: mairo.cinquetti@gmail.com
1956 - Gianna Nannini nasce a Siena 14 giugno.
1975 - A 19 anni, e con 7 di conservatorio alle spalle, lascia la famiglia per andare a vivere a Milano. Qui frequenta numerosi locali ‘off’ dove si fa subito notare dalla storica Dischi Ricordi che le offre il primo contratto e pubblica il suo primo album: GIANNA NANNINI.
1977 - Intreccia le prime collaborazioni importanti, come quella con la PFM. Esce il secondo Lp, UNA RADURA. Inventa i suoi primi concerti piano- voce.
1979 - Esce l’album CALIFORNIA, il disco della svolta rock che, insieme al singolo "America", metafora del sogno masturbatorio/narcisista americano, la farà approdare, nel 1980, ai primi posti delle classifiche anche in Germania e nel Nord Europa
1981 - Dopo l’uscita di “G.N.”, album dal sapore sperimentale, Gianna incontra Peter Zumsteg, manager di vasta esperienza internazionale, con il quale fonda l’etichetta autogestita Gienne. La loro collaborazione durerà ventitre anni .
Compone la colonna sonora del film “Sconcerto Rock” di Luciano Mannuzzi, prodotto da Bernardo Bertolucci.
1982 - Dall’incontro col produttore Conny Plank (Eurythmics, Devo, Kraftwerk, Ultravox) nasce LATIN LOVER, a cui collaborano musicisti come Annie Lennox, Jackie Liebezeit (Can), Hannette Humpe. Questo quinto album è un grande successo europeo (disco d'oro in Germania, Austria e Svizzera) a seguito del quale, nell’ottobre dello stesso anno, Gianna salirà sul palco del leggendario Rockpalast di Essen insieme a Kid Creole & The Coconuts e a Little Steven.
1983 - Interpreta il ruolo di Titania nel primo film di Gabriele Salvatores “Sogno di una notte di mezza estate”; collabora anche alla colonna sonora del film.
1984 - Esce PUZZLE. La canzone “Fotoromanza”, il cui videoclip porta la firma di Michelangelo Antonioni, è il leit-motiv dell'estate e le fa vincere il Festivalbar, Vota la voce e Telegatto d'oro. In primavera il suo tour europeo riscuote grande successo; a questo fa seguito, nell’estate dello stesso anno, il tour italiano che sfocia nella registrazione del primo cd live di Gianna, TUTTO LIVE. Tiene concerti a Berlino, al Montreux Jazz Festival, a Siena e a Colonia.
1986 - Sull’onda dei grandi consensi internazionali, esce il nuovo album, PROFUMO, che viene rilasciato in tutta Europa e vende oltre 1.000.000 di copie.
1987 - É l’anno della consacrazione di Gianna: con MASCHI E ALTRI, sua prima raccolta di hit, vende oltre un milione e mezzo di copie in Europa; il 1° maggio partecipa a un concerto eccezionale: insieme a Sting e Jack Bruce canta, alla Schauspielhaus di Amburgo, una selezione di canzoni di Bertoldt Brecht e Kurt Weill. Lo show verrà trasmesso sulle reti Rai e su diversi canali televisivi europei. Il successo di critica e di pubblico in tutta Europa è ormai grande.
1988 - Esce l’album MALAFEMMINA prodotto insieme ad Alan Moulder (Smashing Pumpkins, Nine Inch Nails).
1989 - É l’anno dei Mondiali di Calcio in Italia. Gianna scrive un testo assieme a Edoardo Bennato, e lo canta su musica di Giorgio Moroder: è “Un’estate italiana”, la sigla di Italia '90, le cui royalties relative al testo vengono devolute ad Amnesty International.
1990 - Nasce l’album SCANDALO prodotto con Dave M. Allen (The Cure) e una band di musicisti di diversi paesi europei insieme ai quali, ancora una volta, Gianna riempie gli stadi di mezza Europa. Il successo della trionfale tournée è documentato da un album dal vivo e da un long form video dal titolo “Giannissima”.
1993 - Esce in tutta Europa il nuovo album X FORZA E X AMORE, album radical folk, contenente canzoni ispirate al “cantar toscano”. Il singolo ‘Radio Baccano’ ospita anche la partecipazione di Jovanotti
1995 - Esce DISPETTO, un album che per la terza volta vede la collaborazione di Dave M. Allen, già produttore dei Cure. Nello stesso periodo Gianna si laurea in filosofia con una tesi dal titolo “Il corpo nella voce - Relazioni corpo-voce in una prospettiva di antropologia musicale”. In questi anni l’impegno di Gianna per le cause civili e umanitarie si rafforza: tra gli appuntamenti più importanti, il Concerto di Solidarietà per gli Immigrati a Cinecittà, in cui Gianna si esibisce sul palco insieme, tra gli altri, a Pino Daniele, Jovanotti e Luca Carboni; il Concerto per il Tibet a Torino, che la vede protagonista assieme a Timoria, Nomadi e un Coro di 16 Monaci Tibetani e l’Extravaganza Club Tour, organizzato usando esclusivamente energia solare. Quest’ultima iniziativa segna l’inizio della collaborazione di Gianna con gli attivisti di Greenpeace, fino a vederla, nel luglio del 1995, al centro dell’azione più eclatante dell’organizzazione ambientalista in Italia: alle 11.40 del mattino, con un “commando” di attivisti, Gianna si arrampica su un balcone di Palazzo Farnese a Roma, sede dell’Ambasciata Francese, e improvvisa un concerto di protesta contro la decisione di riprendere gli esperimenti nucleari nell’atollo di Mururoa. Il 1996 è anche l’anno di BOMBOLONI, antologia di alcuni dei suoi greatest hits.
1997 - Dalla partnership con il produttore Fabrizio Barbacci (Ligabue, Negrita) prenderà vita nel settembre del ’98 il nuovo album CUORE.
1998 - CUORE porta alla collaborazione artistica con Wil Malone (The Verve, Depeche Mode, Who, Dido, Massive Attack) che curerà gli archi dell’album.
2000 - Gianna inaugura il nuovo millennio a Torino davanti a 500.000 persone.
2001 - Gianna si trasferisce per qualche mese a Catania dove collabora con un trio post-punk di Catania e con la scrittrice Isabella Santacroce; da questo nuovo incontro nasce il disco ARIA (2002) dove Gianna compie una grintosa escursione fuori dagli schemi, fondendo il suo rock melodico mediterraneo con un pop-rock elettronico contemporaneo.
Nello stesso periodo Gianna comincia a lavorare alla colonna sonora del film “Momo alla conquista del tempo”, su incarico di Enzo D’Alò, il più celebre regista italiano di cartoni animati.
Da sempre impegnata a favore del disarmo, ma con discrezione, al fine di scongiurare qualsiasi strumentalizzazione, in risposta all’11 settembre Gianna partecipa in incognito alla Marcia della Pace Perugia-Assisi.
2003 - Per due volte consecutive si reca a Baghdad per dare il suo contributo alla ricostruzione dell’accademia delle belle arti e alla scuola di musica.
2004 - E’ l’anno di PERLE: la sua aggressiva anima rock fa posto a una dimensione più intimista, riproponendo al pubblico 12 piccoli gioielli della sua discografia e l’inedito “Amandoti”, cover dell’omonimo brano di Giovanni Lindo Ferretti, in versione acustica.
Dopo l’uscita di questo album Gianna decide di voltare pagina e di affidare il suo management ad Adele Di Palma per Cose di Musica.
2005 - Pubblica con Rizzoli il suo primo libro: IO, “autoscatto senza rimpianti”, antidiario a ritmo di rock.
2006 - Il 27 gennaio esce GRAZIE, album coprodotto con Wil Malone, subito al primo posto nelle classifiche italiane e disco di diamante (350mila copie) dopo solo 6 mesi.
2007 - E’ l’anno della PIA. Opera lirica moderna (libretto di Pia Pera) composta da Gianna già 12 anni prima. Nell’attesa che l’Opera venga messa in scena da David Zard, viene realizzato l’album PIA COME LA CANTO IO, anche questo con la produzione musicale di Wil Malone. Il disco rappresenta una sorta di florilegio della stessa Opera, dove la voce di Gianna interpreta tutti i personaggi. Questi come altri testi dell’opera saranno inclusi in una tournée di concerti in tutta Italia; storico quello all’Arena di Verona, sotto la pioggia, come pure le due serate di tutto esaurito a Roma.
2007/2008
É anche l’anno dell’album GIANNABEST, in pochi mesi ancora disco di diamante, una raccolta dei suoi più grandi successi, accompagnati da tre inediti. Seguono concerti nei principali palasport Italiani e teatri di tutta Europa, che segnano ogni volta il tutto esaurito. A Londra si esibisce al famoso Sheperd’s Bush Empire.
2008 - La canzone “Colpo di Fulmine” scritta da Gianna e interpretata da Lola Ponce e Giò di Tonno vince il Festival di Sanremo.
2009 - Esce il nuovo bellissimo album GIANNADREAM (Solo i sogni sono veri), che ancora una volta si avvale della collaborazione di Wil Malone. Contiene 10 canzoni inedite: qui il rock, una volta di più, si apre alla melodia sinfonica.
Music for Healing or What You Need # 2
Gabie Strong, Christopher Reid Martin, Ted Byrnes
February 12, 10pm-midnight
(Following by:
Incubation, 1am-9am
Dream analysis, 9-11am)
Baik Art
Please join us Friday, February 12 for an evening with Gabie Strong, Christopher Reid Martin, and Ted Byrnes. Themes of catharsis and cleansing will lead into a sonic space to prepare us to dream and, ideally, to heal. Between 10pm-midnight, Gabie Strong, Christopher Reid Martin, and Ted Byrnes will activate the space of Baik Art. For an optimal experience, be prepared to lie down.
An intrepid group will spend the night following the performance in the ancient Greek tradition of ‘incubation’. Your dreams will be interpreted the following morning by a professional. Please email Matt Wardell at shonufwardell@hotmail.com to reserve your spot. BYOB (Bring Your Own Bedding). Details of the overnight stay will follow. Space is very limited!!
Gabie Strong is a California artist and musician exploring spatial constructions of degeneration, drone and decay as a means to improvise new arrangements of self-reflexive meaning. Strong uses sound performance, radio broadcasting, environmental installation, photography and video as mediums for experimentation.
Her work has been presented on Kchung TV at the Hammer Museum’s Made in L.A. 2014 biennial exhibition, Pasadena Armory Center for the Arts, Knowledges at Mount Wilson Observatory, Pitzer Art Galleries, University Art Gallery UC Irvine, and LAXArt amongst others.
Strong has performed at MOCA, the wulf, Los Angeles Contemporary Archive, Printed Matter’s LA Art Book Fair, Art Los Angeles Contemporary, Human Resources, SASSAS, LACE, High Desert Test Sites, LACMA, the MAK Center for Art and Architecture, Jabberjaw, and with her all-female free-psych band Lady Noise for Dawn Kasper’s performances at the 2012 Whitney Biennial.
Strong’s work is an exploration of the affect of decay that is experienced from living in the spatial disorganization of the twenty-first century. This disorganization is the result of living in multiple non-places at once—both physical and virtual— where borders are both confining and permeable. I often collaborate with other artists, musicians and poets to create work that embodies the difference of lived experience.
Christopher Reid Martin is a multidisciplinary artist, currently residing in Los Angeles. He first began working with sound in Orange County in 2004, layering sounds from various field recordings of daily life which convey living truths and over processed instrumentation as the reactionary expression. These expressions came to birth the solo project known as of Shelter Death, as it has evolved into a project in which performance and sound interplay to make for a personal reactionary experience in a perpetually decaying world.
In 2010, Christopher had taken his creative endeavors into other avenues, releasing tracks under various formats under his shared Orange County based label Via Injection. Christopher's creative repertoire expanded when he began documenting his experience in countries outside the US, by taking field recordings, foreign radio recordings, and/or taking photographs. Photographs were either left unadulterated as they were taken or digitally manipulating and layered these with old scanned various schematics. This has lead to an ongoing body of work, which fuses reality in the form of photography, with corroded ideas in the form of chopped manipulated grids and manuals. Christopher has and continues to show work in a number of art shows and has performed live in a number of events in projects such as Bailouts, Via Injection, Shelter Death, and under his own name.
christopher-reid-martin.format.com/
Ted Byrnes is a drummer/percussionist living in Los Angeles. An alumnus of the Berklee College of Music in Boston, MA, he comes from a jazz background and has since made his home in the worlds of free improvisation, new music, electro-acoustic music, and noise.
Ted primarily works in ad hoc improvisational settings, but has standing improvisational groups including: a group with Ulrich Krieger, a duo with Jeff Parker, a duo with Chris Cooper (AQH), a duo with Nicholas Deyoe, a duo with John Wiese, a duo with Scott Cazan, a trio with Jacob Wick and Owen Stewart-Robertson, among others. Additionally, Ted has played in duo/trio/or ensemble settings with: Mazen Kerbaj, David Watson, Ingebrigt Haker Flaten, Charlemagne Palestine, Alfred 23 Harth, Tim Perkis, Jaap Blonk, Torsten Muller, Kim Myhr, Jim Denley, Lloyd Honeybrook, Chris Schlarb, Mike Watt, Paul Masvidal, the LAFMS (including Smegma, Airway, Ace Farren Ford’s Artificial Art Ensemble, Rick and Joe Potts, Fredrik Nilsen, Tom Recchion, Vetza, etc), Sissy Spacek (the band), Maher Shalal Hash Baz, and more.
Ted has also collaborated with / worked for a variety of visual artists: he has accompanied a Doug Aitken “happening”, collaborated with Olivia Booth to play her glass artworks, collaborated with Dani Tull on a sound performance, performed with John Knuth and Bret Nicely at an installation in an empty pool, and has performed for FLUXUS artist Jeff Perkins on multiple occasions for his projector/light installations.
Currently, Ted is delving further into the possibilities and realities of solo drumset performance in addition to continuing to work with his existing projects.
-------------------------------------------------------------------------------------
EYE-DEE-QUE (Something Like an Asclepeion)
Matt Wardell
January 9 - February 13, 2016
Baik Art presents EYE-DEE-QUE (Something Like an Asclepeion), a solo installation and series of events by Los Angeles artist Matt Wardell.
For the exhibition, Wardell will present an immersive environment of images and objects by channeling ‘something like’ an ancient Greek temple of healing. Using Baik Art’s unique architecture, viewers experience a literal (and perhaps figurative) katabasis (‘to go down’ as in a descent of some type), but more importantly, and ideally, a catharsis (‘cleansing’ or ‘purification’).
Numerous objects, found and constructed, engage with the verticality of Baik Art’s shaft-like space, surrounded by an installation of wall works including drawings, collages, and repurposed images. Several fabric sculptures fill the gallery functioning as apotropaic totems. These Guardian Figures suggest a ‘presence’, ideally something beyond the object.
Daytime and evening events will further activate the gallery a space for healing. Practitioners from a variety of fields will be on hand for consultation. Music for Healing or What You Need will present a sonic cleansing. Incubation and Dream Analysis will be an overnight event of guided sleep followed by dream analysis with a professional. Utilizing the healing properties of dog saliva, An Event for Wound Licking will be a participatory event pairing wounds with dogs. For the date and time of each event, please contact the artist at shonufwardell@hotmail.com.
In ancient Greece and Rome, an asclepeion was a healing temple, sacred to Asclepius, the Greek God of Medicine. These temples were places in which patients would visit to receive either treatment or some sort of healing, whether it was spiritual or physical. Epidaurus was the first place to worship Asclepius as a god, beginning sometime in the 5th century BCE.
Starting around 350 BCE, the cult of Asclepius became increasingly popular. Pilgrims flocked to asclepieia to be healed. They slept overnight (“incubation”) and reported their dreams to a priest the following day. He prescribed a cure, often a visit to the baths or a gymnasium. Since snakes were sacred to Asclepius, they were often used in healing rituals. Non-venomous snakes were left to crawl on the floor in dormitories where the sick and injured slept.
Matt Wardell seeks to prolong a sense of wonder while placing the viewer in a lingering position of active assessment. He is interested in how we choose to live and in introducing work that facilitates these investigations. Wardell enjoys walking on fences, answering wrong numbers, and giving directions to places he does not know. Uncomfortable laughter, confusion, and irritation tend to be the byproducts of Wardell’s works.
Wardell has exhibited his work at venues throughout the United States and Mexico, including the Museum of Modern Art in San Francisco (SFMOMA), Claremont Museum of Art in Claremont, Los Angeles Contemporary Exhibitions (LACE), REDCAT, PØST, Human Resources, Black Dragon Society, Mark Moore Gallery, and Commonwealth and Council, all in Los Angeles. Wardell is a founding member of the artist collective 10lb Ape.
Baik Art
2600 S. La Cienega Blvd., Los Angeles, California 90034
310.842.3892
Lightning strikes at the heart of the massive tornado that ripped through
Tuscaloosa and continued into Birmingham.
Order watches, bags, jewelry here- goo.gl/Vbf0oD
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Photos Taken by Edwin Ladd - Mr Ladd Media
The Official Photographer for Birmingham Law Society
200th Anniversary Bicentenary Gala Dinner 2018 This event took place on the 4th October 2018 at The ICC. #BLS200
Guest Speaker on the night: Rory Bremner
Sponsors:
▪️Aston University Birmingham
▪️Lloyds Bank
▪️Cornwall Street Barristers
▪️Irwin Mitchell Solicitors
▪️Landmark Information
▪️No5 Barristers Chamber
▪️Oosha
Chosen Funding Charities:
▪️Headway
▪️The Jeff Castle Foundation
The Gala dinner was organsied by Emma Jones - AllinAll Events.
Want Edwin Ladd - Mr Ladd Media at your next event?
Contact: Edwin
Mob:07828 475 591
Email: info@mrladd.co.uk
#MrLaddMedia
Interested In Buying A Physical Copy Or Digital Unwatermarked Copy Of This Photo?
Feel Free To Email me at:
Joshjhowells@gmail.com
For Danielle's 5th Birthday Party. The princess pink dress is covered with fondant/ gum paste flowers in pink, yellow and white and some butterflies. She is standing on a yellow 12 inc. heart shaped cake with layers of chocolate and white vanilla cake with strawberry jam in between.
On the bottom is green butter cream icing grass with snails, ladybugs toadstools and caterpillars ( not visible from this side)
Il faut lire "émail", mais aujourd'hui tout le monde lit "e-mail"...
On Instagram instagr.am/p/NBqp04loKx/
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