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Just received a package from Amazon with a new Lumix 45-150 zoom lens. I am impressed with the lens' light weight and decent build. It feels right and balances well on the E-M5 body.
Interestingly I took this picture of the E-M5 and lens with my GX1 and 20mm and like the GX1's JPEG output better than the other picture I posted of the GX1 and 45-150 lens taken with the E-M5.
LEGAL NOTICE • This work is a copyrighted protected image © by Bernard Egger :: rumoto images | All Rights Reserved | no release |
photographer | Bernard Egger ►profile.. |►collections.. |►sets..
classic sports cars ☆ vintage motorcycles | Oldtimer Grand Prix
Mille Miglia | Ennstal-Classic ☆ motorsports | legends & passion
★ licence | no Creative Commons license • no flickr API
please contact me to buy the rights to use and publish this photo, to obtain a license or to get a version in higher resolution. ►more..
Todos los Derechos Reservados • Tous droits réservés • Todos os Direitos Reservados • Все права защищены • Tutti i diritti riservati
None of my works, no part of this photostream may be published, copied, reproduced, stored in retrieval system, or transmitted, without the prior express permission of Bernard Egger.
📷 Event | 2008 ENNSTAL-CLASSIC - technic check
1955 Porsche 550 RS Spyder cockpit :: rumoto image # 3020
Jahr für Jahr führt die ManpowerGroup Deutschland eine repräsentative Studie durch, in der sie Arbeitnehmer bezüglich ihrer Jobzufriedenheit befragt. Waren es im Jahr 2014 noch 45 Prozent, die mit ihrem Job unzufrieden sind, hat sich die Zahl im Jahr 2015 auf 49 Prozent erhöht, Tendenz steigend. Jedem zweiten Arbeitnehmer stellt sich deshalb die Frage: Gehen oder bleiben? Aus diesem Dilemma gibt es einen Ausweg. (wp-akademie.com)
Unzufriedenheit ist ein Gefühl, das aktivierend wirken kann
Es sind banale Gründe, aus denen die Unzufriedenheit der Arbeitnehmer resultiert. Mehr Abwechslung, mehr Anerkennung und Wertschätzung sowie bessere Karrierechancen sind die wichtigsten Motive, die in Arbeitnehmern die Bereitschaft fördern, sich beruflich umzuorientieren. Arbeitnehmer möchten gefordert und gefördert werden. Tatsächlich sind das keine Neuigkeiten, auch nicht für Unternehmen und deren Führungskräfte. In vielen Unternehmen ist eine positive Unternehmenskultur, in der Führungskräfte führen und Mitarbeiter gerne arbeiten einem Klima gewichen, in dem Machtspiele, Mobbing und Führen durch den Aufbau von Kontrolle und Druck an der Tagesordnung sind. Die Folgen sind für Arbeitnehmer weitreichend: Der Tag beginnt mit einer bleiernen Müdigkeit in Körper, Geist und Seele. Allein der Gedanke an die Arbeit bereitet Unbehagen und bestärkt den wachsenden Widerwillen. Die Frustration im Job zieht weite Kreise, und auch das Privatleben beginnt zu leiden, ganz zu schweigen von der Gesundheit. Es gibt Hardliner, die dieses Programm bis zum Ende durchziehen, während andere anfangen, ihren Job und ihr Leben in Frage zu stellen.
Sich beruflich umorientieren und den Weg der Veränderung wagen
Es gibt drei verschiedene Möglichkeiten, mit der Frustration im Job umzugehen:
1.Die Situation aussitzen, auf bessere Zeiten hoffen und die Frustration kompensieren.
2.Sich einen neuen Job suchen und diesen auch tatsächlich finden in der Hoffnung, dass in einem anderen Unternehmen ein besseres Arbeitsklima herrscht.
3.Nach einer sorgfältigen Auseinandersetzung mit der eigenen Persönlichkeit und einer Prüfung der rechtlichen und finanziellen Rahmenbedingungen den Weg in die Selbstständigkeit wagen.
Wer in seinem bisherigen Leben im Angestelltenverhältnis beschäftigt war, wird allein schon beim Gedanken an selbstständiges Arbeiten möglicherweise von nacktem Entsetzen gepackt. Der Weg der Veränderung ist ein Prozess, der schrittweise erfolgt und nicht von einem Tag auf den anderen. In einer idealen Position ist, wer den Wechsel in die Selbstständigkeit parallel zu einem festen Arbeitsverhältnis vollziehen kann.
Eine Überlegung wert: Die Vorzüge der Selbstständigkeit
Zu riskant, zu unsicher, zu anstrengend und arbeitsintensiv sind nur einige der Argumente, die die Liste der Sorgen und Ängste in Bezug auf die Selbstständigkeit anführen.
Tatsächlich ist selbstständiges Arbeiten eine Chance, die durch das Internet und den damit verbundenen Möglichkeiten auf sich, auf ein Produkt oder eine Dienstleistung aufmerksam zu machen, um ein Vielfaches gestiegen ist und eigentlich jedermann offensteht.
Die Selbstständigkeit bietet einige Vorteile: Dazu gehört eine freie Zeiteinteilung, die sich an der persönlichen Leistungskurve orientiert. Ein eigenes Business erlaubt es, der wahren Leidenschaft zu folgen und für sein Unternehmen "zu brennen", was beste Voraussetzungen für beruflichen Erfolg sind. Ein eigenes Business erlaubt es, die persönlichen Stärken nicht nur zu erkennen, sondern das zur Verfügung stehende Potenzial in vollem Umfang auszuschöpfen. Das vorhandene Wissen und die bisherigen Erfahrungswerte in Kombination mit neuem und erlerntem Wissen ermöglichen es, sich zu einem Experten zu entwickeln und sich als Marke zu positionieren. Das sichert nicht nur ein beständiges Einkommen, sondern bietet finanzielles Wachstumspotenzial nach oben.
Finden Sie, dass das gut klingt? Aber Sie haben keine Ahnung, womit und wie Sie sich selbstständig machen können? Lassen Sie sich überraschen: Die Türe für neue Wege in der Selbstständigkeit öffnet sich am 14. Februar 2017! Das ist eine Chance für Sie, den Schritt in die Selbstständigkeit zu wagen, die auf soliden und realistischen Beinen steht.
Bis dahin halten wir Sie auf dem Laufenden: Mit weiteren 10 Pressemitteilungen über "Neue Wege in der Selbstständigkeit"!
Wenn Sie weitere Informationen oder auf dem Laufenden gehalten werden möchten, klicken Sie bitte auf diesen Link... (wp-akademie.com)
Redaktion der WordPress Akademie ... pr-gateway.de/t/305005
This is the "Polaroid Time-Zero OneStep (SX-70 Rainbow)" camera, it is a Polaroid Land Camera that was produced by Polaroid in 1981.
This is a classic example of a Polaroid instant camera from the 1980s. The body of the camera is made entirely out of plastic. The camera features a 1 element plastic lens with a fixed aperture (f/14). An exposure compensation control dial which is combined with an “electronic eye” (light sensor) located on the front of the camera. The camera would have originally came bundled with the "Polaroid Flash Array"; which was a row of miniature flashbulbs that would have attached to the top of the camera (although other flash devices were also available at the time; such as the "Polaroid Q-light" flash attachment) This camera was meant as a replacement for the original "OneStep", which was produced from 1977 to 1980. The original "Polaroid OneStep SX-70" features a white face plate, while the later version (the "Time-Zero" shown above) had an all black chassis; both versions featured the classic Polaroid "Rainbow" stripe on the front of the camera.
The camera would have originally used Polaroid's SX-70 instant film; which is no longer produced by Polaroid. However, the SX-70 film can still be obtained through "The Impossible Project" website. The main breakthrough with the SX-70 film pack was that it allowed for a much faster development time, hence the name "Time-Zero". It also reportedly featured richer and brighter colors than pervious instant films. An interesting fact about the SX-70 series is that the actual "battery" for the camera is contained within the film pack itself. The "PolaPulse" battery is simply a thin flat 6 volt zinc-chloride battery; which was responsible for powering the internal electronics. Which includes the motors, exposure control, and light sensor; as well as signalling flash device to fire.
A PDF version of the manual for the "Time-Zero StepOne" can be found at:
www.cameramanuals.org/polaroid_pdf/polaroid_one_step_sx70... (Part 1)
www.cameramanuals.org/polaroid_pdf/polaroid_one_step_sx70... (Part 2)
I found this one in a removal box some time ago.
My first SLR inherited from my dad around 1990. He bought it in '82 or '84 as far as I remember.
I did still shoot it on a trip to Peru in 2009 and it did still produce quite pleasing results for an old consumer SLR. It did get its fair share of bumps and bruises over the years though. But maybe it is time to take it out again for some fun shooting. In fact the camera did not matter too much at the time anyway but the lens and film.
I shot this on my small product shooting table / and old commode in fact on which my GF scattered her christmas deco items and did not clean it up yet …
When I first left school and started work in Shrewsbury I used to stand by this letter box every day waiting for the bus and I never realised it was a Victorian Box. When I was younger my Father used to write to my Grandma in Kent every Sunday. If he didn't have a stamp to put on the letter he used to wrap the letter in newspaper and enclose a threepenny bit and a penny, post it and the collecting postman would buy a stamp and put it on.
Praktica MTL3 (1978)
Metal focal plane shutter, speeds 1"-1/1000" and B, flash sync at 1/125
TTL CdS exposure meter
ASA settings 12-1600
Meter activated by aperture preview button
Front-mounted shutter release button
Lens M42 screw-mount
Hotshoe
Uses standard 135 (35mm) film
Picture size 24 x 36mm
Powered by a PX625 battery
VEB Pentacon AG Dresden, Made in GDR (German Democratic Republic)
Lens:
Pentacon auto 2.8/29
I invite you to visit my camera site at Classic Cameras in english.
Convido-os a visitar o minha página Câmaras & Cia.
元のデジ画像を反転させてPC画面に映して複写したので現像すればポジ状態になります。しかし、これは紙フィルムなので引き伸ばしは当然不可能。だからスキャナーにかけて再びデジ化しプリントアウトするしか道はありません、ガハハ。
このカメラ、実はトップカバー正面左サイドだけが2代目67に交換されてるけれど中身は初代の6X7(ミラーアップ機能無し)だよと、1999年に中古屋さんで買った時言われたので、製造されてもう45年位は経ってるかもですがまだまだ元気。
WEEK 51 – OB WM, Set III
Instead of an electronics desk, the Olive Branch Walmart just has two checkouts, kinda like you usually see in the garden center. Of course, these checkouts are the old black ones just like up front! The poster features a similarly old photograph of Don Robertson, the store manager, wearing his old Wal-Mart nametag.
(c) 2015 Retail Retell
These places are public so these photos are too, but just as I tell where they came from, I'd appreciate if you'd say who :)
The personal electronics that I carry on a daily basis. Top to bottom:
Samsung ACH A-670 phone (with belt clip)
Apple iPod Model MA146LL (with protective "rubber" sleeve and Philips earbuds)
Olympus SP-560UZ camera (in nylon carry case)
Amazon Kindle e-book reader (in "leather" cover) (I don't think there's model info for these yet?)
Asus Eee PC 701 (in neoprene slipcover)
Total weight of these items: 5 lbs 7.7 oz
Total weight of backpack with these in it: 8 lbs 7.1 oz
(taken with Mac webcam because the other cameras were all in the picture!)
By twisting the large hour-glass latch in the middle of the film back, you open the camera. The dials and lettering littering the open/close latch tend to give the camera a feeling of complexity and quality that isn't reflected in the reality of the camera.
In celebration of my 20,000th picture upload to Flickr, I give you a look at something that combines both my LEGO and our retail interests: a proper LEGO department store made from LEGO in minifigure scale.
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If you would like to use THIS picture in any sort of media elsewhere (such as newspaper or article), please send me a Flickrmail or send me an email at natehenderson6@gmail.com
Photographer/Model: Gabrielle OHare
Skin: PinkHunt - CStar
Hair: Pandora Cyberfalls - +DV8+
Outfit: CyberJammer - +DV8+
Accessories: Deathrock - +DV8+
Electronics hobby
Designing and building a high power amplifier capable of driving low impedance (as low as 2 Ohm’s @ 50 Vpp) loads.
www.diyaudio.com/ see alias FdW
History of DIY audio
Audio DIY came to prominence in the 50s to 60s, as audio reproduction was relatively new and the technology "complex," audio reproduction equipment, and in particular high performance equipment, was not offered at the retail level. Kits and designs were available for consumers to build their own equipment. Famous vacuum tube kits from Dynaco, Heathkit, and McIntosh, as well as solid state (transistor) kits from Hafler allowed for consumers to build their own hi fidelity systems. Books and magazines were published which explained new concepts regarding the design and operation of vacuum tube and (later) transistor circuits.
While audio equipment has become easily accessible in the current day and age, there still exists an interest in building one's own equipment, including amplifiers, speakers, preamplifiers, and even CD players and turntables. Today, a network of companies, parts vendors, and on-line communities exist to foster this interest. DIY is especially active in loudspeaker and in tube amplification. Both are relatively simple to design and fabricate without access to sophisticated industrial equipment. Both enable the builder to pick and choose between various available parts, on matters of price as well as quality, allow for extensive experimentation, and offer the chance to use exotic or highly labor-intensive solutions, which would be expensive for a manufacturer to implement, but only require personal labor by the DIYer, which is a source of satisfaction to them.
More Info: bit.ly/1SpCDbT Canon EOS Rebel T6 Digital SLR Camera Bundle with EF-S 18-55mm and EF 75-300mm Zoom Lenses, 32 GB Memory Card, Bag, Extra Batteries and Lens Filters Website: bit.ly/1SpCDbT
Pennsdale (Muncy), PA. June 2022.
If you would like to use THIS picture in any sort of media elsewhere (such as newspaper or article), please send me a Flickrmail or send me an e-mail at natehenderson6@gmail.com.
BODY:
Manufactured by Nippon Kogaku K. K., Japan (Nikon Corporation since 1988)
Model: c.1968, model Photomic FTN that produced between 1968-1974.
All Nikon F produced between 1959-74
35mm film camera, fully mechanical, (except posemeter)
Engraving on the top plate: Nikon and serial no. 6944460
Lens Mount: Nikon F bayonet type
Lens release: by a button on the right front side of the camera, just beside the lens mount
Focusing: screen Matte fresnel Split-image prism rangefinder, Type A, provided as standard, interchangeable with 16 other type finder screens
Shutter: Mechanical, horizontal-travel, titanium foil focal-plane shutter
speeds: 1-1/1000, +T and B, for X sync 1/60 is red
setting : dial on the top plate, coupled with the speed dial of the finder Photomic FTN
Shutter release: Threaded collar, accepts Nikon F, F2 type cable release, on the top plate
Cocking lever: also winds the film, short stroke type, retractable,
automatic film advance possible when motor drives F36 or F250 are used.
Frame counter: on the cocking knob, Additive type, auto-reset
Reflex mirror: Automatic instant-return type
Mirror lock-up: by a lever on the right side of the lens mount
DOF preview: by a button, on the right front side of the camera, just beside the lens mount
Viewfinder: Photomic FTN, metered, SAI, eye level SLR pentaprism,
center-the needle pointer, shutter speed and apertures index visible in it, to f/32 and T&B settings, T appears as 4 sec. and B appears as 2 sec. in the finder,
Maximum aperture scale: on front of the finder:
After setting the lens to f/5.6 or lower, mount the lens on the camera and cycle first back and then forth between the minimum and maximum apertures, some spring-loaded gizmo in the finder automatically communicates the maximum lens aperture to the metering circuit
(check the maximum aperture scale)
For Nikon F cameras classic Eyelevel prism finder was standard, interchangeable with 7 other types including 4 metering prisms
Finder release: main prism release is the small silver button on the back of the top plate and second is a lever on the right side of FTN, pushed in towards the finder after the main prism release is pushed-in.
Meter switch On/Off: On button on the right side of the finder, Off button on the top-right of the finder, when the on button pressed, the meter switch-off button will pop up and a red line around its circumference will be visible. This serves as a warning that the meter is on.
Battery check: depressing the off button while the meter is off, which will cause the meter needle to move slightly right of the center notch if the battery is still good.
Exposure meter: Cadmium Sulfide cells (CdS) in prism, through-the-lens, center-weighted exposure metering, (corresponds to the 12mm in diameter ring on the screen),
Film speed range: ASA 6-6400, setting: dial on the finder
Metering range: EV 2-17
Exposure setting: manual, set the ASA then center-the-needle pointer moving between horizontally arranged +/– (over / under exposure) markers at the lower part of the viewfinder, by turning the aperture ring or speed dial, speed and aperture are visible in the viewfinder.
The needle array was duplicated on the top of the finder head to allow exposure control without looking through the viewfinder
Re-wind lever: folding crank type,
A red dot on top of the shutter release button rotates while the film is being rewound,
Re-wind release: by switching the shutter release collar to R
Flash PC socket: Possible at all speeds up to 1/60 sec with electronic flash; sync terminal provided for off camera or multiple-flash photography; sync terminal is switchable to work with flashbulbs at speeds of up to 1/1000 sec (type 6 flashbulbs)
Hot-shoe: special Nikon F-type located at base of rewind knob,
adaptors available to convert to ISO or F3-type shoes
setting: the flash sync, lift up on the milled ring around the shutter speed dial and rotate, left or right, setting which visible in the small window just forward of the shutter speed dial,
For electronic flash sync 1/60th or slower, set the white and red letters FX,
the rest of settings for using flashbulbs
Memory dial : for ASA 25-1600, on the left of the bottom plate
Self-timer: dual purpose, a lever-type, rotate it clockwise, small black tick marks for an approximately 3, 6, 10 second delay, on the ring surrounding the self-timer hub, an aid for hand held exposures at slow speeds also
activates by pressing the small silver button appears when you moving the self-timer lever
Back cover: removable with bottom plate, opens by turning open/close folding lever,
interchangeable with 250 exposure magazine back (and motor) F250
Engraving on the bottom plate: MADE IN JAPAN
Tripod socket: 1/4''
Strap lugs
Body: Weight: 1049g, approx with Tn or FTn finder
Battery: Two PX-625 1.3V mercury battery (accepts PX625A / LR9, but better is 1.35v Zinc/air), for light meter only
Battery chamber: on the bottom of the finder
F body serial no / manufacturing year data, F body features / typology are as to:
LENS:
Zoom-Nikkor Auto 43-86mm f/3.5
Manufactured by Nippon Kogaku, Japan
Mount: Nikon F bayonet type non-AI lens , automatic diaphragm ,
Solid meter coupling prong, (no nostrils), single coated, filter thread: 52mm,
serial no. 486556
as to this serial no. Lens model is c.1967
All of this 43-86mm F mount lens manufactured between 1963-74 with many modifications
Aperture: f/3.5-f/22, on the scale number 16 blue coloured
Focus range: 1.2-20m +inf
Focus and zoom ring is same, zooming by sliding it,
scale with coloured lines 43-50-60-70-86mm
F mount with 5 slot screws, Chrome lens Barrel, scalloped aperture setting ring
White coloured LENS MADE IN JAPAN engraved on the black focusing ring,
the character M has vertical sides
The distance scale on the focusing ring is calibrated in feet and meters. Infinity setting is on the left side. The feet scale is yellow and is situated above the white meter scale.
The lens manufacturing year / serial no. data, model features / typology are as to:
For Nikon F cameras the lenses 50mm f2 Auto S Nikkor and later 50mm f1.4 Auto Nikkor-S was standart.
Non-AI lenses fit on the Nikon F, early F2, Nikkormat FT, FTN, FT2, EL and ELW, and the Nikkorex F. They can be used without meter coupling on the earliest AI camera bodies such as the FM and FE, but they must not be mounted on later ones such as the FM2, as it is possible to damage the camera body.
Nikon brought semi-automatic aperture indexing (SAI) from the Nikkormat FTN into the professional F with the FTN finder.
The F is the first member of the long line of Nikon F-series professional level 35 mm SLRs that began 1959 and followed each other in a sort of dynastic succession as the top-of-the-line Nikon camera. The other members were the F2,F3,F4,F5 and F6 (2004–present).
The F-series do not share any major components.
All Nikon professional F-series SLRs are full system cameras. This means that each camera body serves as only a modular hub.
il est maintenant réparé une nouvelle mousse d'amortissement pour le miroir
je vais pouvoir finir la pellicule couleur qui a été mis il y a plusieurs mois
Zeiss Ikon Ikoflex Ic twin lens reflex camera with 75mm Novar lens in Prontor SVS shutter and uncoupled selenium light meter.
photo-analogue.blogspot.co.uk/2016/03/zeiss-ikon-ikoflex-...
I found this old convertible cadillac and his proud owner in Zaragoza. It was a beautiful car, cared and well maintained. via 500px ift.tt/2fQnmob