View allAll Photos Tagged EXPERIMENTAL
I was just playing around with some food colouring and ended up with this rather abstract piece. It definitely looks like something to me but will let you make your mind up
August 1997 and AD Class Alexander Setanta/DAF SB220 AD24 is seen in an experimental livery which thankfully was never adapted
Straight out of the camera experimental combo of indoor light painting via a digital light wand and a LED, then a lens cap followed by some ten stopper assisted shonky camera rotation outside in the yard.
Experimental Science
1.3.15
“High-tech tomatoes. Mysterious milk. Supersquash. Are we supposed to eat this stuff? Or is it going to eat us?” ~Annita Manning
The A2R3 Experimental prototype was designed by an automobile engineer who was inspired by articles he read on the Gyrojet munitions project. While very few working concepts or prototypes were ever created, the designs gained a moderate amount of notoriety due to a "hotrod" aesthetic applied to many of them, even earning the designer a Popular Mechanics Magazine write up.
Later, after immigrating to Australia to retire, a few final prototypes were designed for testing by the Australian military - these would be the A2R3s (Anti-Armor, Rapid Repeating Rocket). The hope was to create a more versatile infantry armor solution. One rocket would be enough to punch a hole in a sturdy car, two through a military vehicle, and theoretically 4 to get through an armored personnel carrier. In practice, however, it was found that higher penetration levels were difficult to achieve unless each rocket landed precisely upon the previous detonation point. Thick enough armor, like that of a main battle tank, could be too thick for the rockets to have much effect whatsoever.
The idea would eventually be sidelined, but documentation from the A2R3 project alongside the Gyrojet project would later be used by the Americans for the development of the the ARMS project XM250 (www.flickr.com/photos/ironwolfweapons/50011532112/in/date...)
Cubism of a spider's web shot from different foci, zoom levels, angles, and proximities. Image is made of about 20 photos and 10-20 more copies made using the marquee selection tool that I arranged and blended in PS. I then imported the image into LR and made several global edits including increasing clarity, tinting the image slightly green to match the greenish tree background, increasing exposure slightly, bringing up shadows, decreasing blacks, and decreasing highlights.
camera toss - barrel roll with the lens pointing straight up at neon sign - No Photoshop manipulations.
Me and Fellwalker1 in free fall anything goes mode, put your sunglasses on lol.
Exposure 210
Aperture f/8.0
Focal Length 18 mm
ISO Speed 100
Hit the L key for a better view. Thanks for the favs and comments. Much appreciated!
Model: Renata L.
Location: St. Albert, Alberta
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All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission.
© VanveenJF Photography
Experimenting with Hoya Pop Colour filters & multiple exposures of the waterfall feature at the front of Star City in Sydney. Also experimented with a small depth of field.
Nikon F4. AF Nikkor 50mm F1.4D lens. Kodak Ektar 100 35mm C41 film.
Taken with a Polaroid 800/110a/600se conversion, a Belair Instax Wide back, a 110b f90 lenscap and expired instax film.
I have joined a group to add a photo a week - this week's theme is "experimental". I have been reading about zooming whilst using a low shutter speed and this is what I came up with. It is our regular Magpie visitor sitting on a pot plant in our garden. This is a lot more difficult than I imagined and only these two photos were okay out of about ten that I took.
I felt like doing something digital and abstract and this is what came out of my playing around. ;-)
Ok, so I could not leave it alone, and went out (immediately) to do some more test shots with the first IRG attempt Aerochrome setup.
Again, did not follow Wong's algorithm, but mangled the photos on my own in some way.
The response is pretty weird, some vegetation stays kind of green (but with some red or pink in there which makes it darker and a bit brown-ish), but withered grass, dry leaves on trees, on the ground (brown stuff mostly) get pretty intense; also actual red or organge things that are not organic reflect very strong.
It was overcast so everything is a bit muted and there was no way of getting to this bright pink look with this "method".
I did use a different UV filter, not expecting to make any difference, and it didn't. There is all this talk about altitude, that there is more UV radiation (which makes sense to me, less atmosphere to pass through), but why the heck should that matter for a cut-filter? It does it's thing at a certain wavelength, with a transmission curve of a certain shape and threshold etc., and ..
Anyway, I already identified some major errors with my approach that a doable, and then probably some more on top of it 😜, stay tuned..
Technically, it's a 7 piece pano, cylindrical stitch, finished off with 14663 x 4256px, ~62,4MP.
Nikon D90 (APS-C / DX, fullspectrum mod)
Minolta MD ROKKOR 28mm f/2.8 prime
Fotodiox Pro MD - Nik adapter
BEWETAR 49 ES UV-haze 1x filter
KOOD 49mm YELLOW filter
ISO200, 28mm, f/8, 1/250sec (-0.7EV)
(therefore 42mm full frame equivalent)
manual focus, tripod, 3-way head
Stampe SV4C F-AYGG - Meeting de l'air de la BA 105 d'Evreux (EURE)
Website : www.fluidr.com/photos/pat21
www.flickriver.com/photos/pat21/sets/
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