View allAll Photos Tagged EMULSIVE
Contact print on watercolour paper coated with handmade silver gelatin chloride 'Gaslight' emulsion.
Gold toned.
Emulsion of nasturtium petals, orange daisy, and yellow loosestrife, placed under a digital photo transparency and exposed to the sun for 2 days in Oct 2021.
Print on handmade silver gelatin printing out emulsion.
This is pretty much a gaslight emulsion with extra silver added, and produces an image is it's exposed under UV light.
Scanned liquid emulsion print.
Zeiss Ikon Superikonta (531/16) w/ Novar Anastigmat 75 mm/f3.5.
Oct 9, 2021.
Fomapan 100 in Rodinal 1+100, semistand 1 h.
Foma's liquid emulsion on ceramic tile 20 x 20 cm. Developed in Dektol and fixed in Fomafix P (hardening). Dec 11, 2021.
Untoned.
Dalsland, Sweden.
Finally got around to spending some time working out the image corrections needed for printing on Polaroid B&W iType on the Polaroid Lab Printer.
Then spent some more time getting the lift process "perfected". The B&W film has a milky coating (which doesn't appear to come off) on what would be the top side which reduces contrast of the lifts. I "fixed" this by flipping my images before printing and mounting the lifts milky side down.
Very fresh prints and very hot water make the separation of Polaroid layers quite simple.
Anthotype on emulsion made from dark tulip petals. Anthocyanins appear to be pretty stable pigments, and direct sunlight for many days is required to bleach them. This long exposure was also a challenge for Epson inks that were used to make a digital positive image on inkjet transparency.
Emulsion: crushed dark tulip petals + water + little amount of ethanol
Paper: Herlitz watercolor A4 size
Exposure: one month (June-July), but few sunny days
Scanner: CanoScan 9950f
Original image taken on 35 mm BW film with red filter on lens.
Contact print on watercolour paper coated with handmade silver gelatin chloride 'Gaslight' emulsion.
Distilled water, gelatin, silver nitrate, potassium chloride, vodka, wetting agent.
Spring 2017 polaroid week
Day 5
Impossible Project red duochrome
Tyrannosaurus Rex emulsion lift - the red dye leaked out into the water, leaving the polaroid a lovely shade of dark pink
308. - The Regions of the Abdomen and their Contents.
Original photograph taken by Polaroid SX70 Alpha1 SE using Polaroid Originals Blue 600 Reclaimed Edition instant film.
Emulsion transfer onto metallic paper laser print of a scan from Gray's Anatomy 1st edition reprint.
This is an example of the results of shining a light onto the shiny side of a CD on which you have placed an emulsion consisting of cooking oil and water. Just by moving your hand in front of the light you can change shapes and colors. I photographed this back in 2017, when I was experimenting with this kind of photography. Fun stuff to play with.
I have an album of these images if you enjoy abstract color and shapes. www.flickr.com/photos/9422878@N08/albums/72157625787156195
Anthotype on onion leaves emulsion. For those who have little sunlight chlorophyll emulsions might be interesting, because they need very short exposure times.
Emulsion: crushed bunch of onion leaves + 1 lid of ethanol + 2 lids of water, 3 coatings
Paper: generic watercolour SM.LT, A4 size
Exposure: 1-2 hours, afternoon, July
Scanner: CanoScan 9950f
Slight increase of contrast in PS
My first attempt at an emulsion lift.
Polaroid Yellow Duochrome on Lana Aquarelle paper.
'Roid Week Autumn 2021 day 5/1.
Scanned liquid emulsion print.
Mamiya 645 ProTL w/ M-S 45 mm/f4 macro. Early morning of April 22, 2023.
Fomapan 200 @ iso 100, dev. in Rodinal 1+100, semistand 1 h.
Foma's liquid emulsion with hardener on Lokta paper 24x30 cm. Paper primed with gelatin (1%), chrome alum and ethanol (96%) before coating (as to Foma's recommendations). Didn't help much against the reactive paper impurities, one must probably seal it with varnish or some other non-water soluble treatment.
Developed in Moersch Eco 4812 (1+14), fixed in Adofix PII (hardening) and toned in Se 1+9, 60 sec.
That concludes my experiments with this Asian paper for now.
268. - Cutaneous Nerves of the Lower Extremity. Front View.
Original photograph taken by Polaroid SX70 Alpha1 SE using Polaroid Originals B&W SX70 instant film.
Emulsion transfer onto heavyweight matt laser print of a scan from Gray's Anatomy 1st edition reprint.
Emulsion lift and destruction. I like the different creative techniques to customise a Polaroid. The delicacy of the emulsion lift contrasts with the destruction of part of the photograph. Polaroid week’24, day 6 - number 1
nikon N90s + 28-105mm + fuji velvia RVP 50. lab: the icon, los angeles, ca. scan: nikon coolscan 5000. exif tags: lenstagger.
Serigraphie pour le livre Emulsion à l'initiative du Cagibi, de All Over & de la Carpe
Vive les p'tits mickeys !
While we were in Arizona, a friend and I spent some time photographing whole milk with food dye mixed in it. The photo club that I belong to, Poly Photo club in San Diego. put on a workshop recently that included a presentation by one of our members about how to create emulsion art using whole milk, food coloring and dish washing detergent. I loved seeing the results by our members, and decided to try it. Here's a link to a website that shows exactly how to do it:
tinylanscapes.wordpress.com/2015/10/14/fun-with-milk-food...
Lighting stuff: I used a bare YN560-III, in manual mode, to put some light to to the emulsion. The flash was triggered by a Yongnuo RF-603N. I've also posted a picture of the setup that I used, because sometimes people find that to be helpful. Check the first comment down below to see the setup.
More photographs of colorful emulsions (although created differently) are in my pretentiously titled Emulsion Art album.
Imagen creativa. Tratamiento digital sobre base fotográfica propia. Gracias de antemano por vuestros comentarios, award, favoritos, invitaciones a grupo y la elección para galerías; perdonad que quizás no pueda responder individualmente. Todos los derechos reservados
This was my first attempt at handmade dry plate negatives, using the Foma Photo Emulsion on 5x7 inch glass. Its contrasty, but there's a lot of tone and detail in there.
Exposed at 1ASA and developed for 4.5 minutes in D-23
B&J 5x7 camera with 203mm Ektar wide open (f7.7). Two second exposure.
Curious how the orange trumpets in the Daffodils turned black!
6x6 pinhole trichrome of my favourite tree
The process:
3 x b&w negatives
Dev'ed & Scanned
Composited into Trichrome in software
Sent to phone
Printed on Polaroid Lab
Emulsion lifted
Emulsion placed on paper
Scanned
Uploaded to socials...
Why? Just because :)
Gaslight emulsion on watercolour paper.
Distilled water, gelatin, potassium chloride, silver nitrate, wetting agent, vodka
polaroid week day 1
two autumn scene polaroids that 'failed' when I did emulsion lifts - I had the idea of 'painting' the maple leaf with the lifts - and it worked! I enjoyed the watercolour effect it gave.
Chloride 'gaslight' silver gelatin emulsion on watercolour paper.
By overexposing the print by a stop and using a developer with extra potassium bromide added it produces a warmtone print.