View allAll Photos Tagged Dynamics
Designed to take three distinct type of missiles: bombs, torpedoes and light swarmer missiles. In Freespace world this would correspond for example to Cyclops, Trebuchets and Tornados.
General Dynamics F-16CM Viper 91-0379 Wild Weasel USAF 79th FS "Tigers" Shaw AFB, SC @ Nellis AFB, NV Mission: Supression of enemy air defences (SEAD)
425 coasts downgrade towards Lake Drive at Lake Hauto, PA as the SD50-2s behind it are notched up in dynamic braking to keep the 18 car train from over speeding.
The Mitsubishi F-2 is a multirole fighter derived from the General Dynamics F-16 Fighting Falcon, and manufactured by Mitsubishi Heavy Industries and Lockheed Martin for the Japan Air Self-Defense Force.
This is the third shot I took last night. On my previous post I said I photographed a rainbow, a shot looking east from us, and now lastly our wonderful sunset. All images were taken minutes apart.. You never know what you will experience in the evenings in Western Oregon this time of year. :-)
United States Air Force General Dynamics F-16CM 89-2039 seen approaching RAF Lakenheath.
This aircraft is assigned to 31st FW, 555th FS at Aviano Air Base.
General Dynamics F-16C Viper 86-0211 ANG AFRC TEST CENTER (AATC) Recovery @ Tucson IA (KTUS), AZ Note: This aircraft is returning with a load of wing armaments including AIM-9 Sidewinder and AIM-1`20 AMRAAM missiles.
Experiments with visualising mathematical functions using computer graphics. See more weird stuff at my arty things gallery.
The dynamic brakes on these MEC GE shitboxes could be heard for miles as ST train EDPO slowly rolled to a stop just west of Wachusett.
An assignment in my workshop: make a dyptych complementing each other in form colour, brush stroke and rhythm.
This is one of those rock formations that I can't ignore. In fact I can't help but frame it up in different ways getting all excited. I have a slim Polariser ordered as I feel it would really help on shots like this. Just to intensify the colour and cut through that reflection. Still I loved the shapes and the warm and cold light. This is still of Gunwalloe in Cornwall. 10-22mm with 0.6 and 0.45 Lee filters.
Hi again Friends, ..
been away from the internet for a while, I think miss a lot of you & your images …
lemme catch up.
Miss you all, guys :-)
explored. March 17, 2012
Thanks!!
Nothing in the world is more flexible and yielding than water. Yet when it attacks the firm and the strong, none can withstand it, because they have no way to change it. So the flexible overcome the adamant, the yielding overcome the forceful ~~ Lao Tzu
Picture taken at Khurda Road,Odisha,India.
BNSF GP25 #3181 leads the Kalispell Local near La Salle. They are high in dynamics as they approach a temporary 10 MPH speed restriction at Milepost 1218.
Subdivision: Kalispell Subdivision
Train Name: Kalispell Local
Train Symbol: R-MON876
Experiments with visualising mathematical functions using computer graphics. See more weird stuff at my arty things gallery.
www.intersectionconsulting.comThe dynamics of social media revolve/intersect around:
* the democratization of information and knowledge
* the distribution of content through social interaction
* publishing tools that are scalable and easy to access
* individuals transitioning from media consumers to content publishers
* a transformation from one-way media broadcasts to two-way communication
PictionID:54639891 - Catalog:01_00094151.tif - Title:General Dynamics GLCM (mfr CV99075) - Filename:01_00094151.tif - -Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
What do you think of the editing I did here? I took a WAY different approach here. It almost looks like HDR.
Netherlands - Air Force
General Dynamics (Fokker) F-16AM Fighting Falcon (401)
J-008 (cn 6D-164)
313 'Tiger' Sqn. from Volkel complete with 55 year Tiger on tail.
Photographed at the Royal International Air Tattoo.
Fairford (FFD / EGVA)
UK - England, July 19, 2009.
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PictionID:54489553 - Catalog:Titan Centaur 17 - Title:Array - Filename:Titan Centaur 17.jpg - ---- Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
PictionID:46751254 - Catalog:17_000744 - Title:General Dynamics F-16D 150 Bahrain AF - Filename:17_000744.tif - --Image from the René Francillon Photo Archive. Having had his interest in aviation sparked by being at the receiving end of B-24s bombing occupied France when he was 7-yr old, René Francillon turned aviation into both his vocation and avocation. Most of his professional career was in the United States, working for major aircraft manufacturers and airport planning/design companies. All along, he kept developing a second career as an aviation historian, an activity that led him to author more than 50 books and 400 articles published in the United States, the United Kingdom, France, and elsewhere. Far from “hanging on his spurs,” he plans to remain active as an author well into his eighties.-------PLEASE TAG this image with any information you know about it, so that we can permanently store this data with the original image file in our Digital Asset Management System.--------------SOURCE INSTITUTION: San Diego Air and Space Museum Archive
This shot is one of my favorites; this one I can describe the action. Clearly, I spun the camera back while I held the zoom ring but did not impart a great deal of zoom. The zoom must have been less than the camera spin. The fireworks during expansion accounts for much of the action. It is sometimes tougher to analyze the camera motion and zoom. There were a few shakes during the propagation and spin. Apparently there was less motion but some shakes as the flares erupted. What day is it? What day is it? ...It's the Fourth of July!
It has been three years since Phil and I enjoyed the Frogmont fireworks when we got a spot on the hill. This time I parked over at Golden Ponds and walked over to Roger's Grove to be the closet to the launch site. Longmont bagged fireworks in the forest fire year. I got stuck some distance across Hover for last year. I was determined to get a lot closer this year. After switching to hand holding long exposures for the carney and Christmas lights, I had great luck so I had that in mind this year. I started out just after 7:00 in the evening but I only managed one of the last two spots at the park.
This is like a box of chonklits; you never know what you gits. After slipping this into Photoshop, I adjusted for the exact perspective for better presentation. The fine coloration was really untouched. I tried to maximize the light streaks. I didn't even need to jamb hell out of color balance and pump the saturations. I left them untouched.
This shot is clearly zoomed even though the EXIF relates 70mm. That must be logged at the end of an exposure. The zoom effect increases at the perimeter of frame and the jiggles were milder at wide angles but because I got tight, lights were kept out of wide shots. I got a lot closer. I did a zoom along with intentional jiggles AND movement to add to the action. I am going to try as many as I can snag. Reality is highly overrated.
I never have finished my previous color lights or rose garden experiments. I will take the opportunity to try out more tricks before the next fair rides. I am still not out of snaps of other subjects but I hope my breadth has expanded. I did vewwy, vewwy wittle warping and editing, for me at least, to present these the way I wanted. I have learned to slow the camera down even further to three seconds this time but I boosted the lens setting to f:/22. Three seconds is about enough to accomplish a wide array of tricks if prepared and prepanned so to speak. Of course this digital experimentation is cheap. I had fun shooting all of these and they were a breeze to edit! I get mostly muted colors in the ag settings I have shot, so I revel in JUST COLORS. And this title DOES have a nice touch for the actual scene, don't you think? I spent hours giving this stuff titles.