View allAll Photos Tagged Documentation
I recently pulled my GP2X out of storage to try writing a few program on it. Unfortunately, the unstoppable march of progress has made the network-over-usb interface incompatible with my computer's kernel version. Rather than fiddle with software, I decided to take the "easy" way in, by opening it up and soldering some wires to the serial data lines.
There are six levels of maturity for the DMM. Why? After observing literally thousands of sites, we were able to categorize them by type. Some do bleed over into other levels, but the majority fell into one of the six levels.
The goal of the DMM is to give you the main characteristics of the others levels so that you can observe how other successful organizations are creating more value from their sites. The six levels of the DMM will provide you with a means to assess your current documentation site and to learn how others are taking it to the next level.
How code is documented in Ubiquity. For more information see Atul's blog post. For the actual documentation, see here.
Every major brand is struggling to launch a community site around their company’s products. Maybe it’s an indirect community that you hope brings traffic and future sales, or maybe it’s a community about your product that has been designed to increase sales.
But unless you are a very big brand with passionate following (e.g. Apple) these communities are difficult and expensive to build. Not impossible, but it’s hard work.
Yet companies are starting to build communities around their product/service documentation. Yep, something every company has but never views as strategic.
They aren’t starting from scratch, there is already traffic from current customers seeking solutions to their issues with your product. So the foundation is in place, it’s just been moved topsy-turvy into the corporate attic as an afterthought. Something that was considered a necessary evil.
The Documentation Center Nazi Party Rallying Grounds (German: Dokumentationszentrum Reichsparteitagsgelände) is a museum in Nuremberg. It is in the north wing of the unfinished remains of the Congress Hall of the former Nazi party rallies. Its permanent exhibition "Fascination and Terror" is concerned with the causes, connections, and consequences of Nazi Germany. Topics that have a direct reference to Nuremberg are especially taken into account. Attached to the museum is an education forum.
In 1994 the city council of Nuremberg decided to establish the Documentation Center. Austrian architect Günther Domenig designed the museum, winning the 1998 international competition with his proposal to spear through the northern head of the building with a diagonal glass and steel passageway. Inherent in the gesture of this project is a pun on the name and a refutation of the chief Nazi architect Albert Speer who had directed a masterplan for this site including a Zeppelin Field, a stadium to hold 400,000, a March Field for military exercises, a Congress Hall for 50,000, and a 180-foot (55 m) wide Great Road.[1] This is where Speer had created the "cathedral of light" and where the Nazis drew nearly a million people in rallies between 1933 and 1938. These were captured on film by Leni Riefenstahl in Triumph of the Will. Domenig, the son of a Nazi judge, confronted his own personal history in addition to the history and Nazi architecture of the project's site.[2] On November 4, 2001 the project was unveiled by Johannes Rau, then President of Germany.
Several photos were taken of the dissections to document the appearance and location of the nematodes. American eels can become infected by consuming intermediate crustacean hosts, like copepods or ostracods. They can also get infected by eating organisms that carry the parasite but are unaffected such as snails, amphibians, insect larvae and some fish.
The left and right edges of the raft are good and will form a strong but easy to remove bond between the object and the build platform. The section in the middle is squished and will stick securely to the platform when nothing else will.
This image is for the skeinforge configuration tutorial at: wiki.makerbot.com/configuring-skeinforge
Vesuvio Café in North Beach, San Francisco.
Photographs in this collection have been produced by Heather Do, Connor Rowe, Kathleen Markham, Alison Lowrie, Kenneth Chiu, Katie Salmond, Diana Chavez, Elena Toffalori, Ashley Vink, Aimee O'Dea, Liz Dolinar, Allison Barden, Justine Khoury, Daniele Alaniz-Roux, and Justin Thach at the request of Michael Ashley for the UC Berkeley Anthropology 136e class, Spring 2011. The purpose was to digitally document the cultural heritage of Vesuvio Café to not only document the cultural history embeded into the ageless walls but also to connect spatially the symbiotic relationship that preserves the legacy of beatnik culture today.
Vesuvio Cafe, (37.79757°N 122.40625°W), located in the North Beach region of San Francisco Bay, is a cultural bastion preserving the cultural heritage of bohemian era and the beatnik culture that generated its establishment by Henri Lenoir in 1949 and made infamous by the renown authors such as Jack Kerouac from which the adjacent alley is named. The building in which the bar is housed is otherwise known as the Cavalri building built in 1913 and expanded to a second story in 1918 and designed by Zanolini with Italian Renaissance revival elements. The transient existence of these unkempt literary members and their constituents is reflected in the liminal location of the former saloon restaurant at the border between the vagrant Chinese- Italian communities; by 1970[1], most of the diverse cultures regressed into economical housing . Vesuvio Café despite its rich history back to the 1950’s , are not historically preserved site; in fact, they were rented until 1999[2] by managers Chris and Janet Clyde, whose proprietary hopes to protect the building from other commercial interest. Over the years, Vesuvio has undergone its share of renovations and damages such as the 1999 retrofitting for earthquake safety or even the 1973 damage dealt to the building by an errant bus[3]. Over the years, the "I'll never forget after the retro-fitting, one man came in, he was about 55 years old and in a business suit," Clyde said. "He actually had tears in his eyes when he looked at the place. He said, `You didn't change anything.' Vesuvio has kept its character as a neighborhood bar.”[4]
Photographs in this collection were shot on April 11, 2011 between 7:30 am and 5:00 pm Pacific Time under variable natural lighting due to cloudy skies with intermittent periods of morning exposure conditions. Photos were captured on the following cameras: Canon DSLR XTI/T2i, S95, Sony Cybershot, Canon Powershot. Lenses used include: Macro 60mm, Telephoto 70-200, Canon T2i 18-55mm, Canon XTI 17-85mm. A tripod was used for timelapse, Gigapan, macro, telephoto, HDR, and photogrammetry shots. iPhones were also used for documentation shots and Geo-tagging. The photos were post-processed in Adobe Photoshop Lightroom 3.
Description written by Kenneth Chiu, following Addison’s proposed virtual heritage metadata format in his chapter “The Vanishing Virtual” in New Heritage: New Media and Cultural Heritage, edited by Kalay, et al., and published by Routledge in 2007.
All photos Copyright ©2011 Center for Digital Archaeology, Berkeley CA, licensed under Creative Commons BY-NC 3.0 For more information contact Center for Digital Archaeology, Berkeley, CA, 94720 or visit www.codifi.info/licensing
All photos Copyright ©2011 Center for Digital Archaeology, Berkeley CA
Creative Commons creativecommons.org/licenses/by-nc/3.0/
For more information contact Center for Digital Archaeology, Berkeley, CA,
94720 or visit www.codifi.info/licensing
For more facts and information about Alcatraz, please visit
[1] news.google.com/newspapers?id=WKI_AAAAIBAJ&sjid=JlYMA...
[2] news.google.com/newspapers?id=M0IfAAAAIBAJ&sjid=yc8EA...
[3] news.google.com/newspapers?id=hwsrAAAAIBAJ&sjid=cZoFA...
[4] www.highbeam.com/doc/1P2-4550312.html
Original Filename:
ANTHRO136SP11_VVO_Cam25-24.dng
This is another photo from my documentation project. I met this guy where Haight Street becomes Golden Gate Park. He stood alone with two dogs. One of them is a full size rottie mutt that I instantly fell in love with. The other is this sweet 6 month old shepherd mix named Nala. He got her for free from a family he stayed with during Thanks Giving. Both dogs looked very happy and healthy.
He was proud of his new coat and did not hesitate for pictures. He said he thinking of traveling down to New Orleans next.
Honestly still kicking myself for cutting off that dog paw in this picture
Update
2/23/2013: I can't find this guy, but I found out someone else has both of his dogs. I also saw another guy walking around wearing this dude's jacket.
4/1/2013: Saw him playing with his dogs in Golden Gate. Both him and his dogs looked healthy.
5/21/2013: I saw him walking around with one shoe pushing some kind of cart. He didn't have his dogs. Only reason I recognized him was because the the two tattooed dots on his upper nose.
A double page spread I had to do for uni explaining my use of documentation in idea generation around the theme of TIME.
Have to do a presentation tomorrow about strategies for idea generation and how I have challenged my previous working process.
AAARRGGHHHH!
Deputy Secretary of State Wendy Sherman visits a United Nations High Commissioner for Refugees (UNHCR) “Documentation Renewal and Information Verification Exercise (DRIVE) Center for Afghan Refugees in Islamabad, Pakistan, on October 8, 2021. [State Department Photo by Tahir Anwar/ U.S. Embassy Islamabad/Public Domain]
This is what happens when the extruder puts down less plastic than skeinforge expects.
This image is for the skeinforge configuration tutorial at: wiki.makerbot.com/configuring-skeinforge
This is what happens when the extruder puts down more plastic than skeinforge expects.
I think this photo turned out rather well.
This image is for the skeinforge configuration tutorial at: wiki.makerbot.com/configuring-skeinforge
I think that they want you to hire them to clean your house, as opposed to just not cleaning at all..
Commissioned to work with SALT Research collections, artist Refik Anadol employed machine learning algorithms to search and sort relations among 1,700,000 documents. Interactions of the multidimensional data found in the archives are, in turn, translated into an immersive media installation. Archive Dreaming, which is presented as part of The Uses of Art: Final Exhibition with the support of the Culture Programme of the European Union, is user-driven; however, when idle, the installation "dreams" of unexpected correlations among documents. The resulting high-dimensional data and interactions are translated into an architectural immersive space.
Shortly after receiving the commission, Anadol was a resident artist for Google's Artists and Machine Intelligence Program where he closely collaborated with Mike Tyka and explored cutting-edge developments in the field of machine intelligence in an environment that brings together artists and engineers. Developed during this residency, his intervention Archive Dreaming transforms the gallery space on floor -1 at SALT Galata into an all-encompassing environment that intertwines history with the contemporary, and challenges immutable concepts of the archive, while destabilizing archive-related questions with machine learning algorithms.
In this project, a temporary immersive architectural space is created as a canvas with light and data applied as materials. This radical effort to deconstruct the framework of an illusory space will transgress the normal boundaries of the viewing experience of a library and the conventional flat cinema projection screen, into a three dimensional kinetic and architectonic space of an archive visualized with machine learning algorithms. By training a neural network with images of 1,700,000 documents at SALT Research the main idea is to create an immersive installation with architectural intelligence to reframe memory, history and culture in museum perception for 21st century through the lens of machine intelligence.
SALT is grateful to Google's Artists and Machine Intelligence program, and Doğuş Technology, ŠKODA, Volkswagen Doğuş Finansman for supporting Archive Dreaming.
Location : SALT Gatala, Istanbul, Turkey
Exhibition Dates : April 20 - June 11
6 Meters Wide Circular Architectural Installation
4 Channel Video, 8 Channel Audio
Custom Software, Media Server, Table for UI Interaction
For more information:
refikanadol.com/works/archive-dreaming/
This binder contains the documentation for Apple's new MacOS X 10.4 Tiger. Yes, that's a ruler on the right. It measures the dead tree sheets at 4.5 inches tall. It's going to take some time to get good at this I think.
Vesuvio Café in North Beach, San Francisco.
Photographs in this collection have been produced by Heather Do, Connor Rowe, Kathleen Markham, Alison Lowrie, Kenneth Chiu, Katie Salmond, Diana Chavez, Elena Toffalori, Ashley Vink, Aimee O'Dea, Liz Dolinar, Allison Barden, Justine Khoury, Daniele Alaniz-Roux, and Justin Thach at the request of Michael Ashley for the UC Berkeley Anthropology 136e class, Spring 2011. The purpose was to digitally document the cultural heritage of Vesuvio Café to not only document the cultural history embeded into the ageless walls but also to connect spatially the symbiotic relationship that preserves the legacy of beatnik culture today.
Vesuvio Cafe, (37.79757°N 122.40625°W), located in the North Beach region of San Francisco Bay, is a cultural bastion preserving the cultural heritage of bohemian era and the beatnik culture that generated its establishment by Henri Lenoir in 1949 and made infamous by the renown authors such as Jack Kerouac from which the adjacent alley is named. The building in which the bar is housed is otherwise known as the Cavalri building built in 1913 and expanded to a second story in 1918 and designed by Zanolini with Italian Renaissance revival elements. The transient existence of these unkempt literary members and their constituents is reflected in the liminal location of the former saloon restaurant at the border between the vagrant Chinese- Italian communities; by 1970[1], most of the diverse cultures regressed into economical housing . Vesuvio Café despite its rich history back to the 1950’s , are not historically preserved site; in fact, they were rented until 1999[2] by managers Chris and Janet Clyde, whose proprietary hopes to protect the building from other commercial interest. Over the years, Vesuvio has undergone its share of renovations and damages such as the 1999 retrofitting for earthquake safety or even the 1973 damage dealt to the building by an errant bus[3]. Over the years, the "I'll never forget after the retro-fitting, one man came in, he was about 55 years old and in a business suit," Clyde said. "He actually had tears in his eyes when he looked at the place. He said, `You didn't change anything.' Vesuvio has kept its character as a neighborhood bar.”[4]
Photographs in this collection were shot on April 11, 2011 between 7:30 am and 5:00 pm Pacific Time under variable natural lighting due to cloudy skies with intermittent periods of morning exposure conditions. Photos were captured on the following cameras: Canon DSLR XTI/T2i, S95, Sony Cybershot, Canon Powershot. Lenses used include: Macro 60mm, Telephoto 70-200, Canon T2i 18-55mm, Canon XTI 17-85mm. A tripod was used for timelapse, Gigapan, macro, telephoto, HDR, and photogrammetry shots. iPhones were also used for documentation shots and Geo-tagging. The photos were post-processed in Adobe Photoshop Lightroom 3.
Description written by Kenneth Chiu, following Addison’s proposed virtual heritage metadata format in his chapter “The Vanishing Virtual” in New Heritage: New Media and Cultural Heritage, edited by Kalay, et al., and published by Routledge in 2007.
All photos Copyright ©2011 Center for Digital Archaeology, Berkeley CA, licensed under Creative Commons BY-NC 3.0 For more information contact Center for Digital Archaeology, Berkeley, CA, 94720 or visit www.codifi.info/licensing
All photos Copyright ©2011 Center for Digital Archaeology, Berkeley CA
Creative Commons creativecommons.org/licenses/by-nc/3.0/
For more information contact Center for Digital Archaeology, Berkeley, CA,
94720 or visit www.codifi.info/licensing
For more facts and information about Alcatraz, please visit
[1] news.google.com/newspapers?id=WKI_AAAAIBAJ&sjid=JlYMA...
[2] news.google.com/newspapers?id=M0IfAAAAIBAJ&sjid=yc8EA...
[3] news.google.com/newspapers?id=hwsrAAAAIBAJ&sjid=cZoFA...
[4] www.highbeam.com/doc/1P2-4550312.html
Original Filename:
ANTHRO136SP11_VVO_Cam25-24.dng