View allAll Photos Tagged Do-The-Right-Thing
This guy was class, he juggles chainsaws and knives on bmxs etc... bit pushy when it comes to payment though. You must 'Do the right thing'.
I wanna do the right thing.
I wanna be the sure shot.
I wanna have my mind straight.
I wanna have my point got.
I wanna be a good man,
I wanna have my act down.
I wanna be the future
and I wanna be right now.
Sometimes I feel
like I can change the world.
But I don't know where to start.
I dig and come up empty,
clutching an empty heart.
I wanna see a life change.
I wanna see a new man.
I wanna fight the good fight.
I wanna take the right stand.
I wanna be like Jesus.
I wanna pour my heart out.
I wanna pick my cross up.
I wanna hear the mob shout...
Supertones-Sure Shot
Steve Sessler is the Conservative-endorsed Republican running for Livingston County District Attorney. Steve Sessler believes that the criminal justice system has no place for favoritism and that the Livingston County District Attorney must conduct his or her life with integrity. Sessler knows that the Livingston County District Attorney must do the right thing even when no one is looking.
Steve Sessler has experience as a United States Marine Corps prosecutor and a judge. As a prosecutor, Sessler handled cases involving, among many other things, drug possession use and possession, homicide, and serial rape. Even in the early 1990’s, Steve Sessler was using DNA evidence to convict a man of committing violent sexual acts upon nine separate victims. Through Steve’s experiences, Sessler has demonstrated the skills necessary to lead other prosecutors in the Livingston County’ District Attorney’s office and Steve Sessler has acquired the expertise to win convictions in difficult cases.
The Republican Primary for Livingston County District Attorney was Thursday, September 13.
A sign reads: MAKE A STAND!!!!!! DO THE RIGHT THING at the SJP Protest at the Whitmore Administrative Building on 11/09/2023.
By Kalina Kornacki
So yes I want to stop drinking, not because I am been told to however. I want to stop so I don't have this overwhelming sense of anxiety. To ensure I don't maybe make a joke, or talk louder then I need to, or giggle. The anxiety and worry of potentially annoying someone is all to real and I have learnt with my husband (and the family) I will never win. I will never do the right thing no matter how hard I try. So yes I am going to (try) stop drinking for me not for anyone else.
The real thieves of the housing bubble weren’t the big players, the real thieves were the family next door.
People are basically honest and will do the right thing if given the chance. However, people are also opportunistic, and if encouraged and enabled to steal, many ordinarily good... at Housing bubble thieves were ordinary people
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When I still had hope my community would do the right thing & justice would be served... fast forward to today: not one bit of justice served. I used to sit at this community table for HOURS generating materials and content, with nothing but positive and loving vibes, taking my son along with me often (on my shorter visits). So sad how it all went down... but that's what you get with weak, corrupt and greedy people in charge of legal matters. Pitiful, aren't they? "Easy to bribe" judges, lawyers, police and techies... there is so much money to throw around and concentrated in the SF Bay Area, that it'll definitely take some massive force to take it all down and, ideally, rebuild. The idea of America is great (including the notion of freedom), but it's so half-ass done and excuses overshadow any real, long-term progress. Up until now, anyway.
Specifically, for California, you gotta laugh at this quote ever existed:
“If they can’t do it in California, it can’t be done anywhere.”—Taylor Caldwell
Because, yeah, if we can't imprison the perpetrators of the fascist regime, it can't be done anywhere. One way to look at it.
Be well, Flickr community. 🌟
People 'doing the right thing', sensibly taking some 'time out' in one of the many rest areas in this magnificent gallery. And look at that view! The gallery overlooks one corner of the Imperial Gardens, and the completely encircling moat and wall.
162-6212_IMG
Sometimes the camera just does the right thing.
Minor sharpening on the feathers, other than that,SOOC.
LEFT
*Custer* 1981
Acrylic on paper
RIGHT
*Marilyn,* 1981
Acrylic on paper
Marcus Amerman
Today we visited the Wheelwright Museum of the American Indian, as we always do when in Santa Fe. It's one of our favorite museums.
Pathfinder: 40 Years of Marcus Amerman
YouTube video preview of the Amerman exhibit.
From the Wheelwright exhibit page:
The first major retrospective of Amerman’s work features beadwork, multi-media work, and a newly-commissioned film by Anna Hoover.
A prolific, multimedia artist, Marcus Amerman (b. 1959, Choctaw Nation of Oklahoma) burst onto the Native American art scene in the 1980s. Born in Phoenix, and growing up in the Pacific Northwest, Amerman received his first degree in Fine Art at Whitman College, Walla Walla (WA), where he focused on painting and sculpture. Close to his Hopi extended family, Amerman attributes his artistic growth to the Institute of American Indian Art (IAIA) in Santa Fe. It was at IAIA that he alighted on fashion, then beadwork and performance as fertile forms of expression.
This major retrospective explores the breadth and the influence of Amerman’s work, ranging from early fashion to painting, to found-object sculpture to collaborative work with Cara Romero (Chemehuevi) and Preston Singletary (Tlingit). In particular it provides an insight into the development of his distinctive style of beadwork, a form of photorealistic beaded portraiture, or photobeadilism.
In Pathfinder his artistic journey is charted from his first work Iron Horse Jacket – a portrait of a young Brooke Shields on a biker jacket made in 1982 – to his most recent commission The Klah, which was created for the Wheelwright Museum in late 2023 and honors the memory of our founder Hastiin Klah.
For Amerman creativity is the plan but bravery is the execution. From this philosophy comes Amerman’s drive to experiment: his embracing of artistic collaboration and engagement with the material world; his love of imagery and the desire to connect through creativity with ancestral knowledge. In this major retrospective, we highlight Amerman’s lasting impact on, and contribution to, the American art canon.
*All my art is deeply rooted in fear. I think it’s “all just Art to me”. All my creativity is about communication without words. I arm myself with different mediums and avenues of creativity for my war on stereotypes. And my desire to illuminate my culture and peoples. It’s a scary thing to not put materialism and commerce as a primary artistic motivation. It’s antithetical to this society. My work is eventually about communicating with the “other” world and being directed by the wishes of my ancestors. That’s what gives me confidence in my creativity, feeling their presence and feeling like I’m doing the right thing in collaboration with them. It’s not a lack of fear as it is “going beyond” the fear with the power of love and the mission of “Cosmic Justice”.*
— Amerman 2023
Mr. Schwarzman,
I encourage you to reconsider you financial support for coal fired
plants.
We need a new direction on energy, both in the U.S. and around the
globe. This is not about short-term ROI, this is about doing the
right thing and funding energy solutions that will, long range, reduce
carbon emissions, and promote global ecosystem health and strong,
sustainable economies.
In addition to being a key infrastructure issue, our future energy
path is a major requires creative, breakthrough thinking.
I hope you are capable of helping lead the way to a new, clean, and
sustainable energy future.
Regards,
Henry S. Kimbell
Sparks, NV
The boy from the company who explained the experiments and recruited the misfit girls approaches Loren after she tells him she's interested. They walk through the desolate streets as he tells her that this company is looking for volunteers willing to give up a piece of themselves in exchange for a handful of money. Loren, the homeless and hopeless girl, listened carefully, a shiver of apprehension hovering on her face.
First she stops, leans against a wall as cold and smooth as ice. She looks at the boy with doubting eyes, but then lets herself be convinced when he tells her that they will only take a piece of her brain to see if they can figure out where the colors are. The idea was absurd, almost macabre, and Loren felt a chilling shiver run down her spine.
Give up a piece of your own brain? For an experiment? Fear crept into her, cold and sharp as an ice blade. She found herself thinking about the possible consequences, the unpredictable outcomes. But then she looked at the boy, his serious eyes, his determined look. He didn't seem like a fool, nor a swindler. He just seemed like a boy trying to do his job.
Loren was silent for a moment, her gaze fixed on the boy. Then, slowly, she nodded. "Okay," she said in an almost imperceptible voice. She didn't know if she was doing the right thing. She didn't know if she would regret that decision. But at that moment, it didn't matter. She was tired of living in fear, of not knowing what to expect from the future. Maybe that experiment could offer her a way out. Maybe it could take her away from that wall, from that city, from that desolation.
The road ahead of Loren was still long and uncertain. But at least now, she had a direction. She had a choice. And maybe, just maybe, that spark of hope she thought she had lost, could reignite.