View allAll Photos Tagged Do-The-Right-Thing
Your words to me just a whisper
Your face is so unclear
I try to pay attention
Your words just disappear
'Cause its always raining in my head
Forget all the things I should have said
So I speak to you in riddles because
My words get in my way. I smoke the
whole thing to my head and feel it
wash away 'cause i can't take anymore
of this, I want to come apart.
or dig myself a little hole inside
your precious heart
'Cause its always raining in my head
Forget all the things I should have said
I am nothing more than a little boy inside
That cries out for attention
yet I always try to hide
'Cause I talk to you like children,
Though I don't know how I feel
But I know I'll do the right thing
If the right thing is revealed
'Cause its always raining in my head
Forget all the things I should have said
-staind
The real thieves of the housing bubble weren’t the big players, the real thieves were the family next door.
People are basically honest and will do the right thing if given the chance. However, people are also opportunistic, and if encouraged and enabled to steal, many ordinarily good... at Housing bubble thieves were ordinary people
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Marcus Amerman
1 of 3 photos I took of the video loop at the museum, *Preview of Pathfinder: 40 years of Marcus Amerman opening Feb 10, 2024 at the Wheelwright Museum*
Today we visited the Wheelwright Museum of the American Indian, as we always do when in Santa Fe. It's one of our favorite museums.
Pathfinder: 40 Years of Marcus Amerman
YouTube video preview of the Amerman exhibit.
From the Wheelwright exhibit page:
The first major retrospective of Amerman’s work features beadwork, multi-media work, and a newly-commissioned film by Anna Hoover.
A prolific, multimedia artist, Marcus Amerman (b. 1959, Choctaw Nation of Oklahoma) burst onto the Native American art scene in the 1980s. Born in Phoenix, and growing up in the Pacific Northwest, Amerman received his first degree in Fine Art at Whitman College, Walla Walla (WA), where he focused on painting and sculpture. Close to his Hopi extended family, Amerman attributes his artistic growth to the Institute of American Indian Art (IAIA) in Santa Fe. It was at IAIA that he alighted on fashion, then beadwork and performance as fertile forms of expression.
This major retrospective explores the breadth and the influence of Amerman’s work, ranging from early fashion to painting, to found-object sculpture to collaborative work with Cara Romero (Chemehuevi) and Preston Singletary (Tlingit). In particular it provides an insight into the development of his distinctive style of beadwork, a form of photorealistic beaded portraiture, or photobeadilism.
In Pathfinder his artistic journey is charted from his first work Iron Horse Jacket – a portrait of a young Brooke Shields on a biker jacket made in 1982 – to his most recent commission The Klah, which was created for the Wheelwright Museum in late 2023 and honors the memory of our founder Hastiin Klah.
For Amerman creativity is the plan but bravery is the execution. From this philosophy comes Amerman’s drive to experiment: his embracing of artistic collaboration and engagement with the material world; his love of imagery and the desire to connect through creativity with ancestral knowledge. In this major retrospective, we highlight Amerman’s lasting impact on, and contribution to, the American art canon.
*All my art is deeply rooted in fear. I think it’s “all just Art to me”. All my creativity is about communication without words. I arm myself with different mediums and avenues of creativity for my war on stereotypes. And my desire to illuminate my culture and peoples. It’s a scary thing to not put materialism and commerce as a primary artistic motivation. It’s antithetical to this society. My work is eventually about communicating with the “other” world and being directed by the wishes of my ancestors. That’s what gives me confidence in my creativity, feeling their presence and feeling like I’m doing the right thing in collaboration with them. It’s not a lack of fear as it is “going beyond” the fear with the power of love and the mission of “Cosmic Justice”.*
— Amerman 2023
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"Friendship openly persuades our minds
To do the right thing
And secretly convinces our hearts
To become the right person."
“I love that my role involves helping others. Whether assisting clients or supporting coworkers, my role involves having the character to do the right thing for the success of the team.” - Sabrina, Account Relationship Manager.
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Don't wanna mess up your film
LIKE THEY DID WITH THE OSCAR?
LIGHT & SHADOW: 5-Day Filmmaking Workshop MAR 11-15
Join us, DO THE RIGHT THING
Target Jacket, ca. 2002
Marcus Amerman
Amerman Suit with tuxedo jacket and glass beads
Beadwork is my gun, painting is my bow and arrow, fashion is my lance, and installation is my coup stick." - Amerman, 2008
Today we visited the Wheelwright Museum of the American Indian, as we always do when in Santa Fe. It's one of our favorite museums.
Pathfinder: 40 Years of Marcus Amerman
YouTube video preview of the Amerman exhibit.
From the Wheelwright exhibit page:
The first major retrospective of Amerman’s work features beadwork, multi-media work, and a newly-commissioned film by Anna Hoover.
A prolific, multimedia artist, Marcus Amerman (b. 1959, Choctaw Nation of Oklahoma) burst onto the Native American art scene in the 1980s. Born in Phoenix, and growing up in the Pacific Northwest, Amerman received his first degree in Fine Art at Whitman College, Walla Walla (WA), where he focused on painting and sculpture. Close to his Hopi extended family, Amerman attributes his artistic growth to the Institute of American Indian Art (IAIA) in Santa Fe. It was at IAIA that he alighted on fashion, then beadwork and performance as fertile forms of expression.
This major retrospective explores the breadth and the influence of Amerman’s work, ranging from early fashion to painting, to found-object sculpture to collaborative work with Cara Romero (Chemehuevi) and Preston Singletary (Tlingit). In particular it provides an insight into the development of his distinctive style of beadwork, a form of photorealistic beaded portraiture, or photobeadilism.
In Pathfinder his artistic journey is charted from his first work Iron Horse Jacket – a portrait of a young Brooke Shields on a biker jacket made in 1982 – to his most recent commission The Klah, which was created for the Wheelwright Museum in late 2023 and honors the memory of our founder Hastiin Klah.
For Amerman creativity is the plan but bravery is the execution. From this philosophy comes Amerman’s drive to experiment: his embracing of artistic collaboration and engagement with the material world; his love of imagery and the desire to connect through creativity with ancestral knowledge. In this major retrospective, we highlight Amerman’s lasting impact on, and contribution to, the American art canon.
*All my art is deeply rooted in fear. I think it’s “all just Art to me”. All my creativity is about communication without words. I arm myself with different mediums and avenues of creativity for my war on stereotypes. And my desire to illuminate my culture and peoples. It’s a scary thing to not put materialism and commerce as a primary artistic motivation. It’s antithetical to this society. My work is eventually about communicating with the “other” world and being directed by the wishes of my ancestors. That’s what gives me confidence in my creativity, feeling their presence and feeling like I’m doing the right thing in collaboration with them. It’s not a lack of fear as it is “going beyond” the fear with the power of love and the mission of “Cosmic Justice”.*
— Amerman 2023