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Blown up photographs and logos cut out and installed with stand off mounts to give the prints dimension against the bright orange background!
The 2025 Classic Motor Show at the National Exhibition Centre in Birmingham did not disappoint. There were far more commercials there than I had anticipated, which was nice, and an excellent selection of the most gorgeously turned out cars amongst the 3000 on display. Part 2 to follow.
Fiber-themed window display made entirely of yarn by Knits for Life and The Dapper Toad for Stash, LLC, a local yarn shop in Corvallis, Oregon, featuring Simplicity HiKoo yarn from Skacel Collection.
Read all about it: knitsforlife.com/2014/06/16/stashwindow/
Just a quick shot of some of my sidetable options.
Recently I found thouse mini plant stands (the black and golden one) and thought it might be nice to show how I like to combine these things for instant side tables. All pieces were bought from stores, nothing is glued so it can be easily mixed and matched anew every time ; ).
The wooden square is from IKEA and the small golden plate is plastic and was the plate for a dessert if I remember correctly.
The golden and black plant stands are a product of Mica Decorations.
The black candle holder, as well as the soft pink/golden saucer, the tiny golden one, the mirror saucer and the golden candle holder are all from "Depot".
This Norden cabinet from IKEA is perfect for large displays, especially in the bottom area where I can put people on risers. This is a dancers display.
The seashell collection of the Museo Storico Navale (Naval History Museum) in the Castello section of Venice.
The shino-tsukuri display features 'Edo', a variety of kiku, trained into a shaped that resembles driving rain. Each slanted circular design is created from two plants in one pot. There are 13 pots in this display, arranged in two rows.
As the two plants in each pot grow, their tips are pinched off to encourage side branches to grow until there are 27 branches. Each is then tied to a vertical stake where it grows straight and tall. Each flowering branch is carefully adjusted in height to create the slanted circular designs. To complete the display, pots are moved to this 'uwaya' where they are buried and covered with a bed of fine soil.
Notice the pinwheel shape of the 'Edo' flowers in this display. As an Edo flower ages its varied petals change shape, some curl inwards while others remain open, creating this unique look.
Sneak out from hard work for my autumn/ winter collection... I met my friends at Greenwich. Tea+cake+chat+chat+chat....
And this new effect with "Picnik", fun, isn't it !?
This is a tabletop charging station we designed and built for Minotaur Mazes in Seattle. It is designed to display handheld GPS units and charges them when not in use. The curved lid closes and locks to keep the GPS units secure.
The load indicator in the back of a 3.5 tonne Transit.
For those that don't know, 3500kg is the weight limit. This includes the vehicle itself, the cargo, any people in the van & even the fuel.
Once I filled up the tank, it was probably overloaded?
Interactive Displays in Public Space
Daniel Michelis, Anhalt University of Applied Science
Interactive large format displays have presently found their way into many places in
public space. After a long phase of experimenting with prototypes only recently have
technically mature applications been observed that are used in an increasing number
of potential areas. This research project examines the motivations behind the use of these
applications.
Serving as the point of departure are four large format displays of the installation
Magical Mirrors, developed as prototypes by the author of this work, and which
allowed the first experiences with the use of interactive large format displays in public
space to be collected even before the beginning of the investigation. These initial
experiences were taken into consideration in developing the research questions and
design.
At the center of the work is an analysis of theoretical motivations in which five
motivational factors are determined according to previous research work and in
consideration of the demands specific to interactive large format displays. In the
analysis of these factors a set of tools of fundamental motivations are identified from
which design elements for interactive large format displays in public space can be
derived. The results of the analysis are subjected to an empirical examination. In 15
partial experiments the observed user behavior of a total of 4640 passersby is
analyzed.
On the basis of this empirical investigation this research project presents – as one of the
first scholarly works in this area – a contribution to the understanding of the
fundamental motivations behind the use of interactive large format displays in public
space.