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Alice Castello ( VC )
Piemonte. North Italy
06 Juny 2020
Camera Nikon Coolpix P 1000
Focal Length ( 35mm format ): 2.200 mm
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The growth of online delivery services like Fresh Direct has truly been phenomenal. On a daily basis ,throughout the city, tractor trailer trucks arrive and unload these brightly colored boxes filled with supermarket items to be sorted and then delivered to the tenants of surrounding residential buildings. It is true that Covid 19 has made in- store shopping less attractive but online services like Fresh Direct are a trend likely to continue well after after the pandemic subsides.
Direct Rail Services Vossloh/Caterpillar UK Light Class 68 68023 'Achilles' diesel-electric locomotive crossing Eskmeals viaduct on the Cumbrian coast railway line with NENTA Train Tour's 'The Lakes, Shap & Cumbrian Coast Circular' 1Z89 the 14:13 Carlisle to Norwich railtour train.
La entrada al Palacio se practica a través de dos grandes portones que dan directamente al patio porticado, uno de sus elementos más espectaculares y que organiza la disposición del resto de espacios y salones. El patio interior es uno de los más elegantes y armoniosos de los conservados en nuestra ciudad.
Una escalera de grandes dimensiones permite ir accediendo a los pisos superiores.
Tras el primer tramo, se llega a una entreplanta con dos pequeñas estancias En una de ellas se descubrió un artesonado aragonés con viguería de madera policromada y bovedilla de revoltón decorada con motivos florales y zoomorfos.
Más arriba, en la planta noble, se encuentran los salones principales. El más importante recibe el nombre de salón del trono que, junto a los dos adyacentes, se abren al Coso mediante ventanales de buen tamaño.
Una zona menos conocida de esta planta es la que fue ocupada en parte por el Casino de Zaragoza, que ocupa la zona enfrente a la ya mencionada. Del casino queda sólo la cafetería, que se restauró siguiendo con esmero la original. El salón adyacente y otras estancias anejas, con vistas al antiguo jardín, fueron también restauradas y creada una biblioteca modernista.
A la tercera planta, también escasamente conocida por el público, se accede por otra escalera distinta de la principal. En este piso se conservan algunos salones modernistas del XIX, uno con chimenea, que se asoman al Coso mediante la galería superior. A los salones se accede a través de un corredor desde el que es visible la cúpula que cierra la techumbre del Palacio. En la parte trasera se ha recuperado la antigua sala de esgrima del Casino.
Aquí se gestó la defensa de Zaragoza durante Los Sitios. Fue casa de Palafox hasta 1815. El palacio sufrió serios daños en los ataques del ejército francés y el vecino Convento de San Francisco quedó totalmente destruido.
Het gerestaureerde kustlijn-motorrijtuig 9942 is ingetuigd als directe tram van lijn 2 naar Oostende. Tot het begin van de jaren tachtig van de vorige eeuw werden er op gezette tijden sneltramdiensten ingelegd op de Belgische kustlijn. Hier rijdt de gereconstrueerde brede standaard-motorwagen door De Panne. Op de achtergrond is de toren van de Sint Pieterskerk te zien.
Meer museumtrams in tramhistorie aan de kust.
Klik op de foto voor een grote afbeelding.
Bekijk mijn fotoalbum in de klassieke versie.
Beauty is a reflection of divine bliss and, since God is Truth, the reflection of His bliss will be that mixture of happiness and truth which is to be found in all beauty.
Forms allow of a direct, 'plastic' assimilation of the truths - or of the realities - of the spirit. The geometry of the symbol is steeped in beauty, which in its turn and in its own way is also a symbol. The perfect form is that in which truth is incarnate in the rigour of the symbolical formulation and in the purity and intelligence of the style.
Beauty mirrors happiness and truth. Without the element of 'happiness' there remains only bare form - geometrical, rhythmical or other - and without the element of 'truth' there remains only a wholly subjective enjoyment or, it might be said, luxury. Beauty stands between abstract form and blind pleasure, or rather so combines them as to imbue veridical form with pleasure and veridical pleasure with form.
Beauty is a crystallization of some aspect of universal joy; it is something limitless expressed by means of a limit.
Beauty is in one sense always more than it gives, but in another sense it always gives more than it is. In the first sense the essence shows as appearance; in the second the appearance communicates the essence.
Beauty is always beyond compare; no perfect beauty is more beautiful than another perfect beauty. One may prefer this beauty to that, but this is a matter of personal affinity or of complementary relationship and not of pure aesthetics. Human beauty, for instance, can be found in each of the major races, yet normally a man prefers some type of beauty in his own race rather than in another; inversely, sometimes affinities between qualitative and universal human types show themselves to be stronger than racial affinities.
Like every other kind of beauty artistic beauty is objective, and so can be discovered by intelligence, not by "taste". Taste is indeed legitimate, but only to the same extent as individual peculiarities are legitimate, that is, just in so far as these peculiarities translate positive aspects of some human norm.
Different tastes should be derived from pure aesthetic and should be of equal validity, just as are the different ways in which the eye sees things. Myopia and blindness are certainly not different ways of seeing - they are merely defects of vision.
In beauty man ’realizes’, passively in his perception and externally in his production of it, that which he should himself 'be' after an active or inward fashion.
When man surrounds himself with the ineptitudes of an art that has gone astray how can he still 'see' what he should 'be'? He runs the risk of 'being' what he 'sees' and assimilating the errors suggested by the erroneous forms among which he lives.
Modern satanism is manifested, no doubt in a very external way but in the most directly tangible way and in the way which makes the greatest inroads, in the unintelligible ugliness of forms. 'Abstracted' people, who never 'see' things, none the less allow themselves to be influenced in their general mental outlook by the forms around them to which they sometimes, with astonishing superficiality, deny all importance, just as though traditional civilizations did not unanimously proclaim the contrary. In this connection the spiritual aesthetics of some of the great contemplatives will be recalled as evidence that, even in a world of normal forms, the sense of the beautiful may acquire a special spiritual importance.
The Gargoyles Entrance by Daniel Arrhakis (2018)
Try to see with the music : Audiomachine - I Will Find You
The Gargoyles Entrance, those gargoyles always made she shiver; her father said that there are two types, those who kept the light and those who defended the darkness but she never liked any of them.
Especially when they came to life ! - she thought, smiling at the same time she remembered an old prank from her sister in that place.
She would finally see her father, the old Red Cardinal, as they called him, for some time she had not seen him, though often receive news from the Argho Walkers, the messengers of the kingdom.
Thoughts of mixed feelings of longing but also of concern, the Red Order of which he was a part had been lately challenged by his most direct opponent, the former Dark Cardinal of Krudhyn.
Trundling round from Soho South Junction and joining the queue into Birmingham New Street, 57314 Conwy Castle leads 1Z77 Liverpool Lime Street to Stratford-upon-Avon.
Sunset at Vancouver, Washington's Grant Street Pier designed by public artist Larry Kirkland. He chose to not rely on traditional pilings for support. Rather, the pier is suspended some 90 feet over the river from cables. This pier is part of a 32-acre new development along the Columbia riverfront.
2019Oct25VancouverWA7GrantStreetPierEd
Direct Rail Services 68007 'Valiant' and 88010 'Aurora' pass through a dullish Bredicot working 6M63 having been held at Spetchley Loop to right time.
Direct Rail Services Class 37 37425 'Sir Robert McAlpine/Concrete Bob' in Regional Railways livery at Darlington, 1 April 2022.
68008 storms through Princes Risborough on the 1R15 Chiltern Railways service from London Marylebone to Birmingham Moor Street.
Direct Rail Services class 88 no. 88009 'Diana' speeds north on 25kv power at Atherstone working 0Z48 Daventry International Railfreight Terminal to Crewe Gresty Bridge light locomotive on 4th February 2021.
Here is another set of hummingbirds from the summer of 2022. It won't be too much longer before they return to the mountains and foothills of Colorado.
Direct Rail Services Class 66 66425 "Nigel J Kirchstein 1957-2021" passes Bayhorse on late running 4m27 0546 Mossend Down Yard - Daventry on 24/04/2023
Passage sous une belle lumière de fin de journée à Fitou pour l'AVE 9743 Lyon-Part-Dieu - Barcelona-Sants assuré par la rame S100-17
Yangon - Shwedagon
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56105 brings up the rear of the Grimsby and West Yorkshire railhead treatment train, this leg being 3S13 08.51 Wrenthorpe Sidings (Wakefield) - Grimsby Town, seen going very slowly at Hatfield and Stainforth, approaching a red signal. 66848 is leading at this point.
Colas took over the operation of the York-based RHTT circuits from DRS this year, usually using 66s on the circuits that didn't run on the Scarborough - Hull line (where 66s are not permitted, and 37s have to be used). I'd found out the previous day that 56105 was deputising for a 66s on this train for one day only (allegedly - although it ended up on it all week!), and with every weather forecast I saw predicting wall-to-wall sun all day and nothing booked yet for work, I decided to take the day off and make the two-hour plus journey.
I'd been told that 56105 would lead on the return from Grimsby (3S14), so I wasn't bothered about getting shots of 3S13 (with the 66 leading, which I assumed - correctly - would be very dirty). However, I set off early enough to make it here (subject to traffic - which was fine), although I nearly went to Knabbs Bridge at Melton Ross (just east of Barnetby) where I thought there was a better chance of autumn colours.
I arrived at about 9.30am (about quarter of an hour before 3S13 was booked, although it was actually running about quarter of an hour late), and found the sun was almost exactly at ninety degrees to the track. Knowing that a partly-lit front of a 56 looks better than that of a 66, I decided to focus only on a going-away shot as that meant I got the 56 (and also didn't have to worry about standing at the side of the road with no pavement, or cross it in a hurry if I wanted both views). Of course, in the half an hour I was here, the sun moved round a little.
On previous occasions, I've successfully chased this train to Knabbs Bridge, but mostly because it used to have a pathing stop at Scunthorpe. However, there is now a direct road out of Stainforth (and Hatfield) to the M18 / M180 junction, so the journey takes less time. I don't know whether it was the new road or the fact the train was held here for a few minutes, but I easily made it to Knabbs Bridge - where I found the trees were much less golden than those in this view!
The exposure data shows that this was not taken in full sun. The thin cloud was burning off, but it was still a little hazy high in the sky - and in mid-November that makes a significant difference to the exposure. I was lucky, however, as a few minutes before the train appeared the light dipped very noticeably as the sun went behind a vapour trail for a minute or two... but then came back out, and stronger than it had been. However, by the time the train came back, all the high cloud had gone - although there looked to be cloud further to the west.
I was surprised to be alone here, although met someone at Knabbs Bridge and was with four others at New Barnetby for the return - and I know there were people at other locations.
Visit Brian Carter's Non-Transport Pics to see my photos of landscapes, buildings, bridges, sunsets, rainbows and more.
And new haircut.
Again, sorry for shying away from the webcam, I'm really feeling poorly! Stupid tummy bug meanie! :(
This afternoon I was photographing the garden of a client when I saw many tulips...and when I arrived at home and opened the photos...I was really surprised...with that photo...unique photo...I didn´t get to take another photo like that...I love it...
didn´t you?
After the ugly accident (08/27/2011) where many people died, the charming trams of this district does not work more. The plans to its back is to 2014, where it will be modernized and more safe.
At Santa teresa district, Rio de Janeiro, Brasil.
Have a beautiful Sunday. :-)
To direct contact me / Para me contactar diretamente: lmsmartinsx@yahoo.com.br
Directed by Seppo Pessa
Original link youtu.be/3QvS6botWns
In previous the director already finished filming this rl-sl mix background and actors. This movie is about finding blue fruit that can cure but in year 2062. We made shooting before the pandemic occured, since Aug 2019! So the current news is we release this trailer and will make over the story line and remake shooting maybe with additional scenes, but since it's a lockdown so no shooting yet in rl. I strongly believe Seppo with his strong efforts he can make something great in making futuristic movies. Happy if he can combine rl-sl in his movies. We will look up to enter othe short movie competition soon.