View allAll Photos Tagged Dimensional
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Featuring WetCat, Oh Deer!, and amias at faMESHed.
::WetCat & Oh Deer! "Blossom" Backdrop w/ Poses - Large
faMESHed: maps.secondlife.com/secondlife/FaMESHed/226/144/1001
Oh Deer! Mainstore: maps.secondlife.com/secondlife/Missing%20Melody/178/229/2501
Oh Deer! Flickr: flic.kr/ps/3YyzGD
WetCat flickr: flic.kr/ps/JVvCB
WetCat Mainstore: maps.secondlife.com/secondlife/Morise/223/182/24
amias - TONYA sweater
amias - TONYA pants
amias - TONYA boots
faMESHed Event: maps.secondlife.com/secondlife/FaMESHed/226/144/1001
amias Flickr: flic.kr/ps/21AQxD
amias Mainstore: maps.secondlife.com/secondlife/Cartier/148/113/1387
Thanks so much for all the support! 😊
2018 | © All rights reserved
Photography by aRtphotojart
Creative
· Md.red1a
> Thanks to all for your comments !!!
...dimension of a view within the view.
Two young girls capturing a photo of themselves with the Empire State in the background.
Top of the Rock(Rockefeller center), New York, October 2012.
Copyright © Ioannis Lelakis.
All rights reserved
Il cielo e non la terra è la patria dell'uomo.
Gregorio di Nissa, IV sec.
Ogni volta che mi trovo in un luogo buio, sotto un cielo sereno e senza luna, i miei occhi sono sempre all'insù..
riesco facilmente a dimenticarmi dove sono veramente e dove mi piacerebbe essere...
Non dico questo in senso religioso, essendo io non-credente.
Lo dico da un punto di vista del pensiero, della coscienza umana... che sa attraversare le tre dimensioni nello spazio e la dimensione del tempo, e trovare il suo posto in una dimensione del tutto speciale pur senza spostarsi.
Facciamo un gioco: abbiamo una bacchetta magica che comprime le cose... 1 milione di km si trasforma in 1 centimetro!
E così il nostro sole diventa piccolo come una biglia di luce, di circa 1 centimetro, come una ciliegia.
La Terra sembrerebbe nient'altro che un granellino di sabbia che ruota ad un metro e mezzo da quella biglia di luce, mettendoci un anno. A 70 metri da quella biglia, ecco l'ultimo pianeta: Plutone, un granello di sabbia ancora più piccolo che impiega due secoli e mezzo per fare un giro attorno alla biglia-sole.
E le stelle?
Quella a noi più vicina, nella costellazione del Centauro, va immaginata come un'altra biglia di luce, sospesa nel buio... La si incontra dopo un viaggio di... 400 km da noi, in questa scala. In mezzo... praticamente il nulla...
E poi? Con il pensiero, dobbiamo immaginare la nostra Galassia come una immensa nuvola appiattita, formata da miliardi di biglie di luce, e ciascuna è a centinaia di km l'una dall'altra.
Per attraversare la nostra galassia, da un estremo all'altro, dovremmo compiere un tragitto incredibilmente lungo. Anche in questa incredibile scala magica, il viaggio sarebbe di almeno 10 milioni di km..
E non parliamo delle altre galassie, ancora più lontane...
Buona giornata
Autoscatto sotto le costellazioni della Croce del Sud, del Centauro e della bellissima Carena.
Isola di La Reunion, foto dal mio archivio
#reunion #stelle #dimension #vialattea #universe #astronomy #pila #torch #stars #galactic #astronomia #astronomy #science #contemplation #sigh #sospiro #notte #night
When the soul and mind make a different world : marketplace.secondlife.com/p/Meowshmellow-Hypnotic-Eyes-A...
Mewshmellow MP:
It was common to see dogs and their owners on the street, but this scene was actually fairly unique: a muzzled dog, who seemed to be patiently enduring the contraption that had been stuck on his face.
I have no idea what kind of dog this is, or whether he was prone to bite anyone within reach; it might have been something as simple as preventing the mutt from barking too loudly. In any case, both dog and owner seemed to be strolling along without any great drama.
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As I’ve mentioned in a couple of recent Tumblr blog postings, I’m working on an exercise for a new class that I’ve started taking at the International Center of Photography (ICP) in the fall of 2015.( You can see the earlier Tumblr postings here and here.)
In addition to taking a bunch of photos (see the other Tumblr postings for details and descriptions of what the photos are supposed to illustrate), we also have the task of editing our images down to a maximum of 10 “presentation images” that we will share with the ICP class next week. When our instructor, Joanne Dugan, asked me last week if I anticipated having any problems with this aspect of the assignment, I shrugged and said, “No, I do this all the time …”
Well, yes and no: I do do a lot of editing/winnowing of my photos before deciding which ones should be shared with anyone else. But I had forgotten that I also do a lot of cropping, color-adjustment, tweaking, and general post-processing before I upload my photos to Flickr, Facebook, or even Instagram. For this particular ICP exercise, we were also told not to crop the photos, and not to do any post-processing. That makes things a lot more difficult …
On the other hand, part of the exercise is to assemble and share a maximum of ten photos that collectively tell a “story” of some kind – and to “tell” that story with anywhere from a word, to a sentence, to a paragraph for each of the photos. That makes things a lot easier … after all, if a photo has to be presented in isolation, then it truly stands alone. And it is intended to be viewed without any accompanying text, then it really stands alone. There’s nothing wrong with that; indeed, one might argue that that’s the whole point of photography: a picture should “tell” a story all by itself, without any extraneous verbiage to “explain” what might not be obvious to the viewer.
But not very many things exist in complete isolation of the rest of the universe, especially in today’s interconnected world. I suppose some people would debate that point quite vigorously; and some people might argue that a photograph of a person, place, or thing should be able to “stand alone” without anything else. I certainly have seen photos that fall into this category, and I suppose I’ve taken a few like that, too. Or, maybe if I never intended my photos to be considered in complete isolation from one another, perhaps that’s how some people prefer to look at them …
But for me, that’s a pretty rare phenomenon. Almost always, I find myself telling a story. The photographs obviously present one “dimension” of the story, in a visual form; and I’ve been trying to remind myself lately that videos can present can present one, and sometimes two, additional dimensions (motion and sound) that can add enormously to the viewer’s understanding and appreciation of the underlying story.
But even if one uses only traditional photos, I find that it’s almost impossible for me to crate (or make, or take) one photo by itself; invariably, I take dozens, if not hundreds or even thousands, which collectively tell a story. It may be a story about someplace I’ve been, or some event in which I’ve participated, or some individual (or group of individuals) that I want the viewer to know and appreciate in more detail than would be possible to communicate in a single photo.
And then there are the words … maybe it’s because I spend part of my time as a writer and teacher that I find it almost impossible not to augment my photos with words. Lots of words. Indeed, sometimes far too many words; and sometimes clumsy words, or the wrong words. And I do realize that there are times when the situation would be improved if I would just shut up, and let the photograph do all of the communication. But for better or worse, I guess I’m a photojournalist.
With that in mind, I began the process of editing the photos for my recent ICP assignment. Here’s what I found:
1. It’s not as easy as one might think, when you start with a large number. I began winnowing the original images when I had 2,700 (after 9 days of shooting), and I still had 5 days of shooting left).
2. It’s much more difficult than I had imagined, given the constraints of my ICP class: no cropping, no post-processing, and a maximum of only 10 images. I’ve worked within those constraints for the final images that I’m submitting to the ICP class; but for these Flickr uploads, I’ve ended up with 40-45 images – and they have been heavily cropped, tilted, color-corrected, noise-dusted, and tweaked in various other ways. C’est la vie…
3. Using the collection of photos to “tell a story” is both easier and harder than I thought it would be. I’m including these background notes in all of the photos that get uploaded to Flickr … because I’ve learned (form past experience) that some visitor will zoom in on just one particular photo, without necessarily looking at all of them, and/or without seeing the overall notes for the entire album. And I don’t think I’ll find it difficult to write a few sentences to provide the background details for each photo … but whether they “flow” and create one overall, coherent “story” remains to be seen.
4. Aside from a narrative “story,” there are some “themes” that I noticed throughout this entire two-week exercise. The most significant one was exactly what I had anticipated: patterns. If you are lucky enough to sit in the same spot at the same time, day after day, you see the same rhythms, the same people, the same repetitions of life’s little actions and emotions. Many people have the opportunity to see these patterns, because they do follow the same schedule, day after day, on their way to their job or their school. But some of us have irregular routines, and any, most of us don’t pay any attention. If you slow down, and pay attention, you’ll see the patterns.
But sometimes the pattern involves uniqueness – i.e. strange and unusual people or events that seem to happen only once. But I have to keep reminding myself that my visits have lasted only two weeks; if I was here for a month, or a full season, or perhaps an entire year – then perhaps I would see these strange incidents repeating themselves
5. Another theme – which I did not anticipate, but was delighted to see – was the pervasive sense of affection and caring between and among everyone on the street. Mostly it was apparent in the interactions between parents and children; but sometimes it was between dog-owners and the dogs they were walking; sometimes it was between friends who happened to be walking along together; and sometimes it was between complete strangers and me, as the strangers would smile and nod and say “hello” if they noticed I was watching them. It was a great experience.
2x L'Oréal - Too Dimensional?
Desejei MUITO esse esmalte, consegui, deixei na gaveta e eis que sua vez chegou!!
Gente, ele é TUDO isso e mais um pouco mesmo!! <3 <3
Secagem ótima, brilho incrível, cor diferente e só alegria, rs.. Amei!!
I took this a while ago, but as for posting, NickFord01 beat me to the punch with his excellent Mr. Myxlptlk. Regardless, here's my take on him and Bat-Mite.
Mr. Myxlptlk: CMF Clown hat, Micros Superman head, Hobgoblin torso.
Bat-Mite: LBM Batgirl cowl, LBM Robin head, and I found this torso with a partially erased logo and thought it would work well in service of Bat-Mite's stitched-on symbol.
Also featuring the Man of Steel and The Dynamic Duo, cause why not.
Let me know what you think!
Reflections taken at the "Regierungsviertel" in Berlin, Germany. This is NO montage but two windows who partially reflect combined with my chosen perspective.
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# Ask ♥
taken by : me
© All Right Reseved to She5 Al Shbab
No One Can Use Any Of My Photos Without Permission ღ
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READY !!! Here is Emilio Garcia's submission for Conjoined in 3D Show: Dimensional Group Art Exhibition curated by Chet Zar.
One of a Kind 3" x 6" x 4.5" resin Jumping Brains hand made at The Secret Lapo Labs.
Where: Copro Gallery
Bergamot Station Arts Complex
2525 Michigan Ave , Unit T5, Santa Monica , CA 90404
Ph: 310/829-2156
E-Mail: CoproGallery@Live.com
Web: www.CoproGallery.com
Press "L".
Pentax 67ii, Heliopan sh-pmc CPL, Lee GND, SMC 45mm f4, Kodak Ektachrome E100VS self-developed in Fuji Hunt Chrome 6X kit, IT8-calibrated & wet-mounted drumscan (through PhotoMultiplier Tubes - PMTs - no CCD nor CMOS involved in light detection & digitizing process), no cropping.
Today's story and sketch "by me" started very casual I was enjoying a great cup of hot cocoa with the little marshmallows floating on top. Anticipating at any moment the Man Cave delivery door bell would ring, signaling the Moon Pie Delivery Man had arrived with our weekly order of moon pies fresh from the bakery in Chattanooga Tennessee. I drove the forklift out on the loading dock expecting to see Cosmo in the interdimensional moon pie delivery van, it was not Cosmo, it was Reggie a member of "ICAHI" the Intergalactic crimes against humanity investigators. The first words out of Reggie's mouth were, where is Rescue Randy, the "ICAHI" needs him to assist in searching the Galaxy for the Moon Pie Van, it was hijacked minutes before arriving at the Man Cave. Reggie believes it was spotted entering worm hole Seventeen in route to the outer edge of the Sombrero Galaxy. By this time I was becoming pretty unhinged, but managed to reach JB and Rescue Randy, who were on Mars competing in the Mariner Crater Shuffleboard Championships. Within minutes they were on their way to meet Reggie somewhere in worm hole Seventeen. I was just calming down when the "FAA" Flying Aliens Association alarm began screeching, the seekers needed assistance with one of their own members who had been captured by a spirit tree in dimension ZXIV, and could someone from the "MCPPOTG" Man Cave Posse Protectors Of The Galaxy, be so kind as to lend assistance removing a Seeker traped in a spirit tree, riding a Stratolounger he had purchased from "RRADJSSAL"Rescue Randy's Atomic Dimension Jumping Stratolounger Sales And Leasing. With Randy and JB out of the Man Cave chasing pirates somewhere in the Sombrero Galaxy. Any rescue assistance will be my responsibility until JB and Randy return.
The Seekers sent a sketchofax of the scene. I am on my way but will stop at the quickie mart at the worm hole interchange, on the way to Dimension ZXIV, pick up a few cases of moon pies before the word gets out about the moon pie hijacking, and the public panics. until next time taa ta the
Rod Blog
As the night got darker, more stars came out and got strewn all over the heavenly body. Jupiter, largest planet in our solar system, rose high. Although it was the third brightest object in the night sky (second brightest planet, in fact) after the moon and Venus (brightest planet), a new moon night without a single speck of cloud in the sky let it gleam in the southeast sky just like Venus. It was still way early to see Mars follow suit. But, Saturn, second largest planet in our solar system, rose along with the Milky Way, which was already rising vertically toward Mt. Ritter. The reflection of our galaxy and the planets in the water appeared as if they were traveling across the lake into another dimension. Outer space with thousands of stars was that much closer.