View allAll Photos Tagged Dimension
copyright: © FSUBF. All rights reserved. Please do not use this image, or any images from my photostream, without my permission.
3-D mapping @ fassade
N-dimensionality refers to a concept in mathematics and physics that describes the number of independent variables or degrees of freedom in a system. An n-dimensional space is a mathematical structure that has n independent aspects or coordinates, where n can be any positive integer.
Installation / Projection 'LUX ARCANA' by Felix Frank
Cupido argiades (Pallas, 1771) Dimensioni: Apertura alare: 25 - 30 mm Descrizione della specie: parte superiore delle ali con colore di fondo blu violetto con bordi marginali più scuri. Corte code nere sulle ali posteriori con la punta bianca. Parte inferiore delle ali con colore di fondo grigio chiaro. Parte inferiore delle ali posteriori con due macchie postdiscali arancioni. Dimorfismo sessuale: parte superiore delle ali delle femmine con colore di fondo blu violetto con ampi margini più scuri, soprattutto sulle ali anteriori. Stadi giovanili: le larve sono verde chiaro con una striscia scura sulla schiena e con le striature più scure sui fianchi, con alcune macchie marroni e bianche. Le larve possono avere abitudini cannibali. La crisalide è dello stesso colore della larva oppure più scura con macchie chiare. Piante nutrici del bruco: Lotus spp., Coronilla varia, Medicago sativa, Trifolium pratense, Astragalus glycyphyllos. Distribuzione e habitat: Europa centrale fino all'Asia. Vola in prati con fiori, margini erbosi di strade, e radure dei boschi dal piano basale a quello montano Periodo di attività: bivoltina, maggio ed agosto - settembre in due generazioni annue, è possibile una terza generazione, scarsa e incostante
I love gates and doorways…
This was taken at Athelhampton House in Dorset last month. It was the main entrance to the house which was behind me.
It’s a straightforward zoom ICM of a view into another reality…
Thank you for taking the time to look. I hope you enjoy the image. Happy 100x :)
I took a rental car to drive from Milano Malpensa Airport to my hometown in the Swiss Alps. I decided to take the longer scenic route over the Bernina Pass and Flüelapass. Near Davos is a small chapel. There is no light pollution, so the lights of the chapel illuminates the surroundings.
I processed a balanced and a paintery HDR photo from three RAW exposures, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive comments.
Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.
-- ƒ/4.0, 16 mm, 3.2 sec, ISO 400, Sony A6000, SEL-P1650, HDR, 3 RAW exposures, _DSC1681_2_3_hdr3bal1pai5h.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
Are you really reading this? Aren’t you –like most of them– in a hurry to see the next picture or do the next thing? No? Ah well. Pardon me, my friend, I misunderstood your intentions. Well then, turn your monitor brightness up and come sit by me. Listen into the night whose sovereignty over the land is mutely interrupted by the gibbous moon rising behind those ageless Cathedrals. The air is impregnated with a thick fog, which is trying desperately to melt into someone’s song. There are no birdsong here; they are asleep. Instead, amplified by the quiet, you can hear that timeless hymn hummed by your heart and those distant waterfalls. The zephyr, although well-intentioned, feels a little chilly to your skin. You shiver. Indeed, it feels a little chilly to perceive infinity. Don't worry. Here and now, time is not the fourth dimension anymore. You are.
El proyecto Metropol Parasol es una estructura en forma de pérgola de madera y hormigón ubicada en la céntrica plaza de la Encarnación de la ciudad de Sevilla. Cuenta con unas dimensiones de 150 metros de largo, 70 metros de ancho y una altura aproximada de 26 metros. Su base alberga un mercado tradicional y locales de restauración en la planta baja, una plaza de espectáculos y el museo arqueológico Antiquarium. La estructura se corona con una terraza y un mirador que ofrece una vista panorámica del casco antiguo de la ciudad.
La obra, compuesta principalmente de madera laminada, está formada por una gran retícula en forma de parasol sostenida sobre seis pilares que abarcan tanto la plaza de la Encarnación como la Plaza Mayor de la ciudad. Cada una de sus costillas componen una distribución espacial donde cada nervadura ofrece una curvatura propia, lo cual aporta al conjunto una sensación de movimiento ondulatorio. Aunque su diseño está inspirado en las bóvedas de la Catedral de Sevilla, por su perfil fungiforme, pronto recibió por parte de los ciudadanos el nombre de ‘Las Setas’.
El proyecto fue el ganador del concurso abierto por el Ayuntamiento de Sevilla para llevar a cabo la rehabilitación de la plaza en la que se ubica. Su diseñador fue el arquitecto berlinés Jürgen Mayer. Por su diseño vanguardista y funciones turísticas, se ha convertido en un icono del centro histórico y de la ciudad de Sevilla. En enero de 2013, el espacio Metropol Parasol fue elegido, entre los 335 proyectos candidatos, como uno de cinco proyectos finalistas del Premio de Arquitectura Contemporánea Mies van der Rohe que conceden bianualmente la Unión Europea y la fundación Fundación Mies van der Rohe.
Las obras comenzaron el 26 de junio de 2005. Las múltiples dificultades que surgieron sobre las obras produjeron controversias y retrasos que triplicaron el coste previsto de la obra hasta llegar a los 100 millones de euros. Finalmente, el Metropol Parasol fue inaugurado el 27 de marzo de 2011 y desde entonces se ha consolidado como uno de los principales atractivos turísticos de la ciudad, llegando a alcanzar el millón de visitantes en su primer año.
Robe, South Australia
"Step up to the Portal"
This is the scene which I encountered last Sunday morning after rushing up from the jetty. Though I missed the pink rendition of the clouds, this is possibly one of the most striking and unusual skies I've seen anywhere! Also, the first time I've evern seen the phenomenon of 'anti-crepuscular' rays. I thought they were just theoretical but now I know, they are very real. Perhaps the obelisk was a temporary gate to another world ??
ps. this image is slightly different to a FB uploaded image. I really wanted to include the beacon on the right to balance the lighthouse on the left but due to slight motion blur, I've had to remove the last frame of the pano on the right. I think this one has more impact but I would not be offering it as a print due to that issue.
polaroid instax black and white #minimal #film #polaroid #design #blackandwhite #analog #filmisnotdead #southcarolina #charleston
The interior of the 45 meter (147 ft) wide dome of the Il Duomo di Firenze (Florence Cathedral) features a sprawling mosaic decoration of The Last Judgment. Started in 1568 by Giorgio Vasari and Federico Zuccari, and several other artists, it took 11 years to finish. The upper portion near the lantern gives the illusion of three-dimensional imagery, incredibly impressive considering that it is a 430-year-old work of art.
Florence Cathedral is the main church of Florence, and is one of the largest in Italy. It is a UNESCO World Heritage Site. You can climb the Duomo; I counted 462 steps, but supposedly there are 467, and it’s well worth the effort. Mid-way up there is a gallery where you can walk around and see this amazing fresco a lot closer than from the cathedral floor.
For this photo, I couldn't get my Nikon D60 above the protective glass to get a shot...but my iPhone 6s+ did the job just fine. I have to say that the camera on this device is surprisingly good.
*Press L for best viewing.
Link to ~My best photos~
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This Photo:
DESCRIPTION: Three session integration of M31.
OBJECT: Messier 31, The Andromeda Galaxy, apparent magnitude 3,4, apparent dimension 3,2° x 1°
CALIBRATION: RA center 0h 43m, DEC center +41°13’, Field radius 2,7°, Image pixel scale 4,2 arcsec/px, Image size 3840 x 2560 px.
GEAR: Nikon Z7 Kolari Full Spectrum + Nikkor Z 400/4,5, Astronomic UV/IR/L3 Clip in filter (session1 and2,) Astronomic CLSCCD Clip in filter (session3) , Rollei Astroklar light pollution filter (session 1 and 2), Dew heater strip, Sensor pixel scale 2,25 arcsec/px, tracking mount iOptron HEM27EC - iPolar alignment, No auto guiding.
ACQUISITION: Three session, Struz, CZ:
Session 1 - August 20, 2023, Subexposure 180s, f 4,5, ISO 400, Interval 10 s, RAW-L, Lights 42x, Bias 22x, Flats 22x.
Session 2 - August 23, 2023, Subexposure 180s, f 4,5, ISO 400, Interval 10 s, RAW-L, Lights 22x, Bias 22x, Flats 22x
Session 3 - September 16, 2023, Subexposure 180s, f 4,5, ISO 1600, Interval 10 s, RAW-L, Lights 26x, Bias 22x, Flats 22x
Total exposure time 270 min. Night, Backyard - Light pollution - Bortle 5.
STACKING AND POST PROCESSING: Stacking in Pixinsight, post processing in Pixinsight and Adobe Photoshop.
My next three shots, including the above seen one, are devoted to the combination of HDR processing along with Orton Effect. An atmospheric effect that suits more (in my opinion) still subjects !!! An effect that transforms the image from a plain, good no doubt frame, into a "blurred" yet absolutely "concrete" photographic message !!! Into an absolutely refined "dreamy" concept !!! Keep your eyes still on the tree for example and you will "feel" more than its plain figure !!! You will feel its very three dimensional existence !!!
I definitely encourage you to try it my friends !!!! See my personal attempts on this "stunning" photo processing alternative "point of view" !!! www.flickr.com/photos/emil9497photography__art/sets/72157... ..... Some more will follow !!!
EXIF: NIKON D90 with Nikon Nikkor 18-55 lens, Manual mode, f 13, ISO 200, focal length 30 mm, manual exposure selection, auto-focusing mode, cloudy weather white balance adjustments, pattern metering mode, shutter speed 1/200 s, HDR processing was made after a single frame, Orton Effect applied after HDR processing, exact lighting conditions are successfully conveyed to the viewer, no tripod, no flash, original RAW image dimensions 4288 X 2848 pixels ....
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The Very Best View On Black And Large
(Explore) (157)
El interior
Las columnas de la nave central.
Detalle de la bóveda.
Gaudí evolucionó de un primer proyecto gótico hacia un estilo personal, orgánico, inspirado en las formas de la naturaleza: para librarse de los contrafuertes góticos, ideó el uso de columnas en forma de tronco de árbol, que permiten descargar el peso de las cubiertas directamente en el suelo, solución práctica a la vez que estética, ya que convierte el interior de las naves del templo en un espacio orgánico que semeja un bosque. En 1987 se inició la cimentación de las naves; para 1997 se completaron las bóvedas laterales y se empezó la central.
El templo tiene planta de cruz latina, con cinco naves de 90 metros de longitud, y crucero de tres naves de 60 metros; la nave central tiene un ancho de 15 metros, y 7,5 las laterales, haciendo un total de 45 metros; ancho del crucero, 30 metros. La altura es de 45 metros en las bóvedas de la nave central y 30 en las laterales, mientras que las del cimborio central llegarán a los 60 metros. Las naves laterales contendrán las cantorías para los coros. El ábside es lobulado, con deambulatorio entorno del presbiterio. El templo contará con un total de 36 columnas, que oscilarán entre 11,10 y 22,20 metros de altura, con bases de polígonos estrellados de varios lados según su ubicación: 6 (naves laterales), 8 (nave central), 10 (torres de los Evangelistas), 12 (torre de Jesús). Los materiales de construcción varían de la piedra de Montjuïc al granito, basalto o pórfido.
Las bóvedas son hiperbólicas, construidas con baldosas de mosaico veneciano. Gaudí utilizó la técnica de la bóveda catalana o bóveda tabicada, que consistía en la superposición de varias capas de ladrillos con argamasa. Las cubiertas son de forma piramidal, coronadas por una linterna y un farol. Los ventanales están pensados para distribuir una iluminación suave y armónica, creando un efecto de recogimiento, y tienen forma geométrica abstracta; las vidrieras de colores son obra de Joan Vila i Grau. Gaudí realizó profundos estudios acústicos y lumínicos para conseguir una perfecta sonoridad e iluminación en el interior del templo.
The church plan is that of a Latin cross with five aisles. The central nave vaults reach 45 meters while the side nave vaults reach 30 meters. The transept has 3 aisles. The columns are on a 7.5 meter grid however the columns of the apse, resting on del Villar's foundation, do not adhere to the grid, requiring a section of columns of the ambulatory to transition to the grid thus creating a horseshoe pattern to the layout of those columns. The crossing rests on the four central columns of porphyry supporting a great hyperboloid surrounded by two rings of 12 hyperboloids (currently under construction). The central vault reaches 60 meters. The apse will be capped by a hyperboloid vault reaching 75 meters. Gaudi intended that a visitor standing at the main entrance be able to see the vaults of the nave, crossing, and apse, thus the graduated increase in vault loftiness.
The columns of the interior are a unique Gaudi design. Besides branching to support their load, their ever-changing surfaces are the result of the intersection of various geometric forms. The simplest example is that of a square base evolving into an octagon as the column rises, then a 16-sided form, and eventually to a circle. This effect is the result of a three-dimensional intersection of helicoidal columns (for example a square cross-section column twisting clockwise and a similar one twisting counter-clockwise).
(Wikipedia)
A cold and crisp night in Kilpisjärvi, Finland
Info about the photograph: www.mikkolagerstedt.com/blog/2016/3/10/dimension-kilpisjarvi
Fresco di stampa il mio nuovo fotolibro 'Quarta dimensione', progetto dedicato alle foto con lunghe esposizioni
Qua l'anteprima: it.blurb.com/bookstore/invited/9074996/1027843b3eb7a5a60b...