View allAll Photos Tagged Digitization
My world is primarily digitized. I'm a programmer & entrepreneur, and while I (fortunately) don't have to look at the keyboard while I type anymore, it's presence is always there.
I participate in IG far more than I initially thought I would. What I'm really enjoying about it is that my "industry followers" (people who know me from companies I've worked for or projects I've participated in) haven't found me here, so I'm free to be a rookie at something again.
I have an artistic background -- I went to school to study acting after high school, and pursued an acting career for a few years after that. These days, the I use those "art of presentation" skills in investor pitches, tech conference speaking gigs, and … not a lot else. IG lets me tickle my creative side in ways I haven't been able to in a long time, and I'm really enjoying that.
Thank you to all who let me get outside of my "normal" digital world a bit, without forcing me to stray too far from it. :) @homework #homework50 #tinyplanets
This lab contains equipment to scan items, such as postacrds, letters, old documents, etc, and make it available digitally. Jacksonville is seeking a grant to help fund a large digitization project which would make these historical documents widely available.
From back of photo: "Josiah (Joe) Budd Eastlack. John Eastlack. Children of John & Mathilda Eastlack. Brothers of Lydia E. Gleeson. Uncles of Emma G. DeHart. Piper and Marcus Studio. Formerly Clifford's. 270 S. Second Street, Philadelphia"
188--I005
188--I007
John Eastlack, Jr., 1877-1961
Josiah B. Eastlack, 1878-1969
At the "Parc de la TĂŞte d'Or", Lyon, France, with my Hasselblad 500 C/M Swedish camera for 12 pictures of a single Ilford PanF+ film roll. The Carl Zeiss normal lens Planar CF 1:2.8 f=80mm was equipped of a HMC Hoya AUV 67mm screw-on filter adapted to the Hasselblad bayonet filter mount with a specific adaptor. The Zenza Bronica metal shade hood designed for the 75mm Nikkor-P lens was mounted additionally to the filter to its 67mm thread.
The film was exposed for 50 ISO using a Minolta Autometer III and its 10° viewer for selective measurement privileging the shadow area's.
View Nr. 4: 1/30s f/4.5
Pinus bungeana (China), August 20, 2024
Parc de la TĂŞte d'Or
69006 Lyon
France
After the view #12 exposed, the film was fully rolled to the taking spool and was developed in a Paterson tank with a spiral adapted to the 70mm large film. 500 mL of Adox Adonal (Agfa Rodinal) developer were prepared at the dilution 1+50 and the film processed for 11min at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta vertical macro stative device and adapted to a Minolta MD Macro lens 1:3.5 f=50mm. The light source was a LED panel (approx. 4x5') CineStill Cine-lite fitted with film holder "Lobster" to maintain flat the 70mm film.
The RAW files obtained were inverted within LR and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG's together with some documentary smartphone color pictures.
About the camera and lens:
I remember that about 20 year ago, I considered to buy a Hasselblad camera. I gave up because I had no more access to a darkroom and I found too complicated to recreate one or to delegate the processing to a service lab. I started then digital photography that distracted me to operate again with films. It is only when I could manage in 2022 a reliable and quality way to exploit my negatives in a reasonable time, that I really could enjoy again of analog photography.
On July 17, 2024, I decided to buy "my" Hasselblad in a very traditional way, almost as I could in the 90’s, in a local real photographic store, Lyon, France. The store « Carré Couleur » of Jacques Larger, rue Servient, Lyon, France, is a long-time specialist of professional medium-format camera’s including Hasselblad ones. They had on display several revised and 6-month guaranteed camera’s and a large choice of lenses and accessories.`
I choose a 500 C/M year 1978 and a Carl Zeiss lens Planar T* 1:2.8 f=80mm of the CF series year 1986, plus a small set of little Hasselblad goodies. The 500 C/M is totally mechanical without any electrical nor electronic circuitry. The 500 C/M's were produced in Göteborg, Sweden, from year 1970 to 1994. They followed the production of the 500C camera’s (1957-1970). The latest V-series camera (503 CX, CW, CWI etc) ceased in 2006 and Hasselblad then produced only digital camera’s but also digital camera backs that could fit to the V-series includingbthis 500 C/M (www.hasselbladhistorical.eu/HS/HSTable.aspx)
This CF lens series has central shutter Prontor (Synchro-Compur for the earlier Zeiss series). They are more cylindrical than earlier series and equipped of the proprietary bayonet filter mount B60. The delayed shutter realease was also abandoned. The focusing screen is the « Bright » series with the Dodin stigmometer in the screen centrer and the squared cross-ruling lines. Later 501 and 503 were basically equipped with an even more brighter screen called « Acute-mat ». The camera back could dated from year 1977 is an « A-12 » back « A » standing for « Automatic ». The film advance automatically stops at view 1 with view counter on the right camera side.
After a complete demo by Jacques Larger, I studied the camera manipulation at home with the user manual in hand (an original edition of 1980) before doing the decisive « film d’essai » (test film) on a sunny morning of July 20, 2024. I choose the closest outdoor quiet place at Parc de la Tête d’Or, Lyon, France and the magics of the botany garden and the tropical green houses. It is familiar to me place ideal for testing a camera without external stress.
Digitizing pre digital photos. Mum with cow number 4. Circa 1974. #predigitalphotography #1970s #itsmyarchivetraining
17 Likes on Instagram
From back of photo: "Oct. 1936. Mary Nichol, Dolly DeHart, Florence DeHart. Florence & Harold Nichol."
Mary E. Nichol, 1934-2014
Florence L. DeHart Burns, 1934-
Ernestine (Dolly) DeHart Renaud, 1935-2024
Florence B Murphy Nichol, 1907-1997
Harold A. Nichol, 1908-1992
From back of photo: "Joseph Platt. Son of Aunt Annie (sister of Lydia Eastlack Gleeson). Cousin of Emma G. DeHart. Haberle, 210 N. 8th St., Philadelphia."
189--I004
Joseph Platt, 1894-1991
AA BPO Solution Pvt Ltd - Provides professional custom Embroidery Digitizing, Computerized Embroidery
Digitizing, Machine Embroidery Digitizing and Offshore Digitizing.
From back of photo: "Howard W. Gleeson. Uncle Howard. 9 months." From the label: "JNO. E. Egan, 23 S. 8th Street, Philadelphia. Opposite to Gimbels."
190--I005
Howard W. Gleeson, 1904-1967
Embroidery Digitizing Service for MIAMI BEACH POLICE TRAINING UNIT by Super Digitizing more details at www.superdigitizing.com
88639708 :Piction ID--Convair 990 wiring harness 02/09/1962---Please tag these photos so information can be recorded.---- Digitization of this image made possible by a grant from NEH: NEH and the San Diego Air and Space Museum
From back of photo: "Mother (Lydia Eastlack Gleeson), Pauline Gleeson, Patsy."
193--I007
Lydia P. Eastlack Gleeson, 1872-1953
Pauline Gleeson Hall, 1925-2013
Charlotte Irene "Patsy" Gleeson Parrish, 1929-2018
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit Digitized with Negative Lab Pro v2.1.2 28mm f2.8 Leica | Kodak TriX 400
Scanned with Epson V550 | Lomography
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
From back of photo: "1940? Ted W., Lydia, Jimmy, Florence, Dolly. Woodbury. Grandma Gleeson's yard."
Theodore (Ted) B. Warrington, 1898-1990
Lydia Gleeson Warrington, 1899-1988
James C. Gleeson, 1939-2012
Florence L. DeHart Burns, 1934-
Ernestine (Dolly) DeHart Renaud, 1935-2024
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit Digitized with Negative Lab Pro v2.1.2 28mm f2.8 Leica | Kodak TriX 400
Digitized with Negative Supply
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
Here's the digitizer frame, all cleaned up and ready for a new set of double sided stickers. These will hold the new digitizer in place.
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit Digitized with Negative Lab Pro v2.1.2 28mm f2.8 Leica | Kodak TriX 400
Scanned with Epson V550 | Lomography
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit Digitized with Negative Lab Pro v2.1.2 28mm f2.8 Leica | Kodak TriX 400
Scanned with Epson V550 | Lomography
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
From back of photo: "Thought I had better tell you that this is James taken at school the other day and he wanted to send it to you rather [soon isn't it]?
192--I001
James H. Gleeson, 1912-1986
Archivist of the United States Dr. Colleen Shogan chats wtihnew employees at the opening of the new Digitization Lab at the National Archives at College Park, MD on April 12, 2024. National Archives photo by Susana Raab
86457939 :Piction ID--Typewriter in need of repair---Please tag these photos so information can be recorded.---- Digitization of this image made possible by a grant from NEH: NEH and the San Diego Air and Space Museum
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit Digitized with Negative Lab Pro v2.1.2 28mm f2.8 Leica | Kodak TriX 400
Scanned with Epson V550 | Lomography
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
From back of photo: "Aunt Elsie, Ted Gleeson, and Esther's birthday. Sept. 1946. 'The Party,' 1946. Ernest, Grandma Gleeson, Emma, Lydia, Ted Warrington, Dolly, Florence and Florence B. Gleeson X on them."
Ernest R. DeHart, 1903-1991
Lydia P. Eastlack Gleeson, 1872-1953
Emma Campbell Gleeson DeHart, 1904-1995
Lydia Gleeson Warrington, 1899-1988
Theodore (Ted) B. Warrington, 1898-1990
Ernestine (Dolly) DeHart Renaud, 1935-2024
Florence L. DeHart Burns, 1934-
Florence (Ted) Budd Gleeson, 1901-1980
Elsie L. Heritage Eastlack, 1881-1969
From back of photo: "Mother Gleeson of Emma G. DeHart. 1934. Grandmother to Florence, Dolly."
Lydia P. Eastlack Gleeson, 1872-1953
Digitized with Negative Lab Pro v2.1.0
Leica M3 | Carl Zeiss Planar T* 50mm f/2 ZM | Tri-X 400
Digitized with Epson Vuescan V550 + Negative Lab Pro v2.1.2 | Lomography
Ilford DDX
From back of photo: "Mother and James. Lydia Eastlack Gleeson. James Henry Gleeson. Age 9 months Olsen & Terwilliger. 1000 Market St. Philadelphia."
191--I002
Lydia P. Eastlack Gleeson, 1872-1953
James Henry Gleeson, 1912-1986
Digitized with Negative Lab Pro v2.1.2
Leica M6 | 28mm f2.8 Elmerit
Digitized with Negative Lab Pro v2.1.2
28mm f2.8 Leica | Kodak TriX 400
Digitized with Epson V550 + Negative Lab Pro v2.1.2 | Lomography
Rodinal 1-50