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Lovely slipcase to hold the serial edition of David Copperfield -- this is just the leather edge. It's sturdy and effective.
Digitized with Negative Lab Pro v2.1.0
Yashika Mat 124 G | Kodak Tri X 400
Digitized with Epson V550 + Negative Lab Pro v2.1.0 | Lomography
Cinestill DF96
Fujifilm Klasse W | Kodak Vision 3 50D
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | Kamerakraft
Home developed in Arista C-41 | 4:37/102F | Paterson Tank
Negative Lab Pro v2.2.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: None
Digitized with Negative Lab Pro v2.1.0
Yashica Mat 124 G | Fomapan 400
Digitized with Negative Lab Pro v2.1.0
Rodinal 1-25
Original digitized photo, inkjet print on cotton, machine quilting, 8"x10", matted in 11"x14" shadowbox frame
Fujifilm Klasse W | Fujifilm Fujichrome 50
Digitized with Nikon D7200 & AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED | Raleno PLV-S192 | pixl-latr
Home developed in Cinestill Cs6 D9 1+1 | 9:00/104F | Paterson Tank
© 2010 Fred Massimino.
All images by Fred Massimino are protected under the United States and International Copyright laws.
The images may not be reproduced, copied, transmitted or manipulated without the written permission of Fred Massimino
This was a slide scanned in EV increments of +1, 0, -1,-2 and digitized, then tonemapped using Qtpfsgui 1.9.3. Interesting results. I will try more but I will make sure to brush all the dust off the slide before scanning. Tonemapping brings out alot of the dirt on the slide.
Digitized with Negative Lab Pro v2.1.0
Leica M3 | Carl Zeiss Planar T* 50mm f/2 ZM | Ilford HP5 400
Digitized with Epson Vuescan V550 + Negative Lab Pro v2.1.0 | Lomography
Ilford DDX
Nikon FM2, 50mm 1:2, Ilford Pan-F 50, processed on a JOBO ATL 800, digitized on a Nikon Super Coolscan 4000
© Rui Delgado Alves, 2012
BidPoint XL, is an Excel add-in program, digitizes directly into Microsoft Excel. That makes fast takeoffs even easier. No need to flip-flop back and forth between Excel and a separate digitizing application. Simply click on a spreadsheet cell and electronically measure and draw items from paper plans in seconds.
The digitized quantities and drawings are saved with the Excel cell and file. BidPoint XL is so user friendly that most estimators are up and running in less than fifteen minutes.
Website: www.interworldna.com/vertigraph/bidpoint_xl.php
Full Version Demo Download: www.interworldna.com/vertigraph/vertigraph_demo_reg.htm
BidPoint XL Video Demo: www.interworldna.com/vertigraph/movie_bp/bidpoint_screen_...
Digitized with Negative Lab Pro v2.1.2
Leica M6 | Leica 35mm f/2.0 SUMMICRON-M Aspherical | Kodak TriX 400
Digitized with Negative Lab Pro v2.1.2
Books from World War II are logged in to determine suitability for digitization June 21, 2010, at the Morris Swett Technical Library, the U.S. Army's artillery library. The most fragile books will be put into digits and made available online. Books that are still in good shape won't be converted electronically, but will remain on the library's shelves. (Army photo by Jeff Crawley)
Digitized with Negative Lab Pro v2.1.0
Leica M3 | Carl Zeiss Planar T* 50mm f/2 ZM | Tri-X 400
Digitized with Epson Vuescan V550 + Negative Lab Pro v2.1.0 | Lomography
Ilford DDX
Digitized from slide. Original image taken on Olympus OM20. Digitized using Nikon D7200 with 60mm macro lens and ES-1 slide adaptor. Capture time and date approximate.
On September 7, 2024, at the annual photo fair of Saint-Bonnet-de-Mure, France, I found this Meyer-Optik Görlitz lens Oreston 1:1.8 f=50mm in M42 mount that I wanted to associate to my Praktica IV SLR camera body.
The lens was in acceptable condition for 20€ in the range range of price of my Praktica IV. Both were manufactured in Dresden, Germany in the year 1960’s. Oreston lens was marketed starting from 1965 in order to equip, in particular, the Praktica Nova that was anticipated to be produced massively by Pentacon for exportation (zeissikonveb.de/start/objektive/normalobjektive/oreston.html).
Oreston was a modern normal lens 6-lens double Gauss type, capable to compete with other foreign productions of that time, with a large aperture, automatic diaphragm mechanism, and optical performances that could not rival to Zeiss Jena productions (as the Flexon and Pancolar) but still very near at medium apertures.
For testing the lens, I loaded a 36-exposure black-and-white Fomapan 100.In the Praktica IV equipped with the Oreston lens. The lens was equipped a generic Yellow 49mm screw-on filter and a cylindrical modern shade hood for the views taken. The expositions were determined for 64 ISO instead of the nominal 100 ISO to compensate the filter light absorption, using an Autometer III Minolta light meter fitted with a 10° finder for selective measurements privileging the shadow areas or with the integrative dome for measurement of the incident light.
September 10, 2024
69001 Lyon
France
After complete exposure, the film was revealed using Adox Adonal (Agfa Rodinal) developper at dilution 1+50 at 20°C for 9 min. The film was then digitized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The RAW files obtained were processed without intermediate files in LR and edited to the final jpeg pictures.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg plus some documentary smartphone color pictures.
About the Praktica IV camera :
I got the camera body Praktica IV and a set of related KDH Leipzig accessories from an eBay seller near Paris, France.. The whole arrived to me on January, 31, 2024, in Lyon, France.
The Praktica IV was designed by the prestigious KW (Kamera Werk Niedersedlitz) German company in Dresden on the basis of their previous Praktica FX SLR camera's. The camera was produced first under the KW name starting from June 1959 then within the Kombinat VEB Pentacon after the merge of the company in 1960.
166.800 Praktica IV and V (6 models) were produced until January 1966. Praktica IV essentially incorporates a condenser focusing screen plus a pentaprism. Due to the Praktica FX architecture the Pentaprism looks protruding from the camera body with an unusual style. It fits lenses with M42x1 mount and the mirror has no automatic return. The shutter is made of two horizontal curtains of rubberized fabric giving 1/500s to 1/2s plus B in two registers of slow speeds (1/2s to 1/10s) and high speeds (1/25s to 1/500s). The film is advanced coupled to the shutter cocking using either the right upper button or the rapid lever underneath the body.
The Praktica IV handles the "Auto" M42 lenses with the lever for automatic iris closing upon the release. Sequentially, when pressing the shutter release button, the diaphragm closes to the indicated value, the mirror is lift-off and finally the shutter is erased at the given value. If a non-auto (manual closing) M42 is used the pushing lever could be cancelled (declutched) moving a small red button to the right in the mirror chamber.
The camera camera came without lens but with a body cap and the original ever-ready leather bag with et "Ernermann tower" Pentacon logo. This model is likely the second Praktica IV essentially the same as the initial KW one with a different front plate. The camera was likely art of a collection and is completely preserved without use marks.
The KDH Leipzig (Kurt-Dieter Huffziger Foto- und Kinozubehör) accessories set included:
-A panoramic tripod head
-A set of three extension tubes M42x1)
- A big aluminum shade hood (screw-on 49mm) for wide-angle lens.
- A M42x1 metal body cap in its original box.
- An accessory shoe fitting the the Praktica IV eye piece.
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