View allAll Photos Tagged Digitalisation
An Ilford HP5+ exposed for 800 ISO film with my Zorki 1 type D (year 1955), Lyon, France, February 5, 2023.
The Zorki camera was loaded with a 36-exposure Ilford HP5+ film, with its leader trimmed for old Leica's. During operations the Industar-22 lens was equipped with a 36mm push-on 1A filter and a generic metal cylindric shade hood.
Expositions were determined for 800 ISO using a Minolta Autometer III with a 10° finder for selective measurements privileging the shadow areas.
Typically the shutter exposure time was 1/200s with diaphragm of F/5.6 to f/11 for a quite cloudy weather.
Place Saint-Jean, February 5, 2023
69005 Lyon
France
After exposure, the film was processed using Adox Adonal (= Agfa Rodinal) developer at dilution 1+25, 20°C for 8 min according to development data for pushing the HP5+ film to 800 ISO. The film was then digitalized using a Sony A7 body adapted to a Minolta Auto Bellows III and a Minolta Slide Duplicator using a lens Minolta Bellow Macro Rokkor 50mm f/3.5 at a reproduction ratio of 1:1. The reproduced RAW files obtained were processed in LR prior the the final JPEG editions.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg.
About the camera and the lens:
This camera is a practically mint sample of Zorki 1 arrived to me in Lyon, France, January 10, 2023.
The camera looked exiting from the KMZ factory in USSR almost 70 years later spent in a time capsule ... with almost no traces of use. According to a custom receipt of July 28, 1955, signed in Vienna, Austria, the camera body and lens are the original matched ones. As for the original FED, FED-Zorki and Zorki's ("ФЭД", "ФЭД-Зоркий", „Зоркий“), the Zorki 1 was a straight legal copy of the Oskar Barnack Leica II after the cancelation of German camera patents following the end of WWII.
This Zorki 1 is a type D model PM1115 (year 1955 according sovietcams.com/index7584.html). Type D Zorki's were produced from 1953 to 1955 in about 250.000 units with serial numbers ranging from #470.000 to (in 1955) #55 45.000. The original lens of this Zorki units is an collapsible lens Industar-22 1:3.5 f=5cm.
In the rear pocket of the ever-ready leather bag was still deposited the Austrian custom receipt from 1955 and a film label of Agfa negative-color CN17 likely from the 60's.
An Ilford HP5+ exposed for 800 ISO film with my Zorki 1 type D (year 1955), Lyon, France, February 5, 2023.
The Zorki camera was loaded with a 36-exposure Ilford HP5+ film, with its leader trimmed for old Leica's. During operations the Industar-22 lens was equipped with a 36mm push-on 1A filter and a generic metal cylindric shade hood.
Expositions were determined for 800 ISO using a Minolta Autometer III with a 10° finder for selective measurements privileging the shadow areas.
Typically the shutter exposure time was 1/200s with diaphragm of F/5.6 to f/11 for a quite cloudy weather.
Rue Saint-Etienne, February 5, 2023
69005 Lyon
France
After exposure, the film was processed using Adox Adonal (= Agfa Rodinal) developer at dilution 1+25, 20°C for 8 min according to development data for pushing the HP5+ film to 800 ISO. The film was then digitalized using a Sony A7 body adapted to a Minolta Auto Bellows III and a Minolta Slide Duplicator using a lens Minolta Bellow Macro Rokkor 50mm f/3.5 at a reproduction ratio of 1:1. The reproduced RAW files obtained were processed in LR prior the the final JPEG editions.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg.
About the camera and the lens:
This camera is a practically mint sample of Zorki 1 arrived to me in Lyon, France, January 10, 2023.
The camera looked exiting from the KMZ factory in USSR almost 70 years later spent in a time capsule ... with almost no traces of use. According to a custom receipt of July 28, 1955, signed in Vienna, Austria, the camera body and lens are the original matched ones. As for the original FED, FED-Zorki and Zorki's ("ФЭД", "ФЭД-Зоркий", „Зоркий“), the Zorki 1 was a straight legal copy of the Oskar Barnack Leica II after the cancelation of German camera patents following the end of WWII.
This Zorki 1 is a type D model PM1115 (year 1955 according sovietcams.com/index7584.html). Type D Zorki's were produced from 1953 to 1955 in about 250.000 units with serial numbers ranging from #470.000 to (in 1955) #55 45.000. The original lens of this Zorki units is an collapsible lens Industar-22 1:3.5 f=5cm.
In the rear pocket of the ever-ready leather bag was still deposited the Austrian custom receipt from 1955 and a film label of Agfa negative-color CN17 likely from the 60's.
A second film with my newly-arrived FOCA Universel "R", a French range-finder 35mm camera of the 50's.
The camera was loaded with an IlfordFP4+ 36-exposure film. It was exposed for 125 ISO using an Autometer III Minolta lightmeter fitted with a 10° finder for selective measurements privileging the shadow areas. The Oplarex lens was equipped with a Foca AUV push-on 42mm protective filter and a generic cylindrical shade hood.
Nouveau cimetière de la Croix-Rousse, April 15, 2023
Rue Philippe de Lassalles
69004 Lyon
France
After exposure, the film was revealed using Adox Adonal (Agfa Rodinal) developper at dilution 1+25 and 20°C for 9min. The film was then digitalized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The RAW files obtained were processed without intermediate files in LR and edited to the final jpeg pictures.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg accompanied by some documentary smartphone Vivio Y76 color pictures.
About the camera :
The Foca Universel "R" is the late series (circa 1956-1962) of the Foca Universel 35mm range-finder camera appeared in 1950 and produced until 1956. The Universel model of FOCa was fitted with a bayonet mount instead of the 36mm screw mount of other Foca PF (PF standing for "Petit Format"). Foca camera's were constructed in France by the company "Optique & Precision de Levallois" (OPL) in the OPL factory of Chateaudun (Eure) starting from 1947. This factory still exists under the name of SAFRAN a French company producing aerospace devices and systems. This exemplary of Foca Universel R was likely manufactured in 1959 or 1960.
The camera is equipped with the collapsible OPLAREX lens 1:1.9 f=5cm with the OPL bayonet mount.
An Ilford HP5+ exposed for 800 ISO film with my Zorki 1 type D (year 1955), Lyon, France, February 5, 2023.
The Zorki camera was loaded with a 36-exposure Ilford HP5+ film, with its leader trimmed for old Leica's. During operations the Industar-22 lens was equipped with a 36mm push-on 1A filter and a generic metal cylindric shade hood.
Expositions were determined for 800 ISO using a Minolta Autometer III with a 10° finder for selective measurements privileging the shadow areas.
Typically the shutter exposure time was 1/200s with diaphragm of F/5.6 to f/11 for a quite cloudy weather.
Quai Romain Rolland, February 5, 2023
69005 Lyon
France
After exposure, the film was processed using Adox Adonal (= Agfa Rodinal) developer at dilution 1+25, 20°C for 8 min according to development data for pushing the HP5+ film to 800 ISO. The film was then digitalized using a Sony A7 body adapted to a Minolta Auto Bellows III and a Minolta Slide Duplicator using a lens Minolta Bellow Macro Rokkor 50mm f/3.5 at a reproduction ratio of 1:1. The reproduced RAW files obtained were processed in LR prior the the final JPEG editions.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg.
About the camera and the lens:
This camera is a practically mint sample of Zorki 1 arrived to me in Lyon, France, January 10, 2023.
The camera looked exiting from the KMZ factory in USSR almost 70 years later spent in a time capsule ... with almost no traces of use. According to a custom receipt of July 28, 1955, signed in Vienna, Austria, the camera body and lens are the original matched ones. As for the original FED, FED-Zorki and Zorki's ("ФЭД", "ФЭД-Зоркий", „Зоркий“), the Zorki 1 was a straight legal copy of the Oskar Barnack Leica II after the cancelation of German camera patents following the end of WWII.
This Zorki 1 is a type D model PM1115 (year 1955 according sovietcams.com/index7584.html). Type D Zorki's were produced from 1953 to 1955 in about 250.000 units with serial numbers ranging from #470.000 to (in 1955) #55 45.000. The original lens of this Zorki units is an collapsible lens Industar-22 1:3.5 f=5cm.
In the rear pocket of the ever-ready leather bag was still deposited the Austrian custom receipt from 1955 and a film label of Agfa negative-color CN17 likely from the 60's.
Quite the scene here. Still have a good amount to upload from my expedition to London in July, but it's encouraging I'm ploughing through the backlog.
So this Sherpa has been sat for a very long time, evident by how it's integrated itself into the landscape of this property. The type of scene you only encounter in a blue moon.
Same owner since 1996, SORN since MOT Digitalisation.
E419 MYO
With more than 700 000 refugees Ethiopia hosts the most refugees on the African continent. This requires a humongous effort providing food assistance, water and basic services such as health care but also protection. The European Commission provides humanitarian assistance in all 24 refugee camps across the country. In Tigray and Afar regions, aid organisations are welcoming a constant stream of young Eritreans who are fleeing their country. ©EU/ECHO/Anouk Delafortrie
A second film with my newly-arrived FOCA Universel "R", a French range-finder 35mm camera of the 50's.
The camera was loaded with an IlfordFP4+ 36-exposure film. It was exposed for 125 ISO using an Autometer III Minolta lightmeter fitted with a 10° finder for selective measurements privileging the shadow areas. The Oplarex lens was equipped with a Foca AUV push-on 42mm protective filter and a generic cylindrical shade hood.
April 15, 2023
69004 Lyon
France
After exposure, the film was revealed using Adox Adonal (Agfa Rodinal) developper at dilution 1+25 and 20°C for 9min. The film was then digitalized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The RAW files obtained were processed without intermediate files in LR and edited to the final jpeg pictures.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg accompanied by some documentary smartphone Vivio Y76 color pictures.
About the camera :
The Foca Universel "R" is the late series (circa 1956-1962) of the Foca Universel 35mm range-finder camera appeared in 1950 and produced until 1956. The Universel model of FOCa was fitted with a bayonet mount instead of the 36mm screw mount of other Foca PF (PF standing for "Petit Format"). Foca camera's were constructed in France by the company "Optique & Precision de Levallois" (OPL) in the OPL factory of Chateaudun (Eure) starting from 1947. This factory still exists under the name of SAFRAN a French company producing aerospace devices and systems. This exemplary of Foca Universel R was likely manufactured in 1959 or 1960.
The camera is equipped with the collapsible OPLAREX lens 1:1.9 f=5cm with the OPL bayonet mount.
This image of Expedition 56/57 crewmembers ESA astronaut Alexander Gerst and NASA astronaut Serena Auñón-Chancellor might pose a question or two. The short answer: the two astronauts are training at NASA’s Johnson Space Center in Houston, USA ahead of their launch to the International Space Station. Read on for the long answer.
Along with cosmonaut Sergei Prokopyev, Alexander and Serena will be launched to the Space Station in June aboard a Soyuz spacecraft.
Alexander will spend some six months aboard for his Horizons mission, named for its goal of broadening our knowledge of Earth, low-Earth orbit and beyond.
Alexander has an exciting (and packed) schedule of science for Horizons. Over 50 European experiments are planned, targeting areas such as human ageing and medicine, climate, digitalisation and fundamental research.
Alexander will continue running experiments such as the airway inflammation study Airway Monitoring and the new time perception study aptly called Time.
In addition to furthering our understanding of life in space, these experiments will have beneficial returns for life on Earth.
Alexander will spend the second half of his mission as commander of the Space Station, the second European astronaut to hold this leadership role.
Tune in to Alexander’s final press conference on Tuesday, 17 April at the European Astronaut Centre in Cologne for more on Horizons. The media day promises lightning talks on the planned science as well as a conversation with Alexander on exploration and his role as Station commander. More details and livestream link are available here.
As for the long answer: in addition to being pilots, scientists and technicians, astronauts must also be custodians of the Space Station. There’s no plumber available in orbit, so if the toilet breaks down, they must be able to fix it. Here, Alexander and Serena are learning to do just that. For the curious, the yellow cone is the urine collector and the grey switch turns on the suction.
Credits: NASA-J. Valcarcel
An Ilford HP5+ exposed for 800 ISO film with my Zorki 1 type D (year 1955), Lyon, France, February 5, 2023.
The Zorki camera was loaded with a 36-exposure Ilford HP5+ film, with its leader trimmed for old Leica's. During operations the Industar-22 lens was equipped with a 36mm push-on 1A filter and a generic metal cylindric shade hood.
Expositions were determined for 800 ISO using a Minolta Autometer III with a 10° finder for selective measurements privileging the shadow areas.
Typically the shutter exposure time was 1/200s with diaphragm of F/5.6 to f/11 for a quite cloudy weather.
February 5, 2023
69004 Lyon
France
After exposure, the film was processed using Adox Adonal (= Agfa Rodinal) developer at dilution 1+25, 20°C for 8 min according to development data for pushing the HP5+ film to 800 ISO. The film was then digitalized using a Sony A7 body adapted to a Minolta Auto Bellows III and a Minolta Slide Duplicator using a lens Minolta Bellow Macro Rokkor 50mm f/3.5 at a reproduction ratio of 1:1. The reproduced RAW files obtained were processed in LR prior the the final JPEG editions.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg.
About the camera and the lens:
This camera is a practically mint sample of Zorki 1 arrived to me in Lyon, France, January 10, 2023.
The camera looked exiting from the KMZ factory in USSR almost 70 years later spent in a time capsule ... with almost no traces of use. According to a custom receipt of July 28, 1955, signed in Vienna, Austria, the camera body and lens are the original matched ones. As for the original FED, FED-Zorki and Zorki's ("ФЭД", "ФЭД-Зоркий", „Зоркий“), the Zorki 1 was a straight legal copy of the Oskar Barnack Leica II after the cancelation of German camera patents following the end of WWII.
This Zorki 1 is a type D model PM1115 (year 1955 according sovietcams.com/index7584.html). Type D Zorki's were produced from 1953 to 1955 in about 250.000 units with serial numbers ranging from #470.000 to (in 1955) #55 45.000. The original lens of this Zorki units is an collapsible lens Industar-22 1:3.5 f=5cm.
In the rear pocket of the ever-ready leather bag was still deposited the Austrian custom receipt from 1955 and a film label of Agfa negative-color CN17 likely from the 60's.
A second film with my newly-arrived FOCA Universel "R", a French range-finder 35mm camera of the 50's.
The camera was loaded with an IlfordFP4+ 36-exposure film. It was exposed for 125 ISO using an Autometer III Minolta lightmeter fitted with a 10° finder for selective measurements privileging the shadow areas. The Oplarex lens was equipped with a Foca AUV push-on 42mm protective filter and a generic cylindrical shade hood.
Parc de la Cerisaie - Villa Gillet, April 15, 2023
69004 Lyon
France
(Parc de la Cerisaie and the Villa Gillet were the domain of the Gillet dynasty founded by François Gillet (1813-1895) owner of the chemistry empire "Progil" (chemistry, polymers and textiles) that merged then to "Rhône-Poulenc" in the seventies, then (after several successive others merging) to SANOFI)
After exposure, the film was revealed using Adox Adonal (Agfa Rodinal) developper at dilution 1+25 and 20°C for 9min. The film was then digitalized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The RAW files obtained were processed without intermediate files in LR and edited to the final jpeg pictures.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg accompanied by some documentary smartphone Vivio Y76 color pictures.
About the camera :
The Foca Universel "R" is the late series (circa 1956-1962) of the Foca Universel 35mm range-finder camera appeared in 1950 and produced until 1956. The Universel model of FOCa was fitted with a bayonet mount instead of the 36mm screw mount of other Foca PF (PF standing for "Petit Format"). Foca camera's were constructed in France by the company "Optique & Precision de Levallois" (OPL) in the OPL factory of Chateaudun (Eure) starting from 1947. This factory still exists under the name of SAFRAN a French company producing aerospace devices and systems. This exemplary of Foca Universel R was likely manufactured in 1959 or 1960.
The camera is equipped with the collapsible OPLAREX lens 1:1.9 f=5cm with the OPL bayonet mount.
Jorge Viegas (Fédération Internationale de Motocyclisme, FIM) speaks during the plenary session, "Tackling poverty: What is the role of transport?" at the International Transport Forum's 2023 Summit on "Transport Enabling Sustainable Economies" in Leipzig, Germany on 25 May 2023. A lack of transport options makes it difficult for underserved communities or lower-income households to take advantage of economic opportunities. Limited availability of transport can play a role, as can the lack of affordability, safety, performance or digitalisation.
Leksikonlenestol
Old collections of knowledge are collecting dust while the information hungry are using Wikipedia, Clarify, Google etc. I will glue this together and use the spare shelfspace for novels.
The art of digitalisation on the walls of Cape Town's Salt River. The International Public Art Festival ( IPAF ). In its 4th year, has taken to Cape town's streets again over the weekend, brightening up the city & attracting crowds of art lovers to a neighbourhood once considered " dangerous " Artists from around the world are invited to put their individual stamp on the buildings.
SMEs today face a number of fundamental challenges to their growth and competitiveness, particularly as they seek to modernise their capabilities. With greater global connectivity and heightened consumer scrutiny, digitalisation of businesses is no longer an option but a necessity. In the Western Balkans and across the globe, SMEs are exploring how to integrate digital technology into their business models in order to open new markets, improve market intelligence and deliver higher value to customers.
From Industry 4.0 to e-commerce for SMEs, this panel navigated the various facets of digitalisation and what digital transformation means for small businesses, evaluating the intersection of digitalisation with succession planning, financial literary as well as other key sources relevant for future SME growth.
Moderator
Ben Hall
Europe editor, Financial Times Ltd.
Speakers
Georgina Baker
Regional Vice President, International Finance Corporation
Dusko Radovic
Owner and CEO, Transfera doo
Qais Sabri
Director, EON Aligner
Alexios Seibt
Principal, Arthur D. Little Austria GmbH
Tatjana Zabasu Mikuž
Managing Partner, South Central Ventures
WIP G20 Roundtable on digitalisation with German Minister Zypries, co-hosted by W20: www.womenpoliticalleaders.org/g20-german-minister-economi...
An Ilford HP5+ exposed for 800 ISO film with my Zorki 1 type D (year 1955), Lyon, France, February 5, 2023.
The Zorki camera was loaded with a 36-exposure Ilford HP5+ film, with its leader trimmed for old Leica's. During operations the Industar-22 lens was equipped with a 36mm push-on 1A filter and a generic metal cylindric shade hood.
Expositions were determined for 800 ISO using a Minolta Autometer III with a 10° finder for selective measurements privileging the shadow areas.
Typically the shutter exposure time was 1/200s with diaphragm of F/5.6 to f/11 for a quite cloudy weather.
Pont de la Feuillée, February 5, 2023
69005 Lyon
France
After exposure, the film was processed using Adox Adonal (= Agfa Rodinal) developer at dilution 1+25, 20°C for 8 min according to development data for pushing the HP5+ film to 800 ISO. The film was then digitalized using a Sony A7 body adapted to a Minolta Auto Bellows III and a Minolta Slide Duplicator using a lens Minolta Bellow Macro Rokkor 50mm f/3.5 at a reproduction ratio of 1:1. The reproduced RAW files obtained were processed in LR prior the the final JPEG editions.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg.
About the camera and the lens:
This camera is a practically mint sample of Zorki 1 arrived to me in Lyon, France, January 10, 2023.
The camera looked exiting from the KMZ factory in USSR almost 70 years later spent in a time capsule ... with almost no traces of use. According to a custom receipt of July 28, 1955, signed in Vienna, Austria, the camera body and lens are the original matched ones. As for the original FED, FED-Zorki and Zorki's ("ФЭД", "ФЭД-Зоркий", „Зоркий“), the Zorki 1 was a straight legal copy of the Oskar Barnack Leica II after the cancelation of German camera patents following the end of WWII.
This Zorki 1 is a type D model PM1115 (year 1955 according sovietcams.com/index7584.html). Type D Zorki's were produced from 1953 to 1955 in about 250.000 units with serial numbers ranging from #470.000 to (in 1955) #55 45.000. The original lens of this Zorki units is an collapsible lens Industar-22 1:3.5 f=5cm.
In the rear pocket of the ever-ready leather bag was still deposited the Austrian custom receipt from 1955 and a film label of Agfa negative-color CN17 likely from the 60's.
Banking Supervision in a New Economy: Digitalisation, Climate and Financial Innovation
Tuesday, 2 and Wednesday, 3 May 2023
Eurotower, Frankfurt am Main and Webex
Copyright: Claudio Antonio De Angelis/ECB
An Ilford HP5+ exposed for 800 ISO film with my Zorki 1 type D (year 1955), Lyon, France, February 5, 2023.
The Zorki camera was loaded with a 36-exposure Ilford HP5+ film, with its leader trimmed for old Leica's. During operations the Industar-22 lens was equipped with a 36mm push-on 1A filter and a generic metal cylindric shade hood.
Expositions were determined for 800 ISO using a Minolta Autometer III with a 10° finder for selective measurements privileging the shadow areas.
Typically the shutter exposure time was 1/200s with diaphragm of F/5.6 to f/11 for a quite cloudy weather.
Place Saint-Jean, February 5, 2023
69005 Lyon
France
After exposure, the film was processed using Adox Adonal (= Agfa Rodinal) developer at dilution 1+25, 20°C for 8 min according to development data for pushing the HP5+ film to 800 ISO. The film was then digitalized using a Sony A7 body adapted to a Minolta Auto Bellows III and a Minolta Slide Duplicator using a lens Minolta Bellow Macro Rokkor 50mm f/3.5 at a reproduction ratio of 1:1. The reproduced RAW files obtained were processed in LR prior the the final JPEG editions.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg.
About the camera and the lens:
This camera is a practically mint sample of Zorki 1 arrived to me in Lyon, France, January 10, 2023.
The camera looked exiting from the KMZ factory in USSR almost 70 years later spent in a time capsule ... with almost no traces of use. According to a custom receipt of July 28, 1955, signed in Vienna, Austria, the camera body and lens are the original matched ones. As for the original FED, FED-Zorki and Zorki's ("ФЭД", "ФЭД-Зоркий", „Зоркий“), the Zorki 1 was a straight legal copy of the Oskar Barnack Leica II after the cancelation of German camera patents following the end of WWII.
This Zorki 1 is a type D model PM1115 (year 1955 according sovietcams.com/index7584.html). Type D Zorki's were produced from 1953 to 1955 in about 250.000 units with serial numbers ranging from #470.000 to (in 1955) #55 45.000. The original lens of this Zorki units is an collapsible lens Industar-22 1:3.5 f=5cm.
In the rear pocket of the ever-ready leather bag was still deposited the Austrian custom receipt from 1955 and a film label of Agfa negative-color CN17 likely from the 60's.
15 September 2022, 213th meeting of the CoR Bureau in Prague
Czech Republic - Prague - September 2022
© European Union / Fred Guerdin
Vitaliy KLYCHKÓ, Mayor of Kyiv
Ivan BARTOŠ, Deputy Prime Minister for Digitalisation and Minister of Regional Development of the Czech Republic
Vasco Ilídio ALVES CORDEIRO, President of the European Committee of the Regions
Exasperated by the indifferent results I'd always had from the commercial processing available through high street chemists, I began sending my films off to a chap who advertised "quality photographic processing" in the back pages of Buses. I suppose you have to understand the predicament of the commercial labs. They had to provide an automated, high turnover, all-things-to-all-people service. It wasn't until I came to do my own processing a couple of years ago that I understood that particular films need particular times and dilutions according to the developer in which they are, well, developed. The labs couldn't possibly give that sort of attention to your auntie's Instamatic snaps from Fuengirola. This is from the first film I sent off to the Buses chap. There was an immediate improvement in the quality of the prints, although subsequent scanning and digitalisation from negatives has had a "levelling" effect. Off they went for the next four years, to an address in Baildon, and back they came, often in boxes which had contained Kodak bromide paper (8.9X14cm), which I still use for storing the prints. He must have made thousands from me.
The bus seen here, at Taunton on Thursday 19th February 1976, was one of the ex- Bristol Omnibus Co. FSF Lodekkas passed to the neighbouring Western National company in the late 60s. This one, originally no. 6033 in the Bristol fleet had entered service on 1st March 1961 and been allocated to Swindon, where it had remained until withdrawal on 30th June 1967. It passed to Western National in August of that year.
I think that would have been Raleigh's counterfeit of the Moulton bicycle.
Banking Supervision in a New Economy: Digitalisation, Climate and Financial Innovation
Tuesday, 2 and Wednesday, 3 May 2023
Eurotower, Frankfurt am Main and Webex
copyright: Angela Morant/ECB
An Ilford HP5+ exposed for 800 ISO film with my Zorki 1 type D (year 1955), Lyon, France, February 5, 2023.
The Zorki camera was loaded with a 36-exposure Ilford HP5+ film, with its leader trimmed for old Leica's. During operations the Industar-22 lens was equipped with a 36mm push-on 1A filter and a generic metal cylindric shade hood.
Expositions were determined for 800 ISO using a Minolta Autometer III with a 10° finder for selective measurements privileging the shadow areas.
Typically the shutter exposure time was 1/200s with diaphragm of F/5.6 to f/11 for a quite cloudy weather.
Place Saint-Jean, February 5, 2023
69005 Lyon
France
After exposure, the film was processed using Adox Adonal (= Agfa Rodinal) developer at dilution 1+25, 20°C for 8 min according to development data for pushing the HP5+ film to 800 ISO. The film was then digitalized using a Sony A7 body adapted to a Minolta Auto Bellows III and a Minolta Slide Duplicator using a lens Minolta Bellow Macro Rokkor 50mm f/3.5 at a reproduction ratio of 1:1. The reproduced RAW files obtained were processed in LR prior the the final JPEG editions.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg.
About the camera and the lens:
This camera is a practically mint sample of Zorki 1 arrived to me in Lyon, France, January 10, 2023.
The camera looked exiting from the KMZ factory in USSR almost 70 years later spent in a time capsule ... with almost no traces of use. According to a custom receipt of July 28, 1955, signed in Vienna, Austria, the camera body and lens are the original matched ones. As for the original FED, FED-Zorki and Zorki's ("ФЭД", "ФЭД-Зоркий", „Зоркий“), the Zorki 1 was a straight legal copy of the Oskar Barnack Leica II after the cancelation of German camera patents following the end of WWII.
This Zorki 1 is a type D model PM1115 (year 1955 according sovietcams.com/index7584.html). Type D Zorki's were produced from 1953 to 1955 in about 250.000 units with serial numbers ranging from #470.000 to (in 1955) #55 45.000. The original lens of this Zorki units is an collapsible lens Industar-22 1:3.5 f=5cm.
In the rear pocket of the ever-ready leather bag was still deposited the Austrian custom receipt from 1955 and a film label of Agfa negative-color CN17 likely from the 60's.
WIP G20 Roundtable on digitalisation with German Minister Zypries, co-hosted by W20: www.womenpoliticalleaders.org/g20-german-minister-economi...
SMEs today face a number of fundamental challenges to their growth and competitiveness, particularly as they seek to modernise their capabilities. With greater global connectivity and heightened consumer scrutiny, digitalisation of businesses is no longer an option but a necessity. In the Western Balkans and across the globe, SMEs are exploring how to integrate digital technology into their business models in order to open new markets, improve market intelligence and deliver higher value to customers.
From Industry 4.0 to e-commerce for SMEs, this panel navigated the various facets of digitalisation and what digital transformation means for small businesses, evaluating the intersection of digitalisation with succession planning, financial literary as well as other key sources relevant for future SME growth.
Moderator
Ben Hall
Europe editor, Financial Times Ltd.
Speakers
Georgina Baker
Regional Vice President, International Finance Corporation
Dusko Radovic
Owner and CEO, Transfera doo
Qais Sabri
Director, EON Aligner
Alexios Seibt
Principal, Arthur D. Little Austria GmbH
Tatjana Zabasu Mikuž
Managing Partner, South Central Ventures
another of those long shots of Blackburn Boulevard from the www.cottontown.org digitalisation project. In this view, w find ten double deckers belonging to the local operator ranging from an immediate post war all-Leyland Titan to 1950s Guy Arabs, and 1960s Leyland PD2s. The interloper is a Darwen East Lancs Bodied PD3 one of 5 delivered in 1964/5, this is waiting at the stand used for Darwen Services.
H.E. Mr Bogdan Dumea, Secretary of State, Ministry of Research, Innovation and Digitalisation, Romania at the Partner2Connect Digital Development Roundtable, 7 - 9 June 2022 Kigali, Rwanda
©ITU/ Y. Simbi
Banking Supervision in a New Economy: Digitalisation, Climate and Financial Innovation
Tuesday, 2 and Wednesday, 3 May 2023
Eurotower, Frankfurt am Main and Webex
copyright: Sanziana Perju / ECB
Malawi is a small country in southern Africa with a population of 14 million people who mainly rely on agriculture as a means of subsistence. In 2017, drought in the country affected more than half the population. EU humanitarian support enables Malawian communities to build resilience against natural disasters such as floods and drought.
This EU-funded project uses drones to create maps. The maps help to locate resources such as hospitals, schools, and roads which are all vital in providing safe shelter for the population in case of a disaster. When any population is trained and aware of disaster risks and safe spaces, lives are saved.
© European Union (photo by Anouk Delafortrie)
Banking Supervision in a New Economy: Digitalisation, Climate and Financial Innovation
Tuesday, 2 and Wednesday, 3 May 2023
Eurotower, Frankfurt am Main and Webex
copyright: Angela Morant/ECB
Banking Supervision in a New Economy: Digitalisation, Climate and Financial Innovation
Tuesday, 2 and Wednesday, 3 May 2023
Eurotower, Frankfurt am Main and Webex
copyright: Angela Morant/ECB
Banking Supervision in a New Economy: Digitalisation, Climate and Financial Innovation
Tuesday, 2 and Wednesday, 3 May 2023
Eurotower, Frankfurt am Main and Webex
copyright: Angela Morant/ECB
A slightly forgotten tradition in today's age of digitalisation. Sending letters and postcards on paper. It is a very exciting and personal experience.
30 May 2018 - OECD Forum 2018 - Session: Economic Outlook Debate: Employement, Digitalisation, Productivity
Moderator :
Joumanna Bercetche, News Reporter, CNBC International
David Parker, Attorney-General; Minister for Economic Development, Environment, and Trade and Export Growth; Associate Minister of Finance, New Zealand
Richard Trumka, President, American Federation of Labor-Congress of Industrial Organizations
(AFL-CIO); Trade Union Advisory Committee to the OECD (TUAC)
OECD, Paris, France
Photos: © Herve Cortinat/OECD
Banking Supervision in a New Economy: Digitalisation, Climate and Financial Innovation
Tuesday, 2 and Wednesday, 3 May 2023
Eurotower, Frankfurt am Main and Webex
copyright: Sanziana Perju / ECB
Digitalisation with some Photoshop rework, from my point of view the tonality is very good. To me it looks very live like.
Camera: Rolleiflex 2.8 GX
Focal length: 80mm
Film: Ilford HP5 plus
Aperture: f8
Exposure: 1/250
Filter: Heliopan Yellow 8
Rotation processing in Rodinal standard dilution.
The art of digitalisation on the walls of Cape Town's Salt River. The International Public Art Festival ( IPAF ). In its 4th year, has taken to Cape town's streets again over the weekend, brightening up the city & attracting crowds of art lovers to a neighbourhood once considered " dangerous " Artists from around the world are invited to put their individual stamp on the buildings.
30 May 2018 - OECD Forum 2018 - Session: Economic Outlook Debate: Employement, Digitalisation, Productivity
Phil O'Reilly, Chair, Business & Industry Advisory Committee (BIAC)
Dana Reizniece-Ozola, Minister of Finance, Latvia
OECD, Paris, France
Photos: © Herve Cortinat/OECD
GRAZ,AUSTRIA,26.SEP.21- EUROSKILLS, Closing VIP Reception.
From left to right: Harald Mahrer, President Austrian Federal Economic Chamber; Josef Herk, President of the Styrian Chamber of Economics and Chairman of the Board (EuroSkills 2020 GmbH); Margarete Schramböck, Federal Minister for Economy and Digitalisation; Sergey Kravtsov, Russian Minister of Education.
Anamica Broetz - Head of Investor Relations, DWS Private Equity
Hemal Mehta - Founder & CEO, AtomInvest
Carly Howard - Head of fund operations, Asgard.vc
Amit Lalwani - SVP, Global Business Development, DealCloud, an Intapp Company
DLD Munich 18
DLD (Digital, Life, Design), Hubert Burda Media's major European innovation conference, will once again bring together visionaries, digital entrepreneurs and masterminds at the Alte Bayerische Staatsbank (formerly HVB Forum) in Munich from 20th to 22nd January 2018. Under this year's motto "Reconquer!", the successful format will open its doors to around 150 international speakers and 1000 participants for the 14th time.
Reconquer!
Society and the economy are under constant pressure to change due to the technological transformation and the progressing digitalisation. As a result of the rapid development, legal framework conditions have become obsolete, values such as trust are undermined and public and private sphere must be redefined.
Banking Supervision in a New Economy: Digitalisation, Climate and Financial Innovation
Tuesday, 2 and Wednesday, 3 May 2023
Eurotower, Frankfurt am Main and Webex
copyright: Angela Morant/ECB
Banking Supervision in a New Economy: Digitalisation, Climate and Financial Innovation
Tuesday, 2 and Wednesday, 3 May 2023
Eurotower, Frankfurt am Main and Webex
copyright: Angela Morant/ECB
One Day National Conference at St. Claret College on "Thinking Local, Going Global: Entrepreneurship and Digitalisation"
DLD16 Chairmen's Dinner, DLD16 Campus, DLD16Party
From 17 – 19 January 2016, Hubert Burda Media welcomes around 1,000 international guests to Munich’s HVB Forum for the twelfth DLD (Digital, Life, Design) innovation conference. Entitled “The Next Next”, the conference sees over 150 international speakers open up new perspectives and shed light on the key trends being driven by technical and scientific innovations. As Europe’s most important innovation conference, DLD shows how business, politics and society can benefit from digitalisation and keep pace with changes.
© DLD
Free Press Image (Verwendung ist nur im Rahmen der redaktionellen Berichterstattung unter Nennung der angegebenen Copyrights gestattet)
From 17 – 19 January 2016, Hubert Burda Media welcomes around 1,000 international guests to Munich’s HVB Forum for the twelfth DLD (Digital, Life, Design) innovation conference. Entitled “The Next Next”, the conference sees over 150 international speakers open up new perspectives and shed light on the key trends being driven by technical and scientific innovations. As Europe’s most important innovation conference, DLD shows how business, politics and society can benefit from digitalisation and keep pace with changes.
Chronic under-investment in the water sector, climate impacts and changing populations. All common challenges across EBRD’s regions of operations, but even more so in the SEMED region where acute water scarcity magnifies the need for a sustainable approach to water management. The private sector plays its part in building seawater desalination plants, but these need renewable energy solutions and environmentally sensitive designs to ensure they do no additional harm. An integrated approach also requires attention on reducing water losses from ageing infrastructure and reusing water that is, otherwise, wasted to better safeguard existing water resources. The entire water cycle should be re-examined, including wastewater treatment and its by-products, to promote a more circular economy. Digitalisation and innovation must also feature in future water systems to deliver greater system reliability.
This session combined local and international speakers from the public and private sectors that provided insights into the challenges and potential solutions to address this critical issue of water scarcity.
Featuring:
Suntharesan Padmanathan
Chief Executive Officer & Vice-Chairman
ACWA Power
Nandita Parshad
Managing Director, Sustainable Infrastructure Group
EBRD
Walid Madwar
General Manager, Vice President
Metito
On Monday 4th July 2022, we held an MSc Graduation Ceremony at the beautiful Maison de l'Amérique Latine in Paris, France for our MSc in Energy Management Class of 2022 and MSc in Digital Transformation Management & Leadership Class of 2022 and Class of 2021 students.
We extend our warm congratulations to all graduates and wish you all a tremendous success in your future endeavours!
What are the CO2 emissions of a Google search? In response to this popular question a researcher at the Oeko-Institut set out to calculate how digitalisation affects the climate – or at least illustrate the scale of the issue. The problem is that some of the figures are fraught with uncertainty – partly because they are changing rapidly as a result of technological progress and changing consumer habits and because they depend heavily on structural conditions (such as how the electricity is generated). Nevertheless, the researcher used some number games and “rule of three” calculations to demonstrate the scale of the problem. The figures were generously rounded to avoid pretending to a degree of accuracy that unfortunately does not exist.
To give a general idea: through energy use, transport and consumption, someone living in Germany generates around 12 tonnes of CO2-equivalent emissions (CO2e) per year. A climate-friendly level would be two tonnes for every person on Earth.
Link to a detailed blog post with all the facts: blog.oeko.de/digitaler-co2-fussabdruck/#english