View allAll Photos Tagged Difficulty

As I had difficulty finding a location with an unobstructed view I missed the arrival of the winner at the finish line by about ten minutes. In case you don't know here are the results:

 

Geoffrey Ndungu won the Dublin City Marathon for the second year running in a time of 2 hours 11 minutes and 9 seconds. The time was outside last year's course record time of 2:08.33.

 

Paul Pollock from Belfast was the first Irish man home in ninth place in 2:16.30, ahead of Sean Hehir who finished in 2:17.50.

 

Magdalene Mukunzi was the first woman home in a time of 2:30.46 which was outside the course record of 2:26.13. Maria McCambridge was the first Irish woman through the finishing line in 2:35.28.

 

Luke Jones from Wales won the wheelchair section.

A total of 14,300 people registered for this year's race which was without a major sponsor for the first time in 20 years.

 

MORE PHOTOGRAPHS ...

As I had difficulty finding a location with an unobstructed view I missed the arrival of the winner at the finish line by about ten minutes. In case you don't know here are the results:

 

Geoffrey Ndungu won the Dublin City Marathon for the second year running in a time of 2 hours 11 minutes and 9 seconds. The time was outside last year's course record time of 2:08.33.

 

Paul Pollock from Belfast was the first Irish man home in ninth place in 2:16.30, ahead of Sean Hehir who finished in 2:17.50.

 

Magdalene Mukunzi was the first woman home in a time of 2:30.46 which was outside the course record of 2:26.13. Maria McCambridge was the first Irish woman through the finishing line in 2:35.28.

 

Luke Jones from Wales won the wheelchair section.

A total of 14,300 people registered for this year's race which was without a major sponsor for the first time in 20 years.

 

MORE PHOTOGRAPHS ...

As I had difficulty finding a location with an unobstructed view I missed the arrival of the winner at the finish line by about ten minutes. In case you don't know here are the results:

 

Geoffrey Ndungu won the Dublin City Marathon for the second year running in a time of 2 hours 11 minutes and 9 seconds. The time was outside last year's course record time of 2:08.33.

 

Paul Pollock from Belfast was the first Irish man home in ninth place in 2:16.30, ahead of Sean Hehir who finished in 2:17.50.

 

Magdalene Mukunzi was the first woman home in a time of 2:30.46 which was outside the course record of 2:26.13. Maria McCambridge was the first Irish woman through the finishing line in 2:35.28.

 

Luke Jones from Wales won the wheelchair section.

A total of 14,300 people registered for this year's race which was without a major sponsor for the first time in 20 years.

 

MORE PHOTOGRAPHS ...

As I had difficulty finding a location with an unobstructed view I missed the arrival of the winner at the finish line by about ten minutes. In case you don't know here are the results:

 

Geoffrey Ndungu won the Dublin City Marathon for the second year running in a time of 2 hours 11 minutes and 9 seconds. The time was outside last year's course record time of 2:08.33.

 

Paul Pollock from Belfast was the first Irish man home in ninth place in 2:16.30, ahead of Sean Hehir who finished in 2:17.50.

 

Magdalene Mukunzi was the first woman home in a time of 2:30.46 which was outside the course record of 2:26.13. Maria McCambridge was the first Irish woman through the finishing line in 2:35.28.

 

Luke Jones from Wales won the wheelchair section.

A total of 14,300 people registered for this year's race which was without a major sponsor for the first time in 20 years.

 

MORE PHOTOGRAPHS ...

Taken with difficulty because of the very strong wind and rain on the old Broadford-Portree road. Despite the inclemency, the scene was spectacular. These isolated houses, 'out in the wilds', seemed to crop up quite often. I'm sure artists and photographers have been 'capturing' them for years.

 

This scene and the view of the Cúillins from the pier at Elgol, were my favourites.

 

(Incorrect spelling for 'Loch' on my picture!).

 

.............................................................................................................................................................

 

N.B. All my Scotland 2010 images are preceded by '(S)'.

Human language is like a cracked kettle on which we beat out tunes for bears to dance to, when all the time we are longing to move the stars to pity. -- Gustave Flaubert, Madame Bovary

 

I love to write, but writing has always been hard for me., and I made this drawing years ago to vent my frustration. I used to think my difficulty arose because I learned English as a second language as a child, and that some deep inner key to the language remained forever hidden. But that was a copout. Writing is difficult for everyone. What was it that Red Smith once said? "Writing is easy -- all you have to do is just open your veins and bleed."

 

Flaubert's famous quote focuses less on the agony of the individual writer than on the total inadequacy of something as insubstantial as words to express human experience. What's really remarkable is that, despite all the limitations of written and spoken words, we try to communicate with them at all.

 

Fortunately, verbal language is not the only way to communicate. We have eyes to see, and fingers to point, and humans were saying "Hey! Look at this!" long before the words existed. That's part of what the prehistoric cave paintings were all about, and the impulse has never gone away. The only difference is that today we point with cameras.

 

That's why I like photography. Sometimes pointing is the only way to say what I want to say.

Focus on Eldercare's response to COVID-19

 

At the purpose when the noxious impacts of COVID-19 showed first in Wuhan, the entire city and therefore the entire of Hubei Province ground to a halt. The lockdown of Wuhan brought remarkable torment and threatening difficulties for several individual occupants therein first focus. Presently, COVID-19 represents those equivalent difficulties for individuals and social welfare frameworks all-inclusive. Especially, it tests our aggregate endeavors to believe one another, particularly the foremost defenseless among us.

 

As a populace, individuals quite 70 will generally have more fragile insusceptible frameworks and progressively fundamental conditions that obstruct their capacity to battle the infection. They're likewise sure to dwell on bunch day to day environments, nearby people. Floods of COVID-19 passings in nursing homes — first within the Seattle territory, at that time on the brink of Sacramento and now during the country — have underscored this inauspicious reality. Up until now, Californians quite 65 have made up, at any rate, a fourth of the state's affirmed instances of COVID-19.

 

Be that because it may, guidelines, especially for helping living offices, are unsafely failing to satisfy the expectations in protecting California's older folks from this infection. Luck, Gov. Gavin Newsom's plan on Aging activity, as of now ongoing, presents an opportunity to forcefully address this peril and find how to secure an enormous number of more seasoned Americans.

 

Helped living focuses are an aid to the Eldercare business and therefore the enormous corporate proprietors that currently command the market. Simultaneously, in any case, an absence of guideline and oversight of staffing levels and capabilities — particularly prerequisites for on-location doctors and much prepared clinical experts — has left the business defenseless against misuse and unfortunate results. One glaring issue that has got to be tended to: helped living focuses are directed by the state Department of Social Services rather than the Department of Public Health.

 

In any case, it helped to measure maybe a piece of social welfare and clinical consideration conveyance framework, not only a direction for living. Propelled a year ago, Newsom's plan on Aging has framed a warning advisory group, is holding open gatherings and within the fall is planned to offer a 10-year plan which will address issues from lodging and vagrancy to crisis readiness to manhandle and disrespect. The venture has made a "Value Committee" to urge a contribution from a progressively differing gathering of residents and associations, including agents of the crippled network, Native Americans and other ethnic minorities.

 

Considering the spreading coronavirus general wellbeing emerging, it's basic that the representative's plan on Aging takes on an expansive and genuine open arrangement job. We weren't bothered with elevated level clichés for tending to the wants of the old. We'd like solid arrangements, solid guidelines with implementation teeth and a guarantee to continued oversight.

 

The Age of COVID-19

 

Older people who get themselves out of the blue alone without authority over their conditions are at specific hazards for an assortment of serious, even hazardous, physical and psychological well-being conditions, including a subjective decrease. Limitations on the opportunity of development ought to be proportionate and not founded solely on age.

 

COVID-19, as different irresistible melodies, represents a higher hazard to populaces that live in nearness. This hazard is especially intense in nursing or matured consideration offices, where the infection can spread quickly and has just brought about numerous passings. About 1.5 million older people individuals live in the nursing homes in the US, barring helped living offices and different settings making nearness.

 

Twenty-three individuals kicked the bucket in a flare-up at an office in Washington State in February and March, and the US Centers for Disease Control detailed 400 additional cases in offices as of April 1. On March 31, wellbeing experts in the Grand East district of France detailed 570 passings of older people in nursing homes.

 

Older people often end up in nursing homes due to governments' inability to offer adequate social types of assistance for individuals to live freely in the network, approaches that have put millions at included danger of getting the infection as a result of their organization. Governments ought to guarantee the progression of network-based administrations with the goal that individuals don't wind up in organizations without different alternatives.

 

Expound now on the roles played via care laborers in continuing the lives of the old during that emergency, and who, however dreadful themselves, by and by remain day in and outing inside the bounds of their wards to offer fundamental consideration.

 

Care supervisor Chang, the woman in charge of the consideration laborers among whom I led my hands-on work, coordinated the change of her ward into a self-sufficient fixed of a unit of care. The passage to her floor is carefully monitored; just fundamental conveyances are permitted, for instance, nourishment and clothing. Since nobody can enter or leave the structure, the flask for the older was transformed into a dozing region for care laborers. Despite the very fact that a lot of consideration laborers have their circle of relatives to require care of, they put that piece of their life under the control of others. Care specialist Lin, whose spouse died at the start of the pandemic, did not have the chance to completely grieve his passing due to incessant understaffing at Sunlight. She came back to figure following the burial service, despite realizing that she not, at now expected to figure at Sunlight to hide her significant other's clinical costs. Lin's arrival says much regarding her promise to her calling, to her colleagues, and to the old she had come to understand so well. My examination with care laborers recommends that it's an enthusiastic association and an awareness of other's expectations that propels them to remain the end of the day in care work. This is often borne out immediately.

 

Carefully add China is often seen as being grimy and unfortunate, thanks to an excellent extension to its nearby hook up with the realistic consideration required by slight, skilled bodies. Chinese consideration laborers are for the foremost part provincial to urban transients or urban specialists laid far away from previous state-claimed processing plants. In any case, direct consideration is intricate. In any case, its unpredictability goes unrecognized, or maybe disregarded by institutional powers that organize benefits and generalize the old as bodies to chip away at, to the disregard of their social-passionate necessities. As is valid with Sunlight, things which might typically undermine the keenness of care laborers, for instance, the absence of institutional acknowledgment for his or her enthusiastic work, are required to be postponed. Care specialists are currently centered around a shared objective: ensuring the gift assistance of the older. COVID-19 propels care laborers to consider what kind of care is required and the way to offer that care. It fills in as a channel through which the elemental beliefs of care are observed. Care is about common human weakness and our intrinsic association. Care laborers at Sunlight, in their aggregate every minute of everyday endeavors to secure the older, typify this ethic through their consideration. May the respectful regard, they hold of the older in their consideration redound on them and everyone consideration laborers overall who are fighting this pandemic on the bleeding edge!

 

Like the consideration laborers at Sunlight, the laborers in numerous nations are regarded human life so that we cannot be embarrassed to return clean with the leading edge about ourselves. Salute the spearheading staff who salutes our purposeful endeavors to handle the pandemic in numerous settings around the globe, within the daylight, yet additionally to ensure that veterans are appropriately treated, took care of and washed.

 

We all hope and pray that the coronavirus will soon be controlled and subdued. And that when the crisis is behind us, that we continue the important work of protecting the elderly and other vulnerable segments of our citizenry.

 

DONATE paypal.me/pools/c/8obn2hcLVG

 

How Can I Contribute in Times of COVID-19?

 

Write your testimony about the concequences from the time of Corona virus (COVID-19). Here is a great knowledge base about the effects of the Corona virus. Thank you for your story! article-directory.org/article/717/40/Emergency-Situations...

As I had difficulty finding a location with an unobstructed view I missed the arrival of the winner at the finish line by about ten minutes. In case you don't know here are the results:

 

Geoffrey Ndungu won the Dublin City Marathon for the second year running in a time of 2 hours 11 minutes and 9 seconds. The time was outside last year's course record time of 2:08.33.

 

Paul Pollock from Belfast was the first Irish man home in ninth place in 2:16.30, ahead of Sean Hehir who finished in 2:17.50.

 

Magdalene Mukunzi was the first woman home in a time of 2:30.46 which was outside the course record of 2:26.13. Maria McCambridge was the first Irish woman through the finishing line in 2:35.28.

 

Luke Jones from Wales won the wheelchair section.

A total of 14,300 people registered for this year's race which was without a major sponsor for the first time in 20 years.

 

MORE PHOTOGRAPHS ...

If you have difficulty pronouncing the name just remember that Howth rhymes with both.

 

If you like eating out and if you like seafood then Howth is the place to go. Personally I would recommend Aqua. If you are not interested in the many restaurants and pubs the place still has a lot to offer as it is a popular area for birdwatching and sailing. It is also popular with anglers. Howth is also a popular destination for cyclists and hillwalkers, particularly on weekends.

 

There are plenty of sea mammals, such as seals in the harbour.

 

I must admit that I was a bit surprised so see a notice which read as follows: "A person shall not feed a seal from the quayside or from any other place in this port. A person who contravenes this Bye-Law is guilty of an offence and is liable on summary conviction to a fine nor exceeding Euro 5,000". Today there were many people feeding the seals and I checked a number of tourist guides (in Easons) and many of them suggest "feeding the seals" in Howth as a recommended activity.

 

The most famous visitor to Howth may have been King George IV of England, who visited Ireland in 1821 and is chiefly remembered because he staggered off the boat in a highly inebriated state. He did manage to leave his footprints at the point where he stepped ashore on the West Pier.

Rhonda Lee Nash (10) The Big Lunch NI 2012, Be Safe Be Well

www.thebiglunchers.com/index.php/2012/09/a-be-safe-be-wel...

Catherine Walsh, project manager at Be Safe Be Well Foreglen Community Centre, Limavady Borough, Northern Ireland tells us about their first ever Big Lunch on Saturday 11th of August 2012.

   

“Be Safe Be Well is made up of a range of community, voluntary and statutory organisations and provides services for older and younger ages, people with physical disabilities, learning difficulties and mild mental health issues across the Limavady Borough area. The Partnership seeks to make the area a safer, healthier place for citizens over the next five years.

 

The Big Lunch was held in our recently completed community gardens at the centre. The garden creates a space for everyone in the area to relax, grow vegetables, flowers and herbs and was the perfect place for our community event! Holding a Big Lunch welcomed more people to the garden as well as helping to promote Be Safe Be Well messages to do with community, inclusiveness and healthy living.

   

Ten older peoples groups across Limavady Borough and a group from Conservation Volunteers NI were invited to come together on the day. It was a great mix of people, from 0-99 years old, with everyone bringing something with them- a brightly coloured table cloth, some bunting, a pot of jam or their favourite dessert.

 

The salad vegetables were grown in Be Safe BeWell’s own polytunnel by a group of 15 members of the deaf community - Action on Hearing Loss and Hands That Talk; two Big Lottery Funded groups who recently completed an NVQlevel 1 in Horticulture here and who helped prepare the food.

   

Everyone sat down together for lunch at 12:30 with music, dancing, zumba, crafts, archery and many other activites on offer afterwards throughout the afternoon too.

 

And, even better, it was so enjoyable people want to do it again next year!”

 

Learn from Be Safe Be Well on facebook

 

There seems to be some difficulty in differentiating this from the furnace at Arden. The Arden furnace, or Clove furnace, can be seen on the east side of the Thruway (I-87), two overpasses north of the Sloatsburg/Ramapo rest areas.

 

This is not that.

 

This is Southfields Furnace, or Southfield Furnace, or Southfield Iron Works, or Southfield Ironworks. But it is not Arden or Clove. It is on the north side of Orange Turnpike, just west of Route 17. Google Maps: Park at A and walk to B.

 

I'm glad I came here before the leaves popped out. It looks like it would be completely obscured.

 

The furnace was in operation from 1804 to 1887.

 

1868 map & 1887 photo of Southfield Iron Works

Southfield Ironworks timeline

Fascinating Times article from 1865 about mining in the area

This is a route that goes all around the perimeter of the municipal area of L´Escala, with the exception of Cinclaus, going along the coastal strip and returning inland.

Technical Specifications

 

- Departure point: Cala Montgó

- Type of route: Round

- Distance: 18 km

- Time: 6 hours

- Difficulty: High (because of the distance involved)

 

To follow the route:

The route starts at Cala Montgó and from the beach itself you head towards L'Escala, along Carrer Trenca Braços, on the right, coinciding with the GR-92. Once at the top, in front of Illa Mateua Beach, in Carrer Punta Montgó, turn left to follow the sea, following the GR-92 markers. Go past the Punta dels Cinc Sous, Cala del Salpatx and Les Penyes until you get to Port de la Clota.

Then cross over the port by Carrer Romeu de Corbera, until you come to Riells Beach. At the beach, walk along Passeig del Petit Príncep until you get to Passeig del Mar, which takes you, following the coast, to the old centre of L'Escala. Carry along Passeig Lluís Albert and Port d'en Perris to La Platja. From La Platja (the main town beach) take Carrer Cargol and then Ronda Mar d'en Manassa, on your left, following the coastline. Go past La Creu small bay where you will see the fishermen's huts. This coastal path takes you to the place known as L’Oberta, from where you can see the beaches of Empúries. Walk along the Ronda del Pedró for about 200 metres and when you get to the Lampadòfor (the lamp bearer, the sculpture built to commemorate the arrival of the Olympic flame) turn right to take the Empúries Promenade.

The Empúries Promenade is two and a half kilometres long and runs parallel to the beaches of Empúries. It takes you past the Platja del Rec, Platja del Portitxol, Platja de les Muscleres and Platja del Moll Grec beaches, and you come to Sant Martí d'Empúries, which is the end of the route.

Go past the village of Sant Martí d'Empúries, heading south, taking the main road that leaves the village. From the same road, take the left at the first path you come to, and continue along this path towards Mas Sastruc. At the crossroads with Mas Sastruc, carry straight on and cross over the main road at its narrowest part. On the other side of the road, near the Tourist Information Office, take a path there is on the left that will take you to Les Corts farmhouses, signposted as "Camí de les Corts a Empúries", go between the farmhouses and turn left towards El Molí de L'Escala restaurant, until you come to Camp dels Pilans, in Carrer Muntanya Rodona. This will take you to a path that heads south, right at the edge of the houses. You will find a signpost that labels the path "Via Heraklea" and from here on, follow the livestock path which winds between the pine trees. You will come to the large pine tree known as Pi Gros, carry on towards the south until you reach the road to Bellcaire. Cross over this road and go into the car park of Els Recs farmhouses, from here go to the football pitch and take the path behind it heading south, until you get to Cortal Nou. From Cortal Nou, take the "Termes" Path heading east, go through the old sand quarry, following the green and white markers, cross over Carrer Punta Milà and following the perimeter of the campsites, you will get to the end of the route, Cala Montgó.

 

Others values:

The value of this route lies in the combination and variety of spaces and landscapes; on the one hand the route takes you along the coast, going past a large number of beaches and small bays and panoramic viewpoints. On the other hand, it takes you past farmhouses and along rural paths with great landscape and botanical interest.

French postcard by Editions F. Nugeron in the Signes du zodiaque series, no. 10 - Gemeaux (Gemini). Clint Eastwood in Pale Rider (Clint Eastwood, 1985).

 

American film actor and director Clint Eastwood (1930) rose to fame as the Man with No Name in Sergio Leone's classic Spaghetti Westerns Per un pugno di dollari/A Fistful of Dollars (1964), Per qualche dollaro in più/For a Few Dollars More (1965), and Il buono, il brutto, il cattivo/The Good, the Bad and the Ugly (1966). Later in the US, he played hard-edge police inspector Harry Callahan in the five Dirty Harry films, which elevated him to superstar status. Eastwood also directed and produced such award-winning masterpieces as Unforgiven (1992), Mystic River (2003) and Million Dollar Baby (2004).

 

Clinton ‘Clint’ Eastwood, Jr. was born in San Francisco, California in 1930. His parents were Clinton Eastwood, Sr., a steelworker and migrant worker, and Margaret Ruth (Runner) Eastwood, a factory worker. Clint has a younger sister, Jeanne. Because of his father's difficulty in finding steady work during the depression, Eastwood moved with his family from one Northern California town to another, attending some eight elementary schools in the process. Later he had odd jobs as a firefighter and lumberjack in Oregon, as well as a steelworker in Seattle. In 1951, Eastwood was drafted into the US Army, where he was a swimming instructor during the Korean War. He briefly attended Los Angeles City College but dropped out to pursue acting. Eastwood married Maggie Johnson in 1953, six months after they met on a blind date. However, their matrimony would not prove altogether smooth, with Eastwood believing that he had married too early. In 1954, the good-looking Eastwood with his towering height and slender frame got a contract at Universal. At first, he was criticized for his stiff manner, his squint, and hissing his lines through his teeth. His first acting role was an uncredited bit part as a laboratory assistant in the Sci-Fi horror film Revenge of the Creature (Jack Arnold, 1955). Over the next three years, he more bit parts in such films as Lady Godiva of Coventry (Arthur Lubin, 1955), Tarantula (Jack Arnold, 1955), and the war drama Away All Boats (Joseph Pevney, 1956) with George Nader and Lex Barker. His first bigger roles were in the B-Western Ambush at Cimarron Pass (Jodie Copelan, 1958), and the war film Lafayette Escadrille (William A. Wellman, 1958), starring Tab Hunter and Etchika Choureau. In 1959, he became a TV star as Rowdy Yates in the Western series Rawhide (1959–1966). Although Rawhide never won an Emmy, it was a rating success for several years. During a trial separation from Maggie Johnson, an affair with dancer Roxanne Tunis produced Eastwood’s first child, Kimber Tunis (1964). An intensely private person, Clint Eastwood was rarely featured in the tabloid press. However, he had more affairs, e.g. with actresses Catherine Deneuve, Inger Stevens and Jean Seberg. After a reconciliation, he had two children with Johnson: Kyle Eastwood (1968) and Alison Eastwood (1972), though he was not present at either birth. Johnson filed for legal separation in 1978, but the pair divorced in 1984.

 

In late 1963, Clint Eastwood's Rawhide co-star Eric Fleming rejected an offer to star in an Italian-made Western. Eastwood, who in turn saw the film as an opportunity to escape from his Rawhide image, signed the contract. The Western was called Per un pugno di dollari/A Fistful of Dollars (1964), to be directed in a remote region of Spain by the then relatively unknown Sergio Leone. A Fistful of Dollars, with Gian Maria Volonté and Marianne Koch, was a remake of Akira Kurosawa's Yojimbo (1961). Eastwood played a cynical gunfighter who comes to a small border town, torn apart by two feuding families. Hiring himself as a mercenary, the lone drifter plays one side against the other until nothing remains of either side. Eastwood developed a minimalist acting style creating the character's distinctive visual style. Although a non-smoker, Leone insisted Eastwood smoke cigars as an essential ingredient of the ‘mask’ he attempted to create for the loner character. Per un pugno di dollari/A Fistful of Dollars (Sergio Leone, 1964) was the first instalment of the Dollars trilogy. Later, United Artists, who distributed it in the US, coined another term: the Man With No Name trilogy. ‘The second part was Per qualche dollaro in più/For a Few Dollars More (Sergio Leone, 1965), a richer, more mythologized film that focused on two ruthless bounty hunters (Eastwood and Lee Van Cleef) who form a tenuous partnership to hunt down a wanted bandit (Gian Maria Volontè). Both films were a huge success in Italy. They both contain all of Leone's eventual trademarks: taciturn characters, precise framing, extreme close-ups, and the haunting music of Ennio Morricone. Eastwood also appeared in a segment of Dino De Laurentiis’ five-part anthology production Le Streghe/The Witches (Vittorio De Sica a.o., 1967). But his performance opposite De Laurentiis' wife Silvana Mangano did not please the critics. Eastwood then played in the third and best Dollars film, Il buono, il brutto, il cattivo/The Good, the Bad and the Ugly (Sergio Leone, 1966). Again he played the mysterious Man with No Name, wearing the same trademark poncho (reportedly without ever having washed it). Lee Van Cleef returned as a ruthless fortune seeker, with Eli Wallach portraying the cunning Mexican bandit Tuco Ramirez. Yuri German at AllMovie: “Immensely entertaining and beautifully shot in Techniscope by Tonino Delli Colli, the movie is a virtually definitive 'spaghetti western,' rivalled only by Leone's own Once Upon a Time in the West (1968).” The Dollars trilogy was not released in the United States until 1967, when A Fistful of Dollars opened in January, followed by For a Few Dollars More in May, and The Good, the Bad and the Ugly in December. Eastwood redubbed his dialogue for the American releases. All the films were commercially successful, particularly The Good, the Bad and the Ugly which turned Eastwood into a major film star. All three films received bad reviews and began a battle for Eastwood to win American film critics' respect. According to IMDb, Sergio Leone asked Eastwood, Wallach, and Van Cleef to appear again in C'era una volta il West/Once Upon A Time in the West (Sergio Leone, 1968), but declined when they heard that their characters were going to be killed off in the first five minutes.

 

Stardom brought more roles for Clint Eastwood. He signed to star in the American revisionist western Hang 'Em High (Ted Post, 1968), playing a man who takes up a Marshal's badge and seeks revenge as a lawman after being lynched by vigilantes and left for dead. Using money earned from the Dollars trilogy, accountant and Eastwood advisor Irving Leonard helped establish Eastwood's production company, Malpaso Productions, named after Malpaso Creek on Eastwood's property in Monterey County, California. Leonard arranged for Hang 'Em High to be a joint production with United Artists. Critics praised Hang 'Em High. In July 1968, it had an unprecedented opening weekend in United Artists' history. His following film was Coogan's Bluff (Don Siegel, 1968), about an Arizona deputy sheriff tracking a wanted psychopathic criminal (Don Stroud) through the streets of New York City. Don Siegel was a Universal contract director who later became Eastwood's close friend, forming a partnership that would last more than ten years and produce five films. Coogan’s Bluff was controversial for its portrayal of violence. Eastwood created the prototype for the macho cop of the Dirty Harry film series. Coogan's Bluff also became the first collaboration with Argentine composer Lalo Schifrin, who would later compose the jazzy score to several Eastwood films in the 1970s and 1980s, including the Dirty Harry films. Eastwood played the right-hand man of squad commander Richard Burton in the war epic Where Eagles Dare (Brian G. Hutton, 1968), about a World War II squad parachuting into a Gestapo stronghold in the alpine mountains. Eastwood then branched out to star in the only musical of his career, Paint Your Wagon (Joshua Logan, 1969). Then, Eastwood starred in the Western Two Mules for Sister Sara (Don Sigel, 1970), with Shirley MacLaine, and as one of a group of Americans who steal a fortune in gold from the Nazis, in the World War II film Kelly's Heroes (Brian G. Hutton, 1970)). Kelly's Heroes was Eastwood's last film, not produced by his own Malpaso Productions.

 

Clint Eastwood’s next film, The Beguiled (Don Siegel, 1970), was a tale of a wounded Union soldier, held captive by the sexually repressed matron of a southern girl's school. Upon release, the film received major recognition in France. In the US it was a box office flop. Eastwood's career reached a turning point with Dirty Harry (Don Siegel, 1971), The film centres around a hard-edged San Francisco police inspector named Harry Callahan who is determined to stop a psychotic killer by any means. Dirty Harry achieved huge success after its release in December 1971. It was Siegel's highest-grossing film and the start of a series featuring the character Harry Callahan. He next starred in the loner Western Joe Kidd (John Sturges, 1972). In 1973, Eastwood directed his first Western, High Plains Drifter, and starred alongside Verna Bloom. The revisionist film received a mixed reception but was a major box office success. Eastwood next turned his attention towards Breezy (Clint Eastwood, 1973), a film about love blossoming between a middle-aged man and a teenage girl. During casting, Eastwood met actress Sondra Locke, who would become an important figure in his life. He reprised his role as Detective Harry Callahan in Magnum Force (Ted Post, 1973). This sequel to Dirty Harry was about a group of rogue young officers (including David Soul and Robert Urich) in the San Francisco Police Force who systematically exterminate the city's worst criminals. Eastwood teamed up with Jeff Bridges in the buddy action caper Thunderbolt and Lightfoot (Michael Cimino, 1974). Eastwood's acting was noted by critics but was overshadowed by Bridges who was nominated for an Academy Award for Best Supporting Actor. His next film The Eiger Sanction (Clint Eastwood, 1975), based on Trevanian's spy novel, was a commercial and critical failure. His next film The Outlaw Josey Wales (Clint Eastwood, 1976) was widely acclaimed, with many critics and viewers seeing Eastwood's role as an iconic one that related to America's ancestral past and the destiny of the nation after the American Civil War. The third Dirty Harry film, The Enforcer (James Fargo, 1976) had Harry partnered with a new female officer (Tyne Daly) to face a San Francisco Bay terrorist organization. The film, culminating in a shootout on Alcatraz island, was a major commercial success grossing $100 million worldwide. In 1977, he directed and starred in The Gauntlet opposite Sondra Locke. Eastwood portrays a down-and-out cop who falls in love with a prostitute he is assigned to escort from Las Vegas to Phoenix, to testify against the mafia. In 1978 Eastwood starred with Locke and an orang-utan called Clyde in Every Which Way but Loose. Panned by critics, the film proved a surprise success and became the second-highest-grossing film in 1978. Eastwood then starred in the thriller Escape from Alcatraz (1979), the last of his films to be directed by Don Siegel. The film was a major success and began a critically acclaimed period for Eastwood. Eastwood's relationship with Sondra Locke had begun in 1975 during the production of The Outlaw Josey Wales. They lived together for almost fourteen years, during which Locke remained married (in name only) to her gay husband, Gordon Anderson. Eastwood befriended Locke's husband and purchased a house in Crescent Heights for Anderson and his male lover.

 

In 1980, Clint Eastwood’s nonstop success was broken by Bronco Billy, which he directed and in which he played the lead role. Critics liked the film, but it was a rare commercial disappointment in Eastwood's career. Later that year, he starred in Any Which Way You Can (Buddy Van Horn, 1980), which ranked among the top five highest-grossing films of the year. In 1982, Eastwood directed and starred in Honkytonk Man, as a struggling Western singer who, accompanied by his young nephew (played by real-life son Kyle) goes to Nashville, Tennessee. The same year, Eastwood directed, produced, and starred in the Cold War-themed Firefox alongside Freddie Jones. Then, Eastwood directed and starred in the fourth Dirty Harry film, Sudden Impact (1983), the darkest and most violent of the series. ‘Go ahead, make my day’, uttered by Eastwood in the film, became one of cinema's immortal lines. Sudden Impact was the last film in which he starred with Locke. The film was the most commercially successful of the Dirty Harry films, earning $70 million and receiving very positive reviews. In the provocative thriller Tightrope (Richard Tuggle, 1984), Eastwood starred opposite Geneviève Bujold. His real-life daughter Alison, then eleven, also appeared in the film. It was another critical and commercial hit. Eastwood next starred in the period comedy City Heat (Richard Benjamin, 1984) alongside Burt Reynolds. Eastwood revisited the Western genre when he directed and starred in Pale Rider (Clint Eastwood, 1985), based on the classic Western Shane (George Stevens, 1953). It became one of Eastwood's most successful films to date and was hailed as one of the best films of 1985 and the best Western to appear for a considerable period. He co-starred with Marsha Mason in the military drama Heartbreak Ridge (Clint Eastwood, 1986), about the 1983 United States invasion of Grenada. Then followed the fifth and final film in the Dirty Harry series The Dead Pool (Buddy Van Horn, 1988), with Patricia Clarkson, Liam Neeson, and a young Jim Carrey. It is generally viewed as the weakest film of the series. Eastwood began working on smaller, more personal projects and experienced a lull in his career between 1988 and 1992. Always interested in jazz, he directed Bird (Clint Eastwood, 1988), a biopic starring Forest Whitaker as jazz musician Charlie ‘Bird’ Parker. Eastman himself is a prolific jazz pianist who occasionally shows up to play the piano at his Carmel, CA restaurant, The Hog's Breath Inn. He received two Golden Globes for Bird, but the film was a commercial failure. Jim Carrey would again appear with Eastwood in the poorly received comedy Pink Cadillac (Buddy Van Horn, 1989) alongside Bernadette Peters. In 1989, while his partner Sondra Locke was away directing the film Impulse (1990), Eastwood had the locks changed on their Bel-Air home and ordered her possessions to be boxed and put in storage. During the last three years of his cohabitation with Locke, Eastwood fathered two children in secrecy with flight attendant Jacelyn Reeves, Scott Reeves (1986), and Kathryn Reeves (1988). Eastwood finally presented both children to the public in 2002.

 

In 1990, Clint Eastwood began living with actress Frances Fisher, whom he had met on the set of Pink Cadillac in 1988. They had a daughter, Francesca Fisher-Eastwood (1993). Eastwood and Fisher ended their relationship in early 1995. Eastwood directed and starred in White Hunter Black Heart (1990), an adaptation of Peter Viertel's Roman à Clef, about John Huston and the making of the classic film The African Queen (1951). Later he directed and co-starred with Charlie Sheen in The Rookie (1990), a buddy cop action film. Eastwood revisited the Western genre in the self-directed film Unforgiven (1992), in which he played an ageing ex-gunfighter long past his prime. Unforgiven was a major commercial and critical success. The film was nominated for nine Academy Awards, and won four, including Best Picture and Best Director for Eastwood. Eastwood played Frank Horrigan in the Secret Service thriller In the Line of Fire (Wolfgang Petersen, 1993) co-starring John Malkovich. The film was among the top 10 box office performers that year, earning $200 million. Later in 1993, Eastwood directed and co-starred with Kevin Costner in A Perfect World. At the 1994 Cannes Film Festival Eastwood received France's Ordre des Arts et des Lettres medal, and in 1995, he was awarded the Irving G. Thalberg Memorial Award at the 67th Academy Awards. Opposite Meryl Streep, he starred in the romantic picture The Bridges of Madison County (Clint Eastwood, 1995), another commercial and critical success. The film was nominated for a Golden Globe for Best Picture and won a César Award in France for Best Foreign Film. In early 1995, Eastwood began dating Dina Ruiz, a television news anchor 35 years his junior, whom he had first met when she interviewed him in 1993. They married in 1996. The couple has one daughter, Morgan Eastwood (1996). In 1997, Eastwood directed and starred in the political thriller Absolute Power, alongside Gene Hackman. Later in 1997, Eastwood directed Midnight in the Garden of Good and Evil, starring John Cusack, Kevin Spacey, and Jude Law. He directed and starred in True Crime (1999), as a journalist and recovering alcoholic, who has to cover the execution of murderer Frank Beechum (Isaiah Washington). In 2000, he directed and starred in Space Cowboys alongside Tommy Lee Jones as veteran ex-test pilots sent into space to repair an old Soviet satellite.

 

Clint Eastwood played an ex-FBI agent chasing a sadistic killer (Jeff Daniels) in the thriller Blood Work (2002). He directed and scored the crime drama Mystic River (2003), dealing with themes of murder, vigilantism, and sexual abuse. The film starred Sean Penn, Kevin Bacon, and Tim Robbins and won two Academy Awards – Best Actor for Penn and Best Supporting Actor for Robbins – with Eastwood garnering Best Director and Best Picture nominations. In the following year Eastwood found further critical and commercial success when he directed, produced, scored, and starred in the boxing drama Million Dollar Baby, (2004). He played a cantankerous trainer who forms a bond with a female boxer (Hilary Swank). The film won four Academy Awards for Best Picture, Best Director, Best Actress (Swank), and Best Supporting Actor (Morgan Freeman). At age 74 Eastwood became the oldest of eighteen directors to have directed two or more Best Picture winners. In 2006, he directed two films about World War II's Battle of Iwo Jima. The first, Flags of Our Fathers, focused on the men who raised the American flag on top of Mount Suribachi and featured the film debut of Eastwood's son Scott. This was followed by Letters from Iwo Jima, which dealt with the tactics of the Japanese soldiers on the island and the letters they wrote home to family members. Eastwood next directed Changeling (2008), based on a true story set in the late 1920s. Angelina Jolie stars as a woman reunited with her missing son only to realize he is an impostor. Eastwood ended a four-year self-imposed acting hiatus by appearing in Gran Torino (2008), which he also directed, produced, and partly scored with his son Kyle and Jamie Cullum. Gran Torino eventually grossed over $268 million in theatres worldwide, becoming the highest-grossing film of Eastwood's career so far. Eastwood's 30th directorial outing came with Invictus, a film based on the story of the South African team at the 1995 Rugby World Cup, with Morgan Freeman as Nelson Mandela. In 2010, Eastwood directed the drama Hereafter, with Matt Damon as a psychic, and in 2011, J. Edgar, a biopic of FBI director J. Edgar Hoover, with Leonardo DiCaprio in the title role. Eastwood starred in the baseball drama Trouble with the Curve (Robert Lorenz, 2012), as a veteran baseball scout who travels with his daughter for a final scouting trip. Director Lorenz worked with Eastwood as an assistant director on several films. Clint Eastwood is also politically active and served as the nonpartisan mayor of Carmel-by-the-Sea, California from 1986 to 1988. Shawn Dwyer at TCM: “Although a registered Republican since the early 1950s, Eastwood's politics, like the man himself, were that of a true iconoclast. Over the years he had voted for candidates from both parties and publicly denounced the wars in Vietnam and Iraq. And while he had initially wished President Barack Obama well during his first term in office, Eastwood, became a vocal booster for Republican candidate Mitt Romney in the 2012 election, dissatisfied with what he viewed as Obama's inability to govern.” But cinema is Eastwood’s major career. He has contributed to over 50 films as an actor, director, producer, and composer. According to the box office revenue tracking website, Box Office Mojo, films featuring Eastwood have grossed more than US $1.68 billion domestically, with an average of $37 million per film.

 

Sources: Shawn Dwyer (TCM), Yuri German (AllMovie), Bruce Eder (AllMovie), Wikipedia, and IMDb.

 

And, please check out our blog European Film Star Postcards.

As I had difficulty finding a location with an unobstructed view I missed the arrival of the winner at the finish line by about ten minutes. In case you don't know here are the results:

 

Geoffrey Ndungu won the Dublin City Marathon for the second year running in a time of 2 hours 11 minutes and 9 seconds. The time was outside last year's course record time of 2:08.33.

 

Paul Pollock from Belfast was the first Irish man home in ninth place in 2:16.30, ahead of Sean Hehir who finished in 2:17.50.

 

Magdalene Mukunzi was the first woman home in a time of 2:30.46 which was outside the course record of 2:26.13. Maria McCambridge was the first Irish woman through the finishing line in 2:35.28.

 

Luke Jones from Wales won the wheelchair section.

A total of 14,300 people registered for this year's race which was without a major sponsor for the first time in 20 years.

 

MORE PHOTOGRAPHS ...

As I had difficulty finding a location with an unobstructed view I missed the arrival of the winner at the finish line by about ten minutes. In case you don't know here are the results:

 

Geoffrey Ndungu won the Dublin City Marathon for the second year running in a time of 2 hours 11 minutes and 9 seconds. The time was outside last year's course record time of 2:08.33.

 

Paul Pollock from Belfast was the first Irish man home in ninth place in 2:16.30, ahead of Sean Hehir who finished in 2:17.50.

 

Magdalene Mukunzi was the first woman home in a time of 2:30.46 which was outside the course record of 2:26.13. Maria McCambridge was the first Irish woman through the finishing line in 2:35.28.

 

Luke Jones from Wales won the wheelchair section.

A total of 14,300 people registered for this year's race which was without a major sponsor for the first time in 20 years.

 

MORE PHOTOGRAPHS ...

"It's hard to wait around for something you know might never happen, but it's harder to give up when you know it's everything you want."

(Found yesterday, on Doodle Bridge)

A pessimist sees the difficulty in every opportunity; an optimist sees the opportunity in every difficulty.

 

Update September 06 2010: Today this won the photo award of the day at the norwegian national channel Tv2s weather-competition. I won the competition for the second day in a row and the fourth time in total. :)

Bako National Park, situated about 38km from Kuching on the Maura Tebas peninsular at the mouth of the Sarawak River, can be reached by car and long boat in 1 1/2 hours. The journey takes you past beautiful nipah palms, coconut plantations and mangrove swamps. A unique feature of Bako is the way nature has beautifully combined spectacular landscape of steep coastline cliffs, weather eroded rock formations and wave beaten sea stacks with abundant flora and fauna, wildlife and a thriving mangrove swamp. It is a rare place that should please even the most demanding photographer or wildlife and nature enthusiast. Bako supports several types of distinct vegetation - open shrub land and hardy flora at the plateau of the hill range changing to lush and tall rainforest trees and plants and lowland dipterocarp forest on the slopes and finally to casuarina and mangrove trees along the coast. It is also home to numerous species of birds, snakes and animals such as the proboscis monkeys, long tailed macaques, wild boars, samar deers, and monitor lizards. Sixteen well-demarcated paths within the park can be followed without difficulty or fear of getting lost. Tour to this National Park can be on a day-trip basis or overnight stay which can be arranged with accommodation at the Park's chalet or bungalow.

 

The Morning Register 7-7-1922

HUGE SAWMILL OF THE BOOTH KELLY CO. GOES UP IN SMOKE AND FLAMES

Other Units Of Plant And All Town Buildings Saved

 

The big sawmill of the Booth Kelly Lumber Co. at Wendling was totally destroyed

by fire yesterday afternoon and it was with difficulty that the planer and other units of the plant as well as the whole town were saved. Had the wind been blowing toward the planer and the town instead of the other way the loss would have been several times as great, say officials of the company. The estimated loss is between $175,000 and $200,000 and the company carried insurance equal to 90 per cent of the value of the plant.

 

A. C. Dixon, manager of the company said last night that plans are being made to

rebuild the mill as soon as the ground is cleared. He said that arrangements will soon be made to put on a third shift at the Springfield mill so that none of the 60 men employed at the Wendling plant will be idle long. None of the logging crews will be laid off, he said. Mr Dixon said that it will probably take 6 months to rebuild and it is expected to have the new plant in operation soon after the first of the year 1923.

 

The fire started between 8:30 and 9 o'clock under the main saw point. It was discovered two or three minutes after James Guard, the millwright, had been at that point on his regular rounds of inspection, and the flames spread so rapidly that almost the entire mill was enveloped before water could be obtained although the plant was excellently equipped with fire fighting apparatus and there was plenty of water. Clark Fisher, engineer first discovered the fire and it was so far advanced at that time that it was impossible to smother it.

 

The origin of the fire is unknown but it is presumed, say employee of the plant, that it started from a spark from a loose pulley, a hot box or something of that kind. It started in such a manner and such a place as that which destroyed the company's mill at Springfield about 12 years ago.

  

An indication of the rapid spread of the fire is the fact that the men had no time to remove on of the electrically driven timber cranes and it too was destroyed together with half a million or more feet of lumber on the sorting tables, and a big horizontal resaw that had not yet been erected and which stood outside the mill.

 

The six dry kilns were damaged to the extent of from one third to one half of their value. A section of dock about 100 feet square was burned.

 

The Southern Pacific Co. ran a special train from Springfield soon after the fire started, bearing the full crew of the lumber company's mill at that place together with hose and chemical carts to help combat the flames. The Eugene Fire Dept's pumping engine was sent up and assisted materially in saving the town. The Eugene firemen, as well as manager Dixon and other officials and employes of the company here made a record run to Wendling and numerous other Eugenians, hearing of the blaze, drove hurriedly to the scene to render what assistance they could. The Eugene firemen, with the big pumper, got into action immediatly after arriving at Wendling, pumping huge volumes of water from the mill pond for the protection of the planer and other units of the lumber plant and the nearby buildings of the town. A large number of lines of hose were previously laid by the mill crew and everything possible was done to stay the flames in the mill but, like the fire in the Springfield mill, it seemed to spread as if gunpowder had been sprinkled throughout the plant. The crew were all in their places when the blaze was discovered, the men having returned to work the first time since last Saturday when a few days layoff was taken for the fourth of July festivities as is the custom of the Booth

Kelly Company.

 

The planer, the machine shop, and the lumber on the docks were all saved, but had the wind been blowing the other way there would have been no hope of saving these,.said manager Dixon.

 

The Wendling mill was erected in 1900 by the Booth Kelly Co. At that time it was an entirely modern lumber plant and it has remained so to a certain extent by the addition of the latest pieces of machinery from time to time.

 

Some of the machinery was electrically driven and the company was gradually electrifying the whole plant. The mill had a close call in 1910, when the entire town burned, having caught from a nearby forest fire that swept over the mountain and down upon the cluster of buildings. In 1917 the planing mill adjoining the sawmill burned down and it was replaced by a larger and better plant, which is now standing.

 

A number of watchmen were placed on duty at the ruins last night and with lines of hose already streched, they will be able to cope with any blaze that might be caused should the wind come up and scatter embers about. Most of the women and children in the town, realizing the danger of the situation, packed up their household effects in automobiles and moved out of danger while other women remained behind and served coffee and cool drinks to the employee of the company and the outside firemen who were so valiantly fighting to save the town.

 

The Eugene firemen say that it was one of the hottest fires they ever fought even though they reached there after the mill was gone.

   

a minha vida está numa desanimadora dificuldade, isso é porque eu não trabalho imagina se trabalhasse ?

" parece criança a forma que ela age, olha só como ela fala !

ela parece tão só, delira rapidamente com suas próprias fantasias malucas, se envergonha por certas coisas que fala e se esconde debaixo do cobertor, suas sinceras desculpas são fajuntas e ela nem sequer abriga outro tipo de opinião.

arruma facilmente falsas amizades e terriveis confusões, nunca é normal observá- la e ela sempre solta um palavrão, sua bagunça infinita de pensamentos chegou ao fim, tadinha dela, nutrindo sentimentos por colegas de sala ! oh, darling lamento em te contar seus dias de luta e glória chegaram ao fim .... "

 

ps: a faxineira vem amanhã limpar as bagunças que fiz .

 

"child looks the way she acts, looks just like she talks!

she seems so lonely, raves quickly with their own fantasies crazy, ashamed of certain things that speaks and hides under the blanket, his sincere apologies are fajuntas and she even holds another kind of opinion.

false friends and easily gets terrible confusion, it is never normal to watch her and she always loose an expletive, his endless mess of thoughts came to an end, poor girl her harboring feelings for classmates! oh, darling sorry to tell you his days of struggle and glory came to an end .... "

Still having difficulty holding all the parts in my mind at once, I've decided to go ahead and join these two so there's one less thing to think about.

The one time Hainult Maternity Hospital in Lesney Park Road, Erith. Now a hostel for people with learning difficulties.

I ran into social difficulties getting photos of these two. I see them around the lobby casually hanging on or close to each other, so when I went to take their photo, I asked if they were a couple. Cue awkward silence with a, "...uh....yeah...."

 

So, this all started with these two thinking I'm a creeper.

 

But I had some ideas for photos that only really work if the people are "together", like you can see in the following two photos. Fursuit photos just seem a hell of a lot more interesting when there's more than one in the photo, and they have a real connection and chemistry together because they know each other so well and can work a cute scene together.

 

I did my best to ask them for a few quick poses without sounding like a pervert. The results are the following two photos.

As I had difficulty finding a location with an unobstructed view I missed the arrival of the winner at the finish line by about ten minutes. In case you don't know here are the results:

 

Geoffrey Ndungu won the Dublin City Marathon for the second year running in a time of 2 hours 11 minutes and 9 seconds. The time was outside last year's course record time of 2:08.33.

 

Paul Pollock from Belfast was the first Irish man home in ninth place in 2:16.30, ahead of Sean Hehir who finished in 2:17.50.

 

Magdalene Mukunzi was the first woman home in a time of 2:30.46 which was outside the course record of 2:26.13. Maria McCambridge was the first Irish woman through the finishing line in 2:35.28.

 

Luke Jones from Wales won the wheelchair section.

A total of 14,300 people registered for this year's race which was without a major sponsor for the first time in 20 years.

 

MORE PHOTOGRAPHS ...

As I had difficulty finding a location with an unobstructed view I missed the arrival of the winner at the finish line by about ten minutes. In case you don't know here are the results:

 

Geoffrey Ndungu won the Dublin City Marathon for the second year running in a time of 2 hours 11 minutes and 9 seconds. The time was outside last year's course record time of 2:08.33.

 

Paul Pollock from Belfast was the first Irish man home in ninth place in 2:16.30, ahead of Sean Hehir who finished in 2:17.50.

 

Magdalene Mukunzi was the first woman home in a time of 2:30.46 which was outside the course record of 2:26.13. Maria McCambridge was the first Irish woman through the finishing line in 2:35.28.

 

Luke Jones from Wales won the wheelchair section.

A total of 14,300 people registered for this year's race which was without a major sponsor for the first time in 20 years.

 

MORE PHOTOGRAPHS ...

SBC and JRU have to play the 1st half with the Araneta Coliseum scoreboard like this

After resolving major technical difficulties with my lab, I'm finally able to share some of this past weekends photo adventures with you. This week end was a trip south again to see my grandsons play soccer. This time we decided to travel down US 65 and back again. This is the south bound segment. We did beat the sun that day and were able to play the fantastic morning colors off the clouds. This only lasted until the clouds decided to gang up on us and rain. The shoots were still good even with that. Enjoy the trip down Route 69.

  

Luminance HDR 2.3.0 tonemapping parameters:

Operator: Mantiuk08

Parameters:

Luminance Level: Auto

Color Saturation: 1

Contrast Enhancement: 1

------

PreGamma: 0.64

 

Focus on Eldercare's response to COVID-19

 

At the purpose when the noxious impacts of COVID-19 showed first in Wuhan, the entire city and therefore the entire of Hubei Province ground to a halt. The lockdown of Wuhan brought remarkable torment and threatening difficulties for several individual occupants therein first focus. Presently, COVID-19 represents those equivalent difficulties for individuals and social welfare frameworks all-inclusive. Especially, it tests our aggregate endeavors to believe one another, particularly the foremost defenseless among us.

 

As a populace, individuals quite 70 will generally have more fragile insusceptible frameworks and progressively fundamental conditions that obstruct their capacity to battle the infection. They're likewise sure to dwell on bunch day to day environments, nearby people. Floods of COVID-19 passings in nursing homes — first within the Seattle territory, at that time on the brink of Sacramento and now during the country — have underscored this inauspicious reality. Up until now, Californians quite 65 have made up, at any rate, a fourth of the state's affirmed instances of COVID-19.

 

Be that because it may, guidelines, especially for helping living offices, are unsafely failing to satisfy the expectations in protecting California's older folks from this infection. Luck, Gov. Gavin Newsom's plan on Aging activity, as of now ongoing, presents an opportunity to forcefully address this peril and find how to secure an enormous number of more seasoned Americans.

 

Helped living focuses are an aid to the Eldercare business and therefore the enormous corporate proprietors that currently command the market. Simultaneously, in any case, an absence of guideline and oversight of staffing levels and capabilities — particularly prerequisites for on-location doctors and much prepared clinical experts — has left the business defenseless against misuse and unfortunate results. One glaring issue that has got to be tended to: helped living focuses are directed by the state Department of Social Services rather than the Department of Public Health.

 

In any case, it helped to measure maybe a piece of social welfare and clinical consideration conveyance framework, not only a direction for living. Propelled a year ago, Newsom's plan on Aging has framed a warning advisory group, is holding open gatherings and within the fall is planned to offer a 10-year plan which will address issues from lodging and vagrancy to crisis readiness to manhandle and disrespect. The venture has made a "Value Committee" to urge a contribution from a progressively differing gathering of residents and associations, including agents of the crippled network, Native Americans and other ethnic minorities.

 

Considering the spreading coronavirus general wellbeing emerging, it's basic that the representative's plan on Aging takes on an expansive and genuine open arrangement job. We weren't bothered with elevated level clichés for tending to the wants of the old. We'd like solid arrangements, solid guidelines with implementation teeth and a guarantee to continued oversight.

 

The Age of COVID-19

 

Older people who get themselves out of the blue alone without authority over their conditions are at specific hazards for an assortment of serious, even hazardous, physical and psychological well-being conditions, including a subjective decrease. Limitations on the opportunity of development ought to be proportionate and not founded solely on age.

 

COVID-19, as different irresistible melodies, represents a higher hazard to populaces that live in nearness. This hazard is especially intense in nursing or matured consideration offices, where the infection can spread quickly and has just brought about numerous passings. About 1.5 million older people individuals live in the nursing homes in the US, barring helped living offices and different settings making nearness.

 

Twenty-three individuals kicked the bucket in a flare-up at an office in Washington State in February and March, and the US Centers for Disease Control detailed 400 additional cases in offices as of April 1. On March 31, wellbeing experts in the Grand East district of France detailed 570 passings of older people in nursing homes.

 

Older people often end up in nursing homes due to governments' inability to offer adequate social types of assistance for individuals to live freely in the network, approaches that have put millions at included danger of getting the infection as a result of their organization. Governments ought to guarantee the progression of network-based administrations with the goal that individuals don't wind up in organizations without different alternatives.

 

Expound now on the roles played via care laborers in continuing the lives of the old during that emergency, and who, however dreadful themselves, by and by remain day in and outing inside the bounds of their wards to offer fundamental consideration.

 

Care supervisor Chang, the woman in charge of the consideration laborers among whom I led my hands-on work, coordinated the change of her ward into a self-sufficient fixed of a unit of care. The passage to her floor is carefully monitored; just fundamental conveyances are permitted, for instance, nourishment and clothing. Since nobody can enter or leave the structure, the flask for the older was transformed into a dozing region for care laborers. Despite the very fact that a lot of consideration laborers have their circle of relatives to require care of, they put that piece of their life under the control of others. Care specialist Lin, whose spouse died at the start of the pandemic, did not have the chance to completely grieve his passing due to incessant understaffing at Sunlight. She came back to figure following the burial service, despite realizing that she not, at now expected to figure at Sunlight to hide her significant other's clinical costs. Lin's arrival says much regarding her promise to her calling, to her colleagues, and to the old she had come to understand so well. My examination with care laborers recommends that it's an enthusiastic association and an awareness of other's expectations that propels them to remain the end of the day in care work. This is often borne out immediately.

 

Carefully add China is often seen as being grimy and unfortunate, thanks to an excellent extension to its nearby hook up with the realistic consideration required by slight, skilled bodies. Chinese consideration laborers are for the foremost part provincial to urban transients or urban specialists laid far away from previous state-claimed processing plants. In any case, direct consideration is intricate. In any case, its unpredictability goes unrecognized, or maybe disregarded by institutional powers that organize benefits and generalize the old as bodies to chip away at, to the disregard of their social-passionate necessities. As is valid with Sunlight, things which might typically undermine the keenness of care laborers, for instance, the absence of institutional acknowledgment for his or her enthusiastic work, are required to be postponed. Care specialists are currently centered around a shared objective: ensuring the gift assistance of the older. COVID-19 propels care laborers to consider what kind of care is required and the way to offer that care. It fills in as a channel through which the elemental beliefs of care are observed. Care is about common human weakness and our intrinsic association. Care laborers at Sunlight, in their aggregate every minute of everyday endeavors to secure the older, typify this ethic through their consideration. May the respectful regard, they hold of the older in their consideration redound on them and everyone consideration laborers overall who are fighting this pandemic on the bleeding edge!

 

Like the consideration laborers at Sunlight, the laborers in numerous nations are regarded human life so that we cannot be embarrassed to return clean with the leading edge about ourselves. Salute the spearheading staff who salutes our purposeful endeavors to handle the pandemic in numerous settings around the globe, within the daylight, yet additionally to ensure that veterans are appropriately treated, took care of and washed.

 

We all hope and pray that the coronavirus will soon be controlled and subdued. And that when the crisis is behind us, that we continue the important work of protecting the elderly and other vulnerable segments of our citizenry.

 

DONATE paypal.me/pools/c/8obn2hcLVG

 

How Can I Contribute in Times of COVID-19?

 

Write your testimony about the concequences from the time of Corona virus (COVID-19). Here is a great knowledge base about the effects of the Corona virus. Thank you for your story! article-directory.org/article/717/40/Emergency-Situations...

Vintage postcard by C-Star, no. SP236. Clint Eastwood in the TV series Rawhide (1959-1966).

 

American film actor and director Clint Eastwood (1930) rose to fame as the Man with No Name in Sergio Leone's classic Spaghetti Westerns Per un pugno di dollari/A Fistful of Dollars (1964), Per qualche dollaro in più/For a Few Dollars More (1965), and Il buono, il brutto, il cattivo/The Good, the Bad and the Ugly (1966). Later in the US, he played hard-edge police inspector Harry Callahan in the five Dirty Harry films, which elevated him to superstar status, and he directed and produced such award-winning masterpieces as Unforgiven (1992), Mystic River (2003) and Million Dollar Baby (2004).

 

Clinton ‘Clint’ Eastwood, Jr. was born in San Francisco, California in 1930. His parents were Clinton Eastwood, Sr., a steelworker and migrant worker, and Margaret Ruth (Runner) Eastwood, a factory worker. Clint has a younger sister, Jeanne. Because of his father's difficulty in finding steady work during the depression, Eastwood moved with his family from one Northern California town to another, attending some eight elementary schools in the process. Later he had odd jobs as a firefighter and lumberjack in Oregon, as well as a steelworker in Seattle. In 1951, Eastwood was drafted into the US Army, where he was a swimming instructor during the Korean War. He briefly attended Los Angeles City College but dropped out to pursue acting. Eastwood married Maggie Johnson in 1953, six months after they met on a blind date. However, their matrimony would not prove altogether smooth, with Eastwood believing that he had married too early. In 1954, the good-looking Eastwood with his towering height and slender frame got a contract at Universal. At first, he was criticized for his stiff manner, his squint, and for hissing his lines through his teeth. His first acting role was an uncredited bit part as a laboratory assistant in the Sci-Fi horror film Revenge of the Creature (Jack Arnold, 1955). Over the next three years, he more bit parts in such films as Lady Godiva of Coventry (Arthur Lubin, 1955), Tarantula (Jack Arnold, 1955), and the war drama Away All Boats (Joseph Pevney, 1956) with George Nader and Lex Barker. His first bigger roles were in the B-Western Ambush at Cimarron Pass (Jodie Copelan, 1958), and the war film Lafayette Escadrille (William A. Wellman, 1958), starring Tab Hunter and Etchika Choureau. In 1959, he became a TV star as Rowdy Yates in the Western series Rawhide (1959–1966). Although Rawhide never won an Emmy, it was a rating success for several years. During a trial separation from Maggie Johnson, an affair with dancer Roxanne Tunis produced Eastwood’s first child, Kimber Tunis (1964). An intensely private person, Clint Eastwood was rarely featured in the tabloid press. However, he had more affairs, e.g. with actresses Catherine Deneuve, Inger Stevens and Jean Seberg. After a reconciliation, he had two children with Johnson: Kyle Eastwood (1968) and Alison Eastwood (1972), though he was not present at either birth. Johnson filed for legal separation in 1978, but the pair officially divorced in 1984.

 

In late 1963, Clint Eastwood's Rawhide co-star Eric Fleming rejected an offer to star in an Italian-made Western. Eastwood, who in turn saw the film as an opportunity to escape from his Rawhide image, signed the contract. The Western was called Per un pugno di dollari/A Fistful of Dollars (1964), to be directed in a remote region of Spain by the then relatively unknown Sergio Leone. A Fistful of Dollars, also with Gian Maria Volonté and Marianne Koch, was a remake of Akira Kurosawa's Yojimbo (1961). Eastwood played a cynical gunfighter who comes to a small border town, torn apart by two feuding families. Hiring himself out as a mercenary, the lone drifter plays one side against the other until nothing remains of either side. Eastwood started to develop a minimalist acting style and created the character's distinctive visual style. Although a non-smoker, Leone insisted Eastwood smoke cigars as an essential ingredient of the ‘mask’ he was attempting to create for the loner character. Per un pugno di dollari/A Fistful of Dollars (Sergio Leone, 1964) was the first instalment of the Dollars trilogy. Later, United Artists, who distributed it in the US, coined another term for it: the Man With No Name trilogy. ‘The second part was Per qualche dollaro in più/For a Few Dollars More (Sergio Leone, 1965), a richer, more mythologized film that focused on two ruthless bounty hunters (Eastwood and Lee Van Cleef) who form a tenuous partnership to hunt down a wanted bandit (Gian Maria Volontè). Both films were a huge success in Italy. They both contain all of Leone's eventual trademarks: taciturn characters, precise framing, extreme close-ups, and the haunting music of Ennio Morricone. Eastwood also appeared in a segment of Dino De Laurentiis’ five-part anthology production Le Streghe/The Witches (Vittorio De Sica a.o., 1967). But his performance opposite De Laurentiis' wife Silvana Mangano did not please the critics. Eastwood then played in the third and best Dollars film, Il buono, il brutto, il cattivo/The Good, the Bad and the Ugly (Sergio Leone, 1966). Again he played the mysterious Man with No Name, wearing the same trademark poncho (reportedly without ever having washed it). Lee Van Cleef returned as a ruthless fortune seeker, with Eli Wallach portraying the cunning Mexican bandit Tuco Ramirez. Yuri German at AllMovie: “Immensely entertaining and beautifully shot in Techniscope by Tonino Delli Colli, the movie is a virtually definitive 'spaghetti western,' rivalled only by Leone's own Once Upon a Time in the West (1968).” The Dollars trilogy was not released in the United States until 1967, when A Fistful of Dollars opened in January, followed by For a Few Dollars More in May, and The Good, the Bad and the Ugly in December. Eastwood redubbed his dialogue for the American releases. All the films were commercially successful, particularly The Good, the Bad and the Ugly which turned Eastwood into a major film star. All three films received bad reviews and began a battle for Eastwood to win American film critics' respect. According to IMDb, Sergio Leone asked Eastwood, Wallach, and Van Cleef to appear again in C'era una volta il West/Once Upon A Time in the West (Sergio Leone, 1968), but they all declined when they heard that their characters were going to be killed off in the first five minutes.

 

Stardom brought more roles for Clint Eastwood. He signed to star in the American revisionist western Hang 'Em High (Ted Post, 1968), playing a man who takes up a Marshal's badge and seeks revenge as a lawman after being lynched by vigilantes and left for dead. Using money earned from the Dollars trilogy, accountant and Eastwood advisor Irving Leonard helped establish Eastwood's own production company, Malpaso Productions, named after Malpaso Creek on Eastwood's property in Monterey County, California. Leonard arranged for Hang 'Em High to be a joint production with United Artists. Hang 'Em High was widely praised by critics, and when it opened in July 1968, it had an unprecedented opening weekend in United Artists' history. His following film was Coogan's Bluff (Don Siegel, 1968), about an Arizona deputy sheriff tracking a wanted psychopathic criminal (Don Stroud) through the streets of New York City. Don Siegel was a Universal contract director who later became Eastwood's close friend, forming a partnership that would last more than ten years and produce five films. Coogan’s Bluff was controversial for its portrayal of violence, Eastwood's role in creating the prototype for the macho cop of the Dirty Harry film series. Coogan's Bluff also became the first collaboration with Argentine composer Lalo Schifrin, who would later compose the jazzy score to several Eastwood films in the 1970s and 1980s, including the Dirty Harry films. Eastwood played the right-hand man of squad commander Richard Burton in the war epic Where Eagles Dare (Brian G. Hutton, 1968), about a World War II squad parachuting into a Gestapo stronghold in the alpine mountains. Eastwood then branched out to star in the only musical of his career, Paint Your Wagon (Joshua Logan, 1969). Then, Eastwood starred in the Western Two Mules for Sister Sara (Don Sigel, 1970), with Shirley MacLaine, and as one of a group of Americans who steal a fortune in gold from the Nazis, in the World War II film Kelly's Heroes (Brian G. Hutton, 1970)). Kelly's Heroes was the last film in which Eastwood appeared, which was not produced by his own Malpaso Productions.

 

Clint Eastwood’s next film, The Beguiled (Don Siegel, 1970), was a tale of a wounded Union soldier, held captive by the sexually repressed matron of a southern girl's school. Upon release, the film received major recognition in France but in the US it was a box office flop. Eastwood's career reached a turning point with Dirty Harry (Don Siegel, 1971), The film centres around a hard-edged San Francisco police inspector named Harry Callahan who is determined to stop a psychotic killer by any means. Dirty Harry achieved huge success after its release in December 1971. It was Siegel's highest-grossing film to date and the start of a series of films featuring the character Harry Callahan. He next starred in the loner Western Joe Kidd (John Sturges, 1972). In 1973, Eastwood directed his first western, High Plains Drifter, in which he starred alongside Verna Bloom. The revisionist film received a mixed reception but was a major box office success. Eastwood next turned his attention towards Breezy (Clint Eastwood, 1973), a film about love blossoming between a middle-aged man and a teenage girl. During casting for the film Eastwood met actress Sondra Locke, who would become an important figure in his life. He reprised his role as Detective Harry Callahan in Magnum Force (Ted Post, 1973). This sequel to Dirty Harry was about a group of rogue young officers (including David Soul and Robert Urich) in the San Francisco Police Force who systematically exterminate the city's worst criminals. Eastwood teamed up with Jeff Bridges in the buddy action caper Thunderbolt and Lightfoot (Michael Cimino, 1974). Eastwood's acting was noted by critics but was overshadowed by Bridges who was nominated for an Academy Award for Best Supporting Actor. His next film The Eiger Sanction (Clint Eastwood, 1975), based on Trevanian's spy novel, was a commercial and critical failure. His next film The Outlaw Josey Wales (Clint Eastwood, 1976) was widely acclaimed, with many critics and viewers seeing Eastwood's role as an iconic one that related to America's ancestral past and the destiny of the nation after the American Civil War. The third Dirty Harry film, The Enforcer (James Fargo, 1976) had Harry partnered with a new female officer (Tyne Daly) to face a San Francisco Bay terrorist organization. The film, culminating in a shootout on Alcatraz island, was a major commercial success grossing $100 million worldwide. In 1977, he directed and starred in The Gauntlet opposite Sondra Locke. Eastwood portrays a down-and-out cop who falls in love with a prostitute he is assigned to escort from Las Vegas to Phoenix, to testify against the mafia. In 1978 Eastwood starred with Locke and an orang-utan called Clyde in Every Which Way but Loose. Panned by critics, the film proved a surprising success and became the second-highest-grossing film of 1978. Eastwood then starred in the thriller Escape from Alcatraz (1979), the last of his films to be directed by Don Siegel. The film was a major success and marked the beginning of a critically acclaimed period for Eastwood. Eastwood's relationship with Sondra Locke had begun in 1975 during the production of The Outlaw Josey Wales. They lived together for almost fourteen years, during which Locke remained married (in name only) to her gay husband, Gordon Anderson. Eastwood befriended Locke's husband and purchased a house in Crescent Heights for Anderson and his male lover.

 

In 1980, Clint Eastwood’s nonstop success was broken by Bronco Billy, which he directed and in which played the lead role. The film was liked by critics, but a rare commercial disappointment in Eastwood's career. Later that year, he starred in Any Which Way You Can (Buddy Van Horn, 1980), which ranked among the top five highest-grossing films of the year. In 1982, Eastwood directed and starred in Honkytonk Man, as a struggling Western singer who, accompanied by his young nephew (played by real-life son Kyle) goes to Nashville, Tennessee. In the same year, Eastwood directed, produced, and starred in the Cold War-themed Firefox alongside Freddie Jones. Then, Eastwood directed and starred in the fourth Dirty Harry film, Sudden Impact (1983), the darkest and most violent of the series. ‘Go ahead, make my day’, uttered by Eastwood in the film, became one of cinema's immortal lines. Sudden Impact was the last film in which he starred with Locke. The film was the most commercially successful of the Dirty Harry films, earning $70 million and receiving very positive reviews. In the provocative thriller Tightrope (Richard Tuggle, 1984), Eastwood starred opposite Geneviève Bujold. His real-life daughter Alison, then eleven, also appeared in the film. It was another critical and commercial hit. Eastwood next starred in the period comedy City Heat (Richard Benjamin, 1984) alongside Burt Reynolds. Eastwood revisited the Western genre when he directed and starred in Pale Rider (Clint Eastwood, 1985), based on the classic Western Shane (George Stevens, 1953). It became one of Eastwood's most successful films to date and was hailed as one of the best films of 1985 and the best Western to appear for a considerable period. He co-starred with Marsha Mason in the military drama Heartbreak Ridge (Clint Eastwood, 1986), about the 1983 United States invasion of Grenada. Then followed the fifth and final film in the Dirty Harry series The Dead Pool (Buddy Van Horn, 1988), with Patricia Clarkson, Liam Neeson, and a young Jim Carrey. It is generally viewed as the weakest film of the series. Eastwood began working on smaller, more personal projects and experienced a lull in his career between 1988 and 1992. Always interested in jazz, he directed Bird (Clint Eastwood, 1988), a biopic starring Forest Whitaker as jazz musician Charlie ‘Bird’ Parker. Eastman himself is a prolific jazz pianist who occasionally shows up to play the piano at his Carmel, CA restaurant, The Hog's Breath Inn. He received two Golden Globes for Bird, but the film was a commercial failure. Jim Carrey would again appear with Eastwood in the poorly received comedy Pink Cadillac (Buddy Van Horn, 1989) alongside Bernadette Peters. In 1989, while his partner Sondra Locke was away directing the film Impulse (1990), Eastwood had the locks changed on their Bel-Air home and ordered her possessions to be boxed and put in storage. During the last three years of his cohabitation with Locke, Eastwood fathered two children in secrecy with flight attendant Jacelyn Reeves, Scott Reeves (1986), and Kathryn Reeves (1988). Eastwood finally presented both children to the public in 2002.

 

In 1990, Clint Eastwood began living with actress Frances Fisher, whom he had met on the set of Pink Cadillac in 1988. They had a daughter, Francesca Fisher-Eastwood (1993). Eastwood and Fisher ended their relationship in early 1995. Eastwood directed and starred in White Hunter Black Heart (1990), an adaptation of Peter Viertel's roman à clef, about John Huston and the making of the classic film The African Queen (1951). Later in 1990, he directed and co-starred with Charlie Sheen in The Rookie, a buddy cop action film. Eastwood revisited the Western genre in the self-directed film Unforgiven (1992), in which he played an ageing ex-gunfighter long past his prime. Unforgiven was a major commercial and critical success; and was nominated for nine Academy Awards, and won four, including Best Picture and Best Director for Eastwood. Eastwood played Frank Horrigan in the Secret Service thriller In the Line of Fire (Wolfgang Petersen, 1993) co-starring John Malkovich. The film was among the top 10 box office performers that year, earning a reported $200 million. Later in 1993, Eastwood directed and co-starred with Kevin Costner in A Perfect World. At the 1994 Cannes Film Festival Eastwood received France's Ordre des Arts et des Lettres medal, and in 1995, he was awarded the Irving G. Thalberg Memorial Award at the 67th Academy Awards. Opposite Meryl Streep, he starred in the romantic picture The Bridges of Madison County (Clint Eastwood, 1995), another commercial and critical success. The film was nominated for a Golden Globe for Best Picture and won a César Award in France for Best Foreign Film. In early 1995, Eastwood began dating Dina Ruiz, a television news anchor 35 years his junior, whom he had first met when she interviewed him in 1993. They married in 1996. The couple has one daughter, Morgan Eastwood (1996). In 1997, Eastwood directed and starred in the political thriller Absolute Power, alongside Gene Hackman. Later in 1997, Eastwood directed Midnight in the Garden of Good and Evil, starring John Cusack, Kevin Spacey, and Jude Law. He directed and starred in True Crime (1999), as a journalist and recovering alcoholic, who has to cover the execution of murderer Frank Beechum (Isaiah Washington). In 2000, he directed and starred in Space Cowboys alongside Tommy Lee Jones as veteran ex-test pilots sent into space to repair an old Soviet satellite.

 

Clint Eastwood played an ex-FBI agent chasing a sadistic killer (Jeff Daniels) in the thriller Blood Work (2002). He directed and scored the crime drama Mystic River (2003), dealing with themes of murder, vigilantism, and sexual abuse. The film starred Sean Penn, Kevin Bacon, and Tim Robbins and won two Academy Awards – Best Actor for Penn and Best Supporting Actor for Robbins – with Eastwood garnering nominations for Best Director and Best Picture. The following year Eastwood found further critical and commercial success when he directed, produced, scored, and starred in the boxing drama Million Dollar Baby, (2004). He played a cantankerous trainer who forms a bond with a female boxer (Hilary Swank). The film won four Academy Awards for Best Picture, Best Director, Best Actress (Swank), and Best Supporting Actor (Morgan Freeman). At age 74 Eastwood became the oldest of eighteen directors to have directed two or more Best Picture winners. In 2006, he directed two films about World War II's Battle of Iwo Jima. The first, Flags of Our Fathers, focused on the men who raised the American flag on top of Mount Suribachi and featured the film debut of Eastwood's son Scott. This was followed by Letters from Iwo Jima, which dealt with the tactics of the Japanese soldiers on the island and the letters they wrote home to family members. Eastwood next directed Changeling (2008), based on a true story set in the late 1920s. Angelina Jolie stars as a woman reunited with her missing son only to realize he is an impostor. Eastwood ended a four-year self-imposed acting hiatus by appearing in Gran Torino (2008), which he also directed, produced, and partly scored with his son Kyle and Jamie Cullum. Gran Torino eventually grossed over $268 million in theatres worldwide, becoming the highest-grossing film of Eastwood's career so far. Eastwood's 30th directorial outing came with Invictus, a film based on the story of the South African team at the 1995 Rugby World Cup, with Morgan Freeman as Nelson Mandela. In 2010, Eastwood directed the drama Hereafter, with Matt Damon as a psychic, and in 2011, J. Edgar, a biopic of FBI director J. Edgar Hoover, with Leonardo DiCaprio in the title role. Eastwood starred in the baseball drama Trouble with the Curve (Robert Lorenz, 2012), as a veteran baseball scout who travels with his daughter for a final scouting trip. Director Lorenz worked with Eastwood as an assistant director on several films. Clint Eastwood is also politically active and served as the nonpartisan mayor of Carmel-by-the-Sea, California from 1986 to 1988. Shawn Dwyer at TCM: “Although a registered Republican since the early-1950s, Eastwood's politics, like the man himself, were that of a true iconoclast. Over the years he had voted for candidates from both parties and publicly denounced the wars in Vietnam and Iraq. And while he had initially wished President Barack Obama well during the start of his first term in office, Eastwood, became a vocal booster for Republican candidate Mitt Romney in the 2012 election, dissatisfied with what he viewed as Obama's inability to govern.” But cinema is Eastwood’s major career. He has contributed to over 50 films as an actor, director, producer, and composer. According to the box office revenue tracking website, Box Office Mojo, films featuring Eastwood have grossed a total of more than US $1.68 billion domestically, with an average of $37 million per film.

 

Sources: Shawn Dwyer (TCM), Yuri German (AllMovie), Bruce Eder (AllMovie), Wikipedia, and IMDb.

 

And, please check out our blog European Film Star Postcards.

A U.S. Sailor with the 2515th Air Ambulance Detachment conducts Pararescue training on Contingency Operation Base Basrah, Iraq, June 5, 2010. The training consists of two men repelling, one man in a litter, from the top of the airport control tower. U.S. Army photo by Spc. Christopher Wellner.

Having difficulty getting the advised 6 to eight hours of sleep an evening? Use the pointers below to rest better tonight. 1. Lower your thermostat. Dropping the thermostat in your residence to between 65 and 72 degrees has actually been shown in order to help you fall asleep much faster and stay asleep much longer. […]

 

www.dietsadvisor.com/7-keys-to-a-good-nights-sleep/

Further car difficulties... I had noticed the A4 was getting a little smoky, and unfortunately this was confirmed at the MOT when it failed on 'excessive dense blue smoke on acceleration', which sounded a bit harsh to me! Anyway, it passed later in the day after an oil and air filter change and with a warning that the turbo needs replacing as the oil seals are worn.

 

This picture's deliberately framed with the Fiesta, as I did consider changing the A4 for a Zetec S or ST (it would have to be this colour too), but after doing some sums I decided it was cheaper to get the turbo changed and stick with the A4. Plus I do really like it...

Taken at the Oakley, Utah Rodeo on July 3, 2008.

 

I can only imagine his thoughts right then. Probably not suitable for print.

As I had difficulty finding a location with an unobstructed view I missed the arrival of the winner at the finish line by about ten minutes. In case you don't know here are the results:

 

Geoffrey Ndungu won the Dublin City Marathon for the second year running in a time of 2 hours 11 minutes and 9 seconds. The time was outside last year's course record time of 2:08.33.

 

Paul Pollock from Belfast was the first Irish man home in ninth place in 2:16.30, ahead of Sean Hehir who finished in 2:17.50.

 

Magdalene Mukunzi was the first woman home in a time of 2:30.46 which was outside the course record of 2:26.13. Maria McCambridge was the first Irish woman through the finishing line in 2:35.28.

 

Luke Jones from Wales won the wheelchair section.

A total of 14,300 people registered for this year's race which was without a major sponsor for the first time in 20 years.

 

MORE PHOTOGRAPHS ...

Detectamos problemas desde la etapa de la infancia hasta la etapa adulta.

That's moi inside the Po Lin monastery. I'm very poor at self portraits as it is, and most of the pictures either had a twisted background or me looking awful. I eventually had a passing Chinese tourist click me inside the monastery. He seemed to have difficulty in comprehending what I was asking, but he eventually caught the drift. HK, Jan/ Feb. 2012

Meet Carl, I met him while waiting for technical difficulties to be resolved at a building inspection my company was to perform in Hoboken, NJ. I was there to take photos of the team dropping down a 28 story building in a window washers scaffold system.

While waiting for those problems to be sorted out I was just looking around and took a few shots of the NYC skyline from the waterfront park in front of the building we were to inspect. While sitting there I noticed Carl. He was just sitting watching people go by and was also watching me with my camera gear. I had seen this 100 Strangers group before and thought it would be good for me to get involved with to improve my portrait skills. I figured, why not start now? So I got up off the bench and approached this stranger. I introduced myself and told him of the project, I then asked if he would consider allowing me to photograph him for this group project and he agreed.

We mostly discussed his life and background, I pretty much just asked questions like an interview and he told me about himself. Carl is 63 years old, was born in Bremmerhaven, Germany. I told him of my early years as an Army brat and how when I was 12 half my life was spent in Germany as well. At which point he told me his father had been in the U.S. Army as well and had met his mother while stationed in Germany. Nature took it's course and he and his brother were the result. Unfortunately, Carl is currently unemployed and homeless and has lost touch with his brother and family over the years. He did get around a lot in his earlier years and had lived in Maine and Washington state and had many different jobs over the years. He said he drove trucks for years and had also been a scuba instructor for 15 years. It had been a passion of his and told me that I should try it. I said my photography was expensive enough as I have several friends who also scuba and know it is quite expensive as well. Carl also told me he was interested in photography years ago and was admiring my gear, he guessed pretty close to what mine cost which kind of surprised me. He then gave me some tips on the location we were at. He said in the early morning just as the sun rises the buildings of lower Manhattan light up with the sunrise. I knew this already as I have seen it when I commute into the city in the morning. (look like lower Manhattan is on fire when you time it just right) He also suggested the other side of the train station for the sunsets, which I will have to try as well. As I was wrapping up my shoot with him I decided to help him out a little, I reached for my wallet and he said, "You don't have to do that." I said sure I do, you gave me some valuable information for future photo shoots. I gave him some money and thanked him, he was thankful for my modest contribution and we parted ways. He left shortly afterwards, I hope he got something to eat with what I gave him but only he knows. Thank you Carl, and good luck!

 

This picture is #01 in my 100 strangers project. Find out more about the project and see pictures taken by other photographers at the 100 Strangers Flickr Group page

The future? Really?

model: brooke

Nothing else to say here

As I had difficulty finding a location with an unobstructed view I missed the arrival of the winner at the finish line by about ten minutes. In case you don't know here are the results:

 

Geoffrey Ndungu won the Dublin City Marathon for the second year running in a time of 2 hours 11 minutes and 9 seconds. The time was outside last year's course record time of 2:08.33.

 

Paul Pollock from Belfast was the first Irish man home in ninth place in 2:16.30, ahead of Sean Hehir who finished in 2:17.50.

 

Magdalene Mukunzi was the first woman home in a time of 2:30.46 which was outside the course record of 2:26.13. Maria McCambridge was the first Irish woman through the finishing line in 2:35.28.

 

Luke Jones from Wales won the wheelchair section.

A total of 14,300 people registered for this year's race which was without a major sponsor for the first time in 20 years.

 

MORE PHOTOGRAPHS ...

Difficulty can not be expressed by a mere pic.

gravelly terrain exponentiatly adds to the risk,

Difficulty with the tiles above the window was, that there is some kind of board, and no masonry. The carpenter made a nice and sturdy 'wall' of Fermacell, some kind of professional plasterboard!

ℹ️ Manhunt is a 2003 stealth game developed by Rockstar North and published by Rockstar Games. The first entry in the Manhunt series, it was released for the PlayStation 2 in November 2003, followed by Microsoft Windows and Xbox releases in April 2004. Set within the fictional Carcer City, the story follows James Earl Cash, a death row prisoner who is forced to participate in a series of snuff films, earning his freedom by murdering criminal gang members sent to hunt him on camera.

 

The game received positive reviews from critics and won several accolades, with particular praise directed at its dark, gritty tone and violent gameplay, although the combat and level design were criticized. Manhunt was subject to a significant video game controversy due to the level of graphic violence depicted, banned in several countries, and implicated in a murder by the UK media, although this accusation was later rejected by the police and courts. While not a commercial hit, Manhunt developed a substantial cult following and was followed by a stand-alone sequel, Manhunt 2, in 2007.

 

🚀 Destiny : 🏁 Let's Play (🎮 Video Game Universe) 🔽 🇬🇧

 

💡HOW ? 🔽

🎵 Music : [---]

🎥 Video : [~~~]

🎮 Game 🏢 Company 🔬 Engine 🐉 Serie : [###]

️ Play : [***]

 

📋WHAT ? 🔽

###

🐉 Manhunt

🎮 Manhunt [Blood Moon Mod]

🏢 Rockstar Games 🏢 Rockstar North

🔬 RenderWare

️ Computer

###

 

🎭 Style : 🔥 Action Adventure Fighting 🐱‍👤 Stealth 🎯 Third Person Shooter

☢️ Survival Horror ⏰ Current Era

 

📝 Type : 🔉 Audio of the Work ️ Language Integrate 🎵 Music 🙊 No Comments 🏆 Difficulty : Maximum 🔶 Work Edit 🔞 Adapt for Adult 😑 eMot on Serious ⌨️ Keyboard & Mouse 👤 Single Player Intelligence : Artificial 😰 eMotion Fear

 

🚸 May be present during the game : 💉 May Harm : Immoral/Psychopathy 💉 May Harm : Virtual Reality 💉 May Harm : Imprudence 💉 May Harm : Real/Virtual 💉 May Harm : illicit 💉 May Harm : Sex 💉 May Harm : Discrimination 💉 May Harm : Drug May Harm : Violent 💉 May Harm : Gross Language 💉 May Harm : Fear

 

✔️ DOWNLOAD: www.dropbox.com/sh/q14irdpecn4shd7/AAD2Yl4j9t98pLQ5r3prop...

 

📖HOW MUCH ? 🔽

⏳ Video From 5 Hours to 10 Hours

 

WHO ? 🔽

📡 Posted by Laurent Guidali

🎮 Play by Laurent Guidali

️ Video by Laurent Guidali (OBS Studio & Adobe Premiere Pro 2022)

🌅 Thumbnail by Laurent Guidali (Adobe Photoshop 2022)

 

~~~ *** 🎥 Video & ️ Play :

Laurent Guidali

📌 youtu.be/YsEIovNthv8

www.Etoile.app

~~~ ***

 

🕓WHEN ? 🔽

🎆 2021/2022 (Play)

🎆 2003 (2004 - Computer) (Game)

🕔 Real Time

⏳ Past

 

🔖 React with official Hashtags :

#Etoile

#ETL

#eXultation

What a mess Flickr was the night before last! I had difficulty adding titles to my uploaded images, comments didn't save and, after I had added a description to each of the 20 photos, the descriptions all disappeared. When I opened Flickr next morning, there was still no sign of them. Then, suddenly, they re-appeared. I also discovered that all the hundreds of photos from this trip that I added to the map are no longer on the map!!! Someone on the Help Forum told someone else to refresh a page and the map will appear again - and it works. Now, I can't add photos to albums - it looks like they are added, but when I check the album, some of yesterda's photos had not appeared. Suddenly, now appeared. Also, my descriptions appeared in duplicate! Today, 13 May 2019, everything I try to do on Flickr takes a long time to do.

 

My photos taken at the National Butterfly Centre, Mission, South Texas, have now come to an end, so you can sigh a huge sigh of relief : ) Today I added 22 photos taken at another place that we called in at later in the afternoon, the Valley Nature Centre. Unfortunately, we only had an hour there before closing time, but how glad we were that we found this place. The highlight there was watching 25 Yellow-crowned Night-Herons coming in to roost for the night in the trees, right where we were standing! What a great sight this was, and we were lucky enough to have a good, close view of these gorgeous birds, though in very poor light. We also saw some Purple Martins and their circular, hanging nesting "gourds".

 

On Day 6 of our birding holiday in South Texas, 24 March 2019, we left our hotel in Kingsville, South Texas, and started our drive to Mission, where we would be staying at La Quinta Inn & Suites for three nights. On the first stretch of our drive, we were lucky enough to see several bird species, including a Golden-fronted Woodpecker, Hooded Oriole, Red-tailed Hawk, Crested Caracara, Harris's Hawk, Pyrrhuloxia male (looks similar to a Cardinal) and a spectacular Scissor-tailed Flycatcher. This stretch is called Hawk Alley.

 

We had a long drive further south towards Mission, with only a couple of drive-by photos taken en route (of a strangely shaped building that turned out to be a huge, deserted seed storage building). Eventually, we reached our next planned stop, the National Butterfly Centre. This was a great place, my favourite part of it being the bird feeding station, where we saw all sorts of species and reasonably close. Despite the name of the place, we only saw a few butterflies while we were there. May have been the weather or, more likely, the fact that I was having so much fun at the bird feeding station. We also got to see Spike, a giant African Spurred Tortoise. All the nature/wildlife parks that we visited in South Texas had beautiful visitor centres and usually bird feeding stations. And there are so many of these parks - so impressive!

 

Tomorrow, I will be able to start sorting and editing images taken on Day 7 of our 13-day trip!

As I had difficulty finding a location with an unobstructed view I missed the arrival of the winner at the finish line by about ten minutes. In case you don't know here are the results:

 

Geoffrey Ndungu won the Dublin City Marathon for the second year running in a time of 2 hours 11 minutes and 9 seconds. The time was outside last year's course record time of 2:08.33.

 

Paul Pollock from Belfast was the first Irish man home in ninth place in 2:16.30, ahead of Sean Hehir who finished in 2:17.50.

 

Magdalene Mukunzi was the first woman home in a time of 2:30.46 which was outside the course record of 2:26.13. Maria McCambridge was the first Irish woman through the finishing line in 2:35.28.

 

Luke Jones from Wales won the wheelchair section.

A total of 14,300 people registered for this year's race which was without a major sponsor for the first time in 20 years.

 

MORE PHOTOGRAPHS ...

HUMPHREYS GARRISON — Despite the threatening weekend weather, July 3 and 4, both Koreans and Americans came to the aptly named Independence Park, here, to experience the U.S. Independence Day activities and the third Republic of Korea-U.S. Friendship Music Festival, at FreedomFest. Although the weather and some technical difficulties did prevent headliner, Sevendust, from performing, there was plenty of traditional Korean entertainment, including the Korean Ministry of National Defense Philharmonic Orchestra, which played before and after the fireworks. The weekend opened with a 5K Run, along with a One Mile Run/Walk for the kids in the Soldier Field area. Starting at 3 p.m. each day, there were free blowups and games available. Various units, Family Readiness Groups and organizations sold a variety of food on the Midway.

 

U.S. Army photos by Steven Hoover, Lee Hye-young and Jessica Ryan

 

For more information on U.S. Army Garrison Humphreys and living and working in Korea visit: USAG-Humphreys' official web site or check out our online videos.

1 2 ••• 28 29 31 33 34 ••• 79 80