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This photo was captured at the 2019 edition of Great International Developer Summit, April 22-26, Bangalore, India. #gids19
With 56,000 ATTENDEES benefiting over 12 game changing editions, Great International Developer Summit (GIDS) is the gold standard for Asia's software craftsman ecosystem for gaining exposure to and evaluating new projects, tools, services, platforms, languages, software and standards.
The 2019 edition of GIDS featured a convergence of eight broad tracks covering data, cloud, devops, software architecture, Java, dynamic languages, mobile development and modern web. With 200+ focused sessions, keynotes and full-day workshops, the program was packed with all that software practitioners need to determine which technologies will make the biggest impact this year.
Visit the official summit home at www.developersummit.com.
Photograph from Great Indian Developer Summit 2013 held in Bangalore, India, May 7-10, 2013, produced by Saltmarch Media. Photograph ©Copyright Saltmarch Media. Non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.
Adstuck(www.adstuck.com) has assembled a powerful, highly proficient and dynamic team with experience in developing immersive AR products to enhance communication and interactions at all media fronts. AR developers in Adstuck strive to bring the best in any product. Technologies employed by our AR experts are based upon fluid and scalable architecture, which allows our developers to provide solution over multi-platforms.
This photo was captured at the 2019 edition of Great International Developer Summit, April 22-26, Bangalore, India. #gids19
With 56,000 ATTENDEES benefiting over 12 game changing editions, Great International Developer Summit (GIDS) is the gold standard for Asia's software craftsman ecosystem for gaining exposure to and evaluating new projects, tools, services, platforms, languages, software and standards.
The 2019 edition of GIDS featured a convergence of eight broad tracks covering data, cloud, devops, software architecture, Java, dynamic languages, mobile development and modern web. With 200+ focused sessions, keynotes and full-day workshops, the program was packed with all that software practitioners need to determine which technologies will make the biggest impact this year.
Visit the official summit home at www.developersummit.com.
Artist....The King of Chalices card suggests that my power today lies in emotional availability. I inspire, protect and nurture with reliable compassion, respect, and affection. I am a master in the art and am secure enough in my role to connect to, express and pursue my hearts desire while defending the greater good of those who rely on me. I am empowered by consistency and patience while trust is my gift or Holy Grail.
¡otro lector contento con camiseta! En este caso, @bbpp , que manda orgulloso una fotaza de la camiseta "fundamental developer needs": sinergia.spreadshirt.es/sinergiasincontrol-necesidades-en...
As part of my little explorations of the villages of the Mont d’Or massif and the Saône river valley North to Lyon city, France, I decided to visit Chasselay on January 14, 2026, by a relatively clear and mild afternoon (15°C).
I brought along with me my lovely Rolleiflex 3.5F (1960-1964, see below for details) loaded with a Rollei RPX400 black-and-white film. The camera was equipped with a Rollei Orange 1.5—3 filter together with the original Rollei RII shade hood on the taking lens. The film was exposed for 125 ISO to compensate the orange filter absorption. Light metering was done using an external Minolta Autometer III equipped with a 10° finder for selective metering privileging the shadow areas or its opale dome for incident light integration.
When I came back to home, there was still a frame available ( frame Nr 12) on the film. I installed the Rolleiflex on a tripod to take the given scene at a real distance of 0.6m sing the close-up Rolleinar 1 (1 diopter) that also corrects the parallax error. The distance displayed on the Rolleiflex was 1.5m consequently. I connected my Godox Lux Master electronic flash to the Rolleiflex X-sync port and. Installed the Godox mini soft box LM-S25 and set the flash at 1/2 power. The exposure was determined using my Konica-Minolta Auto Meter Vf flash meter at f/22.
Documentary smartphone picture
January 14, 2026
69380 Chasselay
France
After the view #12 exposed, the film was fully rolled to the taking spool and was revealed in a Paterson tank with a spiral adapted to the 120-format film with 500 mL of Adox Adonal developer (identical to the original Agfa Rodinal in its formula of 1891) prepared at the dilution 1+25 . The film was processed for 12 min at 20°C with regular 10s agitation every minute.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta vertical macro stative device and adapted to a Minolta MD Macro lens 1:3.5 f=50mm. The light source was a LED panel (approx. 4x5') CineStill Cine-lite fitted with film holder "Lobster" to maintain flat the 120-format film.
The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic 15 (version 15.0.1 of dec. 2025) and edited to the final jpeg pictures without intermediate file. They are presented either as print files with frame or the full size JPEG's possibly together with some documentary smartphone color pictures.
About the camera:
I got this stunning Rolleiflex 3.5F from a French artist near Paris, France. The camera came in it original box and leather bag with accessories and a reference book year 1955. The whole kit is in a remarkable state of conservation.
The Rolleiflex 3.5F is the model-3 that Rollei-Werke Franke & Heidecke produced in about 50.000 units in Germany from 1960 to 1965. The Rolleiflex originates from 1928 for the very first model and was produced still in a limited number until the years 2000’s. The 3.5F model 3 was available etheir with a Schneider-Kreuznak Xenotar taking lens or the Call Zeiss Planar 1:3.5 f=75mm as this camera. The Rolleiflex, that was a quality reference for many professional photographers in the 50’s for the medium-format 6X6 camera’s. Many worked both with the Leica M3 (starting from 1954) as small-format 24x36mm camera and the Rolleiflex for other appliances. The Rolleiflex remained one of the most iconic and trusted camera of all the times.
This specific 3.5F is labelled on the right side with nice badge made of enameled brass « T » « Telos » that was the exclusive first French importer of Rollei to France until 1972.
The Rolleiflex 3,5 F model 3 is equipped with the Synchro-Compur central shutter MXV CR00 with cone-wheel differential. The distance scale is only in meters here with automatic DOF indication. Serial number with ‘3,5F’ prefix on of top name shield.
I detailed the camera and accessories and studied carefully the user manual and the book to before familiar this beauty before waiting for a quiet moment to prepare for a test film. I did not trust the old leather original neck strap to carry this precious machine on the field to avoid the real risk to drop the camera. I ordered a new one from a manufacturer in China for a safe operation of the field.
Made the trip to Salt Lake City to meet others in the React community and learn what others developers are doing with React at React Rally 2018. We made the best of our short trip to SLC with checking out the speakeasy within Bodega called The Rest, enjoying some classic video games at the basement barcade, Quarters, and celebrating Oktoberfest a bit early at Snowbird. Enjoy the pictures!
The Developer's big sign behind the fence. Notice how the wrought iron fence has been borrowed to create the Victoria Hill logo.
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