View allAll Photos Tagged Developer
Trondheim Developer Conference 2018
#TDConf18
Last gjerne ned og bruk våre bilder. Vilkår for bruken er at bildene brukes i sammenheng der Trondheim Developer Conference blir omtalt.
Bildet krediteres Trondheim Developer Conference / Wil Lee-Wright
Feel free to download and use our photos. Terms of use: Trondheim Developer Conference is mentioned and picture credit is Trondheim Developer Conference / Wil Lee-Wright
On January 22, 2025,Lyon, France, I had to pick-up my GOMZ Leningrad camera from the repair shop, unfortunately ... not repaired, due to some really stuck pieces. I decided to push my way to Saint-Georges through Saint-Jean to purchase some Rollei RPX 400 films to replace the used ones recently.
I brought along again in my bag my beloved year-1976 Olympus OM-1 MD film SLR that is one of my preferred camera of my collection (see bellow for details). The camera was equipped this time with a wide-angle OM-System lens Zuiko Auto-W 1:2.8 f=28 mm and loaded with a Rollei RPX 400 film which is the former formula of the Agfa APX 400. I appreciate this film giving a large tone ranges and quite good image densities even in low light.
For all the frames, the lens was fitted with a generic yellow 49mm screwed filter. The light metering was done through the lens (TTL) for 400 ISO using the camera built-in CdS cell and/or my external lightmeter Minolta Autometer III (at 200 ISO to compensate the filter absorption in the daylight and 320 ISO for artificial tungsten light) with the 10° viewer for selective metering privileging the shadows areas. The weather was milder (8°C) than my last session two days before but still cloudy.
Cathédrale Saint-Jean Baptiste, January 22, 2025
69005 Lyon
France
After completion the film was rewound and processed using 350 mL of Adox Adonal (Agfa Rodinal) developer prepared at the dilution 1+25 for 12min30 at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.1.1) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.
-----------------
About the camera :
My Olympus OM-1 MD was purchased from a local photography shop in Lyon, France, May 31, 2022.
Olympus OM-1 MD was commercially available from 1974 to 1978 and represented the fully mechanical SLR of a new class ("miniature SLR's") , smaller and lighter than any other SLR's of that time. It prefigured the size of most of the SLR's of the 80's.
The kit included the normal lens G.Zuiko Auto-S 1:1.4 f=50 mm in perfect condition, a Zuiko Auto-Zoom 1:4 f=75-150 mm with Olympus original rigid case, a Sigma Tele-Macro x2 converter, a small flash Olympus PE200 (GN 14 at 100 ISO) with case, A Crystal Titanium x 0.48 wide-angle converter (still never tested), and several 49 mm filters.
This specific OM-1 MD was constructed in Jan. 1976 according to the printed reference "ス ("su ") 615" on the back of the film plate.
The OM-system Zuiko Auto-W lens 1:2.8 f=28mm was purchased soon after from an eBay seller. To my experience it is one of the best 28mm lens I have in my collection leading to generally crisp and contrasted images.
Android Developer Training in Mumbai - Asterix Solution covers core java and all android app development modules such as History, Architecture, installation, configuration, android activities and database connection etc. Visit : www.asterixsolution.com/android-development-training.html
After enabling developer mode, it'll ask you to reset the device. Don't worry, it's just a reboot...all your data is safe.
--
Sent from my Palm Pre
On Saturday November 29, 2024. I went to Saint-Bonnet-de-Mûre, near Lyon, France for the last monthly meeting of camera collectors. I found there a stunning lens AF-Nikkor 1:1.8 f=85mm for my Nikon F4 (year 1989). There was also the same lens in the "D" version appeared in 1995 with the Nikon F5. "D" stands for "Distance" that is coded in this Nikkor lenses series and used for the 3D-matrix metering of the Nikon F5. I choose better the non-"D" significantly less expensive and that match better with the period of my Nikon F4 body. I found also a nice small Nikon shoulder bag all black, that I found discrete enough to carry the heavy and massive Nikon F4 that weight more than a medium-format camera.
After detailing the lens and checking the correct functioning fitted to the camera, I loaded on Monday December 2, 2024 an
Ilford HP5+ with the DX coded nominal 400 ISO film sensitivity. Due to some other businesses that took longer than expected, I had to wait a couple of days before going quietly to the "Parc de la Tête d'Or" for testing the lens.
The AF Nikkor lens 1:1.8 f=85mm was fitted with a protective Hoya Skylight (1A) 62mm screw-on filter plus its dedicated Nikon HN-23 metal shade hood. For focusing I used either the single autofocus mode or the manual mode on complicated scenes inside the tropical green houses. As for my medium-format sessions, I took a bit of time to note on a session ticket the main parameters (shutter speed, aperture, focusing distance, flash control mode, etc). When indicated, I used also my Nikon Speedlight SB-26 in the TTL mode.
View Nr 29: Body "A" mode with matrix metering giving 1/350s f/5.6, focus @ infinite
La Croix Rousse, Fort Saint-Laurent, December 4, 2024
Avenue de Grande Bretagne
69006 Lyon
France
After completion at view 37, the film was rewound using the rewinding motor (lever R1 then lever R2). During the film rewind (manual or auto) the view counter decrements and I switched-off the R2 lever just arrived at -2 to keep the leader out of the cartridge. I then processed the film developed using 300 mL of Adox Adonal (Agfa Rodinal) developer prepared at the dilution 1+25 for 6min at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta Auto Bellows with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14) and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG's together with some documentary smartphone color pictures.
--------------
About the camera :
Maybe it would have been better not to ask for this question: « what’s new do you have at the moment?» to my local photo store, because Christine grab underneath the counter, stating « I have that … » . What a beast ! A Nikon F4 in the exact state of the Nikon brochure year 1990, presented with the standard AF Nikkor 1:1.4 f=50mm. I was already hooked by the machine. After two days, I decided to buy it even with some little common issues found on early Nikon F4 (see below), fortunately not affecting the whole, numberous functions of this incredibly complex professional SLR of the year 1990’s.
Nikon F4 came to the market on September 1988 starting with the serial number 2.000.000. Fully manufactured in Japan (modules came from 3 different Nikon factories) the F4's were assembled in Mito, Ibaraki (North to Tokyo) Nikon plant (no more in the mother factory of Tokyo Oi like the Nikon’s F). When I lived in Tokyo in 1990-1991, Nikon F4 was the top-of-the-line of Nikon SLR camera’s. I saw it in particular in Shinjuku Bic Camera store when I bought there, in December 1990 my Nikonos V.
Nikon F4 incorporates many astonishing engineering features as the double vertical-travel curtain shutter capable of the 1/8000s. Compared to the Nikon F3, the F4 was an AF SLR operated by a CCD sensor (200 photo sites). The film is automatically loaded, advanced with to top speed of 5,7 frame/s !! With the MB-21 power grip (F4s version). The F4 is a very heavy camera (1.7kg with the AF Nikkor 1.4/50mm), incredibly tough and well constructed. This exemplary is devoid of any scratches or marks, and in a condition proving that it was not used for hard professional appliances, for those it was however intended. The camera has still it original Nikon neck strap, the original user manual in French. The lens is protected by a Cokin (Franc) Skylight 1A 52mm filter and the original Nikon front cap. The two small LCD displays (one on the F4 body, one in the DP-20 finder) are both affected by the classical syndrome of « bleeding ». Fortunately, all information could still be read. One says that 70% of the early Nikon F4 suffer from this problem but also found on other models.
According its serial number and the production rate of about 5000 units/month, this Nikon F4s was probably manufactured in Mito, Ibaraki, Japan in May 1989.
The camera was exported abroad thereafter attested by the presence of the golden oval little sticker("Passed" on the DP-20 viewfinder. In order to certify the quality production, two Japanese organizations, the Japan Camera Industry Institute (JCII) and the Japan Machinery Design Center (JMDC), joined forces to verify and mark the conformity of products for the foreign market. This is how, between the 1950s and 1980s, this famous little gold sticker was affixed, with the legendary "Passed", meaning that the device had been checked. Finally, when we say that the device had been checked, the production line had been checked because each device could not be checked individually.
____________
About the flash :
I received from a German seller for 50€ this Nikon Speedlight electronic flash SB-26 that was, at the time of Nikon F4, the most powerful dedicated Nikon flash (Guide Number 36 at full power and 100 ISO).
The SB-26 communicates with the Nikon F4 body (and many other Nikon camera's) and can be operated in many different modes including TTL real-time metering with automatic equilibration of the ambient light using the 5-zone matrix metering done by the DP-20 photometric viewer as well in the center-weighted mode. Other possibilities include the normal TTL mode, an Auto mode using the own sensor of the flash and a manual mode with 7 power levels.
The flash head can cover the optical field from super-wide angle lenses 18-20mm, wide-angle lenses 28mm and 35mm, normal lenses 50mm, and long-focal lenses at 70mm and 85mm. The head can be rotated according two axis for indirect lightening. In addition, the SB-26 has a special focusing aid for the Nikon F4 autofocus system, projecting in the the darkness a red focusing image. SB-23 flash can be also used as master or slave flash in a coordinated flash system.
The flash requires 4 AA alkaline cells for approximately 100 lights at full power and much more with energy recycling at lower power levels.
The Capital One bill-payment confirmation screen uses some bizarre IE-only JavaScript syntax for its "print this page" link.
Dear Capital One developers: um, yeah, thanks, I knew about File-->Print (or Cmd+P); I just felt like clicking the link instead tonight. This isn't 1995. You can use window.print() and trust that it'll work for about 99.9% of your traffic, whatever browser they've got, no?
</rant>
Nomad City Las Palmas de Gran Canaria 2018. Workshop for developers. Octubre de 2018. Fotos: Ricardo Nc
In the ever-changing mobile app ecosystem, Android has proven to be fastest growing mobile platform with largest global user base in comparison to iOS and Windows. Here are 4 top reasons why businesses should opt for experienced Android app developers to build mobile applications that drive their digital growth.
Build A Robust Mobile Application with Android App Developers
Fluper has Mobile Application Developers based India the Amazing up with technology made them expand and provide all possible technical mobile app development solutions for app. We offer some impressive apps in market.
More information visit here : www.fluper.com/hire-dedicated-developer