Ilford ID-11
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Strictly speaking, one never understands anything from a photograph - Susan Sontag, "On Photography"
Pitched detail of the Hiberus Hotel under the early evening sun (Zaragoza).
Architects: Martínez Lapeña - Torres Arquitectos, Barcelona (José Antonio Martínez Lapeña y Elías Torres Tur).
Developers: Zaragoza Urbana. Palafox Hoteles.
This horizontal-shaped building boasts a construction quite untypical for an urban hotel. Minimalist in many ways, it looks pretty cold for my taste, yet it neatly fits in its natural environment, smartly protected from the strong regional wind and the outside noise by glass and concrete walls, which are different in size to provide a unique perspective. // Este edificio horizontal exhibe una construcción bastante atípica para ser un hotel urbano. Minimalista en varios sentidos, tiene un aspecto bastante frío para mi gusto, aunque encaja muy bien en su entorno natural, inteligentemente protegido del fuerte viento regional y del ruido exterior por muros de hormigón y vidrio, que tienen tamaños diferentes para proporcionar una perspectiva única.
Taken during the week on the Rolleiflex on a foggy morning, Fomapan 400 film, R09 film developer, Ilford MGWT paper, Moersch 4812 paper developer, Moersch Selenium
Toned Kallitype,
Arches Platine, Sodium acetate developer, short (20 secs) Palladium pre-toning and after fixing alkaline Copper toner 1:30 mins.
(Image taken with an Analog film camera).
(Press "L" or click on the image for a large view).
Black & White Film: Arista Edu 100 @ISO 100.
Camera: Canon A2 (1992)
Lens: Canon EF 28-105mm f/3.5-4.5 II USM (2000)
Developer: Xtol 1:1 @78°f for 12 minutes,
Scanner: Plustek 8100 @3,600dpi. with SilverFast 8.
Editors: Adobe Camera Raw & Silver Efex Pro 2
(Location: Lake Louisa State Park, Clermont, Florida).
Thanks for your comments, faves and views, really appreciated!
On this stretch of the famous “Mother Road”—the primary US highway connecting the Midwest and West Coast from the 1920s through the 80s—the road is a pair of roadways—the now unused old road (where I stood to take the picture), which was washed out in several places west of Summit Valley by the floods of 1938, and the “new” road, on the left, built as the original road's replacement. As you can see on the hillside near the center of the image, an enterprising local rancher has cleared away the brush in the form of a “66” to commemorate the famous highway, across which generations of Americans migrated west, especially during the Dust Bowl of the 1930s.
Camera: Falcon Miniature (circa 1938, with Minivar 50mm lens)
Film: Rera Pan 100 127 film, developed in Arista Liquid Developer for 7:45 minutes @ 67 degrees, and scanned with an Epson V600 scanner.
Mountain Laurel (Kalmia latifolia) in bloom along the Bartram Trail, Scaly Mountain, Nantahala National Forest
Pentax K-1
SMC Pentax-A 1:2.8 24mm
Iridient Developer
Camera: Rolleiflex Automat 3.5 B (1955)
Lens: Carl Zeiss Tessar 3.5/75mm
Film: Rollei Superpan 200
Developer: Spur Acurol N
Location: Piano di Porlezza, Lombardia, Italia
Looking back towards a snow-capped Fairfield, seen between Gibson Knott and Helm Crag, while on the way up to Tarn Crag in Easedale. Seat Sandal fills in the gap.
Scaly Mountain Trail, Nantahala National Forest.
Note to self: come back next June for the Galax.
Pentax K-1
SMC Pentax-A 1:2.8 24mm
Iridient Developer
Small waterfall below Secret Falls, Nantahala National Forest.
Pentax K-1
SMC Pentax 1:3.5 35mm
Iridient Developer
Explored June 11, 2022
(Image taken with an Analog film camera).
A long term project will guide you and help you grow.
(Press "L" or click on the image for a large view).
Black & White Film: Arista Edu 100 @ISO 100.
Camera: Canon A2 (1992)
Lens: Canon EF 28-105mm f/3.5-4.5 II USM (2000)
Developer: Xtol 1:1 @78°f for 12 minutes,
Scanner: Plustek 8100 @3,600dpi. with SilverFast 8.
Editors: ACR / Silver Efex Pro 2 / ACDSee Photo Editor 11
(Location: Hillsborough River State Park, Thonotosassa, Florida).
Thanks for your comments, faves and views, really appreciated!
Cypress, fern, bromeliads, Grassy Waters Preserve, Palm Beach County, Florida
Pentax K-1
SMC Pentax 1:1.8 55mm
Iridient Developer
FED 5B
Industar 61 L/D 55 mm f/2.8
Ilford HP5+ expired 2020
Home made developer
(500 mL water
12 mL Sol. A: Pyrocatechol 80 g/L + Sodium Sulfite 12,5 g/L
7 mL Sol. B: Sodium Hydroxide 100 g/L)
Dev. time 12' @ 21 °C
Scanned from negative film
Epson V500
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
Kallitype
Hahnemühle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
Minolta Autocord, Kentmere 400 @ISO400, yellow filter, Caffenol CL-CS, 15°C starting temperature, 60 minutes, Zone Imaging Eco Zonefix.
(Crop from 4x5 negative shot with a Linhof Kardon Color and Fujinon T 400 f/8 lens on Fomapan 100; developed in Moersch Eco Film Developer; digitized with DSLR; edited with GIMP)
Striking tulip variety in intense red with fingered petals that resemble the foliage of a cutleaf Japanese maple (Acer palmatum dissectum) in autumn.
The Red color is a bane for CMOS sensors, always blows out in the SOOC JPEGs.
Best shoot in RAW and deal with the Red channel by manipulating the Tone Curve. Getting a little better with this, all done via Olympus' RAW developer "Olympus Viewer 3".
Handheld with m4/3 setup.
A coworker and I went to see the Valley of Fire State Park for an afternoon. The park is a 1h drive north-east of Las Vegas, Nevada. He is our star developer, who is very productive, and comes up with creative ideas. I took this shot with his Xiaomi Redmi 5 mobile phone.
I processed a photographic and a paintery HDR photo from a single mobile phone exposure, merged them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive feedback.
Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.
-- Xiaomi Redmi 5, HDR, 1 JPG exposure, 2019-03-04-sam-sheffres_hdr1pho1pai1f.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
************************
In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
I’ll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second look…
2021, Canberra
camera: Olympus XA
film: Rollei Retro 100 (bulk, bought in 2011)
developer: Phenidone+Vitamin C+Washing Soda
stop: vinegar @ pH 3.5
Fix: Pool Chlorine Remover
I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.
The comprehensive review can be found on my blog here:
amazingsky.net/2023/01/01/testing-raw-developer-software-...
Camera: Kodak Vest pocket camera. (Circa 1915)
Film: Rerapan 400 (expired July 2023)
Film format: 127
Aspect ratio 4 x 6.5 cm
Apperture: about f/11
Shutter speed: 1/25th ( assuming it's accurate)
Developer: Kodak HC-110 Solution B (6 minutes)
Digitised with Canon R5 so ignore the exif data
- Technically my wife took this shot. I set everything up and got her to press the shutter release :-)
Walker 5x7 XL camera + Nikkor 180mm f5.6 + Canham 6x17 Roll Film Back + B+W 3.0 (10Stop Filter). Exposure 2.5 Minutes.
Ilford Delta 100 Film + DDX Developer.
Leica MP
Leica Elmarit 28mm f/2.8 III
Ferrania P30
Adox Silvermax Developer (1+29)
11 min 20°C
Scan from negative film
Pentax MZ-S
Pentax smc FA 77mm f/1.8 Limited
Kodak T-Max 400
T-Max Developer 1:4 7 Minutes
Pacific Image Prime Film XA Slide & Negative Scanner
Sabal palmetto, Bald Head Island
590nm IR-converted Pentax K-5
SMC Pentax 1:3.5 35mm
Iridient Developer
Despite all the events that happened this year, I managed to visit the coast! This time, we went to Mandre, located on island Pag, and there I caught those boats anchored in the city harbour.
Taken with Minolta Dynax 5 film camera, and Minolta AF Zoom 28–85mm F3.5–4.5 zoom lens, on Agfa Vista+ 200 film. Scanned with Plustek OpticFilm 8100 dedicated film scanner with VueScan x64 9.5. Taken at wide-end, 28mm, with well closed apetrure - ƒ/11 and be there.
Bergger Pancro 400, 8" x 10", 320 iso, Normal development in Perceptol developer, 1:1, 17:00 minutes, 22C. Taken May 2021, Chamonix 810V 8" x 10" Field Camera. Fujinon C 450mm Lens. #25 Red Filter.
Abandoned Service Station, Two Hills County, Alberta.
Contactprint on Fomabrom 111 from a full plate negative.
White sides, dark lines et cetera, all artifacts from tray development of the negative.
-press L for about life size- 16,5 x21,5 cm
-Rosa new dawn- I think
Bronica S2 + Nikon Nikkor 75mm f2.8
Ilford FP4 plus 125 film / Adox Adonal developer / Epson v300 scanner