Ilford ID-11
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FP4 N+1 in Tanol,
WareΒ΄s New Cyanotype onto COT-320, developer Nitric acid 4 minutes,
Lead acetate toner 30 seconds
FP4 N+1 in Tanol,
Gold toned Kallitype after fixer,
paper HahnemΓΌhle Platinum Rag
developer Sodium acetate
Morning light on the marsh, Bald Head Island. Two-shot stitched panorama.
590nm IR-converted Pentax K-5
SMC Pentax 1:1.8 55mm
Iridient Developer
Affinity Photo
I keep the horses' riding tackβbridle, bit, and reinsβhung on brackets on the wall of the little hay barn, one set for Spirit and one for Andy. To keep the long reins from drooping down to the floor, where they would be imperiled by passing goat hooves and cat paws, I loop the lower end of the reins up over the mounting bracket, creating the droplet shapes shown here, caught in the morning light spilling through the barn door.
Camera: Vivitar 220/SL (circa 1976, with Pentax Super-Takumar 55mm f/1.8 lens).
Film: 35mm 100 ISO Arista.edu Ultra, developed in Arista Liquid Developer for 6:10 minutes @ 71 degrees, and scanned with an Epson V600 scanner.
Camera: Rolleiflex 3.5 A (1952)
Lens: Carl Zeiss Opton-Tessar 3.5/75mm
Film: Ilford FP4
Developer: Moersch eco
Location: Sulzfeld, Unterfranken
Latergrams sind Filme, die ich absichtlich, ohne sie zu entwickeln, eine Weile bei mir im Schrank liegen lasse - dieser ist im Juni 2021 auf einer kleinen Reise nach Sulzfeld am Main entstanden
Latergrams are Films i keep undeveloped in my cupboard for a while. This one was shot June 2021 on a short trip to Sulzfeld at the river Main
Sunset, Bald Head Island
I know this seems over the top, I haven't boosted the color (I rarely do) and at any rate this really is what it looked like.
Pentax K-1
SMC Pentax 1:3.5 35mm
Iridient Developer
Affinity Photo
The analogue photographs show the βDue Laghiβ region between Lago Maggiore and Lago di Orta in Italy/Piedmont.
Die analogen Fotografien zeigen die Region βDue Laghiβ zwischen Lago Maggiore und Lago di Orta in Italien/Piemont
# Camera: Rollei 35S
# Scanner: Nikon Coolscan 5000ED with VueScan Software
# Film: Ilford XP2
# Edited with Iridient Developer
Old Lystra Road
Chapel Hill, NC
Nikon F6
Arista EDU Ultra 200 @ ISO 160
Instant Mytol (1:1 Xtol equivalent)
The sodium acetate developer produces the coolest image tone in Kallitype.
One or the other user may well have doubts about this. If the results are not as cool as expected, this is not due to the developer but to the workflow. A really cool tone is only maintained if the print does not come into contact with tap water before fixing. If the print is rinsed with tap water after the developer or the clearing bath, the image tone will be significantly warmer. It is not a question of which shade is perceived as more pleasant, but rather an advantage to know how to control the colourfulness.
For toning before fixing (platinum, palladium, gold), a rinse cycle is advisable in order not to change the property of the toner by introduced acid. For all tonings after fixing, a cooler initial print has the advantage of a higher maximum blackening. This is not decisive for successful toning, but differences in hue and saturation become apparent.
Left: developer, Citric acid clearing bath 1% (with demineralised water), ATS acidic fixer.
Right with a short rinse with tap water after the clearing bath,
Kallitype
HahnemΓΌhle Platinum Rag, Potassium Citrate developer, ATS alkaline fixer:
untoned
MT10 Gold toner
MT3 Vario toner (thiourea)
Event: Weston Park Classic Car Show
Location: Weston Park, Weston-under-Lizard, Nr Shifnall, Shropshire
Camera: Canon EOS IX7
Lens(s): Canon EF 28mm f/1.8
Film: Jessops SHR200 - expired 2003
Shot ISO: 50
Light Meter: Camera
Lighting: Overcast & muddy
Mounting: Hand-held
Firing: Shutter Button
Developer: Bellini C-41 Kit
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
Illustrations/code-names for the development team here at work.
If you have a problem - if no one else can help - and if you can find them - maybe you can hire: The Developers.
In 1863 the first sugar factory was opened in Halfweg. After a few years, this sugar factory closed its doors, after which the N.V. Sugar Factory Holland settled there not much later. The factory was located on the site that includes the former Gemeenlandshuis Swanenburg. In 1919, the Sugar Factory Holland was transferred to the Central Sugar Company. This is how the name βCSMβ came about. From the mid-1970s, CSM grew into a large concern. The sugar activities became less important. In 1992 the factory in Halfweg was closed. Due to the closure, approximately 110,000 mΒ² of land surface was freed up for redevelopment.
In 2000 the site was sold to a project developer. The two silos of the sugar factory, where the sugar and molasses used to be stored, have been converted into modern offices and show areas. The two fifty-metre-high sugar silos, together with the lime kiln, form the landmarks of SugarCity. The silos are clad on the outside with metal panels with coloured lamps on them, which give a light show on the two towers in the evenings.
Schiphol
SugarCity is situated almost directly in line with on the runways of Amsterdam Airport Schiphol. This causes one of the external safety contours (10-6) to lie over one of the towers. The potential risk is such that it has been discussed for a long time whether so many people are allowed to be there and/or work there. A compromise was found. The towers were not allowed to be developed to the maximum with offices and workstations. Hence the show areas. This reduces the number of people present at any time, and as such the reduces the number of potential deaths if an aircraft would hit the tower(s).
Technical stuff
Iβve been offline for some time. This was due to a number of reasons. Not in the least caused by rather demanding work. Next to that I had numerous photography assignments like weddings, a cover photo for a book, family shoots and inaugural lecture at the University of Leiden. All great fun. But also time-consuming. However, I didn't want to let 2022 pass quietly, either. So I'll try to upload some pictures in the coming remaining days.
This fine art is the first. This ND long exposure is a 200ISO, f5.0, 181sec at 16 mils shot with my Fujifilm X-T3. Post-production was done with Lightroom. Finally, I added the copyright signs (in Photoshop). The latter is, alas, there to stay due to the frequent copying of my photos. So, don't bother commenting on that.
Cisternino - Puglia, southern Italy
Nikon F801S
VoigtlΓ€nder Ultron 40mm f/2 SL-II
Fomapan 400
D23 1+1 @20Β°C
Beginners in the technique of Kallitype often ask which developer they should choose.
Only a comparison of colour and tonal values with identical exposure time. To achieve the same level of blackness with the acetate developer, the exposure time would have to be slightly longer.
ΒΊ
Nikon F-801s
Nikon Series E 50mm Ζ1.8
Orwo DP31 @ ISO 12
Kodak D96_stock_22ΒΊC=>21ΒΊC_6.5min_constant+gentle agitation
6-panel stitch
ΒΊ
This is a bulk gas carrier and guess what. That is a gas power station in the backround
Shot from Portishead Quay as the BRO Developer approaches Avonmouth.
Overlooking the ocean at Emma Wood State Beach
Pentax MZ-S
Pentax smc P-F 35-105mm f/4-5.6
Kodak T-Max 100
XTOL Developer Stock 7 1/2 Minutes
Epson Perfection V550 Photo
IN ENGLISH BELOW THE LINE
Foto feta amb una Kodak Retina IIa (016), fabricada el 1953; objectiu Rodenstock Heligon f2 / 50mm; Fomapan R100, revelat revers com a diapositiva amb quimics alternatius (HC110a com a revelador, clorur ferric i amoniac com a blanquejadors, i Iron Out com a reexposador-rerevelador-fixador).
La inmensa i complexa cimentera Uniland de Vallcarca, al Garraf. Abans tenia el seu propi port i estaciΓ³ de tren.
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Picture taken with a Kodak Retina IIa (016), made in 1953; Rodenstock Heligon f2 / 50mm lens; Fomapan R100 with reversal developing using alternative chemicals (HC110a as developer, ferric chloride and ammonia as bleach, and Iron Out as magical fogging-redeveloper-fixer).
Uniland Cement factory in the Garraf coast near Sitges, Catalonia. Once it had it's own harbour and train station, but now those are abandoned (not the factory).
Every time I come to San Francisco, there is some kind of smart-ass billboard along the highway ... "ask your developer," it says.
Ask her what? Whether Twilio is better than some other provider? Whether the cloud is here to stay? Who comes up with these crazy signs?
Fortunately, it doesn't matter very much ... by the time I come back again, this billboard will have been replaced by something else just as mysterious.
Note: I chose this as my "photo of the day" for Nov 21, 2015
************************
In early November 2015, I flew from New York to San Francisco to take a weekend street-photography workshop under the tutelage of Eric Kim. As you might expect, I took gazillions of photos; but not all of them were specifically associated with the workshop itself. On the way out to San Francisco, I took a bunch of pictures with my iPhone; and during the weekend, I took a number of photos that had little or nothing to do with street-photography per se.
Iβll upload the photos in dribs and drabs during the next several days, and let you decide which ones are sufficiently interesting to warrant a second lookβ¦
There's this house, built out of the strongest ever-looking concrete blocks, it looks well built, but it's been sitting empty like this for quite some time now. Usually, it's only visible from the main road, from below, but I've found a road that goes just next to it.
Taken with Minolta SRβ-βT 303 film camera and Minolta MD Teleβ-βRokkor 135mm F2.8 telephoto lens on AgfaPhoto APX 400 film. Developed in Adox Adonal developer, 1+50 dilution at 22.5Β°C.
Scanned with Plustek OpticFilm 8100 film scanner using VueScan.
I've tested 9 programs for the purpose of processing challenging nightscapes and for preparing images for time-lapses.
The comprehensive review can be found on my blog here:
amazingsky.net/2023/01/01/testing-raw-developer-software-...
Ilford FP4+, 4" x 5", 100 iso, Normal development in Perceptol developer, 1:1, 11:45 minutes, 24C. Taken October 2019. Ebony SV45TU. Rodenstock Grandagon-N 90mm.
Wildly eroded sandstone, near Heron Rocks on Hornby Island, British Columbia.
Testing a new kind of film:
- really small grain
- perfect sharp
- high contrast
- does not forgive expose mistakes
- - -
Film: Rollei Retro 80S
Developer: Ilford LC29 (1:29, 13 min)
Stopper: Ilford Ilfostop Stop Bath (1 min)
Fixer: Ilford Rapid Fixer (5 min)
Scanner: Nikon CoolScan 5000 ED
Dune Evening Primrose (Oenothera deltoides), Anza-Borrego Desert State Park.
Pentax K-1
SMC Pentax 1:1.8 55mm
Iridient Developer
Or maybe more like a pile of sand at the landscape supplier.
Sunnyside, Georgia
Ilford FP4+ film developed in HC-110.
Event: NEC Classic Motor Show
Location: National Exhibition Centre (NEC), Birmingham, UK
Camera: Pentax ME Super
Lens(s): SMC Pentax-M 50mm f/1.7
Film: Ilford HP5+
Shot ISO: 400
Exposure: f/2.8 or f/2 - 1/60 mostly
Light Meter: Camera
Lighting: Overhead LED
Mounting: Hand-held
Firing: Shutter button
Developer: Ilford DD-X(1+4) for 10 mins
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
Minolta Dynax 505si Super
Carl Zeiss Jena Flektogon 35mm/f2.4
Ilford HP5+ @1600
Foma Fomadon Excel (stock, 20C for 13min)
Kiev 6C, Biometar 80/2.8, 6Γ6 cm 120mm rolfilm Fujicolor, studio. Shooting through the curved glass, scanner Epson 3200
Camera: Zenza Bronica C
Lens: 75mm Nikkor f2.8
Film: Ultrafine Extreme 100
Developer: Xtol
Scanner: Epson V600
Photoshop: Curves, Healing Brush (spotting)
Cropping: None
Chernivtsi (Tschernowitz), Ukraine
SLR Camera: Minolta Maxxum 9 Ti
Lens: Minolta Maxxum AF 50mm f1.7 RS
Film: Bergger Pancro 400
Filter: Π-2Ρ (Yellow)
Developed at home in Kodak D-76, 1+1, 20Β°C, 17 min.
(The negatives are very sluggish as the developer solution has oxidized and decomposed).
Film was scanned by Vasyl Salyga in Chernivtsi.
I am happy with the results. Thank you!
To see the pictures taken with this camera click here.
Thank you for your comments and Fav's.